#to make more interpretations about the colour use

[goldenretriever-boyfriend]

love that imo the fnaf balloon characters believably look like the child versions of the circus characters

and then there's chica

[grasshoppergeography]

Hey All,

I've been away for some time, as we've been working really hard on something quite exciting:

let me present to you the world's first ever global ocean drainage basin map that shows all permanent and temporary water flows on the planet.

This is quite big news, as far as I know this has never been done before. There are hundreds of hours of work in it (with the data + manual work as well) and it's quite a relief that they are all finished now.

But what is an ocean drainage basin map, I hear most of you asking? A couple of years ago I tried to find a map that shows which ocean does each of the world's rivers end up in. I was a bit surprised to see there is no map like that, so I just decided I'll make it myself - as usual :) Well, after realizing all the technical difficulties, I wasn't so surprised any more that it didn't exist. So yeah, it was quite a challenge but I am very happy with the result.

In addition to the global map I've created a set of 43 maps for different countries, states and continents, four versions for each: maps with white and black background, and a version for both with coloured oceans (aka polygons). Here's the global map with polygons:

I know from experience that maps can be great conversation starters, and I aim to make maps that are visually striking and can effectively deliver a message. With these ocean drainage basin maps the most important part was to make them easily understandable, so after you have seen one, the others all become effortless to interpret as well. Let me know how I did, I really appreciate any and all kinds of feedback.

Here are a few more from the set, I hope you too learn something new from them. I certainly did, and I am a geographer.

The greatest surprise with Europe is that its biggest river is all grey, as the Volga flows into the Caspian sea, therefore its basin counts as endorheic.

An endorheic basin is one which never reaches the ocean, mostly because it dries out in desert areas or ends up in lakes with no outflow. The biggest endorheic basin is the Caspian’s, but the area of the Great Basin in the US is also a good example of endorheic basins.

I love how the green of the Atlantic Ocean tangles together in the middle.

No, the dividing line is not at Cape Town, unfortunately.

I know these two colours weren’t the best choice for colourblind people and I sincerely apologize for that. I’ve been planning to make colourblind-friendly versions of my maps for ages now – still not sure when I get there, but I want you to know that it’s just moved up on my todo-list. A lot further up.

Minnesota is quite crazy with all that blue, right? Some other US states that are equally mind-blowing: North Dakota, New Mexico, Colorado, Wyoming. You can check them all out here.

Yes, most of the Peruvian waters drain into the Atlantic Ocean. Here are the maps of Peru, if you want to take a closer look.

Asia is amazingly colourful with lots of endorheic basins in the middle areas: deserts, the Himalayas and the Caspian sea are to blame. Also note how the Indonesian islands of Java and Sumatra are divided.

I mentioned earlier that I also made white versions of all maps. Here’s Australia with its vast deserts. If you're wondering about the weird lines in the middle: that’s the Simpson desert with its famous parallel sand dunes.

North America with white background and colourful oceans looks pretty neat, I think.

Finally, I made the drainage basin maps of the individual oceans: The Atlantic, the Arctic, the Indian and the Pacific. The Arctic is my favourite one.

I really hope you like my new maps, and that they will become as popular as my river basin maps. Those have already helped dozens of environmental NGOs to illustrate their important messages all around the world. It would be nice if these maps too could find their purpose.

[sundrop-writes]

How would Spencer react to the f!reader eating a sucker in a very provocative way during a meeting?

I decided to change this up a bit. Rather than it being during a meeting, it's just randomly around the office because eating a sucker/lollipop during a meeting would be annoying af.

Anyway, I hope you enjoy!

How would Spencer Reid react to you teasing him with a lollipop?

Warnings: reader can definitely be interpreted as gender neutral because there isn't much description of them beyond their mouth (sorry if that isn't what you wanted lmao); this is very sensual/smutty toned (but there is no sex scenes); Spencer is thinking about sex acts/is having sexual fantasies about the reader; heavy sexual innuendo; definitely leans more toward Sub!Spencer; I was thinking of S4/S5 Spencer when I wrote this but you can imagine any Spencer; background Morcia; implications of Spencer masturbating in the bathroom at work. Reader loves teasing Spencer - idk what else. Not really proofread.

"Oooh, what's this?" You asked, walking up to see a large bowl of candy sitting in the middle of Morgan's desk.

"Leftovers from Halloween." Prentiss explained, not looking up from the file that she was reading. "Of course, Garcia put them on Morgan's desk. What was it that she said?"

"A little something sweet for my something sweet." JJ recited the words from her place at the coffee machine with a laugh.

"Oh, he is gonna love that when he comes in." You chuckled.

You knew that he wasn't going to eat all of it himself, and Garcia likely intended it as a pick-n-go for the office anyway - so you took a careful glance into the bowl and then picket an appealing round lollipop. A blow-pop, you quickly realized. Very nice. You knew the gum in the middle was crappy, but you would have fun seeing how long it would take to get to it, and it was cherry flavoured - one of your favourite candy flavours.

You grabbed it up and a few others to slip into your desk drawers, along with taking a few packets of M&Ms for your favourite desk neighbour. When you walked over to your desk that was in front of his, you tossed the candy so that it hit the front of his chest, and Spencer jumped violently, having been scared right out of his concentration from whatever he was reading. A thick academic paper, from the looks of it.

You heard Emily's nasel chuckle in from behind you at how hard he had jumped.

"Good morning." You greeted him with a wide smile as he glared at you, but took the candy and began opening it anyway.

"Yeah." He scoffed.

"You're welcome." You also said, nodding toward the candy in his hand.

"Did you know that M&Ms shortly after their creation, M&Ms were exclusively distributed to the US military during World War II as a part of soldier's rations?" Spencer stated, giving another one of his 'fun facts'.

"Due to the candy coating making them far less perishable, and far easier to transport due to the fact that they were less likely to melt. At the time, they were packaged in cardboard tubes and featured a violet colour among the candies. And that's how they became famously known as 'the candy that melts in your mouth, not in your hand'." Spencer explained, the last words becoming muffled as he stuffed some of the candy into his mouth.

"And now they have gone from feeding soldiers to being the breakfast of a skinny little genius like you." You joked, unwrapping your lollipop and raising it to your lips.

You were one of the people who joked about it, but you secretly loved the fact that he was skinny. You would never tell, but you imagined pinning him down and him not being able to get away because of his lack of muscle.

Spencer would have made some clever reply, but instead, his eyes became locked on your lips.

Watching your lips gently wrap around the roundness of the lollipop immediately sparked something in him. From that moment, his eyes focused on nothing but your mouth, and he absolutely lost all train of thought - including the fact that he had been reading something before you even sat down.

It wasn't even intentional at first. At first, you were just enjoying a random sweet treat at seven o'clock in the morning, going about small things like taking off your jacket and getting the files organized on your desk, and when you looked up to ask Reid if he had a spare red pen that you could use to mark off some things - that was when you noticed it.

That far off, glassy look in his eye that you had never seen before.

He was staring at your lips, hard, clearly not even realizing that he was doing it - at this point, the candy had just barely stained the inner part of your mouth red, and he was being driven insane, imagining himself running his thumb or even the head of his leaking cock along that spot, feeling the pure softness of your lips, having your sweet tongue reach out to meet the throbbing head of his-

"Reid?"

The sudden sound of your voice seemed to shake him from this daydream.

You pulled the lollipop from your mouth with a wet smack, and he swallowed a whimper - it was a sound so subtle that you wouldn't have been able to hear it if you hadn't been carefully listening. You clenched your jaw, suppressing a smirk. You didn't want him to know that he had been caught. Not yet.

"Um - ah - yeah?" He stuttered out, quickly looking back down at the papers in the middle of his desk, trying not to make it seem like he had been staring at you so blatantly.

"Can I borrow a red pen?" You asked, trying to give him your best look of feigned innocence as you placed the cherry red bulb back to your lips while waiting for his answer, gently tracing your tongue around it.

You loved the way his eyes clung to this action like a magnet, his own lips dropping open slightly as he let out a hot breath in awe, his pupils blown wide.

His pants were suddenly very tight.

Spencer had to purposefully tear his eyes away from your mouth when you began oh-so-slowly teasing the lollipop in and out of your lips, forcing him to perfectly picture the round head of his cock fucking between those perfect cherry lips.

He frantically looked around his desk, and grabbed the first pen with a red cap that he could find.

"Here you go." He mumbled, tossing it onto your desk, not even bothering to hand it to you.

He then grabbed his messenger bag from underneath his desk and so subtly placed it at his front while he scrambled off toward the bathroom. You simply let out a laugh and then shoved the candy into your mouth fully, looking back down at your files and getting to work.

Spencer could only pray that you would be done with the lollipop by the time he got back.

A/N: Okay this definitely turned more into the style of a blurb, but what I love about writing requests right in my inbox is that I don't need to do a super defined style, I can just write whatever comes off the top of my head and I don't have to worry about over-editing stuff. It's great for creativity and it's almost like a writing exercise? Anyway, I had a lot of fun with this.

Criminal Minds Masterlist

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[ham1lton]

i’m with the band.

pairing(s): lando norris x singer!reader

warnings: v slightly angsty? but happy ending.

summary: pop band CHANGE! has just released their anticipated third album; however, fans notice that the songs seem to tell an unsavoury story….

author's note: i didn’t know whether u wanted me to do a happy song or sad but i like drama. i refer to y/n’s bandmates by their roles. so guitarist, bassist and drummer so you can add their names in! also this album is loosely based on SAWAYAMA and 5sos’s album youngblood. listen to them both if u haven’t!! incredible albums. if you can name all these songs that have been mentioned then MWAH!!! 😍

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liked by harrystyles, landonorris and 3,388,728 others.

changeband: thank you so much to the best, coolest and awesomest fans in the fucking planet. shoutout to everyone who showed up to our listening party in philly last week! you were metal as hell and we loved meeting everyone of you. no more fomo for the rest of you all now that our newest album is now out! please stream and buy and recommend to your friends and family and colleagues and even that annoying neighbour that everyone hates. we love you and we love this album!! here are some behind the scenes pics of us making and brainstorming this baby!

view all 288,938 comments

user1: this album is sooo good!

user2: ooh y/n got her masters in cuntology with a concentration in motherlogical studies from the university of servington… that NOTE in dynasty??? oh goddddd.

-> user4: DYNAAAASSSSTTTTYYYY 🗣️🔊

user3: the casual photo dump like they haven’t released the album of the CENTURY?

user8: you guys have come such a far way from working minimum wage and having to pool money for a recording booth omg. i’m so proud of you guys 🥺

*liked by changeband.*

user5: the way guitarist is eating this album. whoever greenlit her guitar solos i want to kiss them on the mouth.

user28: bad friend is my fav! both the acoustic vers and the normal vers!! PUT UR HANDS UP IF UR NOT GOOD AT THIS STUFF!!!! 😍😍

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liked by messyass1, messyass2 and 278,727 others.

ham1ltonshaderoom: girl band CHANGE! have released their new album ‘babylon’ and it has sent twitter in flames after the first tweet (pictured above) went viral. especially after the songs ‘lie to me’ and ‘want u back’ both contain lyrics that have sent fans of the power couple lando norris and y/n l/n spiralling. what do you all think of the drama ham1ltons?

view all 20,783 comments

user1: i do think it’s slightly suspicious… not necessarily a break up confirmation but it’s interesting. especially as she didn’t even bother to confirm or deny whether or not they’re still together on jimmy fallon….

user2: why do we speculate into these celebs lives? if they broke up, who cares and if they’re together… who cares?

hater1: who gives a fuck. she can’t even sing.

-> user3: you clearly gaf if you’re commenting under y/n related posts???

loveislanduk: don’t worry y/n! if need be, you can always find a new man on the island!

-> user98: messy asf 😭

user6: is tkl supposed to be y/n talking about how lando was super adored and that although he could have any girl, she’d be the only one who really loved him?

-> user4: tokyo love hotel is a homage to drummer’s japanese heritage not a lando worship song?? also it’s a metaphor for their heritages as three of them are women of colour who grew up in the west and saw their cultures exoticised.

-> user6: ‘yeah your fascination is my world’. that could be interpreted as her saying ‘your obsession is my boyfriend’.

-> user4: girl yeah but that’d be a lazy one would it not? lando ain’t that special 😭 i think that it’s reductionist to make everything she writes about a man and not her.

user44: calling the album babylon after the bible story? maybe they started with the idea of creating this amazing relationship and then grew apart? they stopped speaking each other’s language?

-> user56: maybe you need to put this energy into analysing your resume and figuring out why you’re still unemployed….

user65: idc if she broke up with that troll because that’d mean drummery/n will thrive!!

-> user9: um… u mean guitaristy/n??

-> user34: both wrong. bassisty/n is the best version!!!

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CHANGE’S INTERVIEW W/ JIMMY FALLON (transcript)

JIMMY FALLON: welcome, everyone! we have a special treat for you tonight. please give it up for the current leaders of the world charts, the incredible band CHANGE!"

(audience applause as the girls take their seats)

FALLON: alright, alright! now, there have been some rumours swirling around about your latest album and its connection to some personal matters. especially in regards to y/n. care to shed some light on that?

Y/N: well, jimmy, first of all, thank you for having us. i’m aware that there have been some rumours, but you know how it is. people love to speculate. our music is definitely personal, and yeah, it does reflect some of what's been going on in my life but i want to set the record straight. the songs on our album are inspired by a variety of our experiences, including relationships, but they're not always directly about any specific individuals. sometimes i’m inspired by other forms of media or my loved ones’ experiences. that’s the joy of making art, it can be whatever you want it to be.

DRUMMER: yeah, and y/n is such a talented songwriter. she has this incredible ability to channel her emotions into our music and make you feel whatever she wants.

BASSIST: exactly. we're just here to make music that connects with people, and if our songs happen to resonate with someone going through a breakup? then we've done our job. that doesn’t mean we’ve necessarily gone through that.

FALLON: is it true that you’re performing two songs for us tonight? can you confirm which ones?

GUITARIST: yes! we’re performing ‘want u back’ and ‘frankenstein’. both of our newest singles from babylon.

FALLON: well, you heard them, folks! get ready for an amazing performance from CHANGE!

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liked by bassist, guitarist and 1,272,973 others.

yourusername: we’re fine y’all perfectly fine please don’t call paw patrol.

view all 68,928 comments

user1: OH THANK GOD.

landonorris: she’s lying. i’m in my lemonade era…🍋

-> user23: you wish you could be that iconic. you’re in your dogwater era.

-> landonorris: UNPROVOKED???

user3: we needed this confirmation.

user8: PARENTS AREN’T DIVORCED WE WON 🙌

landonorris: now can you release the bonus tracks please please please 🙏🏼 ‼️😩

-> bassist: no :)

-> guitarist: yes :)

-> drummer: one of them is lying… guess who and i’ll send the whole album plus excluded tracks.

-> landonorris: … um 😅 guitarist?

-> drummer: WRONG ‼️ but i’m scared you’re gonna complain to y/n so i’ll send them over to you 🙄

user27: at least we’re back to having lando being CHANGE!’s biggest fans. what did he think of ‘exile’?

-> yourusername: he cried so hard he threw up.

-> user27: real shit.

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taglist: @cuteskz @molten-m122 @dangeroustacoalienbiscuit @booksandflowrs @mxdi0 @k1arsworld @alexmarie29 @luckyladycreator2 @23victoria (let me know via ask if you’d like to be removed).

wanna get tagged in any future works? sign up for my taglist!

[moonastro]

Juno persona chart

saturn in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

saturn embodies restriction, teaches hard lessons and rules time. in the juno persona chart, saturn can tell us what lessons can be learned within the marriage, how a couple thrives within time in the marriage and the possible restrictions withing the bond.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

saturn in 1st house: saturn here gives lessons to the couple in the marriage about self worth and ego matters. this placement may need to undergo some lessons related with how they view themselves perhaps taking up some time to take care of themselves and build a good routine for their skincare, perhaps taking therapy and so forth. this placement tends to bring their insecurities onto their spouse so they may need to work on that in order to build their marriage into a prosperous one. as time goes on the couple may be Intune with each others ego and may be at a point where they express their anger in a healthy matter.

spouse may have natal saturn in aries, 1st house, fire sign or fire house.

saturn in 2nd house: this placement experiences lessons related to greed and possessions. saturn may possess a lesson for this placement to regulate and test their greed towards money and other luxurious possessions that they might own. not giving into the mindset of having it all and being non selfish towards each other. loyalty is also a big part of saturns lesson for this placement, saturn may test this placement loyalty towards their spouse withing the marriage in order to strengthen it. saturn may also wants the individual to be patient within the marriage and not rush things in order to get things instantly. when this placement tries to skip steps to get to their goal saturn will delay their results even longer as it is the planet of delays itself. over time, the marriage may find strength in appreciating the smaller things in life whether it is their hobbies, their pet, their little keyring that they bought or a plant that has been growing in their garden whatever it is this placement will have much appreciation for the life that they have with heir spouse.

spouse may have natal saturn in taurus, 2nd house, earth sign or earth house.

saturn in 3rd house: this placement may experience lessons related to talking and expressing themselves. this placement may need to work on the way they communicate with their spouse. after marriage work may be needed in order to improve situation ships with siblings, something to do with this placements siblings or spouses sibling. there may be some delay in how effective the couple expresses themselves truly to their spouse. saturn here may bring lessons to the couples ability to understand each others mannerisms which may bring some arguments and unnecessary arguments, however, as time goes by saturn does perfect how the couple talk to each other and how they understand one another, this is the type of placement that over time will automatically know what their spouse means without them needing to even say a word, so they may master observing each others facial expression, body movements and body language.

spouse may have natal saturn in gemini, 3rd house, air sign or air house.

saturn in 4th house: for this placement saturn may impose a lesson related to their home life. this may exceed in ways related to living situations inside the home and to make sure they are compatible to have shares of the same home. an example can be one not being tidy and the other being very tidy, one may prefer neutral colour for home décor and the other likes bright, that sort of things. there may be some lessons that need to be learned with family members, outside home family members. like there may be some setbacks to do with this placements parents, siblings, spouses family also. with this placement, they tend to get married in spite of leaving their household so they can leave their living conditions whether it is negative or positive. overtime the couple may get the gift of creating a home that is up to their standards, so may even own property, may own land, may get inheritance from family and may have children that complete the family.

spouse may haven natal saturn in cancer, 4th house, water sign or water house.

saturn in 5th house: saturn may bring lessons when it comes to children, this placement may have kids and those kids are here to teach the couple within the marriage some sort of lesson. saturn may also give this marriage lessons to do with something with the eye of the public. this placement may need to be careful with how they act with their spouse around people to be careful of getting into some sort of twist. for example lots of people may assume stuff about his marriage so they like to create drama about this placements marriage. this placement need to be careful to not mess around when around other people with spouse, people may pin point the most silliest of reasons to create rumours and that may affect opportunities. over time saturn tends to give this placement the ability to value their happiness and tends to give the couple extreme blessings in being happy and prosperous.

spouse may have natal saturn in leo, 5th house, fire sign or fire house.

saturn in 6th house: this placement may experience lessons to do with how they give out to others. this placement may have to do lots of acts of service in the marriage. saturn in this placement may act a bit harsher since this house is seen as an illness house so saturn may actually need this placement to learn how to take care of themselves and other people. sickness may occur within the marriage, lots of illnesses may occur especially for the other individual int he marriage since saturn want this placement to take care of someone. over time, marriage may find mastery with not judging each other and one another, accepting life as it is and learning to respect ones boundaries in the marriage.

spouse may have natal saturn in virgo, 6th house, earth sign or earth house.

saturn in 7th house: saturn may give lessons related to equality and learning to treat one another fairly. saturn here may require to revolutionise the ability for this placement to treat their partner fairly and quite frankly learning how to get rid of the mentality others may have implanted into this placements head when it comes to marriage. this placements may need to learn how they treat other people while being married meaning that they should learn how to be loyal to their spouse meaning that treating other people as a partnership and not a relationship, basically not cheat. overtime saturn gives this placements marriage a very harmonious marriage, very abundant and luxurious, there may be lots of government doing that improves financial situations and therefore increases the relationship with spouse.

spouse may have natal saturn in libra, 7th house, air sign or air house.

saturn in 8th house: for this placement saturn may give lessons related to trust. the couple within the marriage should learn how to fully trust each other and not accuse each other of false accusations. also learn to not use vulgar language towards each other and learn to come up with ways to cope with their emotions. there may be restrictions to intimacy meaning that there may be a drawback that prevents the couple of getting intimate, it may be a s simple as incompatibility with schedule and feeling too tired. may also experience lots of transformation periods where it feels like chapters in your life are going by too fast that you may not keep up with the energy. overtime, saturn gives reward to the marriage in terms of dealing with other peoples money so tax, dept, insurance all that jazz. all depts may be paid from perhaps the help of other people money such as inheritance, winning lottery, from selling something and so on. the couple may be tax free over time and may enjoy the rest of their time spending money on the things that they wanted to get but couldn't.

spouse may have natal saturn in scorpio, 8th house, water sign or water house.

saturn in 9th house: saturn here gives lessons of learning to be apart from each other and not sticking by each others back side all the time. this placement tends to teach the couple within the marriage how to live, thrive and survive without each other also. so saturn may take one party and give them lots of travelling opportunities in order for that lesson to be taught. saturn here may also give some lessons related to cultures, something to do with religion and spirituality also. this placement perhaps has different culture background to their spouse so it may bring some sort of lesson for them in terms of that difference. overtime the couple may become very spiritually aligned and may have mastered their spiritual sides of one another.

spouse may have natal saturn in sagittarius, 9th house, fire sign or fire house.

saturn in 10th house: this placement may find themselves in situations where they receive lessons with their maturity in the marriage. this placement may attract people who judge them based on what they did ages ago, their reputation may have some sort of downfall or may need time for people to actually see you for who you are and not who you where years and years ago in the marriage. this may occur from this placements spouses side of the family also. overtime, saturn gives rewards in this placement career and status regarding from their hard work. marriage may benefit from that as it may increase public appreciation and may give the couple the long awaited reward that can be seen by other people also.

spouse may have natal saturn in capricorn, 10th house, earth sign or earth house.

saturn in 11th house: saturn may impose lessons related to their values. this placement may need to work on how they approach their views and values within the marriage as it may not be compatible in the marriage. saturn may give lessons that require the individual to question their self-worth and what this placement may believe in, with that if the individual still holds onto their values after time, saturn sees the effort and determination that it took so saturn gives luck to the individual that has to do to what their value is, this benefits the marriage. saturn also gives the experience to learn how their social group benefits them, if they don't saturn will show the individual that through the lessons. overtime, the couple may find growth in how they appear to a big group of people and crowds in general. saturn may also give stability in how they network and how they treat their community as it may benefit the couple in the marriage.

spouse may have natal saturn in aquarius, 11th house, air sign or air house.

saturn in 12th house: this placement may face lessons related to addictions. the couple within the marriage should have healthy coping strategies for their every day life such as routine, love towards each other and jealousy. saturn gives lessons within the marriage to do with spirituality and secrecy. this placement may need to work to not keep secrets with one another and need to have healthy ways of coping with hardships, one of ways that this can be worked on is by spiritually working with one another, meditating, shadow work, reiki, sound healing and doing chakra alignments. (any other sort of mindfulness can be used also these are just examples as each placement is unique to each individual). overtime, saturn gives growth in the themes of travel, emotional support, dreams coming true after hard work and marriage becoming very romantic and therefore feelings towards one another may be very sensual and magical.

spouse may have natal saturn in pisces, 12th house, water sign or water house.

thank youu for reading🌟🌼have a blessed day

[goldenchocobo]

Here’s what I’ve been working on, it’s taken a month, but I’ve finally completed it!

All 13 14 Organization XIII members with flowers!

I did reuse some flowers; but I’ve been wanting to redraw those portraits for a while now, so I can cross that off the list too

Under the KEEP READING are the flowers included, along with why I chose them for that Organization Member.

- You've clicked the 'Keep Reading', so you're in for the long-haul; 14 flower analyses in one! Better get snug!

I. Anemone flowers (also called wind flowers) have a lot of meanings, more negative than good ones; the ones I singled out for Xemnas was death and loss. Flower meanings require a lot of context- like sentences, so in this instance, I’ve used ‘loss’ to mean ‘loss’ in a general sense- Xemnas lost his heart, his comrades, his emotions; and by the end of KHIII; even his motivation; saying he doesn’t really care for his comrades’ demises, and that after he’s gained any kind of sensation back; it’s regret.

II. Knowing Xigbar is keeping all kinds of secrets, and knowing them is his business, Snapdragons are perfect. White and purple denote the spiritual and mystic. Them covering his mouth means that he knows something you don't, and he won't tell you anything.

III. We don’t know much about Xaldin- or Dilan. But with how I interpret him and his actions; he’s someone who has been scorned before- or at least has a lot of jealous dislike towards relationships and is sickened by how love makes people act. Hydrangeas are a flower both used for some wedding bouquets, as well as denoting jealousy, especially in their purple-blue colouration, as it's higher pH that causes the flowers to be that colour.

IV. Azeleas are flowers of two halves. They can mean Temperance and intelligence, but also temptation and caution. This is why I thought it was perfect for Vexen. Not only does he give into the temptation of his (immoral) research- more than once, but also ignored the dangers of it. When he's recompleted, we can see that he's gotten rid of these temptations (or at least I hope so). I made them orange to deeper the 'danger' and 'caution' theme as orange is a colour in nature that denotes it- like toxic amphibians and insects.

V. Lexaeus is a quiet man; so I don't really know much about him other than that he's strong and wants to protect Ienzo/Zexion; as such gladiolus- a symbol of such strength and protection is perfect for him.

VI. Zexion is interesting because I kind of see him as a tragic two-sided character. His scheming, 'throwing morals out the window and toying with people' Zexion in CoM side, and his more naïve, innocent and caring Ienzo side we see in KH3. I gave him Begonias for this reason; the purple in one hand representing mystique and curiosity, whilst white being for a more innocent side to him. I specifically chose Begonia pavonina leaves because they look weird and mystic and kind of match his shimmering hair.

VII. I've already used yellow roses for Siax/Isa, in the same configuration as well; and the meaning remains the same. Yellow roses can sometimes mean jealousy- especially towards friendships. Siax got too into his head about Axel making friends. That was when his jealousy took over, and he was lead by it.

VIII. Axel has had Alestromeas before- as they usually mean strong bonds of friendship; something Axel and Lea has shown over and over again. Like with Siax, I chose to make them a crown to show that, that friendship and keeping those friends safe is what drives him.

IX. It was kind of hard to come up with a flower for Demyx. originally I had him with Geraniums as they can represent folly; but instead, I went with Daisies; with the adage, 'Lazy Daisy'- for obvious reasons. Daisies- or asters- come in a large variety and specie. For Demyx, I chose two for aesthetic purposes; common daisy for around his head, and leucanthemum daisy for his neck- for their size.

X. Finding the right flower for Luxord was difficult. I did originally just have him with clovers, but felt that they didn’t suit. I chose poppies instead, as while they’re known for being symbolic of war & peace, fallen soldiers and death, there’s an under-current of time meaning; time being passed while we sleep, the time we remember the departed, and time marching on until the grave.

XI. For the longest time, Marluxia was going to have roses- it’s his whole motif; there’s rose iconography everywhere. But I chose Magnolias due to their symbolism of remembrance. While not fully aware until the very end, Marluxia was always searching for his sister, not believing that she had gone. The yellow Magnolias represent the joys he shared with her, whilst the purple imply the dignity of being a Union Leader, and Lord of Castle Oblivion.

XII. Marigolds are pretty, but their meaning is not... sometimes. Out of their meanings, I've chosen their meaning for Larxene to be one of cruelty and coldness. Because that's what she is to everyone.

XIII. Roxas keep his Dahlias from his original flower piece. The meaning remains the same; That- even in the face of hardship and despair, he will remain kind, friendly and cheerful.

XIV. I was going to reuse the obvious choice of Forget-Me-Nots for Xion; but honestly, I felt intimidated by how small they are, and- if you've paid attention, kept a strict number limit on my flowers; so that wasn't doable. Instead, I chose a Cornflower, which has a similar meaning of not being forgotten, as well as hope, devotion and love.

-

The stones inlayed in the frames have no real significance other than that they match the character's colour scheme; Here's what each stone is: Xemnas: Pearl Xigbar: Smokey Quartz Xaldin: Amethyst Vexen: Emerald Lexaeus: (orange) Agate Zexion: Lepidolite Siax: Moonstone Axel: Sunstone Demyx: Sapphire Luxord: Hematite Marluxia: Rose Quartz Larxene: Topaz Roxas: Snowflake Obsidian Xion: Obsidian

OK- I lied a little; there's some theming between characters, but nothing majorly deep; I haven't really looked into gemstones and their meanings.

If you've read this much, congratulations! Flower Count: Xemnas has 13. Xigbar has 3. Xaldin has 1. Vexen has 7. Lexaeus has 5. Zexion has 13. Siax has 7. Axel has 7 Demyx has 20 (13 common, 7 leucanthemum). Luxord has 7. Marluxia has 5. Larxene has 5. Roxas has 7. Xion has 13.

The only outlier is Xaldin; but Hydrangeas are hard to draw and only had the motivation to draw one.

[amathslutsguidetofandom]

Imagine modeling some lingerie you just bought and this is Bucky’s reaction to it🤭❤️‍🔥

Beautiful As Always

PAIRINGS: James "Bucky" Barnes x Girlfriend!Plus-Size!Reader

WARNINGS: Smut, fingering, slight exhibitionism, insecurities (reader is sad about having thick thighs and a pudge), Praise. (If I have missed anything, please feel free to let me know 😊)

WORD COUNT: 1,081

*not proof-read*

ENJOY!

"I'm don’t know, Bucky," you murmur, gently twisting and turning within the confines of the dressing room, where only a thin curtain separates you from your beloved.

"Don’t know ‘bout what, doll?” Bucky's voice drifts from the other side, a comforting presence in the midst of your uncertainty. Your fingers graze over the delicate lace of the high-waisted undergarment, and pinch at the soft pudge of your belly.

"It's just... I don’t know," you confess softly, a weight settling in the pit of your stomach. As though summoned by your doubt, a cascade of insecurities begins to flood your mind, each one more relentless than the last.

Do you really look like that? God, are you really that chubby? Has Bucky seen all of this? How can he really love you when you look like this?

A stifled sob escapes you as tears blur your vision, and you clumsily brush them away. At the sound of your distress, Bucky draws back the curtain and steps inside.

"Doll?" His voice is tender as he closes the curtain behind him, his hands finding solace on your trembling shoulders as he gently turns you to face him.

The colour on Bucky’s cheek grows red at the sight of the supple weight of your breasts sitting against the lace of the bra. The allure of your exposed thighs proves to be a distraction, making it difficult for him to focus on the matter at hand.

You observe the way his gaze traverses your body, a glimmer of admiration shining in his eyes.

Yet, your mind interprets it as disdain.

"I look awful, don’t I?” you whisper, casting your eyes downward and biting your lip in apprehension. The monsters within your mind seize control, enveloping you in a suffocating embrace.

Bucky is taken aback, crouching down to meet your gaze. "What did you say?" he murmurs, tenderly cupping your face in his hands.

You push his hands away and turn back to face yourself in the mirror. “I look bad, Bucky,” you shake your head and fold your arms around yourself trying to make a shield, covering your form from your man’s gaze.

Bucky shakes his head and steps in front of you, “Why would you say that, doll?” Surprise and concern seep into his tone. You just shake your head and shrug, “I don’t know.”

-----

“Repeat it. C’mon, doll, tell me. Tell me who’s pretty.”

Bucky’s unwavering thrusts make you spiral further into your realm of pleasure. His fingers rub furiously at that spot inside of you, making you grip onto his forearm as he keeps you locked in a headlock.

“Didn’t hear you say anything, doll. Want me to stop, huh?” His fingers halt, and you whine at the general loss of your euphoria. “Bucky, baby, please,” you whisper, squeezing your eyes awaiting him to continue.

Bucky clicks his tongue, “I didn’t hear what I wanted to hear, doll.”

You try to use the last remaining of your energy to comb through your mind as you try to find what Bucky wanted you to say, and you finally retrieve it.

But you don’t want to say it.

Because you can state a fact if it isn’t true.

“Bucky, I can’t,” you slouch against him, your back fully pressed against his. He makes eyes meet yours through the mirror and you shy away from his gaze.

“Doll, how many times do I have to say that you are one of the most gorgeous women I’ve ever seen? You have made me feel ways I never thought I was capable of feeling. You made me feel loved,” he says softly, like the whole world has to stop in order for him to say those words.

“Who tells me that my scars look like stars when I start hating them?” he asks.

“I do,” you whisper back, and he kisses your temple.

“You do, sweetheart,” he says against your forehead.

"Doll, I don't give a damn about a little extra cushion. You're soft and smooth, and that's what I love about you. Your cuddles feel like home, and it blows my mind that you'd ever doubt how amazing you are. To me, you're everything. Your curves? They're just more of you to adore."

Speechless, you really don’t know what to say.

You knew that Bucky loved you, but at times when the demons had the upper hand, you doubted that love he had for you.

Now with him, in this dressing room, you slowly feel yourself get the upper hand from those demons. You slowly start to feel like you actually do deserve the love this man absolutely showers you in.

“I’m beautiful,” you whisper, but slightly cringe. Bucky sees this and nods slowly, understanding your hesitation. “It’s okay, doll. Say it, say it. You are beautiful,” he slowly starts to move his fingers again, and you inhale deeply at the sensation.

“I’m beautiful,” you say breathlessly, holding onto his forearm for dear life as he starts rubbing your button harder. “Fuck, Bucky. Yes!” You dig your teeth into his forearm, preventing your screams from being heard by the world outside of the dressing room.

“Say you're worth it, doll. Tell me that you deserve this,” Bucky harshly whispers into your ear. You see him through the reflection of the mirror and whimper when his other hand brushes against your clothed nipple and pinches it hard.

He smirks and whispers again, “be a good girl and tell me, doll.”

You moan, “I’m worth it, Buck. I’m worth it.” Bucky smirks and nods, “Good girl, so proud of you.”

You grind against his hand and babble nonsense against his arm. You feel the wave of pleasure reach the edge, and your legs start to quake.

Bucky chuckles as you finish with a squeal that’s barely muffled by his arm.

“There’s my pretty girl,” he says and turns you to face him.

You try to cower away, but Bucky already has his fingers on your chin and is gently forcing you to look up at him. You moan as he lewdly sucks on the remaining juices on his fingers.

He looks down at your body and the set you're wearing, “who’s beautiful?”

Your lips turn up a bit, “me.”

Bucky nods, “that’s right.” He kisses the tip of your nose, “My pretty girl.”

You place your hands on his chest, “yeah?” You slightly smile, your demons slowly evaporating and leaving the caves of your mind.

Bucky nods.

“Beautiful as always.”

💌💌💌

PHEW! Here you go, my lovely @sergeantbarnessdoll

Finally got this done, this has been sitting in my drafts for a while (with my other WIP's).

Hope you lovelies like this!

Feel free to let me know how much you enjoyed it!!!!

Till' then,

Stay Coquette-y,

Anya 🫶🏽🕊️🎀

[majorlysapphic]

glassheart headcanons! <3

Chloe is an early riser whilst Red is a night owl

Because of their sleeping habits, Red usually skips/misses breakfast in favour of getting more sleep before classes (Chloe does not settle for this and starts carrying breakfast bars in her bag for Red)

Red always sits on the bleachers and sketches during Chloe’s Swords and Shields practice

Red wears Chloe's varsity jacket during Chloe's tournaments

After time travelling, they have journalling sessions together (so they can try differentiate memories from their old timeline and what they need to remember in their new timeline)

Chloe is REALLY big on physical affection, you can always find the two of them holding hands on campus

Red makes amazing tea and always brings Chloe mugs during her intense study sessions

Red is touch-starved when it comes to Chloe but touch-averse with anyone else

Everyone (and I mean EVERYONE) knew they were dating before they did

When they told their parents, Ella handed Bridget a £20 note (they were betting on when the girls would finally get together)

The inside of their lockers are decorated with Polaroid pictures of eachother

Whilst they CAN use their phones to communicate, they prefer to write letters to each other when they're apart

They'd also send eachother little trinkets with these letters!! (Ex: Red sends over pressed flowers that are native to Wonderland)

When Chloe nervously tells Chad she has a crush on Red (which will be the first time she'sshared that information with anyone), he responded with "the colour?" (Despite the fact he has in fact met Red multiple times in the past)

Chloe fell first (her attraction to Red being sparked during their time changing the past together), but Red fell harder (after she clocked that she felt truly safe with Chloe in their new timeline)

Chloe is as charming as her namesake, so she has quite a few admirers (so Red gets a bit jealous at times but that's quickly solved by stealing Chloe's clothes or PDA)

Though it should be noted that when someone else is interested in Red, Chloe's jealousy is x100 worse (she takes after her father in that aspect)

They keep their relationship fairly private (like most royal couples), but once they hit their one year anniversary, they go fully public (I'm thinking with Chloe asking Red to dance at a televised ball)

Before this, there would be multiple blogs/fan accounts about whether the two were just really close friends or dating

Wonderland would obviously be very different in their new timeline, so once their first semester at AP ends, Chloe goes to Wonderland with Red for the holidays so they can explore it together (but first Red has to reassure and pinky promise to Chloe that the Jabberwocky is a Wonderland myth and not a real creature)

Bridget is ecstatic to host Chloe at their castle, and this starts a tradition of the Charming family and Heart's family taking turns to stay at eachothers places every other holiday

Red teaches Chloe how to interpret Wonderland’s riddles (and plans to teach Chloe how to talk in riddles one day)

Chloe's first language is French, so over time, Red gains a proficiency in the language (this is all sparked because Chloe starts speaking French when she's tired)

[witchygirlgray333]

Some topics + prompts for your grimoire or book of shadows

books you want to read

local folklore / mythology / legends

the wheel of the year

plants you have in your house or garden (their care, properties, uses, draw them etc)

theban alphabet

days of the week and their correspondences

write about a deity you worship / are drawn to

draw art for / of a deity you worship or are drawn to

colour magic

the elements

write about the crystals you own (draw them, write their properties, correspondences, uses, how it makes you feel etc)

how to make your own crystals

your birth chart

your sun, moon and rising sign

natural medicine (as a chronically ill witch I love natural medicine NOT AS A SUBSTITUTE FOR PRESCRIPTIONS! for example I take all my prescription meds and then if I'm having period pain I might drink some raspberry leaf tea)

positive affirmations / mantras that you connect with

how to manifest

history of witches

deities in a certain pantheon you're interested in or drawn to

write about a spell you've done (how you did it, why you did it, how you felt, the results of it, what you would change if you did the spell again etc)

chakras

write about a dream you've had

tarot reading tricks and tips

moon phases

sabbats

zodiac signs

family tree

poetry / songs / quotes you connect to (i like to find ones that make me feel powerful or witchy, or remind me of certain aspects of my practice. a song i like for this is rhiannon by fleetwood mac and i'm going to post more things like this regularly on my page)

feathers and their meanings

simple everyday magic

recipes

some ideas for the next sabbat you plan to celebrate

tarot spreads you like

write about a tarot reading you've done (any prep you did, the deck you used, the cards you pulled, your personal interpretation of the cards based on the art and how you feel, the meaning of the cards, how the cards relate to the questions you asked, final reflection on how you feel the reading went)

interesting mythology

tree of life

glamour magic

money bowls

crystal shapes and their meanings

grounding techniques

cleansing

protection

banishing

cord cutting spells

essential oils

types of divination

planets and their correspondences

angel numbers

witchy wishlist

go to supplies and ingredients (herbs and things that you use regularly)

favourite crystals

working with your inner child

if you've had a really good or particularly insightful meditation session it can be nice to either draw or write what happened and how you felt during it

witchy arts and crafts and diys you want to do

altar ideas

read a witchy book / watch a witchy video and take notes

write about your ancestors

witchy things to incorporate into your daily routine

what is a tower moment

witchy reset / self care days

the history of the area you live in

veiling

how to make your own incense sticks

shadow work

shadow work prompts

ok, that's all the ideas I have for now and I hope that helps someone! I'll be posting some pages from my grimoire and some more prompt / topic ideas in the near future which I'm really excited for.

P.S. please remember that everyone's practice is their own and you should do what feels right to you while respecting that other people have their own beliefs (as long as they're not hateful).

[andy-wm]

Back to WHO : the MV

This is a continuation of the earlier post that discusses the song WHO, by Jimin. That post was a first impression focused on the lyrics - while this one looks more closely at the MV.

(Remember this is my interpretation, not an official statement by Hybe)

The more times I watched the music video, the more I wanted to yell, because look...

IT'S REALLY STARING US IN THE FACE.

And again, kudos to Jimin's team because it's the most obvious thing in the world ever but only if you ALREADY KNOW what's going on.

Here's a summary:

The music video loosely represents Jimin's attraction/sexuality/love life as a timeline.

New colours - a new spectrum shall we say - filter into his life even though he's trying so hard to 'keep to the program'.

He searches high and low for a girl to love, but alas, nobody makes the fireworks happen for him. Then Billboard Boy crashes into his life, threatening to destroy everything. Jimin has to weather the storm and figure out where his place is because Billboard Boy is a major disruptor - a tornado in fact. In the end, the fireworks are popping and the chaos is happening, and Jimin has to just go with it and finds his place again. His colours have been getting brighter and louder as he goes along and in the end he's prepared to walk away from everything in order to be the spectrum he is.

<<I'm not saying it's literally a count of how many girls or boys or enbys he's kissed. I hope his kissed all of them and then some, frankly, but that's none of my business.>>

A few things to pay special attention to:

Burning cars > cars = masculinity. fire = hot. 1+1=2.

Dancers > people he's interacting with

Rough weather, as represented by the wind-whipped papers and eventually even cars being tossed about the set > His attraction to men (and dare I say it, culminating in a focus on one man in particular)

Colour flares, machine text, and marks on the tape (horizontal lines etc)

Are you ready? Let's go...

Jimin enters the scene looking like sex on legs (no surprises) and strolls casually onto the road. Immediately our view of hm is blocked by a pop-art style poster blowing across the screen. It's immediately followed by a car coming around the corner onto the road. The car is on fire. Jimin watches it pass by and follows it.

He follows the burning car.... and so it begins.

The narrative starts from before BTS even exists. Jimin encounters several female dancers who he has brief and sexy interludes with. In fact i don't think there's a single woman in this MV who he doesn't at least look at. He really does try everything (and everyone) in his efforts to find HER.

BUT WAIT.... rewind...

Let's go back to the poster... it depicts a street scene much like the one we see here, with the words:

WHO IS!! TORNADO OF LOVE

Note: those are exclamation points not question marks.

It's not a question. This is telling us UP FRONT IN BIG LETTERS that 'WHO' is tornado of love.

I could probably stop here and just say 'ok go watch it again' but it's too much fun to go through all the details.

So let's continue...

Jimin has a little more steamy choreo with the female dancers before the lyrics tell us he has so many people to see and places to go, and he leaves them and joins 6 other men in what looks like a work environment....

Hello we are BTS!

Yes you guessed it... like Yoongi did in Haegum, Jimin has his members represented here. (Fan chant going off in my head...) and more delicious choreography follows.

Notice that while Jimin was dancing with the girls, the only signs of rough weather were a few glittery specs floating through the air, barely noticable. Those bits of glitter multiply when he joins the 6 men, and instead of a sprinkling of glitter, it starts looking like a light snowfall.

That's all about to change....

The first moment of reckonning:

At the end of this section of choreo, as Jimin sings 'who is my heart waiting for' and moves into the next phase we have a barely visible flash of light across the screen and rainbow colours bleed into the footage (at 1.14).

This is also the moment the significant rough weather starts. I'd say this is where Jimin starts noticing how he feels, and the turmoil begins, because this is also where he makes eye contact with the camera (1.23).

He sees us watching.

Fuck. I had a moment here. There's a look on his face as he walks past the camera and stares right into it.

AUTO CALLIBRATION...

As another millisecond flash of light and rainbow colours seep into the footage, The machine text 'AUTO CALLIBRATION' appear on the screen and flash there for a couple of seconds.

CALLIBRATE: To standardise... by determinning the deviation from a standard so as to ascertain the proper correction factors (Meriam-Webster definition).

"Get a hold of yourself, Jimin. Reset (your behaviour and desires) to correspond with expectations"

Jimin makes a very determined bee-line for the nearest girl and dances with her, ignoring the burning car in the foreground.

This brings us to the next phase of the narrative, and the next location - the performance space in front of the OASIS cinema.

(Do you see the doors of the cinema - BTS referenced again).

As he dances with this girl, the camera zooms out and we see that a crowd has gathered outside the cinema, watching them, but the crowd does not seem friendly and the dance seems performative - the movements are exagerated and obvious. The girl has Jimin in a headlock at one point and then she pushes him away and leaves. All in all it's an unpleasant event.

At this point the BTS members return (Although now there's one missing) and they dance with and around a number of female dancers. flashes go off in the crowd as the choreo is performed.

As they dance the wind picks up quickly and papers and cans are blown about. Even when Jimin is obviously interacting with female dancers the weather continues to pick up. Dancing with the girls isn't helping.

The camera pulls back and we see the same car as before, still on fire.

This is the moment when the penny (or billboard) drops.

All the other dancers scatter, dissapearing in a matter of seconds as the billboard comes crashing down. The billboard blocks his path. Wherever he had been planning to go - or whatever course of action he had planned to take - this man on the billboard forces a new decision. Jimin has to rethink his plans.

Jimin turns and goes in the opposite direction to everyone else. (A similar scene occured in Like Crazy, Jimin going the other way, rejecting the norm, going against the tide).

The machine text flashes "REWIND ... REWIND" on the screen and we see Jimin heading back to where all this started... where the original car on fire was seen.

He's travelling his own path now, but as he walks, alone in what seems to be the wrong direction, we see the store lights brighter, reflecting off cars and filling the space around him.

He's going through the motions with the girls he passes but the interactions are brief and in one case he actually dodges the girl completetly.

He retraces his steps amidst the chaos, and the weather really goes nuts. Now there are cars being thrown through the air, streetlamps exploding. The storm is almost upon him.

As Jimin steps into that original street again, the one with the neon letters spelling BLISS, the machine text reads PLAY. It's almost ike he's having a redo, where he accepts who he is from the start and allows the chaos to happen. And the chaos DOES happen, because the tornado has arrived.

THE TORNADO OF LOVE.

There's a flash and the whole screen is flooded with colours, blanking out the footage.

Jimin can no longer dance in step with everyone else at this point. He's doubled over, belting those high notes at the climax of the song while the chaos rages in the background. Without the music to give his actions context, it almost looks like hes in agony.

Sparks fly, lights flash, even the film itself is affected...

He eventually gets it together and rejoins the choreography, picking up his life so to speak. But his callibration is forever changed. the colours that bled into his life are there for good now, and and as he walks away after the music stops, we see that those colours are not just for the performance, they exist outside of that.

A note about the light flares we see throughout the MV:

It was really hard to catch these, some of them were literal milliseconds. I had to slow the MV down to play at .25 original speed and even then they were fleeting - well hidden.

Only the one at the very end was really visible.

In this one, the word PAUSE appears, as the MV ends. I wonder if that relates to their military service?

The flares of light and colour, those rainbow flashes, aren't always easy to find. Youvhave to be prepared to seek them out.

We will find them if we look for them, but i think Jimin won't show his true colours until after the lights go down and the performance is over.

I respect his decision (if that's what that is) and i will continue to meet him here his stands. I'll support everything he does knowing what I know and I'll continue to search for and uncover the hidden messages he sends us.

[savagemagician3]

💥MAKE IT WEIRD💥

-cas challenge-

i am so excited to finally be sharing my first cas challenge with you all! i've been a part of the simbr community for about a year now and thought it was time to celebrate 🥳🥳🥳

i am a massive fan of the roll-a-d20-type challenges and i wanted to bring something a lil weird to the table! this challenge is meant to try get you out of your comfort zone but still allow for control over the way you create your sims.

i think this challenge is a fun one if you need an idea for a render, or just want to make a cool oc! the themes can be a little bit dark or alternative but this isn't necessarily a horror challenge, so create your sims any which way you like. i purposely chose themes that are a lil obscure and ambiguous because i want you to show me how you interpret it! make it weird!

the rules are simple: there are no rules! - re-roll if you get something you don't like or don't vibe with - re-roll if the colours you get don't fit the theme - re-roll if the accessories don't make sense - re-roll if you just wanna! recommended rolls are as follows: theme: roll once (1-25) skin tone: roll once (1-9) hair colour: roll once (1-9) extras: roll 2 or more (1-20) link to multi-sided die here

i would love for you to participate and i would love to see your sims, either tag me or use the tag #weirdcaschallenge so i may bask in all of their glory! i can't wait! 🥰

[rosettyller]

some analysis of this scene from 2x02, because i am going absolutely insane over it:

first up: it's 2 500 BCE. They've known each other for around 1500 years at this point, but they haven't been meeting up very often; it's implied at this point, that they've only met at the Garden, and the Flood, and now here (as well as in Heaven, but there's varying interpretations about how much they each remember of Heaven).

(worth noting that these meetings are all bible-related meetings)

So, they don't know each other very well at all. This is why Aziraphale approaches Crowley so cautiously (apart from the fact that he thinks Crowley's going around murdering goats and soon kids). He doesn't know what happened to Crowley when he Fell, how he changed when he fell in with Lucifer, how God's rejection has warped Crowley's perspective or changed his morals (their meeting at the Flood seemed quite short, not enough time to get a definite picture.)

Aziraphale is still seeing Crowley as demonic, although there's already that thread of doubt - can you really see him trying to talk Hastur or Ligur out of this the way he does Crowley?

Aziraphale clings to the memory of Angel Crowley - Crowley gets quite defensive.

Here, Crowley reinforces that he's changed - personally I don't believe that he did fight in the War, but his views of God's Plan definitely got more extreme than "thats terrible god should get a suggestion box".

But, I also believe that here, Crowley is reinforcing that he is no longer an angel, and therefore no longer has to play by angel rules. He can do what he wants. He's a demon, it's in his job description.

And of course, that he is a demon, and he is Evil, and of course he would kill goats.

(more under the cut, because I just can't stop talking)

This shot is very yellow. Crowley's hair being the season 1 orange rather than red, the yellow walls, all accentuate the colour of Crowley's eyes, highlighting the physical reminder of Crowley's demonic nature.

I couldn't be bothered to gif it, but here, Crowley leans forward into Aziraphale's face. There are two reasons for this:

Get his yellow Demon Eyes right in Aziraphale face, just to hammer home his point.

It's an aggressive action, moving into someone's personal space like that. Saying, I could hurt you, I'm violent and aggressive and dangerous, I killed those goats, the kids are next.

The way the light hits Crowley's eyes in the above shot and the below shot also make them a very bright yellow. (Edit: I think someone pointed out that Crowley is making his eyes glow, but the overall yellowness of the scene serves to highlight this)

Clever wording on Crowley's part, because as we will find out, he faked the destruction of the goats to keep them safe, while making himself sound very evil.

You'll notice the repetition of "blameless"; this makes him seem even more evil, hurting the innocent, but also gives deeper insight into one of Crowley's biggest issues: hurting the innocent. What have they done to deserve this? Nothing.

This ties in quite nicely with what we have seen before of Crowley and free will; he gives people the option to sin. It's their actions that decide whether they end up in Heaven or Hell; they get what they deserve for their actions. He just makes it easier to choose Hell. (see: phone lines being down making people crankier and encouraging them to be horrible to each other, but it still being their choice, setting the holy water bucket above the door, so it's Ligur's choice to come in after Crowley that gets him killed.)

Note also the use of "long":

Aziraphale says to "tell me you want to do this". "Long" has rather stronger connotations than "want", but also rawer, more fundamental. Crowley is reminding Aziraphale that he is a demon, and that he has the traits of a demon, this is what he is now. He longs for violence, for destruction.

Aziraphale looks quite sad here. If you watch the video I linked, his previous conviction that Crowley doesn't want to do it is very strong. He fully believes in Crowley, that all he needs to do is reframe not killing the kids as within the rules of Hell, the way Crowley so often comes to do for Aziraphale ("Then you can't be certain that thwarting me isn't part of the divine plan too. I mean, you're supposed to thwart the wiles of the Evil One at every turn, aren't you?" "If you put it that way, Heaven couldn't actually mind me thwarting you.").

Aziraphale believed Crowley was still good, that the angel he remembered was still in there. But Crowley rejects it - and it hurts. Crowley has become what a demon should be.

Crowley looks quite sorrowful here, too: he already cares for Aziraphale (he fell in love at the Garden), and it hurts to decieve him, to disappoint him, to hurt him.

I would argue that here, Crowley is scared.

He's in shadow, which dims the yellows; his undemonic nature is about to be revealed.

And that is not safe, because Hell does not send rude notes. And here, Crowley is not doing just any temptation, but trying to help Satan win a bet (supposedly). And out of every demon in Hell, Satan is the one you want to piss off the least.

But here, Crowley is scared because Aziraphale could reveal him - because Aziraphale is on God's side, and because it is revealed that Crowley is not nearly as demonic as he makes himself out to be. He's vulnerable. Aziraphale could scorn him, hurt him. But instead:

Aziraphale is incredibly smug. "I knew I was right", he says. "I knew you were still good".

And here is another issue: Aziraphale conflates God/Heaven/angels with good, and demons/Hell with bad.

And Crowley does not see Heaven as good. He doesn't want Aziraphale to see his angelic core past the demonic exterior. He's on his own side.

This, for Aziraphale, confirms that "the angel you knew is not me", is not correct.

And I think, out of the three minisodes, it's this one that does the most for fleshing out Aziraphale and Crowley's frames of mind this series, and why they choose what they choose in ep6.

Aziraphale has been proven right about Crowley's angelic nature, and that he wants to do good, but can't, for fear of Hell's retribution.

And Crowley does not see Heaven as good. He recognises that being an angel again will not allow him the freedom to do good. (as Aziraphale had to try and talk a demon into helping him save the kids from God.)

[imaybe5tupid]

Laios and Marcille play the Daltian Clan CRPG part 2

Marcille is 100% a terrible backseat driver with games. And she is also baring her heart and soul with her most beloved media property and most beloved character (who got her through many lonely days growing up as a half elven child with no one else like her around) and Laios is doing the equivalent of looking at his phone sometimes and only paying attention to the character he has a crush on, or acting in murderhobo ways instead of paying full attention.

Also, for the record, I personally think the person who resembles Forva most is actually Rinsha (and it’s not even close, like the exact hairstyle and clothes are the same too! she’s even brooding and quietly sensitive too) But Laios dgaf about her and it’s just like him to be reminded of Shuro in that juvenile way that he likes to think of him sometimes lmao. In my marcille x rin Yuriverse Marcille also would Realise its Rin…and gaf…but I already made that joke in my other comic.

rambling hcs and criticism of Kui’s deisgn choices for the elves under the cut

I saw people pointing out how like every single elf who appears is silver-haired or blond, with light-coloured eyes (I think Mithrun’s eyes being dark are a stylistic choice, they’re canonically silver imo still). Kui kind of shot herself in the foot with her aesthetic preferences because silver hair is canonically supposed to be rare (Mithrun’s backstory, Flamela’s omake) but like every random elf in the background has it 😭 She had that one elf with black hair in her canary concept art, as well as one bg character I think? But anyway her doing this gave me a brain-blast moment about how Marcille can still be the princess of Wasia I know her to be in my heart (you don’t need canonical basis for hc ofc, but it bums me out when nonwhite interpretations have to settle for less connection to the thoughtfulness of canon in media). I like to think of black hair and dark eyes in elves as being like the equivalent of naturally silver/white hair or rare light-coloured eyes (like purple etc.) in tallmen. Theoretically possible but so rare, and overrepresented in media for their novelty. It’s also interesting to me if mixed elves all have dark hair in media as visual shorthand, but ACTUAL mixed elven individuals with that hair and eye colouring are extremely rare in reality. Similar to how dark hair and eyes are dominant IRL so its unlikely for a child of a union of a parent who is dark haired/ dark eyed parent and a light haired/light eyed parent, to have light hair or eyes. But like the reverse for elves! Few mixed elves actually have dark eyes and dark hair, but the incidence of that colouring is still higher than the general population of elves. 🤔 Also I think its an interesting (and imo realistic) kind of cultural concept/way of thinking for Marcille to internalise. I also like the idea of long-lived ethnic groups being kind of like Ancient analogues of modern ones among short-lived races. Since long-lived races often have this like Ancient History theming you know hearkening back to Rome or Greece etc. Marcille’s mom is from fantasy Zhou dynasty.

I personally have always been somewhat annoyed by Kui’s choice to do kind of “aracial” designs for the elves. You can really see it strongly when comparing the little bonus pages for each race which feature a collection of varied designs (she clearly tries to depict different features in the other races). I understand what she was trying to do, they do successfully come off as strange aliens and it plays on established tropes for elves (who are themselves hrgh…there is something so 🙃 about white fantasy nerds fantasising about a race of Naturally Beautiful Exceedingly Conventional Aryans, Kui came up with better lore reasons for Elves to be admired for their beauty) while conserving the information that needs to be used in her story. It also makes you focus more on the differences between fantasy races and similarities within them which she is trying so hard to convey. Of course there’s also the limitations of her own art style, but I don’t buy that as an excuse since it hasn’t stopped her making such distinctive white characters. It feels very cowardly (from an author who normally is braver than you’re average mangaka) to me..particularly with how the majority of elves who appear and have actual characters are quite unambiguously interpreted (and imo meant to be interpreted ) as white. The elves who appear also are very specifically from abroad (so there’s no “regional” reason for them to be so homogenous), and there are clear attempts via background characters being darker skinned to imply a multiracial society. But in that toothless colourblind way you often see in fantasy. The kind of Roman/Greek aesthetics used for the elves (both visually and in their lore/worldbuilding) already naturally lends itself to more compelling explanations PERSONALLY but also I genuinely think she just hasn’t maybe thought that deep about it or arrived at a conclusion maybe? She cares more about fleshing out the fantasy aspects and I respect that.

But you compare how much she gaf about researching historically accurate European clothing, and making the designs for her white characters and its like…girl. Many such cases where Kui has so deeply thought out and researched things, that the areas that she didn’t put so much care stick out like a sore thumb. The nonwhite characters (with the PARTIAL exception of Kabru in like doodles, and ofc the Japanese characters which she’s already familiar with) get kind of…comparatively no thought at all. It is also troubling that the most prominent dark skinned women are like evil and sexualised asf (cithis, love her down though) or aggressive (flamela, though literally being obsidian skinned I doubt even Kui would have intended for her to be read as someone who would be a dark skinned tallwoman, since she’s clearly based on drow and theres been MUCH AND MORE about the Everything of them that there’s no way shes not aware and would make a blunder like that. But I think it’s still worth noting, even though Flamela’s personality has a lot of thoughtful lore explaining it). Personally I think this happened in that kind of unthinking 2014 non black tumblr way of being like yessss sexyyyy in an inappropriate way about dark skinned women, without thinking deeper about the reasons they percieve these women in these ways. Like she did it because she thinks its hot and appealing to her. The cursed asf way that Kui drew Hexxat and Dynaheir in her Baldur’s Gate drawings also makes me less inclined to be generous to her about this. The absence of black characters too in a setting that’s literally the Mediterranean is also kind of crazy to me lol. I’m not black myself so I can’t offer much here but like I think it’s worth for Dungeon Meshi fans to have space for these critical conversations more among all of the praise of Kui as a creator.🫶 There is no reason for the kid gloves that are often afforded japanese creators from the anglosphere, for her or anyone. Like we can and should expect better, its not that she’s just a product of a society where the rarity of positive/thoughtful representations of black characters are Just How It Is (also a disingenuous concept in itself).

ANYWAY just my thoughts I’ve had for a while and they’re tangentially related to my comic so it’s going in here.

[communistkenobi]

Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

[thechurchoftheradiodemon]

I've been mulling over something. I read one of Vivzie's interviews lately and I've come to some conclusions about Alastor's character (these are just my own theories, though, so we'll see how everything actually develops in s2).

Unfortunately, I believe, canonically, Alastor is NOT aromantic. Maybe on the aro-spectrum, and deffinitely asexual, but not aro per se. In this interview, Vivzie confirms Alastor's asexuality, and plays with his aro identity saying something like "I don't want to ruin people's fun with him". This could be queerbaiting in a sense (I don't actually think so, when Vivzie is high on queer representation, but aro people are very left behind in the community, sadly).

But she continues to add on that there are plans for Alastor in the future of the series, saying something like "I can't confirm that he is aromantic". To me, this reads like we will see romance in Alastor's life in season 2, wether it's a past lover/romantic interest or a new one I could not say. She would've had no problem in confirming Alastor as aromantic otherwise, and I interpret this as Vivzie not wanting to spoil part of the plot.

I used to think that Alastor's deal would most surely be with Lilith, but, while it could be the case, I'm not so sure anymore (although it could be a fun dinamic). But, nontheless, I think Lilith's and Alastor's 7 year absence and his deal are intertwinded somehow.

My bet, for the future romance plot, is that it could be one of these three: either Lilith, whom the fandom is already considering in a sense; the mysterious Eve, or... Lucifer. HEAR ME OUT. I don't say this as a Radioapple enjoyer. The reasons I think it could be Lucifer are the same that I think it could be Eve (although we know absolutely nothing about her).

Mainly, I draw these conclusions from the early comic Zoophobia, from where we know Alastor's character was taken. In this comic, his character is supposed to have a crush on the character of KayCee, a powerful being with whom he could have made an alliance to reign chaos.

KayCee's descriptions could match either of the three romantic interests I mentioned, but what strikes me more are her defining traits: white and gold colour palette, and the apple. We know not all of Vivzie's characters stem from Zoophobia, and the ones that do have (understandably so) went through important changes through the years, mediums and aesthetics.

BUT these could be some clues into what we might discover in s2 of Hazbin. And, so long, the character we've seen fit this palette and apple motif is none other than Lucifer himself. Eve, on the other hand, is also shown during the intro sporting some sort of apple motif, which could be indicative of her future appearance in the series. But we know so little about her, and, knowing Hazbin Hotel will only have 2 seasons confirmed, I'm not sure we will see more of her.

I personally don't like the idea of losing Alastor as an aromantic character. I'd much rather not see him in a romantic relationship whatsoever in the canon series. But that is not my call to make, and he will always be our ace-king no matter what. Also, that wouldn't mean his story or character will be less interesting or developed. So we'll have to wait and see...

(This is visual representation of me reaching these conclusions, btw)

I would love to hear what other fans think about this, so if you want to leave and opinion in the comments we can discuss!