#thus... gestures
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lacecap · 2 years ago
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together again
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brainrotisseriechicken · 1 year ago
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..
extra:
(it was a spring morning)
(he was a frail boy with no friends)
(he ran into you from across the wall)
(you said hello to him, and asked him to play along)
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(at that very moment, he received his lifelong—)
extra 2: oscar boogaloo
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yeahhhh....iykyk
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ghostpajamas · 8 months ago
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exploiting an irl duplication glitch : cloning for dummies
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lanternlightss · 4 months ago
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thank you nameless bard
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nemesis-is-my-middle-name · 2 months ago
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thought about Arthur’s insane clingy tendencies again. mistake. puts my head in my hands
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caterpillarinacave · 22 days ago
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i saw in the tags of your henry and mortmain posts that you’d like people to ask you about them :) — and tbh i’d love to hear more about the parallels between them that you mention in the post :D
Before I begin, I’m so sorry I took so so long to answer! I have been pretty busy and could definitely do a longer breakdown of all this but it’s already been a month and it’s going to drive me insane if I leave thing unanswered any longer. 
I’ll need to do a full re-read of the trilogy to really answer the questions but here are some thoughts that are very interesting to me. Please excuse any incoherent-ness, (and grammar issues, and repetition issues, and poor citation, and spelling, and rambling, etc, etc) i have spent so long staring at the document i wrote this on trying to get my brain to work I may have totally lost the plot. Just trust me guys I’ve got a PhD in Henry Fairchild.  
Lets start off with the most obvious parallel, that being their work. On a strictly physical level the work they do is very similar- they both approach magic through science and vice versa in a notably unique fashion. Stylistically and functionally the things each of them create has a decently sized overla and Henry has no problem understanding Mortmain’s creations. Mortmain favors clockwork for his creations and while Henry doesn’t specifically focus on such things he is very familiar with them, and interested to boot. 
Mortmain is quite brilliant, in multiple ways. Most people could not manage the type of thing he pulls off consistently; Henry *probably* could. It’s worth noting Henry is severely limited by Shadowunter laws; in the third book we see the only reason he hasn’t invented a portal entirely by himself is because he can only work with a specific set of runes (Clockwork Princess, pg. 282). Even working in the tight restraints of Shadowhunter resources, and only being around 21 in the books, he’s extremely competent. 
Furthermore, Henry does not approach things with the period typical Shadowhunter judgement; as a matter of fact he essentially does not function within society as a Shadowhunter. To unpack that lets look at where Mortmain and Henry stand in relation to broader society. 
The London Shadowhunters in this time period can be described, for lack of a better word, as pissy. Judgmental, bored, aggressive, whiny, chronically dissatisfied, dramatic, dismissive, sometimes downright cruel, etc, etc. Pissy. They’re really pissy. 
Henry, objectively speaking, does not fit into all this, and is punished for it (see pgs 281-283 CP3). The general public treats him horribly. Recall in Clockwork Angel Charlotte tells Tessa that Henry was the one who told Mortmain what a Pyxis was (which is, again, a different rant), that he wants her to tell the Clave and that she won’t because “they already treat him so badly”. And they do- nearly every single interaction involving him and broader Shadowhunter society involves some sort of insult, mockery, slight, etc. Almost nobody but Charlotte ever objects to this behavior and her objections have zero effect. “Making fun of Henry” is pretty much an unopposed standard. 
There’s no fair reason for this. Henry is, by all accounts, an extremely pleasant person. He’s repeatedly described as “kind”- Tessa has him pinned as a trustworthy person almost immediately (“it’s only Henry, after all”). He’s rarely upset, laid back, well intentioned, and generally polite. He doesn’t have a mean bone in his body. 
Imo he probably would have been treated better if he did respond in kind- or even if he had just fully withdrawn from Shadowhunter society. His persistent refusal to hold a grudge, a generally positive trait, shoots him in the foot. This is only compounded by his general disinterest in things like physical fighting, politics, and social structure. He hasn’t done anything wrong- quite the opposite- but he’s being punished by his peers for the crime of being earnestly odd (coughhasblatantlyautisticcough). 
Mortmain, being a human child raised by warlocks, obviously does not fit into any particular standard. He doesn't have any particular loyalty to a party. Rather, he mostly defines his identity with his hatred for Shadowhunters, and connects with other groups transactionally with this in mind. 
He has been wronged by the Shadowhunters, when his parents were killed and then in the aftermath. The Clave denying his request for reparations and, by extent, denying any wrongdoing in their actions, is a smack in the face from a powerful society. 
With this in mind they would be both well within their rights to resent the Shadowhunters and they respond to that in fully opposite ways. 
Henry doesn’t resent them- at all. Despite how horribly he is treated, which, one can note, does not stop after the battle of Cadair Idris, he chooses to let it go and actively work to make life better for those same people. (Clockwork Prince; “You know it isn't just tinkering for me. You know I want to create something that will make the world better, that will make things better for the Nephilim.”), He views that cruelty as a part of life as a Shadowhunter but not the defining part of that society. It’s just a thing that happens- it sucks, it hurts, but he’s not going to blame or punish the whole group because of it. 
Mortmain’s is entirely the opposite. He hates them and views all the Shadowhunters as irredeemably wrong, fully deserving of a violent fate. All of them. He’s obsessed with destroying all these people despite most of the individuals who hurt him directly being gone. He blames them all, intends to carry out a mass punishment and doesn’t care about anything else.
He is deeply resentful, yeah, but he also wants more for himself. He doesn’t just want revenge, he wants a disgusting amount of power, a total victory over anything he choses, power mainly for the sake of having power. 
Now we can circle back to that earlier point- Henry could be like Mortmain. 
Recall in Clockwork Angel when they first bring back the automaton for Henry to examine in his lab he’s not just interested in the machine- he’s excited about it.He recognizes it to be a brilliant work of science and design, something incredibly impressive and compelling. This is not the sort of thing anyone sees everyday and it’s certainly not the sort of thing a Shadowhunter would interact with. This is exactly the sort of thing he loves, the sort of thing nobody else ever brings up, and it’s exciting to see. 
As the books continue nobody else is ever caught up on the functional skills of the machinery itself. People talk about Mortmain, about what is happening, what to do, etc, etc, but the fact that the automatons are a feat of engineering is just not on anybody's radar. It’s not the sort of thing any Shadowhunter gives shit about, save Henry. 
So Henry has the same intellectual capacity as Mortmain, the same scientific and magical capacity, and a not dissimilar approach to thinking. 
He could pretty much disappear and do whatever he wanted forever. He could ditch the Nephilim. He could walk off without telling anybody and never bother with the Clave’s again. He could go off and study all the things Shadowhunter’s are banned from. He could create whatever he wanted completely unencumbered by the restrictions of the Nephilim (see pg.283 of CP3). Chances are nobody would pick up on it. One of the major flaws of that group of Shadowhunters is that they’re very self focused. If someone they aren’t particularly fond of, who doesn’t fit into their narrow view of someone that deserves respect, stops showing up and interacting with them they are not gonna make any real effort to figure out where they’ve gone. If Henry wasn’t around to “annoy” them none of them wouldn't go looking for him and they don’t have enough respect for innovation to wonder what he’s up to. 
Remember, nobody cares about what he does (Clockwork Princess: Henry blushed a scarlet color. It was clear that no one had ever complimented his inventing before, except perhaps Charlotte. Pg. 282 ) 
He could have a whole new world of resources without having to deal with a society that thoroughly rejects him. He could do the one thing everyone thinks he loves the most. Hell, from an outsider point of view, the only thing he loves. He’ll happily spend days straight working, forgetting to eat, sleep, or anything else.
It’s theoretically not difficult to imagine a universe where he skips out of Shadowhunter society completely and has been wandering around the same circles as Mortmain for forever. 
(He doesn’t ofc because that would be betrayal. It would require breaking the law, throwing away all social and civic responsibility, abandoning the whole kit and kaboodle, blah blah, certainly not related to other very elaborate thoughts I have about this character.)
The point here is that they are so similar save that fact. Their scientific approach to the world, which absolutely defines that way Henry exists and, at least at some point in his life, probably defined Mortmain, are so similar. If you laid the basic facts all out to someone with no context other previous knowledge on the characters (here is what they do, here is what they’re best at, here is what they bring physically to the table etc and exclude personality, morality, relationships, etc) and asked them to point out a character most like Mortmain they’d probably point to Henry. 
Hell, I’d point to Henry. I’d say yeah, that’s a set up for someone to go full mad scientist and wander off to do whatever he wants. I’d say that's the character most likely to agree to use human bodies to power machinery. 
Recall back to Clockwork Angel (and like, two paragraphs ago) about the automatons that are so fascinating to Henry. The beginning scene is the most exciting he  ever is about this incredible tech:
“[The automaton] is not precisely a living creature at all… A mechanical creature, made to move and appear as a human being moves and appears. Leonardo da Vinci designed one. You can find it in his drawings- a mechanical creature that could sit up, walk, and turn its head. He was the first to suggest that human beings are only complex machines, that our insides are like cogs and pistons and cams made of muscle and flesh. So why could they not be replaced with copper and iron? Why couldn’t you build a person? But this. Jaquet Droz and Maillardet could never have dreamed of this. A true biomechanical automaton, self moving, self directing, wrapped in human flesh.” His eyes shone. “It’s beautiful.” 
“Henry.” Charlotte’s voice was tight. “That flesh you’re admiring. It came from somewhere.” 
Henry passed the back of his hand across his forehead, the light dying out of his eyes. “Yes- those bodies in the cellar.” (pg. 160-161, Clockwork Angel. )
That characteristic earnest excitement that he displays towards nearly everything new dies on the spot. “Miranda” and the other automatons are not less interesting because they’re made with human body parts- if anything that should make it more interesting. But the scientific brilliance is negated by the cruelty associated with it. It’s impressive, it’s “beautiful” and it’s not worth it. Innovation that opposes life, as opposed to promoting it, doesn’t count (see tags). 
So their work, especially in this context, is interchangeable- it’s their intentions that make the whole difference. 
Tessa says it best in Clockwork Princess; Henry brings things to life. Mortmain destroys. Where one of them has devoted his life to protecting people, regardless of how he’s been treated, the other one has devoted himself to slaughtering people, because of how he was treated. Where one invents with the specific intention of protecting life 
In other words, two very very similar people differentiated by a fundamental love for humanity and a fundamental disregard of it. 
TLDR: I need to reread the books to make this post but their style of work, approach to science and magic, and interests parallel. Also I have no idea if I’m coherent anymore please ranting in the tags for thoughts on everything here. 
TLDR the TLDR: They’re both inventing shit in a series hinged around these things that have been invented
#no i did not reread this#i simply did not have it in me#trusting beloved mutal who said i make sense#anyways. *gestures vaguely* inventors#I would argue that mortmain defines himself by his hatred of shadowhunters AND his inventing but thats a different conversation (re: "mortm#mortmain has been alive for so long he hasn't been the smooth precise overlord forever he hasn't had all this power forever#and before he started spinning the web of tid he WAS innovative he did work he was creative BEFORE that thats part of how he got there sO-#*i am dragged off stage by security*#The excessive citations of pages 280-283 of clockwork princess are on account of me having those pages photographed#idk bro he’s enamored with inventing because its a way to bring life into the world to add something to create to give etc#Mortmain is enamored because it lets him turn away from the world to take something to destroy#There's a life and death parallel in there#*gripping you by the shoulders* henry invents with the specific intention of protecting life that is the point of it all it's all about tha#Thats the see tags bit. Couldnt figure out how to write that coherently. You know what i mean.#Innovation is innovative because it makes life better for people mortmains stuff is making life worse thus it is not in the same category t#Henry could be like mortmain because he can logistically think in that way and he could never be like mortmain because he morally could not#Very important to me that we note henry is NEVER like “yeah its horrible but it IS brilliant lets respect that”#he points out how brilliant it is UNTIL Charlotte points out the direct violence that led to no liSTEN- *dragged offstage by security again#you know that meme of the guy being carried off stage by all his friend yelling#thats what I'm like right now#just trust me guys the fact that i cannot articulate is not my problem#anyways. I'm normal about this man.#tid#rambling#the infernal devices#seriously I'm so sorry it took so long it's been haunting me for a month#tsc#henry branwell#henry fairchild#now gonna dip until this gets enough notes i feel okay with it not being on the top of my blog. also tumblr says no more tags allowed here:
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runningatypufullspeed · 1 year ago
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I AM BEING FORCED TO ROLEPLAY AS SCYTHE FUCKING GODDARD FOR MY SCHOOLA SISIGNMRNT CAN SOMEONE END ME PLEASE END ME NOW
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basilbots · 1 year ago
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Lord Eclipse and Servant Sun if Eclipse wasn't terrible
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skitterjitter · 1 month ago
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at first Yellowjackets reminded me of Dionysus Mysteries -- specifically Euripides tragedy Bacchae -- but the more I think about it, the more it occurs to me that perhaps it's drawing on Orphism
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chulippi · 2 months ago
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nick l4d2 is so fucking cringe (with love) but also I know that if my self insert were there she’d have a horrific torturous crush on that failman. Just absolutely head over heels schoolyard shit for a man who unironically uses the term “assclown.” She would hate every single second of it btw
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supayofficial · 2 months ago
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I wish my art was good instead of bad
"but raggedy have you tried studying-" no I gotta be immediately okay at things or else I can't do anything forever. I hate hobbies and activities
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mumblesplash · 11 months ago
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Wait a damn minute, hetalia fan that follows you for DC content here, YOU'RE the one from the Hetalia is Real post????
lol yep that’s me! the Hetalia Is Real guy
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fragmentedblade · 2 years ago
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Jingliu tells Yanqing "your zealousness inhibits your ability to hide your line of attack". This is something at what Jing Yuan excels
#And the thing we see him insisting on with Yanqing and Fu Xuan#This is also something that was repeatedly stated on the fencing book I read#And it related to the sight‚ as they called it iirc#The book insisted a lot on how a true swordmaster is patient and is able to see in the little movements and gestures of their opponent#the movement they'll make and thus what will have to be faced#Seeing this and anticipating their movements quickly was one of the keys for being a master#There were several things in that book that made me think of Jingliu. I still have to save the fragments here#Anyway... Yanqing replies saying precisely that general Jing Yuan has told him something similar before. I love him haha#I also love that Jing Yuan says himself he has 'no affinity with the sword' and that 'are getting rusty'#I don't know. I adore that the general of the Cloud Knights isn't a natural swordmaster. I love that he admits it too#And I love that Jingliu taught him nonetheless. I adore everything this tells us about these characters#and I won't ramble about it‚ I'll behave‚ but... this reminded me of Yingxing lol#I love the idea well beyond Yingxing and I don't think it has to do with him at all‚but I love that it reminds me of him and master Huaiyan#I talk too much#Jingliu#Yanqing#Hmmm maybe I should find a tag for something that's not Blade related‚ but also doesn't go in the databank tag#Traces#Jing Yuan#I think I should tag him too#I'm sorry if this appears in the main tags. I hate tumblr for not letting me organise things without bothering people too
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unproduciblesmackdown · 4 months ago
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speaking of bsol through speaking of xmas xtrav that like i'm so augh god hand over heart falling over (just like the bloodsong b/c it's the like conclusion of being Overwhelmed By Artistic Effect that then in the ideal version you may as well die) at the thought of the finale where you have the main plot conclude as that Story w/those Themes like ah but even then, the influence, the other the musicians now, that this whole time like yeah you have to do it even if you just keep building or die or were thwarted even prior to that b/c you didn't know you wouldn't be....but that then just like in the opening song Outlaw or sort of distillation of the theme abt being someone making art Last On Land or that at other points other characters have emerged as not really their characters not really a greek chorus but elements of the story helping to Tell It, here's Everyone again for the friendship song altogether & each with an instrument & like not even able to see it but pics & imagining & the enthusiasm & the Thematic Resonance like this is when you are pursuing these pursuits together like _o__ (splayed out facedown emoji) aaauuughhh ;;mm;; bsol finale with everyone showing up playing & singing & dancing the song celebratory finale it's all the Theme when the full cast of Characters had only ever all been together for the one standoff scene at the end & yet obviously We've known them all & everyone is outlaws which is a song like i'm already going sicko mode & this is just the intro, so yknow, The Conclusion, good lord find an iconis musical finale without that place for the celebratory outpouring of enthusiasm right amidst other feelings & situations but Good Lord Here's This in a story that'll always have been all about people's depths & heights & widths & breadths & variations & tumult & all the dimensions, people will have Brought It all over the place & it's like yes leap around together playing & singing this song together which isn't The Story but is such an extension of it b/c bsol has its show within the show quality still infused all in it & if this flurry of Actors Celebrating Outpouring We Put On This Show but still within the show you are seeing as an audience in this venue wouldn't have been part of the original plan with a whole [outside the show within the show] plotline like. embraces bsol holding it so hard my becherished
#bsol#& in true xmas nature yknow like yeah i think of the whole show like wwaaughh think of the baby please come home like Aauuuughhh#think of specific moments within & none of those make me weep but they do make me go omg & woww yayy & clap & cheer & caper & gambol#but what everything has been: all about its central theme & bsol/xmas playing w/& sending up Genre Conventions we all know & thus can be#enough on the same page about so as to then be on the same page abt what's Unexpectedly done w/them but it's not just about#like oh we do this to be Above it b/c it's also done abt genre convention stuff that's enjoyed & interesting to its creator here so#that also as ever the Heart of w/e the genre stuff being messed with is Earnestly Kept & that's what all this is used to express things#with in addition to being able to have fun & explore things that plausibly a completely straightforward recreation type homage couldn't#or couldn't do as well without sacrificing one or the other vs if you're already doing an open like remix playing with exploration; then...#the conclusion of the xmas show isn't yeah i love xmas isn't that cringefail of me. yeah these xmas special media we're working off of#isn't that all so silly & no matter how much i love it it's important to end up Above It. like nobody's here to be above shit good god#soooo much more you can do if you don't have to prioritize That central theme. [you & me; We're superior] undermines Anything Else#while never holding yourself as Apart & Better lets anything else grow & flourish & have the Capacity & Flexibility to be & do whatever#the villain as an emotional reflection of part of the hero / representing a Possible Version of them; not Who They Could Never Be#as Only a force to be overcome with your greater force; though naturally yes the villain creates conflicts & stakes & obstacles#& in these so very genrey xmas bsol situations i'm clapping cheering go also very fun & funny little villain who kills you Gooo#100% this bitch Oh No Not Miserthorpe Krampington Thornwassail Cocodrilo that's right you fucks ahahahaaa >:) die btw#thinking about specific parts of bsol like oh wow oh yay oh this fun turn into this bit oh what a scene what a song wahooo#then overall like lying back reaching up Bloodsong....#thinking of the finale friendship song actors as actors ish characters ish ft. instruments 😭😭😭😭😭😭 (one each)#this mf (gesturing to myself who'll inevitably fire up Outlaw.mp3 at any moment & go Augh the harmonica the harmonies the chorus The This)#also that obviously i get to have a delightful time going well so of course lo cocodrilo is gay; perhaps & trans; &....
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honeybyte · 1 year ago
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this is your blog you can post whatever you want forever. Be absolutely insufferable about those characters. I believe in you.
thank you for the validation, im gonna do exactly that 😊🫶
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beneaththebloodylake · 5 months ago
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i really cant buy the headcanon that phoenix and edgeworth were romantically interested in each other as kids or that they were in love for the 15 or so years they didnt see each other, like it just doesnt make any sense or work at all. but i dont think this actually contradicts the way i think some of those scenes in the anime felt a bit romance coded, or like viewing phoenixs becoming a lawyer for edgeworth as like a romantic gesture? like it wasnt actually motivated by romantic feelings at all but the actual motivations and everything that happens ends up contributing towards a romantic storyline? (from a shipping perpesctive that is obviously)
#i dunno its just from what ive noticed from reading fanfic its like people dont really get the difference?#i mean that headcanon personally annoys me cause i think its stupid#but watching the anime like not saying the anime actually ships them but it does feel a bit romance coded sometimes#including those flashbacks#and see this isnt actually a revolutionary concept in the slightest its literally the most basic device in romance#but honestly im not sure some people in fandom actually understand how romance even works and think its literally just two#characters get together#i mean not taking the high horse here i might have thought that actually cause i was never really into it or read it or paid attention#but anyway as a story even an alternate reading of one not whats canon#like the idea of romance as a concept in fiction that tells a compelling story#its not just a literal like romance is happening thus they must have romantic feelings for eachother right now and the goal is get together#which is obvious i know i do really mean it i literally never paid attention to the genre#anyway back to ace attorney like the same thing actually in canon is the delites? like getting saved as a romantic gesture#despite not knowing each other#and also i think phoenixs actual motivation is a lot more interesting#not just how he was influenced by edgeworth in such a lasting way and like the concept of that sort of childhood friend you lose touch with#whos still that important cause of how they shaped your life and also just they were good friends like it was love for a former friend#but i also think the concept of edgeworth at that time in phoenixs mind like existed more than the real memory of the person?#and it seemed like he fixated on the idea of saving him because of the concept he represented as much as out of concern#yeah i know this has nothing to do with the post i just think the way a childhood friend who you idolise exists as a memory more than a rea#person and its actually a lot about you not them is really interesting#hm maybe shouldbe made a different post for all that#逆転裁判
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