#victorious is going to destroy me

[drawncap]

This goddamn season of Dimension 20 is going to kill me I swear

The Bad Kids really are heros, and they continue to prove it at every opportunity. They survived the Last Stand, made it through without dropping, and aced it. By all accounts, they absolutely succeeded in every way.

And yet they still aren't done. Someone still died. Something still threatens them, and the world. THERE IS STILL MORE WORK TO DO.

My heart broke so many times, but it broke especially when the Proctor kept trying to convince them they were safe and that STILL WASNT ENOUGH. They STILL dont feel safe. These poor kids did what no one has ever been able to, and fought tooth and nail to keep what they have been building for years now, and somehow, THERE IS MORE WORK TO BE DONE.

And they still want to save their enemies. They still want to save Buddy. They already saved Rueben, and they tried to save Buddy, and I know they will do all they can to save Lucy as well. They are heros, and by god do I just want them to be able to rest.

[frumfrumfroo]

So Reylos are now freaking out over episode 4 of Ahsoka cause Anakin showed up in what appears to be the wbw. I have not watched Ahsoka and don't plan to. I personally think that nothing will come out of this in regards to Ben Solos return. People think Leia sacrificed herself to send Ben there? If she sacrificed herself to save him then he wouldn't have gone anywhere he would have been alive.

Anyone who thinks there was planning or thought behind anything in tros is delusional.

Thinking they're setting up Ben's resurrection is almost as removed from reality.

[automatonknight]

me when i play the class that medics uber and i get. ubered

[subsequentibis]

literally feel like ulysses ogre any time i start trying to type out meta analysis posts about anything

[temporarytemporal]

cling to me

I know I said I was going to distance myself from this piece of media because of all of its terrible connections, but these two characters seem to have taken root in a permanent place in my heart, and I can't let them go.

Anyway, here's some character design notes below the cut for the one person out there who's obsessed with these characters as much as me.

Early DSMP: the era of childhood innocence

Bandanas: They sport each other’s bandana’s (they’re hidden in the design for every era). I love character designs with complementary colors (and I love how red and green are also cranboo’s colors)

Disks: Early on, cat and mellohi represent the peaceful moments ctommy shared with his favorite people, but they went on to be a symbol of victory and independence from the people who have hurt him.

Flowers: Ctubbo collects flowers and tries to memorize the meanings and symbolism tied to each type of flower. He also collects them for his bees.

L’manberg: the era where children became soldiers

Horns: Ctubbo’s horns start to grow in here.

Pogtopia: the era of an exile and a secretary of state / spy

You can tell I joined the fandom at the end of this era because I don’t have many notes here or for the l’manberg era.

Exile: the era of an exile once again and and a president too young

Hair: Ctommy’s hair starts to grow longer as he neglects taking care of himself.

Clothes: Ctommy’s clothes are tattered; one shoe is destroyed and he took to wearing cw-lbur’s (f-ck ccw-lbur btw!!) trench coat.

Bandages: Ctubbo’s wrapped in bandages from his recently earned firework burns. He’s gone blind in his right eye, and he’s missing the ring and pinkie finger on his right hand.

Compasses: They share their matching ‘your tommy’ and ‘your tubbo’ compasses

Hog Hunt: the era where one sought to kill the blood god while the other sought refuge there

Stolen goods: Ctommy’s has his antarctic empire outfit plus all the goods he stole from ctechno like the turtle helmet, golden apples, and the axe of peace.

Bedrock: Ctommy wears his counterpart piece matching techno’s from his ear.

Prosthetic: Ctommy’s right foot had to be amputated after he loses it to frostbite in the trek to cemeraldduo’s cabin. Ctechno gives him a simple prosthetic.

Disc Finale: the era of mended relationships and a final stand

Headband: Ctommy begins to wear a devil headband to fit in more, as he’s one of the few humans on the server. The devil horns were chosen to resemble ceryn’s real ones.

Patchwork: Ctommy learns to sew, and he fixes his tattered clothes from exile.

Post Revival:

Devil horns: Ctommy’s devil horns (plus a tail) become real after revival, and he gets a white streak in his hair.

Prime cross: The bad things that have happened to them both that they survived strengthen ctommy’s faith in prime, whereas they weaken ctubbo’s faith.

Sweater: Ctommy makes himself a sweater from friend’s wool.

Mechanical inventions: Ctubbo pursues his passion for engineering more as he makes mechanical bee drones and studies nuclear physics. He also makes himself prosthetic fingers, and he upgrades ctommy’s prosthetic foot.

Marriage ring: Ctubbo marries cranboo platonically and wears the ring on his horn. He also founds snowchester so he can have a place to protect his loved ones and raise his son. He grows out his hair to avoid eye contact for cranboo and to cover his scars.

Body type: Ctubbo gets chubbier and gains some muscle as he gets a bit happier in life.

Post DSMP:

The prison break and everything after it never happened. These are my OCs, and I make the rules because every actor/writer who played a part in their creation either abandoned them or turned out to be a terrible person. Cbenchtrio live happily ever after and begin their journey of healing while cdream rots in prison forever.

[torpublishinggroup]

"Warning Signs Your Machines Are Trying to Kill You!" by TJ Klune

(Legally, I’m required to tell you that when smart phones first became popular, I bought one and then asked for the address of the app store because I thought it was a physical location I had to go to in order to download apps and not something already on your phone. Also, I was recently told I speak like an old person so as a warning, there will not be any slang you youths typically hear, especially on Tumblr. Any slang I’ve learned in the last five years has been against my will. I still don’t know what FOMO means, and I don’t care.)

1. Oh no! You and your family are trying to enjoy a movie night, but Overlord Prime (With Free Shipping) wants a sacrifice at the altar of their god, BeeZos. Should this happen, do not attempt to give Overlord Prime (With Free Shipping) a cantaloupe with googly-eyes on it and say that it is your baby. Overlord Prime (With Free Shipping) knows the difference between fruit and children. Instead, ask the machine to order dog food, and it will forget about eating humans for a little while.

2. If you own a very fancy vehicle that can drive itself, always make sure to carry a brick. That way, when the car locks you inside and attempts to drive you off a cliff into a gas station, you can break the window using the brick. You will then have to jump out, but make sure you do so in time so you can watch the wicked-ass explosion when the car hits the gas station, and you can revel in your victory over your car.

3. This one will hurt. I’m sorry, but it’s true. Chances are, you’re reading this on your phone right this second. To be safe, after you’ve finished reading this post and have clicked on the affiliated links to purchase my books, you should throw your phone into a volcano and then move to South Dakota where there are no machines, only wind and cows. That way, when everyone else gets the 5GZombieVirus that people on Twitter (I’m not calling it the other thing, shut up) seem to think is real, you’ll be safe with your cows on a windy day.

4. Get rid of your air fryer. Don’t ask me why, just do it. Red flags all around. Danger, danger.

5. Do you know of the Clapper? That thing first launched in the late 20th century (I wrote it that way to make me feel old) where the commercials showed cranky old people unable to reach their light switches, so they got a thing called a Clapper that turns your lights on and off when you clap? Guess what? Those will be the first things to try and kill you. If you love your gram-gram, save her from the Clapper. When she asks why you are destroying it with an ax, tell gram-gram it’s because you love her.

6. Do you live in a smart home? The kind where everything is connected to the internet, including your refrigerator? The refrigerator that holds your perishable foods? And oh, would you look at that: how many ice cubes have you kicked under it rather than picking them up when they fall to the floor? A dozen? A million? The refrigerator remembers. And it will spoil your food in seconds. What then? What are you going to eat? Canned food? Not if the refrigerator falls on top of you!

Unfortunately for you, this is where it must end. I hope this has given you enough information to help you survive the inevitable. If you do not heed my warnings, well. Who cares. I’m not in charge of you. Do whatever you want. Just don’t come complaining to me when gram-gram gets the clap.

[seresinhangmanjake]

The Harkonnen's Sweet Thing

Feyd-Rautha x Atreides!Reader

Summary: You watched your brother kill the man you love--a man you were once gifted to by the Baron--and now that he is gone, you think Paul will use you as a political pawn in his war. And you're right. But you're shocked to discover who is demanding to have you.

Words: 2650

Notes/Warnings: Ignore canon ages in the timeline. I don’t know what they are, but everyone young is in their twenties, cool? Cool. Dune inaccuracies. Jessica and Paul kind of (very much) suck. Feyd’s a soft boy for our reader. Angst but also fluffy-ish stuff. Implied smut. Mention of pregnancy. I think that’s it. TG:M people ignore me. I don’t know what I’m doing here either, but i'm embracing it for now. 

Part 2

When your brother pierced through armor into pale flesh, you felt it as if he had driven that blade into your body instead of the body of the man you love. You felt the shock of icy steel penetrating warm and delicate tissue, and the suffocation that came from the mutilation of your lung. You felt droplets of blood run down your front as you reached for the blade that was not there. As children, you were taught not to remove it. Not unless sufficient care was nearby to stop the bleeding before too much was lost.

Paul did not respect that knowledge. He yanked his knife out of Feyd’s torso and watched with relief as he collapsed to the ground. His body landed with a thud that matched the heavy beat of your heart. A beat that reminded you your blood was rushing strong, keeping you alive while your lover was draining dry of the strength to keep himself from leaving this world, from leaving you. 

You wailed in the silence of those around you. Screamed at the top of your lungs as tears streamed down your face. You tried to go to him but the Fremen snatched you before you could reach him, forcing you to your knees, one of them slapping a hand over your mouth. This was not the time for hysterical outbursts; it was a time to stare in awe as a new leader accepted his victory and claimed power over the emperor and his daughter. 

“Shut up, girl,” a male voice spit in your ear. He was tired of the struggle you were putting up against the hand squeezing your face. You were ruining his opportunity to witness a beautiful moment in history. A defining moment. A moment you didn’t give two fucks about. 

No one spared you a glance save for the witch whose vibrant eyes were drilling into the side of your skull. A woman your father had instructed you receive as a stepmother following your third birthday. A manipulative woman whose smile in front of the Duke had masked the scowl permanently seared onto her face when looking at you—a decades-long act that the capture and death of your father had freed her from. And she’d wasted not a second displaying her distaste for his daughter. 

Not long ago you'd thought to thank Lady Jessica for not loving you. Her lack of love made her so terribly desperate to rid herself of you that when cornered the night your family was attacked, she’d thrown you right into the arms of the Harkonnens—a fate she believed would destroy you rather than thrust you into a life you would come to cherish.

“A gift for you, nephew,” the baron had said after the fighting ceased and the soldiers, with you in their grasp, had returned to their unfamiliar home.

Feyd-Rautha had not rushed when he descended the staircase and approached you for the first time. His eyes were unblinking as he’d taken in his present; a slow drawl from head to toe that sent shivers down your spine. 

“An Atreides,” Feyd had said in a low voice, deep and thick and eerily lovely.

The baron’s voice did not contain the same appeal. “Yes. Do you like it? A new pet for you to ruin.”

You’d stood frozen as Feyd traced a knuckle down your cheek before grasping your chin and running his thumb over your bottom lip. He’d possessed not a lick of shame when his index finger drew a line from the dip of your throat to your cleavage. There had been no consideration for your feelings when he tucked that same finger between your breasts and the neckline of your nightgown and lightly tugged you forward. 

You had gasped with your stumble, your hands pressing against his chest to catch your fall while he smirked at the blush tinting your cheeks. His tongue then darted out to dampen his lips before he moved his hand to the curve of your waist and squeezed. 

“Perfect,” He’d said, not in a loud declaration of appreciation, but in a tone meant for your ears only. Then he’d grabbed you by the wrist and led you to his chambers.

When the door had slammed behind you after you were jerked inside the room, you were suddenly filled to the brim with panic. You’d heard the rumors. What would he do to you? How would he do it? Would you suffer long? 

A tear had slipped down your cheek that, once noticed, was brushed away with his thumb. 

“Do not worry yourself unnecessarily.”

You’d swallowed, stuttering, “Wh-What do you mean?”

He’d pulled his shirt over his head and tossed it aside, exposing pale skin taught over defined, well-trained muscle. Then he’d stepped into your space, inching you backward until your spine was flush with the wall. He’d fisted the flimsy, nearly see-through fabric of your nightgown in his hand and slowly dragged it up your body until fingers could sneak under the hem to graze your inner thigh.

You’d sucked in a sharp breath at the pleasurable waves of heat that rippled from his touch.

“Atreides or not, you’re much too precious to ruin the way my uncle suggests,” he had said, his lips a hair's-width away from yours. “I've been looking for you for so long. You're mine now, do you understand?”

“Y-Yes.”

“Are you afraid of me?”

He hadn’t loved your hesitation—you could see it in his eyes and in the downturn of his lips—but he was satisfied when you’d truthfully said:

“No.” Because you weren’t. Not after he had brushed that tear off of your cheek.

His next question had caused your heart to skip a beat from the concoction of emotions it shot through you. Fear of the unknown mixed with unexpected excitement.

“Have you done this before?” 

You’d shaken your head and in response he lightly nodded, his nose nudging yours. 

“You want to?” he’d asked, hiking your leg up to his hip, and you found yourself nodding as well. “I won’t make it hurt.”

You’d replied with a soft “Ok” before accepting his kiss with as much fervor as he was giving it, thankful that what you’d imagined was awaiting you upon your arrival in foreign territory was far from what you were receiving. 

Days later, when you had mentioned that he did not live up to the rumors of his cruelty extending to all areas of his life, he’d hummed. Said, “I make many bleed, and enjoy it. I feed off of their pain. Those who have been in my bed are not spared this, and it will not be uncommon for you to see me stained with the death of others, including my former pets.” 

He’d paused then, allowing you a moment to question your future as one of those pets, if that's what he considered you.

“But I have been searching for something that I’ve wanted for a very long time,” he’d said. “Something that hasn't existed within these walls. Something I will never want to harm. Something…soft…and sweet,” he had admitted to your surprise.

He’d then told you that you were that sweet thing. That he’d known it from the moment he saw you. That he was choosing you. 

But it was a choice that had its repercussions. 

All things must have balance, and you had tipped the scales. From his gentleness toward you, a darker, more gruesome beast emerged when facing off with others. A brutal warrior who never surrendered and never lost. A sadistic man who showed no mercy to the opponents whose blood you would later wash from his body. He had annihilated his previous reputation as just the famed killer of Geidi Prime and evolved into something more, all because of you.

That was why you thought he would win against Paul. Your brother was skilled, but the universe had long known the name Feyd-Rautha Harkonnen for his prowess in combat and his ruthlessness which had only grown with time. 

So why was it not your brother on the floor with his love sobbing and struggling to reach him?

In the thirteen days since your lover’s death, it is that question that has robbed you of all peace. 

Despite your brother having escorted you back to Caladan for the time being, you find no sense of home or happiness in your birthplace. You walk the beaches and fields that, as a child, you dreaded one day leaving, but they are not the same. Nearly a year has gone by since you were last here, however, so much of what you once loved about this planet is overshadowed by the shattered heart caused by Feyd's death. 

When you were young, your father would often express his wishes for your future. He would paint a beautiful image of you bringing your children to play in the gardens of your childhood home, carefree and unburdened. It was a source of comfort that he used to mask the reminder of your duty as an Atreides: that you would not be marrying and having children out of love, you would marry in the name of peace and produce heirs in the name of security. And it seems in the end, he was right.

With Feyd unable to claim you, Paul will be the one to secure new arrangements for your future, which just so happens to greatly fare in his favor. After all, he just declared war, and you are the ripened political pawn at his disposal.

“Are you well?”

You turn as sharply as you can at the intrusive voice, but the uncomfortable skirts of your dress are thick and stiff, restricting your movements. Feyd never made you wear anything like this and you forgot what it's like to be weighed down by layers of fabric. You fucking hate it.

Paul stands a few feet away, his hands clasped behind his back and a light smile on his face. Clearing his throat, he joins you on the balcony attached to your old room. 

“I know we haven’t spoken much about what’s to come. I’m sure you’ve been curious,” he says. 

You shrug, shake your head, and return your gaze to the horizon where ocean meets sky. 

“We have matters to discuss.”

Matters such as where he will be sending you off to be married, you imagine. He must act quickly if he intends to establish and gain control over house alliances, since they weren't overly enthusiastic about accepting him as their leader.

“Let's sit down,” he tells you. He grasps your hand before you can object and guides you to one of the balcony benches. Once you’re settled, he takes a seat beside you and says, “I am going to ask you something. And I want honesty.”

You sigh. “What?”

“When you were with the Harkonnens for those many months, were you treated like a slave as I had feared, or were you something far from it?”

Your eyes narrow. “Why are you asking me this?”

“Because it’s important,” Paul states, staring you directly in the eye. “I’ve been thinking about the way you wept over him after we fought, and how he denied every offer I made in exchange for your release…” With his pause, he shakes his head. “I thought maybe he had messed with your mind, confused you, and that was why you were so hysterical over his loss…but that’s not right, is it.”

“Paul–”

“Does he love you?”

It takes conscious effort to keep your body from shifting uncomfortably. “What is it to you?”

“He survived his wounds,” Paul says. 

The casualness with which he shares that news heavily contrasts everything that runs through you. Your heart stops. Your lips part, unsuccessful in drawing in oxygen. Your eyes no longer see anything but Feyd’s face as it flashes in front of you. The way he looked when he last smiled at you. The way he looked the last time he came inside of you. The look of him when he died—or almost died. Death had been there, looming over him. 

You’re trying to will away the tears. Paul is watching you too closely. “Wh–What?” you say.

“He’s alive, and he is demanding you be returned to him,” he informs you. “So, tell me: is he truly threatening me so aggressively over one of his ‘pets’? Or is he threatening me to get back the woman he loves?” 

The woman he loves. You never imagined yourself in a situation where your brother would ask if a member of a centuries-long rival house loves you. But then again, you never imagined a member of a centuries-long rival house loving you to begin with.

You remember the night he told you. It was late and your bodies were bare after having bathed together. You were searching for your nightgown when he said “Come to bed, my love.” 

You sighed, defeated. He’d called you that before, but whether it was real or not was such a mystery and it hurt your heart a little bit more each time. “You shouldn’t call me your love unless you mean it,” you finally told him. 

You heard his footsteps when he stood from the bed. He walked up behind you and wrapped his arms around your waist, pulling your back against his chest. “Why would I call you that if I do not mean it?” he asked. Then he hummed and said “You know me better than that, my love” before dipping his head lower and nipping the shell of your ear with his teeth. 

So yes, he loved you—loves you. But there’s something in Paul’s voice as he asks you that question that gives you pause. It’s too gentle as if luring you into a false sense of security. The Harkonnens are not known for their capacity to love, and Feyd loving you could be seen as a weakness; his one vulnerable spot.

As monotone as you can manage, you reply, “If you’re being threatened you should just send me back and be done with it. I know you have more important things to worry about.”

Paul’s lips thin in disappointment. “I can’t send you back,” he says. “Not yet.”

“Why not?”

He sighs. “Because I believe he loves you. And I need to see how far a Harkonnen is willing to bend for an Atreides,” he says. “If he wants you back, he will have to be open to negotiations.”

You stand sharply, take a few steps from him, and blow out a heavy breath through your nose. You were told your brother changed after drinking that magic water and it shows. Holding you hostage for political gain is not the same as marrying you off. 

“I would like to be done with this conversation,” you say with a huff.

“I understand,” he replies, so you turn to enter your bedroom. But before you’re fully through the door, he says, “There’s more, though.”

You freeze. 

“I had a dream,” he says, his voice coming closer. “There was a boy, no more than five years old. He had your features and your hair but his skin was of the same paleness as the Harkonnens.”  

Sucking in a breath, you brace yourself with a hand gripping the door’s frame. 

“You’re pregnant, sister,” he tells you, leaning against the opposite side of the doorway. “But I'm very glad to know that the heir of Feyd-Rautha Harkonnen is a product of love rather than an unfortunate incident,” he says. “Additional incentive, should it be necessary.”    

In your shock, you can’t look at him. He doesn’t need you to. You can see his smirk in your peripherals, then he pushes off the frame and heads toward the main door of your room. 

“Try to get some rest, sister,” he calls over his shoulder. “You really shouldn't be on your feet too long.”

[reachartwork]

how to write fight scenes

many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.

Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".

Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.

I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.

Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.

if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.

as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.

okay have a good day. and go read chum.

[the-magpie-collective]

One of the few things Wyll mentions about his past is that when he was fourteen he got so drunk he puked in Dillard Portyr's bushes. This is meant to be just a funny throwaway line, that's it.

But this line haunts me.

First, Dillard Portyr is a Duke of Baldur's Gate. In fact, Portyr is one of the longest running Dukes of Baldur's Gate (for some strange reason Dukes tend to die often under horrible and/or mysterious circumstances in Baldur's Gate). Portyr was Grand Duke before Ulder Ravengard, until (for some inexplicable reason) he abdicated that position. So any party Wyll is attending at the Portyr's house is probably for good reason.

But surely there's no important event that occurred when Wyll was fourteen that we know of—

Just kidding, there absolutely is. Arguably one of, if not the most important event of Wyll's childhood.

You see, Wyll would have been around fourteen when his father, Ulder Ravengard, was elected to Duke.

An election that only happened because the prior head of the Flaming Fist—Abdel Adrian—was assassinated.

Now Abdel Adrian was a beloved member of Baldur's Gate. He was a retired adventurer, who had gone on to lead the Flaming Fist and then become Duke. One of his nicknames is literally The Hero of Baldur's Gate. As Blaze of the Flaming Fist, Ulder Ravengard was his second in command. There is no world in which Abdel Adrian and Wyll are not familiar with one another. It is likely that they were close and probable that Wyll regarded him as one of his personal heroes. And then Abdel Adrian was assassinated on returning day in 1482 DR, in front of a large crowd of Baldurians. Except assassinated isn't quite right. You see Abdel Adrian was a Bhaalspawn, overcoming his parentage to become a hero of Baldur's Gate. Bhaalspawns are compelled to seek out other spawn destroy them and it was a fellow Bhaalspawn who attacked him. Eventually one of them emerged victorious from the fight but we do not know which one. The other turned into a Bhaalspawn Slayer and attacked the crowd before eventually being slain by the Flaming Fist and a nearby group of Adventurers.

Let that sink in.

Wyll was almost certainly in said crowd on that day. His father would have most likely ushered him away, perhaps into the care of someone he trusted, before going to join the fight himself. Many people were killed in the ensuing fight, including many of the Flaming Fist. It is very likely Wyll knew several of the people who died, he definitely knew Abdel Adrian.

And there would be no time to mourn. As soon as Abdel Adrian's death was confirmed, Ulder Ravengard would be acting Marshall of the Flaming Fist and on his way to being voted in as Duke. Suddenly everyone and anyone would be interested in getting to know Wyll, pegging him as an easy ticket to get at his father. And meanwhile Wyll is suffering the loss of some of the most important people in his life.

Likely a celebration would be held in honor of his father's new position. It would make sense for it to be held by the Portyrs. And then Wyll is suddenly thrust into a celebration with little supervision, his father being dragged off to play politics. And so maybe he has a little too much to drink, because everyone wants to talk to him and Wyll just wants to mourn in peace.

And in the end he throws up in Dillard Portyr's bushes. And now, years later, Wyll plays it off for laughs. It's funny, really, when you think about it. His father's big day and Wyll's just off puking in the bushes.

Wyll is always playing his suffering off for laughs.

Maybe it's a silly throwaway line.

Or maybe it's not.

[cozage]

Hi hope you are having a good day

I wanted to know what would it be like if, Mihawk, Shanks and Buggy had a female s/o that was basically like inosuke from demon slayer, they are a bit dumb but will pick a fight with everyone, and they only wear a bandaged top with like shorts or smt.

You guys have been asking me lots of questions and making me feel loved so here is this!!! (And maybe more spicy things to come later this week 👀)

Characters: female reader x Mihawk, Shanks, Buggy Wordcount: 850 CW: the last bullet point in all of them that are a little spicy

She’s Kinda Stupid, but…

Mihawk

This man is literally so tired. He’s so tired. 

Will very often say things like “I didn’t know I was in charge of three children.” (yes Perona and Zoro are his CHILDREN okay) or “Are you acting your age today, or are we pretending you’re six years old again?” or “I’ve met dogs more behaved than you.” (it’s all coming from a place of love and he knows you won't take offense because you don’t take offense to anything)

You’re a brat and he knows it (and loves it). He loves you but god you are so much work when the two of you are out in public. He feels like he can’t take his eyes off you or you’ll end up in a fight with some random guy because he looked at you funny. 

Most of the time he doesn’t acknowledge your shenanigans. When you fight with someone, he’ll grab your wrist and physically pull you away from them, usually with some kind of snide remark. 

Sometimes you’re justified, though. And when that happens, he gives the guy who wronged you five seconds to apologize before he sets you loose. Most of the time the guy sees Mihawk and apologizes, but the swordsman secretly hopes the guy won't apologize. And on the few occasions they don't apologize, he smirks as he releases you. 

He always has to pull you off the guy because you just don't know when to stop. In all truthfulness, it kind of gets him hot and bothered, but he always pretends to be irritated. “You’re psychotic. Do I need to teach you how to behave?” he scolds, his gold eyes scanning your body. “I can think of a few ways to get you to listen.”

Shanks

Shanks adores you. Cheers you on. Loves watching you cause absolute chaos. Why? Because you are him without a conscience. 

Shanks knows when he needs to flip the switch from polite to fight, but you don’t. You are always at 100%, your most authentic self 24/7. And he absolutely adores that about you. Even if that means that sometimes you take it a bit too far. 

Sometimes Shanks will even use your emotions to his advantage. “Can you believe that guy just did that?!” or “Talk about rude!” knowing full well you’re ready to throw down whoever wronged you or him. 

The absolute only time that Shanks will stop you from fighting someone is when you all are in a building. He’s had to pay SO MANY owners back for you destroying glassware and furniture and plenty of other damaged goods. You learned pretty quickly that the first words out of your mouth should be “Wanna take this outside?!” because if you were outside then Shanks didn’t stop you. 

The first few fights, he watched carefully, making sure he would be able to jump in if he needed to. The next couple of fights, he watched you with an amused look, excited to see how you were going to beat up the guy (and just to make sure you would win). Nowadays, he doesn’t even feel the need to go outside with you, but sometimes he does just to cheer you on. 

After your victory, he always rewards you with a bunch of kisses and sings your praises. He pulls you onto his lap at the bar, making sure everyone knows you're his. “You did so well. I loved how you stomped that guy into the dirt,” he’ll coo, dotting kissing across your neck. “How about later I show you just how proud I am of you, okay?”

Buggy

You never cease in stressing this man out. He is always on high alert now because of you. 

Stealth missions? Forget it. Normal day in town? Absolutely not. He BEGS you to be a normal human being in public. To have an ounce of self preservation. But you cannot comprehend that. People who talk shit deserve to get hit.

He is constantly running after you, screaming at you to stop fighting people for no reason. Sometimes he’ll even jump in front of your punches to try and de-escalate it (which of course doesn’t work and results in you just punching him in the face). You don’t even feel bad, you just scream at him to get out of the way and beat up the other guy even more since he made you hurt your boyfriend.

If anyone makes fun of him, he doesn’t even have a chance to scream at them anymore. You’re already pounding their face into the ground. And every time you do, he falls in love with you a little bit more. 

“That’s right, that’s my baby!” he screams, watching you smugly walk away from some guy’s beaten body. “Let’s go celebrate, you can do whatever you want.” He grabs your hand, practically pulling you back to the ship.

[bigsoupspoon]

A Safe Respite

Summary: You take Astarion on a private evening date to a bath house inside of Baldurs Gate.

Pairing: Astarion x Afab Reader

Warnings: Fluff, smut, minor angst, bathing,

Word Count: 2300 approx.

Rating: 18+ - If you are under 18 please do not read.

The day had been difficult and dangerous, multiple citizens abruptly transforming into mindflayers and the Absolute cultists posing a threat everywhere they go, not to mention attempts to infiltrate Baldur’s Gate for leads to destroy the Elder Brain. By the time sunset came, you and your companions were all accounted for back at camp, and decided to start the night with a celebration of the victories earned thus far.

“I think we all deserve a little fun after today’s tiresome events, there’s a tavern close by I used to visit from time to time. They make the best honeyed mead in the Gate.” Wyll promptly suggests.

“Aye, I second that suggestion.” Agreed Halsin, already nearly finishing a bottle of wine.

“Are you coming?” Shadowheart nudges, hoping you would join.

“Although that does sound fun, I actually have something else for the two of us planned for the evening,” You reply, now looking at Astarion, “Unless you’d prefer the tavern of course?”

“A private rendezvous planned by my lover? How could I ever say no.” Astarion gushed coyly.

The group collectively threw you several looks that implied “Have fun,” and with that, you took Astarion’s hand and walked up towards the bustling streets of the city.

* * * * * * * * * *

You make your way to the local bath house, one you had seen earlier in the week and decided to pay a visit to soon. The same clerk is working who recognises you from your interaction just hours before.

“Everything you had requested has been organised, I hope the room is to your liking.” They smile, and lead you around the corner to a private room.

The scent of the lavender oil bath embraces your noses as you walk into the room. It is dimly lit, containing multiple candles surrounding a circular wooden tub in the centre, filled with freshly drawn warm water. Leafy vines have grown to obscure the windows and further around the roof and sides of the room, some of the smaller fronds hanging down with flowering buds beginning to grow. Your specific request of wine and fruits was dutifully fulfilled, as they sit on a small table placed next to the tub for easy reaching.

“You’re full of surprises, aren’t you?” Astarion says.

“I wanted some space just for us, someplace where we could take it easy for the night.” You reply.

“Well, how thoughtful of you, my dear.”

You take Astarion’s hand, and lead him into the room, and begin the remove your clothes and then his. He seems pleasantly surprised by your offer to remove his clothes for him, but lets you do so anyway. He helps you into the tub first, supporting you as you take your first step into the water, and he follows a second after. You’re sat next to him, getting used to the warmth of the water for a few moments. You then begin to pour two goblets of wine when you feel his eyes watching you.

“Come here, my sweet.” Astarion invites, as his hands find your hips and pull you towards the front of him, so you are placed on his lap, your inner thighs caressing the outsides of his.

“You know, if I didn’t know any better, I would think you’re trying to seduce me with all of this.” he teases.

“There’s actually something I’d like to do first, if that’s alright.” You poke back.

“Is it alright if I touch you?” You ask, eyes searching his for consent.

“Darling,” he coos, “I thought you’d never ask.”

You lean into Astarion closely, chests warmly pressed together, feeling his nose gently scrape the side of your neck, your arm outstretched to grab the cloth on the small table behind him, and dip it in the warm water of the tub. Once it is soaked through, you gently wipe it across his collarbones, swiping away any grime and blood brought on by the earlier events of the day. You tenderly move down his body, cleansing his chest and stomach, then proceeding to his arms and hands.

Astarion stares at you with a small, soft smile across his lips, watching you clean him, take care of him. His eyes softly caress your face, carefully taking in the moment of peace and safety, something that he wasn’t familiar with, but had longingly ached for.

Resting the cloth on the side of the tub, you check in with him again.

“How does this feel, my love?” you ask Astarion.

He initially smiles at you, but then his face becomes serious, it takes but a second for him to search his memories for a time where he was able to feel this kind of security.

“I can’t remember a time where I felt this kind of….intimacy. Its nice.” He answers honestly.

“Close your eyes, alright?” You ask.

You pick up the cloth again, gently swiping across his face, removing the last of the dirt and blood. Astarion’s eyes are softly closed, he basks in the moment as he can feel his skin being cleaned. He tenses in the beginning, his forehead creasing ever so slightly, he’s not used to this kind of gentle touch, but after a minute or so his breathing slows and deepens, relaxing into your touch as the safety of you embraces him fully.

Once his face has been cleansed, you place a small and delicate kiss on his cheek. Astarion turns his face towards you until his lips graze yours, staying in this moment for just a minute more. His hand caresses the back of your neck, prompting you to stay there. He kisses you slowly and deeply, and for those few seconds, everything else in the world fades away.

Your head spins lightly when you eventually pull away, cheeks warm and rosy, it seems Astarion feels the same way too. He rests his forehead against yours and places his hands on the small of your back.

It’s a peaceful and pure moment between the two of you, simply enjoying the quiet company of each other, a brief respite. The only sounds are your soft breaths and faint music from a tavern playing off in the distance.

“Allow me,” he gently takes the cloth and douses it in the tub, and returns your actions of cleaning him down. Astarion is careful to brush over the healing marks on your neck from his fangs the night before. He leans in and gingerly kisses the area of your neck where he last tasted you.

Your breath hitches as his teeth gently graze the sensitive area on your neck. Taking advantage of your small moment of bliss, Astarion begins to swipe the cloth across your chest and breasts, cradling them in his hands as he continues to clean you.

“This was supposed to be a night for me to take care of you, not the other way around,” you breathily confess.

“Seems like you enjoy being taken care of this way too, don’t you think, darling?” he smugly asks.

You push away his hands and place them back on your waist as you begin to trail small kisses from his shoulder up to his neck, gently massaging his chest while you do so.

Astarion lets out a small moan into your ear, quiet enough you barely hear it. Your planned priority was his sole pleasure and security, allowing him to feel safety and love as he deserves.

You pause for a moment and begin to work your way to the other side, giving equal attention to the other side of his neck. He firmly places his hands around your lower back, giving into his growing enjoyment.

“Love, although I’m loving this attention from you, we can take care of each other, you know. This doesn’t have to be about just me.” He takes your chin softly so you’re looking directly at him, and pulls you into another deep kiss. You can feel his smirk as you give into him, allowing him to kiss you more passionately than before, as his arms caress around your back, one hand nestled in your hair. He gently tugs at your scalp, pulling you out of the kiss for just a moment.

“I love you.” He whispers delicately, his pupils blown and cheeks lightly flushed.

“And I love you.” You return. He pulls you into a passionate kiss again, growing hungrier the more time passes by. You can begin to feel him grow between your thighs, so you take one hand and caress him ever so gently, encouraging him further.

Astarion lets out another small moan, more audible this time, and places his hands on your breasts again, gently swiping each nipple with this thumbs, making you moan in return. His expert fingers graze you ever so softly, then applies a gentle pressure, causing you grow aroused along with him.

His hands slither down your stomach and around your waist, firmly squeezing your behind before one hand comes back around the front to touch you more intimately. He drags his thumb slowly up your slit, even underwater he can feel your wetness starting to grow. He swipes up again, causing you to moan into the kiss, he reciprocates the moan as you rub your thumb across the top of his hardening member. You stroke him more firmly now, as he does unto you, eliciting filthy sounds from one another.

“I want more,” You breathily request.

“Only if you say ‘please’, my love.” He cheekily demands.

“Please,” You urge him. Satisfied with your instant compliance, Astarion gently pushes one finger inside of you, and begins to rhythmically pump his hand, while the other holds your waist still. You both spend several minutes like this, exploring each other’s body, teasing one another while yours and his lips remain deliciously connected.

Astarion reaches under your thighs, lifting you slightly out of water and gently onto your knees. Your cunt grazes his tip lightly, you balance yourself with your arms placed across his shoulders, crossing them over behind his neck.

“Are you sure want this, love?” Astarion asks, his lips barely leaving yours.

“Of course, baby.” You reply, your mouth leaves his for just a second.

As you slowly sink down onto him, both expelling a series of lustful sounds, you take a moment to adjust to his size. Astarion’s arms curl around your body, holding you as close to him as possible, his kisses grow more intense as he starts to tenderly thrust up into you. Wanting to reciprocate the movement, you lightly bounce on him, causing the tub water to steadily ripple.

You quickly become lost in one another, feeling nothing else but pure pleasure, love filling you both to the brim. He fits you so exquisitely, and he knows it, delicately and lovingly ruining you, over and over again.

The water begins to splash slightly over the edge of the tub the more you both continue, although neither of you notice, as the two of you are entangled with one another, as one connected entity.

The warm tingle in your stomach climbs higher, and your head swings back in reaction. Astarion takes advantage of the exposed flesh of your neck and kisses it, periodically sucking the skin leaving you sure there will be love marks come morning.

“Feed on me, please, I want you to bite me.” You beg, one hand entangled in his hair while the other grips his bicep.

“Are you sure, darling? It’ll hurt for just a second.” Astarion’s lips barely leave your neck as he speaks.

“Mhmm,” Pulling your hair to the side to expose more of your neck to him, granting him full access. Astarion needs no further encouragement, as he sinks his teeth into you, penetrating you for the second time.

It stings deliciously, the opposing mixture of the cold numbness shooting through your body, combining itself with the warmth of the fire between your thighs, you are overwhelmed by the simultaneous different sensations, causing your head to feel dizzy and your body to constrict.

Astarion removes his fangs and presses his forehead into your neck, no longer able to focus on drinking your blood and instead chasing his climax. His stifled moans exhilarate you, and you bounce a little harder, and a little faster, gripping his shoulders as you do so, feeling yourself about to come undone onto him.

His thrusts become sharp and jagged as he reaches his end, his hands gripping your waist so tight they’re bound to leave small round bruises where his fingertips applied so much pressure. The desperate noises Astarion makes are so sweet to yours ears, and are alone enough to bring you to the edge. You come undone around him, squeezing him tight as you ride out the waves of your orgasm. The sensation of you reaching climax around him sends shockwaves through his body a second time, rendering him utterly speechless, his brain only knowing the feeling of pleasure for that brief moment.

It takes a minute for you both to recover, the both of you have your arms coiled around the other. Astarion leans his head back as you rest yours on his shoulder, both you unevenly puffing, trying to catch your breath. He softly grabs your chin between his thumb and forefinger, pulling you into a small kiss. After a moment, you pull away slightly, caressing his face and staring into his eyes. Astarion smiles back at you, he looks both relaxed and beautifully disheveled.

“My sweet, did you reserve this room just for the hour?” Astarion questions.

“No, I paid for the night.” You answer, breathing still uneven.

“Good,” He says softly, “Because I’m not quite finished with you yet, my love.”

[jackdaw-kraai]

I think there’s something rather strange going on with all the folks who insist that the Jedi Order in the PT was right and didn’t forbid love and Anakin should just have followed their teachings when the whole point of the prequels is that they are prequels. They come before the OT, and the OT proves the Jedi wrong. They literally do not make sense if they don’t do that.

Luke, in the original trilogy, gains his ultimate triumph, his ultimate victory, because he loved in defiance of the teachings of the old Order. He quite literally had the ghosts of the past telling him, explicitly and without ambiguity, that he has to put his love for his father aside and kill him, as is the duty of a Jedi. Luke has the weight of millennia of teachings weighing down on his shoulders, telling him they knew and know better than a young, inexperienced man barely out of his teenager years. That he should follow their teachings or be destroyed. That is an immense weight to carry, and many people would and explicitly have given in to it in-universe. What are your feelings and ideals in the face of such immense legacy, after all?

But Luke doesn’t give in.

He doesn’t bend.

He says “I may be young, and I may be new, but I believe to my heart and soul that love matters more than this legacy. Matters more than your teachings.” And he says this to the ghosts of his mentors. That is such a powerful moment and one I can’t believe George Lucas didn’t create deliberately for even a second. This young man, being told he has to kill or die trying for a system that is dead or dying itself, that couldn’t survive itself, and refusing to do so. He is the living refusing to continue the violence of a dead generation. He is the young man refusing the draft into a war the old generation started, saying “peace and love matters more than you being right.” He is the embodiment of breaking the cycle.

And the movies vindicate him.

The main villain vindicates him with his last dying breath.

Darth Vader, dying, says “You were right.” and admits he and his were wrong. The main antagonist, Luke’s nemesis, in the face of his son’s immense, defiant love, gives way and does the impossible: he comes back to the light and dies a Jedi. The very thing the old Order says was impossible.

They were wrong. They have to be. The narrative demands it, the movies don’t make sense without it.

The solution was never to continue the cycle of the old Order, or Luke would have failed there, would have failed when he said “I am a Jedi, like my father before me.” And claimed that defiant, deviant, condemned definition of being a Jedi over the one presented to him by the Grandmaster of the old Order. If the old Order was right, Luke would have to be wrong. Be wrong about love, be wrong about laying down the sword, be wrong about refusing to fight. He would have to be wrong.

But the old Order is dead, explicitly killed by a monster, in some part, of their own making. It’s members only existing as bones in the ground or ghosts speaking from beyond the grave. They did not deserve it, it should not have been inflicted on them, but the narrative is clear on this: “The old way is dead, and was dying for a long time before that. Long live the new.”

Luke is that new. Luke is the breaking of the cycle, the reforging of swords into ploughs, the extended hand. Luke says “I don’t care how much I was hurt, I refuse to hurt you back, and you don’t need to hurt me either.”

“We can end this together and choose love instead.”

And Darth Vader, killer of the Jedi, End of the Order, lays down his arms as well, and reaches back as Anakin, saying “You were right.”

It wasn’t Obi-Wan, Yoda, Mace, Qui-Gon, or even Ahsoka who achieved the ultimate victory in the end, following the tenants of the old Order. It was Luke. Young, inexperienced Luke, who saw that the age of legacy handed to him was only history, that the sword handed to him as his life was only a tool, and that the decrees of the dead were only advice. And he took it all, said “thank you for your experience, but I’ve got it from here,” and laid it all down to instead extend an open hand towards his enemy.

And his victory, his ultimate triumph, his vindication, was that he was proven right when his enemy reached back and became just another person. Just another person, just like him.

The Jedi did not deserve what happened to them, and they did not deserve to die. But the story is clear on this: the Jedi of old were wrong, and the Jedi of new, the Last Jedi, was right. No sword or death will ever end the rule of the sword or end the bloodshed. But love?

Love can ignite the stars.

[rboooks]

DC x DP Fic idea: The Ghost Trio's Food Trip

Gotham has always had an overwhelming pollution problem. They accepted it- even Poison Ivy knew there wasn't much chance to undo what's been done. She merely fought for what was left- and they learned to live with the tainted water, smoke-covered sky, and sometimes spicy air.

The Gotham river wasn't the color of water anymore, it's was either black or on good days dark green.

This is how it was for generations, some saying even before the first Wayne- one of the original founders of Gotham- moved in.

Then one night, Gotham saw three glowing figures in the sky. Now, metas weren't uncommon but everyone knew Batman's stance on them. Just as they knew it would happen, , the Bats attempted to knock the figures down.

Only.....the three fought off all the Bats and won. Gotham Collective held their breath as the strange glowing people brought their Dark Knight and his team to their knees.

A young girl with pure white hair kept Robin, Spoiler and Red Robin a fair fight but ultimately she was victorious.

A young adult man with the same hair color toyed with Nightwing, Red Hood and Signal, looking to be treating their fight like a game.

But worst of all was the young teenage boy who held off Batman and Orphan like they were a annoying fly.

Once the dust settled, the teenager- the apparent leader of the trio- floated a camera from a local need crew to broadcast they defeat of the Batclan.

He is holding the camera like a phone angering his face and the two others to share the screen.

"People of Gotham! I am Phantom, with me is my brother-um what's your code name again?"

The adult man rolled his eyes "Specter"

"Really? That's what you're going with?" Phantom asked and gets smack on the back of his head by Specter.

The young girl giggles, throwing her face into the frame to shout." And I'm Wraith!"

"Come on; we can't all be another word for a ghost!" Phantom whines. "Isn't there something else you want to be called?"

Specter raises a brow, forcefully taking the camera out of Phantom's hand so that his face takes up the entire screen. He stares into the lens, allowing every citizen of Gotham to see his inhuman feature as he smirks."Call me Daddy."

"DAN, NO!" Phantom screams in horror. Wraith cackles somewhere off-screen as Specter blows the camera a kiss. He slaps Phantom's hands away from the desperate attempt to get control of the video camera. "You can be Specter, just never call yourself that again!"

"Dan! Keep away!" Wraith shouts, and the man throws the camera at her as Phantom screams in outrage.

"Give that back!"

"Come and get it!" She taunts only to, throw it back to Specter as Phantom rounds on her.

As the camera jerks back and forth, Gotham can catch glimpses of their heroes. All tied up with glowing green ropes a few feet away, looking worse for wear but awake and quiet.

The three made the mistake of allowing time to plan.

Phantom eventually regains the camera after a while. He clears his throat. "As I was saying, I am Phantom and these are my brother Specter and my sister Wraith. We have ripped open a portal to your city to place claim on your resources! Should you get in the way of our feast, you will be destroyed!"

"What resources do you want?" Red Robin asked somewhere to the right.

Phantom points to the sky, the river and certain parts of the city, dramatically announcing "The ectoplasm!"

The what?

"Today we feast!" He screams and his siblings take flight.

Wraith jumps into the sky, flying across the city in neck breaking speeds, leaving in her trail.....a streak of clear blue sky?

Specter dives head first into the river, absorbing....the black tar and trash leaing clear water?

Phantom inhales, dragging up litter off the closet streets around him. It Flys around him in glowing green, and the boy stuffs them into his mouth. He moans as he chewing. "Scrumptious"

Specter returns, carrying a giant green transparent jar of what looks like Gotham slime swishing within it. He sticks in a straw, tilting the jar in his younger brother's direction. "You have to try a drink of this! The ectoplasm is amazingly sweet!"

As Phantom takes a sip. "Awesome! It's taste just like Far Frozen sparkling water!"

"Guys! Even the air here is tasty!" Wraith announces as she flouts back down her own transparent jar holding what looks like all the smoke and dangerous gasses of Gotham city. "Take a swift!"

The two slam their heads through the glowing green, taking in a long sniff and sighing.

"Wait. Wait. Wait." Red Robin calls, gaining all three attention, "All you want is Gotham's pollution?"

"No, we want the Ectoplasm," Wraith replies, crossing her arms. "And there is nothing you can do to stop us! Nothing any of you can!"

The feed cuts then as a giant portal rips above the city, and the three siblings, fly through it, laughing evilly the entire time.

They return several times a week to "steal" from Gotham and the citizens have never seen their city so clean.

Or Danny, Dan, and Dani have made up and become actual siblings once coming out to their parents. A few quick adoptions papers later, the trio bond by exploring through various doors of the Infinite Realms.

They quickly discover that different worlds have a ton of ectoplasm just up grabs since humans don't eat it and start a food tour across the multiverse during siblings night.

Jazz is welcome, but since she can't eat ectoplasm as they can, she always has a pizza- her comfort food- waiting back at her apartment and a fun session of Dnd ready for them.

Meanwhile, the Bats don't know what type of aliens the Ghost Trio are, but they have been helping with the pollution problem and can't find it in themselves to try and stop them. Damian has never seen the bottom of Gotham River, but he enjoyed painting it after Specter "stole all the ectoplasm" from it, leaving only clean water.

He hopes they visit the beach next. Maybe there was hope for their reefs with the Ghost Trio around.

Tim and Bruce are the only ones obsessed with finding answers, everyone else cheers when the three fly by.

[from-the-coffee-shop-in-edoras]

I deeply love all of the little echoes between the Silmarillion and LOTR, but this is one of my faves:

Last of all Húrin stood alone. Then he cast aside his shield, and wielded an axe two-handed; and it is sung that the axe smoked in the black blood of the troll-guard of Gothmog until it withered, and each time that he slew Húrin cried: ‘Aurë entuluva! Day shall come again!’

-Húrin at the Battle of Unnumbered Tears (C. 20, the Silmarillion)

"Hail, Lord of the Mark," said Éomer. "The dark night has passed, and day has come again."

-Éomer at the Battle of Helm's Deep (C. 6, Two Towers)

Naturally, I adore the fact that Éomer is the echo of Húrin, almost definitely the single most badass human of the entire First Age (and arguably of the first two ages!). What an honor for our horse boy! The echoing quote could easily have gone instead to Aragorn or an elf, both of whom are descendants of traditions that go all the way back to those First Age events where Húrin did his thing. But instead, the line went to the heir of a newer, younger people—a people who are, in many ways, more representative of the future of Middle Earth than the old, historical communities that have been in decline or fading for some time. So I love that choice of pairing. Húrin and Éomer feels less expected but more fitting to me.

Of course, the outcomes for these two are starkly different. Húrin is facing a crushing defeat and is about to be subjected to the wrath and punishment of Morgoth himself, which leaves him permanently destroyed emotionally. Éomer has just come out of an unexpected victory and is headed for another, at the end of which he can rebuild a happy life and even come to carry the royal title of Éomer Éadig, the Blessed. But I think that's the point of the echo.

Húrin did all that was possible (and arguably more!) for a human to do in the circumstances he faced, and in the end it wasn't enough. He never gets to enjoy a new morning. But that doesn’t mean he was wrong. Day does come again. It comes for Éomer. Because if there is one thing Tolkien wants us to know, it’s that you never give in to despair. You keep going and you try again, because eventually someone will find that sunrise and live to enjoy its warmth and brightness.

[pearl-tarotist]

* ༺ Your beauty ༻ *

In this tarot reading I will describe the beauty that you have and I will mixed it with some poems, things, feelings and situations that remind me of you.

Disclaimer: I do not consider beauty only as physical attributes.

She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes...

PILE 1

Dear Pile 1,

Your beauty is sweeping and easily strikes the eyes of others at first glance. Your presence is strong as a furious river, people enjoy the scene and they are in awe at it. But the strength that the river has dissolves when they try to cage the water.

Your beauty is natural and pure as the liquid that gives us life; it cannot be replicated or forced at the will of others, it just comes from you, your presence and your soul. It's not the material but the energy that shapes it.

You are passionate, energetic and pure, what in the words of Sylvia Plath would be translated as “I am too pure for you or anyone", from the poem "Fever 103°.

In the same way as the damsel in distress when sad or overwhelmed, you hide yourself in the highest tower or in the lowest cave. Your beauty can just be encased by your own hand...and you do. Your fear that the show of your real self to the world will end in a lose of stability. You hide because you feel that showing your true nature and sweet but passionate soul will destroy your own world and the relationship that you have with others.

You hide under the presence of a basic person, fashion-like or behaviourally-like, but you beauty shines in the unconsciously curves of your cheeks and lips. There's something pleasuring and round about your lips that make your words sweeter and gentler than average. There's something about your back and position that could be beautiful too, stand straight and let other see you.

Your passionate and in that passion you are sweet and cute, just like the childish heroine of a story that never gives up.

Long legs, baby-like face, pouty lips, soft skin, limitless strength, adventures that you want to live and the passion when you speak half-baked of them. I'm not going to lie, for some, your beauty resides in your bad states, when they can take care of you as if you were something to fix or defend, but I do not think that's your beauty but what others find themselves attracted to.

Your beauty is not equalled to their attraction.

Stuff that reminds me of your beauty:

A Poem: My head a moon /Of Japanese paper, my gold beaten skin / Infinitely delicate and infinitely expensive. (Poem fever 103).

The flowing of a mighty river surrounded by grass.

The shaking pale hand of someone that has fought and won.

The elegant makeup of the Geishas.

The warm caresses of a loved one.

Knight of wands/5oW/The Chariot/10oC/5oP/4oS

PILE 2

Dear Pile 2,

You get things done. You are full and complete on your own, independent and capable. There's nothing that you can not resolve, you are efficient, strong and powerful. A scopio, pluto dominant or 8th house energy on your natal chart?

You are so beautiful on your own, so successful and victorious. Your willpower and your resistance towards adversity have created the most polished part of yourself, just like a diamond. If I have to be honest, it's not just your resistance but also your search of fights for truth and new adventures. The need to discover new things.

You are openminded and know that with a simple and small discovery, the perception of your reality can change in seconds, that's why, often, you feel that you do not belong to places or "homes" but that you are your own home. Your ideas and mental world is the only place you should be comfortable with.

There's also a characteristic of foreigner to your beauty, you could travel a lot or be "exotic" to others, in the sense of being different from them, physically and mentally. You are not a copy of the current societies but a mix of everything (past, present and future) and that's why others are intrigued by you, they want to learn about this composition. I would bet for a little bit of aquarius is in your natal chart, I guess.

You are clever and curios about everything what makes other being intrigued by you as they do not know what to expect. They can not tag you in one social group, you are way more than just that.

You do things with security, your hands do not shake in front of others and I would say that you are also quite social as you want to learn about everything, like a bee that goes from flower to flower, you go from person to person.

Piercing eyes, beautiful eyebrows, a nice chest, some of you could have a voluptuous body, an accent when speaking, and knowledge that extends for miles.

Stuff that reminds me of your beauty:

The sword of Arthur Pendragon, Excalibur.

The satisfaction after a job well-done.

The mist of the forest before the faes appear.

“For she had eyes and chose me.” (William Shakespeare, Othello)

"fuck it I love you" by Lana del Rey.

The World/ The Chariot/ The Fool/ Knight and king of Wands/ King of Swords

PILE 3

Dear Pile 3,

I fear that some of you are unable to see your own beauty. The cards that I got are unpeaceful and represent fights and loses.

Nevertheless, let's start with the reading. Your beauty is different from the rest, I like the way that you do not want to be exactly like the others. I applause you for not following the trends, the viral products and the fast-clothing industry. Your best quality is the uniqueness and respect for your natural state. Somehow, I believe that this is also one point of hurt for you, because you are not like the others, so you feel less...but, in my opinion, it lifts you higher than others.

To have an opinion of your own under a society that push us more often to have a single mindset is of respect and admiration.

Following the last idea, you are someone with spark, with cleverness, someone that has great ideas and potential that you can develop endlessly. You are a pool of ideas full of different points of views that need growing and development, a little bit of Gemini/ Sagittarius energy on your natal chart, no?

These ideas are not developed to the end, I think you jump around and start a lot of ideas that do not end up in a solid project, but that does not stop you from enjoying it nevertheless. I feel that there's two types of people: the ones that focus on just one thing and the ones that know a bit about everything. You are the second one, and in it resides your beauty.

Curious, fighter, powerful, with potential and creativity. Soft and uniform skin, probably short height but with a good posture, hands that are warm and search for the touch of others, lover of animals, young but wise. You may decorate your hair with caps, bows or similar. That's your beauty.

Stuff that remind me of your beauty:

Jeanne d'arc - Albert Lynch

The soft fur of animals like a horse or a deer.

The coldness of a knife close to the neck of the main character carried by their "enemy". (Enemy to lovers AU fr).

The endless routine of the sun (sunrise and sunset).

The smell of an old book.

5oS/2oW/The Tower/ 8oS/7oW/Page of Pentacles

This reading belongs in exclusivity to @pearl-tarotist.

[valictini]

I was watching a video analysing how the Yiga clan were handled in botw and how the person analysing it lamented the fact that Kohga was a joke character who totally destroyed the much more threatening image the yiga clan had all throughout the game. Although I do understand the sentiment (I felt that way for a long time) I’ve come to realise that we might not be viewing it in the right perspective. I ended up writing a comment under that video explaining how I saw things, and realised that maybe it could interest people here too? So here is the fleshed out version of it:

I think part of why they made Kohga extremely goofy compared to a way less goofy clan of literal assassins is to emphasise how even though the clan originally held some understandable beliefs, it has become a cult of personality over the years, and like most cults, the leader is way less charismatic than his followers make him out to be. Indeed, from the outside, it seems absurd how anyone could take Kohga seriously, let alone kill under his command, but from the inside, Kohga is the Beloved Leader That Guides Them Towards Victory, and anyone threatening him deserves to die.

In a way, yiga clan members feel like vulnerable, impressionable people who were enrolled into a cult and given a Big Family and a purpose (and a lethal weapon) by their lovable Master Kohga who wants the best for them… Except if you want to get out, then you’re a filthy traitor who also deserves to die. It’s especially visible when you beat him and they all get personally mad at you for killing him. They didn’t care about Ganon, they didn’t seem to actually understand the bigger picture, they only cared about Kohga.

It also shows how, like the rest of Hyrule, the Yigas are very much disconnected from their own history, seemingly holding on the grudge their ancestors held more as an excuse to continue to enact violence and perpetuate the cult of personality than fighting for a “noble” cause. Only Kohga seems to actually care about Calamity Ganon, and the rest of the yigas seem to be just tools to him. Wether or not he’s actually conscious of what he’s doing is unclear. Is he a fully aware con artist, or is he purely another product of Yiga indoctrination?

So yeah, to me it feels like a parody/critic/mockery of cult dynamics. It shows that this gang of assassins are indeed a real menace, but for seemingly no reason other than “that one lunatic they admire told them to” and “if they go away they get killed”. The reason why the clan was originally created becomes almost anecdotal. Under the current leader, no one is required to actually know what they’re doing, they just need to follow orders.

In the end, I think it is the intention the developers had because cults are a rampant problem in Japan. At the very least, even if it’s not a actually conscious critic, it’s a concept that is much more present in their cultural landscape than ours and that almost certainly influenced how they handled the Yiga clan. Basically, cults are not cool and can even be dangerous both for the public and their members. Cult leaders especially are not cool and often are con artists. Therefore, Kohga couldn’t be badass, he had to be a doofus getting beaten in the most unexceptional way possible.