also in the face of people deleting their blogs, that's another reason why you guys are supposed to reblog stuff. if somebody deletes a post, your liked version will disappear, but the reblogs remain. i'm insane about preservation and archival, every single piece of art i have ever enjoyed is reblogged on my 450k+ posts main account so if the artists leave I still have their work. i even tag things (though just with the main fandom tag) so I have years and years worth of fanworks saved that the terrible general site search will never show you.
please reblog art. not just to support the artists who make it and share their efforts, but also so you have your own copy of their works saved for yourself, and the future users of this site.
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mishanks mafia au where shanks is the don of the gol family and and mihawk is a hitman hired by the government (it's a conspiracy!) to kill shanks.
when mihawk shows up, shanks puts up a great fight, and even tho shanks loses (he's on the ground with hawk's blade at his throat!), mihawk decides shanks is way funner than the government and doesn't kill him after all. mihawk intends for this to be the end, with exception for perhaps more fights in the future, but shanks has already fallen on love and starts trying his damndest to get mihawk to work for the gols.
mihawk always refuses, but when the government puts out a hit on mihawk because he broke contract, mihawk finds himself thoroughly protected by the gol family anyways. shanks, however, doesn't save mihawk fast enough to spare the hitman some torture so, in retaliation, shanks brings down the entire government and exposes the conspiracy while he's at it, with the finale being a grand announcement that mihawk is his, actually, back the fuck off and don't try this again.
by the end, mihawk still doesn't work for the gols, but if he marries into the family, well. "there's still a difference, red." (shanks whines about this daily.)
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this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
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yeah ur addition abt brushes mattering is so true, i dont think i really came into my current style until i tried out aliasing for my lineart
exactly! ill never understand brush gatekeeping (other than for certain reasons, like how i wont share brushes that ppl have given me in private bc theyre not mine to share, sometimes ppl wont share them bc they want to sell them etc) or saying it doesnt matter lol.... ppl who do so are always like "um having my brushes wont make u draw exactly like me! 🙄" like yeah, they wont. that's not what anyone expects. but also, if they wont magically make someone draw exactly like you then what exactly is your problem with sharing them lol what are you afraid of !
i've used TONS of brushes from artists who have shared them and i hate most of them because they don't fit my way of working even after editing settings, which is why i know they do matter when you get your hands on brushes that fit your line weight, strokes, style, texture, preferences, etc. if that makes sense....
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Numa doodle from when I should have been working 😬 she lives in my head rent free courtesy of @cacodaemonia ‘s RCAU
I have not drawn since high school art class and I lost a battle between the world’s shittiest pencil sharpener and a mediocre colored pencil while making this. so I am sharing.
The goal of my return to art is a. draw my own icon and b. make a stupid RepComm animation I can’t get out of my head for myself and the audience of maybe 2 1/2 people that would enjoy it. Learning from past mistakes by actually practicing before attempting my goals though.
ref pic 👁️👁️
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the way some people straight up have no respect for asou's writing is actually kind of insane to me 😭 like youre a fan of HIS manga, but you outwardly express your disregard for the intentions he had when writing....... disregarding canon can be super duper funsies and cool sometimes, but to straight up say "i dont care what he intended and think my headcanons are more canon than what he wrote because i think he wrote it badly/he sucks at writing this dynamic/i dont like the ship (or whatever) he was trying to imply" is literally just insanely disrespectful IN MY OPINION 😖
i think maybe im just annoyed at how badly people misuse the words "canon", "coded", and "implied" (which im also guilty of occasionally- especially when i first came here) cuz like... "i choose not to acknowledge this thing that is canon or technically canon or implied" is fine (usually). "i know what the author intended but i dont like it or care, so im going to call my headcanon/ship canon and anyone who disagrees is disregarding canon and is stupid because i said so" is NOT fine... ☠️☠️☠️
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