#to be fair i didn't know i was queer

[cookinguptales]

not to be too corny on main, but there really is something about looking at photos of joyful, beautiful fat people that makes me feel like I could be loved

[mikesbasementbeets]

hi :D i found ur bi max masterpost a while ago (this one: https://www.tumblr.com/mikesbasementbeets/696412509960323072/ive-been-thinking-a-lot-about-elmax-recently-and)

and in the beginning u said that there u were focusing on max, but el has a lot of queer coding too (which i fully agree on btw). i wanted to know if u have made a post about her queer coding or if u are working on one? bc i really enjoy ur posts in general :]

hi! that's very sweet, thank you. no, unfortunately i've not done any analysis on el's queer coding (but i saw that you found someone else's post about it which i think is a good read). i think i wrote that bi max analysis in like september? (yes) so it's been a while since i've revisited those thoughts, but eImax is still so dear to me and i would love to have the brain space i had back then to analyze both of them again... but maybe i will think some more on it actually if there's interest....

[britneyshakespeare]

being aroace is weird bc i’m queer but other queer ppl for the most part don’t understand the way i’m queer unless theyre also aro and/or ace

[kashilascorner]

I appreciate the movies for finishing on a high point, then rushing to the epilogue with Frodo, Gandalf and Bilbo sailing out. There is a lot going on in the book after Frodo, Sam and Gollum reach Mount Doom. All this to say that I never expected the Hobbits' last adventure to be defeating a newly installed police state at the Shire

[codenamesailordarillium]

"What can I say? I'm a romantic." She says as the person in the spacesuit proceeds to tell their spouse they hate them then go in for a smooch.

[violetclarity]

convinced a good friend to join a kickball league with me partially bc of how much less often I see him now that he's moved in with his boyfriend (much further away from me than where he used to live) -> his boyfriend is coming with him to the first game -.-

[hellfiremunsonn]

Something About Her. Steve Harrington x Reader

Something About her.

I DO NOT ALLOW MY WRITING TO BE REPUBLISHED ANYWHERE OTHER THAN MY OWN BLOG WITHOUT MY CONSENT

Summary: Steve is kind of obsessed with you, and you're kind of obsessed with him. Only ever watching from afar until a fight breaks out at the party you're both at.

18 + IF YOU ARE NOT 18 OR OLDER DO NOT READ OR INTERACT WITH MY WRITING. IT IS NOT INTENDED FOR MINORS. I AM NOT RESPONSIBLE FOR THE MEDIA YOU CONSUME.

Warnings: fem!reader, physical altercation, reader gets backhanded by homophobic male character, brief mention of blood, forehead gets slightly cut, reader has a vagina, sex but not sex? No penetrative sex, fingering, Steve is called a f***** and a queer in a derogatory sense by a homophobic character at the party. (I will star it out anyway just incase any of you are uncomfortable with that) (IF THERES ANYTHING I MISSED LET ME KNOW)

AN: Real quick, I don't condone using homophobic slurs towards anyone ever. This is not ME saying these things, it is a CHARACTER in the 80's saying those things. I myself am Queer so... ya know... I get it. NOT REALLY PROOF READ FOR MISTAKES JUST FOR THE VIBES (Huge thank you to my bby @rowanswriting for giving this a read through for me to make sure it wasn’t absolute garbage! love u <3)

Wordcount: 4k

Steve doesn't know when his fascination with you started, but he knows that once it did start he couldn't stop it. Anytime he was out at a party he was always looking for you. Subtly over the rim of his red cup, filled with whatever concoction that would get him buzzed the quickest. Personally he doesn't think it's stalking, because he doesn't follow you around any other time, but when he knows you're around, he's going to keep an eye out for you. Robin on the other hand, definitely thinks it's stalking and will make it a point to tease Steve about it whenever she can.

He's only talked to you a couple of times and the two of you wouldn't even consider each other friends but for some reason he always had to have an eye on you, and you always had an eye on him. 

Robin would constantly poke into his side and whispering about his "obsession" with you but he would just push her off and roll his eyes. Because someone as pretty as you would never look at him the same way. You were ethereal; Steve might actually believe it if you were from another world, considering he's had his fair share of experience of things that you'd think didn't exist.

He knows you watch him too. Praying you don't think it's weird for catching your eye one too many times, but being constantly enamoured by the way you move and speak, how you captivate everyone around you yet you're completely unaware of it. 

Robin decides that after watching the two of you eye fuck each other six more times that she's going to help. She skips over to you and you greet her with one of the brightest smiles he's ever seen.  The two of you talking together has four hands flying around with the dramatics of whatever story it is the pair of you have begun discussing and he's honestly surprised neither of you have hit one another in the face.

Steve still, stands with his back plastered against the wall, trying to ignore the dull thumping bass of whatever shitty music was playing, focusing hard on the way your lips moved, trying to get any sense at what you were saying. It takes him a minute to realize it's Robin you're talking to and he's more confused, zoning in on the way your tongue darts out to lick across your strawberry pink lips when he's interrupted from his thoughts by some beefy drunk, boy from high school trying to relive his glory days as he stumbles past him. 

He looks at Steve, looks at robin, and then back to Steve. He snickers "Damn Harrington, can't even get Robin to stick around with you? Maybe you are as queer as she is" he sways as he passes Robin and you. Robin freezes, before slowly looking back to Steve, praying tonight wasn't going to end with Steve beating someone up. Again. 

"Hey" Steves voice is loud, angry, startling almost everyone, despite how loud the music was. 

"Say what you want about me, but don't say shit about Robin alright?" Steve warns.

The drunken asshole makes his attempt to saunter up to Steve, getting far too close to his face before speaking "Or what pretty boy? Gunna get your boyfriend to come save you?" 

Steve can feel the hot air of his breath in his face, it reeks so badly of alcohol it almost smells like hand sanitizer. "Get lost man" Steve says shaking his head turning away from him, trying to distract himself from the prying eyes by above everyones heads, sipping his drink. 

What Steve doesn't notice is how ridged you've become and how hard your fists are shaking where they are clenched at your sides. 

He laughs, thinking he's won whatever show it is he's putting on for everyone and goes to leave before turning back to Steve. "F****t can't fight his own battles, what a pussy"

Before Steve can even fully turn around you've pushed past robin and are standing in front of the drunk, arm pulled back before your tiny fist makes contact with the dudes face. "What's your problem!" You yell.  Steve has never heard your voice so loud before. "You homophobic piece of shit? What decade were you born in saying shit like that?" Your hand hurts, like really bad, but you're too prideful to let him see you cry. No one is going to say shit like that about anyone around you, let alone Robin, or Steve. 

"Fucking bitch" he spits, blood filled saliva hitting the white tiled floor beneath your feet. His hand raises quick, and without a second thought he lands a single smack across your face with the back of his hand, and then walks away. You involuntary gasp at the impact, while the rest of the party goers shout and follow him but you can barely hear over the ringing in your ears, but you hope they beat the shit out of him outside. You feel a drip of blood form and start to slide down your face from where his large class ring made contact with the skin just above your eyebrow. Your hand trembles as it reaches up to touch the warm liquid before bringing your hand down to see your blood covered finger tips. 

When you look up, blurry faces stand around you, and they're all speaking at once, you're unsure where to look, or who to respond to when someone gently takes your hand, pulling you with them upstairs and away from the chaos below. Only when the click of the bathroom door locks do your senses start to come back and you realize you're standing in front of Steve Harrington and that tears had begun rolling down your cheeks.

At the same time you both blurt out "Are you okay?" and Steve laughs in amusement. 

"Am I okay? I'm not the one who sucker punched someone twice her size and is bleeding from her head!" he exclaims. He laughs again before muttering an "Oh shit" Grabbing at the nearest hand towel and running it under the faucet. "Come here, sit" he says patting the countertop. You watch him with wide doe eyes, pupils blown from the adrenaline coursing through you, but still you listen, slowly and a little robotically you lean against the counter, Steves large hand holding the side of your waist to help as you hop up onto the counter. He's talking, but you don't really hear him so instead you focus on watching him as he moves around the bathroom, finding things to help with the tiny wound on your forehead. 

He dabs the damp towel against your forehead quickly and abruptly. You wince and pull back, your two hands coming up to hold his wrist in place. 

"I'm sorry, shit, are you okay? I should have warned you first" 

"I'm sorry that guy said that" you say finally finding your voice, it's shaky and a little croaky but it's there. 

"Don't be, I've heard worse" he smiles and you let go of his wrist signalling to him that he can continue and so he does. "S'not so bad of a cut, just bled a lot cause it's on your head"

You laugh a little, and the relief Steve feels when he hears it skyrockets. "You've got quite the arm on you, more guys like him should be afraid of you"

You laugh again. "I've had some practice" you shrug and sniffle, pretending to play it cool. 

"Oh yeah? You beating up guys in the alleyways behind bars? Lemme see those guns" he pesters, lifting up the arm you used to throw your punch, and you flex it proudly. The muscle bulging and Steve gives it a squeeze. 

He wolf whistles. "Wow-ee that's some A plus muscle right there" he teases but short circuits when you look up at him. Mascara smudged just under your eyes from where the tears overflowed, cheeks rosy with a blush or from the adrenaline, he can't tell but his hand comes up to hold the side of your face anyway and he does everything he can to hold himself together when he feels you lean into his touch. 

"You're so pretty" he blurts, feeling the heat of your cheek under his palm when he says it. 

"So are you" you whisper. You can feel the trembling starting to begin in your bones as the adrenaline wears off, your body finally attempting to come down from the earlier altercation. Steve notices at the first twitch of your shoulder. 

"S-sorry" you stutter through your teeth as they begin to chatter along with the rest of your body. 

"Stop apologizing for things you can't control" he says taking your hands and placing them on the sides of his waist. He doesn't mean for it to be forceful or sexual when he does it, but his one hand comes between your legs and pushes them apart by your knees, positioning himself between them. "Here, hug me, it'll help with the shakes" He pulls you into him and you're thankful for the tightness of his arms around around you. You sigh into him, feeling the slightest bit of tension leave your shoulders. Steve notices and slides one hand to the back of your neck, pushing in just slightly at the base, massaging it until he feels your shoulders start to slump.

The groan that leaves you was almost pornographic, and Steve has to calm himself down immediately or you might be able to feel how much that little noise had affected him. Steve tried really hard, he did, but he's standing between your legs and you're so close to him that he knows if he shifted just a little you'd feel his dick press into your stomach. 

When the shaking starts to stop you lean back from him, head tilted up towards him but your eyes stay closed. Your hands still stationed on his hips, and Steve doesn't stop his fingers where they massage the base of your neck. 

"That feels really good" you sigh, eyes flitting open lazily. 

"Good" Steve says with a smile, his opposite hand coming up to push your hair back behind your ear. He watches as your eyebrows furrow slightly. 

"What's wrong?"

"N-nothing" you lie. It's the adrenaline. It's like when you come down from a really big cry, and your body doesn't know what to do with all the feelings so it sends them between your legs, making everything in you ache for someone to touch you, for Steve to touch you. You shift on the counter, legs instinctively trying to close, the rough fabric of his jeans rubbing against the insides of your thighs, teasing you. 

Steve can feel your heartbeat pick up from where his fingers are still pressed against your skin, and he's watching you with curious eyes. He can sense it, he knows, but he wont make a move unless you initiate it, anything, even if it's subtle. But you have to be the one to start it. With one too many run in's with the end of the world, Steve knows that sometimes when the adrenaline wears off the only thing you want to do is fuck.

"Is it your head?" He asks "Does it hurt?"

"It's not my head" you say as you shake it. "It hurts a little b-but I'm okay, really"

Steve hums, his pressing touch moving from your neck and you have to stop yourself from whimpering at the loss. 

"Look at me" he says and you do, eyes darting back and forth between his. "I just wanna make sure you don't have a concussion" he widens his stance, sliding his feet outwards until he's just about your height from where you sit, his big warm hands come up and cup either sides of your face while he assess you.

A loud crash followed by laughter startles the two of you jump slightly. Your hands grip onto Steves waist harder and he's moved forward so now the two of you are pressed together, and he can see it in your face when his stubbornly hard dick makes contact with you.

"Steve?" you say quietly, and he's already preparing an apology in his head. "Um I know we don't really know each other" You swallow thickly. "But um" you trail off, glancing to your hands and where they rest, thumbs slipping past the hem of his shirt, touching the warm skin of his belly. He inhales sharply, and you look at him mesmerized. 

"Are you sure you're not concussed?" he questions "Or did that guy really hit me instead and I'm unconscious having a wonderful dream right now?"

You giggle and his cock strains in his jeans. 

"I don't wanna have sex with you though" you say quickly. "I mean now, right now, I definitely want to have sex with you, I just, not in a bathroom at a party? I wanted to- shit" You scrunch your eyes closed and take a breath before looking back at him. "I wanted to ask you on a date first"

"You wanted to ask me? Me on a date?" Steve says quietly. 

You nod, tucking your bottom lip between your teeth. So shy, yet so brave.

'I'm fucked' He thinks. 'I'm going to fall in love with her'

"C-can, we um, can we touch each other? Is that okay?" your hands hold him a little tighter and his stomach tenses. 

"Y-yeah, please, can I kiss you?" he asks desperately and you nod, your hands finally reaching up to cup his face. He grabs you by the hips and slides you closer to the edge of the counter, your old converse hitched on the sides of his waist, pressed against his brown leather belt. Your crotch now pressed against his jean covered cock, and he realizes you've been wearing a dress the entire time he's been stood between your legs, and only now has caught a glance at the pretty pink panties you wear. 

You whimper when he kisses you. His lips soft and plump just like you had thought they would be, and the tiny groan he lets out goes straight to your cunt and your hips jump ever so slightly. You kiss each other feverishly, sloppy and quick. Every kiss, every smack of your lips, every move of his tongue has your stomach flipping and your hips rolling into him. He's grinding into you without a single care, he could cum like this and wouldn't dare be embarrassed about it when you look like that under him. How could he not. 

He does almost bust his load immediately when your hands go for his belt, quickly unbuckling it and tugging at the button and zipper until it's all the way down. He breaks the kiss to watch you do it. 

"Is this okay?" you ask, fingers dipped into the waistband of his boxers.

"You could do anything you want with me right now and I wouldn't care" He jokes. "So yes this is more than okay"

"Can you touch me too?" You ask with your baby Bambi eyes and god Steve nearly loses it. How can you ask him something so dirty but make it sound so sickly sweet. 

"God, yeah, of course I can sweet thing" he says sliding his hands up your thighs until he's under the hem of your red dress, it's covered in dainty little white flowers, and he thinks it looks perfect on you. He searches for the band of your panties before tugging at them until you shift, letting him slide them out from under you until they're dangling off your right ankle that is still stationed on his hip. 

His fingers slide easily through your slick and he groans. "Fucking christ"

You giggle again, sighing when he grazes your clit and your knees instinctively try to lock together.

"It's taking everything in me not to bury my face in your cunt right now Jesus Christ, look at her" he praises, watching his shiny fingers and the way they move against you, the way your hips twitch to meet them. 

"Her?" you ask.

"Your pussy babe" he says obviously.

Your entire body engulfs in heat, and you can't tell if you're embarrassed that he's talking about your pussy like it's a person, or if it's turning you on even more. 

"O-Oh my god" you say, your words slipping into a moan mixed with a gasp. Head tilting back until it hits the mirror behind you. 

"Jesus baby, let's keep your head intact alright?" he jokes, pulling you into him with one hand, placing it protectively on the back of your head as you bury your face into the crook of his neck while his finger traces your entrance. Your brain buzzes with electricity and you forget that just seconds before you were tugging at Steves jeans, but then he touched you. 

He circles your hole a few times, before easily sliding one of his fingers into you. You whine, open mouth, almost drooling where your mouth hovers against Steves skin. He leans back slightly, chin touching his chest to catch a glimpse at you to make sure the noise he heard come out of you wasn't a sob. But the thought of you crying because of his fingers? He can't imagine what it would be like to have you and your pussy crying on his cock.

"Feel good?" He teases. 

"So good" You moan, lifting your head from his neck, staring down to watch his finger curl into you. Forcing yourself to look away to continue your attention to his jeans. Hands shaky has they slip his belt through the loops, pulling at the button of his jeans and tugging the zipper down. You try your best to push his pants down enough to get your hand in so you can finally feel his cock but he's distracting. 

"F-fuck" you mewl, and it's high pitch and girly, and if you were alone you'd cringe at the sound. 

"Need some help?" Steve offers, stopping his movements and slowly removing his fingers from you, shiny and slick as he helps you to free his aching cock. 

"Thank you" you whisper. Once his cock is free you wrap your hand around him, thick, hot and heavy in your palm and he groans, tilting his head back a little before reaching a hand up to tap your cheek, ripping your gaze away from your hand to his eyes. 

"Open" hes looking down at you through his lashes, cheeks flushed a perfect pink and his chest moves quickly while you continue to jerk him off. You listen, opening your mouth and sticking your tongue out and Steve huffs out a laugh as he slowly slides his two fingers into your mouth. The ones that were just buried in your cunt. You lap at them greedily, body buzzing from the approval when Steves hums in delight, head tiling to watch your mouth. 

You pull his fingers from your mouth with gasp. "I have an idea"

Steve raises a brow as you push forward until you slide off of the counter, turning around so your ass is how facing him, both of you looking at each other through the reflection of the mirror. Watching you as you lean your hips against the counter, pulling him towards you by his belt until he's almost touching you. Reaching behind you, you take his cock into your hand, stepping onto your tippy toes until its slid between your thighs, pressed against your leaking pussy. 

"Fucking without fucking" you say with a smile. Your hand presses lightly against him so the tip of his cock stays connected to you while Steve moves his hips. 

Sliding through your folds over and over as he mimics how he'd snap his hips against you if he were able to fuck you properly. It's probably the hottest things Steve has ever done with anyone, and he knows that he will think about this every single day until the day he dies, and he's absolutely content with that. 

His hands move to your hips, where he grips you tightly. Your dress sliding up with each thrust until the swell of your ass is exposed before him. Rippling with each thrust against his lower half, and he tries to stop himself, he does, but he can't. He lets his palm come down on your right cheek, a little harsh, and goes to apologize but the way your knees shake, and the moan that slips out from you tells him you liked it. 

"M'so c-close Steve" you force out. Your cheek is pressed against the cold marble top of the counter, and you're pretty sure you're drooling onto it but you couldn't care less with how good Steve is making you feel. "Steve I-" You can barely keep your legs up, but your trying. 

"Help" you whimper, and Steve knows what you need immediately. Wrapping a large arm around your waist, holding up most of your weight while still snapping his hips. 

"I got ya pretty girl" he mumbles into the skin of your shoulder. 

"Are you gunna cum Stevie?" You moan, silently begging he's as close as you are. 

"So close" he grunts. "Wanna see that face of yours when you cum, can you do that for me?" He asks sliding his hand into your hair until he's got a tight grip on the roots, tugging gently to instruct you to lift your head up. He doesn't want to be too rough with you just yet, not when you haven't properly been able to have that conversation. 

Lifting your head with his direction until you're forced to look at yourself and Steve in the mirror. He looks so pretty, face flushed, mouth slightly agape, his bottom lip slick with saliva. You could cry at how pretty he was. 

"Steve, Steve, st-eve, I'm gun-NAH!" you cum hard, all over your hand and his cock. Thighs trembling. 

"Fuck you're so hot" Steve mutters. "Gunna cum sweetheart where do-"

"On me, please I want it on me" You say almost frantically. Steve turns your around, helping you sit back up onto the counter so your legs are spread and he's stationed between them. Pumping his cock fast, the noise crude as it echos around the bathroom, slick with your arousal. 

"Fuck, fuck baby" Steve says through gritted teeth.

And you're smiling, and nodding, eyes glassed over and so fucked out, and he thinks he might marry you seeing the way you want him, and his cum so badly. He loses it when your hand joins his around him with those final few pumps, and his cum shoots across your stomach dripping down your connected hands to the base of his cock. 

He's panting and smiling, and trying to hold back a laugh, watching the way his cum drips down your body, down between the crease where your thigh meets hip, lazily flowing down to join the mess between your legs. 

You giggle, bottom lip tucked between your teeth as you wait till Steve finally looks up at you. 

"You're insane" he laughs, grabbing your face with both hands and kisses you quick. 

"Only a little" you say between kisses. "Take me home?" you ask bravely. 

"Anywhere" Steve says quickly. he tugs his jeans back up, stuffing himself back into his pants, and adjusts his belt. You hop down from the counter and attempt to fix your hair so it looks a little better. Kicking one foot up behind you, you tug your panties off your ankle and turn to face Steve, shoving them into the front pocket of his jeans. Steve swoons at the sly look in your eyes, and the way you didn't even attempt to clean his cum off of you when the two of you turn to leave the quiet confines of the bathroom.

You giggle again when he interlocks his fingers with yours, letting him pull you along through the sea of people and out onto the front lawn down the street and only a few blocks away until you reached Steves house. 

"Yeah"  Steve thought. "I'm gunna marry her"

thanks for reading! <3

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

[lover-of-mine]

it’s so interesting that with previous love interests, it was normal and fine to not ship them and to still want buddie in the future, but now, we have to sit down and shut up and accept that it’s never happening and B/T are forever

oh no wait, it’s not interesting, it’s annoying and confusing and frankly just weird. misogynistic and borderline fetishistic

shipping non-canon couples, especially ones with 6 years of history and love and shared experiences, is the norm in literally every fandom, but now suddenly it’s wrong and how dare we

a fair few of the people saying this are also, conveniently, the ones implying that B’s bisexuality is tied to T and T alone and if we don’t ship them, we don’t support bi!B

how. very. interesting! /annoying/confusing/weird

So interesting. Dude, I got called homophobic because I didn't immediately look at them in 703 and decided they were true love. In 703. Because I didn't look at the shoulder touch and immediately started shipping them. Homophobic with all the letters. I got yelled at. After 703. Legit almost deleted this whole blog over some of the things that got sent. I was legitimately crying with friends who are not in the fandom if I was being unreasonable or insane or whatever else I got called for not jumping in instantly and to ask if I was actually doing something wrong. People were saying we were being weird about queer storylines. That we needed to shut the fuck up and enjoy the way Oliver Stark was gonna make out with a hot guy. That not being on board the ship meant that we had an unreasonable and ridiculous necessity of making sure Eddie was the only guy for Buck. Literally every single person in this fandom hc Buck 1.0 also hooked up with guys. Most people never acted as if Buck needs to be guided through his queerness by this hot older guy. Oh, wait, no, they did. With T. People automatically decided that Buck needed a queer Yoda. That he needed someone to hold his hand and be a guide. They added a fucked up power dynamic from the get go. With no information, Buck was already a baby that needed his hand held through his own sexuality. And let me tell you one thing, I know for a FACT that if it was Eddie, the automatic reaction wouldn't be putting T in this idealized experienced gay guide position when that would've made more sense (not that I think any of them needs a guide) because Eddie is the one with the body count you can count with one hand and a weird relationship with sex. But somehow I'm the one who's weird about Buck's sexuality. I don't want Buck to explore. I need Buck to only have loved Eddie. Sure. Look, I don't wanna multiship. The same way everyone is allowed to ship whatever the fuck they want, I'm allowed to not ship whatever the fuck I want. If it was a woman no one would've been in my inbox basically demanding I make the same level of analysis I make for buddie for them (let me tell you one thing too, if I made the level of analysis I do with buddie with bt, no one would like what I have to say ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯) but I'm still getting asked for it for some reason when I never indicated I ship the two.

But I'm not allowed to have any critical thoughts about anything involving bt or else I'm being weird and that's the mild term that's being used. I can't point out the fact that T left Buck in a curb and failed to communicate shit properly even though it happened in canon. I can't say that I think it felt kinda callous for him to say "they had henleys in the 80s" to Buck being upset T didn't dress on theme (also, the job requires them to change into a uniform by nature, he could've put a colorful shirt and indulged Buck a little bit there without it interfering with the way he was on standby but I can't say that or else I'm a hater). There is no criticism allowed in the ship but somehow I'm the one being weird. I don't think Buck should be in a relationship. I think Buck is still exhibiting the same patterns when it comes to love interests. And yes, I would feel the same way if it was Eddie. Buck doesn't know how to be happy alone and he will never be happy in a relationship until he learns that. I was saying that when it was Natalia and getting praised for my understanding of Buck's character. Now I'm locking Buck onto Eddie. Buck's bisexuality is only valid if he's actively kissing a guy for some people but I'm the one being weird. BT have so many visual parallels to bucktaylor, but if I say that's a bad sign I'm being a hater. I need to sit my ass down, ignore six seasons of buildup, accept that it's over, and that now making Eddie queer and getting buddie together would suck because it would destroy the friendship they built so bt are endgame and gonna get married and somehow I'm the one who's being weird about queer relationships and attaching Buck bisexuality to a person. The fandom lost its fucking mind when they saw Oliver kiss a guy and, yeah, it does feel misogynistic and borderline fetishizing. But somehow I'm the one getting blocked by half the fandom when I'm not even pointing everything I want out. I lose at least one mutual every time I even suggest maybe we should look at things a bit more critically. I have to sit here and justify things to an insane degree while people's reaction to any of the criticism is "uH BuT T Is hOt aNd hE Is a gUy sO It iS DiFfErEnT oKaY?" Critical thinking skills went out the window because now there's a guy involved and that's fucking weird. People are straight up erasing Eddie, the actual main character of the show, Buck's established partner of years, Buck's best friend, the only person in canon who never left Buck in any capacity, because some guy kissed Buck and, he, uh *check notes* treats Buck as an actual human being? so that means he's perfect. It's nuts. The bar is hell.

Yes, I know this is not everyone in the fandom and I know this is not everyone who ships them but if what I'm saying feels like a personal attack to you maybe you should do some thinking. Anyone can ship anything, you want to ship them go off, power to you, the weird part here is the way some people are demanding other people ship it too. We could all be coexisting if people didn't get weirdly comfortable demanding shit from other people in the fandom and deciding their opinion is the only one that matters so they need to call out anyone who thinks differently, but alas, that's too much to ask.

[usereddie]

k but rewatching 2x01 and it's gotta be Buck's pov of ugh, this new guy who's all handsome and perfect or whatever

Be curious about Eddie's pov bc I feel like it would be 70% Panic like omg pls don't mess this up and also 30% Gay Panic like why doesn't the pretty guy like me :(

(fair warning, this may have spiraled past 2x01......a lot. bear with me.)

i don't think we've ever gotten eddie's pov the way we've gotten buck's (2x01 and 7x04 for example) HOWEVER i do think we more or less know who buck is from eddie's pov through his actions.

which, considering their characters, tracks so hard.

buck didn't realize he was queer until a man quite literally kissed him on the mouth. seeing eddie from buck's pov is safe because buck has no idea what his feelings are. we watched buck's complicated feelings of jealousy towards eddie unfold TWICE and neither time did he realize what the feelings actually were (physical attraction and y'know. being in love with the guy). buck's pov is one we're allowed to see through as the audience, because it's not actually gonna tell us much, seeing as buck hasn't realized anything.

eddie, though?

reservoir of catholic guilt eddie? the guy who had panic attacks about the idea of being married to his girlfriend? the same man who was diagnosed repressed by a cardiologist?

he knows. he knows and he's been pushing it down since he and buck met, and if we were to ever see buck through eddie's eyes it'd give away everything. the eddie we've seen through buck's pov is just. pure golden sunshine, laughter, love, and buck's best friend in the whole fucking world. buck's best friend that he's in love with, sure, but buck hasn't put those dots together yet, so we, as the audience, won't see that.

buck, to eddie, is home. is family and warmth and comfort. and, obviously, eddie is the same to buck, but eddie knows this. eddie is fully and completely aware of who buck is to him, he's just shoving it all the way down. eddie gave buck a place to land ("it's eddie's house, i'm not really a guest"), eddie trusts buck wish christopher more than he trusts his parents with christopher (ramon and helena saying to eddie 'don't drag him down with you' and him leaving for LA -> eddie saying to buck 'there's nobody in this world i trust with my son more than you' after the tsunami), eddie let buck in when he was at his absolute lowest.

and, you know.

the will.

we've talked about it a half dozen million times in this fandom but we're gonna talk about it again because it's brain melting. we've never seen buck through eddie's eyes but we've seen exactly who he is to eddie through his actions. eddie trusts buck. eddie needs buck to know he has a reason to stay, that eddie and chris are his reasons to stay. eddie told buck flat out that his life means something. that buck thinks he's not worth anything but he's wrong because he means everything to eddie. eddie loves him.

eddie loved him when he held his hand when buck got pinned under a firetruck and eddie loved him when he dropped chris off before the tsunami and he still loved him when the water went back to the sea and eddie loved him when buck sued the city because the worst part of the whole lawsuit was how much he fucking missed him and eddie loved him when he was trapped under a well and all he could think about was his son and how, if he goes too soon, christopher deserves to be with someone who will love him the way eddie does and eddie loved him when he thought buck was the last thing he was ever gonna see, bleeding out on the streets of los angeles and eddie loved him when he told buck in the only way he knew how to (because, evan) and eddie loved him through panic attacks and mental breakdowns and lightning strikes and new girlfriends and a broken ankle and a new boyfriend because there is no version of eddie diaz that isn't in love with evan buckley.

and eddie knows that.

which is why we don't see it.

[genericpuff]

What are your thoughts on the whole Hestia x Athena thing in LO? Personally it always infuriated me with how hypocritical it was of them to date each other despite them both being members of/Hestia being in charge of TGOEM. It especially annoyed me how Hestia constantly told Persephone that as a TGOEM member she can't date anyone but later saying that her relationship with Athena doesn't count. I give some credit to Artmeis for calling them out when finding out, but it wasn't enough

The hypocrisy is one thing but it at least could have been expanded on as a plot point (Hestia didn't even have the spine to return the coat and apologize, Artemis had to do it ???), but what REALLY ticks me off is that Rachel clearly tried to include queer rep through Hestia and Athena who are two traditionally aro/ace goddesses. So really all she did was erase their original queer identities, both of which are still massively misunderstood and argued over whether or not they're "real". And shit, we even see that in her old asks that lesbian sex "doesn't count" and that asexuality is somehow just a sliding scale / stepping stone towards "becoming" another sexuality (in this case, gay).

Like... you can be asexual and also still be romantically attracted to the same sex, "becoming gay" doesn't automatically erase someone's asexuality. Artemis can be gay and aroace. Lesbian sex is still sex and isn't a "loophole" to retaining one's virginity. To be fair, the whole "vestal virgins are flaming lesbians because you can be a virgin and still have hot lady sex" thing came from an anon, but like... she doesn't do anything to challenge that idea in LO either, if anything it's reinforced through Athena and Hestia using their relationship as a "loophole" within TGOEM (and the narrative never actually stops to analyze that.)

And then the cherry on top is Rachel removing the sexualities - sometimes even entire character identities - from canonically or commonly-accepted queer gods and giving them to others. Crocus is no longer a lover of Hermes, but a one-dimensional nymph who was killed as a plot device and then never spoken of again. Ampelos is no longer a satyr loved by Dionysus, his name now belongs to Psyche, a heterocis black woman who doesn't know how to read and has been basically forced into slavery. All of Aphrodite's children who ranged in gender and sexual identities are now replaced with one-dimensional cutout characters with no specific labels or characterizations beyond the translations of their names. Eros has been reduced to the "gay best friend" whose first introduction into the story is inebriating a 19 year old girl with the intent of dumping her in an older man's car. Apollo has been turned into a generic big bad whose only goal is getting his hands on Persephone and nothing else, with zero nuance to his actual characterization or plot arc, he's just "the rapist" who conveniently becomes a pawn in some bigger nefarious plan that makes zero sense. Dionysus and Achilles have both been turned into babies.

If Rachel wanted queer rep, she was already in the right place. The entire Pantheon was her oyster. But instead she managed to go the complete opposite with it and not only erase the queer identities of Greek gods in LO, but went the extra mile of egregiousness by replacing those queer gods with token-queer stereotypes and one-dimensional characters who are just there to say they're gay for the brownie points before being shoved back into the closet. They're out, but they're still not seen.

[douwatahima]

sorry to invoke james somerton again but i just watched his "apology" video and the way he addresses the criticism to his utena video has been scratching at my brain. for this who don't want to watch (which is so so fair), here's what he says:

"we ended up making a lot of videos we didn't want to make because people were asking for them and so there were a lot of videos we made that we didn't want to make and i think those videos are very clear on which ones those were. one of them never got officially released, it was released to patrons. some patrons have shared it to other people before all the videos went private and a lot of people hate the analysis nick and i did on it and so maybe it's good that that never got properly released because maybe it would have hurt people and i don't want that."

so, not directly saying he's talking about the utena video…but he's talking about the utena video lol. the thing that really gets me is like…look. full disclosure. i used to be subscribed to james somerton long before this whole thing blew up. i wasn't necessarily a big fan of his video style, but he talked about a lot of media i enjoy and i liked his analysis (that wasn't really his, but i didn't know that at the time) so i followed him.

the thing about him was he was always asking his followers for shows he should do videos on, especially anime, and then not long after making those posts he would post videos of "things to come" including like…every anime people suggested. not all of these shows ended getting videos made, but the point is james really set himself up as the queer anime video essayist; constantly promising videos about every show people told him they wanted.

and a lot of people loved that about him! a lot of the big names talking about anime on youtube are people doing season by season breakdowns or people talking about big shonen titles, and here was someone consistently pushing out long form analyses on less talked about shows! great! but to find out that not only was a lot of what he said plagiarized, but also that a lot videos were just shat out to appeal to his audience without any care or passion? just to get more views and more money on patreon? that's literally crazy when you're talking about something usually as involved as video essays.

on top of that i'm about 95% certain him doing an utena essay was a patreon tier goal (hence why that video was released there first). he literally heard queer anime fans asking him en masse for a video about one of the best queer anime of all time, decided to set it as a patreon goal, and then literally boxed himself into doing a video on an anime he didn't care about because he promised it to the people who payed him to be the "queer anime guy".

and the thing is he 100% didn't need to do that. he didn't need to "make a lot of videos he didn't want to make because people were asking for them". i follow a ton of video essayists who get requests for videos all the time! that doesn't mean they have to, or even should, make them if they're not passionate about the topic! video essays, when actually done well and with integrity, are hard work. that's why most good video essayists take a lot of time between videos! to think that this guy just took every possible suggestion, dangled them like carrots in front of his audience, that made a bunch of passionless, mediocre videos to solidify his station as the queer video essayist to watch is just…upsetting and disheartening tbh.

anyway if you want some actually good analysis of revolutionary girl utena, my favourites are "is revolutionary girl utena still relevant?" and "why revolutionary girl utena still slaps" by stushi, and "the shadow play gays" podcast (note: this podcast is run on the same feed as another podcast called "bitter jurors". you may have to scroll back a bit to find "shadow play gays", it started in 2021 if that helps, but i promise you it's worth it).

[part-time-zombie]

Does anyone else talk about how the different ways the sides names were revealed can often be analogous to the different ways folks come out about their queer identity?

Logan didn't reveal his name by choice, patton did it for him. Thomas was surprised by logans name, mostly by the implications of the sides having names instead of just titles and nicknames. Patton didn't seem to think too much about revealing logans name, and logan didn't seem too worried/upset about it either. His relationship with his name seems awfully casual, like it doesn't bother him if people know his name or not.

Patton in turn waited for a little later to reveal his name, finding the best timing. He even took advantage of the opportunity by using his name reveal as pun ammunition, reveling in the chance to now make more puns based on his name. He was excited to reveal his name, especially now that it can pave the way for more fun and bonding with the others now that they know more about him.

Roman kept it quiet for a bit, holding it close to his chest until he was ready. When he and thomas were alone, sharing their thoughts on self worth and value, he revealed his name so as to help them both get closer. This was a private, emotionally intimate moment where they were opening up about sensitive topics, and roman figured there was no better moment than this one.

Virgil was scared about the whole thing. It was a huge step for him to be so open about such a personal secret, and he avoided it for as long as he could. But when the others reached out to him and made him realize his importance with the group he's grown to call a family, he knew he was ready to share this with them. It was a big step and he was clearly scared, but his trust was well placed.

Remus came into the scene loud and clear. He was ready for people to know and see him, because whatever they thought about him was their problem. He played along with the nickname game for a bit, but when the others expressed confusion about exactly what he is supposed to be/represent, he gave them the answer, bluntly and clearly. His lack of tact and fear actually surprised everyone, since the others were more reluctant to share their names, but remus didn't care about keeping secrets.

Janus loved to keep secrets, especially his own. The less people knew about him the better. He knew more than anyone that people can be gossipy, judgemental rumor mills that spread sensitive secrets like pollen in the wind, and he wasn't about to let himself get caught up in the drama of it all. Besides, with how the others have been treating him, why should they know anything about him? He felt that they didn't care about him, so a name reveal would be unwarranted. When it was proven that he had a seat at the table like the rest, and that his input was indeed wanted, he knew they would be willing to trust him. It would only be fair to trust them in return, starting with his name.

Idk where I was going with this, something something signs of trust and openness with the group and the complex relationship people have with a secret that they feel can define their identity.

[public-trans-it-deactivated20240]

Fighters should have magic

I mean this shit 100% seriously BTW.

An impassioned rant about Fighters' place in modern campaigns.

There is certainly an argument to be made for sometimes not giving Fighters access to magic! In a low magic setting like Dark Sun (yes, I know the magic situation in that setting is more complicated than that), it makes perfect sense that Fighters wouldn't go anywhere near the stuff! In some of the more old school low fantasy focused DnD editions, or some OSR systems, it makes sense that magic would require years of practice for even the most basic of spells, and so Fighters wouldn't bother with it.

That is not, however, the bulk of modern campaigns. Be it DnD, or Pathfinder, or so many other fantasy heartbreakers out there nowadays, most campaigns are fantastical, filled with wonderous magic and queer tieflings and rogues who literally cloak themselves in shadows and jumping between planes to save the world and so much more!

In these campaigns, Fighters should know magic!

If your setting is even close to treating magic as commonplace, where having a level 1 wizard under the age of a billion fucking years old is considered within the realm of feasibility, than EVERYONE should have access to magic!

Any adventurer in such a setting who decided to start a life of wilderness exploration, and DIDN'T learn the spell Prestidigitation, is nothing short of monster bait. "Oh yes this spell that starts campfires and cleans my clothes and seasons my food and is THE MOST BASIC SPELL IN EXISTENCE certainly isn't worth my time!" - The words of someone about to get eaten by a coyote on their first night. Not even a fun magical creature, just a regular ass coyote because they are THAT unprepared. Even if it wasn't a cantrip and required 5 minutes of focus to cast, every adventurer should know this spell by heart.

But obviously, that isn't unique to just Fighters.

Fighters are focused on being masters of weaponry! They study the blade, learn it inside and out! They don't have time for magic... right?

No. They don't have time to learn SPELLS. That you could absolutely make an argument for. A fighter doesn't have to learn to shoot a fireball, because that's not how they fight. Not knowing magic that augments their fighting style, in a setting where magic is commonplace, is equivalent to that fighter going "Oh I'm too busy to learn to fight with weapons. I dont have time to learn to sharpen one properly." THAT IS ASININE. WHAT REASON DOES YOUR CHARACTER HAVE FOR IGNORING A SKILL DIRECTLY LINKED TO THEIR CHOSEN PROFESSION? Spells like True Strike are things a fighter would learn! But even if not spells, magical augmentation to their skill are something a Fighter would absolutely embrace! Anything that helps them further the effectiveness of their weapons should be fair game for their practice. Even if it worked like Paladins or Rangers where you typically just don't get the spells until higher levels.

And the games already reflect this! What do Fighters need to maintain damage pacing and ability as they grow stronger? That's right. Magic. In the form of Magic Weapons and Armor.

Magic armaments are considered commonplace in these settings, being handed out like candy. They are an expected part of character progression, and the games are balanced around the expectation that a fighter will be using them. So why, then, is the master of weapons and all they embody completely ignorant on the front of magical weapons?

Sure, a fighter might not be able to craft magic weapons. Not every fighter has to be a blacksmith. But much like how it should be expected that a fighter should be able to at least MAINTAIN their weapons, a fighter should absolutely be trained in the kinds of magic that are APPLIED to weapons. A fighter should be able to take a single glance at a weapon in a chest, and turn to the party and go "Hey this thing is cursed as fuck, don't touch it."

In worlds that are so fantastical and magical, it does not make sense to have a guy who's whole deal is knowing how to fight, and have him completely ignore A MASSIVE segment of fighting styles they will be going up against.

If your setting is magical, then your Fighters should be magical too, damnit!

[piratecaptainscaptainpirates]

I've been thinking about the pacing this season, and I think a lot of the issues with telling instead of showing we've been noticing come down to two big factors.

ALL the episodes this season are sticking very strictly to 30 minutes or less. Most of s1 did that, too, to be fair, but some of the most important episodes - 4, 8, and 10 - are all closer to 35 minutes. It doesn't sound like a lot but that's extra breathing room that we're not getting now, it means some things that were almost important enough to make the cut had to get chopped. We're probably missing a lot of little lines that would've rounded things out because the writers had to bank on us getting it from context.

I wouldn't be surprised if the writers went in expecting a 10 episode second season and Max hit them with cutting down to 8 eps, or they had to make the hard choice to save as much money as possible to increse the odds of getting renewed and decided to cut it to 8 themselves. Either way, I definitely think they'd planned on 10 episodes and because of that some things feel rushed; it's really starting to show in ep 7 and I think that's because they just haven't had the space to set things up they thought they'd get.

I really think that we're missing an episode here, and I'm pretty sure it would've gone between 5 and 6. That would've been the logical place to let Ed and Stede's relationship breathe a bit between their second kiss and having sex in 6, and it would've been the right spot to wrap up some lose plotlines (when did Ed get off probation? How does he feel about it? The crew seem so much more comfortable with him in 6, does that make him feel safer and more loved?) and forshadow what's coming up (literally just one line with Olu feeling bad about what happened with Zheng Yi Sao would've made that so much less jarring).

On the whole, I genuinely think the writing this season has been smart and efficient, but not to the same standard as season 1 (which, to be fair, was a very high standard, but still). And I really think the things that matter (Ed and Stede's arcs) are largely done very well.

But it has still been so obvious that they tried to make this season as cheap and palatable for Max to produce as possible. I really hope it pays off. I think it will - like I said, I think the writers always managed to keep sight of what matters, and that's Ed and Stede's story. And I'm grateful that, despite trying to make this show an easy one for Max to make the decision to renew, they didn't compromise on the queerness.

But it stings. You know any other show that's so successful and has not only such a devoted fanbase but such a deeply invested cast and crew would've been renewed a long damn time ago. I am so, so happy we got s2, and I've loved it, really I have, but I'm still a bit sad thinking about what we could've had.

[weird-an]

tw: homophobia

Jim drives Max home. She had been to the country fair with El. They are sitting on the backseat, high from the bunch of sweets they bought. The whole car smells like sticky caramel and cotton candy. Like childhood and good memories.

Max hugs El goodbye. El smiles at her and Jim is so fucking relieved. That she's got friends, that she can do what kids her ages do, that she can act normal like she can't kill a man just by thinking about it.

It only lasts a second. El freezes, grabs Max' hand before she can get out of the car.

"Jim," she says, voice wavering. "What's a... faggot?"

Jim frowns. When and why did she learn that word?

"A queer," he says, feeling uneasy. He isn't really prepared to talk about stuff like that in his car on a Saturday evening. "A person who… loves someone of the same gender. Don't use these words... It's not nice."

"Queer," El echoes. Shit. Max stares at her with wide eyes. More... guilty than surprised. "Is that bad?"

"No." Hopper shuffles in his seat. "Just... different."

Why are they talking about this?

El stares at Max' house. A line between her eyes.

"Billy is hurt. He thinks it's okay, because Neil is right about him," she says finally, like she's reciting a text she memorized.

"What?" Jim's mouth turns dry. "What happened?"

"What happens to faggots," El repeats, voice monotone and eyes distant. "Neil just wants to help."

Jim doesn't know shit about gay people. Jim didn't ever really think about them. But he knows about fathers whose help is nothing but wounds and scars and nightmares.

He's out of the car and bangs at the door.

"What's going on, Sheriff?" A stern looking man with a mustache is opening, a frown on his face. There's blood on his wedding ring, his hand on the door.

"You're not laying a hand on the kid," Jim yells and he can feel El's presence in the back of his mind, her fear and maybe that's what makes him pull Neil Hargrove by his collar. "Do you understand?"

"Sir, there has to be a misunderstanding-" Neil starts, but is shut up.

Jim has always been a hothead and he doesn't even remember raising his fist. He lets go of the other man.

Neil holds his nose.

"Oh, I understand fuckers like you," Jim spits. "I was raised by one."

He tries to peek into the dark of the house.

"Billy," he shouts.

Billy looks small next to his dad. His lip is split, eyes wide and he stares at Jim like he's a monster, Santa Claus or something similar unbelievable.

"Chief," he says. He's scared, Jim can see that. His hands are shaking.

"Your dad doesn't know shit. If he ever touches you again, call me. Do you understand?"

"O-okay." Billy nods, voice shaky.

Jim turns to the boy's father. "Not in my town," he spits. "Not Max, not Billy, no one."

He knows he can't save everyone, but he can at least try to protect some kids.