#this man has so much hate

[cora-vizsla]

Paz: “Look this shiny guy is a piece of shit. And his kid is weird. And don’t even get me started on this princess bitch. But this guy.. he’s MY piece of shit. And this kid is one of us even tho idk how his weird ass ears are gonna go in a helmet. And this princess.. man i just gave up on my kid and she was like nah bruh let’s climb this mountain.. So let’s fucking go kill some pirates. This is the way.”

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[flovoid]

happy birthday… Keith

[mustasekittens]

💫lucky girl🔮

alt versions!!

[ghouljams]

I am going to keep slutting Ghost out, he deserves it. Respectfully. But also the man cannot dress himself, he has no drip. He's got 20 black t-shirts, he's got jeans and fatigues and that's it. He thinks skull and skeleton motifs are cool. Soap and Gaz get him a skeleton sweatshirt/sweatpants fit as a gag gift and laugh themselves hoarse when he wears them around the base.

I'm not saying he doesn't look so fucking good in a black tee and fatigues, but the man does not have style. Not on purpose. He wears his usual black tee and maybe some black cargo pants, wanders around town in his big army boots and gets stopped by goth kids and tech/streetwear folks. He doesn't know what the fuck they're complimenting him for. He doesn't know why they're talking to him. He tells Gaz about it and Gaz almost chokes on his drink, has to call Soap over to hear this. Ghost doesn't know fashion trends, he doesn't care, he's going to keep doing what he's doing.

[bigcatbulges]

Source - ff_igarashi

(Artist's Fanbox)

[dirtytransmasc]

Alicent being ignored as a parent during those first few years. Alicent being expected to take care of aegon, while also allowing Viserys to take him whenever he so pleased, to show off and pass around like a model toy. Alicent being denied her child whenever lords and ladies were around. Alicent only getting him back when she was at her wits end, stressed after being separated from him for so long, watching people hold him wrong, play with him wrong, touch him wrong. Alicent only getting him back when he is fussy and no longer a source of entertainment for Viserys and his guests. Alicent holding her baby close to her chest during outings or events, stiffening when people ask to see him, hesitant to release her grip on him. Alicent biting her tongue when people ask to "give her a break" when she really wants to tell them that it's her baby and she's perfectly capable. Alicent being so exhausted from guests and Aegon being so little and full of energy, and her second pregnancy, causing her to doze with Aegon in her arms, only to nearly lash out when someone tries to slip him from her arms, engulfing him in her arms as if to fend him from hungry wolves. Alicent carrying him around, even as she grows tired, her arms burning and back aching, so she knows he is safe, away from prying hands and acrid whispers, away from his father's attempts to use him for amusement purposes. Alicent feigning a smile, feigning composure and enjoyment, when really, she just wants to be home, in her chambers with her son, where no one can bother them, where they aren't props meant to smile and wave for a man who does not love them.

(inspired by this reblog of my post from earlier. cause yes, @squgs [hope you don't mind me tagging] is right, she would very much go to war for her baby)

[poorly-drawn-mdzs]

That's the face he makes when he's feeling silly.

[First] Prev <–-> Next

[demonictacobeard]

Lucifer, folding his arms at the entrance of the hotel: You are not setting foot in my daughter’s hotel, you’ll leave surveillance everywhere and I’d hate to ask Nifty to do the extra work of finding them

Vox, begging: Then your majesty, will you ask Adam to come out here? I heard the rumors that he’s here. I don’t have to come in at all, I just want an autograph

Lucifer, disturbed: Why? He was the leader of an army that killed sinners every year. You are a sinner

Vox, laughing darkly: I don’t give a shit who he’s killed or how many, I will tap dance over the corpses he’s created to shake his hand for making Alastor bleed

Lucifer, now facing a question of morality because he hates Alastor but does he hate him that much?:……..God while still asleep, continues to test me

[trensu]

ETA: now on ao3 as Hawkins Halfway House for Homeless Horrors

ETA2: now with an additional snippet

okay, how's this for an AU

We know that Steve wants to be a dad. Like, his literal life dream is to have a minimum of six children. SIX. who wants that?? crazy people, that's who. but we forgive him his insanity because he's sweet and will actually probably be a really good dad and there's not enough of those in the world.

the downer is that it's the late 90s, he's a (still) single guy in his thirties, and every adoption agency on the planet would rather give their children to a heteronormative couple who don't even want kids than to a single dude who would dedicate his heart and soul to giving his kids a happy healthy home.

He's bemoaning his fate to Robin at a bar they recently discovered. It's a weird little joint, kinda tucked away on the outskirts where Steve could've sworn didn't exist just last week. The patrons were kinda weird too but neither he or Robin could put their finger on why or how. If Steve had been a little less miserable, and Robin a little less caught up in comforting him, they might've noticed how everyone else in the bar kept sneaking curious glances at them or how they somehow always kept most of their features hidden.

They didn't though. Even when they were interrupted by a handsome black gentleman who called himself Jeff. Jeff said that he couldn't help but overhear their dilemma and that he's actually part of an agency that is more open minded about potential foster or adoptive parents. Steve's a little deeper in his cups than he intended, and doesn't question that some random guy in a bar is offering him a chance of having children. Robin is not as far in her cups and finds it a bit suspicious.

She was going to say something about it but Jeff looked her in the eye and said, "Everything is fine. There's no reason to worry. I'm only trying to help."

"You're only trying to help," Robin murmured back blearily. "Everything is fine. Yeah. Yeah, 'm not worried."

Jeff gives Steve his card and tells him he can stop by the very next day if he'd like, since his schedule is open.

The next day, Steve is regretting having gotten so drunk. Not really because of the hangover (though holy shit, he is NOT twenty anymore he needs to stop drinking like one). No. It's because Jeff had just finished giving him a tour of the facility full of rambunctious children in need of a home.

Actually, that had been pretty okay even if the other adults in the facility startled at the sight of him and the children kept ducking into other rooms to hide from him.

No. It's because Jeff had just introduced him to a child named Dustin who sneezed unexpectedly and somehow turned into a kitten.

"Um," Steve said. Jeff sighed.

"Dustin hasn't gotten back control over his shapeshifting since his mother's passing, but I assure you he's been improving."

"...shapeshifting," Steve said, numbly.

"Yes. Dustin tends to go for cat shapes, like his mother did." Jeff bends down to pick up the loudly mewing tabby kitten. "We've managed to get him to shift mostly into a domestic shorthair, rather than a cougar cub."

"That's great," Steve squeaked as he tried to tamp down the growing hysteria in him. "Really, really great. Y'know what, Jeff, this whole thing's been great but I think I'm still kind of drunk so I'm just gonna go--"

"No, wait," Jeff says, quickly placing the Dustin kitten on his shoulder before reaching out to grab Steve by the elbow. "Please. Look, you seem like a good guy. I did a quick scan of you and everything, and I really think if you'd take a moment to sit down and--"

"JEFFORD BILLANY JONES."

Jeff's shoulders hunched, nearly dislodging Dustin from his shoulder. He sighed again and turned to face the man storming towards him and Steve.

"Eddy, you know none of that is my name."

"I'll call you whatever I want since for some unfathomable reason, you've brought a human into my sanctuary. Why is there a human in my home, Jeffamy."

"Eddy, let me explain."

"It's Eddie in front of the human," Eddie said.

Steve's brain was experiencing some sort of malfunction because Jeff had been calling this man Eddie, except if he concentrated, the way Jeff said Eddie and the way Eddie had said Eddie sounded very very different except it hadn't because they both sounded like Eddie except for how Jeff's Eddie sounded different from, the same as, different, just like--

A pair of ringed fingers snapped aggressively in front of his face, startling Steve from an impending aneurysm.

"You. Who are you, who sent you, what do you want."

Steve stuttered something incoherent. He's pretty sure he's had a mental break from reality. There was some sort of sentient black sludge creeping across the tiled floor, wrapping a tendril around Jeff's leg.

"What is that?" Steve squawked. Jeff beamed at him.

"Oh, this is El! She's a Monster Under the Bed. She hasn't decided on a form yet, but that's okay, we love her just as she is."

"Jeff," Eddie snapped. Jeff looked at Eddie stubbornly.

"You told me we needed all hands on deck."

"How dare you, I'd never stoop to using boat metaphors."

"Don't distract me with blatant lies. Eddy, you said we needed help. You said you'd take anyone at this point."

Steve has not been able to stop staring at the sludge creature (El?). He's beginning to realize that he can't quite remember what Jeff looked like, or any of the adults they had seen. He's noticing that some of the children that have been scampering about had looked off. Like the boy with the bowl-cut they had passed by earlier who had looked...frosty around the edges. Or the girl he thought had had red feathers in her hair but is now suspecting the feathers were something more than decorative.

Ringed fingers snap in front of his face again. Steve finally focused on the man named Eddie who was actually named Eddie which was different from Eddie somehow. Now that he's able to shove away the confusion that is this man's name, he's struck by the fact that Eddie was quite possibly the most gorgeous man Steve's ever seen. He had wide, dark eyes that made Steve think of seabeds in the deepest of waters. His hair was a riot of dark brown curls that for some reason brought to mind swirling schools of fish.

"Answer my questions," Eddie demanded. Steve blinked and, with some difficulty, remembered the previous interrogation.

"Uh, I'm Steve. Jeff invited me because I want to be a dad."

Eddie barked out a laugh.

"Oh, is that right? In that case, welcome to Hawkins' Halfway House for Homeless Horrors! I'm sure Jeff would love to finish introducing you to the rest of our children. Have you met Mike? He's a ghoul! Or Lucas! He's a werewolf and his dream is to become a basketball star. They both have very sharp teeth so watch out for their tantrums."

Jeff scowls at Eddie before turning back to Steve. Steve was starting to feel faint and he was no longer sure if he regretted drinking the night before or regretted not drinking more.

"Steve, it's okay. Eddy is making it sound scarier than it actually is. You said you wanted to be a dad, and we need foster parents that can help these kids learn how to blend in with humans. That's what the halfway house is for, but there's only so much they can learn while living in sanctuary. We need a way to have them experience the human world more directly while still keeping them safe, and I think you're the solution we've been looking for. What do you think?"

"I think I need to sit down," Steve said thinly. Eddie snorted derisively. Steve was slightly offended but honestly everything was a bit too much right now and he really would like to sit down for a moment just to process. Because monsters are real, apparently, and some of them need parents. Which was terrifying to think about but also not so much? Because all kids were little monsters some of the time right? If Steve could have a moment to get his bearings...

"This was a terrible idea, Jeffathan."

"I think it was a great idea, actually. I really think this could work."

"No. I forbid it. Don't do this again."

Then there was a sweet and beautiful humming. It made the edges of Steve's mind go fuzzy and soft. He blinked slowly and looked for the source of the sound. Eddie stared at him intently and when he spoke, his voice was like music.

"Steve," Eddie said. "Steve, do you want to make me happy?"

Steve nodded dumbly. He wanted that more than anything in the whole world. He wanted to make Eddie smile. He wanted Eddie to never stop singing.

"It would make me very happy if you went home and forgot everything you saw here today," Eddie continued.

Steve made a sad sound. He didn't want to forget. He didn't want to forget beautiful, gorgeous Eddie and this place that could make his dream come true.

"Please, Steve," Eddie's lyrical voice took on an aching mournful tone. "If you don't, you'll break my heart. I'll never be happy again."

The sadness in the song made Steve feel like the world was ending. Eddie couldn't be sad! Steve would rather die than make Eddie sad!

"I forget," Steve mumbled through the fog in his mind. "And you'll be happy?"

"So happy. I'd be the happiest man alive if you do that one little thing for me, my sweet Steve."

Steve nods again. "Okay."

"Good boy," Eddie croons. Steve felt like he swallowed the sun at those words. He followed Eddie as Eddie guided him through the halfway house. Eddie hummed his lovely song the entire way.

"Go home and forget," Eddie sang one last time as he helped Steve get behind the wheel of his car.

"Yeah," Steve replied dreamily and drove away.

--

The telephone rang shrilly through his apartment. Steve stumbled out of bed and picked up, only fumbling it a little bit.

"H'llo?"

"Steve, what the hell, I've been trying to get a hold of you all day! Where have you been?" Robin's voice rang out, making Steve flinch. He scrubbed his free hand over his face tiredly.

"Home? I just woke up," Steve said. It was weird that he was fully dressed, he thought dazedly, but it wouldn't be the first time he's passed out drunk in his street clothes. Was he wearing this shirt yesterday? He could've sworn he'd worn the navy one.

"What? Just now? It's like five in the evening!"

"Huh. That'd explain the weird dream," Steve mumbled.

"Was it the one where you get seduced by a giant squid? Because I don't need to know more about your weird tentacle fetish."

"I don't have a tentacle fetish! I had the dream ONE time, and I wasn't being seduced, I was getting drowned and it was terrifying!"

"To-may-to, to-mah-to."

"Whatever, this one was weirder anyway."

"I find that hard to believe but now I'm morbidly curious. Hit me with it."

"...I don't remember."

"There goes my entertainment for the evening."

"Was there a reason you called, Robin?"

"Yes! I met this girl named Chrissy and I swear Steve, she's the most beautiful woman I've ever seen..."

Beautiful. Steve had the faint impression of dark eyes and silver rings, but it was quickly washed away like a child's sandcastle in the tide under the onslaught of Robin's ramblings. As he listened to his best friend, he couldn't help but feel there was something he'd forgotten. There was something he'd been planning on doing today, wasn't there...?

...oh, well. If it was really important, he'd remember eventually.

[wistfulcynic]

a non-izzy-centric reading of the events of season two

i didn't really want to get into this because it's so, so tiresome and i'd rather talk about the things i loved about this season. Poison, positivity, etc. But.

reading this post about people doubting their own judgement due to the overwhelming noise from Izzy stans along with a rewatch of season two from start to finish made me realise that i too had been influenced by a year and a half of being intensely frustrated by people insisting so loudly that OFMD was in fact the Izzy Hands Show. My initial issues with S2 mostly stemmed from overcompensating for that by resenting any development of Izzy on the screen because i did not want it to feed those people. Which meant that i also was centring Izzy in a way that he should not be centred! i was letting their noise lead me to read him as far more important than he actually is.

So i looked back at several points from the season that had me feeling uncomfortable and which, from a cursory browse through the Izzy tag i've concluded his stans see as a contradiction or a betrayal or something and re-evaluated them from the perspective of Izzy not being a main fucking character.

point one: "He's our dick."

When Archie (a newcomer and therefore a fairly effective audience stand-in for anyone not balls deep in fandom bullshit) asks Jim why they're going to so much trouble for Izzy, who she has immediately clocked as "kind of a dick", Jim gives this response. Which, if you think Izzy is important, may read as an expression of reluctant fondness. But then, Jim continues: "There was a time when life meant something on this ship. When we lived for each other, not just to survive." These lines are punctuated by a flashback to the famous Revenge crew found-family Renaissance-painting moment. Jim is nostalgic for the "good old days" of the Revenge under Stede's people-positive management style. It is out of respect for that (seemingly) lost way of life that they take the trouble for Izzy, not for Izzy himself. They'd have done the same for anyone, because they desperately want life to matter again. Izzy, as the person whose gamy leg is a direct result of his threatening Ed and bringing the kraken era down on all of them, is simply the one whose life happens to be on the line.

(honestly, i love this from Jim, who was one of Stede's boldest detractors in season one and still the crew member most likely to call him out on his bullshit. That's your "reluctant fondness" moment right there.)

point two: the new unicorn

apparently Izzy stans see the gift of the unicorn leg prosthetic as a symbol of deep love and respect from the crew to Izzy. Which is an absolutely wild reading when you look at what led up to it.

There's tension on the ship. Divisions. Lucius is chain-smoking and jump-scared by his own shadow. Jim, Archie, Frenchie, and Fang are overcome by guilt over their mutiny and frantically scrubbing nonexistent blood from the deck in what is a fantastically darkly funny Lady Macbeth moment for them. Izzy is sloppy drunk and yelling nonsensical abuse at the unicorn masthead. Roach, Pete, Oluwande, and Wee John make a well-intentioned but ill-conceived attempt to bring everyone back together (i say "everyone" but Izzy, significantly, is not included) which leads to them all being at each other's throats in the sort of mutually-assured-destruction configuration that starts world wars. It's a great scene. Izzy is not a part of it.

until he interrupts them, throws the unicorn legs at them and in his drunken clumsiness breaks his prosthetic. He then pointedly refuses their offers of assistance and drags himself away along the floor by his arms.

my friends. This is peak pathos. The crew do not respect Izzy in this moment, they feel sorry for him. They realise that he's worse off than any of the rest of them and that knowledge brings them back together. Making the unicorn prosthetic is barely about Izzy at all. It's about the crew coming together, repairing the rifts in their found family and as a bonus helping out their grumpy second cousin who doesn't really want to be there but has nowhere else to go. It's also a very generous offer of a new place on the ship--as the new unicorn--and a fresh start. Because that's what life on the Revenge is. For everyone.

point three: la vie en rose

much has been made of Izzy putting on drag makeup and singing at the Calypso birthday party, and fair enough. That's a big character development point for him. i don't hate it, though i wish there'd been more build-up to it, a longer conversation between Izzy and Wee John at least (insert obligatory "fuck Max" here) but regardless, if we accept Izzy's amputated leg as cutting off his old self and replacing it with the unicorn then we can arrive at a place where he's able to participate in a drag performance without too much cognitive gymnastics.

i've written before about the curious choice to have Izzy sing La Vie En Rose in French (after he initially sang it in English) at the very moment when Ed and Stede are having sex for the first time. On first watch i felt viscerally troubled by it, it felt like a validation of the obsessive psychosexual reading of Izzy's feelings for Ed. Looking at the season as a whole, it feels more like a (cringy, creepy, waaaay over the line) attempt on his part to signal approval for Ed and Stede's relationship. Especially when taken in conjunction with his (super creepy, like wtf who greenlit this) interruption of their breakfast in bed the next morning to make a ham-fisted innuendo. Weird but okay i guess, it's not like Izzy and social niceties have ever gone hand in hand.

many people point to the drag scene as the crew embracing Izzy and welcoming him as one of them. Again, i don't disagree. But, also again, this is not specific to Izzy. This is just what they do. They also embraced Archie with her snake-cult stories, they re-embraced Ed (who yes, they do love, refutations of arguments that they don't love Ed are a whole other essay though) and later they embrace Zheng and Auntie and also Jackie who once stole their savings jar and threatened to cut off their noses. That's what they do! They embrace people! That's what the show is about!

point four: the death scene

i have to be honest, i still hate this. i don't hate that Izzy died, i hate that he died in Ed's arms with Ed calling him his only family. That still feels unearned to me, and alas was probably another victim of the shortened season. But even with this extremely kind and forgiving death scene, the stans are not satisfied! They feel that the entire crew should have been gathered round, assuring Izzy of their profound love for him. There should have been weeping at the funeral, wailing and gnashing of teeth, rending of garments etc. It's what he deserves as such a beloved member of the crew!

except he wasn't beloved. He was accepted, yes. Welcomed, even. But acceptance is a far cry from love. Cheering as someone sings a song at a party does not mean you feel ready to weep at their deathbed or proclaim your undying affection for them.

yet even so, the crew are visibly distraught at his death scene. There are tears in many eyes! But effusive declarations of feeling from any one of them other than Ed would have felt (to anyone not convinced Izzy is the main character) completely wrong and very weird. You can headcanon what you like to fill the gaps in canon but on screen we have seen very few meaningful interactions between Izzy and any of the existing crew aside from Fang and Lucius and to a lesser extent Wee John. Izzy's primary relationship with another character is with Ed and so, as much as i still don't like it, Ed is the only one who has any real reason to be at Izzy's side as he dies.

as for the brevity of the funeral and the fact that they went straight from it to Pete and Lucius's wedding instead of having, idk, a prolonged wake at which everyone speaks at length about how important Izzy was to them, i mean. Obviously that wasn't going to happen. More than enough screen time had already been given to a side character who spent most of it either being miserable himself or making others so. It was time for the rest of them to find some moments of joy. As Izzy himself said, not moving on is worse.

in conclusion, i'd like to address the people saying that Izzy should have lived so he could continue his arc of self-discovery and sure, that would have been great--on the Izzy Hands Show. But OFMD is about Ed and Stede and Izzy had served his purpose in their story. i feel certain there will be copious fanfics to soothe anyone who feels Izzy was shortchanged.

on the show, though, he was treated in a very logical and foreseeable way as the antagonist who was able to see the light at the end but not necessarily to thrive in such a well-lit environment. Literature (by which i mean also films and tv) abounds with examples of this sort of character. They see the error of their ways but they are too stuck in them, shaped by them, to exist comfortably in any other way. They help bring about change to benefit others and not for themselves, that is the bittersweet beauty of their endings.

Izzy let Ed go. He embraced the softer parts of himself. He died surrounded by people who may not have loved him but at least accepted him as one of their own and felt genuine sorrow about his passing. That is a satisfying narrative end for a reformed antagonist! If you truly feel that he was shortchanged by it then you have forgotten what show you're watching and what sort of character he was.

Izzy Hands: not the main character, still an interesting one, absolute nightmare, what a guy.

[marstectomy]

i know fat redistribution happened so I need T to explain itself right fuckin now

[disguisedcheezed]

it's so funny to me when people just believe that john is straight because he said "i'm not a homosexual" once because

1. you are believing the words of a 13 yr old who was 12 the day before.

2. people forget that he's 13 when he said that, and that he is not old enough for a proper romantic relationship.

3. john egbert doesn't think. in fact, he'd rather not AT ALL. like. EVER.

4. why would he think about ever liking a girl? can't he just say it out right if he does?

also, this part in a nutshell:

karkat: DO YOU WANNA BE IN A RELATIONSHI-

john: i am not a homosexual. 👍

5. god king of repression had you fooled FOOL.

and the most ironic part is that it's the same shit homophobic parents say like "yeah, but when you were 13 you said you liked girls soooo"

[charlieconwayy]

Favorite Character Meme [5/5 Relationships]: Shawn & Turner

"Turner took care of you, he loves you. And you love him."

[samadiz]

I miss them 💔