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windenbro · 8 months

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🌊 LUV2SWIM ☀️

I could not have expected to enjoy the Poolside Splash kit as much as I did. As soon as I got my hands on it I knew I wanted to take it even further. Of course the speedos needed a bulge on them, but I actually loved the whole vibe and theme and decided I wanted to do my own spin on the whole thing. I had originally planned to put this off for a week since I’m going on vacation next week and didn’t think I’d have time, but inspiration hit like a truck and I just couldn’t sleep until I finished this.

Luv2Swim is 9 items from the kit all edited & recolored in a new palette I created just for this very creatively called…SPLASH. I’ve got to have my neutrals so you’ll see some of that as well as a selection of brighter shades and pastels. Something for everybody I hope! Also made a selection of 15 prints I really loved to use here. Some of them you will have seen on some previous items and some are brand new finds.

If you’re curious about what you’ll get, here’s a breakdown.

4 speedos: Personally I was really only a fan of the one speedo shape, however I’m so glad we got as many as we did. If course 2 of them are flagged feminine but I swapped that over for these items. Added a bulge to all of them of course. Also one of them seemed to be completely missing a specular map so I learned how to make one and added that too. You’ll get all the original EA swatches as well as a second package in SPLASH + prints.

2 trunks: I’ll be honest I didn’t do much with these. The shorter trunks got a very minor mesh edit to make em a lil fuller in the front but the longer ones got nothing really lol. That said they both come in the same solids/prints swatches as mentioned before, as well as 14 “extras”, that is a few cute gradients and color blocked styles as well. Also added a specular to the shorter trunks because…trunks should be shiny!! I didn’t add specular to the longer trunks as..frankly the kinda read more as sweatpants to me and sweat pants should absolutely NOT be shiny. (Also the longer shorts are literally just me taking the exact item from EA and making it BGC..that was an accident but..oh well you’re welcome!)

2 tops: Thank tank top is absolutely my favorite in the game now by far! I loved that open shirt too we always need more of those! Just recolored these in 20 solids each and added a bit of shiny to the open shirt cause I feel like it should be kinda silky looking no?

1 sandal: The shoes EA have been making lately have been so good, but these are absolutely my new faves!! That chunky ass sole is just…chefs kiss! This was recolored in SPLASH colors as well as 15 prints across the strap and a handful of color blocked swatches (the same ones the trunks came in)

Again everything is BGC and has all maps but LODs are…well..nothing is particularly high poly so it’ll be fine I promise (I mean it’s mostly speedos so that’s like... no poly lol)

Anyway I hope you guys enjoy!

📂 SFS

#ts4cc #the sims 4 #poolside splash #ts4 male cc #windenbro #bro #dropping cc at like 4:30 am so i can finally go the fuck to SLEEP

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yooniesim · 5 months

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Small Simblr Saturday Appreciation Post 💜

Hey y'all! Since @tau1tvec came up with the idea for this event, I thought I'd shout out some of my personal favorite always free creators :)

To start it off though, you know I gotta recommend @alwaysfreecc, the finds blog currently managed by myself, @superflare, @nicatnite88, and @toastie-sim! We only reblog cc creators that are always free (no exclusive or early access) and use the tag #alwaysfreecc to find your posts! If you're an always free cc creator, please use the tag and/or mention the finds blog so we can get your catalog reblogged there 😌 now, onto the list~!

@xiuminuwu - a creator I've really been loving lately! they have a variety of cute cc, including poses and unique, fashionable clothing~

@hexcodesims - a very underrated creator with tons of clothing edits for masc frame sims, I also love their big bud press palette~

@herecirmsims - makes amaaaazing unique poses for a variety of situations

@adelarsims - has awesome ideas that you wouldn't think of, amazing variety of cc like hello

@janjumjam - adorable cc for kids, gives me happy feels and nostalgia

@ceeproductions - some of my fav cc on this site, great variety for both masc and fem frame

@powluna - super cute items for kiddos... a staple in the mods folder

@ssspringroll - occult cc for daysss, cool sliders and presets, they got it all

@nicatnite88 - yes I'm biased, but the variety and hustle cannot be denied, just look at the amount of cc!

@bobnewbie - hairs, facial hairs, accessories, gorgeous sims... what else could you want?

@darlyssims - UNIQUE. really cool ideas for hairs, accessories, and more

@cliffirem - clothes and hairs with an alt twist i really enjoy

@sammi-xox - beautiful skinblends and super useful skin details

@warwickroyals - gorgeous formalwear, especially good for all you royal simblrs!

@marsosims - cute cute cute all over... hairs, clothes, even build/buy cc!! we stan

@whyhellosims - lots of stuff for kids, build buy cc, and a slant of humor!

@creamlattedream - masc cc staple in this house, lots of cute recolors and casual wear

@pluto-sims - the cutest patterns EVER, adorable kids clothing, posters and walls~

@deathpoke1qa - unique is my word for the day bc my lord... it's popping off! alt staples you can't miss

@icchixxxxxx1 - hairs hairs hairs... and more cute hairs! if you like the cutesy anime look but still mm, go here

@mellosakicc - so. many. t-shirts. but also other clothing, tats, and hairs! another alt cc maker with work ethic for days

@whirliko - cute bright recolors... we have no choice but to stan the pop of color

@shandir - conversions, historical, occult, variety... hello??? get going

@mangosimoothie - the ideas are popping... once again things that would never pop into my brain but are brilliant... just go look and see what I mean

@igorstory - facial hair... a totally unrepresented niche of sims cc.. I have all their stuff... download it

@madameriasims4 - CLASSICS. STAPLES. I use their clothes all the time and they also got build/buy stuff.

@aniraklova - alt & punk vibes to the tippy top, fallout, chains, mohawks, whats not to love??

@pixelunivairse - ONE OF MY FAVS. use their cc constantly for my fem frame sims. uses tons of cute patterns that I love

@demondare-sims - cas cc i love, I use it pretty much every time I play, mm and practical

@fiftymilehighclub - talking about work ethic, it's here... so many recolors in bomb palettes that you'll never download them all... or can you??? try

@sforzcc - retired from cc making, but I gotta recommend, bc I use their wardrobe sooo much... brilliant

@casteru/@woosteru - also retired, but same as #16, I use their cc every day!

@xldkx-cc - am I just listing staples of my mods folder now? yes!! I am not biased!! go and get all that cas cc and poses and deco sims NOW!!

@a-luckyday - if you don't know ms a luckyday poses u have not lived in life!! they have a huge amount of them, solo, couple, group, accessories, and more

@gothoffspring - really cute and vibey recolors, I use them a lot, also some build buy items too!!

@jellymoo - we love the clothing... mm aesthetic to the core and cute af

@gladlypants - lotsa adorable items I adore, variety of patterns too

@birksche - tons, I mean TONS of hairs bro, years worth, always free... a treasure trove

@teekalu - supreme maxis match, vanilla vibes that are so lovely... ideal for low cc players

@honeyssims4 - poses, honey!!! the variety will shock you. and they ALL look good

@sewerwolfx - really cool stuff with alt style, some recolors and some from SCRATCH, we love to see it

@historysims4 - historical cc from many different eras!! iconic

@hamsterbellbelle - some of the most unique scifi cc i ever seen... idk how they even make some of that stuff! must see

@surely-sims - beautiful legendary amazing gorgeous never been done before... their fallout inspired cc made me weep and almost solely furnished one of my households, work

...annnndddd I hit my limit!!! I guess thats it for now but maybe a part two... 😉

#ceci speaks #text #smallsimblrsaturday #alwaysfreecc #i tried to put a lot of ppl i havent seen mentioned as much #but theres still so many to love #can u tell my mental state deteriorating as the post went on #it is currently 6 am i am going to bed #hopefully this is coherent when it posts from the queue LOL #alwaysfreecc creator boost

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comicaurora · 4 months

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Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

#asks #aurora #art stuff

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kyufessions · 7 months

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glitter

synopsis: you walk in on your daughter giving your fiancé a makeover

genre: fluff, domestic

pairings: fiancé, non-idol! jeno x g.n. reader

word count: 2.2k

a/n: i really went off with this lmao. this is the most inspired i’ve been in a while for a story so hope y’all enjoy!

general taglist: @jwnghyuns @eaudenana @soobin-chois

nct taglist: @jungsusvillain

Glitter was going to be everywhere in your house for the next two weeks, but you honestly didn’t care much. on any other day you would sigh about it and remind your daughter, aecha, to ask you first before doing so or remind her to use her designated playroom rather than the living room but coming home to see your fiance sitting across from a four year old as she smothers his face with cheap eyeshadow and glitter, you couldn’t help but find yourself amused by the sight. There sat an almost six foot tall man in grey slacks with a light blue button up shirt and a loosened tie in the middle of your living room floor, across from him was a little four year old girl using a barbie eyeshadow palette all over his face- the purple glitter hitting pan as she used it for nearly everything.

“Sit still!” she demanded in her tiny voice as she smeared a green shade across his one eyelid, the other one already light pink with a sparkling shine. The concentration on her face was very evident, her cheeks puffed out as her eyes squinted to get a clearer look.

“Sorry, sorry.” he mumbled, a small chuckle leaving past his lips as they upcurved into a grin. He tried looking up at her to watch what she was doing but she reminded him to keep his eyes down so she could get all the color on him, earning another mumbled ‘sorry’ from the grown man. “What color are you using?”

You stood against the door frame watching in silence, the door still slightly ajar as to not warn anyone of your presence. Instead, you took out your phone to record the moment quietly. When you first started dating jeno, you were scared he wouldn’t accept that you were a parent of a two year old. You had been on countless dates within the past few months, but none of them ever went past the first two because as soon as they found out you had a child they didn’t want anything to progress further. With being in your early twenties, you figured not many people would want to see someone that was already a parent. And you definitely didn't want to date anyone who was a lot older than you, so you were stuck. Well, until you met jeno that is.

You remember the day as if it were yesterday: you were at the local park down the street from your old apartment complex, watching as aecha played in the sandbox with some other children. All the other parents were older and ignored you for the most part, judgemental stares were never not thrown your way when you would explain she was indeed your daughter and not your niece, sister, or cousin. But you always ignored them, not caring much about what people thought about you. Having aecha was something you had never regretted, not even for one second. As you sat there in your thoughts and sipped on your iced coffee, you felt a presence sit next to you on the bench. You glanced at them from the corner of your eye, noticing it was a man in a navy blue plaid shirt and jeans. He seemed to be around your age, maybe younger by not much. Silence hung between the both of you, but it didn’t seem too awkward- just that type of awkwardness you feel when meeting a stranger for the first time.

“Uncle!” you heard a child yell as they ran towards him, his arms up in the air asking to be picked up.

And the stranger did just that, picking up him gracefully and putting him in his lap. “Hajoon!” He greets him with a smile, and when you glance at them for a second you can notice how both of their smiles are practically the same. “What’s up? Are you feeling okay?”

The child nods, his smile turning into a pout. “Yes! But can we stay a little longer? I want to help them finish their sandcastle!” his little finger points towards the small group of children your daughter was sitting with, their little selves working hard at building a sandcastle as tall as the tree next to them- or at least, that was their goal.

As soon as the stranger tells him it's okay, he hops off his lap and runs back towards your daughter and her group of friends she's made. You both sit in silence again for a few moments, watching the children carefully as they get to work. It wasn't until you were mid-sip on your caramel iced coffee when the stranger spoke up.

“Which kid is yours?” the deep voice asked, making you turn your head in his direction as you pointed towards your aecha.

Quickly swallowing your drink, you finally responded. “The one with the pigtails and bows in her hair with the rainbow overalls.”

Jeno watched how you smiled at her when she waved at you, making his lips turn into a shy smile. Through your simple actions he could tell you adored her more than anything, and he admired that right off the bat. “The loud one in the dinosaur shirt is my nephew, hajoon.” you nod, taking another small sip of the remainder of your coffee. Not wanting the conversation to stop, he continues on. “Is she your niece?”

You shake your head, finally turning your head towards him. The way his eyes crinkled when he smiled made your stomach flip for a split second before you brushed it aside, choosing to ignore how handsome this stranger was. “No, she’s my daughter.” The shock on his face was subtle, but the change in his facial expression gave away his surprise. You just smile at his expression, used to it by now. “I had her young, but she’s everything to me.”

For the next half an hour, you both sat there as the kids would knock down and rebuild their sand castles before jeno received a call that it was time to start bringing hajoon back home for dinner. Throughout that time, you both got to know one another. You learned how he was a year younger than you and how he had just started college, how he also enjoyed doing music on the side here and there for extra money at times. And although you were still young, he admired how you still put yourself through school and two part time jobs just to give your daughter what she deserved. When he learned of you being a single parent, he mentally cursed at the person leaving you to care for a child at such a young age. How dare they do such a thing?

“Will you be okay getting home?” he asked as hajoon jumped on his back, his arms wrapping around his shoulders to hold on tight.

Nodding, you fix aecha’s hair quickly before grabbing her hand and standing towards the opposite direction. “I’ll be okay, thank you. I live right down the block.”

From then on, every Saturday you would ‘coincidentally’ bump into each other at that same park, him with hajoon and you with aecha. But what you learned after you both officially started dating for a few months was he would volunteer to hang out with hajoon every saturday. He'd take him out for lunch, sometimes take him shopping or to the arcade, but one thing he never missed was taking him to the park around the same time every weekend. It took jeno a month of that same routine to finally ask for your number, then another month to ask you on a proper date, and then a third month to officially ask you out. It’s now two years later and jeno is nearing the end of his graduation with a job already secured for him, while you had finished your college degree a year ago and was able to work from home most days. The day after your graduation jeno had proposed, but asked to wait until he graduated to move forward with wedding planning. Agreeing, you both divided to just move in together for the time being and secured a three bedroom apartment together closer to where his new job would be located. Everything with jeno seemed like a fairytale you never thought would happen.

“Green!” aecha exclaimed, a proud smile appearing on her face.

For a few moments more you watch them talk about how green would and wouldn’t match his outfit best, and aecha offering jeno one of her princess dresses that would look better than his ‘ugly outfit’. Chuckling lowly to yourself, you stop recording and close the door behind you before walking towards them with a smile.

Aecha automatically runs up to you with a smile, her body clinging to your legs as you bend down to her level and envelope her into a hug. “What's going on here?” you ask her, finally noticing the small specks of glitter on her face as well. You smile at jeno as he looks at you with a playfully defeated look, the lipstick that your daughter chose everywhere except for his lips.

She tugged at your hand, pulling you further to where your fiance sat with his legs crossed. “I made daddy pretty!” you both laughed at her comment, using your pointer finger to turn jeno’s face more towards you for a better view. No words needed to be exchanged, all you did was smile at one another as your eyes said it all. “Do you like it?”

Turning to her, you kiss the top of her head and pat it afterwards. “I love it! Can you do my makeup tomorrow for daddy and i’s date?” as she starts jumping up and down with joy, you stop her quickly by putting your hand on her shoulder. “But only if you can do one thing for me.” she nods eagerly, waiting for the deal. “If you start getting ready for your bath, you can do my makeup tomorrow. I’ll even give you bubbles for tonight, how does that sound?”

Before you know it, she runs down the hall and up the stairs to her room, you both watch as she runs into her room and closes the door behind herself to start changing. When jeno turns around, he sees you kneeling down to his eye-level and smiling at him in an attempt to hold back laughter. Failing as soon as he smiles back at you with a toothy grin, you sit on his lap and wrap your arms around his neck as you press multiple pecked kisses against his lips as you both laugh together.

“How was work?” you ask after smothering him with kisses, bringing your thumb up to his face to smudge away some glitter from the apple of his cheek. “Your day seemed eventful.”

He takes one hand off of your waist and takes your hand in his, placing a kiss on the back of it. “It was good, the internship is promising and I have my last day of classes this Friday before graduation.” jeno starts blinking rapidly as he feels glitter in his eye, quickly rubbing it away and grabbing your hand again afterwards. “Aecha and I made ramen for lunch and then she wanted to do my makeup. I know how you feel about glitter but I, unfortunately, had no say in the matter.”

“It's okay as long as you help me clean it up afterwards.” you say, sneaking your phone out of your pocket and taking a few quick pics of jeno before you get up and drag him towards the bathroom to wipe the makeup off his face. He watches you do so, admiring every move you make. Even though you looked tired from work, you still had a glow that he never got tired of. Alluring couldn’t even begin to describe how he saw you, no synonyms could ever begin to describe. Even though your face was straight, your lips always had an upcurve to them that came across as welcoming and friendly. And when you were concentrating, you bit the inside of your bottom lip ever so slightly as your eyes were slightly squinted.

“Let's have another.”

Giggling, you stop what you're doing and look him in the eyes. “What do you mean, ‘let's have another’?”

He grabs your hands, intertwining your fingers together before kissing your knuckles as he speaks. “I mean, let's have another kid.”

You always knew jeno wanted more kids, and now that aecha is in daycare and has friends who have siblings she keeps asking for a brother or sister more often than not. After your daughter, you always told yourself you wouldn’t have more kids until you were older- maybe early to mid thirties. But with life falling into place, you couldn’t imagine a more perfect time.

“I like that idea.” you confess, smiling from ear to ear as jeno lifts you up by your thighs and kisses you deeply. But the kiss is soon cut short as you hear aecha coming down the stairs towards the bathroom.

You just couldn’t wait to grow your little family even more.

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hansoeii · 9 months

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Hellooo :D!! I just wanted to ask if you have any tips for coming up with ideas for full pieces. It could totally just be “oh this seems cool/cute” and then just testing compositions/colours/etc on the spot (and I’d be happy with tips about that too), but I was curious if there’s any brainstorming you do when/if ideas don’t just pop up in your head (or you do have a very loose idea, but need a bit more planning before actually starting the piece)

Also I obviously need to mention that I ADORE your art!! Your most recent piece with angel Crowley had me in AWE (I’m pretty sure my jaw actually dropped).

Thank you!!!

It's a mix of both "oh my god I have this great idea I gotta draw it NOW" and "let's scroll through pinterest for 2 hours and hope that something inspires me".

For example this piece under the rain was an idea I had while taking a nap. I didn't have any proper references for it and just put a bunch of puzzle pieces together and hoped for the best, haha.

I usually have this one specific idea that I wanna turn into an illustration and then I spend hours searching for references that make the process a little easier. This was my reference sheet for it:

Most of the time I just go through my Pinterest poses board and see if there's something I'd like to draw, though. I save a lot of poses I like constantly that I can go back to later on. This was the case with the angels illustration I did!

I didn't have anything super specific planned for it when I started working on it. I actually planned for it to just be some small and quick little drawing. It somehow turned into the best thing I've ever made djhdhd

Here's my reference sheet for this one:

With most of my work I don't really do a lot of planning. I do that enough in my school assignment already, so I tend to just draw loosely when it comes to personal work, haha.

So the tip I'd give you is to get as many references as you possibly can! It makes your life so much easier. Also look for color palettes you enjoy, see how other artists use colors! And be willing to just experiment. Most of my art is just one experiment after another in hopes that one day I know what I'm doing.

Hope this helps a little bit! Thank you for supporting me and my work! :D

#Ask #art resources #good omens

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aheathen-conceivably · 2 months

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Next in 1930s fashion is Zelda Darlington, who now goes by her wedded name Duplanchier. Although her looks here much more subdued than they were in the 1920s, they fit not only her current life but also her personality. We even see a retroactive return to many of muted tones she wore in her younger years. While these colors are more subdued than the bright ones she wore in New Orleans, they are also far from the somber palette of Josephine’s looks. Rather, they are calming and earthy, much in the same way Zelda views her life now.

Many of her looks are also suitable for work, although there are still hints of a more fanciful style of dress that she enjoyed in the last decade. This includes her wedding look, and even the silk party dress that she has now; however the latter is very much in line with the silhouette of this decade, representing Zelda embrace not only of their new life, but also the hyper-feminine, almost romantic looks that are now in fashion and well aligned with her personal style.

However, much of the growing rigidity of style in the 1930s as compared to the 1920s is absent in her looks, in part due to her lifestyle but also her personal fashion. We can see this perhaps most clearly in her hair, which is cut to a modern length but never really worn in the heavily styled coiffures and curls of the period. And of course her outfits are rounded out by her personal choice of pearls, now always seen in her wedding ring, and her sister Rosella’s floral pressed jewelry.

All CC linked under the cut.

Everyday 1: hair / headband / earrings / dress / apron / ring (TSR Warning) / shoes (Base Game)

Everyday 2: hair / necklace / dress / ring

Going Out: hat / hair / dress / shoes (TSR Warning)

Party: earrings / necklace / dress

Underwear: romper

Sleepwear: nightgown (TSR Warning)

Wedding: earrings / headband / lipstick / dress / shoes

Hot Weather: dress

Cold Weather 1: hair / hat, coat & gloves

Cold Weather 2: outfit

My immense thanks to the CC creators who made each of these looks possible @twentiethcenturysims @happylifesims @saurusness @candysims4 @serenity-cc @rimings @chere-indolente @batsfromwesteros @missrubybird @sentate @aharris00britney @moon-simmers @glitterberrysims @magnolianfarewell @nataliaauditore-blog @yakfarm @aladdin-the-simmer @greenllamas @birksche @needleworkreve

And of course, an extra special thank you to @vintagesimstress for making Zelda's wedding dress especially for her. Without it this lookbook wouldn't be nearly as special ♥️

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thedustyleaves · 5 months

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Sorry if you’ve answered this before, but I really love how your illustrations have such a cohesive color palette, how do you pick your colors to have a certain theme without looking monochromatic?

(In your breakdown on the saloon/western BP illustration, you mentioned that the overall color was reddish brown so you added blue to the main group to set them apart. But like how did you decide on which reddish brown colors to use for the flats?)

Thank you!! Your art is really expressive and the colors always work so well in the illustration. I’m always in awe of your pics

That’s an excellent question! My drawings actually start out pretty monochromatic because I tend to put most of my effort into the lighting and shading part to help differentiate where I want people to look.

For all of my pieces, I want my characters to be in focus. So no matter what, I always have to keep their main colors in mind and make sure their outfits and the background don’t clash with them (Kain’s red hair tends to be a problem, pft).

For my flats, I generally work with two main colors that tend to contrast each other and then I mix a lot of neutrals around them. (Sometimes the main colors are in the light and shading itself, but I’ll just focus on the flats!).

Sometimes, I will change the hue of their colors. So while Kain has bright orange hair, I will dull it down if it overwhelms the piece or doesn’t fit with the tone - like I did for the cowboy drawing - but never so much that it no longer looks like him.

With the cowboy drawing as an example, if I strip it down to my flats, it instantly becomes very dull and monochromatic. I really enjoy working with these colors because they’re easy on the eyes (or my eyes specifically) and I can see the difference in subtle hues a lot better than if they were very high in contrast. I like working with subtleties when I want background characters to become a single unit but still be separated as individual people.

When I picked the colors for the background, I wanted to separate the characters from the walls. Therefore, I kept the walls red and gold, and the characters brown - they’re still within the same warm-colored family, but they’re far enough away from each other that they don’t become one with each other. I also like to not have clothes from different characters blend together, so overlapping colours can't be the same. I made one coat lighter than the other, the glove warmer than the dark jacket, and so on.

(their coats are also in the same realm as the green/gold colour of the details for the curtains and the frames on the walls)

For the paintings I actually chose to put a bit of blue and green in to help create some interest for the main characters and keep your eyes around that area, as it matches the blue they’re wearing, just a whole lot darker. It also makes them pop just enough so they look interesting against the wall, but not enough to overshadow the main characters

I know, because of the way I work with layers, that when I add my overlays, I automatically brighten and saturate the colors a lot. It’s a lot easier for me to saturate something “dull” and move it into all kinds of hues than saturating something already high in contrast and then trying to force it into a new color theme.

But because of this, I usually have to go back and change the colors I work with constantly while the overlays are on. Since the overlays don’t know what sort of materials they’re laying on top of, everything gets lighter and washed out, so dark skin tones, hair, and clothes have to be corrected one by one afterward. If I were to remove the overlays after I corrected it to make it feel like a dark blue outfit on Raki, it’s basically just a black void now; but with the overlay, it’s a dark blue outfit. Before that, he simple blended in with the background too much and he didn’t feel like he was a part of the group either.

I always try to put down colors how I imagine they’re going to look like, unaffected by light, but I’m also naturally drawn toward more earthy and warm tones, so all of my color choices will tend to lean that way.

Here’s another example of main colours vs. neutrals; the main colours are red and green/turquoise, with dark browns and greys to encapsulate them, and gold for accents or to make certain things pop (the chair, Dakon’s dark coat, etc.).

I never want them all to wear the exact same color, but I want them to feel connected and be in the same 'colour family,' so Dakon and Kain have nearly the same dark red/brown, and Christie and Raki have nearly the same 'bright'/red.

The blacks and browns, I’ve kept warm as well, so they stay within that realm of red. I also make sure that none of them are too close to Kain’s hair since he’s in the middle of the piece, and I want your eyes to be drawn toward the middle, and his orange hair helps with that.

The paintings I basically do not care too much about, as long as each individual painting has a single dominating colour. I mute them down with a darker overlay and ensure they don’t have strong shadows and light, so they get pushed to the background, so despite being a bunch of different colours, each painting feels like a solid color and they’re still cast in the same light as the rest of the piece, so they feel like they belong in the same room.

I try to help move the eye around the piece as well, so I keep the big painting sort of in the same realm of red and brown as the main characters, because it’s so big it shouldn’t dominate with a new color and force interest toward it. The blue/purple ones melt in with the background as they’re close to the turquoise background, but without disappearing, the yellow ones work sort of like the gold accents and blend in with the frames, and the green paintings at the top give the illusion of a monochrome fade, so everything gets more eerie and green as the image goes up - there’s also a subtle green fade that affects the gold accents from the top down, to enhance that effect.

This is just a few examples, if there are any pieces in particular you were thinking of, and it’s neither of these, just let me know, and I can break those down as well!

Thank you for the question; I hope I answered it somewhat, and thank you for the kind words! <3

#asks #tutorial

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