#though as that arc was AFTER Resurrection it doesn't have as much to do with what TIM thinks

[mzminola]

I think it's fun, and consistent with the rest of his character, that while Tim has no faith in the existence (or perhaps simply benevolence) of any sort of divine higher power, he does believe in the existence of souls.

I think that fits really well with Tim having faith in people. That all individual people are important, that they have amazing capabilities for both good and evil, and that they need support from each other to keep doing good. It fits with his continuing balancing act with both faith in and criticism towards Bruce.

Tim finds it totally believable that Greta is both a ghost & connected to some kind of afterlife pathway. He rolls with Anita's parents souls whooshing into the fetal clones. When Kon is worried he doesn't have a soul, Tim is confident that Kon does have one. He gets pissed when Red Tornado is dismissed as "just" a machine.

When Dick fights against Tim using or sampling the Lazarus Pit to bring back some loved ones, asking "What about their souls?" Tim just retorts that "The Pit brings that back too."

Which leads to one of my headcanons: that some time before she died, Janet expressed either belief in or hope for reincarnation. Tim describes his parents as "My mom was a little religious. My Dad not at all." in the Judgment on Gotham crossover arc. In Resurrection of Ra's al Ghul, when thinking of dead loved ones to bring back, he pictures Kon, Steph, and his dad. Not his mom.

Combined with all the above, I'm headcanoning that Tim has reason to think the Lazarus Pit can't bring back Janet Drake. That Tim believes her soul is neither lingering on this plane nor moved on to an afterlife from which it can be summoned, but willingly reincarnated already, and is therefore actually out of reach.

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[ep2nd]

@remy-a (sorry again)

LMK SHIPS

(These are ships I like and I am aroace soooo, not the best person for that "romance chemistry")

Freenoodles- they are so like an old married couple lol, they're cute and adorable and I love em, the show keeps putting these together yall can't tell me they're throwing literally bread loaves at our faces

Shadowpeaches- alright before anyone says anything- I like this ship, but it needs A LOT OF WORK, for those who haven't seen my Macaque redemption arc thoughts, they need to talk things out. Like a lot. And that's maybe on them getting back together. Now for anyone who's read Trials of Apollo (don't look at me like that I liked it) Commodus and Apollo have a very similar relationship like Macaque and Wukong. One was killed by the other, though they didn't want to, forced to because they were hurting people, and then go resurrected and went to get revenge on their ex-lover. Now commodus is a pot much, bloody killy and villainous and worse, but still- you can't just get back together after something like that. Now do I have an A03 bookmark for shadoapeaches roommates and lots of Stonefruit trio/Monkey trio family fics, of course they're adorable and I love em. Needs works, lots of work

Dragronfruit- It's cute, but the age difference- and that Redson is usually forever child like Nezha- I'll go 6/10, not all the same rules apply to LMK as JTTW

Spicynoodles- ALRIGHT. IM SORRY BECAUSE HALF THE FANDOM SHIPS EM, BUT I DONT. I- I just dont like em? And I usually ship all the Fandom favorite ships. I like the Trafflight trio as FRIENDS and Friends only. I just don't see any chemistry? More just plane rivals. Also look to Dragonfruit about other explanations

Spider Queen x Scorpion Queen- alright I can't remember the name but I think this a hilarious but a good potential ship, I like it a lot, it's cute, would love to see more stuff

I know they aren't even LMK nor is canon BUT IVE SEEN TUMBLR MAKS THIS.

Red Bottomed Horse Baboon x Lomg Armed Gibbon- I'd call it Astralspirit or some type of astral/cesltail word and then a ghost/underworld vibe. Now I'd get into a rant about what I've come up with these two, but that's another day. Anyway, they be like a quiet and loud type, one who doesn't like touch then the other who really loves it, one who plans everything and the other who goes with the flow, one who is always serious and the other always happy. Very opposite characters. If Pigsy and Tang are old married couple these are ultimate soul mates with like a perfect relationship, they talk things out, learn to love and live with things they personally don't like but the other does... stuff like that. Now I've seen this ship in the very few posts about the other 2 Celestial Primates, usually as Wukong or Macaques parents, so I know some people ship it. Also, I guess with Shadowpeaches, 2 of 4 Celestial Primates, they'd ship the other 2 together

Now If I didn't mention a ship, either A I forgot or B, I don't ship it, probably B, like Lionpeaches, Chimera, Venompeaches, Mayor x Syntax, Macaque x 9 headed snake demon, or others. If ya ship ya em, then that's alright!!(as long as it's not like horrible) I'm just not a big shipper too so yeah

[tobiasdrake]

Have you read the Dragon Ball Super manga? You've stated in the past that you're more of a fan of the original manga than the anime adaptation, so I was curious what your thoughts are on the current continuation of Toriyama's original manga, seeing as how the manga had some Toriyama supervision and was based on his notes.

While I do prefer the manga to the anime, I will say that both versions of Dragon Ball Super are hit-or-miss. There are basically three creatives at work with DBS.

Toriyama, up until his passing, would write story notes and some individual plot points down and pass them off to Toei and to Toyotaro. Lotta To- names floating around Dragon Ball.

...he said with no sense of self-awareness at all.

But this is Toriyama twenty or thirty years later, so he's not exactly the same creator that wrote the original manga. His memory of his own work has drifted; For instance, while writing Battle of Gods, he forgot that Super Saiyan 2 even existed and thought SSJ3 was SSJ2.

It had been a long time for him. He only got back into Dragon Ball because Dragon Ball: Evolution pissed him off. Explaining in the 30th Anniversary Super History Book:

"Dragon Ball once became a thing of the past to me, but after that, I got angry about the live action movie, re-wrote an entire movie script, and now I'm complaining about the quality of the new TV anime, so it seems that DB has grown on me much that I can't leave it alone."

The movie script he rewrote was, of course, Battle of Gods.

Famously, after seeing Evolution, Toriyama basically marched into Toei to see what they were making, ripped up the script for Battle of Gods, and rewrote the whole thing. He was just. So. Incensed. By Hollywood's butchering of his work.

So, in a twisted way, we have Dragon Ball: Evolution to thank for the resurrection of the Dragon Ball brand. I know, it's so weird.

This was Toriyama's formal return to the world of Dragon Ball after decades of just writing little story bits here and there or designing a character or two. Though just writing story bits here or there is more or less what he settled back into with Super. Toriyama would write notes about what he wanted to happen and deliver them to Toei and to Toyotaro, and the two would separately interpret those notes into their own vision.

You can tell what's from Toriyama versus what's from Toei or Toyotaro based on what plot points end up being hit by both versions versus what's unique to one interpretation or the other.

So, this:

Gohan facing down the fused Kefla and sacrificing himself in a double KO to take her off the field? That's Toyotaro.

Super Saiyan Blue Kaio-ken? That's Toei.

Goku has never kissed Chi-Chi in 20+ years of marriage because he's aroace and they're basically playing house for keeps? That's Toriyama.

Android 17 being the key factor in winning the Tournament of Power because his Android energy can't be sensed the way ki can, that's something that came down from Toriyama. 17 pretends to self-destruct using the bomb he doesn't have anymore; The one Krillin once used Shenron to remove from him.

But Toei has 17 emerge for the fight with Jiren, so he can briefly join Goku and Frieza in fending Jiren off - before they tell him to fuck off because he's not supposed to be in this scene.

While Toyotaro has him remain hidden under his cloak of ki-sensing invisibility for a last-second surprise.

But like I said before: Writing Dragon Ball again after twenty years away out of spite towards a bad American production, Toriyama isn't the same creative he was when this was all fresh and new and exciting. He was just as prone to characterization slip-ups and questionable decision-making as Toei and Toyotaro are.

I mean. That was even happening in the original manga. Remember that time when any part of the Android arc honestly? Good times. Nobody's perfect.

So, like I said, with Super, it's really hit or miss on both sides. Sometimes Toriyama's collaborations with Toei give us the heartwarming and beautiful friendship relationship between Broly and his new pals Cheelai and Leemo.

Or this. Especially this.

Nothing in Dragon Ball has ever, EVER been as funny as when Goku and Vegeta made Frieza hold the line against Broly, a nemesis Frieza brought to Earth to kill Goku and Vegeta. Taking advantage of his berserker rage in the most comical and beautifully karmic way possible to buy them time to work out the Fusion Dance.

And sometimes they give us yet another version of the Gotenks failed fusion joke they need to flog like a dead horse every single time a Fusion takes place in any piece of media they have ever produced.

DO YOU REMEMBER THAT TIME DO YOU REMEMBER DO YOU FUCKING REMEMBER THAT TIME IT WAS SO FUNNY DO YOU REMEMBER IT

That is Fusion Reborn, Yo Son Goku and Friends Return, DBS: Broly, and DBS: Super Hero in order.

And for his part, sometimes Toriyama's collaborations with Toyotaro gives us Goku lighting the fuck up like Spirit Korra.

And sometimes it gives us Vegeta learning how to teleport from the Yardratians but then immediately swearing off ever using it again because... I guess the move has Goku's cooties on it or something.

"Vegeta, you can teleport!"

"No, I cannot! I demand divergent character evolution from this manga so I will forever forego ever learning the cool and useful techniques that you use, Kakarot. What do you mean my dialogue sounds like a fourth-wall breaking author screed?"

This is honestly one of my "favorite" things that ever happens in Super. Vegeta refuses to learn Ultra Instinct, the ultimate martial art of the gods taught by Whis, and demands another path to the same kind of power that does not exist.

Then Beerus, a character who has long been established as vastly inferior to Whis, is like "Wanna learn this other thing that's just as good as Whis's thing I swear?" and helps Vegeta learn a new art where he... *checks notes* ...lets his opponent punch him in the face without defending himself until he dies.

This is where you end up when your mission statement is to not do the things that actually work for the intelligent martial artist and instead do the opposite out of spite. You end up with a fighting style that's built around losing fights on purpose.

Toyotaro somehow manages to shill the hell out of Vegeta and downplay Goku while also making Vegeta look like the most useless idiot ever. Ultra Ego is the worst transformation in the history of Dragon Ball and I'm convinced that Beerus helped Vegeta develop this as a prank.

He's up there right now laughing his ass off.

So. Yeah. There's a lot to like but also a lot to not like about both versions of Super. It's very different from what the original manga is, and it has very different pluses and minuses between the two versions. But there are some gems to be found here.

And the biggest gem is this guy.

[thatmexisaurusrex]

if we got a second season of tfatws what would you want to be in it 👀

Oh my gosh, such a good question to ask! 😆 A very hard one too Cassie, lemme think on this 🤔

Okay, a few things that would be a must would be:

A "Meanwhile, on the boat..." moment, or perhaps a montage of moments where things are happening throughout the MCU movies that happened post-TFATWS and Sam and Bucky are just 😂 on the boat, hearing about the events after the fact. I keep thinking about the scene in season 7 of Supernatural where they montage Dean commenting on what Castiel does with his new godlike powers while Dean fixes his car, but it doesn't have to be like that (3:16-3:46 here for reference lol).

Sam needs to save Bucky from falling. Sam had someone he couldn't save in the air. Bucky didn't have anyone to save him when he fell. Sam and Bucky both need that catharsis and it's wild that didn't happen in the first season.

Sam flying around as Bucky snipes at things 😂 Again - how did that not happen in the first season?

Sam and Bucky must either be already roommates or looking for an apartment which will be the place they will live in together.

Sarah, AJ, and Cass must be in it as well as other people we've seen like Carlos, Tommy, Isaiah, and Eli.

Another song by Curtis Harding must close the show's next sunset ending (it MUST be a good ending where they look into the sunset again, I'm sorry, I don't make the rules). Perhaps Can't Hide It by Curtis Harding?

Joaquín! There must be more Jay, I refuse to believe there wouldn't be so much more Jay in a season two.

FLASHBACKS. WHERE. WERE. THE. FLASHBACKS. Gimme Sam and Riley flashbacks, flashbacks of Sam with his family, gimme more info on Sam.

Can we???? Get more info on Sarah too???? Like was she married before??? Who are Cass and AJ's dad or dads??? How does she feel about Sam disappearing for a huge chunk of years??? I just want to know more about her.

And GIDEON. GIVE SAM HIS OLDER BROTHER.

Also, GIVE SAM BIRD TELEPATHY, YOU COWARDS, AS WELL AS A FALCON NAMED REDWING.

AYO AND ANEKA VISIT. THEY HAVE TO VISIT. LET AYO AND ANEKA BE BESTIES WITH SAM AND BUCKY.

Acknowledgment that Sam found Bucky in Europe but kept Bucky's secret and visited Bucky. Also that Sam visited Bucky during his time as a goatherder in Wakanda, possibly with a reference to the costco tub of lube 😂

MORE EPISODES. GIVE US MORE EPISODES. GIVE US TEN EPISODES AT LEAST, YOU COWARDS.

Things I can live without but I think would be a waste if they aren't in a hypothetical season two:

A huge and exciting action sequence during a New Orleans Mardi Gras Parade with Sam being the King of that parade.

There's a team of villainous jugglers in the Marvel comics called the Death-Throws. I really want them as secondary comedic villains who may or may not be kind of good people a la Jessie, James, and Meowth from Team Rocket in Pokemon movies. Just let Sam and Bucky have some comedy villains in the background doing their thing, Marvel.

Visiting Steve on the Moon. I just think Sam and Bucky deserve space shenanigans. I will also take a Facetime, if that's too out of budget, though.

Misty Knight cameo where Sam and Misty either imply or outright talk about being exes. Probably amicable, though, it would be funny if Sam's a bit awkward about it, but Misty's chill with him.

Karli resurrection. She deserved more of a redemption arc than Walker. Bring her back to life, Disney, I dare you.

Bucky and Falcon!Redwing don't get along. More because Bucky is jealous than anything else.

A VISIT TO WAKANDA! Do they go to Birnin Zana? Do they visit the town Bucky was living in as a goatherder? Do they go to Ayo and Aneka's home for dinner? Maybe they possibly only let Sam into the country while Ayo is like "I told you to lie low for a while, White Wolf" to Bucky 😂

Baron Zemo can have a cameo, if only because Anthony Mackie was bummed that Daniel Brühl isn't a part of Cap 4.

Wildest Options I Don't Think Would Happen But I Would Love:

SamBucky wedding. It all takes place the days leading up to their wedding. Or, if I'm being more realistic, a wedding. Like, if, say Sarah and Rhodey were getting married or Carol and Valkyrie or perhaps Ayo and Aneka.

SamBucky kiss? Though, again, highly doubt that and I'm really okay with SamBucky not being canon.

Fourth wall break where Feige himself walks into a room, sits down, and apologizes about how he treated Sam Wilson's character in the MCU and promises to do better. He pulls out an entire slide show and the episode is just him talking about how he will be integrating Sam more thoroughly into the MCU. I'm talking how specifically Sam will cameo, where he will cameo, pitches for other projects Sam will be heavily tied to, the works.

[clay-cuttlefish]

Updating the sheet has me thinking about the cameo limbo Vic's currently in, and what DC should do with him.

Vic is in this weird position where I don't really think he should be alive. He's had one appearance that was at all meaningful to his arc and one goofy oneshot since his resurrection, and it doesn't seem like anyone wants to do anything with him other than put him in bullshit spy stuff, so it kinda just feels pointless. Unlike some other ex-dead-mentors, though, it's not like him being around is a *problem* for Renee's development. Killing him off again would just be cheap, and there's no reason not to use him now that he's around. So what do you do with that?

Well. Vic died with his heroic arc complete, having passed on his legacy and made peace with his unfinished business, and now he has to figure out what to do in a world where he doesn't have a history to ground him. As a reflection of both his time seeking a purpose after Hub City and his earliest relationship with Shiva, the answer could easily be "hang out and get into trouble".

See, my annoyance with his current position is because I feel like it's kind of a waste to leave him in a dropped (I think? I might've missed something, but I'm pretty sure the Lois Lane Checkmate stuff has been ditched) team/plotline that kinda sucked, not that I'm upset he's sidelined. As much as I want to see my beloved guy, I don't actually have a problem with him showing up once a year. My ideal status quo for him, short of manifesting my stupid knockoff Birds of Prey pitch into reality, would be something like the handful of appearances in the late 90s/early 2000s where he was wandering around playing poker. No team affiliation, no grand motive, just showing up in backups and cooldown issues between major arcs.

Vic has thrived as a side character in other people's books, and it would open up a lot of possibilities if he was set up in a place where writers can pull him for an issue or two without having to figure out whether any of the Checkmate stuff is still relevant or come up with a great idea for where to take him next. It's not that he couldn't develop further, but I'd much prefer him to stay static as a roaming weirdo than to rehash old arcs or go in a direction that cheapens his existing development. It's fine for him to be a supporting character in the communal toybox now that his story has ended, and he's a lot more likely to stay in people's minds and eventually be a part of something neat if he's hanging around.

That said, there are a few things about where he is as a person that I think would be worth expanding on if he's being set loose into canon to cause problems.

The first is that I want to know how he feels about being resurrected. I'm sure his reappearance would've felt weighty to someone who was a Vic fan when it happened, and focusing on Renee's reaction to him being back in Lois Lane was definitely the right choice, but looking at his appearances as a whole it ends up feeling... almost underwhelming? That might just be because making the spreadsheet broke my brain, but it's something any substantial appearance probably has to touch on. I don't even think it's weird that he's seemingly unfazed by waking up in an alternate universe, unlike some other characters who should probably have more feelings about being resurrected by continuity jank, but I do feel like there's a lot of room to look at *why* he's so chill. Even just as a contrast to a deeper exploration of someone else having a bad time about it, there are a lot of motifs to build from, and there's a lot you could do with how his self-perception has changed after yet another metamorphosis. (Based on the scraps of pagetime he's had, I'd point it somewhere in the direction of "he's been freed from old obligations, blurring the boundary between his Vic and Charlie personas.")

i also think there's a lot you could do with his old struggles with whether he was doing the right thing or just doing violence because he enjoyed it, and how he views himself now that he's stepped into a more Shiva-like role. This isn't a new development for him, but his initial shift into a wandering mentor wasn't something he planned - he initially left Hub City out of necessity, failed to start fresh, then latched onto Helena while seeking purpose. There's some interesting weight to him getting a chance to either have a fresh start somewhere else or return to Hub City without the weight of his history, and instead choosing to fuck around and intentionally get into trouble that has nothing to do with him, without even the excuse of mentorship.

There's also the problem of continuity housekeeping. It's not really necessary for tracking who remembers him since other heroes generally have their post-crisis continuity back, but the vibe of him roaming rather than returning home change a LOT depending on which version of Hub City exists (it tends to depend on Blue Beetle continuity, which is currently fucked), if Tot and/or Myra exist, and how long Vic was dead from their perspectives. Honestly there are a lot of good options here. I love Tot and want him to be a part of Renee's supporting cast, but the idea that Vic's civilian past literally does not exist is incredibly juicy.

Other than that... idk man. Just because I think he's underused doesn't mean I think he has to be important. Use him as a plot device for anyone who needs an annoying guy to make them introspect. Do more goofy oneoff mysteries. Let me write a teamup that sucks. Put That Guy In A Situation.

[nono-uwu]

hi this is kind of random but. ive seen a few posts so far from people in the fandom expressing they don't like/aren't interested in mikayuu anymore and i was curious if you knew why? it's been like a long time since i was into ons (like 2018? 😭) so im pretty out of the loop and was wondering if smth crazy happened ig lol 😭

I'm more of a recent addition to the fandom (watched/read ons for the 1st time in 2021 lol) but here's what I observed I think (not sure if you've read the manga but just in case huge spoiler warning)(also I may or may not be biased against them since my favs are the vampires and shinoa squad without mikayuu lol):

- there is just too much of them. Obviously they're the main characters but ons always had a colorful cast of characters and a lot of them (mainly Shinoa squad tbh) were sidelined during the shibuya arc and basically turned into cardboard cutouts that shout "Yuu!" every few chapters. Though they did get their personalities back in ch 133, it took way too long imo.

- Mikayuu barley changed as people and their relationship stayed basically the same. Once they reunited and Mika 'joined' Shinoa squad their relationship dynamic could be boiled down to: Yuu is kinda stupid and wants to do smth bc fAmLIy or whatever, Mika disagrees, Yuu does the equivalent of puppy dog eyes, Mika begrudgingly agrees, Yuu gets what he wants with minimal consequenz. After a while it's just not interesting to have the main character constantly winning. Heck, Mika's 'death' and demon transformation barley did anything in the long run.

Like at one point, it got brought up that Mika is losing his emotions for everything except Yuu, which was a pretty interesting idea and could have brought conflict into their realtionship. But a few weeks later (in-story, took a few years irl lol) Mika gets turned into a demon, regains his emotions and the former conflict is left in the dust.

Now with Mika as a demon, he lost all of his agency. He is literally stuck to Yuu and the most he can do against him is refuse to give him power but Yuu can just force it out of him so. Pretty fucked.

After they split off from the main group post Shibuya arc, they once again have an inkling of a conflict.

For context, they split off bc Yuu had to either choose between resurrecting humanity or only Mika (at least that's how Guren phrased it). Yuu's gayass chose Mika and at first they had an argument bc Mika doesn't value his life and would rather have everyone revived at his expense. Yuu goes 'nuh-uh' and makes a run for it, devoures Asuramaru/Ashera in the process.

Once they've run off, Mika confornts Yuu and shouts at him, saying he should have a happy life with his human family instead of Mika. Yuu once again goes "nuh-uh" and decides to revive all of humanity, Mika included.

- They restate their goal, plans and whatnot too much. Ons is a monthly manga with ~35 pages per chapter. In Mikayuu centric chapters, almost half (if not all) are wasted on restating the goals they've stated LAST FUCKING CHAPTER. Maybe Kagami doesn't trust the readers memory but man, you didn't do this before, did you? Why now all of a sudden? There's plenty of plot to get through, we can reread old chapters if we forget something.

There's also way too much goofing around. Obviously down-time is needed in any action packed series but we've gotten so much random cut-ins of Yuu needing food in what are supposed to be tense moments. Also we do not need an entire chapter of them hunting, eating and talking about their plans and others plans.

-

This is all I remembered off the top of my head, anyone feel free to add more

[riverhag2]

my favorite characters die in my favorite media all the damn time

my current hyper focus is a tragic opera that ends with my blorbo having his life flash before his eyes in a horrid fever dream where he's confronted for perhaps the first time with how horribly he's failed everyone he's ever loved and then he dies

death isn't the problem

pointless and hurried stuff-her-in-a-fridge death that doesn't actually even serve the narrative purpose cobbled together as an after-the-fact explanation is the problem

the idea that Izzy's arc was "over" is frankly ludicrous

he'd only just begun to rediscover the parts of himself he'd buried away or lost to piracy, to Blackbeard, to Ed

he'd only just found love with the crew

he'd only just started the arc that Stede and Ed set off on in the beginning of s1

his death does nothing for his character

it also does nothing for anyone else's

smarter people than me have spoken extensively on why the "mentor/father figure" thing is just outright non-existent in the text

even without that, the show is obviously trying to use Izzy's death to free Ed from the mantle of blackbeard and that would be a valid and interesting narrative choice if you'd set that up at any point before the last five minutes of the last episode but um

Ed had already begun the work of releasing himself from blackbeard, and even when he dons the leathers once again, it's not even the tiniest bit for Izzy's sake nor in any way at Izzy's insistence or encouragement (and in fact, Izzy had already encouraged him to step away from it)

whatever is still tying Ed to blackbeard, it is textually very much not Izzy

Izzy's dying sentiment of "they love you" holds no water because out of Ed, Stede, and Izzy, only one of them has actually connected with the crew this season and it sure as fuck isn't Ed

Izzy's dying admonition of "you're surrounded by family" is immediately followed by Ed and Stede fucking off and leaving the ship

there's nothing in Izzy's death that serves Ed narratively

there's apparently then the argument that Izzy is representative of old piracy, a dying world, and therefore he must die (which, ok, fine, but to what end?) but that's *actually insane* in the context of a show entirely about starting over in middle age

killing a character is often a good narrative choice, but if you're gonna kill him, doing it with a stray bullet in the middle of his arc in a way that does nothing to further anyone else's narrative is at best a cheap emotional punch

death also is the problem though

in a show where mortal wounds seem to pass almost unnoticed amongst our heroes, casual death by a stray bullet is bonkers

in a show where the only real villain is a cruel and corrupt state, to punish with death someone at the mercy of that cruel and corrupt state is bonkers

most importantly: in a show that presented itself as ultimately being about queer outsiders finding family in each other, there's no good reason for any of the foundlings to die

even assuming they're planning some miraculous resurrection for Izzy in s3, they work very hard to show you precisely how dead he is here

they want you to know and believe that he absolutely is dead

Lucius falls into the sea in a way that no one ever once believed actually meant he was dead

in contrast, we watch the light go out of Izzy's eyes after he tells Ed he's ready to go

we see him buried in the dirt

if this truly is meant to be impermanent, then it is even more cruel and meaningless than if they actually just killed him for nothing and no amount of "indestructible little fucker" foreshadowing redeems it

I hate everything about this ending, for everyone involved

it's such a disappointment

[cruyuu]

Last chapter leaked and is so, so bad

Hi anon.

I've actually skipped looking at leaks this time (and would do so in the future) because I've wanted to experience one chapter in its entirety and not just have it vaguely translated. Besides, I started to really hate how popularized leak culture is in this fandom. It's gotten so bad to the point that some people don't even read chapters, they just read leaks and that's it.

I understand why you might think it's bad. I also think so. There's two chapters left and, as a fan of the story, I dislike the direction of everything. It feels rushed and forced... it isn't fulfilling at all. I'm happy for those who do think it's good but for me it's a hard miss. Landings in shonen usually aren't pretty though so I'm used to it. (and even though there are two chapters left it still wouldn't change much really.)

As a Yuuji fan though, oh am I having fun lol.

I'm going to put the rest behind the cut (which is my opinion on this chapter).

We get explanations because of course we do. There were many fans who disapproved and called bs on the way the entire Sukuna fight was handled. I have to admit that even though I do think what Gege wrote makes sense, it still feels overtly complicated and just a tad plot convenient how everything played out perfectly. It's all just... I don't know. Too much explanation and little to do with imagination. I'm not a child so I don't need a chapter dedicated to spelling out little things that could've easily been mentioned at an according time (like during the battle).

Still... the way the powers work here in this story does require you to really sit and think and do require block after block of text. This is the one part that I never liked about jjk because explanations like these make character-oriented moments feel less alive and make all of them behave like a bunch of dolls because one moment you'll see them talking but the next panel you're met with a whole class on jujutsu. It was always bizarre to me how little interaction there was between characters... hell if you take away the class sessions, they rarely have moments where they talk amongst themselves for themselves instead of giving a lesson on jujutsu or strategizing. It's admittedly a bit strange but oh well... it is what it is ig.

There's a reason (aside from certain characters being hot) why jjk's tag on ao3 has a lot of works. Some people take what we know and expand on it in a far less Gege-way by having characters interact with each other. I have grown to like more characters in fics way more so than in canon. In canon, only a handful of characters get my love and I'm sad to admit that those that do (such as Maki and Higuruma), quickly slip out of that loving spot and now I can't really feel as happy as I did about them before.

On that note, I haven't felt anything when Higuruma showed up alive. Yep lmfao. I used to feel for this man a lot and he is one of my top 3 (aside from Yuuji and Sukuna) but... I can't say I am happy that he's back. Now his sword disappearing in Yuuji's hand is for nothing and him clearly dying in front of Yuuji was for nothing. I still do love him and can't really dislike him (absolutely not) but canon... man the story really is kicking me in the butt when it comes to execution because ever since 265, the story had been a literal mindfuck. When I think I have a sense of where it is going to go, it goes a total opposite direction (and usually the one that doesn't really fit the vibes of the previous chapter). To me... the story's now all over the place which is contradictory because everything is being spoonfed to the readers and everything is "fine and dandy".

I still will complain because Shibuya arc had me thinking that I'd be reading something different (like CSM did) but then... here we are. There are practically no real consequences (aside from Gojo) in the Sukuna battle but at this point I wouldn't be surprised if he, too, gets a pass and gets resurrected. I would love nothing more than to read a shonen where the dead don't come back and where there's actual troubling consequences but then that wouldn't really be a shonen but would be a different genre all together (a seinen) so... yeah. I'm not going to count in Megumi's sister (because she's barely even a character) nor reincarnated cursed spirits (because we couldn't really even invest ourselves in them before they were gone) so you could say the only real casualty of the whole vs. Sukuna (aside from the Merger which wasn't even a real threat since Kenjaku wasn't even that intent on that plan in the end) is my time.

I'm just joking ofc, but I hope you get my point. It's not rewarding, not fulfilling and definitely not a good conclusion for someone who could barely even invest themselves into other characters. I still can't give a fuck about Yuta, or Kusakabe, or Panda. I feel just as stone-faced as Nobara and Yuuji did during the latter half of 268 when Megumi joined them. It's all so... whatever. (and it's kinda hilarious to me because the fandom is losing their minds and meanwhile the characters are lowkey behaving like dolls lol)

Still for those who did enjoy this and do love how everything is unraveling and so on and so forth, good for them. I'm just stating my opinion. Some might get the impression that I would love for jjk to be a tragedy, and tbh, I would not but I really would've loved if Gege, as an author, made me care about the side characters more. Instead the side characters to me feel like empty husks and I attached myself to Yuuji because his development seemed interesting only for it all to amount to weird ass interaction with the entire cast and back to being benched. He's literally playing spectator now in this chapter and yeah... it's really disappointing.

Again, two chapters left and this is where we're at. Lol.

I don't want to be a killjoy but yeah. It's not all so bad really but it is frustrating how little there is about the world and in general how many things have been shelved in favor of what we got now. Instead of seeing these interactions (which was just recycled "ok so this happened which wasn't explained") we could've gotten explanations regarding Yuuji's linage, his talk with Gojo, or for that matter, had character behave a little less like npc's in a video game that repeat the same dialogue when you come up to talk with them.

What this chapter did reveal which was also funny (said with anger btw) to me is this:

So Yuuji's "gloves" weren't really a cool feature that came from swallowing his half-brothers but by mr. Chosen One himself. Le big sigh.

Okay so... the Yuta glaze. No offense to people that like him but since when did he develop this much that he overshadowed everyone (even the King of Curses) in the end? Not only is his plan this successful but turns out that without him, everything would've failed.

I'm just straight up baffled at the amount of attention he's getting because last time I checked he wasn't the one who brought back the literal threat of the series and had absolutely no connections with the secondary antagonist (Kenjaku). Instead of the supposed main character who never had gotten the spotlight in his own fucking story (which is just proving those haters right atp because truly what the actual hell is jjk about? Everyone but Yuuji.) to get something that belongs to him... Nope. None of that.

If you thought this was an actual serious story then well... jokes on you. This panel is actually lowkey hilarious but because I really had grown fond of the story I just find it frustrating.

Yeah I... I don't know what to say really but Gege really disappointed me with this. I'm not much hopeful for the future (because the writing does feel quite cheap) and therefore will stop treating jjk like I did before. Does this mean that I hate it? No. I'm just disappointed.

I will keep my head up for like two chapters more since I'm curious what else can happen but then will definitely move on. Not from the characters tho who (luckily) can exist outside of canon. Yuuji and Sukuna will always be my babies and others are still there in my heart even though I'm very much so frustrated with the story.

So yeah... there you go. I probably might skip answering asks regarding the chapters in the future bc I really don't care anymore. If Yuuji's linage get addressed (which is the only thing I care about atp bc everything else is starting to annoy me) I might be okayish with whatever the hell we get as the ending.

[kiragecko]

What if the reason Tim seems to like Jason is that Jason acknowledges Tim was better at Robin then Jason? Being the second best Robin matters to his pride.

Okay, I have to work through a few things before I respond directly.

-

So, everything related to canon resurrected Jason is a problem. Including how canon Tim interacts with him.

There are very few signs that preboot Tim likes or respects Jason after his resurrection. Which is WEIRD. Especially HOW Tim disrespects Jason.

Like, Tim doesn't get the rest of the Titans to watch, walk back to someone, and kick them in the crotch. That ... isn't his form of petty? He doesn't LIKE having an audience! And one of his most unique Robin traits is the respect he shows unstable villains and allies! Like, the way he shut down Jason's 'tenderize the teen gangs' plan is ... wrong. He would be MUCH more likely to seem to go along with it and then slip handcuffs on Jason once he relaxes. Or turn him into a temporary ally against Ulysses.

Tim is consistently out-of-character when dealing with resurrected Jason, and I haven't figured out a Watsonian explanation that works for me. Until I do, I'm forced to rewrite most of canon - the events happened, but MY Tim responded differently.

-

Canon Jason's reactions to Tim make a bit more sense. Jason seems to like and respect Tim. He tries to work with him. He left Titan's Tower impressed and wishing he'd had the same supports. (Though his understanding of what supports each of them had is baffling enough that I suspect some amount of amnesia.) I'm not sure he ever says he thinks Tim is a BETTER Robin, but I can see that being possible.

-

So, your supposition is possible for canon Jason. It seems very unlikely for canon Tim, but canon Tim's actions are even more unlikely, so that doesn't mean much. Our final problem comes with squaring this idea with my FANON Tim.

My fanon Tim draws as much from canon as it can, while still being consistent. And it draws MOST heavily on Tim's early arcs. In those early arcs, Tim was attempting to build Robin out of what he imagined Jason and Dick would want. He dreamed about them, hallucinated them, asked the Case for advice. Jason seemed incredibly important to him, on a similar scale to Dick.

That steadily disappears over the years, and becomes really hard to integrate with later Tim. (The authours' victim-blaming anti-Jason agendas are at fault, but that doesn't work as an in-world explanation.) But I'm keeping it anyways, even if it makes everything harder!

See, everything I've seen from Tim in other contexts suggests that Jason's behaviour wouldn't actually have any bearing on whether or not Tim likes him. Tim is perfectly comfortable idolizing someone who neglects or takes advantage of him. That's kind of central to his character - he's the Robin who sees Bruce's flaws and follows him anyways. Who saw an out-of-control 30-something and decided to parent him. Who rants about his parents' neglect without ever considering he might not owe them everything.

Jason earned Tim's loyalty when he was 13, and Tim doesn't stop being loyal, as far as I can tell.

Jason and Tim should be like Harvey Dent and Bruce. Tim doesn't TRUST him, but he desperately wants to help him.

Not necessarily like the fandom tends to write: "Oh, I'll stop being Robin and do anything possible to get you back into the family because I'm valueless!"

More like deescalation in a hostage situation. More like how Tim talks Poison Ivy down. Vulnerability only as a weapon. Always ready to knock him out and disarm him if he gets the chance.

-

There's also some issues with insecurity. My weak spots are similar but not identical to Tim's. There are areas where he's self-confident that I don't quite get. His pride about being Robin is one area of ambiguity. I think he's been written mostly consistently, but my own issues are getting in the way.

So I'm not entirely sure exactly which ways JASON validating Tim as Robin would be important. I know it would be! But there are some ways where Tim wouldn't believe other people, some where he is entirely reliant on other people ... just, his mixture of self-confident and insecurity is fractal and complex.

-

In conclusion, I think it would make Tim feel REALLY good to think that Jason thought Tim was a better Robin. I don't think it would have much affect on his opinions about Jason, though. Those got locked in the first time Tim saw Jason rescue someone, and Tim couldn't change them if he wanted.

Also, canon preboot Tim DIDN'T seem to like Jason, and I want to ignore that but it's hard.

(Also also, how I write about Tim and Jason sometimes contradicts what I think canon says AND my personal fanon. It's COMPLICATED!)

[atorchzagreusandtris]

I may or may not have made an entire AU surrounding Morro and a resurrection/redemption arc because let's be real Ninjago fans, Morro deserves it. The writers did him so fucking dirty.

I will eventually maybe be writing a fanfiction about this, but if anyone wants the rundown of my AU - most of the events pre-season 5 don't change, just get strung together a little better to make the plot flow more coherently. (Ie, the Ninja feeling creeped out in the Caves of Despair - the place where Morro died initially.)

Resurrection: It is around Day of the Departed when he is resurrected, though the Ninja don't find out he's alive until I want to say season 7. The Ninja think they see him in the distance but brush it off. There's no way, pfft, Morro is dead. The Cursed Realm is gone. Right? WRONG.

Redemption: While trying to figure out stuff about Krux and Acronix, not only do the Ninja find out that Morro has been alive, but that Morro has spent his new life living it the way he would have if Wu had never found him. He has a job and an apartment, he doesn't want to be a ninja. After everything Wu put him through... he just wants to be happy. He wants to live the life he never got to live. He doesn't care about being the Green Ninja anymore.

UNFORTUNATELY, the Ninja need as much help as they can to take down Krux and Acronix and are forced to try and get Morro's help. While there is a very VERY rocky start between the Ninja and Morro, they will eventually grow to trust them (Cole takes the longest surprisingly. It isn't until season 8/9 that he BEGINS to trust Morro)

Bass?: "But Tri where does this bass thing come from?"

Oh yeah either in Secrets of the Forbidden Spinjitzu or VERY early Prime Empire - Jay and Cole accidentally introduce Morro to music and musical instruments. Morro falls in love with playing the bass and by the time of mid-Prime Empire, he's damn well near a pro at it to the point I already have a minigame planned for Morro to show off his skills with.

Souta?: It means "Sudden, sound of the wind" and "thick, big, great". It's a Japanese surname. Morro gave it to himself because he felt weird about the fact that everyone had surnames but himself. (And also he probably needed one for his job.)

Ghost Blade?: He may not be dead anymore, but because he WAS dead for so long, a lot of his energy is still connected to being dead, so bam. He can manifest a PHYSICAL ghost weapon. Might be a little OP, I don't care.

Also explains his gi, there are some changes to it BUT he remains very attached to his dead gi design + all gi designs I come up with for the different seasons will be based on his Possession gi. (the ninjargon letter M where his weird animal brooch used to be (which he wears on his shawl instead) pants/sleeves cutting off halfway down his calves/arms!)

Lloyd: Morro and Lloyd grow to see each other as brothers. Morro, having been in Lloyd's body and mind has a deeper understanding of him than anyone else could. Morro becomes VERY protective over Lloyd and due to this his relationship with Kai is one of the first ones he forms. Morro hates Wu and Misako (and S8+ Garmadon) for the way they've treated this boy. Morro isn't afraid to argue with Wu on certain things regarding Lloyd. Morro becomes the big brother to Lloyd whom he always wanted in his own life.

Islands, Seabound, and Crystallized: Oh boy, this will be fun because technically all three of these COULD have been connected to Morro (Islands and Seabound DEF were and Crystallized SHOULD HAVE BEEN). Anyways, I kill off Morro at some point in either Master of the Mountain (which I would LOVE to do the most because Cole at this point is one of the closest Ninja to Morro and it would HURT HIM SO FUCKING BAD, and be more of a driving force for his character arc), Islands, or Seabound to make it easy on myself plot-wise BUT he gets resurrected by Harumi in Crystallized because this dumb bitch thinks that just because he used to be a villain means she can convince him to become a villain again. Morro becomes a double spy.

Euphrasia?: Her element in the show is white. Morro's is green. She's not the new Elemental Master of Wind, she's the fucking Elemental Master of AIR and I will stick by that. Even canonically, I refuse to acknowledge it. If I get far enough as writing for Dragons Rising, I will definitely give Euphrasia and Morro a sibling dynamic.

Anyways! Yeah! This is but a preview of what my Resdemption-AU has to offer. If anyone wants to hear more about it, I could talk about it for FUCKING hours.

Oh!!! And I want to give credit to @sunfloraas because I took A LOT of inspiration from her Morro design because it's that good!!!

[akatsuki-shin]

Hi, @akatsuki-shin thanks so much for sharing your wonderful fanfics. I love to read them...🤩

I found your blog, cause I saw a lot of your JJK posts. Then I realized that you're also the author of quite a lot my favorite fanfics (sorry for being late in realizing it)....

Wow, now that you mentioned it, one of my twitter moot also like to post paralell between SatoSugu and HuaLian, somehow I felt it's not quite fit to their dynamics, and you worded them perfectly....

After reading your previous ask, do you mind if I ask you danmei questions? Can I ask your top 5 (or top 3) favorite characters from 'X'? And why you loved them? And your top 5 (or top 3) favorite moments from the novel? Thanks if you want to answer and sorry for the long ask....

'X' can be Qiang Jianjiu, Can Ci Pin or Mo Du, feel free to pick either one that you want to answer....

Aaaahhh thank you so much for reading my fics! 🥺 Hopefully I can post in the future for you to read hahaha

Yeah, I mean, for a ship to be similar to SatoSugu, I think one of them has to at least give off that Mom vibe like Suguru. Ngl, if Gojo were to marry Geto, he's not only going to get himself a wife but a Mom, as well, because he can be pretty childish and unhinged while Geto is there to make sure he doesn't run off somewhere. 😂

For your question, I'll go with Qiang Jinjiu.

My favorite character is definitely Shen Lanzhou. He's so pretty and smart. If he weren't so sickly, he would've been super strong when it comes to fighting. I love the fact that despite him often being looked down due to his looks and status, he ends becoming the most fearsome character in the story. Like, if you slight Ce'an, you may get off with just a few punches from him, but if you slight Lanzhou, you'll probably disappear that very same day. 😂

Next one is Xiao Ce'an. I love to see his change from wanting to kill Lanzhou on first sight then ended up becoming the most dedicated and loyal lover as the story progressed. Considering how precious Lanzhou is to me, I kinda share Ce'an's adoration for him and it just makes me happy to see him trying to spoil Lanzhou in every way.

For the third place, I'm not sure if I should say Papa Xiao Fangxu or Qi Zhuyin. They both definitely have a special place in my heart because of how strong and cool they are. Maybe I'll put Papa Xiao on 3rd and General Qi on 4th because I really love how we can see Xiao Fangxu's personality in Ce'an, especially with the way they both love and adore their partner. Qi Zhuyin is super awesome, though. Despite everyone's doubt on her as a woman, she proved to be a great and strong general (I think her troops are the most crucial there because she leads, like, 300thousand soldiers or something?).

I think it's pretty weird to put this one as a favorite character, but for some reason, I really love Ce'an's horse, Lang Tao Xue Jin. This horse always has the coolest description whenever it shows up and it's so funny when CeZhou had sex that night while riding the horse. The poor thing, LMAO. Also love Meng the gyrfalcon. I love them both. <3

As for my favorite moment, my number one is definitely when Ce'an resurrects the Libei Armored Cavalry after his father's death, that battle when they caught the Scorpions off-guard bytheir weapons and tactics upgrade in winter and pushes them all down to the Chasi Sink Hole. What I love the most about QJJ is how cinematic the battle scenes are and that one, followed by how Lanzhou desperately jumps into the sink hole to chase after Ce'an like a scene straight out of his nightmare is so uuurrgggghhhhhh 😭😭😭

Next one is the huge decisive battle with Hassen. Like, man, I didn't think I sleep at all until I finished that entire arc until Ce'an came and finished Hassen for good. From the very start when the invasion has just begun, to when the old commander (Yin Chang?) sacrificed himself outside the gate, when Fei Sheng rode all the way to lit the tower, when Tantai Hu came with reinforcement, and when Ce'an shot his arrow right before Hassen killed Lanzhou. I truly have no words; that must be the coolest battle scene I've read in my whole life.

The third one goes back a bit further to the earlier part when Lanzhou lets Ce'an go and locks him out of the city gate, so he could confront the guy who killed his teacher (Han Cheng, I think). But then Fei Sheng opened the gate for him and let Ce'an brought Lanzhou with him. That was so intense and the following hurt/comfort scene is just heartbreaking aaaaaaaaaaaaaaa

I'm not sure what to put as my fourth and fifth favorite scenes because there are so many interesting scenes throughout the story. I do remember two scenes that I still remember to this day.

One is when Qi Zhuyin's vice commander(?) sincerely told her that even if nobody were to remember her after this, then he would be the one to always light a candle for her, and after his death he would make sure his children continue to do the same. Qi Zhuyin really deserved that recognition after all her struggles and this show of sincere loyalty really just strikes me in my weakest point hhhhhhhhh

The other one is when Lu Yizhi came to visit Lanzhou to see what kind of man his brother-in-law has fallen in love with, but Lanzhou has no idea about it at all. And then at the end, Fei Sheng inadvertently opened the gift Lu Yizhi left for Lanzhou and went "mother of god it's a dowry" or something. xD

[ichangemyusertoomuch]

from your post about torchwood character analysis - do you have anything to say about owen? about his death maybe? or his dynamics with other characters?

personally I think Owen's progression is so ignored! many people really don't like him, and I think that's because they buy into his "mean guy" front too much, right from the start, when I prefer to see that as shield of some sorts.

chronologically: his childhood? sucked. in season two, episode five 'Adam', he talks about his mother, claiming that she said that she "didn't have to like him in order to love him". straight off the bat - what the hell - we see that she clearly was some form of abusive. presumably in an emotional manner, by not caring at all and being neglectful. therefore, possibly being a stem for his almost attention-seeking behavior (specifically in season one), where he acts 'mean' in order to get a reaction from others. alternatively it could suggest his self-neglect, as he doesn't actually look after himself, as shown through the means of sexual relationships without any long-term point.

the reason for this??

KATIE! his fiance. the one who literally died of an alien parasite before they could get married. in season two, episode twelve 'Fragments', we see a chunk of his backstory, before he became this 'selfish jerk'. I think that he was a really normal dude, genuinely in love. and the way that that relationship became an absolute trainwreck really mentally damaged him, the way he sees the world, the way he sees love and relationships. I think that kind of loss absolutely destroys a person and hence, as a defense mechanism to avoid the world from hurting him again: he decided to be an extremely unlikable idiot.

in 'Adam' Owen is stripped of his cool-ness and turns into - not many ways to put this - a needy geek. in a deleted scene I found on YouTube (I'll tag the series of deleted scenes below, it's somewhere in that vid), he calls his mother and tries to arrange meeting up with her. that is the only time we ever see him talk to her, and he's very much not himself: he's weaker and so he's dropped the emotion floodgates, calling his mother even though she hurt him. therefore, I feel that Owen isn't actually the jerk he pretends to be. supported by how literally just before he dies (for the final time), he reverts to being a normal person. his plain and sweet self. (which entirely heartbreaking, but I had to add that in, for his depth, my apologies everybody)

he had the affair with Gwen at the peak of the not-caring-about-anybody phase and really seemed to end up regretting it. he and Gwen (as friends) are really sweet, their vibes match so well and I love how they basically have a sibling dynamic.

as for Jack, well, Jack has this amazing power how everyone in Torchwood remains good friends no matter what. Owen shoots Jack? "I forgive you". Ianto shoots Owen? they're friends again in season two. and so I really do think that Jack and Owen are friends. they have trust. a lot of trust, but there is friction (look at the season one finale, for god's sake). Jack resurrected Owen because he emotionally wasn't ready to give him up, and that may have ended up being a selfish move because of how crushing it was on everyone involved.

the zombie arc was a massive challenge and he conquered it so incredibly. from episodes 9-13 (season two) he was fine, give or take the sarcastic comment. in season two, episode eight 'A Day in the Death', Jack provides nothing but tough love to Owen. being what he needed but didn't exactly want.

when Owen died fully in episode thirteen he was ready to stop living like he was. a walking corpse. he did not want to die, but he knew that his insanely fragile existence wasn't worth it.

in conclusion, I think Owen's progression is immaculate. he learns to drop the tough guy brick wall to the point where he has actual two way friendships. although, I do wish he'd had the date with Tosh. although I understand why it wasn't going to happen. they're destined away from each other. (maybe how Owen is destined to find anything but happiness)

thank you for reading, if you made it to here you're a real one 💪

the deleted scene:

[dent-de-leon]

ive been following you for years now (since around when promare came out) and this whole time ive just assumed that mollymauk was the main character of critrole but i was talking to a sibling and they were like yeah hes only in 20eps. that cannot be true. i fully was like yeah mollymauks the main character they drive the plot right right?????

HELP THIS IS SO FUNNY ASKSLG---wait, let me explain--

In the year 2018, I started watching the Campaign 2 livestream from when the very first episode aired. I watched live right up until episode 25--26, the one where they lose Molly? That was the first episode I couldn't watch during the stream, and have never been able to bring myself to watch it since.

So 26 episodes doesn't sound like a whole lot. But each one is usually between four to four and a half hours long--there are even some that go up to six hours, and the longest one clocks in at just a little over seven hours. So you're talking about each episode being like four hours--and they were once a week every week. So by the time episode 26 rolled around, I had been getting super invested in this character over the course of several months. I just now checked a list of the runtime for episodes 1-26, so--if my math is right?? and that's a big if lmao--we're talking about a character that has over 100 and a half hours of screentime in the beginning, which is wild--

So yeah, in the grand scheme of things, it for sure doesn't seem like much. But given the nature of CR, it was definitely more than enough time for me to get attached--though honestly, Taliesin had me hooked on this tiefling from the very first episode, I didn't stand a chance. His whole personality and the little glimpses we got of his backstory just meant so much to me, and I adored that he was bi and genderfluid. He's the kind of character that really draws you into the world; I was so excited to see how he'd change over the course of the story, how his heartfelt relationships with all the other characters would unfold--

Molly's character arc isn't abandoned after 26 episodes either. In fact, he comes back as the final villain of the campaign over 100 episodes later. When the tiefling we know makes his reappearance as the major antagonist Lucien, the whole final arc of the campaign revolves around him and his past with the Mighty Nein. Very much a case of someone haunting the narrative. There's just something I love about how Molly is the one that first brings them all together, and then the entire finale of the campaign ended up leading right back to him and how much he meant to his family.

And then the arc ends with the party finally getting the chance to perform a ritual to resurrect him!! It was a very long wait, but the culmination of everything to do with Molly in the penultimate episode was definitely worth it. There's also all the secondary source materials that add to his character. He's got a prequel comic like the rest of the party. And he's the only one of all the Campaign 2 characters that gets a whole novel of "his" backstory, mainly focused on his life as Lucien. You can even buy a copy of Molly's tarot deck, which is such a fun piece of added lore and depth.

Anyway, I am so sorry I gave you the wrong idea about Molly asjslfjdfhf but he is absolutely the main character in my heart 💜 So much of his character is about how every little moment matters. And even if you don't get to have someone in your life for very long, that time you spent with them will always mean something. Acts of love and kindness are never a waste, even if it doesn't last. He's a character who was loved so much it made him whole, gave him a second chance he thought he'd never get. His story is very melancholy and tragic, but it's also just so bittersweet and cathartic and heartfelt. He is,, my blorbo--

[theclearblue]

Can I ask your top 5 favorite moments each from Dungeon Meshi and Blue Lock? And your top 5 (or top 3) favorite characters from each series? Thanks 🌷

For Dungeon Meshi I am just currently watching the anime (which I do love very very much) but idk if there's enough content yet to elaborate on top five moments :( If I had to choose a favorite character, it would be Marcille (second place to Laios) and my favorite moments so far have been the fight against the living armor, Laios mimicking a siren song (lmao), and of course Falin's resurrection! I can elaborate a little bit more on Blue Lock though (under the cut)!

Favorite Characters (no order really)

Honorable mentions: Oliver Aiku, Nagi Seishiro, Hyoma Chigiri, Rensuke Kunigami, Michael Kaiser (he's probably the most likely to move into the top 5 in the future tbh)

Yoichi Isagi

Big thing for me in every series is to make sure that the main character is someone I want to follow, and Isagi is one of the strongest characters in Blue Lock. I think it's fun to see his two sides where he's so sweet and genuinely kind to the people around him, but he also doesn't let people walk all over him, especially when it does come to soccer. Barou, Kaiser, Rin, even with the very first conflict with the kid that he entered Blue Lock with (forgot his name, the guy that gets eliminated first lol), people consistently underestimate him, and that usually follows with him crushing them lmao. Both of those sides are real and genuine, and I like how they don't really conflict with each other too, there is a time and place for kindness, but also a time for him to achieve his own goals and feed his own ego. Never disappointed with any screen time he gets.

2. Meguru Bachira

Probably the character that stood out to me first, and one that I'm really happy with how he's developed, I'm obsessed with insane energy. In a sea of really angsty and serious characters (which, I'll talk about some of those later too lol) Bachira just comes off as such a breath of fresh air in every panel with his demeanor and friendliness, and it's genuinely fun every time to see him play, whether as a friend or enemy (love when characters have unique dribbling). And I think the reason 2nd selection remains such a consistently strong arc is in large part thanks to Bachira and his character arc there, where he's grappling with actually playing with people and not just "the monster" and in turn, also dealing with the loneliness he experienced growing up. Another thing being that even after his big character arc, he's still being developed after in the Neo Egoist League (Rip Chigiri you deserved the same treatment) where he's learning to incorporate the monster back in, and the new dribbling he's developed. He's just such a fun character to watch.

3. Rin Itoshi

Yeah it was so over for me when they introduced the tragic siblings, especially when Rin is the younger brother. I wasn't super into him when he was introduced, I'm not usually a big fan of really stoic characters, but he won me over big time in the U-20 match. To see how much he looked up to Sae and was so excited to see him come back home just for Sae to try and crush his dreams, ohhhh that got me good, I felt so bad for him and everything made sense with his character. And then him going absolutely feral in the U-20 match, playing at his very best, just to get hit with this?

This is...maybe still the saddest moment for me in the whole manga, my jaw dropped when I read this. I haven't seen much of him since this match, but I'm excited to see him show up in the Neo Egoist League eventually, I think his rematch against Isagi will really really interesting!

4. Reo Mikage

If you asked me a few weeks ago, Nagi probably would have been in this spot instead, but I think Reo inched him out of that spot in the Manshine City match for me. He's an incredibly messy and flawed character throughout the series, but undoubtedly the most human out of everyone. On the surface level, I like the development of the chameleon play style he has, everyone is such a specialist but I really like the jack of all trades master of none style he has, and think it fits his character perfectly. His character development has been a little bit more in the background, but I really like how he has developed his relationship and his complicated feelings towards Nagi. He is kind of an asshole in the beginning and so codependent with Nagi, that he lashes out at everyone, but a big part of him wanting to play football is to play it with Nagi! He needed to grow separate from Nagi, and when they finally were in a place to work together again in the Manshine City match, it was REALLY satisfying. It feels earned and Reo working through both his bitter feelings but also his want to play with his boyfriend. I like how human of a character he is (especially in comparison to most of these characters lmao) and he's always an interesting player to watch.

5. Yukimiya Kenyu

Yeah you knew this one was coming if you've seen my blog in the last week lmao. The thing is out of the new characters introduced in third selection, he intrigued me the most. Declaring he's a pacifist while having one of the most aggressive play styles lmao. But then he kind of fades into the background, the only one in the top five not to score a goal...until the match against Manshine City. His backstory just added so much depth to his character and all the moments we saw before, his introduction, his polite nature, him being upset at Isagi after the last match, him praying to God, it all just clicks and it's really tragic to me how he has this timer on his dream. And then him getting that goal, despite how irrational it seemed, despite him getting into a fight with Isagi about his assist in the last game...God it's maybe my favorite goal in the series so far (well, tied with Isagi's goal at the end of the U-20 match actually). Maybe a little recency bias with him but I'm utterly obsessed with this guy, I think he's got so many layers that you can just pick at for forever.

I kind of talked about a lot of my favorite moments throughout this lmao, so I'll show you some of my favorite panels so far!

[wolfjackle-creates]

H, K, N for the ask game 😁😁

For this ask game! (Submissions still open)

H: What is your favorite source text for fandom stuff (e.g., TV shows, movies, books, anime, Western animation, etc.)?

Probably TV shows. Though I spent more than a bit of time in the MCU, so serialized film might be a better description. There's been exceptions, of course. (Jane Austen being the notable one.) But I tend to thrive in fandoms where the writers/studios don't quite follow through on all the implications they make. Or something falls just a bit flat that fic can explore the implications of.

K: What character has your favorite development arc/the best development arc?

This is a hard one!

I'm a millennial, so of course I was enthralled by Zuko's arc in ATLA.

Edward and Alphonse Elric from Fullmetal Alchemist are more character studies I adore. Just... The way they had to confront the truth of what a philosopher's stone required and how their journey changed from resurrecting their mom to restoring their (Alphonse's) bodies to bringing down the homunculi. The way they grew as people throughout the manga/show. I just love them, okay?

Frodo from Lord of the Rings. His journey broke him, but he persevered. At first, he made a promise with no idea what would be required of him. But when it got tough? When he started to break under the pressure? When he shattered? He didn't give up. Because the world and his home and Sam were worth everything.

I just really like heroic characters, okay?

N: Name three things you wish you saw more or in your main fandom (or a fandom of choice).

[The answers to this are gonna be dpxdc specific. I know some of these are explored more in their individual fandoms.]

I love when people explore the complexities of Jazz's character. She doesn't always have her shit together, she just pretends to. And she's a bit of a know-it-all with a superiority complex around her intelligence. Again, I know this gets explored more on the DP only side of things, but I don't see it as much on the crossover side of things. (And I do have something in the works for this on my end!)

Repeat the above with Dick, tbh.

I would like to see more exploration of Danielle, too. Like, her character tends to be just "chaos gremlin who loves to travel." But... she went to travel because the DP writers didn't feel like actually figuring out how to fit a 12 year old into the show when Danny's parents couldn't know about her. Danny and his friends were 14, Jazz 16. They were entirely incapable of taking care of a 12 year old, so she was mostly written out of the show after her creation for shock value. I'd love to see more of her as a traumatized, abandoned kid who looks 12 but is really just a few months and has no one she can turn to for help. (Something I also plan to touch on with my own fics.)

The above are just my interpretations of the characters! I know a lot of people see them differently. And I do write my fics with the above characterizations in mind, so I'm definitely aiming to be the change I want to see. (We'll see more of Dani in the upcoming scenes of Bring Me Home. And I have plans for some things involving Jazz.)