#transmitting from delphi

[chronicallycoding]

Time to trick these doofuses into eating. Why couldn’t the safe food be something actually filling? Nope. Cheeseballs. Well, I’m doing what I can with the cards I’ve been dealt.

[bhagyadeepcables11]

Top Automotive Wire Harness Manufacturers in the World: Bhagyadeep Cables’ Contribution to Global Excellence

In the rapidly evolving automotive industry, the demand for reliable and efficient electrical systems is paramount. Automotive wire harnesses, which bundle and protect electrical cables, play a critical role in ensuring the seamless operation of various vehicle functions. As the automotive sector continues to grow, the need for high-quality wire harnesses becomes increasingly important. Among the leading players in this field, Bhagyadeep Cables has established itself as a significant contributor to the global market, known for its commitment to excellence and innovation.

Understanding Automotive Wire Harnesses

An automotive wire harness is a systematic arrangement of wires, connectors, and terminals that transmit electrical power and signals to various components within a vehicle. These harnesses are essential for the functioning of electrical systems such as lighting, instrumentation, battery, and engine management systems. They are designed to withstand harsh environmental conditions and provide reliable performance throughout the vehicle's lifespan.

Key Factors for Leading Automotive Wire Harness Manufacturers

Quality and Reliability: The foremost priority for any wire harness manufacturer is to ensure the highest standards of quality and reliability. This involves rigorous testing and quality control measures to guarantee that the harnesses meet industry standards and perform flawlessly under varying conditions.

Innovation and Technology: Leading manufacturers invest heavily in research and development to incorporate the latest technologies and materials into their products. This enables them to offer advanced solutions that enhance vehicle performance, safety, and efficiency.

Customization and Versatility: The ability to provide customized solutions tailored to specific vehicle requirements is crucial. Manufacturers must offer a wide range of products and customization options to meet the diverse needs of different automotive applications.

Global Reach and Supply Chain: A robust global supply chain and distribution network ensure timely delivery and availability of products across various regions. This is essential for meeting the demands of the global automotive market.

Sustainability and Eco-Friendliness: With the growing focus on sustainability, manufacturers that adopt eco-friendly practices and produce environmentally responsible products are highly valued in the market.

Customer Support and Service: Excellent customer support, including technical assistance and after-sales service, is vital for building long-term relationships with clients and ensuring their satisfaction.

Top Global Automotive Wire Harness Manufacturers

Yazaki Corporation (Japan): Yazaki is the world’s largest manufacturer of automotive wire harnesses, known for its high-quality products and innovative solutions. With a strong global presence, Yazaki supplies harnesses to major automotive manufacturers worldwide.

Sumitomo Electric Industries (Japan): Sumitomo Electric is a leading player in the automotive wire harness industry, offering a wide range of products that cater to various vehicle types and applications. Their focus on technology and quality has made them a preferred choice for many automakers.

Delphi Technologies (UK): Delphi Technologies is renowned for its advanced automotive wire harnesses and electrical systems. They provide innovative solutions that enhance vehicle performance and safety, serving customers across the globe.

Leoni AG (Germany): Leoni AG is a key supplier of automotive wire harnesses, known for its expertise in providing high-quality and customized solutions. Their products are used in a wide range of vehicles, from passenger cars to commercial trucks.

Aptiv PLC (Ireland): Aptiv is a global technology leader in automotive solutions, including wire harnesses. They offer a comprehensive range of products that integrate the latest advancements in connectivity and safety.

Furukawa Electric Co., Ltd. (Japan): Furukawa Electric specializes in providing advanced wire harness solutions for the automotive industry. Their focus on innovation and sustainability has positioned them as a significant player in the global market.

Bhagyadeep Cables: A Rising Star in Automotive Wire Harness Manufacturing

While the above-mentioned companies dominate the global market, Bhagyadeep Cables has emerged as a notable name in the automotive wire harness manufacturing sector, particularly in India. Here’s why Bhagyadeep Cables is gaining recognition in the industry:

Extensive Product Range: Bhagyadeep Cables offers a comprehensive selection of automotive wire harnesses, catering to various vehicle types, including passenger cars, commercial vehicles, and electric vehicles. Their product range is designed to meet the diverse needs of the automotive sector.

Commitment to Quality: Adhering to stringent quality standards, Bhagyadeep Cables ensures that its products meet both national and international certifications. Their focus on quality and reliability ensures that their wire harnesses provide superior performance and durability.

Customization and Flexibility: Bhagyadeep Cables provides tailored solutions to meet specific customer requirements, offering a variety of harness designs, materials, and configurations. This flexibility enables them to cater to the unique needs of different automotive applications.

Innovative Manufacturing: Investing in advanced manufacturing technologies, Bhagyadeep Cables incorporates the latest innovations into its products, ensuring that they stay at the forefront of the industry. Their commitment to continuous improvement drives the development of cutting-edge wire harness solutions.

Sustainable Practices: Bhagyadeep Cables integrates eco-friendly practices into its manufacturing processes, prioritizing the use of recyclable materials and reducing its environmental footprint. Their dedication to sustainability aligns with the growing demand for environmentally responsible products.

Strong Market Presence: With a growing presence in the market, Bhagyadeep Cables is expanding its reach both domestically and internationally. Their reputation for quality and reliability has made them a preferred choice for customers in the automotive industry.

Why Bhagyadeep Cables is the Preferred Choice

Choosing Bhagyadeep Cables for your automotive wire harness needs offers several key advantages:

High-Quality Standards: With a strong focus on quality, Bhagyadeep Cables delivers products that meet and exceed industry standards, ensuring the safety and reliability of their wire harnesses in various applications.

Wide Range of Solutions: Their extensive product portfolio and customization capabilities mean you can find the perfect wire harness solution for any vehicle type or application, from traditional internal combustion engines to cutting-edge electric vehicles.

Innovation and Technology: Bhagyadeep Cables’ commitment to innovation ensures that you receive state-of-the-art products that incorporate the latest advancements in technology and materials.

Eco-Friendly Approach: Their dedication to sustainable manufacturing practices aligns with global environmental goals, offering eco-friendly products that contribute to a greener future.

Exceptional Service: With a customer-centric approach, Bhagyadeep Cables provides excellent service, from product selection to after-sales support, ensuring customer satisfaction.

Conclusion

In the global market of automotive wire harness manufacturing, companies like Yazaki, Sumitomo Electric, and Delphi Technologies lead the way with their extensive capabilities and innovative solutions. Bhagyadeep Cables, with its strong commitment to quality, innovation, and sustainability, is carving out a significant presence in this dynamic industry. As they continue to grow and expand, Bhagyadeep Cables is poised to make a lasting impact on the global automotive wire harness market.

For more information on their automotive wire harness offerings, visit Bhagyadeep Cables' official website or contact their expert team today.

[xasha777]

In the twilight of the Peloponnesian War, as the once-mighty Athenian and Spartan fleets clashed across the wine-dark seas of ancient Greece, a new and unforeseen threat emerged from the depths of mythology itself, thrusting the age-old conflict into the shadows of forgotten legends.

The tale begins with Chiron, an Athenian captain renowned not just for his skill in naval warfare but also for his insatiable curiosity about the world beyond the known. His ship, the Argaleon, was a marvel of engineering, adorned with intricate carvings that whispered of old gods and deep seas. As the war dragged on, Chiron grew weary of the endless fighting and turned his gaze towards exploration, driven by tales of a mysterious entity known as the Ocean Kraken, a creature said to guard the gates to Atlantis.

Legend had it that this Kraken was not merely a beast but a sentinel left by the ancients to guard profound secrets beneath the waves. Emboldened by the possibility of ending the war with the power of these secrets, Chiron convinced his crew to venture into uncharted waters. They set sail under the guise of a military mission, steering towards the Pillars of Hercules, where the world was believed to end.

As they journeyed further from familiar shores, the skies darkened and the seas turned treacherous. The Argaleon was soon caught in a monstrous storm, waves as high as city walls threatening to swallow them whole. It was in this chaos that the Ocean Kraken emerged, its tentacles as thick as columns, its eyes glowing like molten gold in the storm.

Chiron, realizing that this creature was not just a myth but a sentient being, attempted to communicate. Using an ancient device found in the ruins of Delphi, designed to transmit vibrations through water, he sent a message of peace and inquiry into the depths. To his surprise and relief, the Kraken responded not with violence but with curiosity.

Through an extraordinary exchange, Chiron learned that the Kraken had been created by an advanced civilization, the Atlanteans, who had mastered not only the art of war but also the secrets of longevity and harmony with nature. The Kraken, designed as both protector and keeper of peace, held the knowledge of Atlantis’s power sources, capable of altering the course of the Peloponnesian War.

The Atlanteans, foreseeing their own destruction, had chosen isolation, sinking their city into the abyss to prevent their technology from falling into the wrong hands. The Kraken, their final guardian, now offered Chiron a choice: return to the surface and forget this encounter, or dive deeper and learn the ways of Atlantis, bringing its peaceful ethos back to a world torn by conflict.

Driven by a vision of peace, Chiron chose the latter. As he and his crew descended with the Kraken into the depths, they were transformed by Atlantean science, adapted to breathe underwater and live among the ruins of the sunken city. They spent years learning the ancient wisdom of Atlantis, from energy harnessing to environmental conservation.

When they finally returned, the Peloponnesian War had ended, and Greece was entering a period of rebuilding and reflection. Chiron and his crew, now ambassadors of Atlantean principles, spread their newfound knowledge. They taught of energy systems that could power entire cities without pollution, agricultural practices that increased yields without harming the earth, and philosophies that promoted peace over conquest.

The impact of their return was profound, reshaping Greek society and laying the foundation for a period of unprecedented prosperity and harmony. The Kraken, having fulfilled its purpose, disappeared back into the deep, leaving behind a legacy of change and a world forever altered by the secrets of Atlantis.

[raelhbishop]

PhiOrg and the Royal Road

Hi all, quick update. I've made a Royal Road account, and a few days ago I posted my first story to it - it's more a frame story for the rest of my short stories.

You can check it out here, or keep scrolling to read the "prologue":

I'll be reposting some of my older stories onto there & cross-posting new stories there from now on.

Prologue

On the outskirts of the multiverse lies a Citadel, out of which the Phi Organization does its work.

PhiOrg works where the physical, metaphysical, and 'pataphysical intersect.

It archives the many worlds, alone,      concealed,           and prohibited from intervening in their happenings.

Its Citadel lies hidden from the worlds, rising like Delphi yet concealed like Shambhala in the mountains of spacetime.

Standing unsupported in the ylem, its many pillars and spires rise from the fog of ages. Every inch of it is covered in the same dim light, as if emitted from an invisible full moon. Matte black figures move across its non-euclidean, stone-brick surfaces with ease. They look mostly the same; void-like wisps, morphing as the situation dictates but always returning to the same shape.

One such figure floats across an ephemeral bridge and through a doorway, gliding past halls and halls of archived material. It holds a nebular tablet in its temporary tendrils.

Entering a small archway, a massive arena of cells emerges before it. The cells expand upwards and down infinitely, maintaining a dome-like appearance no matter how far one moves vertically. A giant humanoid, its legs as wide as mountains, sits chained in the center. Its monitor head watches the cells as if in a panopticon. In one such cell, an unusual figure is engrossed in their work.

They're a different figure from the others. They take a humanoid shape and wear a pure black hat atop their equally colorless head. No matter the circumstance, they always return to this shape.

Like a merchant of yore, this figure shifts beads across an invisible thread like an abacus. These beads are pure perceptions, copies of existences - in other words, records. With each stroke, the figure sorts through thousands of lives, thousands of stories, and strings them together into compendiums, ensuring no act goes unnoticed, no song left on deaf ears.

As it reaches for new records, handling them as if they were marbles, it witnesses them unfold in their completion.

One bead shows glimpses of an intergalactic war, technocrats and zealots reducing planets to embers in a cosmic fire. Another shows a child watching a bug and entering a meditative trance. Widows cry, volcanoes erupt, planets are born, microbes eat one another...

The figure from earlier enters the cell. The hatted figure turns, still shifting beads, and the two convene. They speak without words, learn without misunderstanding, transmitting pure thoughts.

Our hatted figure learns it is now their turn to be an Operative - to go into the many worlds and make new records, not merely shift the others around. Operatives take nothing but photos and leave nothing but small spatiotemporal disturbances in the fabric of reality.

They're hesitant, unsure what to do. They've waited outside of time for such an opportunity to appear.

Yet, jostling stories around is different from going out and capturing your own, displaying them for others to see.

Silently, the hatted figure accept the role and is transferred the tablet. They leave the bounds of their cell and fly out into the void, the tablet warping and contorting reality around it.

As the warping ceases, the hatted figure finds themselves in a bustling marketplace. Creatures of an arachnid race surround them, carrying energy crystals and strange cuisines in sacs on their backs.

They gesture into the tablet, reality morphing around him once-more. The spiderfolk turn into clouds of dust in a protoplanetary disk. A solar system is born before their eyes.

====================

Many leave the Citadel to take records - to write down the many Tales of the Multiverse.

These are the tales of one such Operative.

[vynzresearchreport]

Automotive Wire Harness Market Size, Share, Trends, Growth, Demand, Opportunity, Competitive Analysis, and Forecast 2021-2027

An automotive wiring harness is a collection of wires and connectors that transmit electrical signals and power throughout a vehicle. It is a critical component of any vehicle, as it allows the various electronic systems to communicate and function properly.

The global automotive wire harness market is expected to grow at a CAGR of 5.8% from 2021 to 2027, reaching a value of $75 billion by 2027. This growth is being driven by a number of factors, including the increasing complexity of vehicles, the growing demand for electric vehicles, and the rising focus on safety.

Market Drivers

The increasing complexity of vehicles: As vehicles become more complex, the demand for automotive wiring harnesses that can accommodate the increasing number of electronic components is growing. For example, the average passenger car now contains over 100 electronic control units (ECUs), each of which requires its own wiring harness.

Growing demand for electric vehicles: Electric vehicles (EVs) are becoming increasingly popular, and this is driving demand for automotive wiring harnesses that are designed for EVs. EVs have a different electrical architecture than traditional gasoline-powered vehicles, and they require specialized wiring harnesses that can handle the high voltage and current requirements of EVs.

Rising focus on safety: The automotive industry is placing increasing emphasis on safety, and this is leading to the development of new safety features that require automotive wiring harnesses. For example, advanced driver-assistance systems (ADAS) require complex wiring harnesses to connect the various sensors and actuators that make up these systems.

Get a free sample copy of the research report: https://www.vynzresearch.com/automotive-transportation/automotive-wire-harness-market/request-sample

Market Trends

Shift towards lightweight wiring harnesses: There is a growing trend towards lightweight wiring harnesses in the automotive industry. This is due to the fact that lightweight wiring harnesses can help to improve fuel efficiency and reduce emissions.

Increased use of high-speed data transmission wiring harnesses: The increasing use of high-speed data transmission in vehicles is driving demand for automotive wiring harnesses that can support these high-speed applications.

Growing adoption of modular wiring harnesses: Modular wiring harnesses are becoming increasingly popular in the automotive industry. This is because modular wiring harnesses are easier to manufacture and install, and they can be customized to meet the specific requirements of different vehicles.

Market Segmentation

The global automotive wiring harness market is segmented by vehicle type, propulsion type, region, and application.

By vehicle type: The market is segmented into passenger cars, light commercial vehicles, and heavy commercial vehicles.

By propulsion type: The market is segmented into gasoline vehicles, diesel vehicles, hybrid vehicles, and electric vehicles.

By region: The market is segmented into North America, Europe, Asia-Pacific, Latin America, and Middle East & Africa.

By application: The market is segmented into body, chassis, engine, and interior.

Competitive Landscape

The global automotive wire harness market is highly competitive, with a number of major players vying for market share. Some of the leading players in the market include Yazaki Corporation, Sumitomo Electric Industries, Leoni AG, Delphi Automotive, and Lear Corporation.

Future Outlook

The global automotive wiring harness market is expected to continue to grow in the coming years. This growth will be driven by the increasing complexity of vehicles, the growing demand for electric vehicles, and the rising focus on safety.

Conclusion

The global automotive wiring harness market is a dynamic and growing market. The market is being driven by a number of factors, including the increasing complexity of vehicles, the growing demand for electric vehicles, and the rising focus on safety. The market is expected to continue to grow in the coming years, and the leading players in the market are well-positioned to capitalize on this growth.

About Us:

VynZ Research is a global market research firm offering research, analytics, and consulting services on business strategies. We have a recognized trajectory record and our research database is used by many renowned companies and institutions in the world to strategize and revolutionize business opportunities.

Source: VynZ Research

[aktosage]

Ahh I’m happy you’re happy!! Sending virtual hugs :D

AND YOUR DOODLES ARE SUPER CUTE!! Your elita in the tfp style one was super pretty omg

Question! For your adding more characters to tfp au (does it count as an au?) where do you think characters like Pharma and First Aid would fit into this? I reckon the whole Delphi fiasco would be different in some ways, or maybe it didn’t happen at all!

I think that Pharma is a super interesting character, and there’s a lot of potential for world building centred around him, if that makes sense? Like he was able to make a plague that was originally transmitted via sound and only activated when the host transformed, and for a darker setting like the tfp continuity I think he would be able to fit right in!

I’m so sorry for rambling I just think he’s a really interesting character!! I hope you’re having a good day, and thank you for taking the time to read this :D

*hugs*

AAAA THANK YOU!!! She’s one of my fav characters omg it hurts how little there is of her in canon. And I’ll do more doodles in 2022! I’ll try to do more with this

Oooooh I’m two steps ahead of you, I have the Delphi, Red Rust, DJD and all that alll ready for you👀 I’ll first write briefly what I think happened, then I’ll throw in some headcanons about Pharma and FirstAid like I do for others :p

Pharma was one of the leading medic’s back on Cybertron and took many apprentices. Him and Ratchet were close like in the idw, they worked together, opened a clinic for the lower class as well (which wasn’t legal off course, but hey you can’t punish your greatest medics especially if they don’t drag attention to themselves and if their cause actually HELPS calm down the situation) and repaired what they could.

The difference between the two, is once again one follows the humane limits the other one does not. Eventually the two broke apart because of that with some hard feelings ofc but overall nothing serious. It still affected both mental and created rivalry —> the better medic would be better known —> if Pharma js better he will surely break the limits and harm someone.

Ratchet wasn’t as nearly as skilled at Pharma because Pharma had a lot of experience and a natural “thing” for being a medic. Ratchet was all brains, passion and a L O T hard work, nothing fell from the sky right into his palms. (This is important trust me)

So.

Pharma kept doing his experiments, Firstaid staying with him because it was a secret between the two. Ratchet did NOT want FirstAid to loose a chance of learning from the best, so he stayed quiet and said that he’s leaving for business. Eventually, Pharma mutated the old Cybertronian plague because his plan was to eradicate those who he considered harmful for the society👀 (Ratchet had a soft spot for ‘the harmful’ ones and for Pharma, Pharma did not. Thus in TFP Ratchet lost his soft spot in a way to not let a mistake happen again.)

^^adding the DJD. Pharma also did it to keep himself safe later in his research. He was found very quickly by one of Megatron’s men, and while his plan was to harm ONLY the ‘harmful’ ones he had to form an alliance. His virus was to be spread fast but it also ought to be fairly easy to stop or avoid for those who knew about it. He worked with Shockwave on a proper cure, and the files were transferred to Megatron (so Pharma only had a batch of it for himself and maybe FirstAid to stop him from overproducing it) Also the usual supplying the djd with parts and such.

Fear and threats got to Pharma and he eventually turned mad because he realized how bad it had gotten. He wanted to be a medic to save people and teach younger bots his work, the younger bots who were dying under his servos.

He was doing all this right when the war was about to start, around the time when Orion became Optimus. But it transmitted TOO well and too fast, but Pharma wasn’t scared because “less people, less problems, less mouth to feed, less poor, people would eventually start getting more careful and focus on finding a cure rather than startinfg a war”.

Pharma eventually fled the planet to ‘organize a refugee center’ on one of Cybertron’s abandoned colonies (cold weather like in Delphi, rather hard to reach…)

To the battle at Tyger Pax. We all know that Ratchet blames himself for Bumblebee’s loss of speech, or rather for not being able to FIX it. Pharma could’ve. Pharma could’ve.

So when Optimus got the plague back on earth from that ship, it hit Ratchet especially hard👀 It was yet another mistake he had to fix but couldn’t. And that’s why he INSTANTLY knew what it was back there, he knew everything about it but the cure.

I just realized how much I wrote oh god, so if you’d like headcanons on the three medics pls do say😭

I HOPE YOU LIKED THIS! I really try to intertwine canon from both to fit into TFP unuverse (which is very messy? The alligned is practically just flecks of content scattered around but there are multiple posibilities? Okay)

Anyone is welcome to ask more, seriously this is phenomenal for me I get so excited when I can share whatever this is :D

I have 3 (I think) more asks to do BUT.

I’m going on a trip tomorrow and will be traveling for a long time so I could use some asks👀 or even fanfic requests (I write this is my AO3 heh https://archiveofourown.org/users/Aktosage/pseuds/Aktosage ) I especially like my OpLita fic but it is kinda sad I think 💀

Oneshots are a-okay!

Fanfic promts as well

Nsfw ONLY. O N L Y 18+ and will be posted only there for now IF I do it :p

Any universe seriously

OCs are eeeeh okay? I just don’t know how well I’d be able to tackle a character I couldn’t research first hand :p

Headcanons are mwah perfect

Human x [insert fella] are also okay!

[uomo-accattivante]

Fantastic (but long) article about Theater of War’s recent productions, including Oedipus the King and Antigone in Ferguson, featuring Oscar Isaac. The following are excerpts. The full article is viewable via the source link below:

Excerpt:

“Children of Thebes, why are you here?” Oscar Isaac asked. His face filled the monitor on my dining table. (It was my partner’s turn to use the desk.) We were a couple of months into lockdown, just past seven in the evening, and a few straggling cheers for essential workers came in through the window. Isaac was looking smoldery with a quarantine beard, a gold chain, an Airpod, and a black T-shirt. His display name was set to “Oedipus.”

Isaac was one of several famous actors performing Sophocles’ “Oedipus the King” from their homes, in the first virtual performance by Theater of War Productions: a group that got its start in 2008, staging Sophocles’ “Ajax” and “Philoctetes” for U.S. military audiences and, beginning in 2009, on military installations around the world, including in Kuwait, Qatar, and Guantánamo Bay, with a focus on combat trauma. After each dramatic reading, a panel made up of people in active service, veterans, military spouses, and/or psychiatrists would describe how the play resonated with their experiences of war, before opening up the discussion to the audience. Since its founding, Theater of War Productions has addressed different kinds of trauma. It has produced Euripides’ “The Bacchae” in rural communities affected by the opioid crisis, “The Madness of Heracles” in neighborhoods afflicted by gun violence and gang wars, and Aeschylus’ “Prometheus Bound” in prisons. “Antigone in Ferguson,” which focusses on crises between communities and law enforcement, was motivated by an analogy between Oedipus’ son’s unburied body and that of Michael Brown, left on the street for roughly four hours after Brown was killed by police; it was originally performed at Michael Brown’s high school.

Now, with trauma roving the globe more contagiously than ever, Theater of War Productions had traded its site-specific approach for Zoom. The app was configured in a way I hadn’t seen before. There were no buttons to change between gallery and speaker view, which alternated seemingly by themselves. You were in a “meeting,” but one you were powerless to control, proceeding by itself, with the inexorability of fate. There was no way to view the other audience members, and not even the group’s founder and director, Bryan Doerries, knew how numerous they were. Later, Zoom told him that it had been fifteen thousand. This is roughly the seating capacity of the theatre of Dionysus, where “Oedipus the King” is believed to have premièred, around 429 B.C. Those viewers, like us, were in the middle of a pandemic: in their case, the Plague of Athens.

The original audience would have known Oedipus’ story from Greek mythology: how an oracle had predicted that Laius, the king of Thebes, would be killed by his own son, who would then sleep with his mother; how the queen, Jocasta, gave birth to a boy, and Laius pierced and bound the child’s ankles, and ordered a shepherd to leave him on a mountainside. The shepherd took pity on the maimed baby, Oedipus (“swollen foot”), and gave him to a Corinthian servant, who handed him off to the king and queen of Corinth, who raised him as their son. Years later, Oedipus killed Laius at a crossroads, without knowing who he was. Then he saved Thebes from a Sphinx, became the king of Thebes, had four children with Jocasta, and lived happily for many years.

That’s where Sophocles picks up the story. Everyone would have known where things were headed—the truth would come out, and Oedipus would blind himself—but not how they would get there. How Sophocles got there was by drawing on contemporary events, on something that was in everyone’s mind, though it doesn’t appear in the original myth: a plague.

In the opening scene, Thebes is in the grip of a terrible epidemic. Oedipus’ subjects come to the palace, imploring him to save the city, describing the scene of pestilence and panic, the screaming and the corpses in the street. Something about the way Isaac voiced Oedipus’ response—“Children. I am sorry. I know”—made me feel a kind of longing. It was a degree of compassion conspicuous by its absence in the current Administration. I never think of myself as someone who wants or needs “leadership,” yet I found myself thinking, We would be better off with Oedipus. “I would be a weak leader if I did not follow the gods’ orders,” Isaac continued, subverting the masculine norm of never asking for advice. He had already sent for the best information out there, from the Delphic Oracle.

Soon, Oedipus’ brother-in-law, Creon—John Turturro, in a book-lined study—was doing his best to soft-pedal some weird news from Delphi. Apparently, the oracle said that the plague wouldn’t end until the people of Thebes expelled Laius’ killer: a person who was somehow still in the city, even though Laius had died many years earlier on an out-of-town trip. Oedipus called in the blind prophet, Tiresias, played by Jeffrey Wright, whose eyes were invisible behind a circular glare in his eyeglasses.

Reading “Oedipus” in the past, I had always been exasperated by Tiresias, by his cryptic lamentations—“I will never reveal the riddles within me, or the evil in you”—and the way he seemed incapable of transmitting useful information. Spoken by a Black actor in America in 2020, the line made a sickening kind of sense. How do you tell the voice of power that the problem is in him, really baked in there, going back generations? “Feel free to spew all of your vitriol and rage in my direction,” Tiresias said, like someone who knew he was in for a tweetstorm.

Oedipus accused Tiresias of treachery, calling out his disability. He cast suspicion on foreigners, and touted his own “wealth, power, unsurpassed skill.” He decried fake news: “It’s all a scam—you know nothing about interpreting birds.” He elaborated a deep-state scenario: Creon had “hatched a secret plan to expel me from office,” eliciting slanderous prophecies from supposedly disinterested agencies. It was, in short, a coup, designed to subvert the democratic will of the people of Thebes.

Frances McDormand appeared next, in the role of Jocasta. Wearing no visible makeup, speaking from what looked like a cabin somewhere with wood-panelled walls, she resembled the ghost of some frontierswoman. I realized, when I saw her, that I had never tried to picture Jocasta: not her appearance, or her attitude. What was her deal? How had she felt about Laius maiming their baby? How had she felt about being offered as a bride to whomever defeated the Sphinx? What did she think of Oedipus when she met him? Did it never seem weird to her that he was her son’s age, and had horrible scars on his ankles? How did they get along, those two?

When you’re reading the play, you don’t have to answer such questions. You can entertain multiple possibilities without settling on one. But actors have to make decisions and stick to them. One decision that had been made in this case: Oedipus really liked her. “Since I have more respect for you, my dear, than anyone else in the world,” Isaac said, with such warmth in “my dear.” I was reminded of the fact that Euripides wrote a version of “Oedipus”—lost to posterity, like the majority of Greek tragedies—that some scholars suggest foregrounds the loving relationshipbetween Oedipus and Jocasta.

Jocasta’s immediate task was to defuse the potentially murderous argument between her husband and her brother. She took one of the few rhetorical angles available to a woman: why, such grown men ought to be ashamed of themselves, carrying on so when there was a plague going on. And yet, listening to the lines that McDormand chose to emphasize, it was clear that, in the guise of adult rationality and spreading peace, what she was actually doing was silencing and trivializing. “Come inside,” she said, “and we’ll settle this thing in private. And both of you quit making something out of nothing.” It was the voice of denial, and, through the play, you could hear it spread from character to character.

By this point in the performance, I found myself spinning into a kind of cognitive overdrive, toggling between the text and the performance, between the historical context, the current context, and the “universal” themes. No matter how many times you see it pulled off, the magic trick is always a surprise: how a text that is hundreds or thousands of years old turns out to be about the thing that’s happening to you, however modern and unprecedented you thought it was.

Excerpt:

The riddle of the Sphinx plays out in the plot of “Oedipus,” particularly in a scene near the end where the truth finally comes out. Two key figures from Oedipus’ infancy are brought in for questioning: the Theban shepherd, who was supposed to kill baby Oedipus but didn’t; and the Corinthian messenger to whom he handed off the maimed child. The Theban shepherd is walking proof that the Sphinx’s riddle is hard, because that man can’t recognize anyone: not the Corinthian, whom he last saw as a young man, and certainly not Oedipus, a baby with whom he’d had a passing acquaintance decades earlier. “It all took place so long ago,” he grumbles. “Why on earth would you ask me?”

“Because,” the Corinthian (David Strathairn) explained genially on Zoom, “this man whom you are now looking at was once that child.”

This, for me, was the scene with the catharsis in it. At a certain point, the shepherd (Frankie Faison) clearly understood everything, but would not or could not admit it. Oedipus, now determined to learn the truth at all costs, resorted to enhanced interrogation. “Bend back his arms until they snap,” Isaac said icily; in another window, Faison screamed in highly realistic agony. Faison was a personification of psychological resistance: the mechanism a mind develops to protect itself from an unbearable truth. Those invisible guardsmen had to nearly kill him before he would admit who had given him the baby: “It was Laius’s child, or so people said. Your wife could tell you more.”

Tears glinted in Isaac’s eyes as he delivered the next line, which I suddenly understood to be the most devastating in the whole play: “Did . . . she . . . give it to you?” How had I never fully realized, never felt, how painful it would have been for Oedipus to realize that his parents hadn’t loved him?

Excerpt:

If we borrow the terms of Greek drama, 2020 might be viewed as the year of anagnorisis: tragic recognition. On August 9th, the sixth anniversary of the shooting of Michael Brown, I watched the Theater of War Productions put on a Zoom production of “Antigone in Ferguson”: an adaptation of Sophocles’ “Oedipus” narrative sequel, with the chorus represented by a demographically and ideologically diverse gospel choir. Oscar Isaac was back, this time as Creon, Oedipus’ successor as king. He started out as a bullying inquisitor (“I will have your extremities removed one by one until you reveal the criminal’s name”), ordering Antigone (Tracie Thoms) to be buried alive, insulting everyone who criticized him, and accusing Tiresias of corruption. But then Tiresias, with the help of the chorus, persuaded Creon to reconsider. In a sustained gospel number, the Thebans, armed with picks and shovels, led by their king, rushed to free Antigone.

“Antigone” being a tragedy, they got there too late, resulting in multiple deaths, and in Isaac’s once again totally losing his shit. It was almost the same performance he gave in “Oedipus,” and yet, where Oedipus begins the play written into a corner, between walls that keep closing in, Creon seems to have just a little more room to maneuver. His misfortune—like that of Antigone and her brother—feels less irreversible. I first saw “Antigone in Ferguson” live, last year, and, in the discussion afterward, the subject of fate—inevitably—came up. I remember how Doerries gently led the audience to view “Antigone” as an illustration of how easily everything might happen differently, and how people’s minds can change. I remember the energy that spread through the room that night, in talk about prison reform and the urgency of collective change.

###

Again, the full article is accessible via the source link below:

[blogdemocratesjr]

Apollo & the Moon

Apollo's Chariot by Odilon Redon 

But there is no mirror that more exactly represents any shape or form, nor any instrument that yields more obsequiously to the use of Nature, than the Moon herself. And yet she, receiving from the Sun his masculine splendor and fiery light, does not transmit the same to us; but when it intermixes with her pellucid substance, it changes color and loses its power. For warmth and heat abandon the pale planet, and her light grows dim before it can reach our sight. And this is that which, in my opinion, Heraclitus seems to have meant, when he said that the prince who rules the oracle of Delphi neither speaks out nor conceals, but signifies. Add then to these things thus rightly spoken this farther consideration, that the Deity makes use of the Pythian prophetess, so far as concerns her sight and hearing, as the Sun makes use of the Moon; for he makes use of a mortal body and an immortal soul as the organs of prediction.

—Plutarch, Morals vol. III

We may say that Apollo is a figure incapable of descending into physical incarnation. For this descent requires a higher power than Apollo possessed, namely, the Christ power. And in the Christ all the qualities of the other beings out in the universe were united, all the qualities which are revealed to the consciousness of the seer; but above and beyond all these He possessed the ability to break through the barrier separating the world of the gods from the world of man, and was able to descend into a physical body and become man in a human physical body that had been prepared for Him upon the earth. In the divine spiritual world this ability was possessed by the Christ alone. Thus one being, and one being only of the divine spiritual world descended so far as the stage of taking up its abode in a human body in the sense world, and living as man among other men. This is the great and mighty Christ event, and this is how we have to conceive it. Whereas therefore all gods and spirits can be found only by the consciousness of the seer and beyond the physical world, the Christ is to be found within the physical world, although He is a being of the same nature and essence as the other divine spiritual beings. The other gods can only be found in the external universe: the Christ is He who was born within the human soul, Who, as it were, leaves the outer world of the gods and enters into the inner nature of man. This has been an event of great significance in the evolution of the world and humanity. Before the Christ event it — had been necessary to descend to the sub-terrestrial gods hidden behind the veil of soul experiences if an inner god was sought; the Christ is a God Who may be found without as well as within. This is the essence of what happened in the fourth post-Atlantean epoch, after the Indian, the Persian and the Egyptian periods. The contemplative vision and abstract perception in ancient India of the fact that the divine spiritual world was an unity, and that Tat and Brahman, streaming to the soul from two sides, were an unity, became a living life through the Christ event. Formerly men could say that the divinity to be found on the outward path and the divinity to be found on the inward path were one. After the Christ event it was possible to say that if the soul participates in the Christ, a descent to the inner life will reveal a being which is Apollo and Dionysos united in one.

—Rudolf Steiner, The East in the Light of the West: Lecture VI

[chronicallycoding]

Sideways photo of aforementioned cheesballs. Yes, I know what they’re actually called, we’re just dyslexic and never learned to spell in our first language and also I wasn’t sure that the concept would translate as well.

[tfw-no-tennis]

mtmte liveblog issues 4&5

its delphi time babey

I'm sorry but drift & co look like such fuckin nerds on their scooter things on the cover lmaooo

oh god. seeing the first page just reminded me of how horribly confused i was for this whole little arc the first time i read it. i was like ok, who are all these new characters, and also why does everyone look so similar

anyways now i now what's going on. i love first aid

love the running continuity of rung being the literal only psychologist on cybertron (except for fr*id but that's later). no wonder everyone's fucked up they all have to share a single therapist 

ok i find it extremely funny that first aid was demoted from doctor to nurse, as if that's a thing that happens EVER - I mean it'd be one thing if first aid was a nurse practitioner (which i doubt is a position that exists here), at least that demotion would make sense, but like...the doctors i work with don't know how to do most nurse stuff (like BP, cathing, vaccinations, hell even using some of the thermometers - that's all stuff nurses/etc do), so demoting one to a nurse would be a disaster (just like promoting a really good nurse to a doctor would be a bad idea). anyways i know I'm being pedantic but it Be like that when you work in the medical field and read something that has medicine-related stuff in it

i love swerve giving ratchet the tiniest free drink ever lmaooo

is that skids being a rowdy drunk in the bg lmaoooo

unironically i love medical statistics. keep it comin

i love magnus’s giant sternal chestpiece thing. its like a bird’s sternum but without the massive pec muscles attached 

i love magnus and rodimus’s dynamic so much

oh pipes....im so sorry but this fun space adventure is going to be not so much fun for you

ratchets ideologies are certainly interesting, and i liked seeing how they changed over the course of the story

drift: why would i be SCARED of the DJD, I've got a SWORD, two swords even,

hvbhajkhfbsdjkf pipes really said ‘oi, you two - what's this, then?’ that's the most british fucking thing, that's literally something i say when I'm doing an overexaggerated british accent, oh my god,

PIPES IS SUCH A TINY DUMBASS. ILY SIR BUT WHAT ARE YOU DOING

aaaand now you're covered in dead bodies, pipes. look at your life, look at your choices

drift epic sword moments

drift confirmed for the kinda weird guy who has katanas that he uses to like, cut up fruit and water bottles in his backyard while rodimus films him

‘i thought i heard...bickering’ lmaooooo

ah, so its covid

this arc is how i feel working in healthcare lmaooo especially now that i probably have covid 

so rewind condensed the entire war into an 11 second long cringe compilation. nice

seeing the mechanical stuff past tailgate’s visor is so cool

poor tailgate, this guy is getting slammed with history from multiple sides. and like, bias is inevitable in ANY sort of recounting of events, especially controversial historical events, so poor tg just kinda has to take it all in and decide who to listen to 

that’s...not really how immunity works, guys. also, you shouldn't be exposed to so much disease with proper ppe usage

is there even such thing as ppe in the transformers universe?? there are fluid- and contact-transmitted illnesses, so there SHOULD be

is there even OSHA in this universe??????? unbelievable 

first aid, holding a giant fucking claw clamp: we haven't tried EVERYTHING............

first aid read a human wikihow article on how to jumpstart a car and took notes 

i love tailgate’s ‘mom says its my turn on the xbox’ pose 

tailgate has a point - he’s from pre-war times, where things weren't as grey so of course he would try to divide the two sides into ‘good guys’ and ‘bad guys’

CYCLONUS BE NICE DONT HIT UR FUTURE HUSBAND

go get some character development and then maybe you'll feel better

seeing the word quarantine is making me twitchy w/my possible month-long complete isolation quarantine on the horizon

drift pulling his swords on pipes and ratchet pushing down drift’s arms...lmao

poor pipes...even tho this is completely his fault, its still rough

also jesus, pharma and ratchet look so goddamn similar, reading this was so confusing the first time around 

drifts idea of subduing pipes involves turning into a cool car and also posing with his sword

also. never gonna be over drift’s massive thighs. jesus man

ooof now drift has the rona. ouch 

poor drift, his covid realization is getting overshadowed by pharma being flung around

first aid bustin thru w/the epic medical nipple clamps and some Big Boi Backup

ok that's an epic pre-beatdown speech from fort max right there, daym 

im just gonna continue on w/issue 5 now for continuity’s sake. yay!

the cover of tailgate in magnus’s autobot school is so cute

and we open with an incredible shot of fort max str8 up ripping a guy in half. i mean, to be fair, he DID just give an epic speech about how much he was gonna do that, and he certainly followed thru

yeahhhhh, fort max is not doing so well atm

when he puts that dudes head in his chest vent thing and then snaps it shut....man 

also i fucking LOVE when their faces are shaded all in black w/only the eyes/mouth fully drawn...fantastic stuff

ratchet: phew i am not equipped to deal w/this level of Fucked Up Mental Trauma. u good m8?

ratchet is already writing up a referral to rung for fort max as this is happening

drift is just laying on the ground dying like, oh hey yeahh I'm still here too 

i fucking love when punctuation is drawn in story - like here where first aid has a little ? over his head....fav

ratchet holding drifts hand ;_; 

ok tbh ambulon having switched sides 10 yrs ago is wild bc like, 10 years is barely any time for these guys, especially in a war that lasted 4 million years. that would be like a human switching sides in a war like, 3 months before it ends. probably. i sense some math bs, I'm just extrapolating here

all that mexican standoff shit is going down and first aid is just like But That's None Of My Business

ah so ambulon is an asymptomatic carrier 

and there's first aid with the save! iconic

pharma calling ratchet ‘buddy’ hbvakjdsbfhkasdf

ooooh i love that they figured it out - and i love that twist, that transforming is what triggers the start of symptoms. remember when drift turned into a cool car? yep

s/o to Ambulon Transformers for helping me in my medical terminology courses, bc now ill always remember: Leg(tm)

also this explanation makes a ton more sense (in universe, at least) than the whole ‘i guess we as medical staff have been exposed to enough Germz that we’re more immune to this or something’ theory 

ah, i love the meaningless (to me) alien robot medical jargon 

drift and ratchet hhhhhhhhh

‘I'm too wide’ fort max L O R G E

also once again drift is forgotten in favor of a bunch of other dramatic stuff happening vbhjksdfbjhskdf

godddd i love tailgates little flashbacks where we see how Important and Special he is, complete with his ‘bomb disposal’ arm label...augh its so good! 

and tailgate’s autopedia page even reflects his lies! like, did tailgate go edit that first thing upon waking up??? seriously, I'm fascinated by tailgate’s meticulous dedication to his fake life

also the fact that ultra magnus believes everything he read on autopedia is amazing lmao

ultra magnus: you think somebody would just go on the internet and tell lies? 

fuckgin love magnus’s long ass name/title placard 

tailgate hvbahjkdfbjhaskf i mean, he’s gotten the abridged version of everything else, of course he would assume that’d be the case here too...but not on magnus’s watch

magnus cant even say ‘fun’ hvukdasdbjfkjsadf i love my uptight law dad

love rung implying that upon questioning, he would easily divulge a patient’s name and maybe even information about said patient’s treatment while under him....love the disregard for patient confidentiality and hipaa in general 

not that hipaa seems to exist here, at least not in a fully realized form 

also i mean the above genuinely, i think rung’s tendency towards at least slight malpractice is very interesting 

poor red alert....super bad luck that HE was the guy to get roped up in that overlord business 

I'm glad that, at the very least, red alert was able to prove that he was Actually hearing something to rung, rather than get brushed off completely 

god magnus and tailgate’s interactions are golden 

also tg is much more sarcastic/quippy than anyone gives him credit for tbh

‘thought warfare,’ ultra magnus says with complete seriousness. god i fucking love this comic

now i can tell pharma apart from ratchet bc pharma has let his true Petty Bitch nature emerge and you can see it in his expressions

the whole ‘tarn is addicted to transforming’ thing didn't really go anywhere, right? i feel like i noticed that on my second readthru as well 

also pharma is such an interesting character given the context of him like, trying to strike a bargain w/the djd to keep them from destroying delphi, but that arrangement inevitably kinda making him lose it as the situation escalates. he’s also just really entertaining bc i feel like he kins the joker or st and probably gets into really heated arguments w/people on twitter about just abt anything

‘sound bomb’ i love this comic

another important facet of pharma’s character becomes clear around this time as well - how he’s really into ratchet. i also choose to read them as awful exes tbh, it makes their dynamic even more entertaining

‘killmaster, with the wand’ is one of my favorite running remarks lmao

also, was killmaster even a character before mtmte? or, if he was, was he an important one? it would crack me up the most if he literally didn't exist at all, but any way you spin it is still funny 

ratchet’s tiny humansona facing off against pharma is wild

‘I'm miles from anyone i truly care about’ brutal, ratchet, drift is dying like 2 floors away (im p sure)

SUDDENLY DRIFT IS HERE, ACTUALLY 

oh don't worry first aid, that sure isn't the last we’ll be seeing of pharma 

so like, did first aid save everyone by posting that data log to his wreckers fan blog or something? lmao love it 

i love the pretty fucked up reveal of ratchet having stolen pharma’s hands. like, damn dude. 

and that wraps up the delphi arc! our first true ‘arc’ of mtmte, and a fantastic one at that. short and snappy and fresh, with some very clever writing and cool new characters, and a lot of great plot threads to be picked up later. plus, we got to see the beginnings of drift and ratchet’s whole thing (and ratchet and pharmas whole thing). and the lost light gets some much needed extra medical staff, so everyone wins! 

well, we’ll see how fort max feels about this all pretty soon.....

[thanksjro]

Eugenesis, Part Five Scene Five: Optimus Prime Desecrates A Corpse

Optimus enters Delphi’s medical bay unannounced, scaring the bejeezus out of Cloudraker. He’s here to see Prowl.

Who the fuck stacks their coma patients like this? This must be the most unsafe medical bay on the entire planet. Between this and the incident with the aqua fortis, it seems like no one at Delphi actually qualified to do their job. OSHA is going to have a field day with this one. The Sonic Canyon base is getting shut the hell down.

Cloudraker brings the leader/pope of the Autobots closer to this hazard, showing him Prowl, who’s deteriorated even more since the last time we saw him. Optimus is, understandably, shocked, not having realized just how bad off Prowl was. It doesn’t look like he’ll be getting any better either, considering they don’t have a donor who’s compatible.

I’m pretty sure Vorcodes are something Roberts made up here, seeing as I can find nothing on them from within the Transformers. The closest thing I came up with is this from Wikipedia:

Very High Frequency (VHF) Omni-Directional Range (VOR)[1] is a type of short-range radio navigation system for aircraft, enabling aircraft with a receiving unit to determine its position and stay on course by receiving radio signals transmitted by a network of fixed ground radio beacons. It uses frequencies in the very high frequency (VHF) band from 108.00 to 117.95 MHz.

Nothing a police car would need to function, so I doubt that’s it.

The only Decepticons who would be a match are either dead or had their bodies reformatted by a hungry planet, so no dice there either.

Nightbeat enters the scene to discuss the issue Perceptor brought up with the wormhole, but they don’t get too far into that line of thought before something weird happens. One of the stasis pods cracks in half, and a dead body bursts through the cracks, having grown in size. It’s Hot Rod’s pod, but it seems that the proximity to Optimus and the Matrix made him revert to Rodimus Prime.  

Reminding us that the giant space robots pass on their genes. Can’t forget why we’re here, now can we?

Optimus takes this in exactly the way I was hoping he would.

He just can’t believe that the Matrix chose the dork with the flame decals over Ultra Magnus.

Optimus takes Rodimus’ body out of the pod and asks for a moment alone.

Meanwhile, over with the Trident retrieval party, Wheeljack, Mainframe, and Siren are moving towards their target on the MARBs. Lot of MARB action lately. Maybe if you sent folks with VEHICLE ALTS on these missions that require SPEED AND MOVEMENT, you wouldn’t have to risk your MOBILE AUTOBOT REPAIR BAYS during a time where your medical bay is so full you’re stacking patients up to the ceiling.

The team is ambushed by a horde of hoverbikers, and Wheeljack heads for Metroplex to get to cover. Yeah, they’ve ridden a ways out for this. Sure hope this plan works.

Wheeljack zooms inside Metroplex, the bikers follow, and it’s a Scooby-Doo hallway chase sequence until the Quintessons slam into some scaffolding and explode. Round One goes to the Autobots.

Siren, meanwhile, isn’t having such a tubular time.

What did I JUST say about these friggin’ MARBs?

Siren’s fine thought, because Mainframe somehow managed to get all the way to the top of Metroplex, put together a sniper rifle, aim it, and blow the head off Siren’s pursuer before any real harm can befall the resident loud-mouth. Mainframe must be very fast.

The hover bike he shot is acting somewhat strangely, skidding over the surface of the Rust Sea as opposed to sinking. Wary of the lack of physics at play, the boys go down to investigate. There’s something in the water.

THE BOYS ARE BACK IN TOWN. Magnus, you were supposed to call when you got to Cybertron!

Back at Delphi, Centurion is staring at the sky and feeling homesick. Why they’d let anyone out of the base at this point is a mystery to me, but maybe he snuck out.

OR NOT.

Guys, come on, there is an entire race of tentacle monsters who want every single one of you dead and they currently rule the planet. Let’s at least try to be proactive about our safety, okay?

Sygnet, I swon to john-

Neither of our robots here are feeling terribly at home at Delphi, though for different reasons.

Centurion asks why Sygnet doesn’t just come back to the Autobots if things are so awkward with the Decepticons, but Sygnet doesn’t think it’s quite as simple as some would have you believe. He agreed with a good portion of Megatron’s rhetoric back in the day. With Galvatron, it’s a bit more… complicated.

Last I checked, Sygnet is tiny, and Centurion is decidedly not. I kinda want to see him try to make good on this threat.

This thrilling interlude is interrupted by screaming. Someone inside the base is screaming.

The Roberts essentials: mechpreg, ventilation duct adventures, and destroying doors to get to the people you care about most.

Optimus is laying on the floor beside Rodimus, who is twitching.  

OH FUCK OFF.

This. I’ll be honest, I don’t like this. We keep bringing this son of a gun back, and for what? Optimus already came back. We don’t need two Primes. Why even bother killing Rodimus off if you were just going to do this? It’s not even cleverly done; turns out that as Matrix bearers, Primes can sense one another’s life energies, even if one of them isn’t currently holding a Matrix. Optimus can also kickstart Rodder’s heart, so to speak, using his ‘life-glow.’

But enough of this Lazarus bullshit, more interesting things are happening with Galvatron, who’s just had his legs pull some sort of mis-transformation fuckery.

   Soundwave, you’re just making all this shit up as you go, aren’t you?

What is even happening anymore? So many mysteries, not any answers, and I can’t even enjoy the character interactions because everyone’s either suicidal or being the worst ever. Someone bring in Rewind and a trash can, please. Hell, I’ll take Swerve’s blatant mistreatment of the lab equipment at this point, just give me something.

Back in the Rust Sea, the team’s found the Trident. With a little teamwork, they manage to pull it out of the water and start lugging it back to base. Ultra Magnus is leaving the Ark under the water for safekeeping, so hopefully those who had to be left onboard won’t be in any danger.

Wait, when did Blaster bite it? Oh man, the cassettes are going to be pissed.

Over with the Quintessential Flying Fucks, there’s a bit of a problem- the Reddies are dropping like flies. None of them are really sure what to do at this point, but the body scans are ready, so they decide to take a gander.

Turns out Ryknia’s got something stuck in his arm, something the other two do not. They perform a little kitchen table surgery and uncover an Inhibitor Chip. I have no idea what this means. It’s in his arm, where it’s completely useless. Was it there before their brains were implanted in the bodies? God I hope we get some answers soon.

In the Delphi lab, Sygnet’s still trying to figure out the Inhibitor Chip, and getting nowhere fast. Soundwave bursts into the room, spins the little creep’s chair to face him, slaps his hands to the sides of his head, and all of the sudden the readouts connected to the Chip go haywire as Soundwave reads Sygnet’s mind.

I don’t know what this means. Please, what the fuck is going on, I’m begging you.

[ayearinfaith]

𝗔 𝗬𝗲𝗮𝗿 𝗶𝗻 𝗙𝗮𝗶𝘁𝗵, 𝗗𝗮𝘆 𝟰𝟲: 𝗔𝗲𝘀𝗼𝗽’𝘀 𝗙𝗮𝗯𝗹𝗲𝘀

Aesop’s Fables are a collection of stories with moralistic lessons attributed to Aesop, a 7-6th century BCE Greek slave who may or may not have existed. If all variants are treated as a single tradition, they are some of the most widely circulated stories in the world. Many common English sayings, proverbs, and metaphors originate with Aesop.

𝗦𝗹𝗮𝘃𝗲 𝗮𝗻𝗱 𝗦𝘁𝗼𝗿𝘆𝘁𝗲𝗹𝗹𝗲𝗿

It is unknown whether or not Aesop was a real person or how exactly he came to be seen as the originator of the fables. The first written Aesop, which was simply a collection of orally transmitted stories, was penned in the 4th century BCE, by which time Aesop was already thoroughly mythologized. His birthplace is generally in modern-day Turkey, though he was a slave on the Greek island of Samos. In more outlandish versions he originally couldn’t speak until an act of kindness towards a priestess of Isis (an Egyptian goddess whose cult extended into Greece) prompted the goddess to bless him with wit and wisdom. Tradition holds that he was exceedingly ugly, but with his great storytelling skills was able to gain his freedom and become an advisor to kings. In the 13th century the idea caught on that Aesop was African, an idea based almost entirely on the fact that the word “Aesop” is similar to “Aethiopia” (a premodern spelling of Ethiopia). This depiction remains popular in America, bolstered by its similarity to another slave-born storyteller: Uncle Remus. As an advisor to kings, specifically King Croesus of Lydia, his stories and the lessons contained within where seen as profound wisdom. His end was met in the Greek city of Delphi. Here he offended the rulers of the city with his stories, often given as ‘The Frogs who Asked for a King’. This story concerns frogs beseeching Zeus to give them a king. Zeus first gives them a log, which the Frogs laugh at and repeat the request. Zeus then sends a snake or heron who eats the frogs. The moral is generally thought to be about the folly of government authority and the people who trust in it. Clearly, this did not sit well with the rulers of Delphi who had Aesop dropped from a high cliff.

𝗦𝗽𝗿𝗲𝗮𝗱 𝗼𝗳 𝘁𝗵𝗲 𝗙𝗮𝗯𝗹𝗲𝘀

The Philosopher Aristotle is one of the earliest surviving sources to reference Aesop. As mentioned above, the first collection we know of was written in the 4th century BCE, though no versions of this have survived. The existing traditions can be traced back to two primary sources, both from the 1st century CE. A Greek language edition whose author was Babrius and a Latin one by Phaedrus. By this time the list of fables had come to include many that likely came in centuries after Aesop’s death and from foreign lands. There are parallels to several fables in Jewish Midrash (texts about the interpretation of sacred texts) and possibly in Indian Jataka tales (moralistic tales from the life of the Buddha). Various other authors would expand and reorganize the fables, sometimes reformulating them to better fit moral or political opinions of the century. With the advent of the printing press in Europe, Aesop’s fables were widely translated into the European vernaculars, opening them to a wider audience. Missionaries brought the fables with them on their travels and reached Japan in the 16th century. The fables were received well enough that Aesop came to be perceived as Japanese himself, allowing the tales to continue publication even after the expulsion of Westerners, along with their religion and texts, from the Japanese Islands during the 17-19th centuries. The idea of Aesop’s Fables as tales for children is relatively recent. Up until around the 18th century the fables were seen as important reading for political and religious leaders as well as teachers and philosophers. Enlightenment thinkers saw Aesop’s use of colorful imagery and approachable prose as a way to introduce children to complex ethical concepts, especially once pictures were involved.

𝗜𝗻 𝘁𝗵𝗲 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗟𝗮𝗻𝗴𝘂𝗮𝗴𝗲

There are now hundreds of fables ascribed to Aesop, some of which have enough history to earn their own unique entry in this series. The metaphors and ethical concepts they convey have profoundly influenced philosophical discourse around the world. To give an idea of the impact of Aesop, we can simply look at how much of it has become engrained in every day English. If you have ever taken ‘the lion’s share’ or declared it ‘sour grapes’, that’s Aesop. If you have had the misfortune to jump ‘from the frying pan into the fire’ or believe ‘appearances can be deceiving’ perhaps because you have met a ‘wolf in sheep’s clothing, that’s Aesop. If you have been foolish enough to ‘count your chickens before they have hatched’ or petty enough to ‘cry wolf’ or sensitive enough to ‘cry over spilled milk’, or short sighted enough to ‘kill the goose that laid the golden eggs’, that’s Aesop. If you believe that ‘slow and steady wins the race’ and that ‘god helps those who help themselves’, that’s Aesop.

Image Source: 𝘛𝘩𝘦 𝘏𝘢𝘳𝘦 𝘈𝘯𝘥 𝘛𝘩𝘦 𝘛𝘰𝘳𝘵𝘰𝘪𝘴𝘦, Milo Winter, illustration from 𝘛𝘩𝘦 𝘈𝘦𝘴𝘰𝘱 𝘧𝘰𝘳 𝘊𝘩𝘪𝘭𝘥𝘳𝘦𝘯, published 1919

[fairytalesofstarlight]

Okay time for a head canon

TL;DR. Let me preface this by saying I know this is probably unrealistic, I just don’t really care and it’s sci-fi anyway

But moving on, my self-indulgent Marvel head canon is this: EVERYONE with powers who isn’t a literal alien or magic (referring to Dr, Strange & Friends)? ALL OF THEM ARE MUTANTS. EVERY LAST ONE.

Here is how I justify this:

In the first X-Men movie, the whole plot was that Magneto was planning to turn baseline humans into mutants. He was going to accomplish this through use of a machine that amplified his powers and gave off massive amounts of like... electro-magnetic radiation. Key word there- radiation.

I have taken this to imply that radiation can activate the x-gene. Do I know that not all kinds of radiation are the same? Yes. Do I care? No- sci-fi. The point being that for basically all the enhanced characters, radiation was involved in giving them powers in some way, shape or form. Examples? I thought you’d never ask.

First up: Spiderman. Actually the original form of this head canon was just about Spiderman, and I came up with it on the way home from going to see The Amazing Spiderman in theatres at like midnight... I digress. The point is, we all know how Peter Parker got his powers... a radioactive spider. X-gene summarily activates, possibly influenced by how the radiation was transmitted, and Spiderman is born. Next!

Bruce Banner and the Hulk: gamma radiation, duh. But the different form of radiation could be an explanation for why the Hulk is more like a split personality than your usual x-gene manifestation.

Steve Rogers? Vita rays, baby. That had to be SOME kind of radiation. Otherwise why the metal needle coffin? It also explains why the serum “worked” on him and “didn’t work” on Red Skull (beyond the whole good man/bad man thing), and possibly why Steve was so sickly before and so healthy after- I seem to remember a certain Wolverine being sickly in his childhood before his claws manifested, and with them his healing factor. Coincidence? I think not.

The entire Fantastic Four team + Doom: Solar flare, you really think that didn’t include radiation? Also explains why their powers are so drastically different when they all got hit by the same thing.

Which reminds me: Infinity Stones. Maybe not exactly radiation, no. But latent x-gene manifesting when you’re around/influenced by them? Let’s count off.

Carol Danvers: direct hit from an Infinity stone, immediately absorbs that power and somehow instead of killing her she can safely use it for flying and space travel? I know of at least three mutants who shoot straight energy- two of them have the last name Summers, and Sebastian Shaw could absorb it as well. There is precedence.

Jane Foster: had the Aether inside her and didn’t die immediately. Either some sort of luck thing or healing factor there, and I’m leaning toward luck because things seem to just fall into place for her- meeting Thor in the first place, thereby proving her theory correct, providing evidence, and getting her a boyfriend in one fell swoop, actually finding the Aether when she was look for the source of the anomalies, and Thor immediately showing up after it possesses her, after not seeing him for months, able to take her to the only place treatment is possible, AND she survives the experience to boot.

Speaking of Jane, her pal Erik Selvig: possibly some kind of foresight, but more Trelawney than Oracle of Delphi. Not sure but he sort of gives off that vibe, plus what he said to Tony in the first Avengers movie: “She wants to show us something! A new future.” Which, looking back from Infinity War and everything Tony struggled with, seems very ominously prophetic to me.

Clint Barton: He was always an excellent archer, and I don’t want to imply somehow that his talent depends on his mutation, okay, no. He’s awesome without having powers. However, during that Battle of New York, we see him make a perfect shot without looking. I’m not saying that isn’t possible without him being a mutant; but also, some kind of power that gives him a subconscious but extremely accurate situational awareness, or even just better eyesight than 20/20? not off the table.

The Guardians don’t count because they’re all literally aliens and Peter’s bio dad was a planet. Although, Peter’s human heritage giving him an x-gene could maybe be the reason he could handle his bio dad’s powers unlike the rest of his half siblings (may they rest in peace)...

Tony: literally died, but that was from all of them at once.

Bruce: doesn’t count because he already had the Hulk.

I could probably keep going, but this is already pretty long and you get the point. Agree? Disagree? You can let me know as long as you’re not a huge asshole about disagreeing. I like discourse, and I understand you may have a different opinion that gives you strong feelings, but let’s be the good kind of adults and keep it respectful.

[hi-i-think-knowledge-is-power]

Greek Architectural Orders | Architecture 1

22/08/2019

Architectural orders describe the style of a building. Classical architecture is identifiable, both ways in profile and aesthetic details. The classical orders are Doric, Ionic, and Corinthian. They don’t serve the purpose of describing a building, they are the remains of ancient buildings and pioneer to the architectural and aesthetic development of the architecture and Greek architecture.  

Image: The classical orders of architecture. 

Image: Architectural vocabulary reference. 

The Doric order

The Doric order is the earliest of the three Classical orders. It symbolizes  It is a very important part of the Mediterranean architecture because it is the transition from impermanent materials to permanent materials, (From wood to stone). 

Image: The Doric order in the Parthenon, Athens. 

The Doric order is a very plain column and it rests directly on the stylobate of the temple without the base. Its height is four to six times of its base radius (it thins as it goes up)

Image: A Greek temple in Doric order. 

It came out in Greek mainland in late 7th century BCE and continued as being the main order for Greek temple construction through early 5th century BCE. 

Its effects are visible on Temple of Apollo at Thermon, the sanctuary of Hera at Argos, votive capitals of Aegina, Temple of Athena Pronaia at Delphi, Greece. It’s most recognizable and fullest expression is found in the Parthenon, c.447-432 BCE, at Athens. The Parthenon is designed by Iktinos and Kallikrates. 

Image: Doric columns in Parthenon. 

The Ionic order

This order originated in Ionia, coastal region of Anatolia, today Turkey. This column has its characteristic scroll-like ornaments and a base to support the column. The Ionic order is developed in the mid-sixth century BCE and transmitted to mainland Greece by the fifth century BCE.

Image: The Ionic order. 

 The first and the greatest Ionic buildings is a temple dedicated to Hera on the island of Samos. It was built by the architect Rhoikos in c. 570-560 BCE, and destroyed by an earthquake. Temple of Artemis at Ephesus was built in the sixth century BCE, and it is a wonder of the ancient world. In Athens, the Ionic order inspired Parthenon in some parts. The Ionic order was promoted to an exterior order in the construction of the Erechtheion in c. 421-405 BCE. The Ionic order symbolizes femininity and it is notable for its graceful proportions. 

Image: Arthemis Temple in Ephesus, Turkey. 

Image: Ionic capital in Acropolis, Athens. 

The Corinthian order

The Corinthian order is the latest and the most elaborate of the classical architecture orders. The examples of the Corinthian order can be seen both in Greek and Roman architecture. Its name is connected by the Greek state of Corinth, according to Vitruvius, the sculptor Callimachus drew a set of acanthus leaves surrounding a votive basket. The earliest known example of the Corinthian order can be seen on Temple of Apollo Epicurius at Bassae and dates to c. 427 BCE. 

Image: Corinthian capital. 

The defining element of the Corinthian order is its elaborate and carved capital, stylized and carved leaves around the capital. The Romans preferred Corinthian order more, because of its slender properties. In Roman architecture, the most notable examples of the Corinthian order is in Temple of Mars Ultor, the Pantheon in Rome and the Maison Carrée in Nimes. 

Image: Achantus leaf. 

Image: Different column styles. 

Source

---

[polyhymniar]

PYTHIA & THE SUBVERSIVE TEXTS.  part i.

i.  the pythia, or the oracle of delphi shaped the political & economical climate in ancient greece.  philosophers & supplicants, merchants & the well-to-do all climbed the steps of the temple of delphi:  the place of prophecy.  the pythia gave consultations to the most powerful men of the ancient world. nine times a year the pythia was called upon to enter the deepest & most mysterious part of the temple, the chamber known as the adyton, a place only the priest was allowed. there she would enter a trance or divine frenzy believed to be possessed by the god apollo.  

ii.  one has to remember, the ancient greeks were infatuated with the pantheon of irrational gods ; capricious beings who could decide their fates on a whim & as a result, the people feared making any decision large or small without divine approval.  & the surest way to get answers from these fickle gods was to make a sacred pilgrimage to the city of delphi.  the center of their spiritual world.  for over a thousand years, travelers journeyed from all over the mediterranean region to seek advice from the oracle.   & those seeking answers from the oracle would arrive with tribute in hand, then they would offer their questions to an attendant.  deep within the temple, a priestess sat, waiting to be filled by divine words of their god.  such consisted of a trance, perhaps influenced by hallucinogenic substances - hence a frenzy.  she would call out jumbled responses & the attendant would record & transmit her answer.  

iii.  the gods speak.  from a bubbling chasm in the rocks where the pythia is strategically sat atop of.  these cryptic messages changed the destiny of nations.  

[parkerpeterholland]

12 days of Christmas history pagan holidays vs Christian

Merry Christmas Wishes To you from our team. Enjoy Reading!

The number twelve has an abnormal essentialness in the retribution of time:

There are twelve sun powered months, relating generally to twelve zodiacal houses along the sun's ecliptic way. In the Christian legend, Christ is trailed by 12 missionaries.

There are customarily twelve 'hours' of sunshine, as figured by sun-dials, and subsequently we determine our twenty four hours of light and night which contain our unit of one sun powered 'day'. This is known as 'clear sun oriented time', when contrasted with the clock-time we will in general keep in current occasions, known as 'mean sun powered time'.

There is a distinction of around twelve days between the old 'Julian' and more up to date 'Gregorian' calendric frameworks being used in Europe and Asia Minor. These progressions were organized to counteract the festival of Easter (determined dependent on the Jewish Lunar schedule) from crawling further away from the Spring Equinox into summer.

There are twelve days denoting the conventional European and Eastern 'Christmas' or 'Yule' bubbly midwinter period… These were at times each viewed as speaking to a different month of the sun based year in numerous pre-present day European societies. Yuletide started at the winter solstice (approx. 22nd December) and completed on the third January, though Christmastide was from 25th December to sixth January (Revelation).

Starting points of Christmas Day

The foundation of the date of the Nativity celebration on the 25th December in Christianity was not in reality officially settled upon for a long time after the time of Jesus' alleged life and demise. In the late agnostic Roman Realm, the 25th day of December was praised as Natalis Invicti – the resurrection of the worshipped 'Unconquerable Sun' – Sol Invictus. In spite of the fact that presented as a late Supreme Clique under Aurelian in 274CE (250 years or so after the passing of Jesus) the religion of Sol Invictus was likely in light of the abundance of puzzle cliques all through the Roman Realm which utilized the iconography of a young sunlight based male god, apparently got from the more established delineations of more seasoned divine beings, for example, Apollo, Adonis and Attis. Adonis, etymologically in any event, seems to have a Semitic cause (think about Adonai – 'Master'). These had their causes in the standards of Sunlight based godhood connected to the extraordinary 'static' or 'authority' puzzle cliques of the first thousand years BCE: Those of Delian Apollo, Apollo at Delphi, Eleusis, Samothrace and the secrets of Cybele and Attis in Phrygia, among others. Such cliques by and large endless supply of land loci – fixed religion destinations – and the cooperation in initiatory custom for the reasons for either getting prophets, recuperating or higher information. They themselves may have created from prominent augmentations of the initially more firmly monitored internal puzzle ceremonial conventions encompassing the exclusive classes of rulers and religious hierophants of the prior 'palatial' societies (Minoan and Mycenaean), themselves duplicating the antiquated Mesopotamian and Egyptian societies, which are the most established for which we have proof, and were in coherence until in any event the beginning of the first thousand years CE.

Wars with Carthage and the extraordinary developments of the 'savage' Celts during Rome's Late Republican Period (c.3rdC BCE) prompted the importation of 'outside' riddle religions, for example, that of Cybele and her delighted ministers into Rome during the late Punic wars. Another well known elated religious puzzle faction was that of the Bacchanalia (Dionysia) from Greece. The Celtic obsession towards the sunlight based god Apollo (whom they knew as Belenos) made them really attack Greece and sack Delphi in 179BCE! These occasions, alongside Rome's expanding extension and social cooperation prompted the flood in prominence of riddle religions all in all during the late Republican period, to such an extent that by the 1stC CE Roman Sovereigns were themselves visiting Eleusis and Samothrace to move toward becoming starts. These cliques indicated to clarify the insider facts of the sun, the moon, the planets and stars and the most profound puzzles of nature, passing and recovery. Maybe obviously, the nurturing Sun was a key piece of this, and turned out to be a piece of another 'elementalism' and drive towards rearrangements and 'versatility' of folklore.

As the Roman and Greek social nations extended and thrived, initiatory puzzle religions turned out to be less a guilty pleasure of the elites, and furthermore less joined to fixed topographical areas, forming into a plenty of portable ideological 'establishments' delighted in by increasingly standard people. These very likely copied the insider facts and legendary systems of the more established 'official' puzzles whose (frequently well off) starts and suppliants should stay discreet on torment of death or profound torment, and such secrets were bit by bit purchased out beyond all detectable inhibitions and talked about and conjectured over. This procedure was helped by the dissemination of education and the spread of and improvement of the thoughts of the 'Thinkers 'of traditional and Greek time 'Magna Graecia' who tried to examine the constancies and certainties behind old orally-transmitted folklore.

A genuine case of such reductionist procedures at their apotheosis are the 'Hermetic' and 'Gnostic' religions in Hellenized Asia Minor, Center East and North Africa, of which Christianity was to develop as an early branch inside the irritable and millenarianist Hasmonean-time Jewish world with its critical diaspora. These utilized Pythagorean, Non-romantic and Luxurious reductionist speculations and a talk including the standards of the spirit as a type of undying light in their prophetic religious stories, scarcely concealing such thoughts behind the character accounts of more established folklores.

Such express intellectualism was not to everybody's taste, obviously, and other increasingly semiotic types of riddle factions dependent on custom, fantasy and imagery served the requirements of those with progressively conventional (less orientalised) tastes. Orphism was maybe the most seasoned and best-settled of these customs – conceivably the 'granddaddy' of all, with its inceptions in the primary portion of the first thousand years BCE in any event. Its starts looked to 'filter' themselves so as to accomplish a superior the great beyond. Mithraism was surely the most well known of the more up to date factions, spreading from Asia Minor into the most northern and western degrees of the Roman Realm between the first and third hundreds of years of the BC. Comparative famous secret religions based on the Thracian god Sabazios (a local relative of Dionysus) and European syncretic cliques including the Celtic divine beings, for example, that of the 'Danubian Horsemen' including Epona in Eastern and northern Europe, and an abundance of others all the more ineffectively comprehended because of scarcity of material proof. These all had the regular attribute of underscoring the situation of the characters of 'Sol' and 'Luna' in their iconography – nearly as an 'identification' of their 'puzzle' status.

A Roman alleviation delineating the feast of Sol, Luna and Mithras..

A wonderful case of a plaque delineating the 'Danubian Horsemen' and their focal goddess... apparently a rendition of Epona.

A plaque portraying the 'Danubian Horsemen' and their focal goddess (Epona): Sol Invictus rides his quadriga at the highest point of the picture, which manages the symbolism of the religion's riddles.

Sol and Luna remain above Sabazios in this cultic Roman plaque

A coin of Ruler Constantine I who changed over to Christianity and took the Realm with him. The delineation on the front-side is of Sol Invictus.

The revered sun was conflated in this time with the more established Greek god Apollo, whose character was supported by the Romanised Celtic people groups from the Danube bowl to the Atlantic northwest of Europe, in their very own syncretic religions. Such religions all through the Domain had uprooted those of the more established Capitoline and Olympian Roman and Greek gods among the all inclusive communities, in spite of the fact that these still had a metro task to carry out.

Maybe the most significant, mainstream and long-running faction of the senior Greek divine beings was that of Dionysus, whose most established celebration – the Country Dionysia – concurred with the time of the winter solstice whose Greek month was named out of appreciation for the antiquated ocean god: Poseidonia. This was a celebration of sprucing up in the pretense of the entourage of the god: men as satyrs or silenoi and ladies as maenads. It was additionally, essentially, a celebration of the revelation of Dionysus to humanity, which praised the god's transubstantiation of water into wine and the riddles of growing nature: topics clearly acquired into later christianity. At Delphi, there was a custom that Apollo left to live among the Hyperboreans during the month when Dionysus showed among the individuals at this celebration, at which there was much singing of famous tunes by all classes in Greek society – a convention getting by in the cutting edge European Christmas singing merriments.

After the third century CE the ascent of heathen, proficient, literalised and intellectualized religious propensities in the Hellenized Eastern Domain and North Africa was progressively to obscure the western conventions of baffling non-literal folklore, which had been at the foundation of European religion for centuries. Apollo, Sol, Belenos, Attis, Dionysus and Adonis progressed toward becoming 'Logos' – supplanted by a scholarly man-god who professed to be 'the light of the world', promising – as an end-result of a vow of loyalty – 'recovery' after death into a perfect eternity, safe from the disarray of life. The ideal model of altruistic Majestic power truth be told.