#this is gonna do me so much good

[grassbreads]

Serialized media is so good I love you serialized media. I love you experiencing a story slowly I love you waiting and building excitement and theorizing every week/month between releases. I love you trails of breadcrumbs I love you cliffhangers and mysteries and suspense. I love you looking forward to installments I love you regular release schedules I love you having a story become part of your routine. I love you serialized media.

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[wolfram-but-art]

drew one of the memes in this person's post again

reblogs > likes

[delicourse]

i miss them a little if im gonna be honest

[daphnalia]

and they were galpals

[b4kuch1n]

polymer broadcast signal hijack

[tradingjack]

From the firmament above, a blood-red eye looks down upon us.

[piss-stained-jorts]

BABYGIRL YOUR SMILE GIV ES ME LIFE I LOVE YOU

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[crowsgrudge]

fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.

dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.

but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).

like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[chalkrub]

return of mendel

[mattodore]

playing with dionte's hair bc i'm procrastinating

[mblue-art]

once again i was fueled with coffee (did not sleep the whole night) but this time i doodled college au to cope bc ofc i did (also did not feel like sleeping wooo)

[ninja-knox-ur-sox-off]

Alright, here we go

First and foremost I want to talk about what flying bark's animation has meant to me.

In a world where every day I see 2d animation being rejected for cheaper 3d and puppet animation at every turn, Monkie Kid's animation was the one of the first things that gave me hope for the future of 2D animation. I can't tell you how long I've been wanting a 2D animated show, growing up I wanted one so desperately, I craved good animation amongst the stiff 3D and flat storytelling, so when I got it, when Monkie Kid happened, I was so unbelievably happy. It was everything I wanted in a show, gorgeous animation, excellent voice actors, romance free and friendly to my desperate friendship-craving, romance-overstimulated brain and written in a way I enjoyed so much. I struggle to describe exactly how much I’ve adored everything this show has been up until this point. It truly is a masterpiece.

Monkie kid has kept me company during the lowest and roughest points in my life. I got to such a bad place mentally but Monkie Kid’s fast-paced, snappy, detailed, colourful bright animation brought light into my darkest mental times and not only helped me stay connected with people but kept me creating even when I wanted nothing more than to lay on the floor and never move again. I'm aware most of the flying bark team is active on the bird app and none of them are gonna see this most likely but I still just wanted to say thank you. Thank you so much for animating this show, thank you so much for giving it your all. Thank you so much for giving me something I’ve always wanted so perfectly. Thank you, thank you, thank you. Thank you for keeping me company at my lowest, thank you for sharing your joy of animation so I could catch some of those rays of sunlight and feel a little of that joy too. Thank you for your positivity and good vibes, thank you. 

I know so many people have gotten inspiration from flying bark and I have to add myself to the infinite list. My art has improved so much thanks to their inspiration. My style has developed, I’ve had so much fun, I’ve written some of my favorite works ever based off of expressions that the characters make alone. My last amv I made because I was so grateful for the animation that we'd gotten up to that point. I wanted to showcase, to thank, to appreciate. I didn’t know it would be a goodbye. Words can't describe all that flying bark's animation and even their storyboards have done for me. When nothing could make me happy, monkie kid wormed its way into my brain and somehow kept me in one piece. I know that wouldn’t have been possible without the animation that left me at the edge of my seat, breathless and laughing over how incredible it really was every single time. Every new clip, every new episode I’d pause and rewatch again, I’d rewatch over and over, I’d take screenshots of every goofy background character, I’d screenshot every expression I could, I’d go through episodes frame-by-frame, literally one at a time for hours on end just so i could catch every detail, I’d open my eyes wider and wider to try and take in every bit I could in a way I’ve never been able to do before because there is nothing else out there like monkie kid. There was nothing as fun and as joyful as every single frame that flying bark gave us. And I am going to miss that so much.

The fact that season 4 was a sendoff is so heartbreaking to me, it's hard to describe how devastated I feel knowing something that kept hold of my hand when I was facing hard hard things in my life is suddenly gone. I don’t know how to ever express how important this show has been to me, it’s kept me going and helped me get to a place where I could breathe again. It’s connected me with some of the greatest people I know. It’s given me incredible experiences, introduced me to what animation could be and I can’t lie and say it doesn’t hurt having to say goodbye so suddenly. 

I know this isn’t the end of Monkie Kid as a show. I know season 5 is still coming. And I also know Monkie Kid has lost a huge part of what made it unique and special, a huge part of its heart and soul. Without flying bark it feels like half the show is missing and although I hope I can still support the show, no one can deny the cavern-sized hole that is left by flying bark’s absence in it. The animation team has such an incredibly positive atmosphere around them that just absolutely radiates from the things they create. I am going to miss that so desperately in monkie kid. I’m going to support every other show flying bark works on, I’m still going to love their animation wherever it goes, but I am going to miss it in monkie kid like nothing else I’ve ever missed.

I do have some other thoughts regarding the new changes in monkie kid but I wanted to keep that separate from the actual farewell, so that’ll be it’s own post and I just want to end this by saying thanks for everything Flying Bark you’ve been a real one. Thank you, thank you, thank you. You’re already being missed so hard it hurts. Keep those good vibes and keep up what you’re doing. You all really are incredible and an inspiration to artists everywhere. We love this show because of the voice actors, because of the writers, because of the music but a great deal of people loved this show because of you. You’ve inspired a community of artists, you’ve inspired me. Thank you flying bark for everything you've given us, you gave it your all and I’m gonna carry the impact you left on me for the rest of my life. 

LOVE YOU FLYING BARK. Here's to a bright future. Thanks for everything <3