#vangard

[angoryt]

Does it count as a shitpost if you spend a total of 10 hours on it?

I call this one ✨The model squad✨

Apologies about the quality, I have been trying to fix it but Tumblr fa***ng keeps on degrading it.

[satellitedusterart]

📱computer people / sketchbook ✏️

[1silentsiren1]

Zahndrekh was, so Obyron is now) I read "Severed" And am touched. Necrons are such buns here. Zahndrekh is literally a child at the age of 65 million years)

[balsanja]

Gibson Brothers - Que Será Mi Vida (If You Should Go)

[dareallettuce]

Daniel Vangarde and Thomas Bangalter

(x)

[alex-leweird]

Yup I love necron characters:

Trazyn

Orikan

Obyron and Zahndrekh

Anrakyr

[beril66]

Heyo folks! So here's a list of this for another fic I am going to workon. I am writing here the rules so I don't forget and I would love to see people give me their opinions on what I can add! This time it IS a crossover series with Cuthulhu Mythos! (Mostly lovecraft lore and some other writer's take on it sprinkled in. No Other gods vs Great Old Ones nonsense though that was a stupid adition to Mythos I will DIE on this hill)

Our skele bois and everyone really are going to learn the HARD way there are being infinitely scarier and powerful than measely star parasites or amalgamation of emotions :D

This came after a delightful conversarion with a friend in space battle. So some heads ups;

Other gods or Outer Gods as people know them are the undisputed strongest things for what I hope obvious reasons. Put an unshattered C'tan or a chaos god in front of Nyarlathotep and they'll beg for their life

Azathoth DID NOT create 40k or any universe. Its a fan theory. It was Yog-Sothoth ;)

The races such as Elder Things and Great Race of Yith are among the oldest and most advanced (they are basically the Xeelee's since thats what they are meant to be in OG mythos Lovecraft was just shit at math and science) creatures in the verse. Remember how Mep'het'Ran bitched to the Necrontyr about how they also fought with the cruel old ones and lost and turned into celestial fart gases...well he didn't TECHNICALLY lie.

It just wasn't the 'Old Ones' Necrontyr were thinking XD (for real though in the ONLY alliance these two races ever forged they kicked the shit out of C'tan and destroyed their OG bodies) for these races, species in 40k galaxy might as well be monkeyd hitting each other with sticks. The difference between them are that great.

That war happened not 200 million year into the big bang btw. Yeah...when the first stars were babies. Elder Things and Yith are that old...they might be that old in OG mythos too now that I think about it 🤔

Remember Nihilakh Yyth seer? Yeah that thing is another unfortunate race Yith used as bodies and left long before necrons ever came...unfortunately the inhabitation caused the race to develop clairvoyance. And we all know what happened to the poor bastards.

The Elder things came to earth was basically an amish community got tired of ultra advanced tech XD they are the reason earth has life. They came waayyy before the billion year mark Lovecraft gives. First one celled organisms on earth appeard around 3.7 billion years ago. Yeah.

Randolph Carter is/was a friend of Big E's and still kicking in 40k with his silver key. Fully living in dreamlands with his friends and boy-ahem eternal headache Nyarlathotep though. He and Trazyn will become GOOD friends...maybe Orikan too. Tech wizardry isn't just belong to necrons after all.

Magic other than warp exists and it is both intransically bound with tech and seperate enough. Mostly safe too if you manage to keep your head while learning.

Assume all weird creatures in mythos exist.

Deep Ones have their own planet and allied with Big E around 2020s. They have full on STCs under their planet and still can build and understand DAOT tech, they are just smart enough to hide it really well. And since all of them are immortal most of the ones on the planet (pure and hybrids both) are over 30.000 years old. And remember EVERYTHING. Rest of the Imperium thinks they are filfhy mutants to be avoided. Deep Ones and hybrids mostly bleakly amused seeing most were alive in 1920s America how humanity seems to abandon one type of racism then immediatly embracing another.

Lost 2 Primarchs taken a worship of the Other Gods...this is magnetitudes more dire than chaos worship.

Orikan, Trazyn and Phillias will meet an interesting human who knows more than she ever should...if they are nice to her she might even draw them when they were necrontyr. She A LOT to say about their relationship during flesh times...revelations might or might not cause eternal sense to loss , pain and horror to what was lost...and maybe hope. 🤷‍♀️ (yes during Trazyn's bubble confinement)

Except Nyarlathotep to pop on Song of Oblivion and taunt Szerakh. Randoph migh or might not put the fear of actual gods in Szeras too

Anrakyr and Zulthanekh (don't ask me how they will ever meet I am just taken by the idea of their friendship because of ghostinthegalleries) will get a history lesson of the galaxy from Nyarlathotep.

Shoggoths are allies of humanity. As they lived only the really intelligent and sentient ones survived and after their ACTUAL discovery humanity (DAOT) have been not only nice to them but give them human rights Elder Thing colony never thought of. Surviving ones are fiercely loyal to humanity but few know their existance.... for obvious reasons. They are a hard counter for tyranids and help preserve Big E.

Big E was aware of other gods and there was no stopping them. Thankfully the only one who was invested into the galaxy was Nyarlathotep and Big E just pointed out sitting back and watching the inevitable clusterfucks all races cause would be infinitely more entertaining. (Randoph also threathened Nyarlathotep with sleeping on couch in Ilek-Vad XD)

...AND thats it. Thats all I got for now. I would love to see your suggestions Lovecraft and 40k lovers!

[southernvangard]

(Southern Vangard)

Episode 406 - Southern Vangard Radio

BANG! @southernvangard radio Ep406! Schools back in this week here in the A, folks - which means that traffic is jacked for the next 9 months and you need some good listening in the morning to get you through carpool drop off - look no further, Doe and Meeks are hear for ya. Gobs of new joints this week per the usual, and our good friend C.O. The Don dropped in to help us close out the show. If you missed our Twitch stream on Sunday night, make sure you head over there for the replay, as we paid tribute to the one and only DJ POLO, who unfortunately passed last week with a barnstorming Twitch Only set. One day we might have these Twitch Only mixes up somewhere…THAAAAANK YAAA and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap

Recorded live July 28, 2024 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - Masta Cypher Devine & Goomson

"Southern Vangard Theme" - Bobby Homack & The Southern Vangard All-Stars

Talk Break Inst - "Assembly Line" - Sirplus

"Without Love" - Eddie Meeks & DJ Pocket ft. Little Clayway & Supastition

"Sign Of Se7en" - Rakim ft. Prodigy, X-Raided, Method Man & Big Twins

"Get Yours" - Flee Lord (prod. Tom Soyer)

"Temptation" - Jamal Gasol & Cedar Law$ ft. Aaqil Ali

"True Identity" - Ty Farris (prod. Don The Jeweler)

"Alligator Plates" - Termanology ft. The Musalini & Silent Snipers (prod. Nef)

"UFO Teknology" - UFO Fev & Fredro Starr ft. Termanology & Tek

"Memory Lane" - DJ Muggs x Raz Fresco

Talk Break Inst - "Love Is A Game" -Sirplus

"Proxy" - Abyss, Apathy. DC the MIDI Alien, DJ TMB

"International" - Rakim ft. Kool G Rap, Joell Ortiz & Tristate

"It's All Fair" - Punchline & Confidence

"Zoë´ Lund" - Vinnie Paz

"Seein' Em" - M-Dot ft. Chaundon (prod. Es-K, cuts Lp2)

"Raised In The Sand (Intro)" - Flee Lord  (prod. Jansport J)

"Earned Eons" - Left Lane Didon

Talk Break Inst. - "El Mero Mero" - Sirplus

"Staircase Stories" - DJ Muggs x Raz Fresco

"Suppa Koopa" - Money Mogly x NoEmotion

"The Enigma" - Ty Farris (prod. Don Carrera)

"Stay Down" - Maticulous ft. Eddie Kaine

"Keep Playing" - Rufus Sims

"Cucumber Water" - Bub Styles

"Peace God" - UFO Fev & Fredro Starr

Talk Break Inst. - "Mo To The…" - Sirplus

** TWITCH ONLY SET ** RIP DJ POLO **

"Ill Street Blues" - Kool G Rap and DJ Polo        

"Truly Yours" - Kool G Rap and DJ Polo        

"Money In The Bank" - Kool G Rap and DJ Polo        

"It's A Demo" - Kool G Rap and DJ Polo        

"Road To The Riches" - Kool G Rap and DJ Polo        

"Poison" - Kool G Rap and DJ Polo        

"Men At Work" - Kool G Rap and DJ Polo        

"Apache" - Incredible Bongo Band

SOUNDCLOUD

https://soundcloud.com/southernvangard/episode-406-southern-vangard-radio/

https://on.soundcloud.com/pm9eGYD6jxVs2gx77 (SHORT LINK)

APPLE PODCASTS

https://podcasts.apple.com/us/podcast/southern-vangard/id1036355114

SPOTIFY PODCASTS

http://bit.ly/svrspotifypodcasts

YOUTUBE

https://youtu.be/ZN_m7hZC8OE

TWITCH

http://twitch.tv/southernvangard

MIXCLOUD

https://www.mixcloud.com/southernvangard/episode-406-southern-vangard-radio/

[astralleywright]

it is wild to me how defensive ppl are getting on behalf of the gods though. like they're immortal beings with way more influence over the lives of individual mortals than in reverse. many of them are canonically, unambiguously evil! but whenever a pc expresses that they don't really care for the gods the tag fills up with "you guys are being like, super mean to the unaccountable ultra-powerful beings right now" ass posts

[flushthethrone]

(Southern Vangard) Episode 383 - Southern Vangard Radio

BANG! @southernvangard #radio Ep383! We’re in full holiday motion as of this week, Vangardians - if you missed the live Twitch stream on Sunday this week, you might want to go back and check it out for the festive decor and holiday look alone, not to mention the Doe and Meeks trash talk insanity. The Q4 onslaught of new joints continues, so we’ve got lots of that, including a WORLD EXCLUSIVE from Everliven Sound, a group comprised of Cymarshall Law & Blackbelt Poemz - big up Dan Shores for the connect. So ho-ho-ho yourself on over to this new ep on your favorite platform, say THAAAAANK YA real quick like ‘cause YOU WAAAAALCOME!!!!! Last but not least - ***HOLIDAY ALERT*** “SMITHSONIAN GRADE: The Story of Southern Vangard Radio” is available now for ya little holiday gift giving - a cool $20 gets you a book, print, sticker!  Hit SOUTHERNVANGARD.BANDCAMP.COM now and beat the holiday rush! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live December 3, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - Denny Laflare

Chrimmus Talk Break Inst.  - Toby T.

"Reintroduction" - AZ (prod. Buckwild)

"7 Grand" - Stallone & Weathers (Precyce Politix & K-Hill)

"Snake Oil Package" - Mondo Slade ft. Josiah The Gift & DJ Jon Doe

"Victory Lap" - Tesla's Ghost & Purpose ft. Estee Nack

"Nod Ya Head" - DJ Robert Smith & BambuDeAsiatic

"Live From Czarnegie Hall" - Czarface ft. Kool Keith

"Pavement Drop" - Crotona P & Noam Chopski ft. DJ Optimus Prime

Chrimmus Talk Break Inst.  - Toby T.

"Go Time" - AZ ft. Pharoahe Monche

"Loony Bin" - Isaac Castor & Hir-O

"Marvel at That (Road Trip)" - Czarface

"RAMO" - J57

"50 Years of Hip Hop" - J. Sands ft. Masta Ace, RJ Payne & The World Famous Brucie B

"Oh My" - The Doppelgangaz

"Bring The Real Back" - Everliven Sound (Cymarshall Law & Blackbelt Poemz (prod. Slimline Mutha) **WORLD EXCLUSIVE**

Chrimmus Talk Break Inst.  - Toby T.

"Pinky Ring" - Wino Willy ft. Mondo Slade & FOHDH Matthew

"Long Chain" - MidaZ The BEAST ft. TzariZM

"Possessed" - Elzhi & Oh No

"Acid Tab Communion" - Chubs & Farmabeats

"Skummy Szn" - Reek Osama & Circa 97 ft. Snotty

"Montagna" - Conway the Machine & Wun Two

"Tears From An Angel" - Chubs & Farmabeats ft. Bub Styles

"Zabaione" - Pounds & Spittzwell ft. Estee Nack

"Brick by Brick" - Conway the Machine & Wun Two

Chrimmus Talk Break Inst.  - Toby T.

** TWITCH ONLY SET **

DJ Jon Doe Beats / Exclusives

SOUNDCLOUD

https://soundcloud.com/southernvangard/episode-383-southern-vangard-radio/

https://on.soundcloud.com/xBhqQ (SHORT LINK)

APPLE PODCASTS

https://itun.es/us/QyyX9.c/

SPOTIFY PODCASTS

http://bit.ly/svrspotifypodcasts

YOUTUBE

https://youtu.be/eJl-6CNI6uc

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

http://twitch.tv/southernvangard

MIXCLOUD

https://www.mixcloud.com/southernvangard/episode-383-southern-vangard-radio/

#SouthernVangard #DJJonDoe #EddieMeeks #DennyLaflare #TobyT #AZ #Buckwild #StalloneWeathers #PrecycePolitix #KHill #MondoSlade #JosiahTheGift #TeslasGhost #Purpose #EsteeNack #DJRobertSmith #BambuDeAsiatic #Czarface #KoolKeith #CrotonaP #NoamChopski #DJOptimusPrime #PharoaheMonche #IsaacCastor #HirO #J57 #JSands #MastaAce #RJPayne #BrucieB #TheDoppelgangaz #EverlivenSound #CymarshallLaw #BlackbeltPoemz #SlimlineMutha #WinoWilly #MondoSlade #FOHDHMatthew #MidaZTheBEAST #TzariZM #Elzhi #OhNo #Chubs Farmabeats #ReekOsama #Circa97 #Snotty #ConwayTheMachine #WunTwo #BubStyles #Pounds #Spittzwell #EsteeNack

[littlewalken]

TIL that Daniel Vangarde (Bangalter) went from being banned on French radio to seeing his son win album of the year and more at the Grammys. He was there when Daft Punk won everything.

Now I got to go look at the Grammy footage and see if I can see him.

transcript of the Bilboard.com article:

Daniel Vangarde, Father Of Daft Punk’s Thomas Bangalter & Disco Innovator, Breaks His Silence

From his home in Brazil, the 75-year-old legend reflects on being banned from French radio, the best advice he gave to Daft Punk and the re-release of his catalog: "I think I will not die."

Daniel Vangarde has lived a fascinating life. He’s lived at least three of them, in fact. 

His first act was as a producer, A&R and all-around catalyst for some of the most popular European disco and funk acts of the 1970s and ’80s, shifting millions of copies. Since the late 2000s he’s been residing and working in a Brazilian village of 750 people, teaching English, computer literacy, vocational skills and a range of artistic expression.

Somewhere in the middle he fathered a son, Thomas Bangalter, who also made some decent records himself. 

Vangarde (born Bangalter) helped guide the early movements of Daft Punk, at a time when the pre-Homework duo had magic in their fingertips but hadn’t yet mastered the close control of image and narrative which forged their mystique. Vangarde doled out critical advice to Thomas, Guy-Manuel and a coterie of close friends in the ’90s Parisian scene, instilling in them the requisite knowledge to play the industry game on their own terms and better enabling them to sculpt their consequential destiny. 

Then followed a high-profile battle with France’s publishing and rights society, SACEM, over both restrictive practices for modern artists and historical aberrations for post-World War II remuneration to Jewish musicians. Sufficiently content with both his own success and the imprint he left on the next generation, Vangarde retreated into silence, only fleetingly emerging when required (including a trip to the 2014 Grammy Awards, where he watched his son clean up). There were no plans to issue communiqués with the music ecosystem — until now.

Following a deal with powerhouse French label Because Music, the vaults of Vangarde’s Zagora Records have been busted open. The resultant compilation, Daniel Vanguarde: The Vaults of Zagora Records Mastermind (1971 - 1984), out Nov. 25 on Because Music, should re-situate him in a lineage of discotheque-pleasers with a taste for suave, symphonic and Star Wars-influenced material that bristles with joie de vivre. The comp is surprisingly tight for an era which left no excess untested; it’s not a stretch to say, from the colorway of his suit down to his perm, the Daniel Vangarde peering out from the cover might just have been the model for Disco Stu.

Having undertaken the grand sum of zero English-language interviews for 75 years, Vangarde made himself available to Billboard from the deep Bahian forests for an extremely rare and rather charming conversation about it all. 

One thing that’s clear across your life is a fascination with culture and society outside of your own. You produced artists from the French Antilles and the West Indies, kickstarted a cossack dance craze in the late ’60s, and latterly founded an NGO. Where does this curiosity stem from?

I always liked traveling: I spent 10 summers of my adolescence in Costa Brava [Spain], visited Swinging London, and in 1966 hitchhiked from New York down to Mexico in order to visit the Tarahumara. Life felt like an adventure.

In 1971, I happened upon Guadeloupe and loved it — the people, the place, and the local rhythmic music, biguine, which I took back to work on in Paris. Throughout trips to Kathmandu, Bali and Malaysia in the ’70s, my love for African, Arabian, South American and other music outside the French or Anglo-Saxon tradition kept growing.

What were your dreams for the world back then?

Ah, that is easy. I was curious about the globe and completely against war. I was politically active from a young age. I was arrested during the student revolution in ’68 and spent three nights in a jail cell without light. That was very frightening. They say there were no deaths but I am certain this is untrue, there was great violence. For years afterward I had to cross the street whenever I saw a policeman, you know?

You had post-traumatic stress?

Yes, yes, it was this: it was post-traumatic stress. But I stayed against nuclear factories, against the Algerian War and successfully avoided my own military service. I did not change my point of view that mass consumption is a dead-end of civilization. In 1968, we had spiritual belief in a more open future. Today we have realism about our present moment, and that is what it is.

When you were 25, you and longtime collaborator Jean Kluger came up with Yamasuki, a faux-Japanese project whose only release is still pored over by record collectors and DJs like Four Tet. Why did you decide to jump into the deep end with such a specific concept? 

Listen to this article

After the success of “Casatschok,” I was mostly considered a choreographer. Shows about kung fu were beginning to sweep through television, so Kluger and I thought about creating a Japanese dance, which we called Yamasuki, but the great sound of the music caught on more. We really got into a Japanese mindset: I bought an English-to-Japanese phrasebook, we learned phonetic pronunciation and taught a children’s choir lyrics in Japanese. We even hired a karate master to deliver a shout of death [kiai] — except he had no sense of rhythm, so I would stand in the studio, cueing him when to shout… and trembling on the other side of the mic.

As disco became popular globally, and you had French artists like Cerrone winning Grammy Awards for Best New Artist, was there any competition or jealousy? Or did you regard them as your peers?

Peers, totally. There was no competition at all. If there was any competition, in fact, it was with American and English production. I never used a mastering studio; I would be there at the Phillips factory, watching the acetate get pressed, making sure the sound was impeccable. Cerrone, he was not a friend, but we would see each other at the discotheques when taking our new records to the DJ for promotion. The same applies for Jacques Morali {the disco producer responsible for the Village People] — at this time, for the French to have success away from home was a great feeling.

Some of the records you worked on were massive. “D.I.S.C.O.” was the third biggest-seller of 1980 in Germany and the fifth in the UK; the Gibson Brothers sold millions of copies; you’ve been sampled and covered by Erykah Badu, Bananarama, Roger Sanchez — it’s a legacy of success by any other name. Did that come as a surprise to you?

I will say that when I started to make songs, I wanted to write to The Beatles and tell them that there should be five members. [Laughs] I was this certain that I could bring something to them. I imagine that maybe everybody that records hopes that his music will be understood and appreciated by the public. But even if I was expecting success, I recognize it’s a great privilege to live your life off of music. 

What was your relationship to fame throughout all this?

I only did one LP as a frontman, which had the privilege of being banned on radio and television. The lyrics concerned how France is the third biggest producer of bombs and mines. Of course, that’s a state secret, so the record was buried, and I was never a frontman again. But that’s alright: I was an author, composer and producer; an artisan. I sought no fame, no show business. A reporter asked me recently: “So you live your life in the shadows?” And I said, “No! I live in the light, normally, like you do.”

Interest in the Zagora reissue is however fun to me, because I was not fashionable at all. I produced La Compagnie Créole, a very big band in the ’80s, and we could sell out three nights at L’Olympia but I could never once get a journalist to come see the show. That’s just how it was then. If it’s not chanson, it’s not serious. In France, popular music is suspicious.

By the time your career wound down around 1990, was the love for music still present? Was it a creative rupture or a decision to be with your family?

Truthfully, I was not producing music that excited me, and I thought it unwise to carry on. When making a hit my hands would become wet while mixing, and a physical sensation would overtake my belly. So if I was not feeling anything, why would anyone else? Also, there was a new generation doing dance music, and of course this was very close for me.

Yes, on that note… perhaps no one in the last 10 years has done more to kickstart the revival of disco and analog production than your son, Thomas. Why do you think that era has swept back into the public consciousness? 

I can see why. Nothing replaces rhythm. Songs that you can dance to, with a melody you can sing — not rap, not techno, not even Daft Punk can compete with this human response to a good feeling. There are different chapels today: you have country radio, rap radio, rock radio, but the old repertoire has maintained.

What aggregates the masses are famous hits, and disco was the last of this kind of music. When they decided that disco was over and they started to burn the records [1979’s infamous bonfire of hate, Disco Demolition], I thought it was a joke, because I never thought happy, dancing music could possibly fade. And when disco came back, I realized it hadn’t faded after all.

Your know-how helped ground not only a young Daft Punk, but also their peers Phoenix and Air, all of whom credit your advice with allowing them to navigate the music biz and retain creative freedom.

I think all artists should have this freedom. I helped Thomas, Guy-Man and their friends as much as I could to allow them to release without barriers. They were only 20 years old and the industry could have squeezed them — a normal contract generates interference between your work and the time it’s released. I made an introduction to my English lawyer, who is still [Daft Punk’s] lawyer today, and advised them not to let the author’s rights society in France authorize their music for film or publicity. My input was to help create a good environment that allowed them to produce freely.

Do you think the industry is a better place for young artists now than it was in the ’90s, or the ’70s? Or is it contingent on who you are?

That’s difficult to say. I think the music industry is in a terrible situation, not because of the internet, but because record companies and publishers didn’t know how to use the internet. When I helped Thomas set up Daft Club [a groundbreaking hub for digital downloads and fan service, released in tandem with 2001’s Discovery] even then, many considered the internet science fiction for geeks. And what was the result? 

They should have contracted the hackers! The best guy from Napster should have been contracted by record companies to organize a new paid system. At a time when people paid $10-20 for an LP, of course they would have accepted paying $1 instead. But the industry did nothing, music became like free air, and once the value collapsed to zero for many years, it was hard to come back from this.

In the ’70s, the artistic directors of a record company or programmers of a radio station held all the control. So I didn’t think it was good then. But I can’t say it’s better today either. It’s difficult for true talent to break through or generate wealth in the same fashion as before.

As you’ve never given interviews, your working practice from that era is lost. I mean — Bangalter now rings with a uniqueness and star quality, so why did you use Vangarde as your professional surname?

I wanted to allow future Thomas to use Bangalter! No, I chose a pen name in case I had success; I did not wish to book a hotel or restaurant and be recognized. Why Vangarde? Originally I had prepared Morane, the name of a small French plane in the early 1900s. But on the day of registration with SACEM, this was already taken, so I was given one minute to change. I quickly thought of another plane called the Vanguard, and this stuck by complete accident.

You’ve been distant from your own catalog for so long. Why now? 

I’m afraid it’s not very romantic. I have known Emmanuel [de Buretel, kingpin of French electronic music] since he was 25. When Because Music showed interest in buying Zagora Records and releasing some old tracks, I trusted them, and said, “You’ll be the owner of the catalog, so if you want to, yes.” As I have never done photos or interviews, I did not expect interest at all. I could even not remember some of their choices, so I had to go on YouTube and listen back as I was certain these were not my songs! To see any reaction has been a huge shock. Because made a very good decision.

So you never considered what you’d like your legacy to be?

I think I will not die. I have songs that I did 50 years ago that are still popular. If people are happy when they hear the songs and go to dance, or go to see the bands still touring, they do not die. This is the answer of my legacy.

And are you satisfied?

Yes, I’m very happy. I have the privilege to do what I want, and a good personal life… in the shadows. [Laughs] I have a good relationship with Thomas and now I have two grandchildren. One is 20 years old and the other is 14 — I love them. I go on being free and having my health. What more can I ask for?

[commanderfloppy]

Gw2 Huevember Week 2

Another Tori piece because red/gold toned color pallets make me think of them, but this one is a lot more wholesome.

Tori's Aunt made a really good pie

[satellitedusterart]

digital monsters iii

[+ alts below!]

[1silentsiren1]

I couldn't leave the teddy Zahndrekh alone. Now I have Obyron, who has to endure the positivity of his phaeron even after bio-transfer

I don't know how I even make necrons cute.

[translunaryanimus]

Saiorse Vangard, member number two of the bone thieves. Ve’s Hannu’s “business partner” [read, best friend] and will regularly join him on bone hunts to gather more artifacts for his house museum. Saiorse is big friend. Large friend. Friend horse.

Saiorse is for the @halfstack-smp.

[balleater]

does ludinus know that mortals can pass through the divine gate like. that feels like a very big flaw in his logic.