#this might be my best post yet

[oceanfossil]

have you ever wondered what the communist manifesto would sound like if it was said in the same tone and cadence as dj crazy times

[hyperfunnyblog]

you know where to find me, and i know where to look

[girlboyburger]

today i realized i could draw anything i want, so.

i drew myself a girlfriend

[sammym332]

the dead one. yeah, i havent thought about her in a long time

[maulfucker]

So fucked up that obimaul is a rarepair. What do you mean not everyone is obsessed with enemies to lovers with a Force connection, where one side is completely obsessed with the other who barely acknowledges him (but is just as affected)

[rickety-goose]

finally met (one of) the man that's been making my mutuals go wild

[robotpussy]

Jharrel Jerome in Boots Riley's I'm A Virgo (2023)

[spotsupstuff]

BIG damn post, but as i've said!! i (FUCKIN FINALLY) did end up fleshing out the rest of the important Iterators of the Children of EO group a little that map is a forever wip, fuck it all, i'll be just postin updated versions of it from time to time or smth

[liquidstar]

sleepovers save money on hotel rooms while on missions 👍

[tea-earl-grey]

i had an itching for comfort media so i went back to watch some s1 voyager episodes and s1 is soooo much better than i remembered. the later seasons appeal to my tastes a bit more but all the characters in s1 are so earnest and hopeful even when they butt heads and disagree and i'm just sitting here like "oh god they don't know what the next 7 years have in store..." i doubt it was that purposeful on the writers' part but it's so compelling how all of the characters have pretty open insecurities and are clearly people with lives and dreams beyond Voyager and bit by bit that's chipped away in later seasons. yes everyone becomes more confident and competent but is that really who they are or are they just losing themselves along the journey? (unfortunately the Doyalist explanation is just that the writers stopped putting focus on like. half of the main cast but shh i'm here for Watsonian analysis.)

like it's particularly noticeable with Janeway. she's definitely always been written as a strong leader but i forgot how much in early seasons we get to see her insecurities and vulnerabilities, how different she acts from when she's acting as captain to when she's alone, how often she questions her morality and whether she has the right to make decisions for her crew (and how often others questioned that right). then in the later seasons (around s3 and definitely by s4), she almost never questions her moral decisions, she rarely shows doubt, she plans heists on Borg cubes without a second thought, she dispenses her justice to the Equinox crew without really considering their position, she regulates others' autonomy (especially with Seven and the Doctor) without seeming to realize how easily that can go wrong. and don't get me wrong i love this development and think it's incredibly realistic for Janeway to deeply internalize her role and authority as a Captain and for it to permanently change her sense of self. Endgame is the perfect closure for Janeway's character because her future self exerts that same authority that she's been practicing over herself (also Janeway gets to live out her martyr complex one last time). i just wish the show was a little bit more self-aware that it was writing Janeway (and other characters) like this because there could be so many more interesting character conflicts.

anyways rewatching early ds9 made me say "aww these characters don't know that one day they'll all grow together and basically become family" and rewatching early voyager has me saying "uhohhhh these characters don't know the unhealthy relationships and neuroses they're going to uncover and develop". toxic found family for the win.

[canisalbus]

just a quick ask to tell u it makes me super happy seeing the detail u go into when pointing out stuff u like about other people's art of ur ocs :3 it's so rare to see but it's so so motivating!! <3

Thank you! I don't take any interest for my art for granted, and if someone goes through the trouble of drawing my characters for me, I feel like trying to write a proper response is the least I can do. For a visually oriented person, receiving gift/fan art is a huge deal, it means someone considered my goobers worth their time and effort, they've probably been thinking about them more than a little and found them inspiring in a way or another, and I find that terribly flattering. It's extremely fun and interesting to see other people's takes on them. And I've drawn stuff for people as well, I know how nice and rewarding it feels to receive a response that is longer than a word or two. Positive comments like that can linger in people's minds for a long time, at least for me they do.

[chimchiri]

How did the Wonderbolts find out/react to Spitfire and Rainbow's relationship?

Ok I will focus on Fleetfoot here because otherwise it'll be too long. I ended up drawing a few panels but can't finish them right now, so I'm giving you all the sketches.

I hc Fleetfoot to know Spitfire the longest right after Soarin. They're close friends (Fleets considers Spitty her best friend even) and even though she's got a pretty intense rivalry with Rainbow, they also started a close and intense friendship after Rainbow joined. Fleetfoot considers her friendship to both to be very special.

The scene in question happens during some holiday, general WB vacation, or just a weekend. It's one of the AUs where Spitty and Rainbow start dating and get closer while still in the WBs. At some point they don't want to stay at home and want to show physical intimacy in public instead of acting like friends. But both being well known (especially Spitfire) immediately excludes all bigger and nearer towns. They can't just go out and hold hands and kiss without the press immediately writing about it and it ending in a huge scandal for the Wonderbolts.

They end up spending this specific date in a small village which hosts some minor festival that day. It's tiny, not that well known and is perfect for them. People don't recognize them outside of their uniforms and signature outfits.

It's pure happenstance that Fleetfoot is at the same no-name festival, visiting either an old friend or having to spend some time there due to some family issue. She notices the familiar, colorful hair in the corner of her eye. The hair is a lot more vibrant and visible in the up-do Rainbow wears - a bit foolish of her to not wear a cap like Spitfire. But Rainbow being able to test, investigate and discover her own femininity in the safety of their private time is a big part of her. Plus, Spitfire also didn't think it would be a problem.

From the outfit, Fleetfoot wouldn't have guessed it's really Rainbow further down the street. But she recognizes her hair and laughter immediately. As for Spitfire, even with a hat and glasses, she'd recognize her a mile away as well.

It's a bizarre scene for Fleetfoot and seeing them kiss feels like a gut punch. At this point she's often tried to push Spitfire to go out and at least have some sexy flings, some fun nights with nameless girls instead of her just drowning in WB work. Spitfire always dismissed her, saying she can focus on romance later when she can actually date someone in private and not have the press nonstop on her heels. Similarly Rainbow always denied liking someone and wanting to focus on being a great Wonderbolt member, being the newest addition. The most Fleetfoot got out of her, was doing silly "Smash or Pass" games the nights out after training or a big event.

Fleetfoot would never even have guessed that either would be interested in anyone, especially not each other. And seeing them in front of her seems is like a dream. She feels like she's seeing two completely different people in front of her and not her friends: Rainbow with her more delicate and feminine attire than usual, and Spitfire who's acting a lot more flirty, soft and seductive instead of her serious, rough or dudebro-joking attitude as captain.

Fleetfoot considered her relationship to both as special. She's not just "a friend" and that's the first reason why catching them in the act affects her this deeply.

The second reason is that she takes the Wonderbolts, their reputation, and especially the team bond just as serious as Spitfire. Seeing them involved romantically goes not only against the Wonderbolt code and rules, but would raise red flags even if it was allowed. There are a gazillion reasons why trouble could and - in Fleets' eyes - would follow. Can either separate work from relationship? Can they stay neutral? Will there be favoritism? Will Rainbow start to slack off? Will she distract Spitfire form her duties? Will there be silent grudges in the team? Will the team and performance suffer?

Fleets is usually pretty outgoing and wears her emotions on her sleeve. This time she swallows her anger and other complicated emotions and keeps quiet. The desire to just go up to and confront them is big - but she doesn't want this to end in a catastrophe for the team. Also she feels Spitfire could talk and explain herself and Rainbow out of it - probably playing it all down since Fleetfoot doesn't even have evidence.

So Fleetfoot waits for now, hoping to observe and collect evidence she can use against them once her judgement day comes. She's still convinced this is bad and will hurt everyone in the long run. But even with a very close eye on them, she doesn't notice anything. Their performance doesn't falter. They're both as motivated to be peak Wonderbolts as ever. There are no noticeable longer or romantic touches. No special eye gazing. Rainbow gets no special treatment, quite the opposite - Fleets wonders if maybe she gets more criticism and work than the others (which is 100% the case. Spitfire does overcompensate a bit in her attempt to hide their relationship) She doesn't see them meet up in a romantic way. She never sees a kiss or romantic gesture again. And even when she spies on them when they think they're all alone, they don't act differently to regular teammates.

There are days where Fleetfoot wonders if her mind way playing a trick on her and that she saw two other people that day. Only sometimes though. And with time moving on and her not seeing any bad consequences, her emotions towards this secret mellow out and transform into a different, more empathetic nature.

There is more going on and some follow-up with Fleetfoot and Rainbow which also covers Rainbow's insecurity about feminine clothing - but it's a long post already. I might want to doodle something for it as well, when that time comes.

[oh-gh0st]

he loves her very much (and misses her a lot when she has to leave)

[lemony-snickers]

life sucks, have some smut.

Title: Too Much of a Good Thing (No Such Thing) Summary: You and Kakashi spend a protracted morning in bed. Word Count: 2,015 Warnings: 18+ only, NSFW, fem!reader, edging/overstimulation, biting/marking, vaginal fingering, masturbation, vaginal sex, unprotected sex, established relationship .

Your thighs twitch and tremble, slick and sticky as they clench inward and you whine.  ”Kakashi.”  His name comes out breathy and high-pitched, a long-suffering whisper.

He’s teasing you; you know he is because you can feel his smirk against your collarbone where he’s tucked his face, occupied himself with suckling against the tender skin of your neck to distract you from the futility of your constantly building—but never quite achieved—orgasm.

You’re sure the skin is bruised already; certain it will blossom an even bolder shade by the time Kakashi finishes his work.

(Read More on AO3)

[everythingsinred]

Family and the Institution of Alice Academy

Was thinking about this ever since someone (I forgot specifically who, sorry) posed a question like this in the GA discord, asking about (I think) Natsume's extended family or something like that. It was a really interesting concept that I've been thinking a lot about since it was brought up, so here are the thoughts I've accumulated. I'll try to be concise but I have a LOT of thoughts and my brain is messy.

My general opinion at the end of all this thinking I did is that I don't think Academy students typically have very close familial ties after graduating.

I think the most apparent reason for that would be that students are expected to graduate when they are twenty years old. Our main four are exceptions to the rule, coming to the Academy pretty late in life. Most children are taken early, as toddlers or even babies. Natsume, Ruka, and Hotaru's families did all they could to avoid Academy scouting. Mikan was entirely accidental--if she had never met Hotaru, she might have never even found out she was an Alice to begin with. That being said, most kids were separated from their families at a very young age, only to be allowed to reunite with them once they're already adults. For many students, they've been away from their parents for close to two decades.

On top of that, the Academy doesn't allow visitations or phone calls and severely restricts letter communications. Only one child from each class is allowed to return home for one week each year, and that one week does not do much to make up for all the time spent at school.

My point is that by the time students are allowed to see their families again, that familial bond has already been severed, for all intents and purposes. That feeling of closeness and protection no longer exists. Students will feel more closeness and connection to their classmates and even to their teachers than to their parents or siblings, and as a result, I can imagine many graduates not even bothering to visit their families.

While I was pondering this, I made the connection between Academy students and the real life example of a similar situation with Janissaries from the Ottoman Empire. Basically, Janissaries were children stolen from the subjugated people under Ottoman rule. They were taken for the purpose of a "child levy", also known as a "blood tax." Some children were even willingly given by their families due to the possibility of socially advancing, and because the children were promised first class status (sound familiar?). Essentially the children were taken, forced to comply with Ottoman standards and traditions (including forced conversions and circumcisions), and then trained for military service. These soldiers would actually end up being incredibly loyal and efficient, despite likely never seeing their families again.

(Edit: forced circumcisions are particularly heinous when you consider that the children were typically at least 10 years old at the time they were taken.... so.... uh.... not pleasant.... But also interesting that the Janissaries were typically much older than the Alice children at the time of being taken.)

That level of separation doesn't endear ties; it severs them. These Janissaries--very often forcefully taken from their families--ended up growing up with very little connection to their parents or siblings. The feeling of belonging to their previous communities was gone. Absence does not always make the heart grow fonder. This was done as a means of creating a strong military force but also to disillusion subjugated communities and tear away their hope. Their children could always be taken; their communities could always be crushed, even without the use of physical force. It's a very effective tool to oppress a group of people.

(There's actually a lot of similarities between Academy children and Janissaries beside the separation of children from their families. They were also paid for their service and were high ranking; the Academy students are given an allowance and many of them, despite being stolen from their families, have a sense of superiority over non-Alices. They feel like they are treasures, and are of higher value and rank. Additionally, Academy students, especially in the DA class, are highly trained and efficient child soldiers, much like the Janissaries. Janissaries are actually a super interesting historical topic and are worth looking into!)

We can even see the effect of this distance when Yuka escapes the Academy and runs away to her family. Yuka was essentially sold to the Academy, with her parents trading her in exchange for money and status. She was very young, far too young to really understand that her parents had abandoned her. As a result, she romanticized her bond with them, and the longer she was separated from them, the more that bond became fantastical. She made many attempts to escape the school to reunite with her parents and she fantasized about seeing them again. When she finally is able to, it's nothing like she imagined. They're cold, and unfamiliar. They don't recognize her. She doesn't know her brothers. They're related, but there's no real connection.

"I shouldn't have come here."

Yuka's is an extreme example, but I'm sure she's not an exception. For most Academy students, the almost 20 years of separation from their parents would be too much to ignore. They would not recognize each other, or be close. I'm sure many parents did not sell their children like Yuka's family did, but the bond between child and family had not been nurtured the way it should have been, resulting in coldness and distance.

Because of that, I doubt most students even bother seeking their families out, or even if they do, it's to visit a few times before starting a new life with a career. That familial bond, now broken, is difficult to repair. The connections people often feel with their families or hometowns is something Academy students instead feel with each other. They are all Alices, all in the same boat together. That feeling of superiority that many kids feel means they view each other as on the same level, and I'm sure that could interfere with family connection as well.

Thus, I don't think there's many multigenerational Alice families out there with close bonds. I don't think families like Natsume's have strong ties with grandparents and aunts and uncles and cousins. Even the sibling bonds at the Academy are stunted, with the Imai and Shouda siblings being the prime examples of that.

The Imai siblings have a significant age difference, yes, but additionally the Imai parents had a very different approach to Hotaru after seeing what happened with Subaru. They refused to hand her over as easily, wanting to show her important things in life and build happy memories for as long as they could. Even when Hotaru does enter the school, it's more than six months before she even comes across her brother, since the high school and elementary school are not integrated with each other and they do not belong to the same ability class. Similarly, the Shouda siblings are in different ability classes but they have a much smaller age gap. Despite this, Sumire refers to her brother very respectfully, indicating that there isn't a particular closeness.

The Imais fight against this divide, and put in genuine effort into rebuilding their relationship, but it's a difficult process, and one they struggle to admit to for a long time and for various reasons. Familial closeness is not encouraged, not even within the Academy.

(Though Natsume's bond with Aoi is exploited and the school does rely on him caring for her to take advantage of him, but ultimately he is kept from seeing her. Thus, that bond is also severed despite being exploited.)

Additionally, it would make sense to me if many Alice graduates decided to, upon having children, avoid scouting, like Natsume's parents did, and thus ended up moving around a lot to escape Academy notice. Moving around like that and laying low means that you're not going to be hosting huge family reunions or inviting relatives over often, even if all the other points were moot.

Finally, I think all this creates further obstacles for Yuka's wish to "have a family." At some point she says that, for normal people, the desire to settle down with someone and start a family is a pretty modest goal, but for Alices it's almost impossible. Escaping from the school, or even graduating, is a struggle. And you can have a kid, but it's likely that child will be taken from you, just as you were taken, and by the time the child graduates, they will have no connection with you. Wanting to be a potential grandparent, for example, might seem like a definite impossibility, since being a real parent is impossible.

It's even more proof that the Academy exists as an institution to subjugate and undermine Alices, as children and then as parents. Ultimately, an Alice never has control, not as a child and not even as an adult. The pain doesn't end once you've graduated; in fact, it never does.

[jimmyspades]

I've known this day was coming for some time, I even prayed for it, knowing it would be a blessing, but, no matter, I don't think anyone's ever prepared for a parent to die. No matter what you think. [Yes.] Alan, thank you. With all your nonsense, I fully expect to have to fire you one day. I just want you to know when that day comes it'll be harder for me. [Yep.] BOSTON LEGAL 4.16 "The Mighty Rogues"