- If there’s one thing I love, it’s difficult women. Nettle is as harsh as her name suggests. I love young Nettle with her dream magic and how completely kind she is to Thick. And I love older Nettle, who doesn’t mind hurting Fitz’s feeling for Bee’s benefit. She is unforgiving and always strives to do what she thinks is best - even if she doesn’t always know what’s best.
19. Thymara
- Definitely my favourite Rain Wild character. She had my favourite POV in those books as well. I liked how her story paralleled Sintara’s, with her dragon features becoming more beautiful, getting her wings, and her determination to be her own woman. I didn’t love that she ended up with Tats and ended up having a kid with him, but again, it mirrored Sintara’s mating with Mercor.
18. Starling Birdsong
- are we seeing a theme? Starling is so great because she simply does not care if people like her personality. She’s beautiful, she’s talented, and she got her song. The way she destroyed Fitz in Golden Fool was a peak moment in this series. And something i love so much is that no matter how much Fitz complains about her or thinks she’s annoying, he can’t help but like her.
17. Chade Fallstar
- I hate him, I love him, he’s the worst, he’s the best. I’ve said this before - I have complicated feelings about Chade but regardless, they are strong feelings. Ngl, I misjudged his age and thought he was about 80 in the first book so when he made it to the last book?? Incredible. His death got me in a way that I really didn’t expect it to.
16. Dutiful Farseer
- My boy! He had some great development from the most fifteen year old boy ever, to a genuinely good king. I loved his dynamic with Fitz in Fool's Errand. It was really on sight with those two and it was entertaining the entire time.
15. Selden Vestrit
- I saw someone say once that Selden felt like a random npc who managed to get a nat20 on charisma. He's great in Ship of Destiny, and fantastic in the Rain Wild Chronicles. His bond with Chassim was unexpected but so so lovely.
14. Molly Chandler
- I understand why people don't like her. Her character gets in the way of Fitzloved. Soz guys, but I've seen too many female characters get hate because fans were rooting for a mlm ship. Don't get me wrong, its frustrating but Molly never inserts herself in Fitz's life. It the other way around. I think people don't like her less because of who she is and more because of what she represents. She's a simple life, and is the face of Fitz's delusion. But I love her. She's down to earth, she's rough around the edges, she's a simple gal who wants a simple life.
13. Etta
- Etta!!! From a Divvytown prostitute to Queen of the Pirate Isles??? Insane, incredible, showstopping. One thing that I absolutely love about her that I think is overlooked is that, despite how much Kennit was pushing for it and how much Wintrow was pining for her, it did not even cross her mind to get with this 15 year old boy. Kennit is all like 'teach the boys your… skills.' and she's like, ah yes, I will teach him how to use knives. Queen behaviour.
12. Paragon
- Everyone's favourite murderous boat! His dynamic with Amber is great, and his friendship with Brashen is really underrated! He goes from being a grumpy old man to a bratty little boy in seconds (hmmm maybe the similarities between he and Fitz go past the face). He's unpredictable and he will kill again!
11. Althea Vestrit
- I fell in love with her immediately. She's rude to Kyle and then spends the next two weeks sleeping on the floor so she can be closer to Vivacia. She had my heart from the get go. Her ending will always leave a bitter taste in my mouth but none of it is her fault. She starts off a little immature and really grows into a woman worthy of captaining her own ship.
10. Wintrow Haven
- Ship of Magic!Wintrow has my entire heart. He frustrates me to no end with how he treats Vivacia but his arc is insane. He's generally an honourable guy. He frees the slaves and aids in the overthrowing of his father. He becomes a competent sailor and always shows Etta kindness. And despite his corruption by Kennit, he retains his moral compass and grows to be a good guy. I choose to ignore him in Ship of Destiny (just like Robin Hobb oops-) because I don't know who that man is :)
9. Malta Vestrit
- Without a doubt the best Liveships character. She has some of the best development I've ever seen. She's really the Amy March of Bingtown. She's self-centred, annoying, and that girlllllll. I love her so much. She's so clever and achieves so much.
8. Verity Farseer
- MY KING! treated Fitz like a human being which, in this book, is a step up from how most people treat him - especially when he's a boy. He's always a friendly face, even when he's so bogged down by defending the entirety of the Six Duchies with no thanks. He loved very honestly and had great respect for people who deserved it. And in the end, he made the ultimate sacrifice for his people for his folk.
7. Bee Farseer
- She's just as much my daughter as she is Molly's, Fitz's, Nighteyes', and Beloved's. She won me over so quickly, and just when I thought I couldn't love her more, she started biting. I hope one day we see more of her!
6. LadyPatience
- You should have been mine???????? Such a fun, unapologetic character. She is so herself. I feel so seen by her constant, ever-changing hobbies and messy room. She and Lacey are the duo of the century.
5. Burrich
- When I read a book and I fancy a character, I tend to stay loyal to that character. I can love all of the characters, but I only love one. I took one look at Burrich and knew i'd found my man. His parenting skills were questionable at time, but he was doing what he thought was right. He gave up his life to raise Chivalry's son. He stepped up and took care of Molly with no expectations. He raised Nettle like she was his own. Just a solid, good man.
4. Nighteyes
- The best parent in this whole series. He's sarcastic, he's clever, and he's got such an entertaining dry sense of humour. He's a great influence on Fitz and he isn't afraid to call him out. The Wit is such a fantastic aspect of this series and the wit-bond that Fitz and Nighteyes share is so so beautiful.
3. Kettricken
My Queen. I haven't felt this strongly about a character in a long time. Always a beacon of honour in a story of political intrigue, secrets, and betrayal. They really lucked out with this arranged marriage. Not a single person in this story deserved her.
2. Beloved
- Fool, Amber, Lord Golden, Beloved. What a character. every facet of this character is so interesting and deep and beautiful. Amber was THE character in Liveships, the Fool was THE character in Farseer, Beloved with THE character in Tawny Man. THE CHARACTER OF ALL TIME.
Daddy I love him is an Ariel quote, when Ariel gives up her voice for love. Taylor has given up love for her voice (career), but also not spoken up for what she wants most. But Daddy I Love Him is a continuation of a theme of how fame and fandoms have affected Taylor's personal life. What I love about this song is it sounds like an older Taylor Swift song, she embraces a country sound and speaks her mind.
While the parallels to the reaction to a relationship in May 2023 can be seen, this overlooks much of her experience with this behaviour. I don't mean to say it is not an element, but it is far from a complete story to say it is about ending a 3 week relationship with someone about whom she also said "And I'll forget you, but I'll never forgive" on the same record.
In her NYU Graduation address in May 2022 Taylor had part of the concept in this already swirling in her mind, a full year before she dated Matty Healy:
Having journalists write in-depth, oftentimes critical, pieces about who they perceive me to be made me feel like I was living in some weird simulation, but it also made me look inward to learn about who I actually am. Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely. Being publicly humiliated over and over again at a young age was excruciatingly painful but it forced me to devalue the ridiculous notion of minute by minute, ever fluctuating social relevance and likability.
What Taylor is referring to is the treatment by the media and fandoms throughout her career, but this was never more of an issue than 2012-2014. Nothing is a terrifying as a teenager on fledgeling social media. This TikTok creator describes it perfectly:
From tabloids, twitter, tumblr, even people who looked like Taylor were abused.
So yes, Harry has had and worn t-Shirt with the song title for years, and yes they have both dressed up as Ariel. But that is not all that makes this song about Taylor loosing her love over fan behaviour... it's because she did. She lost the love she wrote 1989 including "This love left a permanent mark / This love is glowing in the dark" about. And it continues today, there are a lot of people who still call Harry's partners vile names and think it is OK to treat others poorly because they suggest he could care for someone. I think anyone who's read this far knows exactly what I mean, probably first hand.
This affected Taylor the point the Clean Speeches on the 1989 Tour were on this topic, every night she talked about bullying, self worth and holding onto love.
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The 'Daddy' is not just the fans and media, but probably her team also. I think the varied shapes in the CDs are to show this comes in many forms and roles, not just one experience. As Taylor said to Rolling Stone in 2014 before 1989 was released:
Lyrics
[Verse 1]
I forget how the West was won
I forget if this was ever fun
I just learned these people only raise you
To cage you
Sarahs and Hannahs in their Sunday best
Clutching their pearls, sighing, “What a mess”
I just learned these people try and save you
‘Cause they hate you
For the international fans like myself 'How the West was Won' is a 1960's film about American colonisation. I think the opening 2 lines do 2 things, place us in a country setting and also tell us Taylor cares more about speaking her mind than what may be higher bigger goals.
The second half of this verse goes on to set out that it is fans who are approaching her love lost as trauma porn, and I am here for it.
I also note the cage reference, Taylor (and Harry) have a long theme of being caged or trapped by fame, she has a literal cage in her Nashville apartment, he has a cage tattoo and they have used cage, glass boxes, fishbowls, snowglobe imagery. Here she points out the fans are not really there for her, they are seeking to control her.
[Pre-Chorus 1]
Too high a horse for a simple girl
To rise above it
They slammed the door on my whole world
The one thing I wanted
The pre-chorus furthers that the final straw has been broken, she's been cornered by fans to give up something she cares for.
Vigante Shit "Ladies always rise above / Ladies know what people want / Someone sweet and kind and fun /The lady simply had enough"
Is It Over Now? "I was hoping you’d be there and say the one thing I’ve been wanting, but no"
That is the only time Taylor has sung about ‘wanting one thing' before. This also reminds me of the Delicate Behind the Scenes, where she said she got a note from a lover and wants to be with him but realises 'it can never be him'
[Chorus]
Now I’m running with my dress unbuttoned
Scrеaming, “But, Daddy, I love him
I’m having his baby”
No, I’m not, but you should see your faces
I’m telling him to floor it through thе fences
No, I’m not coming to my senses
I know he’s crazy, but he’s the one I want
In the chorus Taylor acts out a churlish child yelling at a father. The 'daddy' is many roles, her actual parents, fans, media and probably record company and PR people who told her she could be with the one she loved, throughout her life. She says the matching line to Harry's Kiwi, which has the same meaning.
Taylor 'floors it through the fences, fed up and unwilling to listen. This is great imagery, to break through fences, and also as metaphorical fences that have been placed around what considered acceptable for her. Cars are also a Haylor theme, including Run below and often used as a metaphor for their love escaping as it is here. (All I know is that you drove us off the road / Let’s get out of this town, drive out of the city, away from the crowds)
Is It Over Now?: Was it over when he unbuttoned my blouse?
Run: And my so-called friends, they don’t know I’d drive away before I let you go
In Kiwi Harry yells a tabloid line followed with it's none of your business. In his Harry's House ONO complete with pointing at the camera and crowd. Taylor also referenced these same tabloids headlines in the Reputation magazine.
Kiwi "I'm having your baby / It's none of your business"
[Verse 2]
Dutiful daughter, all my plans were laid
Tendrils tucked into a woven braid
Growing up precocious sometimes means
Not growing up at all
He was chaos, he was revelry
Bedroom eyes like a remedy
Soon enough, the elders had convened
Down at the city hall
In the second verse Taylor establishes that she has gone everything asked of her:
Style - "I got that good girl faith and a tight little skirt"
Style - "So it goes, he can’t keep his wild eyes on the road"
Yet is denied freedom and the elders decree the match is unsuitable. I think the elders are her team. She describes the muse as chaos and revelry. This is very reminiscent of the I Knew You Were Trouble introduction poem, but while in 2012 Taylor was contrite and said it was too much she now revels in the revelry:
"And the crazy thing is I don't know if I'm ever gonna feel that way again, but I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, how can the devil be pulling you toward someone who looks so much like an angel when he smiles at you? Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him it was losing me"
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[Pre-Chorus 2]
“Stay away from her”
The saboteurs protested too much
Lord knows the words we never heard
Just screeching tires and true love
The 'daddy' has now forbidden the love, this is reminiscent of Love Story: "And my daddy said, “Stay away from Juliet”
[Chorus]
And I’m running with my dress unbuttoned
Screaming, “But, Daddy, I love him
I’m having his baby”
No, I’m not, but you should see your faces
I’m telling him to floor it through the fences
No, I’m not coming to my senses
I know he’s crazy, but he’s the one I want
'Crazy' and Madness are a Haylor theme, particularly in the Blank Space music video, and these lyrics
Wonderland "And in the end, in Wonderland, we both went mad"
Kiwi "She's driving me crazy, but I'm into it (Oh) and "It's getting crazy, I think I'm losing it, I think I'm losing it"
But many more songs:
[Post-Chorus 1]
I’ll tell you something right now
I’d rather burn my whole life down
Than listen to one more second of all this bitching and moaning
I’ll tell you something ’bout my good name
It’s mine alone to disgrace
I don’t cater to all these vipers dressed in empath’s clothing
I love the last line, vipers dressed in empaths clothing, that is exactly what they are.
[Bridge]
God save the most judgmental creeps
Who say they want what’s best for me
Sanctimoniously performing soliloquies I’ll never see
Thinking it can change the beat
Of my heart when he touches me
And counteract the chemistry
And undo the destiny
You ain’t gotta pray for me
Me and my wild boy and all of this wild joy
If all you want is gray for me
Then it’s just white noise, and it’s just my choice
The only time Taylor has described someone as wild in lyrics is in Style "So it goes, he can’t keep his wild eyes on the road"
Afterglow "Chemistry until it blows up"
I love the end of the bridge, elsewhere on the record Taylor describes her long term relationship as grey, staid and boring. For many years some fans have shoehorned this person into lyrics because they want to see themselves in her, as they settle down they want her too. From my point of view some rather loud warning signs in songs were overlooked, or seen as 'she's remembering the past/when they first got together' to avoid accepting she was unhappy and wanted out.
Out of the Woods "The rest of the world was black and white
But we were in screaming color"
[Verse 3]
There’s a lot of people in town that I
Bestow upon my fakest smiles
Scandal does funny things to pride, but brings lovers closer
We came back when the heat died down
Went to my parents and they came around
All the wine moms are still holding out
But fuck ’em, it’s over
This verse is where I think it becomes clear than the 2023 lens is at best reminding Taylor of a past love, because that relationship never came back. Matty has said they never dated in 2014, there was no controversy around her attending concerts then. They dated for a few weeks then stopped talking, and of story.
However Harry and Taylor did sing about a hidden relationship for years. In fact Taylor wasn't connected to anyone else in a serious way for three years. In particular
Wildest Dreams: I said, “No one has to know what we do”
This Love "This love came back to me, oh, oh, oh"
I know places : "Somethin' happens when everybody finds out / See the vultures circling, dark clouds" and "we're bulletproof I know places (Hide) and you know for me, it's always you"
…Ready For It?: "Island breeze and lights down low, no one has to know"
I Know Places TV's lyric video for got a very TTPD themed look.
[Final Chorus]
Now I’m dancing in my dress in the sun and
Even my daddy just loves him
I’m his lady
And, oh, my God, you should see your faces
Time, doesn’t it give some perspective?
And, no, you can’t come to the wedding
I know it’s crazy, but he’s the one I want
Taylor is asking her fans, parents, media if they have grown up, from when they were teenagers playing with her real life, do they have perspective and willing to accept that she loves someone of her choosing?
And no, they can't come to the wedding, but I bet they have Eras Tour tickets....
btw cause I think some people still need to hear this, but the rose colored glasses coming off and the ‘revision’ to the meanings of her songs about joe was always gonna happen. with travis around or not. so saying she should focus on her new relationship is not the dunk you were thinking it is. like I keep saying it but she wrote him into her world, she included him in the world she wrote music in, and when she needed to, she wrote him out. why would he get to stay when he hasn’t earned that anymore? she would have kept him in, she even would have left the bad stuff in a box, but he didn’t seem like he wanted that part of her life. please can we all just realize that this is just such a normal reaction and end to a relationship and Taylor doesn’t need to ‘take the high road’ or whatever just because she’s in a new relationship. the reckoning of what happened was always going to be closing the chapter of the story she wrote for them. she’s releasing it whether you’re ready to reckon with her or not.