#to some character

[canonkiller]

I just think everyone should take a moment to consider the question "what is your visual shorthand for cruelty?" and then follow it up with a critical "and who taught you that?"

specific examples include but are not limited to

why is an evil timeline character design disabled? (why do the heroes go through equally punishing battles and never lose an arm, a leg, an eye?)

why are the futuristic scifi terrorists uniformly darker skinned? (why are the heroes so much lighter?)

why is the greedy boss fat? (why are the heroes skinny?)

why is the criminal mastermind heavily scarred? (why is the brooding, traumatized hero unscathed?)

why is the predatory creep a bearded person in a dress and makeup? (why are none of the heroes trans women?)

who taught you that this is how things are?

how long do you plan on repeating it?

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[christadeguchi]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[callisteios]

i made a character uquiz. i 100% promise you that you will get a character you know AND like

[sunshinem0ths]

club meshis

[lackadaisycal-art]

I'm getting so sick of major female characters in historical media being incredibly feisty, outspoken and public defenders of women's rights with little to no realistic repercussions. Yes it feels like pandering, yes it's unrealistic and takes me out of the story, yes the dialogue almost always rings false - but beyond all that I think it does such a disservice to the women who lived during those periods. I'm not embarrassed of the women in history who didn't use every chance they had to Stick It To The Man. I'm not ashamed of women who were resigned to or enjoyed their lot in life. They weren't letting the side down by not having and representing modern gender ideals. It says a lot about how you view average ordinary women if the idea of one of your main characters behaving like one makes them seem lame and uninteresting to you.

[thebigcomed0wn]

im so serious if you cant imagine a single female character u like or you coincidentally only care about men or imagine that women are a different species of human that are impossible to draw or write about or relate to, You are the problem. its not because you’re gay it’s because you do not like women

[tazmiilly]

[valtsv]

will never understand the misogynistic inclination to pigeonhole every female character into the "exasperated sensible mom friend" role as if there's anything better than a woman so devoid of maternal instincts that she makes wire mother look soft. woman who rolls over and walks out onto the balcony to smoke a post-coital cigarette alone and leaves without a note or any kind of acknowledgement after sleeping with you because she can't stand the vulnerability of sleeping next to someone, or waking up beside them the following morning. woman whose idea of relaxing is abusing substances alone in a dark corner somewhere, and snarling and snapping at anyone who approaches her, regardless of intent. woman so emotionally unavailable she fails or refuses to notice that her lame ass partner is trying to push the divorce papers until they've taken the kids and left a heartfelt but scathing note pinned to the fridge. woman with more vices than genuine friends. woman whose expression stays blank and arms remain limply at her sides when you wrap her up in yours for a hug. woman without a gentle touch in her body, with nothing but rough edges and sharp angles.

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[lady-of-the-spirit]

"Canon divergence" but it's giving characters the close friendships I think they would have had if canon had expanded a little more.

[astearisms]

catalysts, protectors

[biggest-gaudiest-patronuses]

so important for every character to be an idiot, but each in their own unique beautiful way

[beebeedibapbeediboop]

The last light holder

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[lopsidedspecs]

BG3 art dump⭐️