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#three-dimensional chess
atomic-chronoscaph · 1 month
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Leonard Nimoy - Star Trek (1967)
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random-strngr · 2 years
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outwitting their opponents by playing three-dimensional chess
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linipikk · 8 months
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moments that actively haunt me:
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"To save Everything."
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"One Life (Their life ) ... Against the universe "
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He knows, I bet he knows.
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flowerflamestars · 1 month
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Albatross Snippet
"Wasn't good enough to look at alive," Jason exhaled, horribly quiet, "Still not good enough dead?"
Dick stared down at his putrid coffee. Bitterness seemed to have taken over his senses- hated taste in his mouth, the sound of Jason's voice- like nothing else existed.
"Fuck you," Dick enounciated clear despite the lump in his throat. "Fuck you for dying, fuck you for lying, and fuck you for leaving."
His voice didn't shake. Vehemence tasted shitty too.
Slumping all at once into the crooked booth across from him, Jason seemed to nearly fall. "Dick."
He made it half a minute, watching yellow light highlight the coffees oily sheen. Pink circles on diner ceramic, two chips. Less than forty seconds- he had to look.
And Jason was just Jason. Handsome. Tired. Physically arresting as the night Dick had really met him. Freshly shaved jaw, a half days bruise ever so slightly discoloring. Not an open wound or an adolescent ghost, a shape in the dark holding Dicks hand as tightly as he'd held onto all his secrets.
Not exactly the same, but enough, pushing all the air from Dicks lungs because it could never, ever be the same.
"You cut your hair."
Quiet. Furious. Not at all relieved.
Delighted.
Jason blushed. Faint, not unapparent, not to Dick, just a little bit of pink on those broad cheekbones. Too sudden to blame the cold.
"And you let yours grow," Jason said, after too long a beat, gripping the table edge. He swallowed, all of Dick's anger seeming to condense down on watching stress play out on his person. "Alf giving you shit yet?"
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piratespencil · 3 months
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The Queen's Thief is a fun series because Gen as a character is basically the human embodiment of a heist story.
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spockvarietyhour · 2 years
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legally distinct three-storey chess
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impercre · 10 days
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.
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lary-the-lizard · 2 months
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I think there’d be a lot less “crime” and many better jobs if there were more people who just sat down with someone and helped them go over all the things. Like there should guys (gender neutral) whose job is to make sure you get your needs met and help you look for work that is sustainable for you. And you shouldn’t have to pay them. Like, the mayor pays them. They should be at the library and local community centers. It’s policy that they have hard candy and hot coco mix and fidget toys. They also help you apply for financial aid and figure out how to budget. You shouldn’t have to qualify for help. You just walk up to them and be like, “Hi, I need to buy a new car and have no money” and they’re like, “Okay, let’s go to my office/the reserved library rooms, and sort this out.” And then when you sit down they’re like, “My name is Abigail and never got my drivers license. What’s your name and what city to do you live in,” and you’re like, “My name is Harold and I live in Spaingland,” then they’re like, “What do you need a car for,” and you tell them the whole situation and then they start looking up cars in your area and help you apply for insurance or whatever.
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lightasthesun · 6 months
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Comprehensive Lexicon Guide for First-Time SW Fic Readers:
Flimsi/Flimsiplast = Paper
Flimsiwork/Datawork = Paperwork
Stylus = Pen
Datapad = Tablet
Comlink/Comm = Communication Device/Phone
Binders = Handcuffs
Chronometer = Clock
Spectacles = Eyeglasses
Chrono = Watch
Conservator = Refrigerator
Caf = Coffee
Nerfburger = Hamburger
Blue milk = Milk (literally blue)
Hubba chips = French Fries
Sweet roll = Doughnut
Flatcakes = Pancakes
Tabac = Tobacco
HoloNet = World Wide Web
Holovision/HoloTV = Television
Holodrama/Holovids = Movie/Videos
Holocamera/Holocam = Camera
Holomap = three-dimensional map
Holojournal = Newspaper
Holocube = Picture frame
Holotable = Projector
Holoscanner = X-ray machine
Holojournalist = Reporter
Flatholo/Holograph = Photograph
Sonic Damper = Active Noise Cancellation
Refresher/Fresher= Bathroom
Sonic Bath = Bath
Sanisteam/Sonic shower = Waterless Shower
Hydrospanner = Wrench
Hydro Flask = Water Bottle
Power Cell/Energy Cell = Batteries
Authorization Chip = Decryption key
Datatape = Disk
Datastick = Flash drive
(Personal) Com Code = Phone number
Datachip = SD Card
Synthflesh = Synthetic skin
Glowrod = Flashlight
Sparkstick = Match
Slugthrower = Gun
Slug = Bullet
Vibroblade = a blade that can vibrate at high frequencies, increasing its cutting power and penetrating ability (tactical knife)
Rangefinder = Rifle scope
Turbolaser = Cannon
Ion pike/Vibropike = Spear
Electro Staff = Stun baton
Blaster = Pistol/Rifle
Stun Blaster = similar to a Taser
Landspeeder/Airspeeder/Speeder = Car
Turbolift = Elevator
Slideramp = Escalator
Starfighter = Fighter jet
Rotorcraft = Helicopter
Hoverpack/Jetpack= Jet pack
Speeder Bike = Motorcycle
Skylane = Traffic lane
Railspeeder/Hovertrain = Train
Power Chair/Hoverchair= Wheelchair
Windscreen = Windshield
Podracing = Car racing
Dejarik = Chess
Sabacc = Poker and Blackjack combined
Galactic Rebels = Combat simulator
B'shingh = Dungeons and dragons
Jizz = Jazz music
Wailer = Singer (ie. Jizz Wailer)
Cantina = Bar or Pup
Para Sailing = Paragliding
Aurebesh = Alphabet
Credits = Money
Sleeping Pallet = Bedroll
Naming Day = Birthday
Youngling = Child
Galactic Basic Standard/ Basic = English
Medkit/Medpac = First aid kit
Hypo = Syringe
Medic/Healer = Doctor
Medcenter = Hospital
Bactapatch = Bandaid
Nanoweave = Fabric
Transparisteel = Glass
Plastifoam = Packing material
Durasteel = Steel
Plasteel = Plastic
Duracrete = Concrete
Slicer = Hacker (slicing = hacking)
Identikit = Passport
Minder = Therapist
Synthleather = Vinyl
Viewport = Window
Cooling Unit = Air-conditioning
Honeydarter = Bee
Slythmonger = Drugdealer
Spice = Drugs
Stimpill = Caffeine pill
Power Socket = Plug
Cutters = Scissors
Cycle = Day
Standard Cycle = 24h
Standard Week = 5 days
Standard Month = 35 standard days
Standard Year = approx. ten months
Tenday = literally ten days
Cigarras/Smokes = Cigarettes
Click = Kilometer or 'a moment'
Parsec = a unit of distance
Tweezers/Clanker/tin head/tinnie = Droid
Separatist = Seppie
Promise Ring = Wedding Ring
Body Glove = Jumpsuit
Slicksuit = Wet suit
Civvies = Civilian clothing
Carbonite = a metal alloy used to freeze a person in a state of hibernation
Hyperdrive = device that allows a starship to travel faster than lightspeed
Moisture vaporator = device that can extract water from the air, commonly used on tatooine
Glareshades = Sunglasses
Gasser = Gas Oven
Repulsorlift = technology that can create an anti-gravity field and is used for levitating heavy objects
Heating unit = Heater
Utility Droid = Roomba
Sunbonnet = a Clone trooper helmet
Bad Batcher = a defective Clone Trooper
Banthabrain = birdbrain/ a stupid person
Bantha fodder = waste of space/nonsense
Blast! = word of exclamation
Blasted! = s.o in anger or annoyance
Blaster-brained = dimwitted
Blaster fodder = cannon fodder
Blast off = Piss off
Brainless = Stupid
Bug/Bugger = used to refer to Geonosians
Forceforsaken = godforsaken
Full of Poodoo = full of shit
Poodoo = Shit
Kriff = Fuck
Jedi scum = derogatory term for jedi
Kark = derogatory expletive
Larty = LAAT/i gunship
Laserbrain = insult
Meat droid = derogatory term for Clone Troopers
Redrobes = Palpatines guard
Rookie/Shinie = newly recruited Trooper
Scum = insult to refer to bounty hunters/rebels
Sharpie = Sharp-witted
Sithspawn/Sithspit/Hellspawn! = expletive
Sleemo = Slimeball
Son of a bantha = insult
Wizard! = Cool
Spaced = dead
Hutt-spawn = Bastard
Karabast = exclamation of dismay
Stang = Crap
Buckethead/Bucketbrain = derogatory term for Stormtroopers
Bucket = Helmet
Nat-born = Natural Born
Roger Roger = affirmative/copy that
Droid poppers = EMP grenade
Sitrep = short for situation report
Backwater Planet = any planet that isn't part of the core system
Holocron = device that can project a three-dimensional image of a person/object and is used for communication or entertainment.
Kessel Run = a risky Operation. Commonly used as a metaphor in impossible situations.
Thermal Detonator= device that can create a powerful explosion like a grenade or bomb
Ray Shield/Energy Shield = creates a (protective) barrier
Rebreather = device that allows a person to breathe underwater or in toxic environments
Phrases:
Wild goose chase = wild bantha chase
That's bantha shit = that's bullshit
As slippery as a greased Dug = untrustworthy
Credit for your thoughts = penny for your thoughts
Cut the poodoo = cut the crap
to get your gills in a twist = get upset about something
Holy mother of meteors = holy mother of god
Oh my skies/ Oh my stars = exclamation of surprise
Stars' end! = exclamation of disbelief
What in the blue blazes = exclamation
When Geonosis freezes over/When it snows on tatooine = extremely unlikely
Who pissed in your power supply = who pissed you off
Blast it = damn it
By the maker = exclamation of surprise
Great karking Dragon = expression of disbelief
Lothcat got your tongue = equivalent of 'cat got your tongue?'
Sod it = expression of frustration
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ckret2 · 1 month
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Chapter 51 of human Bill Cipher is once more the Mystery Shack's prisoner: Dipper and Mabel try to figure out what the Axolotl's poem means; Dipper gets the hang of astral projection; and... whatever's going on up there happens.
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Ford and Dipper came back into the shack through the gift shop; Ford didn't want to risk crossing paths with Bill. While Dipper went into the house, Ford went down—returning to the safety of his subterranean study.
Once Ford had put on the old black trench coat he'd worn during his multiversal travels and gotten comfortable at his desk, he pulled out Journal 5 to document the events of the last few days. In a cheap ballpoint pen, he wrote, I've lost my #1 Grunkle pen (and favorite coat) to the waters of Lake Gravity Falls. And then, deciding this didn't adequately express his feelings, he drew a small frown. That coat had served him well for decades, and he'd really liked that pen. It did write excellently, and it had reminded him of his gniece and gnephew.
He spent three pages documenting the eclipse—what happened, what readings he'd taken, what he and Dipper observed—and then another four pages talking about Bill. What he'd told them, why Ford had dismissed it; his claims about a trans-dimensional axolotl distorting gravity with its migration; the statue, the rescue, the breakdown.
The act of writing always helped Ford clarify his thoughts and untangle mysteries; it wasn't until he was writing that he realized the limbs Bill had said he couldn't feel were the ones that had broken off the statue.
He listed the rules of the chess variants he could remember Bill inventing. He drew Bill huddled in front of the board, grim, tear-streaked, exhausted; and then scratched out his face, embarrassed at the thought of immortalizing such a raw moment for his private viewing.
He wrote, There's still a slim possibility that the entire "eclipse," start to finish, was Bill's masterfully-orchestrated scheme to make us pity and trust him; but it's unlikely. Although Bill is fiendish enough, he isn't currently powerful enough, and his lies certainly aren't elaborate enough. If he could pull off such a byzantine ruse, then he could just as easily escape—and if he can escape, why hasn't he? Bill may be insane, but he's never been THAT irrational.
And so, even as twisted as Bill's idea of "friendship" is... for the very first time, I'm convinced that he was telling the truth all along when he said he wants me as his friend. It's not an act. He risked his life to save someone who's an active threat to him.
And at the end of it all—though I'm grateful to be alive in spite of my own stubbornness—do I like him any better for it?
Ford leaned back and shut his eyes, sifting through the inner tumult of anger and old hurt that defined most of his memories of Bill, looking to see if anything had changed.
There was a sore, tender spot in his emotions, a place beginning to rot with remorse; when he prodded at those emotions, he found that it was shame over his own harsh conduct of the last couple of days. But he was only ashamed of how cruelly he'd acted; he wasn't ashamed that Bill was the one he'd done it to.
Outside of that tender spot—regret over his own behavior—nothing else had changed.
No. I still hate him. I'm grateful to be alive, but I hate him. He hasn't undone anything he did to my family and me, and he never will. Forgiveness can't be purchased with favors.
I'm only relieved at the certainty of it. Bill has committed an act that can't possibly be a lie. I know, beyond a shadow of a doubt, that he's shown me the truth; and the truth is he'd rather see me alive than dead. Whatever other lies he may tell, I can hold on to that fact.
Bill's miserable eyes peered out at Ford between the scribbles he'd drawn across his face. It was truly a pity that Ford had to hate him. Pity that Bill hadn't been somebody better. He could have been better.
Ford couldn't find it in himself to be embarrassed that he'd filled four pages talking about the monster he'd already wasted so many more on. Bill had been right about him: You might hate me to my face, but behind my back you're as obsessed with me as ever. The only thing Bill didn't understand was that hatred and obsession weren't mutually incompatible.
####
"Hey, Dipper," Mabel said, unfolding the living room sofa bed. 
"Hey, Mabel," Dipper said, passing through living room on his way to the stairs. He climbed up to the attic.
He came back down from the attic. "Mabel. Why's Bill asleep in your bed."
"He really needed a nap," Mabel said.
"Okay but why on your bed?"
Mabel pouted. "Dipper, do you realize he's never slept on a real bed? Ever?"
Dipper tried to imagine sleeping on a couple couch cushions on the floor every night. "Yeah, okay, that does kinda suck." Even if it was Bill's own fault he wouldn't sleep in the living room.
By unspoken mutual agreement, having a Bill in the bedroom followed the same law as finding a centipede in the bathroom. The law was "that's the centipede's bathroom now." So once the folding bed was set up, they sat on it to serve as their hang-out spot for the evening and caught each other up on what they'd done the last couple of days.
After Dipper & Co. had left, Grenda had come over to take advantage of the low gravity to retrieve the kite that had been stuck in a tree near the Mystery Shack since last summer (it was, tragically, too tattered to salvage), and then they'd gone over to Candy's house to photograph each other performing feats of impossible strength. (Mabel would be sending some pictures to their parents to confuse them, and adding the rest to her summer scrapbook.) She'd spent the next day breaking the trampoline world record until Soos came outside and said gravity was probably too low for it to be safe to be up in the air anymore, if Bill's warnings about being off the ground when gravity hit zero were true; at which point Mabel had hung around inside air-swimming until she suddenly slammed against the ceiling, and then the ground. She was fine. She just had a couple of bruises. She showed Dipper her bruises.
In return, Dipper told Mabel about how their quest had gone: the checks for micro-rips, Bill's increasingly frantic warnings, the lake—
("You got to see a bajillion magical axolotls and I didn't?!")
—the cliff, the Axolotl, Dipper's near-death experience, and what he now knew about his out-of-body dreams.
"Seriously?" Mabel hissed, eyes bugging out. "And he had us looking up lucid dreaming books! What a jerk!"
"I know! He could have just ignored the whole thing, we didn't even think it was anything but dreams."
"And I'd thought he was being so helpful, too! Like he was really trying to make up for giving you 'nightmares'!" Mabel laughed in disbelief and flopped down on the flimsy mattress. "All that because he just didn't want us to know how it was really his fault? Biiill, ugh."
His fault. Dipper hesitated, wondering whether he should tell Mabel what Bill had said about Mabel's Fault; then decided against it. Bill had probably been telling the truth when he'd said he only wanted all the credit for Weirdmageddon.
But—Dipper did tell her about Bill saving their lives. He would have felt like a liar if he hadn't—like he was trying to trick his sister into thinking Bill was worse than he already was. He hoped Ford wouldn't mind; but how could he not tell Mabel?
"He could have just let you die and didn't?" Mabel turned that over in her head, processing this sudden shift in Bill's behavior. "Wow. I'm impressed."
He also told her about their previous encounter with the Axolotl. Considering the other lies Bill had told recently, anything he said about them meeting the Axolotl was dubious at best; but Dipper could remember the Axolotl, so maybe some of it was true, even if Bill had twisted as much as he could. ("The Axolotl said hi, by the way." "Aww. Tell him hi back!" "Yeah, I... don't know how to do that.")
Dipper laid out his journal between them on the folding bed, and Mabel read over the couplet a few times. "'Sixty degrees that come in threes, watches from within birch trees'..."
"It's got to be talking about Bill," Dipper said. "Equilateral triangles have three sixty-degree angles. I just don't know why the Axolotl wanted to talk to us about him."
Mabel frowned at the lines. "I think... I remember meeting him too," she said.
"You do?"
"Kinda. Like in a dream," she said. "We were in some kind of futury space race car. And he had a really comfortable beanbag chair."
"Yes! I remembered the beanbag chair, too!" And he hadn't mentioned it in his journal. "This is great! Talking about it must... must cause us to remember, somehow. Maybe since the universe where we met the Axolotl doesn't exist anymore, our memories of it are... detached or something? Psychically floating around between dimensions until we try to remember them?" He took in Mabel's skeptical frown and shrugged. "I don't know!"
She scrunched up her face. "Ugh. Last summer's first-grader time travel was complicated enough. This is like college-level time travel. Maybe we can ask Bill how it works?"
She said it so easily, like she thought it was actually a good idea. Right after she'd heard about the lucid dreaming thing, too. "I don't think he'd help." Dipper lowered his voice. "He really didn't want Grunkle Ford and me to find out about the Axolotl—and he kept telling me not to think about what the Axolotl told me. He's trying to cover something up."
"Oo-oo-ooh." Voice dropped to a whisper, Mabel said, "Do you think it's some kind of Space Axolotl conspiracy?"
"It could be," Dipper said. "All I know is he was trying to tell us something important about Bill. Some kind of prophecy, or... maybe a warning...?"
He trailed off. Mabel had stopped listening to Dipper. She was rereading the couplet Dipper had written, moving her lips like she was murmuring under her breath—but whatever she was saying, it was much longer than the couplet Dipper had written down. Distractedly, she said, "Do you have a pen?"
"Yeah, here." Dipper quickly handed over the pen he kept in his vest.
Mabel clicked it, went to the bottom of the page, and wrote: A different form, a different time.
Dipper sucked in a sharp breath as the words snapped into place in his mind. "That's it! That was the last line! What else do you remember?"
"That's it," Mabel said. "It was free form poetry with a bunch of rhyme pairs."
"I don't think free form poetry rhymes."
"Pbbbt." Mabel blew a raspberry and shoved Dipper's face. "Whatever! You know what I mean." She pointed at the last line. "Do you think the poem's about why Bill's here? He time traveled to the Mystery Shack in a new body..."
"Exactly! Bill must be back here for a reason. He's got all those powers—or, used to, anyway—and he knows more about the multiverse than anybody on Earth... Maybe there's some kind of big threat coming, and Bill's the only one who can stop it, and—and the Axolotl wanted us to know...?"
"I like the sound of that," Mabel said. "That'd basically make him a hero, right?"
Dipper grimaced. "I mean. I guess? But we're talking about Bill. If he does help us stop a threat, it'd be like if a serial killer picked up a hitchhiker and killed him, and then it turned out the hitchhiker was an even worse serial killer."
"That still sounds kinda heroic to me."
"Pfff, okay." He looked at his journal. "But... what is he here to do?"
Mabel considered what they'd already written. "Maybe we can use him to spy on our enemies through birch trees!"
"Thaaat's probably not it."
"No, I think I'm on to something. I can feel it."
There was a lot of empty space between his couplet and Mabel's line. "There's more we're missing, though. Maybe the rest of the poem describes the threat? Or what we need to get Bill to do?"
"I can't remember anything else, though."
"Me neither."
They stared at the page together, waiting for something to come to their blank minds. Mabel looked at the fish tank. "Hey, Primrose! Do you know anything?"
The pet axolotl in the tank ignored her serenely.
Dipper said, "'Primrose'?"
"Yeah, last summer Grunkle Stan said her name is Freakface, but I thought she deserved a cuter name. She's primrose color!"
"Ford says he originally named him Nikola."
Mabel gasped. "Nikki..."
Dipper twisted around to look at the axolotl. "Do you know anything? Do you... get messages from the Axolotl's heralds, or anything...?"
Nikola slowly opened his mouth, and slowly closed it.
Mabel said, "Hey. The Axolotl's one of those dimension-crossy time-travely guys, right? He probably wouldn't have given us a prophecy in the wrong timeline and then made us forget it unless he knew we'd remember it in time in the rightdimension!"
"I guess," Dipper said uncertainly.
"So we don't need to worry about it! We'll remember it when we need to."
"Unless this timeline's going to branch, and the only one where we survive is the one where we put all our effort into trying to remembering—"
"Shhh!" Mabel put a finger over Dipper's mouth. "Uh-uh. No college time travel. We'll be fine!"
Dipper pushed her over. "Okay, but we should at least try a little to remember what the Axolotl told us."
"What if we work on it separately?" Mabel propped herself up on an elbow. "Instead of just sitting around thinking about it. And whenever we remember a line, we can tell each other and see if it makes anything click."
"That might be faster," Dipper said, stroking his chin. "We're already remembering different lines."
"Yeah! And that lucid dreaming book said something about focusing on a problem before you sleep so you can figure it out in your dreams! We can just work on it in our sleep and we'll remember it all in no time!"
Dipper laughed. "What? No way, I think lucid dreaming is just one of those made up pop psychology things. I didn't get it to work at all." Either it didn't work or Bill had deliberately recommended a terrible book.
"I did! I can remember like... eighty percent more dreams. And I can tell when I'm dreaming a lot more often!"
"Huh." Or, maybe Dipper just wasn't doing it right. "Maybe I need to start over from step one. Do you know where the book we were using went?"
"Over here!" Mabel had set a couple library books on the end table next to the sofa bed; she pulled out the second one, which had a glittery pink bookmark with a cat on it stuck two-thirds of the way through. "Just don't lose my bookmark."
"Thanks." He'd reread the first step before bed. "We should probably be getting ready for bed anyway, huh?"
"Seriously?! It's barely bedtime!" And when the adults weren't watching, official bedtime was an hour and a half before Actual Bedtime.
"I'm exhausted. I just hiked up and down a mountain and faced down death."
Mabel pointed at Nikola. "You faced down a big salamander."
"Close enough."
They went upstairs, brushed their teeth, went to their bedroom...
And stopped in the door. Bill was still asleep. "Oh. Right," Dipper said.
He was curled into a ball on his left side, facing the wall, covered with only the zodiac blanket and his borrowed/stolen top hat sitting on the side of his head. He didn't use a pillow; he'd pushed Mabel's pillows and dolls behind himself to form a squishy makeshift fortress.
"Please don't wake him up," Mabel whispered. (She'd already set up the folding bed for herself; she'd clearly planned on this.) "He's had a really really hard time the last couple of days, and I think he needs as much sleep in a real bed as he can get, and it's just for one night, and I'm sure he'd rather sleep than do anything evil—"
"He said something, didn't he?"
Mabel paused. "Yeah. I think seeing his body really messed him up."
Dipper sighed. "We were trying to keep him away from it." He didn't want Mabel to think they'd forced him to stare his own death in the face. "But he did that... eye thing and looked through the trees, and..."
Mabel nodded.
Well. Dipper couldn't kick him out now. For Mabel's sake.
As children, occasionally when they got hotel rooms with a bed too few, their parents would stick them in one bed with a barrier of pillows in between them. At age thirteen and without two crabby parents trying to get them to just go to bed after a long plane flight, they unanimously vetoed that plan. Dipper decided against asking Stan if he could sleep in Ford's unoccupied bed, both because he suspected Stan would just go upstairs and drag Bill out of the room and because he didn't want Stan to think he was scared of Bill. He wasn't scared of Bill. Not anymore. He could handle one measly night in the same room as him. Anyway, somebody had to make sure he wasn't unsupervised in their bedroom all night, right?
Dipper and Mabel quietly set a floor mirror and old lamp next to Mabel's bed, draped a sheet between them, taped on a pink poster that said "WARNING! TRIANGLE ZONE!" and was covered in stickers of triangular objects, and decided Dipper was adequately shielded. If Bill did get up during the night, he'd probably trip through the sheet and wake half the house before he got anywhere near Dipper.
Dipper went to sleep with a baseball bat in his hands.
####
"Okay," Bill said, hands on his sides, "what am I looking at here?"
The feral band members of Sev'ral Timez turned toward Bill, eyes reflecting in the dim light. They were squatting around Bill's petrified corpse like a pack of apes examining a sleek black monolith.
"Hey girl," Creggy G. said.
"Hey," Bill said. He looked down at himself. His onyx black feet hovered over the ground and the yellow glow from his exoskeleton illuminated the clearing. "Lemme cut to the chase, is this gonna turn into a raunchy dream? My corporeal love life is about as cold and dry as Antarctica, I keep hoping one of my dreams will get a little hotter and wetter—"
"Nah, G," Deep Chris said. "Mr. Bratsman got us fixed."
"Aw."
"We're here to pay you reverence for freeing our minds from the chains of the conventional," Greggy C said, gesturing to Bill's corpse. Leggy P was kneeling and bowing to it and Chubby Z was posing for it. "We want to help free you like you tried to help free humanity."
Bill's eye narrowed. He tapped a finger against the edge of one brick as he considered this offer. Finally, skeptically, he said, "Fine. I'll bite. Why should I think you can help me?"
"Because we can give you the understanding your heart's been missing, girl. You're just like us," Chubby Z said. "A horror never meant to exist, born of a dream to construct the perfect golden idol, forced to dwell within an unnaturally-fabricated human shell."
Bill tilted his head thoughtfully. "I'm with you so far."
"We want you to join us," Deep Chris said. "Cavort with us in the silvan night, G. Shun the harsh light of the spotlight for the healing salve of moonbeams. We'll get drunk on the sweet fermented summer berries, uncaring of how the brambles prick our flesh. We'll dance in a frenzy of ecstasy and only sleep when the morning sun lifts the dew from the flowers and the sweat from our skin. It'll be straight Dionysian, boo."
"We can kiss the hot trees," Creggy G said.
Bill grabbed his shoulder. "Oh, you're the human that keeps making out with birch trees! I knew your face was familiar!" He paused. "So... are there any eligible ones around here?"
"Sure, girl, just downstream."
"If I'd known, I would've polished myself first."
"Say you'll join us, Bill girl," Deep Chris said. The band crowded around Bill to either side, posing around him—the backup dancers for the star singer. "You'd be one of us."
"We're already exactly the same," Creggy G said, holding up a mirror so that it reflected his and Bill's faces beside each other. In Bill's human face were two empty white eyes with pinprick pupils and pale blue irises, exactly the same as the eyes of the Sev'ral Timez boys.
He sat up with a gasp, hands flying to his face. There were still green boughs at the edges of his dreaming vision, blending into the wooden boards of the Mystery Shack's attic. Before sleep had fully fled his mind, he seized up the zodiac blanket draped over his body and stared into his embroidered eye.
The eye stared back at him. Through it, he could see his horrified sleepy face, and his normal slitted yellow eyes. His connection to the blanket's eye disappeared as he finished waking up.
He heaved a sigh of relief and flopped back down. He'd been lucid, but he hadn't been in control of that dream. He still needed practice.
He rolled toward the light of the window, groped around beneath it until he found his journal, grabbed up his crayons, and flipped pages blearily until he found the first blank one. He started writing down his dream, pausing only briefly as he tried to figure out how to translate "Sev'ral Timez" before settling on a sufficiently goofy way to misspell "several times" in Plaintext.
He made it halfway down the page before he stopped. Hold on. This wasn't his beautiful journal. These were not his beautiful crayons. He checked the cover and grimaced in displeasure when he saw a pine tree rather than a hand. Dipper's journal. Bill ripped out the page, ate it, and set the journal and Mabel's crayons back on the table  under the bedroom window.
"What was that," Dipper asked, "some kind of Morse code?"
Bill yelped and twisted around. Dipper's soul was hovering above Mabel's headboard, watching over Bill's shoulder.
"Hey! Back, foul ghost!" Bill snatched up Mabel's pillow and swung it at Dipper.
"Ow—Hey! How did you hit me, I'm in the mindscape—"
"I said back!" Bill swung again, chasing Dipper off the bed. "Back into your fleshy tomb!" He climbed off the bed, stumbled into Dipper and Mabel's trap, tripped through the sheet and probably woke up half the house.
He yanked the sheet off and flung the pillow at Dipper by its corner. "Now get back in your body, go to sleep, and leave me alone."
"I don't know how to get back in it. I just wait until it happens by itself," Dipper said, floating irritably over his sleeping body, arms crossed. "Why do you think I just wander around every time I have this dream?" He paused. "Right—it's not a dream, is it."
Bill sighed heavily. "Try putting your body on like..." He almost said like an exoskeleton, remembered his audience, and amended himself: "Like it's clothing. I usually start with the hands. Just like putting on gloves!"
Dipper looked at the cold fingers wrapped tightly around the baseball bat. "How do I put hands on like gloves? There's no opening or—"
"Just try it, would you?" Bill sat tiredly on the edge of Mabel's bed.
Dipper shot him an irritated look, but pressed his ghostly hands against his fleshly ones, passing through the skin until one set of fingers rested inside the other. A fingertip twitched. 
Bill gestured with one hand, continue. "Now the sleeves."
"I know how to get dressed." Dipper laid down in his body, forearm into forearm, shoulder into shoulder—until he was wholly back inside. He sat up, awake. "Huh."
"There, see?" Bill said. "And if you want to take it back off, just do the same thing in reverse. Like degloving your body from your soul!"
"Did you have to phrase it like that?" Still, Dipper tried it, peeling out of his body from the fingertips up. He left his body sitting upright as he hovered over it.
Bill chuckled tiredly. "Lookit your face, staring at nothing. Stupid looking."
"Shut up." He slid back into his body, more quickly now that he knew what he was doing.
"Great," Bill said. "Now that you know how to get back in your body, never do that again." He flopped back onto Mabel's bed and rolled over to face the wall. "It's a pain in my base having you wander around all night."
"Then you should've thought of that before you ripped my soul out of my body," Dipper grumbled. "Can you reattach me to my body?"
"Sure, easy." He lifted a hand to point down at his regrettably human form. "Not like this, though. Wanna help reattach me to my body?"
"Never in a million years."
"Then come back in a million years. There's nothing I can do for you until then." Bill dragged Mabel's zodiac blanket back over himself. "So sorry. Go to sleep. Leave me alone."
Dipper bet Bill could do it and was only saying he couldn't to try to trick Dipper into helping him. But he lay back down—clutching his bat again—and shut his eyes.
After a moment, Bill asked, "Where's Mabel? Sleepover?"
"Sofa bed in the living room."
"Right."
And then there was silence.
Several minutes passed. Dipper nearly fell back asleep. He heard Bill climbing out of bed and creeping across the room; but the footsteps didn't approach Dipper's bed, so he didn't open his eyes.
A few minutes after that, Dipper heard him come back, walking more heavily. He cracked open an eye to see what Bill was up to.
He was carrying Mabel, who was still asleep; his arms were trembling from her weight, but even at that Dipper hadn't known Bill was that strong. With a quiet grunt, he set her on her bed, then haphazardly tossed her sheet and zodiac blanket over her. He picked up his top hat from the bed and put it on; and then he wandered off, footsteps quiet as a ghost, and Dipper heard the creak of the door as he left the bedroom.
That was a lot nicer than Dipper had expected from Bill. Maybe he did care about Mabel in his own way.
Mabel rolled over and latched on to one of her dolls. Dipper shut his eye and fell back asleep.
####
(My favorite part of writing this was Bill dreaming about Sev'ral Timez saying the most absurdly flowery things imaginable. Anyway, let me know what y'all think about this week's chapter! And reminder that I MIGHT skip next week or the week after because the next couple chapters need heavier editing than usual.)
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the-writing-goblin · 9 months
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I am once again thinking about how good the story of the second age is, and all the fun things you could do with an actually decent adaptation. Consider:
Galadriel should be exactly the same as she is in Lord of the Rings. She is older, weirder and more powerful than any elf other elf in Middle Earth. Other elves are just as unnerved by her as mortals, and dealing with her is stressful at the best of times.
Elrond should be an absolute infant. Just, complete baby face. But everyone treats him super respectfully and he has a lot of power and influence. The energy should be the same as when the super ancient and powerful vampire or faerie or whatever looks like a ten year old girl.
ALSO there should be a tall, menacing elf with visible tattoo and facial scars who just. Stands behind Elrond looking intimidating all the time. The least elf-looking elf ever. All the other elves are uncomfortable around them. Elrond should treat them like their an Aunt or Uncle. The elf is one of the few surviving hard-line Feanorians, all of whom follow Elrond. The longer you can go without explaining this, the better.
Gil-Galad is very tired, and spends a lot of time balancing one of the most famously unstable political systems in all of Arda. Galadriel and Elrond both have factions they support to strongly to be relied on to be impartial. The reason he doesn't worry much about what Celebrimbor's up to is that he's the one member of the family who is highly unlikely to attempt something batshit nuts, and his followers are mostly moderate.
Celebrimbor and Annatar/Sauron should spend the whole series playing complicated mindgames with each other.
Annatar is playing four-dimensional chess from the beginning. For him, this is an all or nothing gamble. If he can't make the rings he won't have the power to seize control on his own. He should spend a lot of time having Light Yagami-level monologues where he tries to figure out what game Celebrimbor is playing while outwardly pretending to be harmless and normal and only succeeding at this about 75% of the time.
Celebrimbor should start of thinking the stakes are considerably lower. Like... is Annatar hiding something? Yea, but he figures Annatar doesn't actually have permission from the Valar to be here or something. Not, ya know, Annatar is secretly Satan in disguise. In the first act there should be an almost comical disconnect between the amount of energy Sauron is putting in to these mind games versus Celebrimbor.
Bonus points if as Celebrimbor figures out the truth, you intersperse more and more of his family backstory. The guilt he is still carrying for a lot the things that happened in the first age. Early on bring in the fact that Finrod went into Sauron's jaws alone and it was Curufin's fault, use this as angst material. And then as he figures out who Sauron really is, drop Maedhros and Thangorodrim in like a nuclear bomb.
Because Celebrimbor has seen this play before, and he knows what Sauron does to people. It wasn't even personal then, what Sauron is going to do to him will be so much worse.
And Celebrimbor chooses to forge the three rings anyway. He doesn't give up their locations, even with everything Sauron does to him at the end. And that should be devestating.
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leverage-ot3 · 3 months
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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cipheramnesia · 10 months
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David Cronenberg keeps his life generally private while a good deal of his movies are fairly provocative, and one consequence of this is how few people are willing to accept his genial and rather unflappable demeanor at face value.
The practical upshot is that he's not even unsettlingly normal during interviews, he's just some guy who makes movies and he's there to talk about the movie while interviewers are trying to play three dimensional chess about his headspace. We know he's very weird on some axis but we've never learned what it is because instead of trying to be a Zany Eccentric like Tim Burton the dude just continues to smile and nod and respond to all these questions with mostly uninspiring answers unless it's actually about the movie.
I think that's great because we don't need to know about whether or not he's got some deep rooted psychological trauma, he's about letting the art speak for itself or speak through whatever the viewer brings to it. The author has faked his own death just so the audience can see the art.
All that creates an enticing new context for his statement that a trans person is "an artist giving their all to their art." If he does in fact prefer to see art as distinct from the artist, that it exists more in the mind of the audience than the author intent, it suggests in the way we transition, we both leave the author (ourselves, our past) behind, shed from who we become while wholly translating the author into the art, to exist for the audience (also ourselves, our present).
We give our all to our art because we are creating ourselves, physically and philosophically and psychologically and metaphysically, for ourselves in a constant act of choice about how we intersect with the world. I don't know if he'd agree with my interpretation, but he wouldn't be likely to say regardless.
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Back to the Start
Even if he hadn’t made top marks in every class he’d taken since his first semester, Spock would have attracted a great deal of curious attention at Starfleet Academy. He was one of just three cadets from Vulcan and was, of course, the only one of those whose heritage was both Terran and Vulcan. He was also visually striking: tall, lanky, with something distinctly alien about his features. Though not a complete loner, Spock had few real friends despite being well into his third year. He didn’t socialize much outside of class since most of his “free” time devoted to studying or spent in various laboratories or flight simulators.
The unfortunate truth was that Spock, intellectually gifted as he was, had none of the social skills or emotional intelligence to thrive among his peers. He was even less capable of doing so here in San Francisco in his twenties than he had been as a young boy on Vulcan. He’d spurned the expectations of his father and his society to join Starfleet, and he had no time for regret (which was illogical, in any case), but sometimes even he felt lonely—just as he’d been too human for many people on his native planet, he was too Vulcan to fit in easily on Earth.
But he was neither a pariah nor inherently antisocial. Occasionally, he could be found in the corner of a student lounge, his long fingers caressing the strings of his Vulcan lyre or playing a game of three-dimensional chess with a fellow cadet while they debated some scientific theory. Off-campus, he frequented the botanical gardens and lonely beaches.
This term, Spock had added to his already-full course load by enrolling in a biology class on a whim. His scientific curiosity had always been boundless and insatiable. He hungered for knowledge and had resisted any attempts to narrow his focus from a very early age. The course was unlikely to be particularly challenging, but he was looking forward to the ways it would differ from the biology lessons he’d had on Vulcan. He was, frankly, eager for the change of pace.
@multirptrash
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linipikk · 10 months
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SO, I come here today to talk to you about Aziraphale, Jane Austen and the double life he lives.
Because Nina teasingly refers to Aziraphale as being mysterious and surprising as a dark horse
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and you know who else is referred to as equally surprising, a dark horse? Jane Austen
and I like how with Jane, we get Crowley's AND Aziraphale's version of the same person, who we very well know wrote books.
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From Aziraphale, we get the things we mostly know about Jane: A novelist who held cotillion balls.
From Crowley, we get her secret outlaw activities: Jane was the brains behind a Robbery, a Brandy smuggler, and a master spy.
And, as Aziraphale didn't know about Jane Austen's criminal career, Crowley didn't know about her artistic endeavors. Her good side is hidden from Crowley, and her bad side is hidden from Aziraphale.
But also, there are some interesting parallels between Jane fucking Austen AND Aziraphale.
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The minisodes show us that Aziraphale was an unwilling alcohol smuggler in 1941
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he can also fool everyone when the time matters to his side and to Hell's side. In fact, his job as an angel is basically being a spy.
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But also, he wrote extensively, he has many diaries that are just lying around in his shop
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And of course, he has organized at least ONE cotillion ball
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And, the brains behind ...well, many plans at this point, including saving Job's children, manipulating the room to make the angels believe those are Job's new kids, playing his own game for thousands of years. Aziraphale is the one finding Clues and finding who Adam was back in the Armagedidnt. I wouldn't put it past him to be paying his own part in the three-dimensional chess by going back to heaven.
It is very deliberate that the minisodes show mostly Aziraphale backstory, from his own point of view, he knows very well what he has done, the good and the bad.
And that's exactly my point. I think Crowley doesn't get the full picture of Aziraphale just yet
We know they don't communicate very well. And even after all their years together, they still have very strict preconceived conceptions about what angels are supposed to be and what demons are supposed to be, even when they themselves transgress those all the time.
I'm fairly convinced that Crowley's "You don't dance" surprised tone in the ball is carried from the idea that angels don't dance from season one, even tho we know from God's narration that Aziraphale does.
After 6k years Aziraphale not only is still surprising Crowley with cotillion balls and firearm licenses, and, as Crowley didn't know Jane's ordinary life, it makes me think Crowley really doesn't know about Aziraphale's diaries detailing their history together. (Bit of a Chekov's gun from Neil, imo)
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note: From what I know, there is no such thing as the 1810 diamond robbery, it being entirely fictional but I am going deep into the suspension belief and run with it
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servantleverslutdrop · 11 months
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I'm sorry but Kaz Brekker and Anthony Lockwood are not the same. The Lockwood and Co gang are a bunch of incredible fuck ups, and I say that with the outmost love and affection <3. I mean the book/show opens with them literally forgetting their equipment and burning down an old lady's house. They are a disaster. The SOC characters are much more careful and competent because they have to be. Kaz Brekker would never pull half the shit Anthony does lol. Homeboy is playing three dimensional chess, and if a house burns down then it's on purpose.
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