#we are so behind!

[zaahvi]

GLORY TO THE RISEN GODS

[poorly-drawn-mdzs]

You keep telling yourself that Namari.

[lotus-pear]

mourning black and the death of ideals

[ohbother2]

do you know what?

I miss long seasons.

I miss seasons that had 20 episodes and half of them could be cut and nothing would be lost to the story.

I miss the episodes where nothing fucking happens but you get to see the main cast goofing around with one another. You get to see their interactions, their relationships develop, their day-to-day lives and how they all fit together in them.

You get the Christmas/halloween/valentine's special -is it needed? certainly not. but is it good? is it entertaining? does it give the show and characters life? do we, the viewers, enjoy it? YES!

give me long stories!! give me little quarrelling spats between characters that can be resolved in one episode with no need to have an impact on the greater story! make these stories real!

let me enjoy them before they end!!!

I absolutely love Hazbin Hotel and the little world that's been created, but I can't help but feel disappointed we're only getting two seasons of 8 episodes.

back in the early 2000's 16 episodes would have been ONE season, never mind the entire thing.

show my angel dust and husk and nifty and sir penthouse living their daily lives in the hotel! show me Charlie brainstorming ways to redeem sinners! give me Charlie forcing the hotel staff to do cringe-y exercises! give me an entire episode of Vox trying to follow alastor through security cameras! Give me husks typical day! Give me a special through the eyes of nifty on a mission to irradiate the hotel of bugs! Give me sir penthouse and the egg boys up to no good!

give me something other than the bare necessities to make the story flow

6 months have nearly gone by in the hotel, and it feels like 1 month.

[uncanny-tranny]

Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.

Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.

So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.

[axoqiii]

shujin trio,,my babies..,.,

[useless-englandfacts]

of course i don’t want to get ahead of ourselves here but super duper rare british… w?

[idolomantises]

I’ve said this before, but I always found stories that frame heaven as “evil” and hell as “good” (or less bad) to be genuinely boring. I like more nuanced approaches to each realm.

I understand that for a lot of people, Christianity is a religion they like to criticize and mock, but I feel like if you don’t even understand the fundamentals of the religion, why even attempt to critique it?

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[sems-diarie]

death is insane. wdym i’ll never see my grandmother again

[nipuni]

Photos from the event for the 40th anniversary of the historical Strawberry Train! 🚂 I have a million pictures from this day so expect more! [Part 2] [Part 3]

[poorly-drawn-mdzs]

Ghouls night out

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[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[meirimerens]

youtube shorts is just tiktok without being on the app the amount of "i'm a [qualification] and [misinformation]" could make one turn their skin inside-out in protest. "i'm a board-certified OB-GYN & it's only been about the last hundred years that women have actually experienced menopause. We didn't live long enough to experience it" how can you be so incredibly wrong about something so integral to your practice. King of the Hittites Hattusilis III was told in 1250 BCE that his sister was too old to reproduce at age 50+. Aristotle wrote in the 4th century BCE that women stopped menstruating between ages 40 to 50, common menopause ages today still. i cannot begin to tell you how 4th century & 1250 BCE don't really count as "the last hundred years" unless that -s is doing a lot of heavy lifting. waiter waiter more misinformation laws.

[sharliexth]

to me it is so, so important that the Pale King loves. That the Pale King loved. That we don’t forget that it wasn’t just the Hollow Knight that turned to look to him, but the Pale King who turned to look to the Hollow Knight. His one surviving child.

it is so important to me that he has canonical powers of foresight. Meaning the Hollow Knight’s downfall was at best inevitable and at worst the result of constant denial. Or perhaps, his powers weren’t all that far in the future at all, which begs the question: how late was it until he realized all his efforts were futile?

A universe where the Pale King did not care for his children I find dull. Uninteresting. The story becomes a heartless king who does heartless things. Bland. Expected. I find it so much more compelling to imagine that the Pale King did care. After all, how much could it really mean that there’s “no cost too great” if what he committed cost nothing to him?

I think the guilt of his sealed children ate away at him, much as he tried to keep his mind off of them.

I think he loved the Hollow Knight, much as he tried to make his heart hollow and likewise theirs.

I think as much as he tried, when even the Hollow Knight failed, he fled. The guilt of his children, of the Hollow Knight, of failing his subjects was too great.

The Pale King is noble, wise, selfless. The Pale King is prideful, in denial, cowardly. He is many things but he definitely loved. At least I choose to believe so