#uchi tama

[kuromewos]

Me and who?

[setteidreams]

✿ 3 Choume no Tama: Uchi no Tama Shirimasen ka? ┊ 76 sheets ✿

… a 1988 TV series with character designs by Mai Otsuka has been added.

[mogai-headcanons]

Beh Kawahara from Uchi Tama?! Have you seen my Tama? is a cassexual gendersleepy agender person!

Momo Hanasaki is bisexual!

Nora is an aspec transmasculine neutrois person!

Koma Oketani is nonbinary!

Kai is ambonec!

dni link

[megane-boys]

Today's Megane is: Noda Gon from UchiTama

[fuckyeahanimebirthdays]

Momo Hanasaki (Uchi Tama?! Uchi no Tama Shirimasen ka?)  » March 3

[luxraydyne]

note to self, new policy change. whenever i accidentally stumble into a conversation about aini and i have to justify my dislike of it somehow, i’m offering one answer and one answer only: It’s Boring.

[en2k5]

Hey everyone, I made a Tama and Friends Wiki and Discord Server But it's still work in progress in the meantime you can help us join. Tama and Friends Wiki: tama-and-friends.fandom.com 3rd Street Tama Discord Server: discord.com/invite/2yrPm6eNNB

[aestheticallypleasinganimeboys]

Uchi Tama?! Uchi no Tama Shirimasenka? - Yamada Pochi

[goobersplat]

1997 Uchi no Tama Brown Dog Plush

[yaoisex]

Since this anime season is very dry for me, I've decided to re-watch some anime to pass the time.

My go-to anime to re-watch are always Gaikotsu Shotenin Honda-san and Cool Doji Danshi. They always make me happy and relaxed. But I've re-watched those not too long ago (for the 1958302th time) so I thought it's time to re-watch other anime. So I re-watched: Saiki Kusuo, Uramichi Oniisan, Bananya, Tanaka kun wa itsumo kedaruge and Uchi tama. (Saiki and Uramichi are so easy to binge. You just can't stop watching! And they're so relatable too. Also both of them are Kamiyan but that's a bonus).

Next I think I'll re-watch Rokuhou-dou Yotsuiro Biyori and maybe Fudanshi Koukou Seikatsu. I think I re-watched the latter 2 or so years ago when I was on another re-watch momentum. Back then I re-watched mostly BL/otaku culture anime, but also Nanbaka, Bakuten!!, RobiHachi and a few more.

Actually, when I was thinking about re-watching some anime recently, I searched the 'slice of life' tag on MAL. Because I mostly enjoy those kind of relaxing anime on my re-watch. So among the titles there I stumbled upon Kimi to Boku, which I've never watched before. It looked cute and had a great cast. I thought that's gonna be kinda similar to Cool Doji Danshi. So I watched that. Everything. But I felt betrayed because there was no romance tag, and there should have been one!! As we know, I prefer not watching romantic anime, I don't like it and don't enjoy it. I realized pretty quickly that it had romance in it, but it was already too late to stop because I loved the twins and wanted to watch till the end :/ Agh. (P.S Chizuru drove me mad 90% of the time, and 'Mary' too. But again, I did it for the twins <_>)

If you want, you can use this post as an anime rec or reminder ^__~

[if-you-fan-a-fire]

"Domestically, ribu was born through the contradictions of the radical political formations of the '68 era, including the anti-Vietnam War, New Left, and student movements. Many ribu activists had experienced the radicalism of the student movements and sectarian struggles of the New Left. As defectors from existing leftist movements, ribu activists were conversant and in critical dialogue with the ongoing struggles such as those of the Sanrizuka, Shibokusa, Zainichi, and Buraku liberation activists, the politics of occupied Okinawa, and other movements including immigration, labor rights, and pollution. Following other radical movements of Japan's '68, horizontal relationality was privileged in reaction to the rigid hierarchies of the established left and many New Left sects. The movement involved a decentralized network of autonomous ribu groups that organized across the nation, from Hokkaido to Ayashi; with no formal leader, its leading activists were Japanese women in their twenties and early thirties.

Ribu's birth was traumatic and exhilarating. Having experienced a spectrum of sexist treatment and sexualized violence while organizing with leftist men, from verbal abuse to sexual assault and rape, ribu activists revolted against the myriad ways that sexism and misogyny were endemic across leftist culture. Women typically supported male leadership through domestic labor, by cleaning, cooking, and other housekeeping duties. There were instances when young women activists were referred to as public toilets [benjos] and assaulted and raped by leftist male activists. In some cases, the rape of the women of rival leftist sects became part of the New Left's tactics of uchi geba [internal violence or conflict]. In 1968, Oguma Eiji describes such incidents of sexual violence. Ribu activists spoke, wrote, and testified about their experiences of sexism, assault, and rape at the hands of leftist male activists. Given such forms of sexual violence that were hidden, too often, in the shadows of Japan's 1968, how did ribu women respond?

Never before in the records of Japanese history had ink sprayed such rage-filled declarations of revolt against Japanese heteropatriarchy and sexist men. The slogans of the movement, like the "liberation of sex and the "liberation from the toilet" [benjo kara no kaiho], unleashed an unprecedented flurry of militant feminist denunciations. With minikomi (alternative media] titles such as Onna no hangyaku [Woman's Mutiny] and art evoking images of vaginas with spikes, ribu activists raised a political banner that had never been so explicit and bold in its declaration of sexual oppression and sexual discrimination.

Ribu activists reacted to the counterculture movement of the 1960s and the sexual revolution. Some of its earliest activists, such as Yonezu Tomoko, criticized the "free love" espoused by male activists even while they emphasized the importance of politicizing sex. Along with her student comrade Mori Setsuko, Yonezu named their cell "Thought Group SEX," and painted "SEX" on their helmets the first time they disrupted a campus event at Tama Arts University in Tokyo. Sex and sexuality emerged as key concepts in ribu's manifestos for human liberation. The politicization of sex was a revolt against the sexism in mainstream society and the Japanese left. Heralding the importance of liberating sex also distinguished ribu from former Japanese women's liberation movements, Tanaka Mitsu, a leading activist and theorist of the movement, harshly criticized previous women's movements, saying that the "hysterical unattractiveness" of those "scrawny women" was due to their having to become like men. The brazen and contemptuous tone of their manifestos was a stark departure from past political speech about women's liberation.

This emphasis on sexual liberation evinced ribu's affinity with US radical feminist movements that also exploded in 1970." Ribu activists recognized their shared conditions when they heard news of women's liberation movements emerging in the United States. Information about these movements flowed into Japan via news and alternative media, as documented by Masami Saitō. Japan's largest newspapers, the Yomiuri and Asahi Shimbun, printed photos of thousands of women protesters in the streets of New York City for the August 26, 1970, Women's Strike. Anti-war posters with defaced US flags decorated the walls of ribu communes and organizing centers." Activists from the United States and Europe visited ribu centers." This cross-border exchange among activists also characterized the internationalist spirit of '68 and a common desire for liberation.

Like so many others around the world, ribu activists were also inspired by the Black Power movement and attempted to follow its lead. This passage from a ribu pamphlet evinces how ribu activists were emboldened by Black Power struggles - as were radical feminists in the United States - and drew new lines of departure and separation from the leftist men with whom they had been organizing.

By calling white cops "pigs," Blacks struggling in America began to constitute their own identity by confirming their distance from white- centered society in their daily lives. This being the beginning of the process to constitute their subjectivity, whom then should women be calling the pigs?... First, we have to strike these so-called male revolutionaries whose consciousness is desensitized to their own form of existence. We have to realize that if we don't strike our most familiar and direct oppressors, we can never "overthrow Japanese imperialism"... Those men who possess such facile thoughts as, "Since we are fighting side by side, we are of the same-mind," are the pigs among us."

For leftist women to be calling leftist male revolutionaries pigs constituted a kind of declaration of war against sexism in their midst and their newfound enemy-sexist leftist men. When women of the left began to identify this intimate enemy, this moment of dis-identification with Japanese leftist men constituted a decisive epistemic break. Their conflict with sexist male comrades forced these women to recognize that they had to redefine their relationship to the revolution from the specificity of their own subject position."

- Setsu Shigematsu, "'68 and the Japanese Women's Liberation Movement," in Gavin Walker, ed., The Red Years: Theory, Politics and Aesthetics in the Japanese ‘68. London and New York: Verso, 2020. p. 79-82

[odysseys-blood]

see while i love tama a lot the one thing ive never seen anyone else point out (that still rubs me the wrong way a lot) is how they make a "brown" (ashy brown tho but still brown) woman to fit a dommy mommy stereotype so from concept shes p much just an object of sexualization and the fact that one of her costumes is prisoner theme is well. anyways ur on thin ice uchi

[vstranslations]

Elione ft. Aklo, Mummy-D - It's Okay (Remix) - Lyrics

song (spotify) Japanese/Romaji/English lyrics under the cut

それでも別にいいんじゃん？ やりたいんだったら 好きにやるDo it 別にいいんじゃん？ やめたいんだったら たまにはStop it 別にいいんじゃん？ それもいいんじゃん？ 24/7 Ballin’ 別にいいんじゃん？ それもいいんじゃん？ I know Yeah

例えば、誰かにDisられたとか お前はおれの人生 生きちゃいないよな？ 人目気にして、決めたくないのに たまに気にして 落ちちゃいないよな？ もて囃してたあの週刊誌 次が見つかりゃすぐに無関心 他人のスキャンダルはいつもSpicy それより気にしなよ 君の普段着 (“誰がどうした？って知らない”) 履いてるSaint Laurent Denim 無地のWhiteT (今が嫌いなら 明日笑わない) どんな自分でいたいかが むしろ大事 Now Or Never カマせよ 自然体で 見返してやれよ We win 倍で 踏み出せないなら じれったいね Yeah yeah yeah

それでも別にいいんじゃん？ やりたいんだったら 好きにやるDo it 別にいいんじゃん？ やめたいんだったら たまにはStop it 別にいいんじゃん？ それもいいんじゃん？ 24/7 Ballin’ 別にいいんじゃん？ それもいいんじゃん？ どうせ一回きりだしな

他人(ひと)の目ってそれ誰の目？ 赤の他人どもの醒めた目？ 他人(ひと)の評価って誰の評価？ 理解者気取りのあの批評家？ 逆に問うが キミは誰のFace思い浮かべて 書くんだキミのPhrase？ オマエが鼓舞し オマエを鼓舞し ともに拳 上げるヤツらのため 書くのだろうが？ やりたいようにやるが いつも一番難しい だけど 迷い戸惑う愚か者の言葉も 心を打つらしい ならそのままでいいんじゃん？ 素晴らしいんじゃん Homie？ 不器用なキミらしいんじゃん？ Number ONE よりやっぱOnly ONE？ オレと似てるぜ ELIONE

それでも別にいいんじゃん？ やりたいんだったら 好きにやるDo it 別にいいんじゃん？ やめたいんだったら たまにはStop it 別にいいんじゃん？ それもいいんじゃん？ 24/7 Ballin’ 別にいいんじゃん？ それもいいんじゃん？ どうせ一回きりだしな

幸せの形は無限にある 型にはめられちゃそりゃ居心地悪い 比べてばかりflexing Instagram 一体残ってる個性は何ミリグラム？ 染まる必要もねぇよ ゴマすりやめてさ自分磨けよ 仲間がどうとかその内なくなるから 誰にも頼らずカマせよLife That’s Real まぁ迷うよな 戻りゃしない一度のLife でもな 道なら変更可能 そりゃそれなりに面倒だよ だがな Loveがなきゃどうせ無理だ 逆にLoveがあるならいけるかも 不器用な生き方マジしんどいけど 選択肢に進路変更

それでも別にいいんじゃん？ やりたいんだったら 好きにやるDo it 別にいいんじゃん？ やめたいんだったら たまにはStop it 別にいいんじゃん？ それもいいんじゃん？ 24/7 Ballin’ 別にいいんじゃん？ それもいいんじゃん？ どうせ一回きりだしな

--

Soredemo betsu ni iin jan yaritain dattara suki ni yaru do it betsu ni iin jan yametain dattara tama ni wa stop it betsu ni iin jan sore mo iin jan 24/7 Ballin’ betsu ni iin jan sore mo iin jan I know Yeah

Tatoeba dareka ni dis-rareta toka omae wa ore no jinsei ikichainai yo na hitome ki ni shite kimetakunai no ni tama ni ki ni shite ochichainai yo na mote hayashiteta ano shukkanshi tsugi ga mitsukarya sugu ni mukanshin tanin no sukyandaru wa itsumo spicy sore yori ki ni shina yo, kimi no fudangi (dare ga doushita tte shiranai) haiteru Saint Laurent Denim muji no WhiteT (ima ga kirai nara asu wa warawanai) donna jibun de itai ka ga mushiro daiji Now Or Never kamase yo shizentai de migaeshite yare yo, We win bai de fumi dasenai nara jirettai ne Yeah yeah yeah

Soredemo betsu ni iin jan yaritain dattara suki ni yaru do it betsu ni iin jan yametain dattara tama ni wa stop it betsu ni iin jan sore mo iin jan 24/7 Ballin’ betsu ni iin jan sore mo iin jan douse ikkai kiridashi na

Hito no me tte sore dare no me aka no tanin domo no sameta me hito no hyouka tte dare no hyouka rikaisha kidori no ano hihyouka gyaku ni tou ga kimi wa dare no face omoi ukabete kakunda kimi no phrase omae ga kobushi, omae o kobushi tomo ni kobushi ageru yatsura no tame kaku no darou ka yaritai you ni yaru ga itsumo ichiban muzukashii dakedo mayoi tomadou oroka mono no kotoba mo kokoro o utsu rashii nara sono mama de iin jan subarashiin jan homie bukiyouna kimi rashiin jan Number ONE yori yappa Only ONE ore to niteru ze ELIONE

Soredemo betsu ni iin jan yaritain dattara suki ni yaru do it betsu ni iin jan yametain dattara tama ni wa stop it betsu ni iin jan sore mo iin jan 24/7 Ballin’ betsu ni iin jan sore mo iin jan douse ikkai kiridashi na

Shiawase no katachi wa mugen ni aru kata ni hamerarecha sorya igokochi warui kurabete bakari flexing Instagram ittai nokotteru kosei wa nan milligram somaru hitsuyou mo nee yo goma suri yamete sa jibun migake yo nakama ga dou to ka sono uchi nakunaru kara dare ni mo tayorazu kamase yo life That’s Real maa mayou yo na modorya shinai ichido no life demo na michi nara henkou kanou sora sore nari ni mendou da yo da ga na love ga nakya douse muri da gyaku ni love ga aru nara ikeru kamo bukiyouna ikikata maji shindoi kedo sentakushi ni shinro henkou

Soredemo betsu ni iin jan yaritain dattara suki ni yaru do it betsu ni iin jan yametain dattara tam ani wa stop it betsu ni iin jan sore mo iin jan 24/7 Ballin’ betsu ni iin jan sore mo iin jan douse ikkai kiridashi na

--

I don’t see anything wrong with that If you wanna do something, go for it and do it It’s totally okay If you wanna stop then take a break and stop it It’s totally okay Nothing wrong with that 24/7 Ballin’ It’s totally okay Nothing wrong with that I know, yeah

Even you were to get dissed for being you, it’s not like you could pretend to be me then, yeah? You don’t want others’ judgements to decide you, but sometimes it’s hard to not care and feel down about it, right? People used to rave about that weekly magazine, but they found a new one and act like it’s the first they’ve seen Other peoples’ scandals are always the most spicy How about putting that attention toward your own outfit? (“I don’t care about what so-and-so did”) Wearing Saint Laurent Denim and a plain white tee (If you hate the present, tomorrow won’t be any better) Knowing what kind’a person you wanna be is really what you need Now Or Never – prove to the world you can be the real you, and we’ll win in spades You’ll regret not taking that step forward Yeah yeah yeah

I don’t see anything wrong with that If you wanna do something, go for it and do it It’s totally okay If you wanna stop then take a break and stop it It’s totally okay Nothing wrong with that 24/7 Ballin’ It’s totally okay Nothing wrong with that I’m only gonna tell you once

Their eyes are on you, but who is this 'they'? Is it just some strangers' conscious gaze? People might be judging, but who's doing that review? Those critics who only pretend to know you? Let me ask this: whose face comes to mind when you write your rhymes? Do you write for all the people who inspire you and are inspired by you and stand there with you? The most difficult thing to do is doing what you want, and foolish words like “lost” and “confused” pull at my heart But isn’t being that way okay? It’s great, right, homie? It’s imperfect, just like you Instead of Number One, I’d rather be the Only One You’re a lot like me, Elione

I don’t see anything wrong with that If you wanna do something, go for it and do it It’s totally okay If you wanna stop then take a break and stop it It’s totally okay Nothing wrong with that 24/7 Ballin’ It’s totally okay Nothing wrong with that I’m only gonna tell you once

Happiness comes in infinite forms Trying to fit a certain one won’t make you feel right Always comparing yourself to the people flexing on Instagram; if there’s anything left of the real you, how many milligrams? You don’t need to be influenced Quit sucking up to others and focus on yourself You’ll learn to stop caring what they think of you Go out on your own and experience life That’s real I’m sure you’ll feel lost some day You can’t go back on your one shot at life, but you can change its course It’s a hell of a lot of work, and frankly it’s impossible without love But if you have love, you can do it somehow It can feel shitty to stumble through life, but just know you can always change your mind

I don’t see anything wrong with that If you wanna do something, go for it and do it It’s totally okay If you wanna stop then take a break and stop it It’s totally okay Nothing wrong with that 24/7 Ballin’ It’s totally okay Nothing wrong with that I’m only gonna tell you once

[e-p-s-i-l-o-n-s-u-b-z-e-r-o]

arigatou ai wa hitsuyou tosareru koto de nobite ikeru

waratte watashi ga futari no kyori o tanoshimetara ii no ni

wakaranai sore ga kotae nandatte shabon tama tobosou sora made wa kitto todokanai uchi ni kowarechau.

❤️🌻

[whatsonmedia]

Redefining with Music: Lana Lubany Exclusive!

Discovering New Musical Frontiers: Lana Lubany's Authentic Journey. Tama Sarker Delves into the Soul of the Ever-Evolving Star, Unveiling the Heartbeat Behind Her Musical Evolution. Singer-songwriter Lana Lubany isn't just an artist; she's a visionary force reshaping the music industry's landscape. Born from a fervent desire to bridge her Palestinian heritage with the Westernized music scene, Lana's journey epitomizes resilience, determination, and raw talent. With her magnetic blend of sultry vocals, infectious beats, and captivating rhythms, Lana Lubany has swiftly risen as a viral sensation in the alt-pop realm. Based in London, this UK-based Palestinian-American artist stands at the forefront of a new wave of bilingual musicians, drawing inspiration from icons like Rosalía and Kali Uchis. Lana's music effortlessly traverses cultural boundaries, seamlessly weaving together English and Arabic lyrics to create a harmonious symphony that resonates with audiences worldwide. In a recent conversation, Lana offered profound insights into her musical evolution and the driving forces behind her latest endeavors. "I aimed to create music that not only pays homage to my heritage but also speaks to a global audience," Lana shared. Transitioning from Arabic to English felt like a natural progression for her. And the overwhelming response she received affirmed the universal appeal of her message. In this week's cover story, Lubany delves into her latest track, "STANNA,". Her deliberate choice to infuse her bilingual prowess into her music. "My identity is multifaceted," she shares. "I'm not solely Arab or American, but a fusion of various cultures. I believe my narrative is distinct, one that hasn't been explored before." Lana's debut release "The Snake," propelled her into the international spotlight, amassing an astounding 8 million streams. And establishing her as a formidable presence in the industry. With her follow-up single, "SOLD," Lana delved into the complexities of self-sabotage, cementing her reputation for crafting emotionally resonant music that strikes a chord with listeners. Now, as Lana embarks on the next chapter of her musical journey with her forthcoming project, "The Holy Land,". She remains committed to pushing artistic boundaries and exploring new creative frontiers. Her latest single, "CLONES," released just yesterday, offers a thought-provoking exploration of the myriad personas we adopt internally. It's serving as a testament to Lana's ability to infuse depth and introspection into her artistry. Throughout our conversation, Lana emphasized the paramount importance of authenticity in her work. "Authenticity is everything to me," she affirmed. "It's about staying true to myself and my experiences, even in the face of challenges." As Lana navigates this new chapter of self-discovery, it's abundantly clear that her music transcends mere entertainment. It serves as a potent vehicle for cultural expression and empowerment. With each release, Lana Lubany redefines the role of an artist in today's diverse and ever-evolving world. And it's inspiring others to embrace their true selves unapologetically. Read the full article

[vyvybug]

THANK YOU FOR MAKING THE TAMA PRIDE STICKERS ACTUALLY LOOK LIKE V3S

you don't know how much it bugs me when tamas in art have inaccuracies that are so easy to fix 😅

you did a great job on them btw!

Thank you!! And I'm the exact same way too lol, like at least get the amount of buttons right!

My first tama was a V3 which is why I wanted to do one. I actually ended up copying my O-uchi no Deka Tamagotchi because the IR is a heart <3

bonus pic of my tamagotchi shelf in the china (aka lego) cabinet