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spade-riddles · 3 months ago
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lostcauses-noregrets · 2 years ago
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By Rafael Motamayor, New York Times, Nov. 5, 2023
On Saturday, the final episode of the anime adaptation of Hajime Isayama’s “Attack on Titan” premiered on Crunchyroll and Hulu, ending an epic tale that started back in 2013.
Like the manga, which ran from 2009 to 2021, the anime was an instant hit, becoming one of the defining shows of the modern anime era, with spinoffs, live-action and video game adaptations, and even a comic book crossover with Marvel’s “Spider-Man” and “Avengers” titles.
Since the fourth and final season started airing in 2020, “Attack on Titan” has been one of the most popular shows on the internet — episodes have routinely trended on social media, streaming servers have occasionally crashed, the opening theme song became a rare anime song to hit the U.S. Billboard charts. Parrot Analytics said it was the most “in-demand” show in the world in 2021, a metric based on analysis of streaming, social media, search and other online behaviors. The manga has continued to be popular as well, selling over 120 million copies worldwide, and several of the published volumes have charted on the New York Times graphic novels and manga best-seller list.
What started as a thrilling yet relatively simple tale of a young boy seeking revenge against the giant humanoid monsters that ate his mother quickly evolved into a thought-provoking war epic. The tonal shift in “Attack on Titan” also came with one of the biggest heel-turns in modern anime, with the protagonist, Eren Jaeger, devolving into a radicalized monster threatening worldwide genocide.
Since the manga ended in 2021, there has been plenty of speculation and debate over Eren’s antagonistic turn and what the story’s ending means. Ahead of the release of the final episode, the manga creator Hajime Isayama, speaking through an interpreter, David Higbee, talks about the restrictive nature of writing and the story’s dark ending. These are edited excerpts from the interview.
The manga ended a couple of years ago, and the anime is just finishing now. How do you feel about the story coming to an end?
For this anime to be made and for that to go beyond the borders of Japan and to reach a worldwide audience is something that’s been a very happy occurrence for me. In a sense, “Attack on Titan” has connected me to the world, and that’s something that I’m very glad happened.
How much of the ending from the manga did you have in mind when you first began writing “Attack on Titan”? And how much did it change along the way?
That was pretty much there from the beginning, the story that starts with the victim who then goes through this story and becomes the aggressor. That is something I had in mind right from the get-go. Along the way, certain aspects of the story didn’t go as expected, and I adapted and fleshed out certain aspects. But I would say the ending of the story didn’t change much
There’s a much-talked-about scene where Armin, who is struggling with Eren’s turn into a mass murderer, seems to thank him for his actions. Can you talk about the meaning behind that conversation?
My thinking there wasn’t really that Armin was trying to push Eren away for the sake of justice or whatnot. It was more that he wanted to, in a sense, take joint responsibility. He wanted to become an accomplice. In order to become an accomplice, Armin had to make sure that he used very strong wording so that he could take those sins upon himself. And so that was the intent behind it.
You have a scene where Eren apologizes to a kid for the carnage he’s going to commit and says he was disappointed in the world he saw beyond the walls. What does that say about his motivation?
I think that refers to the fact that Eren was dreaming of going to this world outside of the walls where there was nobody and there was nothing. There was an excitement about this world that was just empty, a clean slate. I don’t really know whether that’s a good or a bad thing, and I don’t really know why that was the ideal that I set up for Eren as a part of this story. But what I can say is that, when he does get across the wall at that point, he says he sees that the world is really not that different from what’s within the walls in the world that he already knows. I believe that’s probably the disappointment that I’m referring to in that specific scene.
Eren says in the final episode of the anime that he had no choice but to follow the future that he saw, that he was powerless against the powers of the Founding Titan. Armin even asks if he’s really free. Was he telling the truth or do you see this as him telling an excuse?
So the truth is the situation with Eren actually overlaps in a certain sense with my own story with this manga. When I first started this series, I was worried that it would probably be canceled. It was a work that no one knew about. But I had already started the story with the ending in mind. And the story ended up being read and watched by an incredible number of people, and it led to me being given a huge power that I didn’t quite feel comfortable with.
It would have been nice if I could have changed the ending. Writing manga is supposed to be freeing. But if I was completely free, then I should have been able to change the ending. I could have changed it and said I wanted to go in a different direction. But the fact is that I was tied down to what I had originally envisioned when I was young. And so, manga became a very restrictive art form for me, similar to how the massive powers that Eren acquired ended up restricting him.
You have been involved in the anime production for a little while, supervising the adaptation’s storyboards, and have been known for asking for changes to the story in the adaptation. Did you personally ask for anything for the final episode?
Yes. Absolutely. I checked the script, but the main thing was the storyboards. There were different things I suggested. When it comes down to it, it’s really the role of the production to make those decisions. But I wanted to at least give my input so that they could take those into account when they were making the final decisions.
The manga ends with you showing the future of Paradis and sort of the cycle of war continuing. Is there no end to the conflict and the cycle you present in the story?
I guess there could have been an ending where it was a happy ending and the war ended and everything was fine and dandy. I guess that could have been possible. At the same time, the end of fighting and the end of contention itself kind of seems hokey. It kind of seems like it’s not even believable. It’s just not plausible in the world we’re living in right now. And so, sadly, I had to give up on that kind of happy ending.
[New York Times, 5 November 2023]
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majikuriboh · 9 months ago
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I guess Sukuna being scared of death is his only human trait
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you-know-i-get-itt · 5 months ago
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FUN FACT: one common model of an analytical machine learning program is called an artificial neural network, which is based off of the structure of a biological neural network which literally refers to how signals travel between neurons in your brain
so we LITERALLY built AI based off of our own brains how sick is that
oh hold up that’s so fascinating? how did they do that?? like did they. develop functions emulating synapses?
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morningstargirl666 · 3 months ago
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Hello, my name is Sarah, and I was wondering if you ever considered making Klaus’s dad Lyceon and his pack Sami. You mentioned that you didn’t like the canon thing that werewolves were Native Americans (I didn’t either btw), and decided to make Klaus’s father Scandinavian (genius!). But how would you feel of making them Sami? The Sami are an indigenous tribe that inhabits much of Scandinavia (mainly Sweden, but also Norway and Finland), and would make perfect werewolves in my opinion. They are also look white, so they would resemble Klaus, and they had a poor relationship with the Vikings. Which would be perfect for the Mikael vs Lyceon dynamic. They were also travelers, so I would believe a group of them could find the new world and settle there. It would also explain why they kept their distance with the Viking village that sprouted up nearby. Would love to hear your thoughts on this, thanks.
Hi Sarah!
I'd have to do more research into that, but that's a really cool idea! A lot of those details tie in nicely for what I've already built into the lore. Definitely something I'll think about!
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lovecatsys · 3 months ago
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Oh shit
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question-marked · 6 months ago
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What character archetype are you?
Main verse:
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Nemesis
You are the antihero, the antagonist, the villain. You are the conflict opposing the hero. This does not make you bad, this does not make you evil. There is no growth without conflict, there is no beauty without suffering. You are a necessary force driving the story forward. You are in pain, and violence feels like second nature to you. Your hands smell like blood, but remember, they don't have to forever. You will ultimately decide the ending of this story.
Detective Verse:
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Mentor
You are wise, calm, stable. The hero looks to you for support and guidance. Unfortunately, you are also going to die in Act I. You are the kind of person who seems placid on the surface-- you are the dependable friend-- but there is something roiling, and unpleasant under. You have spent a long time keeping the churning mass at your centre buried, but maybe it's time to let it out. You have nothing to lose, you are going to die in Act I.
Tagged by: @violetgleams (thanks for tagging me!)
tagging anyone who's interested, do this and say that I tagged you
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goongiveusnothing · 1 year ago
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Tayrry break up article
https://www.thesun.co.uk/tvandshowbiz/24929805/harry-styles-taylor-russell-crisis/amp/
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the960writers · 2 years ago
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Character In Action: A close reading exercise
11th October 2023 by KJ Charles
So I did a class on character building for a writing conference recently, which was an interesting experience, especially since it forced me to think about what I do instead of just doing it. (Which, as regular readers will know, ends up being the root of all my advice anyway. Think harder, look deeper.) As one exercise, I took the opening of a book I wrote and did a deep dive into analysing how it builds character. (I don’t use my own work for examples because I think I’m all that as a writer, by the way. I do it because I’m lazy and can’t be bothered to type long passages out from scratch when I could just copy paste my MSS.) Anyway, it was a really useful exercise (for me at least), so I’m going to reproduce it here.
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miraclemaya · 2 years ago
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"The very thought of feeding on her, shitting on her, fucking on her repulsed me unlike anything else." - They Were Here Before Us, Eric LaRocca
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sophieoverett · 2 years ago
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FOSTA seems to have weakened the natural resistance of fandom and internet culture at large to the US’s broader puritanical, anti-sex culture. The purity movement formally began in the ’90s within evangelical culture as a way of normalizing an abstinence-only approach to sex, especially among teens. In the modern era, the language of this movement has converged with that of trans-exclusionary radical feminists (TERFs), who enact a regressive approach to sex and gender expression.
“If you go into certain radfem forums, you’ll see language mirrored one-to-one,” Aburime told me, describing the way TERF rhetoric overlaps with and sometimes infiltrates fandom spaces. “It’s almost like a game — slipping some ideology secretly” into a fannish experience. “It’s misinformation under the guise of activism.” Like the US’s larger current moral panic over drag shows, LGBTQ people, and “groomers,” fandom’s culture has regressed toward sexual repression, attacks on sexual minorities, and censorship of art made by marginalized people. The shifts happening in fandom and across the internet help exacerbate this larger cultural shift.
Puritanism took over online fandom — and then came for the rest of the internet by Aja Romana, Vox, 2023.
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yardsards · 6 months ago
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everything in this life is temporary. except that fandom hyperfixation from when you were 14. that thang will be with you forever there's no escaping.
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nemesis-is-my-middle-name · 10 months ago
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that article going around abt firefox's new ad program is annoying bc it's phrased as though "mozilla has finally TURNED on its people and is SELLING YOU OUT for cold hard cash!!" when. that's not what's happening. it is specifically being implemented to discourage tracking behavior, and literally all the data they are giving to advertisers is aggregate and anonymized, which is like, the opposite of what that post wants you to worry about, lol
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bonefall · 4 months ago
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Is there beef with the Holstein cows and you or what was that joke lol
It's kind of wild It's just never come up on this blog before, but I HATE holsteins. Bottom 10 cow breeds for me. I hate how they're so common they account for the majority of milk produced. I hate that they're the "default" cow to the point where some don't even know cattle HAVE other colors. I hate their tiny horns (IF THEY EVEN HAVE THAT. LOSER ASS HORNLESS COW) and their painfully massive udders.
Legit I'm trying so hard to not launch into a No Mouth Must Scream style AM speech-- shoot my hand slipped.
(AM speech about why i dont like holsteins below the cut)
For starters, I have to give a brief lesson on what these terms mean; the "Holstein" is the American strain of the "Frisian" breed. Frisians are an ancient breed from Frisia, in the north of what we now consider the Netherlands. Crosses between the breeds are "Holstein-Frisians."
(There’s even more to this but im keeping it as simple as possible. Also one of my friends is Frisian and she is probably going to kill me for describing it like that.)
Historically, livestock was adapted to the environment they lived in. Frisians were bred by the Frisii people for hundreds of years in extremely grass-rich, lush, flat environments. The "polders" of the northern parts of the Netherlands. They're huge and eat a LOT of food.
Traditional Frisians were developed to produce as much meat and milk from a single individual as possible, without compromising the health of the cattle with constant inbreeding to get quick gains. We are talking about a breed that is over 2000 years old. They had the perfect environment to make The Ultimate Food Cow and by god they did it. I can respect that.
So, take that, drag it across an ocean to a place that does NOT have polders, and add the rapid enshittification of capitalism to it. BAM you've got a fucking holstein.
There is ONE goal for "improving" the holstein. Make More Milk. As long as the black and white milkbag leaks enough, nothing else matters. Health? Fertility? Feed ratio? Ability to not die of infection? WHO CARES. MILK LINE GO UP.
Over 90% of holsteins are inbred to start with, because Milk Line Go Up. To the tune of having an average COI of 8%-- where extreme negative effects (think Hapsburgs) start to crop up around 10%
Holstein bulls are aggressive bastards (many dairy bulls are), so no one wants to keep intact males in their herds, meaning most cows are artificially inseminated
Not being limited by the natural lifespan of a living bull means that the same stud can keep having direct offspring for decades after his death
Toystory the bull had 500,000 calves before he died, and hit over 1 million offspring in 2015. That's ONE animal and to put this in perspective, there are 9 million holsteins in the US.
DON'T WORRY IT GETS WORSE
Not only can 99% of holsteins be traced back to just two bulls-- 99% of male holsteins share one of two exact Y chromosomes with those two bulls.
The gene pool is so small that it's equivalent to about 60 individuals. Warrior Cat allegiances are larger than that. That's barely bigger than modern ThunderClan.
"Massive lack of genetic diversity" does not begin to capture the existential dread of this situation. Mark my words, WATCH, when the Bird Flu finally mutates a strain that rips through a mammalian population, it's gonna be in the USA and it's going to be through our dairy cattle.
This is not prophecy or me laying a curse on the land, this is the natural consequence of basing the stability of US milk production on the equivalent of 9 million clones of two classrooms worth of individuals, and then packing them in close quarters
And we don't have to wait for doomsday for the impacts to be apparent on the cattle themelves
Holstein fertility has also dropped by half since the 1960s when the intensive inbreeding really kicked into high gear
Because their whole body is dedicating all of their resources to milk production, they have a notoriously "bony" frame.
Show judges, however, like this because they think that's a very "feminine" look for a 1600 pound ruminant. Very normal thing to think.
Like. I don't know if i can communicate this to people who don't look at cows a lot (it's not quite as obviously dramatic as a pug skull) but here is a comparison of an "ideal" show holstein and an "unselected" holstein from a herd that's been established as a sort of "control group" for what they looked like back in the 1960s;
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The way that the artery on the "modern" cow's belly runs to the udder like a big pink worm freaks me out the most ngl
The udder also bulges out from between the back legs
The show cow is so thin
And then compare these both to a Holstein-Frisian cross who leans more on the Frisian side;
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Proper weight, developed legs. Its biggest "problem" is actually just the udder shape-- deep udders, which "hang" low like that, aren't optimal for milk-focused breeds because the higher away from the ground the less chance there is of infection. In that department, the "unselected" holstein clearly outclasses the holstein-frisian.
But it probably won't be surprising to hear that the "show holstein," with its massive, swollen udder, is SUPER prone to infections such as mastitis.
But it is also just more prone to getting sick generally
And, to keep up with these insane demands, holsteins need a TON of food. You aren't going to just turn these things out into a pasture and be done with it. Even its ancestor the Frisian needed premium Dutch polder grass to be such a good cow-- crank that up to 11 with these Monuments to Humanity's Hubrice
The Texas Longhorn developed in semi-feral conditions and can eat a bush to become the best thing in a 10 mile radius. The Scottish Highland was iron-forged in upland moors with a steady diet of turf and rain.
Meanwhile if a Holstein has less than 5 homemade meals a day without poland spring bottled water it will die to death.
And the WORST part? You have to use these if you want to make money in dairy farming. It's WAAY too expensive to just run a suboptimal farm. Their milk isn't great, but they sure do make a lot of it.
...so Holsteins and Holstein-Frisians (and other "super efficient" breeds) have absolutely decimated heritage cattle. The American Milking Devon is a deep reddish brown with gorgeous horns and low maintenance; rare. Randall Linebacks are painted with lines of white speckles down the back and can be used for any purpose; critically endangered. The Niata was a pug-faced cow who could fight jaguars; extinct.
And THAT'S what makes me hate them most of all. I LOVE cows, but whenever I see a reference to one, it's a holstein. It's always boring black and white splotches with big pink udders. They're practically synonymous with "cow" when their homogeniety is actually hiding much cooler breeds from you.
Did you know cows can be tiger-striped?
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And that England has its own type of longhorn?
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Or that cow horns can twist upwards like an antelope?
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And that they can have REALLY LONG ears?
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And that they can be blue?
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And that's not even getting into some of the cows that have gotten a small crumb of attention lately, such as Highlands, Ankole-Watusi, and Texas Longhorns. There's so many cool cows out there! And they're all really different from holsteins! MOST of them are also a lot healthier and produce tastier milk and meat!
TL;DR yeah i don't like holsteins and I like sniping at them. For reasons both legit and petty.
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filibusterfrog · 9 months ago
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types of wizards :)
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