no but wait what if werewolf!reader has a major scent kink and gets annoyed with the 141 wearing deodorant? i mean think about it, chemical smells must be offensive as fuck to such a sensitive nose.
gaz is probably the worst culprit for wearing cologne which smells wonderful to a human nose but is olfactory hell for werewolf!reader. it clings in a way that natural scents just don't, astringent and cloying on every inhalation. werewolf!reader can't help the way their nose crinkles in disgust whenever gaz walks past. unfortunately it makes him spritz a little more on after showering because gaz thinks that werewolf!reader thinks he smells "bad" (aka like a human being) and werewolf!reader ends up avoiding him to minimise the migraines his cologne causes.
don't worry he catches a clue after werewolf!reader stumbles out of their room after a 3 day migraine and faceplants directly into gaz's lap begging him to never ever wear that cologne again please. gaz switches over to arm & hammer unscented deodorant after that too. it's not completely scent free but it's way less offensive than his previous combination of cologne + deodorant and gaz is rewarded by werewolf!reader spending way more time with him than before.
price reeks of tobacco. everything he touches has a faint lingering scent of stale smoke that makes werewolf!reader smother coughs even when he isn't actively puffing on one of his admittedly expensive cigars. werewolf!reader ends up standing upwind of price as much as possible but still coughs whenever price lights up.
eventually price gets so fed up of the constant coughing and badly hidden grimaces that he slaps multiple nicotine patches on his arms and chews his way through endless packets of nicotine gum just to avoid it. werewolf!reader definitely prefers the hint of peppermint on price's breath when they're close enough to get a hint.
soap refuses to wear deodorant if he can't wear his favourite brand and somehow his favourite brand goes missing within a day of purchasing it. he tries keeping a little stash in his room, locker, gym bag but they all go missing too.
he definitely sulks and grumbles about stinkin' out the place but it's worth it when werewolf!reader seems to lean in subconsciously when they're in the gym together. he could swear he saw werewolf!reader's nostrils flare and felt them shudder happily when he slung a sweaty arm over their shoulders one time.
ghost is complicated. he has the least offensive smell to werewolf!reader but that comes with it's own set of problems. ghost constantly smells of himself, the iron tang of dried blood and something like cordite. for werewolf!reader it's positively mouthwatering. the problem is that ghost goes out of his way to avoid werewolf!reader. they're too tactile, too friendly for his liking and it makes his skin crawl that they seem to sway into his space at every opportunity.
(the less said about the way his heart skips several beats in his chest when he catches werewolf!reader burying their nose in his sweat drenched t-shirt while holed up in a safe house together the better in his opinion.)
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Long Post about Savage Opress because I am Normal
Savage Opress, you are everything.
You are at your strongest when you are fighting to protect the people you love. You had to participate in a battle royale and subjected yourself to a fate worse than death in order to protect your brother. You were forced to kill the brother you fought so hard to protect, your last words to him as he begged for his life were 'You make (me) weak'.
You are Frankenstein's monster, a kinslayer. You just have to live with that. Your mistress isn't giving you a choice in the matter.
You were placed under the control of a cruel master/mistress twice in the span of like a week. You were forced to betray your master and (under your mistress's orders) you killed two jedi, making you an enemy of the two most powerful entities in the galaxy. You made these enemies against your own will. You were lightning spammed and abused to the point that you were able to break free of your mistress's control.
You are then attacked by these two random jedi you have never met. They seem intent on bringing you in. They stand besides each other and fight to protect each other. You are reminded of how you did the same for your own brother. You killed that brother.
You run to the only home you've ever known, the same home that treated you as lesser-than and transformed you into what you are now. Your home is destroyed, all of your sisters are dead. You are upset by this. They were the cause of your suffering, but they were still kin.
You are told that you have a remaining brother, one who can make you strong enough to protect yourself. You decide to travel across the galaxy to find him. You killed your last brother, you will do anything for this one.
You seem to create trouble everywhere you are now. You are now incapable of solving problems without violence, so violence is what you become. You become hatred. You had love once, but everything that you loved is dead. Except for your remaining brother. You do whatever you must to find him.
You find your brother. Your brother is delirious and half-dead, but he is your brother and you found him. You can fix this. Your brother sees you too, or at least he sometimes does. You are a reflection of him, of what he was meant to be. You are strong and powerful. Your brother is not anymore, but he will be soon.
Your mother, the same woman who took you and warped you into a monster (that is what everybody calls you now), fixes your brother. Your brother grabs your face and twists it, painfully examining your every pore. You don't begrudge him this. You have done the same to it. Your face isn't yours, but it is the only face you have.
Your brother screams for vengeance against Kenobi, he must have revenge. You must stand by your brother, he is all that is left. You embark on a quest of vengeance against a man you only briefly met.
You become everything your brother needs you to be. You are his protector, his sword, his second-in-command. You have love again and you will do anything to keep it this time.
Your brother is a terrible person. Your brother will massacre a village for the sake of getting Kenobi's attention. Your living brother is nothing like the one you killed. You aren't sure this is a good thing.
Your brother lures Kenobi to the village and you both capture him. Your mistress shows up and immediately sets about belittling you. You are the monster she and your mother created. You are not her thrall anymore, you can fight her now. You do exactly that.
Your mistress and Kenobi retreat, your brother chooses to bide his time. You will wait with him.
Your brother and you infiltrate a ship, finding a fortune of credits. You are happy with this, you have never seen this much money in your life. Your brother's only fortune is the downfall of Kenobi.
Your brother calls you apprentice, decides that is what your relationship is now. You don't see the need for dominance, you are brothers after all. Your brother disagrees and you will subject yourself to this for your brother's sake. You are a reflection of him, of all his past flaws. You are devoted to those you love and able to feel things other than vindictive glee or hatred. Your brother is not anymore, he might never be again.
You think your brother is incapable of love. You love him all the same.
You and your brother next run into Kenobi with another Jedi Master. You do not know her name nor anything about her. You kill her, goring her with your (far larger than they should be) horns and running her through with your lightsaber. Your master is not forcing your hand this time, you can finally choose to make an enemy of the Jedi. You would have been their enemy either way, but the false choice is comforting regardless.
You and your brother corner Kenobi. You think for a moment that you have gotten the upper-hand, then Kenobi cuts your arm off. Your body leaks green magic. Your mother's magic still holds power over you even after everything. You wish it didn't.
Your brother shoves Kenobi away from you and decides to retreat. You aren't sure if this is a sign of affection towards you or if this is a strategic move. Your brother speaks as if it's the latter. You see no reason to believe otherwise.
You manage to escape, but are left adrift in space. You are freezing and slowly running out of oxygen. Your home was warm and full of breatheable air. You are alone with only a brother who calls you 'apprentice' for company. Your home was filled with brothers who called you by your name or by 'brother'. You are alive. Your home and brothers are dead.
You next wake up in an unfamiliar place. You smash all the equipment around you. You are now incapable of solving problems without violence, so violence is what you have become. Your brother informs you that his plans have changed, and now you two will be working with Deathwatch. You have no idea what Deathwatch is or who your brother just made a deal with. You will follow him regardless.
You stand up and hit your head on the lamp above you. You were supposed to be shorter than you are now. Your body is wrong. You look in the mirror and you are not yourself. Your body isn't yours, but it is the only body you have.
Your brother takes over Mandalore. You watch as your brother marches Kenobi into the throne room and prepares to execute the Duchess of this planet.
Kenobi offers sympathy. Kenobi recognizes that your brother never had a choice in joining the dark side. Kenobi had gone to your village and seen what it is like for the nightbrothers. Kenobi, despite everything, is trying to be kind.
You hear your story in Kenobi's words. You never had a choice in any of this. You never stood a chance. Your body isn't yours, your mind has been warped and twisted into serving the goals of another. You only wanted to protect your brother.
Your brother kills the love of Kenobi's life. Your brother has stripped himself and you of any possible chance to take the olive branch Kenobi was extending. You ask if you should kill Kenobi now. You know that stewing in grief and guilt can be a terrible fate. Your brother decides to keep him imprisoned. Your brother is counting on the Kenobi stewing in his grief and guilt. Your brother wants to drag out his suffering for as long as possible.
Your brother is in charge for less than a rotation. Your brother panics and bows before a withered old man, calling him 'master'. Your brother lies and fawns to his master. Your brother's master does not care.
You have never met this man before. You have no reason to fight him. Your brother is terrified of him. Your brother grovels before nobody, but he bows before this man. You don't have to do this.
Your brother needs you. You draw your weapon.
You manage to get a hit in on your brother's master. You are one of very few in the galaxy who can say that. You are at your strongest when you are fighting to protect the people you love.
You are stabbed in both your hearts. Your efforts to protect your brother, your pain and suffering, your love and affection, you, Savage Opress, you don't matter. You didn't know it, but you were fighting the most powerful being in the galaxy.
You never had a choice. You never stood a chance.
You die thinking you were unworthy of your brother. Your brother never said or did anything to make you think otherwise. You die calling yourself apprentice, that is the relationship your brother wanted. Your brother holds your hand as you die, it is trembling. You aren't sure if it is from grief or hatred. You decide it must be the latter. Your brother is only capable of hatred.
You knew your brother was incapable of love. You loved him all the same.
You don't know that you might have been the only thing your brother cared about besides his vengeance. You don't know that when you are unconcious he calls you by your name, he calls you brother. You don't know that he nearly killed the Death Watch soldiers, but stopped when they threatened you. You couldn't know. Your brother never told you.
You don't know that he uses his grief as fuel for his duel with Sidious. You don't know that he switches his ire away from Kenobi and decides that his former master is a more pressing target of his hatred You don't know that he spends the rest of his days trying to find a new apprentice to fill the hole you left and that it never works. You will never know. You are dead.
You died realizing you were nothing like your brother. You never were. Your body shrinks down, you finally look like yourself again. You can't be happy about this. You can't take relief in the fact that all the magic which ruined your life has been dispelled. You can't feel anything. You are dead.
You are right. You are nothing like Darth Maul. Your brother is motivated by hatred, you are motivated by love. Your brother will die having found peace, you died having found nothing but pain and grief and yet more pain.
You are my favorite magical girl and you have suffered so much more than Jesus.
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A Spoonful of Sugar
I'm a teenager. It's a school day and my alarm just went off. 20 minutes later one of my parents sticks their head in my room to complain that I'm not up yet.
I'm a kid, not sure what age exactly. My dad comes in and pretends to be a dog to wake me up. (This has happened many times. He does it with the exact same phrasing and intonation and pretty much the same set of behaviors each time. Probably got it from a parenting book or something.) Kid-me finds this hilarious and an excellent way to start the day.
I'm an adult, early to mid 20's, with a group of other mostly young people in New Orleans post-Katrina, to tear down houses contaminated with black mold at the request of their owners (mostly black people) so that even if they don't have a house any more at least they own the land. If we don't do this, the city will hire people to do it at the owners' expenses and seize the property (ie the now vacant lot) if the owners don't pay it back. Anyways, point is, someone comes around with a guitar and a song when it's time to wake up.
I'm thinking about all the things parents of babies and toddlers and otherwise very young children do to cajole them into doing things. Stickers and little prizes. Oh, you aren't sure you want to eat that? What if the spoon was an airplane flying around, what then? Which toothbrush do you want to use, the red one or the blue one? (I loved getting to choose my school supplies, what cartoon characters the pencils had on them, the erasers shaped like fruit that didn't really erase, all that.) Bedtime routines. Bath toys.
Little kids are still young enough to make it everyone else's problem when they're forced to do something they don't want. So, everyone else finds ways to make it so that it isn't being forced, so that the kid wants whatever has to happen. Gummy vitamins. Chicken nuggets shaped like dinosaurs.
But adults, teens, older kids, have enough self control for that fight to be strictly internal, and often when other people stop cajoling us into doing what's best for us we don't pick up the slack ourselves, we push instead of finding ways to pull. And one thing I love about this site is the genre of posts that are about finding ways to get yourself to want to go into the carrier.
I've been pretending I'm in ninja training while brushing my teeth. Do not ask me how tooth-brushing prepares me to be a ninja. I got the idea to stick though. I've been using mnemonics -- ridiculous association mind games -- to practice remembering people's names, something I've always been bad at to my embarrassement. I have so many things I don't really want to do but that I think I should do. Sometimes it's not fun silly stuff, sometimes it's more sort of stoic reframing, like "ok I'm dreading this doctor's appointment because I'm telling myself it'll be frustrating and a waste of time, I can't make sure it's not a waste of time but there is some chance it won't be a waste of time and if so then showing up is doing the right thing, and I can make sure that I show up" (and so I give myself a good grade in showing up to a doctor's appointment, something that may or may not be normal to want but is in fact possible to achieve as long as you're doing the grading yourself, or can convince someone else to do it for you.)
I'm trying to notice intrinsic joy more. Taking a shower feels good so I get free "reward" as long as I'm noticing that it feels good. Physically moving my body, stretching and using my muscles, at least some of the time, feels good. Resting can feel good. Routines like having tea in the morning feel good and give me something to look forward to and some sort of continuity in my life, predictability. This feels good. This feels good. This feels good. This feels good.
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for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.'
A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation.
'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process.
'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it.
'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
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