Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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let’s do some autistic meta knight headcanons!! over explaining my interpretation of meta knight yet again wooooo
this orb has NO idea how to talk to people!!! outside of work anyway. a lot of this is partially due to upbringing (suppressing his emotions all the time) but he does not know how to express emotions, like…at all.
this goes into a few things
1. yeah talking is hard. even after figuring out what he wants to communicate he will struggle. conversation can be so overwhelming, especially under pressure. he will need time lol
2. because of that, forming connections is hard. i really don’t think meta is much for shallow relationships, and certainly not early in the timeline. which also means he has very little experience with friendship. so a lot of the relationships he did have went kinda neglected, and issues that probably could’ve been worked on by talking became…*cough romk* escalated.
3. honestly i wouldn’t be surprised if meta convinced himself he couldn’t feel emotion (anymore) until like. katam-ish. he tried very hard lol
vulnerability is terrifying. (though this gesture here is also just comforting, like his little cape cocoon thing he does.)
unmasking—yeah im taking the mask thing very literally here—is a big deal and a very slow process for mk. i’m sure he has a lot of feelings on that lol. it served as a way to ensure no one could ever, y’know, see him.
i can’t say i think he’d ever fully ditch it—there’s always gonna be some days that are more stressful than others and if having it could help him get through it, it just makes sense. mainly when working.
it really is about vulnerability. granted, i don’t think he has the most expressive face (in my head every astral just tends to stare at things) but i doubt he has much control over it. can’t fake a smile but also can’t hide it. probably blushes easy because yeah, astrals; just look at kirby’s face.
just the idea that someone might be able to read his expression and know what he’s feeling before he’s ready for them to (or even understands it himself…) yeah he doesn’t want that
but emotional turmoil aside, i think his mask also hides a lot of his stims
remember that whole “suppressing your feelings” thing? yeah turns out that ignoring half your instincts isn’t a good idea. so in true meta knight style, he tries to stim as subtly as possible
1. he has the least control over his wings, so they will flick and twitch on their own. they’re usually a good indicator of how he’s feeling, not unlike the body language usually seen in cat ears and tails lol. flapping is also an extension of this of course, though he probably suppresses it more.
2. this also effects when he takes his wings out. pretty much every time he’s excited or nervous it just happens. kinda makes me wonder if his wing cape ordeal might also go into the suppression thing… (i’d say yes, but using a cape is also very comforting so it’s not necessarily a bad thing)
3. going back to the mask thing; he stims a lot underneath it. think like biting or pursing your lips. he bites his tongue and clicks his mouth. that sort of thing. his mask also makes it harder to notice that he is constantly sighing, humming, grumbling…all that
one nice thing about the mask though is that it helps a little bit with lights!!! woo
(look at him and his magically floating glasses)
sensory stuff—i think he’s mostly bothered by light and sound. maybe a bit of texture. he’s pretty sensory avoidant and perfectly happy standing off to the side not touching anything.
the one exception to this is physical affection, which is, despite all of this, most of how he shows affection. it’s a lot easier to hug someone than to try to explain your feelings for them, after all.
i think he would like pressure though. so that’s probably part of it. and i’m pretty sure there’s some connection in here to fighting (dang, is that the only way he knows how to get his energy out?)
anyway, pretty much all of this is in contrast to kirby, who i would gladly nominate as the champion of Doing Whatever He Wants. he might pick up a few bad habits, but he will never mask the way meta knight does. he might not understand how he feels, but he’s in tune enough to express it…usually.
this is a very good thing for meta because it helps him to do the same thing. kirby’s so energetic, it’s hard to not want to stim with him. it reminds meta to be kinder to himself and explore his own emotions. he can also help kirby understand themselves, so this connection is very important.
yeah, at the end of the day, everything kinda just boils down to kirby and mk as parallels
this is the conclusion i promise
to me, meta’s arc is about growing stronger by growing kinder, and this is mostly by learning to be kind to himself. letting himself be a person again, loving and understanding other people, and eventually, letting go of all the expectations placed on him and doing the things he’s always wanted to do…
autism headcanons are fun for me because it’s cathartic to write, but at the same time, it just makes sense in this sort of narrative. meta is, to me, inseparable from these things. and so is kirby! that’s a dynamic that’s a lot of fun to play with, and it’s at the heart of my kirby interpretation.
if you actually read all this WOW thank you
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Everything Namor did in all of his interactions with Shuri was strategic. Dressing her up in the royal clothes. Telling her his origin story. Taking her to Talokan. Showing her the vibranium. Giving her his mom’s jewelry. Which— pause that woulda been a red flag for me. You have this much trust for me when we just met 2 hours ago? All of it had a purpose. He treated her like an equal at a time when she was still being treated like a child. He pulled at her heartstrings, because he knew she cared for her people. And he also knew she’d admire someone who clearly cared for his. The moment that she sacrificed herself for Riri, he knew that was his way in. See how differently he dealt with her, versus Ramonda. It was purposeful. Hell, he probably knew someone was already on their way to rescue Shuri, giving him cause for the war that would eventually kill Ramonda. Because even if she didn’t die then, she wouldn’t be queen forever. Eventually Shuri would inherit the throne. That’s a long game Namor was willing to play.
There’s no enemies to lovers. There was no flirting romantically. Namor dazzled her on purpose for a purpose. Now look what happened, she’s in a position of power, and she’s sympathetic to Talokan. Like Namor said, she has no allies. When the surface world comes for Wakanda, she’ll turn to Namor. Now he gets his war just like he wanted. It was all by design.
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