#this isn't a criticism of those other shows at all

[son1c]

In all honesty thank you to responding to that anon like that, I have no idea how to articulate to people that criticism is not negative and it is so necessary to make something better, without people getting defensive and angry.

I will do anything to avoid conflict (due to some personal issues I have to work through) and I feel like I am never allowed to say anything without being put in the firing line of irrationally angry fans.

Anyways, all that to say, thank you for not letting people try to stop you from saying things that are necessary and in all actuality make the content more enjoyable for others

yeah, i feel like "criticism" has gotten a bad rap in recent times.

in reality, taking a "critical look" at things is neither positive nor negative; it, by definition, simply means "to question." why were these decisions made? who benefits from them? what are they trying to accomplish? these questions and more can help you deepen your understanding of a work.

it's unfortunate that so many people are so adverse to criticism. in my opinion, it's fun to think about things on more than just the surface level. to "dig deep" is, to me, what fandom is all about.

but things have changed. people don't want to think too hard about the things they "consume" anymore. "fast fiction" and media that's meant to be binged, not watched slowly and savored, are the norm now. it's created this frantic atmosphere that i don't like. people barely talk about one thing before already moving on to the next. where's the fun in that?

that being said, i don't think a lot of people who are the so-called "critics" do it correctly. i like to be overdramatic as much as the next guy, but spewing endless hate and writing "critical" posts that consist solely of exaggerated statements about things you clearly don't like is not criticism. maybe that's why people conflate criticism with negativity so often now. because those "critics" are really just haters.

it's a fine line. i think being able to tell the difference between good faith, well thought out, well researched criticism and rage-bait hatred is in and of itself, critical thinking. and i think it's a skill people on the internet desperately need to develop or at least improve.

because people getting defensive at the first whiff of anything less than 100% positivity isn't good for them. it makes you complacent. it lowers your standards. don't you want not just good shows, but GREAT shows? don't you want full, rich texts that are meant to be savored, not just consumed in a day and then thrown away?

if the people who make subpar media never get any pushback, then they never have a reason to make anything better, because they know whatever they make, no matter the quality, it will make them money. and i'm just not happy with that. i demand better. don't you?

[riddle-man]

look gotham might not be the perfect show but can we just appreciate the way it has a canon gay plotline, in the TEXT of the show and played by lgbt+ actors.

i love shows like hannibal and good omens as much as the next queer, they're works of art, but i can't deny that im tired of the most celebrated queer shows being subtext, up to interpretation, implied.

[undead-moth]

So The Bear ends season 2 with Carmy fucking up his pretty serious relationship with Claire. They spent an entire season developing this relationship between Carmy and Claire, and now it's over, and not just over, but abruptly and painfully over. Throughout this same season, they continue to develop Carmy and Syd's relationship, incorporating undeniable nods toward an eventual romance.

Then in season 3, they have Carmy dealing with the fallout of his painful fuckup, that ended a relationship that was, as I said, pretty serious, and was developed over the course of an entire season. They do this while continuing to develop Carmy and Syd's relationship, and while their interactions are mostly tense this season, they continue to incorporate blatant nods toward an eventual romance.

This is happening at the same time they have opened a restaurant, and Carmy is under enormous pressure, pressure that has been made worse by his breakup. Pressure to make the place a success, to live up to his potential, but also to make sure that Tina has an income, that he gives Marcus's mom what she wanted for Marcus, that Ebra, elderly and at the point where he really needs to be retiring, continues to have a job, that he doesn't endlessly waste his uncle's money, and crucially, so that the restaurant can earn that star Sydney is dreaming of, and that Carmy didn't even want.

And yet there are people genuinely criticizing The Bear for not canonizing SydCarmy this season, when...?

The man just went through a devastating breakup -

At the same time he opened a goddamn restaurant -

And is clearly going through the crisis of a lifetime -

And on top of that, he's just quit smoking.

Do you think, in real life, that it's realistic someone in that situation would immediately turn around and start seeing someone else? Do you think the writers would have spent a whole season developing Carmy's relationship with Claire, just for Carmy to shrug it off like it was nothing when it ends?

I'm even more baffled by the idea that SydCarmy not becoming canon this season is because the writers this whole time, have just been, what? Fucking with you? Straight-baiting you? Or do you think that just because they didn't canonize SydCarmy this season that this is indicative that they didn't intentionally allude to a future romance between Syd and Carmy?

I will tell you right now that The Bear is one of the most purposefully written shows I've ever seen. And while I will say that this season might be the weakest so far and wasn't what I was hoping for either - Nothing on that show is an accident. Nothing means nothing.

The writers of The Bear are too good to have accidentally implied SydCarmy was a thing. They are also far too dedicated to their vision for The Bear for them to be throwing things in just to fuck with you.

Have some patience maybe? When was the last time you watched a show that didn't hand you something the moment it was hinted at? Aren't you tired of watching shows that skip to the good part? Which is, as a result, not as good as it would have been?

[ancha-aus]

RealAgeAU Drabble - Work

Hello Hello! I am back because I had an idea :3 @spotaus get in here :3

First Drabble Prev Drabble Next Drabble

This one is when they have been about two or three weeks in Farmtale. So small 4 months since Nightmare deaged.

*----------------*

It had been an impulse decision to do this.

Dust peers into the back of the airconditioning unit as he checks it again.

It wasn't as if he wasn't used to fixing things. Before at the castle it had been his responsibility to make sure everything kept working. As he had the most experience from working with these type of machines and things.

It wasn't hard. Dust found it easy. It were always the same things that needed fixing anyway and there were only so many options.

He learned to be creative with how he fixed things.

So when the cash register had been broken it had been second nature to fix it. just remove the slightly burned through wire and fix the still working on back in place. Easy fix.

When Crop had been by the waterpomp Dust had navigated over there mostly to just have something to do.

Don't get him wrong, he is content to watch Nightmare and be the main go to to take care of him. But ever since they decided on that stupid idiotic backstory...

Dust isn't an idiot. He knows they are only acting overprotective to sell the story. He isn't sure how he feels about it.

Meaning he tried to stay busy. Best way to not let things bother you is to keep too busy to let them bother you. He watched Crop struggle with the pomp and Crop explained it was how they could get fresh water thgouth the pomp which had been connected to the generator.

But it hadn't been doing what it should and Crop had eventually given up. Sighing about how he would need to call someone in. Dust had asked why he hadn't done that right away if he didn't know much about machinery.

Crop had explained there there was only one company that worked all the way out there to their little town. and they were full of racists who had no problem overcharging their work and hourly rate and making them pay for things they didn't want. but they were the only option to pick from.

Dust had tilted his skull and sat down next to him wiht a simple "scoot."

Crop ended up letting Dust do his thing because it was broken anyway. Turns out if was just a pipe not fully connected and some gears in the generator that caused the disconnect. not the pomp.

As he said. Easy fixes. Once you know what to look for.

Which meant that Dust now did most of the actual tech stuff on the farm. It wasn't a lot and hardly took up his time but well... it is nice enough.

Then a day when Cross and Killer were out with Straw to get things someone had knocked on the door.

Aparently word got out that Dust can fix things.

They had spoken with Crop to ask if Dust had time to check somethings there. Killer, who had still been in the house, got all huffy and puffy over it.

Again that same overprotective act.

So that is why he said yes. Now he sits on the ground in some old person's home looking into the airconditioner as Killer should still be at the farm with Nightmare.

Dust is already anxious to get back and check on the babybones.

A huff It is pathetic how clingy you are. Scared he will realise he doesn't need you like you need him?

Dust ignores the voice as he closes the unit up again "That should work." just to prove his point he turns it on. it works like a charm and buzzes away as it gets to work cleaning and cooling the air.

The old man, the gerson of this universe, chcukles "Thank you laddie! I had been afraid i would have to suffer the last summer days in the heat." and he laughs.

Dust shrugs as he puts the tools he borrowed back together. he puts the tools kit back in the closet where Gerson got it from "No problem. easy fix."

Gerson laughs as he wheels himself into his kitchen "Seems so! I did not even have time to offer you tea! That is how fast you were!"

Dust shrugs "Why take an hour for somethign that only needs ten minutes?" seems like a waste of time. He looks around and spots an old tv which is unplugged. mh.

Gerson exits the kitchen with a small teaset "I do hope you will take a moment to enjoy some tea before you return?"

Dust shrugs "may as well." He has to wait until Crop picks him up. he could of course shortcut back but that would just raise even more questions.

another loud laugh Yeah! People will question how you seem so skilled yet are utterly useless! Honestly how they haven't decided yet that you are too weak to be entrusted with a babybones is beyond me!

Dust stares at the slowly filling cup "Why is the tv unplugged? annoyed with the news?" talk. just talk about anything.

Gerson shoots the offending furniture a look "oh none of that. I think the screen burned through or something. and a new one is too expensive."

Dust hums as he stares at the tea. Then he stands up and walks to the tv. he pops it open and takes a look. yeah some stuff is burned through but he can probably... if he uses something to replace that and most places have some glass... "Mind if i try some stuff?"

Gerson laughs loudly "go for it! It is junk anyway!"

Dust nods and starts to search the house. Moving silently and effortlessly through the space. He will once in a while hold up somethign to Gerson and Gerson will either give him the go ahead or ask him to put it back. He only told dust to put something back once.

With his replacements ready he gets to work on the tv. the tv is a bit of a harder challenge. mostly because a lot needs to be replaced or fixed before it could work. But at the end Dust messes a bit with the buttons and it turns on again.

Dust hums "That explains why i didn't find any leds or anything that i could replace with the led lights." it is still a black white television. mh.

Gerson laughs again "Well I will be! I didn't expect you to be able to fix that old junk!" he laughs some more before shooting him a glance "I take you were planning on schooling for technalogical stuff?"

Dust blinks before he looks to the side. quickly reminding himself of his story "I guess. never made a decision on that."

Gerson nods as if that makes perfect sense "It is very mature that you decide to focus on your child. but now that you have so many people to assist you could look into college?"

Dust snorts as he rolls his eyes "nah. I don't need that." they are already too focused on that stupid story and how that portrays him.

Papyrus flies around the edge of his vision oh suuuure how it portrays you. But that is the problem you have wiht it? isn't it? Because it does show that you are pathatic and an idiot and can't be trusted. It shows how much weaker you are compared to them. you know it is a matter of time before they start connecting the dots with this fake you and the real you.

Dust stares at the dark liquid of his tea.

Gerson hums as he looks at him considerate "We all are young once... stupid choices are part of that..." Gerson keeps staring at him "It is a shame you had no help to help you with yours."

Dust glares at him "safe your pity. I don't need it." keep it in. keep it in. don't make a scene. don't make a scene.

Gerson chuckles but still looks sad "Yeah. I can imagine."

Dust glares. He hates this. He hates this stupid story. He isn't some dumb weak monster that got goo-goo eyed and lost a child because of that. He doesn't want to be known for that. he... he doesnt want that to be how they see him. He doesn't care how most people see him. They don't matter... but... but... what if...

papyrus laughs again So much for not going goo-goo eyed. That laugh rings through his skull.

Silence follows and Dust prefers it. Still he leaves the small couch and table and searches the house. He saw a few things that could still be fixed.

Stay busy.

Don't think.

By the time that Crop finally comes by to pick him up with the car everything he could find is fixed.

Crop looks between them nervously and smiles "So... how did it go?"

Dust huffs "fine..." and he walks towards the car.

Gerson rolls a bit after them "Wait a moment laddie!"

Dust lets out a loud sigh and Crop shoots Gerson a nervous look "Is something wrong?"

Gerson takes out his wallet and looks through the bills before holding out some cash.

Dust stares at the held out money before looking back at Gerson hoenstly feeling insulted "I thought i said i dont need some stupid-"

Gerson speaks louder "payment for fixing my things! YOu were a lot quicker and cheaper than the service i normally use! Here you go! what i normally pay the other service for an hour!" and he just keeps smiling brightly as he hold sout the cash.

Dust stares at gerson but takes the money, don't cause a scene. he stuff it in his pocket before huffing "whatever."

Crop and him go towards the car and Dust takes out the money to count it.

Wait a minute...

Dust frowns "Crop?"

Crop hums "yeah?" he seems in a very good mood.

Dust frowns at him "How expensive is stuff in the universe? like. how expensive are a week groceries for someone?"

Crop blinks as he shoots him a look "Oh you are asking something there... mmh... I think about 35 to 40 for each person, if you have to buy it all... I am not completely sure as we grow a lot ourselves and we trade with our fellow farmers."

Dust frowns at the cash "Then why was i paid like 200 for just an hour of fixing stuff?"

Crop snorts "I told you. the other service that normally comes out here asks a lot for some basic stuff. I can only assume that Gerson was happy with how you fixed his air conditioning in an hour wihtout trying to make him buy more things than he needed."

Dust frowns before putting the cash away.

They get back and Killer rushes to meet them. Looking anxious as Dust gets out of the truck "Dusty! Everything fine? no shady shit? I told you we shouldn't be out on our own with people here!" Killer hangs all over his shoulders. Dust looks around and sees Horror and Cross both on the porch with Nightmare by them.

Papyrus giggles wiht sick glee See? You are just a source of worry. They don't trust you. They probably never truly trusted you or your abilities. Wouldn't it be more fun to show them just how dangerous you are?

Dust shrugs to try and get Killer off but the guy has a hold of a leech. So he sighs "It went fine. Nothing to worry about."

They get back to the others and Cross smiles as he asks if everythign was fine. Dust sighs and repeats his answer of before. Horror just smiles in greeting before giving Nightmare back to him.

That actually calms him. Nightmare hums happily as he pushes his skull by Dust's neck and chin and Dust holds the tiny being close. Feeling the fast flutter of Nightmare's magic slowly calm down to go at his own soul's and magic rate is still amazing.

The voice of Papyrus finally goes quiet again.

It is fine. Dust doens't care with others think abut him. Not when what he gets back is this. It will just take some getting used to but he will be fine. It is annoying and sad that the others won't see him as trustwrothy anymore but even that is fine as long as he can hold his baby close.

He is fine.

*-----------------------*

First Drabble Prev Drabble Next Drabble

[angeltism]

"spar.kle is fictional who cares" I have seen people praising her for her racist anti-romani comments what the fuck kind of world do you live in

[musical-chick-13]

So the problem is. That I don't want to call Ten-cubed "fourteen." I think Ncuti should be. Fourteen. He IS fourteen.

But if I want to talk about Ncuti's specific incarnation of this character. And make it clear that I am talking about him. I will have to call him "Fifteen." But doing that means that everyone involved in this ridiculous naming decision wins.

[bombshellsandbluebells]

now that I’m dragging my mental health back to a semi-decent place and feel like I might have the energy to like....write literally anything again, at some point I’m going to write about the importance of critiquing within the context of a written story

as in, critiquing narrative points completely without any consideration of how they are contextualized in the story is a bit unfair.

as in, I continue to see things about the Ted Lasso finale that annoy me. not because people had a different read of the finale or disliked different things than I did - or that they’re critiquing it at all; there’s plenty I will critique or would have done differently - but like, saying things like “Ted going back home to Kansas is bad because he’s clearly miserable about it” is an unfair reading when, within the CONTEXT of the story, it’s not framed that way. regardless of whether it was a choice you liked or how you would have wanted things to end, it’s not framed in the story as a) a bad thing, b) a miserable sacrifice, or c) a thing that Ted is upset about. so there’s a difference between saying “I don’t like Ted going back home to Kansas at the end because to me that doesn’t read as a happy ending’ and “the finale objectively frames Ted going back as a bad thing because it makes him unhappy” 

and this isn’t JUST a critique on criticism in regards to Ted Lasso. it’s the nature of fandom criticism in general. “I didn’t like this thing” becoming “this thing is objectively bad in the story” or even “this thing is portrayed as objectively bad bc of this, this, and this” despite that contradicting how the story actually frames it.

[blue-b-bro]

.

[unproduciblesmackdown]

also more odds & ends orville info & more not Not orville/phil info as well:

"In Steinkellner’s version of Summer Stock, Jane Falbury (Danielle Wade) and “Pop,” her father (Stephen Lee Anderson), are struggling to hang on to the family farm. Their farm is one of the few in the Connecticut River Valley that hasn’t been absorbed by the Wingates, whose holdings completely surround theirs.

The widow Margaret Wingate (Veanne Cox), whom son Orville (Will Roland) aptly describes as having eyes “as cold as death itself,” plans to absorb the Falbury farm by the simple expedient of having Orville marry Jane. After all the two kids had decided they were engaged in first grade!

Enter the prodigal younger sister Gloria (Arianna Rosario) who has been seduced by the lure of the Great White Way. She returns to the farm bringing along Joe Ross (Corbin Bleu in the Gene Kelly role), the director of the show that will make her a star, its composer Phil Filmore (Gilbert L. Bailey II), and the entire company. She has generously offered the company, which can’t afford rehearsal space in New York, the use of the family farm’s barn. Sister Jane reluctantly agrees to the intrusion with the proviso that the thespians will double as farm hands.

As rehearsals progress, Phil discovers that Orville, a bit of a doormat who has been raised with the understanding that he will never have to work, is a musical wunderkind. He is enlisted to work his magic on the show’s score and begins to blossom.

Widow Wingate takes umbrage with all this and vows to shut the enterprise down. Fortunately, the cold embers in her soul are stirred to renewed life by her encounter with Montgomery Leach (J. Anthony Crane), the has-been ham enlisted to give Ross’s show some cachet, so all might not be lost.

[...]

They make this Summer Stock a veritable feast of nostalgia. I was especially taken by the amusing way Steinkellner used Jackie Gleason’s theme song “Always” to further widow Wingate’s plot to get Jane and Orville hitched.

[...]

Orville, who has found personal liberation in show biz, is accorded a moment that reminded me of a similar scene in the musical version of The Producers. In a triumphant declaration of his emergence from under his mother’s thumb he exults, “I’m in the theatre! And I love it!” The audience loved it, too.

[...]

As director, Feore has elicited some wonderful performances, especially from subsidiary characters. Veanne Cox is splendid as Margaret Wingate as is J. Anthony Crane as Montgomery Leach, the faded matinee idol. Will Roland (Orville) and Gilbert L. Bailey II (Phil) both have wonderful moments and their intense professional friendship is one of the show’s highlights."

INTENSE PROFESSIONAL FRIENDSHIP you say....and also ofc everything about orville and wanting to be a musician and being in the theatre and he loves it sounds so good. i love it

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[gabriellessworldd]

Never get yo bitch back!

plug!connie x black fem reader 😛😛

wc- 1.7k!

☆ warnings ☆: mdni! mentions of weed nd alcohol, smut 18+, cheating (established relationship w eren), public-ish sex (bathroom unlocked door), pnv, oral (f receive), Connie and reader have wanted each other for a min, first time writing ever don't drag me y'all pls!! 😓 I kinda want to make this have multiple parts but idk yet. I'm very open to criticism nd I hope y'all enjoy!

"Y/nnnnn, cmon you can come outside for one night!" Your best friend Sasha whined through the screen. As much as you protested, deep down you really did want to go out. Especially because Eren wasn't at home, you really wanted to talk to him since y'all haven't been doing so well recently. Petty arguments, sleepless nights, ig posts, and to top it all off he hasn't been to your house in weeks, not giving y'all anytime to have a conversation.

You check the time and see it's 6:00pm that means you got at least 2-3 hours before you would have to leave. "Girl you right, send me the lo. What you wearin?" Sasha set her phone up to show you the outfit she picked out, "Girl that's cute asf!! Ima match you." Sasha helped you pick out an outfit (1 or 2) that resembled hers. "Okay Sash ima finish my hair nd makeup, lmk when yall otw there." "Bye N/n, i gotchu." Sasha hung up and you continued finishing your hair and makeup.

Once you were in your car you looked at the location, realizing that it was at Jean's house, meaning Connie would be there. There was something so attractive about Connie that you didn't know how to explain, he was just, mesmerizing. You knew you would never be able to approach him tho, him nd Eren had been friends forever, and that was a boundary you wouldn't cross. Nothing being crossfaded couldn't fix..

You pull in front of Jean's house and it's packed, you can hear the music from the street. You text Sasha that you pulled up and fix yourself in the car mirror. "We're waiting for you at the front N/n." You read Sasha's text and get out of your car. When you open the door Mikasa, Annie, Sasha, and some other girls greet you. You scan the crowd feeling a familiar stare, you turn to your right and see a crossfaded Connie Springer and his homeboys sitting on some sofas in the corner. Connie feels you stare back and smirks. 'This finna be interesting.' You think to yourself.

You make your way to the kitchen to take a couple shots, Sasha gets a blunt from Ony, and y'all head upstairs to light up. When the sesh is over you feel amazing, the music is blasting, you're having a great night, and you're a 10, what could be better? You and the girls head downstairs to go dance and enjoy your night. You and Sasha throw ass like there's no tomorrow and Mikasa is right there to catch it. You laugh and stand up straight when you feel the stare of those familiar hazel eyes. "Ima go grab another drink" you tell Sasha and she drukenly nods.

You walk up to the counter where all of the drinks are, "hey connie" you look at him, and smile. He leans in closer to you "wassup mami, you look good. shit, you smell good too." he smiles at you with all of his pearly white teeth and you notice his silver grillz.(#1, #2, #3) God he's so fine. The way his red eyes are hanging low, the smell of his cologne, and his pretty ass accent, triple homicide.

"Where yo man at tho? Thought he was gon come tonight." Connie's confused as to why Eren isn't at this party trailing you like a lost puppy, unless, y'all wasn't on speaking terms right now. He grinned at the thought "Oh um Ion really-" You stuttered out wondering why he would ruin a good conversation. "Nah you ain gotta answer mami, follow me." He held his hand out with a 'hm' and you quickly took it, needing to feel his touch. He lead you upstairs to the first bathroom he saw, he opened the door, "Tu vas primero hermosa" you go first beautiful. You smiled at the sentence and walked in front of him. His eyes naturally trailed down to the best view there was 'Damn.' was all he thought as he watched you walk and felt himself get harder in his sweats.

"So wassup?" You questioned him, almost like a challenge. You leaned your back against the counter and looked into his eyes. "To be honest ion wanna play no games ma, you know what I want." He leaned towards you, muscular and veiny arms on both sides of you, caging you in.

You could feel the tension grow as both of you realized just how badly you needed the other. "Can I?" Connie asks to kiss you 'and he's respectful omg add that to the list' you think, "Yes, you can." As soon as those three words came out of your mouth, Connie grabbed the back of your neck and pulled you to him, his other hand quickly found your ass and squeezed, while your hands slid their way into his scruffy buzzcut. The kiss was passionate but it also had a hint of hunger, longing almost, like both of you waited your whole lives for this. Both of your tongues fighting for dominance, and both of you wanted, no, craved more from each other. Connie's large hand found it's way to your throat and he squeezed softly earning a light moan from you, Connie pulled away, a string of saliva connecting you two.

"Ay dios mio mami" oh my god Connie whispered. Connie littered bites and hickeys down your neck and exposed cleavage, not caring who would see. He tapped on your thigh, a signal for you to stand so he could remove your pants. He then picked you up and set you back down on the counter, he kissed the insides of your thighs and left a trail of bites. He looked up at you for confirmation, and you nodded your head, he pulled your panties to the side. Connie was in a trance, the way your folds were so puffy, the way they were covered in wetness, connie almost came in his pants at the sight. "Fuck." was all he said before he began kissing and sucking on your lips. He spread them open with his middle and index finger, and could've sworn he saw heaven.

He plunged his fingers inside your wet hole, sucking on your clit while he pumped his fingers in you nice and slow. "Fuck con" you let out a soft moan, it was like music to his ears. He worked his fingers a little faster and curled them up grazing over your spot. "o-oh fuck connie mmhm, right there" He came up, bottom half of his face covered in your sweet juices "You taste so sweet, princesa" and with that he went back down and devoured you like you were his last meal. "a-ah mm con. That feels soo good" you whispered, feather light moans. You could feel the knot in your stomach tightening as he pushed his tongue in and out of your hole. "Cmon mami let me hear you." he felt you squeeze his tongue and pull his hair, that was enough to let him know. He pushed his fingers back in and started pumping at an insane speed.

"Go ahead ma, let me taste all of you" Your thighs tightened around his head as you felt your high coming. "ah connie 'm gonna cum, fuck!" you moaned out louder than before, he curled his fingers again, making you throw your head back and squeeze your eyes closed. "Joder, eres tan deliciosa." damn, you're so delicious.

Connie stood up and your hands immediately found the band of his sweats and boxers, in one tug you pulled them both down. "Eager much huh mami? Well I expect you to take it all then." Your eyes widened at the statement but your thoughts were cut short when you heard him speak again. "Turn around for me mami, and don't take your eyes off the mirror." The dominance in his voice made you even wetter. You turned around towards the mirror and he slid off your panties.

He smeared his tip on your folds, collecting your wetness. Without warning he pushed his full length in, starting off with slow strokes. "Fuck mami, you're squeezing me so tight" You arched your back a little more and relaxed. He starts moving quicker and palms the fat of your ass.

Connie props one of your legs on the counter and smacks your ass. "f-fuck connie oh!" hearing you get louder, not caring if anyone could hear you, only riled him up more. He snaked his hand around your throat pulling your head up more so you could see what a mess he made of you. Your lip liner gone, mascara smeared on your damp bottom eyelashes, and a fucked out expression. Connie thought you looked perfect.

"Y-yes mami, take all t-this dick" you hear him stutter his calm demeanor fading away as he fucks into you at an unruly pace. "Ah! Con so good. i-it's so big" He smacks your ass again and continues fucking you.

He pulls out and you pout feeling empty "Calmate princesa." calm down princess He chuckles and flips you on your back then he pulls your hips closer to him. He pushes back into you, not wasting any time. Connie pushes your legs back a little more "Keep 'em right there ma." You hold the back of your knees with your hands, feeling connie's tip hit all the right places, Connie places a heavy hand on your lower stomach and he presses down. "a-ah con please! it feels soo good." You and Connie both feel yourselves about to cum.

"Con 'm about to cum! ah please Connie!" You can feel your thighs starting to shake, "g-go ahead mami, fuck you're so perfect. m-make a mess all over me." Connie rubs on your sensitive bud and keeps fucking you deep. You can feel a wave of pleasure wash over you and your vision turns white. "Ah! Connie fuck 'm cumming!" You yell, "f-fuck me too ma." You notice his voice falter and crack at the end, he sounds so angelic. He pulls out and hot, white, ropes coat your tummy.

Connie begins wiping off your stomach and he leans in to kiss you, but he sees something in the corner of his eye, almost like a, figure. "Shit" Connie says blankly, putting his pants back on. You scramble to put your clothes back on and turn to see Eren standing there looking pissed.

"what.. what the fuck is wrong with y'all?"

Whew chileeeee. y'all did I at least nibble or what 👀 but lmk if I should make this multiple parts, also give me title ideas!! lmk if y'all want to be tagged in the next parts! love u all nd I hope y'all had as much fun reading as I had writing this! (watch nb read ts #embarrasing 😰)

- with lots of love, gabrielle <3

[prael]

Spectacle

Kinktember Day 11: Cuckquean

IVE Wonyoung and Liz x male reader smut

words: 6,118 Kinktember Masterlist

"I love you."

You love her too. That's a long-accepted fact, and you've told each other this a hundred times over. Sometimes it's casually told at the end of a phone call, sometimes it's in some romantic setting like when you're walking out on the promenade under the night sky, but in a way, these ones are the most honest.

It's a little bit special when those are the only words that come to her mind while she is cumming.

She's lying with her head against your neck, still shaking in pleasure. You would reply but you're so focused on grinding into her and you're so fucking close...

By this point, it's all become a little routine. Predictable, maybe. She gets home, you cook together, eat together, watch a film or TV show together, then one of you makes a move and... You get the picture. It's any old weekday.

So maybe this isn't what people would consider to be earth-shattering sex(fuck the critics) but she likes the feeling of your hips bucking and you spilling inside her. And you love the way she struggles for breath in between her moans before she does that same little squeal right before she cums.

These nights have all blurred a little into one. Tonight will become a little section on a page of many; a few lines that are not much more than a footnote.

Silence sets in once you untangle your limbs and lay beside her. Her head is pressed against your shoulder and the post-sex smell hangs in the air.

You look out your window over at the walled gardens on the other side of the river. It's as dull a sight to look at as always and there's hardly anyone out at this time but somehow you're content with looking at this view.

"So, do you think we should visit my dad sometime?" Liz asks out of the blue.

"I know I said I would think about it, but I was a little busy just now." You roll your head over to the side, sacrificing the river view for Liz's flush face. "What's this about?"

"Like I said, he's been asking." Her words trail off and she doesn't quite meet your eyes. She gives an awkward shrug of her bare shoulders, and then scoots over, snuggling up even closer. You give her back an appreciative squeeze.

"I can't do this weekend, busy remember? But we can go next week?"

Her hand stops circling your abdomen and she lifts her head from your shoulder to look at you. "Busy?" Her eyes dart around, searching your face for clues, but she just has to ask: "With?"

"My friend's birthday, I told you last week, and you said, and I quote, 'Okay babe, I'm meeting Wony this weekend anyway, have fun!'" You do your best-worst impression of her which earns you a jab of her fist in your side and a laugh.

"Oh... I'm always forgetting things."

"You work too hard." You cup her cheek and stretch your neck muscles to plant a kiss on her forehead. She coos and moves forward again, returning to her rightful spot snug on your shoulder. You slip your arm behind her back, and both of you lie there together in comfortable silence.

Liz moves her hand up from your stomach to your chest and starts circling her fingers over your skin. The touch is light and soft and very very deliberate.

"I have another question..." Liz eventually says, trailing off her sentence as though she's half lost in her own thought.

You bring your hand up to hers, hooking under her wandering finger and raising her hand, and then you lock your fingers between hers. "What is it? Something on your mind?"

"Am I good?"

"Good? Good person? Good cook? Good girlfriend? Good what?"

Liz laughs gently nuzzling into your body to hide her face and breathing hot breath over your skin. "Good... in bed."

"Oh thank god, I thought you were going to ask about your cooking and I'm not so great at the whole white lie thing."

She tries to punch you with the hand you're holding but you tighten your grip to stop her. "Not funny," she groans with a smile on her face.

She tries to turn her head into the pillow but you refuse to move or say anything until she looks at you. When she eventually peers up and matches your gaze you tell her, "You are the perfect girlfriend in every way," you tell her.

She exhales a short chuckle and raises an eyebrow. "Nice dodge," she tells you, unable to contain her laugh, and you laugh with her. "It's okay, I have a plan."

You pause, her words suddenly throwing you. "A plan for what?"

"You'll see."

She refuses to say anything more for the rest of the night, but she smiles at your puzzlement and laughs whenever you try to playfully nudge the subject. And you do notice that a slight smile seems to stick to her face all night, right up until she falls asleep.

***

Sunday evening transport is so hellishly unpredictable, so you're walking in the apartment door about an hour later than you planned, and about twice as stressed as you should be.

All of that washes away when you look at the girl who's been waiting for you to get home.

The scented (mostly melted) candles have been burning for a while and the smell of them fills the apartment. Not only has Liz picked out one of your favourite bottles of wine, but she's poured out a pair of glasses of it already, though they're both half-empty. And as you near it, the bottle is too.

"Hey, Liz."

"Finally! Welcome home," she says with a smile as broad as your confusion. "I've been waiting so long. So, so long." She's wearing a gown you don't recognise that's soft to touch when you hug her as she throws herself against you.

"Is this new?" you ask, touching at the silk hem.

"Of course it is," she answers quickly. "I was saving it, saving it until a special night. You know... Something special to break it out for."

She moves back in your arms, so she can have a better look at you, and she stares for just a few seconds before she leans back in, this time kissing you full on the lips. There's nothing soft about it. There's no hesitancy, and certainly no tenderness. This kiss is so firmly decided, so purposeful.

She purrs her words against your lips, "I've been giving it some thought, and, I know you would never say it, but I'm a little bit... vanilla, in the bedroom. And, I know, I know," she stops you with her fingers on your lips, shushing you with the tilt of her head and a flutter of her long lashes, "You wouldn't say anything because you love me too much and you're far too kind, but, this is for me too, okay? I want to be good, I want to try different things, exciting things, and this is the best way for me to learn."

"Liz. Liz. I've barely walked in the door and you're throwing this at me. I need a minute."

"No, don't think, we've been waiting so long for you already." Liz is pulling your arm toward the bedroom door. Her soft touch and your own burning curiosity have you willingly in tow.

"We?"

She's smiling the wildest of smiles over her shoulder as she pulls you along. Your heart beats a little harder in anticipation of what lies ahead, and even more at the look of sheer excitement and determination on her beautiful face.

You dropped your bag somewhere in the middle of the room but you hadn't even taken off your shoes before Liz is bundling you through the doorway.

"This is Wonyoung."

Why the fuck is there a girl in your bed?

"Wait. I know. It's weird right?" Liz sounds giddy, almost frantic. She bounces up to you and pulls on your arm until you stand right alongside her, peering down at the young woman in front of you. "You know Wonyoung, right?"

"Of course, I know one of your best friends, but why is she in our bed?" You turn and look at the girl lying there with a similar silk gown over her body, from her neck down to just below the knee. "Sorry, no offence, but I have no idea what's happening right now."

Wonyoung doesn't react but instead chooses that moment to rise. She is sitting with her hands folded on top of her legs. She tilts her head and examines you carefully, with an unmoving gaze that's almost more uncomfortable than the two of you hovering over her.

"It's fine." The deep smooth voice cuts through the silence like a hot knife. Her voice is as cool and calm as you expected, not that you're all that familiar with it, you have only met her a handful of times.

"Liz?" you ask, turning to her again.

"I want to watch. I'm going to watch," she blurts out her response before falling silent.

"What?"

Liz exhales softly, then draws in a steady breath, steeling herself, as her mouth curves in a trembling smile. "I was talking to Wonyoung, about... things. And, well, we were talking, and I guess maybe this idea just sort of popped into our heads. I couldn't just dismiss it. And I've had this fantasy. And well Wonyoung, it's been a while. And you, I want you to. And I can learn." Liz is talking far too quickly and doesn't finish a single sentence she starts.

"What she is trying to say," Wonyoung cuts in with her voice sharp and full of cold steel. "Is that we have come to a mutually beneficial agreement."

"Arrangement." Liz chimes in with the correction.

"That I will," her eyes drift, flickering and moving over both of you, "join you both, for a while, in a few different ways. What Liz is trying to explain is that, well, to be frank, it's been a while for me and I would appreciate some good sex. As for Liz here... It just so happens she has a bit of a fantasy about this whole thing too."

"Yeah, exactly." Liz cups your cheeks and kisses you gently. "It's completely up to you, of course." Her hands rest at the back of your neck and she closes her eyes, resting her forehead against yours. "I love you."

Your hands are hanging idly by your waist. This woman sits on your bed and your girlfriend clings to you, asking you to fuck her. 

"Okay." A single word while your heart is beating hard with anticipation. You reach to Liz's waist and pull her flush against you and plant your lips against her soft supple skin.

She giggles with delight and puts a finger under your chin, tilting your gaze up. "So... We're really going to do this, huh?" Liz leans in, eyes flickering over your own as you exchange a final look. You feel her warm breath just a moment before the warm touch of her lips, pressing against yours, melting your resistance and hesitation, while sending warmth through you, easing you into acceptance, as the idea begins to cement itself in your thoughts.

There's a rustle of sheets as Wonyoung climbs up behind you and presses herself against you. "You're already late," she whispers behind you. "Don't make me wait any longer."

Liz leans away and her delicate fingers ease open your shirt, undoing each button in turn.

"Don't hold back. I want to see you give it to her." Liz takes your hand, giving it a reassuring squeeze, "Please, babe." Then she takes a step back, towards the chair that you're just now realising had been moved from the corner of the room so it had a close view of the bed.

Wonyoung pulls your shirt from behind, dragging it over your shoulders and down your arms. She follows the fabric down your back with a series of gentle kisses over your spine. The light tickle and feel of her hair drag over your skin, as she tugs the shirt free of your wrists.

"Liz..." You look over to your girlfriend who is staring with a grin on her face. Her eyes follow every single movement that Wonyoung makes as if studying them, examining them, processing them.

Wonyoung tugs the shirt free of your wrists and discards it. Her hands immediately reach over your chest and drag downward, making no secret of the way that her little breasts under the silk push firmly, and delightfully, up against your back.

Her nails drag over your skin until she hits the waist of your trousers. Delicate fingers, so precise in their movement, make quick work of the belt buckle, the button, and the zip. All without pausing, all without hesitation.

Under the dim light of the evening, Wonyoung pushes your trousers, and underwear, free from your hips. Down, over your ass, dragging them down your thighs. The cool air passes over your body, and you look to Liz for affirmation.

She smiles and she nods, waiting for what comes next.

Naked, and vulnerable, you're standing before her with another woman wrapped over you. Wonyoung reaches around you with both hands, she takes one confident grip of your still-limp length, and her other hand just a little lower onto your balls.

Liz's eyes light up at the sight.

"Not hard yet. Nervous?" Wonyoung's question is a tease. Her voice, velvet and silky, is whispered into your ear. The smell of her perfume is subtle, but the floral, womanly scent is unmistakable. She moves her hand in a light grip over the base of your cock and moves it slowly, methodically, and without the urgency you might've expected.

"Maybe..."

Wonyoung releases a silent giggle against the skin at the back of your neck. "Just wait..."

You look at Liz and her hands clamp tight over her knees as her breathing visibly hastens, matching your own. Her attention is fully, single-mindedly, upon you, with you, but there is no doubt about where her thoughts and her emotions lie. She's excited. In the comfort of seeing that, so are you.

"There we go," Wonyoung whispers. Her hands work leisurely over you. And yet in no time at all, you're rising in her grip. Stiffening. Aching for more. Your focus is on the sight of the only woman you have ever cared for, but the feeling of someone else's hand on your cock as you watch her is as strange as it is exciting.

She massages with both hands, always rhythmic, always steady. "Liz, do you like to suck cock?" Her question comes out smooth, and refined but pointed.

Liz glances up at you briefly, then down between her knees. She gives her answer as a nod, looking a little timid as her hands tighten their grip even more and her nails start to press into her knees. "I like the way his body reacts to my tongue." She glances up once more with a satisfied smile.

"That's good. And he likes it too?"

"Yes," you both say it at the same time.

You shiver as Wonyoung plants a long trail of delicate, wet kisses over your neck. She draws back her hand and leaves you there, cock stiff in the air. She walks around you slowly, finally that pretty face of hers coming into view. Her dark brown hair falls over her shoulders, the locks blending into the black silk of her gown.

She places both of her hands on your chest and stares right at you, no ounce of shyness or reserve as her piercing eyes dig deep, threatening to carve a hole clean through you.

"See something you like?" she asks. "Liz, if he is so hungry looking at me now, can you imagine what his expression is going to be like once my robe is off?"

Wonyoung rests the tip of her tongue on her lower lip, using it to moisten the pillowy soft, glossy surface. Her fingers rake down your chest as she drops elegantly, slowly to her knees and smiles up at you with those shiny red lips.

"May I?" she asks.

You take in the sight of her, kneeling before you, her lips so teasingly close to your tip that each of her soft breaths kisses it. A lustful, indecent twinkle in her eye.

You force a glance over to Liz, to which Winyoung immediately reacts, "I'm asking you, not her."

And all of the reasons to hesitate are just evaporating.

"May I suck your cock?" she repeats. She remains perfectly, unnervingly, poised on her knees.

"Yes. Suck my cock, Wonyoung."

Your breath catches. Your whole body shudders as she runs the warm, wet flat of her tongue up the underside of your hardness. Her gaze never falters. Wonyoung purses her lips, before lowering herself in her elegant descent, and letting her tongue slide around you as she sinks into the first of many bobs of her head.

Liz shuffles forward on the edge of her chair.

Wonyoung takes you deep, so deep, without so much of a gag or splutter. Her dark, doll-like eyes stare straight ahead, as she swallows your cock with her luscious lips and warm mouth. The warm and wet envelopes you so wholly that you can't stop yourself from hissing a groan of approval and you feel her mouth tighten its grip with a devious grin.

Liz squeezes her bare legs together.

Wonyoung braces herself on your hip, wrapping the other hand around your thigh as she rises and sinks back down again, again, again. Each time she gets a little quicker, a little stronger.

It's so different to when Liz does it. She's normally so playful with her tongue, and she doesn't take a lot of it inside her, but Wonyoung seems to have this sole fixation on drawing you deep into her. The very back of her throat greets your sensitive tip.

The muffled moans that roll from her throat vibrate around your shaft, and her tongue eagerly rolls all over your every inch. Her deep breaths get heavier, and her suckling becomes sloppy and wet. You're getting weak at the knees.

Wonyoung finally releases you with a short gasp and looks up at you with glassy eyes, "Fuck," she groans out before spitting over your shaft.

She clasps her hand over the head and grips you tightly, stroking up and down the length.

You don't dare to tear your gaze from the stunning, lewd woman staring up at you.

"Tastes... Mmm. So good, so good." Wonyoung whines her praise out between kisses and flicks of her tongue on your tip.

Your hands twitch and the instinct to sink your fingers into her hair is a near-unstoppable urge. You gently thread your fingers into her long, silken tresses, and gently grip them. She lets out a satisfied gasp and then says to Liz, "Look at that. See how much he wants me?"

Your gaze shoots over to Liz. Her eyes are transfixed, focused on Wonyoung's tongue, wrapped around the head of your cock. Her breath shudders, then slows.

You pull Wonyoung's head down while staring at your girlfriend. If she wants a show, you'll give her one.

A quiet sound escapes her, and then a sharper inhale, but still she shows no sign of objection. On the contrary, the pleased hum that emanates from her mouth drives you wild. It encourages you. You rock your hips forward, slamming past her lips and prodding against her throat. Your lust swells alongside your confidence.

"Good girl." You know how much Liz likes it when you're the dominant one, she often teases you in conversation about how it's hot when you tell her what to do and you notice her breathing become hitched when you whisper dirty things in her ears.

Wonyoung says nothing but moans her appreciation and rewards your command by relaxing her throat and letting you use her.

For a while you use her, over and over until you're right on the edge, Liz looks practically ready to jump out of the chair, and when you check on Wonyoung, her face is a mess. Tears streaking, saliva dripping. She's taken every last drop of this beating with nothing but an overwhelming desire to serve you.

She opens her mouth and sticks out her tongue. The desperate submissiveness in her act brings you that step closer, "Cum, cum," she moans out between deep gulps of air. "Do it. Give it to me."

She's holding your cock in her fist and pumping it towards her face. With the first hot jet of cum, she cranes forward and takes it onto her eager tongue. She looks up at you as if urging you to keep going, to fill her pretty mouth.

Liz gasps audibly as you empty the contents of your balls into the sweet girl's waiting mouth. Wonyoung does nothing but accept what you're giving.

Your girlfriend just watched you blow a load into the mouth of her friend.

With each spurt into the soft, receptive touch of Wonyoung's inviting mouth, Liz squirms on her chair, her tongue playing on her lower lip.

"That's so hot," she strains to say through heavy breaths.

Wonyoung swallows all of it without instruction and then cleans you off in the same eager fashion that she sucked the load out of you.

"Hey Liz," Wonyoung croons in that smooth, velvety voice, while kissing along your thighs, her breathing quick and light on your damp skin. "You should have invited me sooner. I can think of a hundred ways to fuck this cock."

Wonyoung sweeps her damp hair from her face. She presses her forehead to your thigh, collecting herself. You can feel her taking deep breaths through her nose against the skin of your thigh.

"Show me."

At that, Wonyoung glances at Liz in genuine surprise.

"Show me all of those," Liz pauses, and takes a moment to collect her words. "All of those ways to fuck my man. Please show me."

"Okay, Liz, you just sit there and watch me fuck your man." Wonyoung's lips are sticky with your cum, glistening and tempting in the low light of the room, the remnants of your seed on her chin are even more provocative, as Wonyoung tilts her head and reveals a gorgeous neck and collarbone that draws your attention. "Well?" Wonyoung continues, extending her hand, "Help me up."

"Of course." You reach for her, eager and so, so ready. You pull her to her feet, and into a heated kiss, a little rougher than you should, but she doesn't mind. You lean down, slipping your hands around her thighs and then up to her ass, lifting her against your body.

Wonyoung squeals as you take three steps towards the bed, toss her over the edge, and then stand over her. Her gown has fallen open, framing her petite, naked body in the centre of your bed. It takes no time for her to move back, propping herself up on her elbows, and then giving her body a delicious stretch to emphasise her every feature. She sits there, spreading her legs, knees parted, showing you her bare, wet pussy, flushed and exposed.

"I want you over me so badly. Pushing my legs up over my head and fucking down into me. But not tonight. Tonight I'm going to show Liz how to ride a cock. Would you like that?" The lust in her dark eyes shines, not for you, not for Liz, but for the moment, the experience, the power that Wonyoung wields right now.

"Yes," you whisper.

"Good." Wonyoung raises herself, rising to her knees to look up at you, leaving a lingering, open-mouthed kiss on your lips before peeling the gown off of her shoulders.

In a small, feminine pile, it gathers on the floor. Then she flaunts herself, not so much in an exhibitionist way, though she certainly has every right to, but more of someone who enjoys being admired. It's not just because her body is fucking stunning, but it sells such a sinful promise of how good it's going to feel to fuck, and she knows it.

You hold her waist for that simple purpose. Hands over her narrow body, soft skin and toned muscles underneath. For her part, Wonyoung extends one delicate arm so that she may brush her index finger over your jaw, just making that familiar, if chilling, grazing over your skin. You slide your hand down between her legs and press a single finger inside her.

"Mmm. Don't be afraid," she purrs.

You stroke her smoothly. Two fingers, twisting them, delving into her as her insides react, tightening, dampening around your teasing invasion.

"Already getting me so worked up, and poor Liz over there is being so well-behaved."

"Hey!" Liz laughs playfully. Her playful laughter trails off when Wonyoung's voice lowers, and the erotic, needy sound in her tone builds.

"Lie down, let me show her how it's done. Look at me. Watch me."

Immediately, you melt away. Back to the bed, to the cool feeling of the sheets under your skin. The quiet anticipation, and the expectation. With languid grace, and without her body ever seeming to interrupt its soft, almost perfect curvature, Wonyoung climbs over you. She places one knee on the bed, then the other. A hand on your chest, then the other. The weight of her, what little there is, pressing you down until the moist heat from her lips finds your cock.

She presses your length flat against your body, the lips of her pussy holding it in a long kiss that she gradually eases over your shaft. Grinding back and forth, you watch as your cock disappears under her as she comes forward, only to drag herself back down against it.

"Feel that?" Wonyoung pants quietly.

"Uh-huh," you hum.

"Feel that warmth, that slickness sliding around you. Imagine what it's going to feel like inside, hmm?" She coaxes a twitch out of you as you do exactly as she says.

Her tight abs roll into you, followed by the press of her thighs. Hot and clasping. Higher, her bare chest bears a pair of hard nipples on her little perky tits. Higher still, her face twists in expressions of pleasure, the delight in her shining eyes, the rapture etched across her face. Her lips tremble as something threatens to escape, whether a whine, moan, exasperated breath or a request for something, she never vocalises the sound and it remains nothing more than a sensual promise of a good time ahead.

Wonyoung slows to a stop and throws her head forward, putting her hands on your shoulders. You place yours at her legs, watching her close her eyes, drawing her lower lip between her teeth.

"Feel how wet I am?" Wonyoung moves her hips in tight circles and she struggles to hold back her whimpers. Her warmth flows out of her and over you. "That's me, getting turned on at the thought of having this inside of me," she whispers. She rocks herself again, this time drawing out her whimper.

"God. Fuck..." You gasp and groan. You want this. Need it.

Wonyoung lifts and turns your cock until your head prods against her tight and needy pussy. She pauses to look to the side, her hair falling over her face but you can make out a grin, that very sly smile as she tilts her head towards your girlfriend, no doubt appreciating her breathless arousal.

"I'm going to ride your boyfriend's cock now. Cum all over his cock. Make him cum inside me. How does that feel?" Wonyoung moans softly, tipping her hips up, down, and over again, toying with the head. "Mmm, you like the sound of that, don't you?"

Liz is gripping the arms of her chair, not saying a thing. She just whines with agitation, kicks her feet out and stamps on the floor.

Then, Wonyoung gasps with relief. While your head was turned, Wonyoung surprised you by drawing the tip of your cock into her. You snap you're attention back to her as she settles around your cock. Where her throat was so accepting, her pussy is decisively not. It's so fucking tight that she struggles to take much of you in at first. Such small movements over the tip, tiny motions that rock her. And yet the sensation is something that could, and does, unravel you in an instant.

You're powerless to resist as she takes more and more of you into herself with each and every drive back down. Each little push, deeper inside, the further apart her thighs, and the deeper she descends, pushing herself, forcing herself, upon your cock.

You hold onto her ass, guiding her every bit of the way, rocking her rhythmically back and forth. Deeper, harder, tighter, she stretches, accommodating you until you reach as far as her tight walls will allow.

"You're gonna ruin this pussy." The sultry voice and the crude declaration cause another tremble out of you.

At that, she places both hands on either side of your head, palms flat on the sheet. Her pretty face is so close, just bobbing slightly as she fucks you. She pants heavily, her small, round breasts quiver and bounce up and down in front of your eyes.

She stays like that for a while, fucking herself on you, telling you all sorts of sweet nothings. "Gonna ride that thick cock. Love it so much, feel so fucking good." All the while, her perfectly tight ass is in your rough hands as you knead it and pull it wide.

Eventually, she throws herself back, breaking the intense stare, and making herself a spectacle again. She leans back, far back, her hand behind her for support, and gives both of you a show. Those slender thighs shake just enough to send you crazy each time she slaps them down against your waist. Her cute, shapely tits bouncing and jiggling.

"Fuck! Liz! You lucky girl! Mhm!" You're squeezing and palming her thighs roughly, fingers into flesh. Pulling her down hard, trying your damnedest to force her even tighter against you.

"Sfucking hot," A filthy compliment that is rewarded with another gasp of arousal and a short burst of bouncing as desperately fast as she can.

She slows to a crawl again. One leg moves off you, and then her hips swivel and the movement on your length is breathtaking. She's sideways on you now. One leg between yours, and the other stretched out over your body, her foot by your face.

Wonyoung is looking right at Liz now. "Watch me cum on your boyfriend's cock."

You're holding her by the leg she has over you, and you're using it as the leverage you need to buck into her while she works the lateral movement. The bed shakes and protests under your exertions. Wonyoung pulls her hands behind her neck, scooping up her hair and holding it up, so every inch of her body can be seen.

"Look. Look, Liz." Wonyoung lets out a guttural moan. A throaty, visceral noise of climax catching you off guard. You keep rolling your hips, taking in the way her body tenses and tightens and she trembles all over. "Cumming. On your. Boyfriend." She barely gets the words out as her head falls backwards and you can't take your eyes off of her, or the way she spasms on your lap.

She struggles to keep up the pace and rhythm but still tries her best, her resolve amid an orgasm is worthy of respect. You move her, this time, hands on her waist and twisting her so she faces away from you. She allows you and gasps in delight the moment you reposition her, her hands reaching for your thighs.

You continue the thrusts, with Wonyoung content now to take the punishment. You fuck her in a steady, thumping motion, the slap of skin against skin loud and ringing in the air. Her ass is marked red, compliments of the tight squeeze you had on it earlier. Her taut little cheeks bounce and shake each time you slam into her. Her own whiny moans and squeals mix and add a new melody to the atmosphere.

Wonyoung is nothing but moans now, one orgasm just cascaded into the next, and she shows no signs of stopping. Every now and then her sounds break through, becoming cries. Each time they do, you follow it up with a series of rapid slapping of hips. It's all you can do, just to keep yourself going, chasing that elusive climax that the three of you so desperately want.

Liz is fucking losing it. She's squeezing her thighs together. Grinding. Dancing in her chair. Her fingers, her knuckles, are white with strain as she holds onto the chair for dear life. She's making squeals and gasping moans too—she wants to cum so bad. It is as though her pussy is squeezing on nothing, you can imagine just how needy and wet she is. How painful it must feel, not being able to have that satisfaction that you can give Wonyoung.

"Yes, yes, yes!" Wonyoung wails out her climax with such intensity that it actually leaves her voice a little hoarse and you can't hold it anymore, you have to follow her lead. You have to cum.

So you do.

Wonyoung drags her nails across the skin of your legs as you reach that tipping point and pump a thick stream of semen into her. There is more and more, and she takes it all greedily as if there's no limit. As if she'll never be satisfied.

You let it all out, pump her full of hot, thick, semen. The release is enough that, for a while, you blank out the world. Nothing matters but the overwhelming feeling of pleasure.

Consciousness returns with you lying limp on the bed. Your head rolls to one side and you struggle to stay focused. You gaze down past your feet where Wonyoung lies collapsed, the exact same way as yourself. Still, you watch, and try to keep focus, and you do because when Wonyoung awakes she lifts her head, a sheen of perspiration glistening and flowing in droplets from her dark, silky hair and down her face, streaking her skin and flowing over her red cheeks and flushed lips.

The combination of both exhaustion and arousal as Wonyoung catches her breath causes a wonderful sight before she meets your own exhausted gaze and that smile of hers, all pearly white and perfect and so damn alluring.

"Fuck! I have to! Fuck!" Liz is rampant now, her hand reaches in between her own legs and then her legs are spread apart and you can see her furiously fingering her own pussy, the motion of her whole arm trembling and shaking. Her pussy is wet, and gleaming. And the fingers in it move and dive deeply. "That was the hottest fucking thing... I need to... Cum..."

Wonyoung supports the side of her face up with her fist, a grin on her features as she watches the way Liz acts like she's going insane, out of her mind, she just needs the cum in the worst way, the urgency apparent from the way her fingers disappear, pumping into herself.

Wonyoung starts crawling up you, to rest on you, while transfixed on your girlfriend pumping herself into oblivion. "Oh, Liz, that is beautiful," her eyes light up as she comments, "Now imagine the feel of it... His cum leaking out of me right now. Because he fucked me and not you."

That's what sends Liz spiralling over the edge.

Liz's body twists, writhes, shudders and convulses in orgasm. It's almost hypnotic, her thighs squeeze together so hard that her hand must hurt, but she just goes on and on and on, never easing, and it leaves a hot, sticky mess all over the chair and her fingers. You watch as she rides those waves of blissful gratification, all over a set of digits that aren't nearly enough to satisfy, not even for a moment.

Wonyoung brings her lips close to your face, hot breath washes over you, and she whispers quietly into your ear, "She's going to want this again, you know? Look at her, you even seen her cum that hard?"

"No, I haven't."

"Then me and you? We're going to be having a lot of sex."

[ceruark]

general yandere headcanons - ratio, boothill, aventurine, sunday

notes: gn! reader. yandere! ratio, boothill, aventurine, sunday [separate] cw: general yandere themes - obsessive & possessive behavior, stalking, abduction, manipulation, blackmail, brainwashing words: 2250 a/n: one of these is longer than the others. can you tell i have a favorite?

VERITAS believes genius comes in many forms, and you exhibit some traits that could qualify you as being one. Whether or not you're a scholar, your ability to listen intently, ponder things deeply, and uphold meaningful conversation captured his attention and landed you in his favor. He thinks highly of you, and finds himself eagerly awaiting the next time he can poke your brain about some complex topic you feel like you aren’t equipped to comment on, but do so anyway at his insistence.

His obsession with you isn't apparent at first, not even to him. He tells himself it's simply in a scholar's nature to learn more about the things that intrigue them, and you're not special just because he seeks out information on you wherever he can. His research ends up paying off when he finds out that you desire more than the quaint life you've made for yourself, and he personally extends you an invitation to Veritas Prime.

When you accept, he insists that you attend as many of his lectures as humanly possible. Even if it doesn't align with what you're studying, he convinces you to show up anyway, fabricating some argument for how it will be useful for you in the future. Normally he'd be irritated with himself for giving a lackluster lecture, but he can hardly blame himself for being distracted when he has your undivided attention for hours on end. He's addicted to it, the way your eyes lock with his, the way you hang on to every word leaving his mouth.

Not that any of this is obvious to you. No, from your perspective, he's harsh and critical, always undermining your intelligence by insisting you need additional lectures and overseeing your studies himself. Obviously, he doesn't put much faith in your competency and thinks you'll fail unless you're being handheld the entire way. He may not outright insult you the way he does with others, but his "special treatment" is enough to make you feel insecure in your own abilities.

And that insecurity is a weak point he unapologetically exploits. When he feels like he hasn't seen enough of you lately, all it takes is a few bad marks from him to have you at his side, seeking out guidance and ways to improve. The worst is when he catches you spending too much time (which is any time at all) with those insignificant simpletons you call your friends. Clearly, you have too much time on your hands. Certainly you can assist him with his latest project, no? Well, if you'd rather slack off and lose all the progress you've made so far, that's fine, too.

You'll never know what his true intentions are until he's already involved in or controlling every aspect of your life, and at that point, you can't risk upsetting him. Your future success is contingent on how content you can keep him, and in this new phase of your relationship, you hardly know how to do that.

Better get to researching.

Threat Level: 3/5 Pet Names: darling, dear/dearest

BOOTHILL loves to make you laugh— it's the thing that drew him to you. He'll do anything to keep your attention on him, not caring how much of a fool he looks so long as you keep those gorgeous eyes on him. But beneath all the flirtation and humor is a deep desperation; he can't lose you, not after everything he's already lost. He stays on your home planet for as long as he can, but he has things to take care of, so he can't stick around forever.

To be fair, he tries. He makes the first few trips alone, leaving you behind to live your life— and every minute is agony. He doesn't know what you're doing, who you're with, or if you're safe. He's glued to his phone, constantly checking the news to make sure no tragedy has struck your home planet or the cozy town you reside in. Every night he wakes up from a nightmare, the sounds of bombs ringing in his ears and the illusion of your corpse still hovering before his eyes.

The next time he visits you, he takes you. You're coming with him— you don't have a choice. He can't live without you by his side, but he can't stay in one place, either. You can fight him all you want, but he's relentless, and his fear builds up into a frustration that causes him to be a little harsh. You're weak, vulnerable, and you can't be expected to protect yourself, so he has to. When he calms down, he tries to convince you that it won't be so bad. You'll get to travel the endless galaxy with the man you'd been so taken with just a few days ago. What more could you ask for?

Trying to escape him is futile. He's probably the easiest one on this list to get away from, but don't let that get to your head: he'll be hot on your trail, so you better hope those few days away from him are worth it in the end.

But with time you'll learn there is some truth to his words; if you don't try to leave him and keep him happy, then maybe you can trick yourself into believing that this is a life you chose for yourself.

Threat Level: 3.5/5 Pet Names: beau, gorgeous, sugar

AVENTURINE is like a moth to a flame, and your capacity for intimacy is the match. You're the first person in recent memory who treats him as a person, not as a commodity or a body, a wallet or another cog in the machine. Your first interaction was fleeting, but it replays in his mind every time he closes his eyes.

He watches you for some time, learning you inside and out— partially to satisfy his desire to know more about you, but mostly for leverage. He memorizes your schedule and interests, and subpoenas documents to learn more sensitive information, such as your medical history and anything pertaining to your family. He remembers everyone you interact with, making note of who's on the sidelines and who's part of your inner circle. He sees the way you openly bare your heart to them, keeping them comforted by its warmth, and he wants it all for himself. Hasn't he been denied something so pure for long enough?

He's charming in the beginning, using one of his many masks to slither his way into your mind and heart. He showers you with compliments and gifts, leaving you flustered after every single meeting. He knows exactly what you like, so it's easy to keep you fixated on him.

When you two finally make things official, he lures you into the palm of his hand. Your rent unexpectedly went up? No worries, he can start covering that for you— it's no trouble for him, really. Someone important to you had an unexpected health issue and can't cover the bill? He's got it, anything to cause you less stress. Is he sure it's okay? Of course it is. He only wants to see you happy.

When your friends start dropping like flies and even your family starts to distance themselves for you, he's by your side through the turmoil. Fate has been so cruel to the both of you, hasn't it? It's okay, he's here for you. He's not going anywhere.

By the time you catch on to his manipulation and realize he's behind your isolation from your friends and family, it's too late. You're too dependent on him, and he knows everything about you and anyone still sticking by you. Do you dare bite the hand that feeds you? Will you try to escape? Can you afford to pay the price if it all goes wrong?

What will you wager to get yourself back in his good graces?

It’s unwise to try your luck against his. Play along, and perhaps he'll show you the face that you fell for.

Threat Level: 4/5 Pet Names: babe, doll, sweetheart

SUNDAY takes notice of you because of your carefree nature. Being so trapped in his own head about the fate of Penacony and humanity as a whole, he's captivated by the way you seem unconcerned with matters larger than yourself. While you do plan for the future and have aspirations of your own, you still manage to live in the moment and take things one day at a time, possessing a liveliness he's never quite seen before, never been allowed to have himself.

He knows about you long before you ever meet him. Nightingales line every path you walk, sticking to the shadows and noting everything about you: the places you frequent, the food you like, the type of clothes you buy, your colleagues, your route home, and the little habits you have that he finds so endearing.

When he finally appears before you, you're starstruck— how could you not be? The head of the Oak Family is seated beside you at Dreamjolt Holstery, making small talk about your day and your life and your interests when he could be speaking to any of the other high-profile guests at the bar. You're flustered from the honor of having his undivided attention, and the butterflies in your stomach only worsen when he asks if it would be possible to keep in contact with you. Of course, you give him your number, and your impromptu meeting turns into another, and from there, into more.

He's so earnest in his adoration for you that you never notice how off-putting it is that he seems to already know what you like. Surely it's just a coincidence that he takes you out to all your favorite places and gifts you things that you'd been spending months saving up to buy yourself. It's nothing more than fate that you seem to bump into him at the oddest of times, on your way back home from a night out on the town, or during the day while you're heading out to meet with one of your friends.

It's only when you agree to a relationship that you start to get concerned. Describing his behavior as "clingy" would be putting it lightly; he tries to have you by his side in any way he can, talking you into attending a party with him or asking you to sit in his office at his side while he gets through paperwork. When you go anywhere without him, he's ordering a member of the Bloodhound Family to accompany you. He seems so distressed at the mere thought of you not being by his side, nevermind the thought of you being out in public by yourself— it's not healthy for either of you. Before you can even think to voice your concerns to him, he's wrapping his arms around you and reminding you that he just worries about you. The Family has many enemies, and they would be willing to use you to get to him. He just wants to make sure you're safe.

When Robin goes missing, things take a turn for the worse. He moves you into Dewlight Pavilion, and you don't get a say in the matter. If he's home, you're by his side at all times. Anything you have to tend to at this point can be done from within the comfort of the estate, and in his presence. Even if he's not there, he might as well be; the nightingales and their pervasive gaze are out in the open now, watching as you aimlessly wander the pavilion, getting lost in the maze and growing a little more desperate each time you explore your new home. You move through the mansion with an urgency, like you're searching for something.

Like you're trying to leave.

When Sunday's suffocating protection inevitably gets to you and you try to confront him, he gives you one more chance to see things his way on your own. It's a miscalculation on his end; you snap again, only this time, you manage to find an exit. You make it back to Golden Hour, but by the time you get there, there's already a group of Bloodhounds waiting to catch you and drag you back.

When you're shoved into his office, he's standing with his back to you, hands clasped behind his back. You can hear the heartbreak, the betrayal in his voice as he tells you how hurt he is that you'd endanger yourself after everything he's done for you. Out of guilt or fear, you can't tell, but you apologize and swear to him that you won't do it again.

And you won't— he'll make sure of it. Under the light of the Harmony, all is revealed: his undying love for you, your reciprocation, and the strength of his will over yours. You see it now, don't you? Everything he does is for your wellbeing. Clipping your wings while you're on the ground is just a way to ensure you'll never fall out of the sky. You're safe here, in this gilded cage he's tailored your tastes, with a kind keeper to tend to your every need and shower you with all the affection your heart could ever desire. How could you fault him for that?

You can't. After all, you don’t even remember why you were upset with him in the first place.

Threat Level: 5/5 Pet Names: angel, dear/dearest, dove

[whore-ibly-hot]

'Photo Shoot'

Yan!Photography Student x GN!reader x Yan!Art instructor (Joseph and Mr. Burton)

18+ Minors DNI

Warnings: All characters are legal age, multiple yanderes, dub-con touching, perverted thoughts, voyeurism, student/teacher dynamics, nude photography, no real mention of specific genitals

AN: I'm so eepy right now... Also, if you like this fic, use the tags on my masterlist to find all the other Yan!Boarding School writings.

The smoke coming from the corner of the room ceases when Mr. Burton snuffs a cigarette butt out on an... ashtray? From where you're sat, you can see him putting it out on what looks more like a student pottery bowl. That strikes you as odd, but he can be very critical of others art so you can't be suprised. Cracking his knuckles and leaning back a little, he turns to you and the extremely quiet classmate beside you, Joseph.

"Alright, lets get this show on the road, yeah? Joseph, you're our camera man, I'll have you leading this thing, running the camera's and I'll give some creative direction. Student and the master, I can finally teach some actual fucking art." Mr. Burton mumbles, as Joseph quickly begins setting up the camera on a tri-pod. You feel odd about him to say the least, despite you being the 'muse', as Mr. Burrton calls you, Joseph's barely made eye contact with you. You agreed right off the bat when Mr. Burton asked you to help one of his favorite students with some anatomy shoots, you like Mr. Burton, he's funny, honest, and that's refreshing, given you worry some people at this academy have ulterior motives. Still, you had some concerns as you fiddle with the thin top you wore at Mr. Burton's request. "Mr. Burton?" you ask, and he looks up from where he's mumbling about something with Joseph. He motions for the young man to keep working as he strolls over.

"I'm nervous." You admit, hand rubbing at your elbow as an attempt to self-soothe. "I don't usually get, nude, on camera, and i-it's not that I don't trust you, sir, but-" He puts his hand up to cut you off, gently rubbing your shoulder. "Woah, woah. I get it, I get it." He assures you, tone comforting. "You're my student, and you've got great, great potential. I've been on the art scene, kid, I see the burnout path some people go down, I see the ways people exploit and get exploited. I'm not gonna let anything happen to you. If you get uncomfortable, I'll pull you out. And trust me, being in the nude for art starts to feel perfectly normal after a while, okay?" He pauses, then sighs. "Okay, it's comfortable except for being cold as hell." He laughs.

You chuckle in return, but there's still a bit of worry. He can tell, and leans in. "What is it that worries you, exactly? If it's insecurity, trust me, the real artists are those marketing execs who can photoshop a skinny model and make change up the whole idea of beau-"

"It's not that sir, I promise. I'm just worried about other people seeing, you know? I'm worried about it getting spread around, or people getting bad ideas about me." You admit, face a little pale. Mr. Burton's brows furrow, and he slaps his hand down on his jeans. "Joseph, come here!" He yells.

Joseph jumps, hands shaking as he almost knocks over his tripod. "But- uh, the cameras-" He squeaks out, and Mr. Burton shakes his head. "You're one of the best photographers I've ever met, Joseph, I know damn well that cameras been set up for well over ten minutes already. Come here, don't be shy, don't be weird. You're freaking out the subject." At the idea him staying away is freaking you out just as much as him coming up to you, Joseph walks over. "H-hi." he greets, holding out his hand. You shake it, and it is particularly sweaty.

"Joseph is a great photographer, my best student and possibly one of the best I've ever seen. I assure you, he's a good kid. He's dedicated to his craft, this isn't a complex scheme for him to fence some nudes of you to the highest bidder." The young man's eyes widen exponentially as Mr. Burton makes his assertion, and instinctually puts his hands up in surrender. "No, no! I would never, ever. Do I- do I come off as that kind of creep, if I do I'm sorry."

"No, it's not that at all, I just struggle with, well, some issues like that." Joseph visibly frowns, and Mr. Burtons hand tenses from it's spot on the table.

"You are pretty creepy, Joseph." Mr. Burton admits, making the boy flush as the teacher playfully pushes his head. "This'll be good, good art pushes outside of comfort zones, yeah? Let's get all set up." He claps his hands together as he goes to stand behinf the camera with Joseph. You strip, and sit awkwardly before the camera in front of a messy brick wall with various stains and prints on it from Mr. Burton's studio. Mr. Burtons licks his lips subconsciously as he looks over your meek form, the clears his throat. "Okay, first position, mermaid pose. Lets get those legs to the side."

The shoot continues on for a while, until Mr. Burton suggests a more 'raw' shoot. That's how you find yourself posing, hands over your chest area and thighs ever so slightly parted while Mr. Burton sits behind you, also nude. You worried about it being inappropriate, mostly for his sake. "Couldn't this... I mean, I'm willing to do it if you think it'll be good art, but won't you get in trouble if people find out?" You ask, turning over your shoulder a bit. He scoffs again, and shakes his head. "No self-respecting person with credentials like mine would teach these silver spoon brats art, I'm all they've got." He assures you, going to move an arm around your waist from behind.

"What composition do you want, sir?" Joseph asks, face red as he uses every ounce of will-power to try and suppress an erection at the sight of you and the older man. He'll worry about the new and conflicting feelings later. He's got enough photos to die happy, but the fact you seem so willing fills him with a delusional sense of your interest in him.

"It's your shoot, Joseph. Take over directing." Mr. Burton calls back, and Joseph doesn't seem sure. "I don't know, sir, you have more of a vision than me, and-" Mr. Burton groans, rolling his head back like a kid throwing a tantrum. "Jesus christ, kid. How many times do I have to hammer in that you're a good artist? You can direct your own shoots-" He notices the violently red flush of Josephs cheeks, and chuckles. "Or is this more an issue of being to embarrassed, because I told you-" He waves his free arm around. "We are pushing the envelope, making something raw, pushing ourselves out of comfort zones. To be a great artist, you have to not be afraid to tell your NUDE SUBJECT, to spread their legs and bare it all." Joseph is completely silent, stun-locked by his gruff teachers comments. He begins examining the shot in the view-finder after taking a few shaky breathes.

"Alright, Sir... of course." He swallows, and his shaky hands adjust the lens. "I want to-to try and delineate from what other people think nude shoots are, away from like... porn and stuff. Raw, but intimate, I think." Mr. Burton nods for him to continue, and seeing the interest in your eyes at his creative direction, Joseph gets a little more confident. "If you're okay with it-" He addresses you now. "I'd like Mr. Burton to be able to touch you, nothing too invasive, just a kiss on the neck or the shoulder, maybe letting him hold your thigh?" Joseph keeps his tone soft and asking, sure to imply you can say no.

"That's alright, I trust him." You mumble, looking at the gruff art instructor and seeing to your surprise a soft look on his face. "I'm honored, little muse." He teases, and the nickname makes you flush. "Oh, and you too, Joseph, we've not talked much, um, but you seem really dedicated, I'm sure I'm in good hands."

Shit. Well, so much for keeping his dick down, but at least he doesn't think you can see from the way the lighting is set up. He nods, and you shiver, feeling a cold pair of lips and a thin stubble scratch at the surface of your shoulder. "Are they cold?" Mr. Burton chuckles, placing a few more small kisses as you hear the camera shutter snap. "I'm sorry, I can't control the thermostat in here, all this money and they can't afford to make sure I don't freeze my dick off doing my job." He's always so grumpy, even when he's trying to be sweet. You close your eyes and try to relax into the feeling. It escalates occasionally, hands on your thighs as he kneads gently at your flesh, occasionally making a complaint about something or picking at Joseph, who keeps making an odd series of grunts, but you assume he's just breathing heavy from being so focused.

It culminates in you being positioned over him, as if playing the playful or dominate role in some sort of erotic moment. Mr. Burtons hands rest on your ass, his firm yet not fully erect cock a little too close to your hole. You're chest to chest with him, and while he's relishing in the feeling, Joseph makes a hand motion, and he knows its time to pull away, at least for this ession. He's smart, knows not to rush it, and he knows this is more than enough material for the vouyeristic camerman.

"I think we got some good shots, i-it's getting late. I'll go grab something from the vending machine while you too warm up." Joseph scarmbles away, camera bag held oddly across his crotch area. Mr. Burton smiles as you slide off from him, flushed as the weight of your previous position hits you. "You were great, a real professional." He urges, scooting forward to sit beside you.

"Thank you, sir. I was trying not to get too flushed or anything, I hope I didn't sweat too much." You admit, and he shakes his head to assure you. "Nah, you did fine, but if I could make a suggestion?" You look up. "No real intimate scene like that doesn't have a couple kissing. On your neck and shoulders was fine, but lets face it, people do more than neck each other when they're getting it on like that." He glances at the door, making sure Joseph is still doing whatever it is he's doing out there. He didn't discuss this part with the young artist, but let's face it, learning to be one step ahead, to protect your work and your muse, is something he's gonna have to learn anyways. "Will you let me show you?" he asks, voice low as he leans closer to your face.

You glance at the camera. "It's not running, though shouldn't we wait for joseph to take the photo?" You ask, a little more unsure about the artistic integrity of the action. He shakes his head as he lets his stubble scratch your cheek. "This'll be practice, yeah? For next time..."

"Next time?"

"Next time." He mumbles, lips feverishly sealing against your as he hunces over your form, cold bodies pressing together and leaving goosebumps which trail down your form as the session closes out.

[paper-mario-wiki]

Oh Scout, did you play Outer Wilds? I would love to hear your thoughts on it!

To impress upon those who may be looking for a recommendation, I will make one speaking as little about the game as possible. If you have not played the game, it's important to recognize that all checkpoints throughout the entire game, all the way through, are 100% in your mind. If you already know how to do something, you'll know forever, so it's imperative that you know that before you go looking for more information. If you look up a let's play or a guide, you will not be able to play the game properly. I do not mean that in a "that's not what the devs wanted!" way, I mean since the game deals in mental checkpoints, seeing a puzzle solved means every time you boot the game up it will be like booting up outside the final boss's door every time, no matter what. Doesn't matter if it's a fresh install on a steam account that isn't yours on a computer on the other side of the world while playing in a language you don't understand. You cannot unlearn the solutions in this game.

I cannot overstate enough that if you were to ever be overly-cautious about not spoiling a game for yourself, it should be this one. I have a very high tolerance for spoilers, but if this game was spoiled for me it would have robbed me of something so, so important.

Now, onto the actual recommendation:

Watch the trailer and take note of the awards it shows you. It will show you nominations, high critic scores, and game of the year awards from many different sources. I can tell you with confidence after having just completed it, there is not a single one of those accolades that is exaggerated. Every person who's ever been like "you've GOT to play Outer Wilds" is doing it for a reason. It took me a while to play it because I'm the kind of person who gets annoyed when people over-recommend something to me. With this one, after playing it, I completely understand.

Genres: Exploration, Puzzle solving, Mystery, Sci-fi

Similar experiences: Subnautica

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)