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twisted-funderland · 2 years ago

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The Mystery Council

Recent rumors have been spread throughout campus about some sort of mystery council. Nobody really knows who’s in it or what the purpose is. Nobody has even managed to find this mystery council (or at least they don’t remember finding it). There is various speculations on how these rumors came to be. There is debate as to whether or not it truly exists.

Despite these rumors, there is a certain group of students who know the truth. They know because they are the ones running this Mystery Council using the secret tunnels throughout the campus. The purpose of this council: overthrow the current Dorm Leaders.

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Every one of my OCs are in this council, except for Vianna, Sunny, staff members, and students from other schools.

They all have their own motivations for joining. There are those who have important roles in the Mystery Council.

Founder: Morgan Ashengrotto- He put the council together in the first place. He attends all the meetings. His motivation for creating this was became he did not like Azul being his Dorm Leader and wondered if there were others who felt the same about their Dorm Leaders and wanted to do something about it.

President: Francois Pyre- He was elected President by the other members. He oversees the meetings. (Book 1 Spoilers) You know how Riddle became looser with the rules after his Overblot? Francois did not like him being loose with the rules at all. That’s why he joined immediately when offered an invitation. He made Alphonse join too.

Vice President: Gigi Amaryllis- He became the Vice President because he got second place to Francois. He compromises with Francois if a decision needs to be made and there are opposing opinions. He joined the Mystery Council because he was jealous of Vil’s beauty and the respect he was given by the entire dorm.

Recruiter: Abdul Amir- He was the first one approached by Morgan. He accepted and carefully invited the other members. He had to be careful with his choices to make sure they weren't betrayed. (Book 4 Spoilers) His reasoning for joining is because he was Jamil's first friend in NRC and he also thinks that Jamil got cheated out of his position as Dorm Leader when Kalim arrived and instantly got appointed to Dorm Leader.

Informant: Ishir Kanan- He gathers any information that might be important and relays it to the council. Nagini is very helpful with this due to people talking in his day spa. The reason he joined is because he wants to prove that he is the strongest, even stronger than his Dorm Leader.

Peacemaker: Nagini Phani- He uses his unique magic in order to keep everyone calm because even in the Mystery Council there can be some pretty intense fights. As per the name he keeps the peace. He joined because he wants to help Ishir reach his goal because Ishir helped Nagini set up his spa.

Treasurer: Neander Abhiratha- His job doesn't require a lot of work, however if the council ever need to spend money for anything (tunnel repairs, uniforms, special materials, parties, lunch, ect.) he figures out the cost. How quickly everything can be paid for depends on how much everyone is willing to pitch in. Neander joined because he genuinely wanted to help Idia. He figured that part of the reason Idia feels stressed out so much is because of his Dorm Leader position. He sometimes worries if joining was the right decision. It didn’t turn out to be what he expected at all.

Head of Security: Sage Asterope- The Trick-or-Treat trio is all a part of the security for the tunnels. If an intruder stumbles upon the tunnels their job is to capture them and use Damien's unique magic to make the intruder forget they were ever there. Sage is in charge because he takes more of the leadership role and comes up with the best ideas. There is no special reason he joined. This is all just fun for the security team.

The rest of them are supporters. They do what they can to help out or go on special missions when they are needed. Supporters don't necessarily need to go to the meetings, but they're always invited. Those with important roles will inform those who didn't attend what happened in the meeting.

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What happens in the Mystery Council is mostly discussions on how to overthrow the Dorm Leaders either individually or as a group. Their plans never seem to work. That doesn't stop them from trying though! By being very careful (and by having great security) they haven't been caught yet. Even if they are eventually caught having discussions of challenging Dorm Leaders is completely within the rules. Giving students amnesia is not, but nobody needs to know that. They would prefer to keep their plans secret though. They really don't need any of the dorm leaders finding out about their council.

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I personally love the Dorm Leaders, however that doesn't mean my characters have to. I feel like these motivations and emotions add to their characters. Feel free to ask any questions!

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thesnapshotcafe · 2 months ago

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London Chinatown Wedding Photography, Videography and Hair & Makeup Service for a Loveable Hong Kong Couple

Congratulations to Vianna and Ricky on their intimate and beautiful wedding! We had the pleasure of providing wedding photography, videography, and bridal hair and makeup services for this lovely Hong Kong couple in London, England.

This sweet couple found us at the last minute, inquiring just a couple of months before their big day. Their wedding journey with us began in classic Chinese style, starting early in the morning.

Our dedicated hair and makeup artist team worked their magic on the bride and both mothers at their home near London Bridge.

Once the bride was beautifully styled for her husband, we began capturing their special moments through photography and videography.

When the groom arrived at the bride’s family home, his excitement was clear as he saw her for the first time in a traditional red Hanfu dress. The day kicked off with the classic Chinese door games, filling the air with laughter as the bridesmaids playfully challenged the groom and his groomsmen with fun and cheeky tasks.

Following a heartfelt tea ceremony for the bride’s elderly family members, we continued with our photo and video shoot. With over 10 years of experience, we seamlessly captured every special moment.

The tea ceremony, in particular, can be challenging for photographers and videographers unfamiliar with Chinese wedding traditions, but we knew exactly how to frame each meaningful interaction.

After leaving the bride’s home, we took advantage of the picturesque streets and parks, capturing romantic couple shots in front of charming cafés. This session was especially important to the couple, as they wanted lasting memories in their elegant wedding outfits.

This wedding followed a traditional Chinese format, as the couple had already completed their legal ceremony before the banquet. Their celebration was a grand feast at Golden Phoenix in Chinatown, London, where they gathered with friends, family, and relatives. They will also be hosting another legal ceremony and banquet in Hong Kong.

Upon arriving in Chinatown, we captured more romantic couple portraits and video footage around the vibrant streets and iconic landmarks. It was a joyous moment for everyone, with crowds of tourists watching and offering their congratulations to the newlyweds.

During the banquet, we continued our photo and video coverage, documenting the extended tea ceremony, where the couple received gifts and blessings from their loved ones. The evening ended with smooth, beautiful, and lively group photos and video recordings of heartfelt speeches and celebrations.

Wishing this lovely couple endless happiness and love!

We believe that capturing a love story goes beyond stunning visuals. In addition to our photography and videography services, we offer wedding planning support and bridal styling to ensure every couple looks and feels their best on their big day.

Our holistic approach allows couples to relax and fully enjoy their celebration, knowing that their precious memories are in professional hands.

If you’re planning your wedding and looking for experienced professionals to document your love story, we would be honored to be part of your journey.

With our passion for storytelling and keen attention to detail, we aim to create timeless memories that you’ll cherish for a lifetime.

Contact Us Today! Let us help you capture the magic of your special day! Contact us to discuss your photography, videography, and bridal styling needs.

恭喜 Vianna 和 Ricky 迎來他們溫馨而美麗的婚禮！我們很榮幸能夠在英國倫敦，為這對來自香港的甜蜜新人提供婚禮攝影、錄影及新娘髮型與化妝服務。

這對可愛的新人在婚禮前僅幾個月才聯繫我們，屬於臨時決定的安排。他們的婚禮從典型的中式傳統儀式開始，清晨便展開了一天的美好旅程。我們專業的髮型與化妝團隊來到位於倫敦橋附近的新娘家，為新娘及雙方母親精心打造美麗妝容。

當新娘準備完畢，以最美的姿態迎接新郎時，我們正式開始了婚禮攝影與錄影。

當新郎抵達新娘家時，他興奮地見到首次身穿傳統紅色漢服的新娘。婚禮正式開始，伴娘們設計了一系列的「迎親遊戲」，考驗新郎與伴郎們的誠意，現場充滿了歡笑與喜悅。

在新娘家中舉行了一場溫馨的敬茶儀式，向長輩表達敬意後，我們繼續進行拍攝。擁有超過 10 年的經驗，我們細膩地捕捉了每個珍貴的瞬間。敬茶儀式對不熟悉中式婚禮的攝影師來說可能充滿挑戰，但我們擅長從最佳角度記錄這些感人時刻，確保完美呈現。

敬茶儀式結束後，我們帶著新人前往倫敦的特色街道與公園，在迷人的咖啡館門前拍攝唯美的浪漫婚紗照。這對新人非常重視這段回憶，希望能以精緻的婚禮造型留下珍貴影像。

這場婚禮遵循傳統的中式婚禮流程，因為新人已在宴會前完成了法律註冊。這天，他們在倫敦唐人街的 Golden Phoenix 酒樓與親朋好友一同舉辦盛大的宴會。他們還計劃日後在香港舉行另一場法律儀式與宴會。

抵達唐人街後，我們繼續為新人拍攝更多浪漫的合照與影片，背景是熱鬧的街景與標誌性的唐人街地標。當時，許多路過的遊客紛紛駐足觀賞，並熱情地向新人送上祝福，場面十分歡樂。

在晚宴過程中，我們持續記錄每個感動瞬間，尤其是更加詳細的敬茶儀式，拍攝新人接受親朋好友的祝福與禮物的畫面。整場婚禮最後在溫馨、愉悅的氣氛中圓滿落幕，留下了珍貴的團體合照與精彩的錄影片段。

我們相信，婚禮的影像記錄不只是美麗的畫面，更是一段關於愛的故事。除了專業的攝影與錄影服務，我們還提供婚禮策劃支援及新娘造型設計，確保每一對新人都能在大喜之日綻放自信與光彩。

我們的一站式服務讓新人能夠輕鬆享受婚禮的每個時刻，無需擔心細節，因為我們會用專業手法悉心記錄所有珍貴回憶。

如果您正在籌備婚禮，並希望找到專業的團隊來記錄您的愛情故事，我們將十分榮幸能夠成為您旅程的一部分。我們擁有對故事敘述的熱情與細膩的觀察力，致力於為您打造能夠珍藏一生的永恆回憶。讓我們一起捕捉您特別日子的美好瞬間！請與我們聯繫，討論您��婚禮攝影、錄影及新娘造型需求！

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eltonjohnslegacy · 4 months ago

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The Legacy of Stuart Epps: A Journey into Music and Mentorship

By Andrea Grasso and Robson Vianna

Introduction: Before we dive into the conversation with Stuart Epps, it's important to highlight the depth of his contribution to the music world. Known worldwide for his collaborations with Sir Elton John and other rock legends, Stuart has truly mastered the art of sound production. His book Elton John: The Early Years offers a fascinating and intimate look at his early years working with Elton John, revealing not only the behind-the-scenes of music creation but also the challenges and triumphs that shaped the artist's journey. Beyond his historical contributions, Stuart is committed to helping new talent, guiding aspiring musicians with the same care and dedication he applied to his own career. Throughout his journey as a producer, he has always believed in the transformative power of music, and it is with this spirit of innovation and generosity that he shares his experiences with us.

Question 1: Notable Recordings and Influences:

Throughout your career, which recordings (yours or others) have really stood out to you and influenced your work as a sound engineer? What elements from those productions did you incorporate or adapt into your own projects?

Stuart Epps:

Yeah, well, without a doubt, the recordings that I did with Gus Dudgeon as producer were very important for me. I worked as Gus's engineer at the Mill Studios from 1974. We worked on a band called Voyager. We worked with Elton on Song for Guy. I did that—actually, no, that wasn't Gus—but we did Ice on Fire with Gus.

Learning from Gus Dudgeon was brilliant. I've been very lucky; I've worked on many projects that I loved engineering and producing. I would say the work I did with Jimmy Page on Coda, the last Led Zeppelin album, and the work on The Firm with Jimmy Page and Paul Rodgers were great.

Additionally, the work I did with Van den Berg and Twisted Sister were two great projects in engineering and production. Then, when I had my studio at Wheeler End, I worked with Oasis, Robbie Williams, and Bill Wyman from the Rolling Stones with the Rhythm Kings. There isn't one particular project, but there have been many great ones.

Question 2: Challenges in Implementing Techniques:

What were the biggest technical or creative challenges you faced when trying to implement new recording or production techniques? How did you overcome those difficulties, and what impact did that have on your career?

Stuart Epps:

Are you talking about challenges from the past or the present day?

Well, working in the studio over the years, every time you record, there are challenges to overcome—technical issues, artist dynamics, or production challenges. My career spans 55 years, from stereo recording to digital and multi-track, and now to Pro Tools and modern equipment.

Overcoming challenges in the studio is part of the daily routine, but I wouldn’t call them "difficulties"—they’re just situations to solve. I always say there's nothing I can't do because of the extensive experience I've gained.

Question 3: On Technology in Music Production:

What are the pros and cons of recording technology from the ’60s and ’70s compared to today? With the advancement of music production tools, how do you see the influence of digital technology, including the use of DAWs (Digital Audio Workstations), on modern music creation? What kind of impact do you think these innovations have had on the quality and authenticity of musical productions compared to analog processes?

Stuart Epps:

When I started recording at the Mill Studios in 1974, it was the most advanced studio of its time, using analog tape machines and a 42-channel MCI mixer. Analog provided warmth and depth, especially in the low-end frequencies, but it came with limitations like tape hiss and the need for bouncing tracks to manage the 24-track capacity.

Digital recording, which began for me with Elton John's Ice on Fire, is much cleaner and doesn't degrade with duplication. However, it lacks the warmth of analog. Today's DAWs have democratized music production, allowing anyone to create high-quality recordings at home. While this is a great advancement, it still requires experience to produce commercially viable music.

Question 4: Autotune and Vocal Processing:

What’s your opinion on the use of autotune and other pitch-correction techniques in today’s music? Do you think it compromises the authenticity of artists, or does it enhance creative possibilities? Based on your experience with classic artists like Elton John, do you think techniques like autotune would have been adopted back then if they were available?

Stuart Epps:

It's a very good question. Autotune and general tuning have transformed music production. Back in the day, we didn't even have tuners. Bands would tune to a note on the piano, and each instrument would be slightly off, giving the music warmth and uniqueness.

When tuners and digital keyboards came along, everything became perfectly in tune—except the singer, who still had to pitch manually. Autotune was a lifesaver for producers, allowing fine-tuning of vocals without artists even realizing it. I remember working with Robbie Williams, whose voice we tuned extensively after recording.

Autotune can be used subtly or as an effect, and it has its place. However, a great singer like Aretha Franklin or Elton John doesn’t need heavy tuning. Overuse of autotune can strip a vocal of its natural character, but when used skillfully, it can enhance a performance.

Question 5: The Role of the Sound Engineer:

How do you see the evolution of the role of the sound engineer in modern music production compared to when you first started? What new skills are essential for today’s professionals? What are the main challenges sound engineers face now in a world where recordings are predominantly digital and remote?

Stuart Epps:

The role of the sound engineer has changed drastically. In the 1960s and ’70s, recording required a producer, an engineer, and often an assistant. Now, artists often act as their own producers and engineers, recording at home with digital equipment.

While this independence is great, it can sometimes result in lower-quality productions. A second ear—whether an engineer or producer—is often needed to bring out the best in a track. Modern engineers must understand digital tools, remote collaboration, and how to bridge the gap between the artist's vision and commercial viability.

In the past, music was a team effort, with input from multiple people, creating dynamic and memorable recordings. Today, many young artists find it hard to match that level of quality on their own.

Question 6: Impact and Future Trends in Music:

What trends do you notice in the development of new musical styles or recording techniques that might define the future of music? How do you see the future of analog recordings in the digital era? Do they still have a place in studios, or will they become a rarity?

Stuart Epps:

Analog recordings still hold value, especially for capturing the warmth and depth of live instruments. Many artists now record on analog and transfer to digital to preserve the sound quality.

However, most music today is created with digital instruments, which can sound more clinical. Artists like Ed Sheeran manage to maintain warmth and authenticity despite using modern tools. The challenge remains to capture atmosphere and emotion in recordings, regardless of the technology used.

While analog is expensive and cumbersome, it remains a gold standard for certain styles of music, particularly acoustic or band recordings.

Question 7: Remote Production and Collaboration:

During the pandemic, and with the rise of remote work, many artists and sound engineers adapted to working together at a distance. How do you think that experience has shaped the future of music production?

Stuart Epps:

Remote production has been part of my work for over 20 years, long before the pandemic. The internet and digital recording made it possible for artists from all over the world to send their tracks to me for mixing or additional production.

This method has significant advantages. Instead of flying to another country, artists can send WAV files, and I can add instruments or mix them without us ever meeting. It’s cost-effective and efficient, especially for independent artists.

During the pandemic, remote production became essential, and I found myself busier than ever. It’s a brilliant system that allows collaboration across distances while maintaining high-quality results.

Question 8: Thoughts on Elton John’s Recent Hits:

In recent decades, we’ve seen Elton John achieve great success with duets rather than solo songs. For example, “Hold Me Closer” with Britney Spears (2022) and “Cold Heart” with Dua Lipa (2021). Both tracks used autotune. Do you think this is what Elton John would need for another solo hit? What elements in solo recordings might be missing compared to collaborations with emerging talents? Considering your experience with Elton, how do you think collaborations have shaped the longevity of his career?

Elton John:

Songs with collaborations 2000 - 2022:

1. Good Morning to the Night (PNAU Remix Album) – 2012

2. Face to Face with Gary Barlow – 2014

3. Cold Heart (PNAU Remix) with Dua Lipa – 2021

4. It's a Sin with Years & Years – 2021

5. Merry Christmas with Ed Sheeran – 2021

6. Your Song with Gary Barlow – 2021

7. Hold Me Closer with Britney Spears – 2022

Throughout this century, Elton John has demonstrated his ability to innovate and connect with different generations and musical styles through remarkable collaborations. His partnership with the Australian duo PNAU on the Good Morning to the Night album (2012) was a milestone, transforming his classic songs into new remixes that achieved success on the UK charts. The collaboration with Gary Barlow on "Face to Face" in 2014 also stood out, bringing a modern touch to his repertoire.

In 2021, Elton John returned to the charts with major collaborations. The remix of "Cold Heart" with Dua Lipa, released at the height of the pandemic, became a huge hit, showcasing Elton's ability to blend his style with the new wave of pop artists. That year also saw the collaboration with Years & Years on "It's a Sin," a powerful reimagining of the classic by Pet Shop Boys, which resonated with audiences in the UK and beyond. Still in 2021, the Christmas song "Merry Christmas," with Ed Sheeran, also topped the charts and became a holiday favorite. The duet of "Your Song" with Gary Barlow, an emotional and contemporary version of one of Elton's greatest classics, also contributed to Elton's continued success that year.

In 2022, the partnership with Britney Spears on "Hold Me Closer" brought Elton back to the top of the charts, while also marking Spears' musical return after a six-year hiatus.

These collaborations highlight Elton John's longevity and versatility, proving that his music transcends time and the changes in the musical landscape, continuing to influence generations of artists and fans.

Stuart Epps:

Elton is a genius in multiple areas—music, singing, and songwriting. He’s also a huge fan of other artists, which has driven his desire to collaborate. He doesn’t do duets purely for commercial reasons; he genuinely enjoys working with talented musicians.

These collaborations keep his music relevant to younger audiences. For example, with Dua Lipa, he didn’t have to record much; his voice was repurposed from earlier tracks.

Elton has always kept up with the times, and while he uses modern techniques like autotune, his core talent remains. Collaborations have certainly contributed to the longevity of his career, but I believe he could still achieve a solo hit if he wanted to.

Question 9: Memorable Recording Sessions:

Can you share any memorable moments or challenging technical experiences during the recording sessions of classic albums, like those of Elton John or Led Zeppelin? What lessons from those sessions still influence your work today? How do you see the differences between recording sessions in the 1970s and today in terms of studio dynamics and collaboration?

Stuart Epps:

A memorable moment was recording Elton’s Song for Guy. He kept making mistakes during the piano take, and I realized the tape was running out. Luckily, we captured the final chord before the tape ended.

In the 1970s, recording was a magical experience, with artists and engineers working closely together. Bands played live, and tempos would naturally shift, creating a dynamic and exciting feel.

Today, with click tracks and digital precision, some of that spontaneity is lost. However, the core lesson remains: always be prepared in the studio because you might capture a once-in-a-lifetime performance.

Question 10: The Mastering Era and the Impact of Streaming:

With the rise of streaming, the way music is mastered has changed to fit digital formats and platforms like Spotify and Apple Music. How do you evaluate these changes in mastering compared to the vinyl era? Is there a noticeable loss of quality when music is compressed for these platforms?

Stuart Epps:

Mastering has evolved significantly. During the vinyl era, mastering was highly technical and limited by physical constraints, like the volume and length of a record. You could only fit about 18 minutes of music per side without compromising quality.

With the advent of CDs, we gained more space for music and louder volumes. Many classic albums, including Elton John’s, were remixed or remastered for the digital format to take advantage of these improvements.

Today, streaming platforms like Spotify and Apple Music use compression, which can result in some loss of quality. However, digital mastering ensures consistency across devices and allows for broader accessibility. Personally, I aim to achieve an analog feel even in digital formats, retaining warmth and depth in the recordings.

Question 11: Evolution of Production Styles:

You’ve worked with different genres and styles. How would you compare the production process of artists like George Harrison and Oasis to today’s artists? Are there techniques or approaches that have been forgotten, but you believe still hold value today? With digitalization, it’s easy to use pre-produced samples and loops. How do you see the use of these tools compared to creating original arrangements in the studio?

Stuart Epps:

Working with artists like George Harrison was inspiring because of their natural creativity and talent. The Beatles, for example, stood out because of their unique musicality and ability to innovate.

While modern tools like loops and samples are useful, they’re only as good as the person using them. Creativity is still key. For example, Ed Sheeran uses digital tools brilliantly to enhance his music while maintaining authenticity.

Some traditional techniques, like recording live bands without click tracks, have been lost, which sometimes results in music that feels less dynamic. The challenge today is balancing modern technology with the human element that makes music resonate emotionally.

Question 12: The Return of Analog:

Many studios and artists are rediscovering analog gear and tape machines to capture a more authentic sound. Do you think this is just a nostalgic trend, or is there a real sonic advantage that digital technology hasn’t yet been able to replicate? During your career, you’ve witnessed key transitions from analog to digital. What were the biggest challenges for you during these shifts?

Stuart Epps:

Analog offers undeniable warmth and depth, especially for acoustic or rock music. However, it’s expensive and cumbersome, making it less accessible for home studios. During the transition to digital, the biggest challenge was preserving the emotional impact of recordings while adopting new tools.

Today, I strive to recreate the analog feel using digital equipment. For example, capturing the warmth of a drum sound or the richness of an acoustic guitar requires careful attention to detail, even with modern tools. While analog gear is often seen as nostalgic, its sonic qualities remain unmatched in certain contexts.

Guiding the Next Generation: Stuart Epps' Wisdom for Aspiring Musicians:

As we conclude this conversation with Stuart Epps, we are reminded of the importance of not only looking to the past but also understanding the road ahead for those looking to make their mark in the music world. His work with iconic artists, along with his dedication to developing new talent, continues to inspire the next generation of musicians. For those aspiring to enter the music industry, Stuart Epps' lessons are a beacon of guidance. As he has always believed, music is a universal language, and his insight and experience are treasures for those looking to follow in his footsteps. We are deeply grateful to Stuart for sharing his journey and wisdom with us, and we hope his words continue to light the way for future musicians.

Links

https://stuartepps.co.uk/elton-john-early-years/

https://stuartepps.co.uk

https://en.m.wikipedia.org/wiki/Stuart_Epps

I picked out 3 interviews of Stuart Epps with someone else that I thought were interesting:

https://odysee.com/@Charliediamond:2/what-never-heard-of-the-rocket-record:0

https://youtu.be/MQaIwiLV-Z8?si=9vwETB9CdF3Mrgej

https://youtu.be/uF-fQlC_BP0?si=SNSbjUX2Em12hbGX

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viannaheus · 1 year ago

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The seer.

#vianna talks #vianna works #markiplier #fanart

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abraaocostaof · 9 months ago

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Pandemia expôs relevância da indústria nacional de saúde, diz ex-secretário à CNN | CNN Brasil

Denizar Vianna, que foi secretário de inovação do Ministério da Saúde no início da pandemia, afirmou em entrevista à CNN que a crise da covid-19 demonstrou a relevância dos investimentos na indústria nacional de saúde. Hoje professor da Universidade do Estado do Rio de Janeiro (UERJ), Vianna participou do CNN Talks Nova Política Industrial: Inovação para a Transformação, que acontece no Rio de…

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espers-n-espurrs · 1 year ago

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Pinned Post

ignore the name on my trainer card and call me esper, im age 15, pronouns she/her, disabled.

im also psychic though im not out about it irl, im only sharing this here because rotomblr can only be accessed by. like. a small handful of people in my universe. so its safe for me to be out about that here since i cant irl.

attending naranja-uva academy as a general studies student. though due to circumstances i keep having to flipflop between online classes and in-person.

i grew up in spikemuth for most of my life, though one thing has led to another and i am now aware that i was born and raised in kalos for some time before having been brought to galar as a younger child and i have found out a lot of what i knew was false. and as of finding that out my family and life situation changed significantly so be ready to hear me bitch about that on occasion.

i enjoy: horror, args, art, music, baking/cooking, photography, etc. and my favorite pokemon is deerling and sawsbuck.

My PKMN:

Fauna - Deerling | Starter

Harley - Maschiff | Service PKMN

Taffeta - Flaaffy

Kingsley - Pangoro | "Bodyguard"??

Eilwen - Espurr [F] | "Handmaiden"??

[ OOC: Please read under the cut ! ]

My other PKMN IRL Blogs can be found linked to my OOC hub alongside OOC talks: @grims-local-pkmn-irl-hub

The Redux discord server link and info can be found: HERE!

BLOG RULES/GUIDELINES

Though the mun is an adult, the character is still a minor, so please be mindful of how you interact! NO NSFW.

Pelipper Mail/Malice, Musharna Mail/Malice, Magic Anons, Mystery Gifts, Union Circle: OFF

ANY kind of PKMN IRL blog can interact! Eeby Deebies, sapient/sentient pkmn, evil teams, canon characters, etc. ➥ Be aware that Esper will be fearful/hesitant when interacting with blatant legendary/mythical blogs!

IN CHARACTER anon hate is fine! Keep in mind that I reserve the right to not answer all anon hate asks though! Especially if they are something I don't feel comfortable answering!

ASK TO TAG! Sometimes an important tag may slip my mind or I may not think of it so please do not be afraid to let me know!

HIGH STAKES! This blog will delve into high stakes territory at certain points! Be aware of this for your own comfort!

TRIGGER WARNINGS:

Discussion/Exploration of trauma and abuse, discussions of death, discussions of suicide & self harm/EDs, ableism, misogyny

STORY ARCS

Moved to separate page for ease of viewing, click here to access!

General Tags

#esper beams -> Posts made by Esper

#esper rbs -> Posts reblogged by Esper

#askbox -> Ask responses

Semi-Important Tags

#dog brother -> Posts that mention or include Flynn (@/estranger-and-stranger-still) aka Esper’s older brother

#victoria / MN tag -> Posts that mention or include Victoria (@/victoria-vd) aka Esper’s girlfriend

#thievul tag -> Posts that mention or include “Thievul”

#la famille -> Posts that mention Esper's family or speak indepth about them

#psychicposting -> Posts about being psychic or sharing psychic lore

#redux worldbuilding -> Posts about different worldbuilding aspects of redux

#tribes of vianna -> Esper posting about the indigenous people of Galar (the Kingsmen and the Equirex)

#faiths of vianna -> Esper posting about the religion she was raised in aka the religion of the Kingsmen and the Equirex

Important Tags

#foresight -> Posts to pay attention to! These might provide clues or foreshadowing for ongoing or future arcs!

#miracle eye -> Offscreen posts

#blind spot -> Blind spot signifies that the tagged post is completely invisible to certain blogs linked to this one! ➥ If a post is tagged with a specific character than that specific character cannot see it while the others are able to! For example "#blind spot: esper" would mean that Esper cannot see that post! Blind Spots are completely visible to everyone else besides the above blogs so anons or otherwise are able to see and engage with these posts!

Blogs heavily tied to Esper:

@estranger-and-stranger-still @victoria-vd @jaimemes @yveltalreal @aspens-dragons @vulgrados-best @rock-n-rolycoly

And Esper <3

#pkmn irl #pokeblog rp #pokeblogging #pokemon irl #rotomblr #rotumblr #pokeblr #pinned post

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