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#we're trying to be faithful to the original
gonchmovie · 2 years
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I hope you don't mind that we're going ham on the homoerotic subtext. This will be the gayest non-canonically gay movie anyone has seen
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aeons-domain · 7 months
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#creator speaks#a funny i saw on my twitter thought i should insert my ship into it 👍👍👍#WHICH IS FUNNY BECAUSE THE ORIGINAL *IS* A TUMBLR POST but oh well#man the thoughts that simmered in my head in the past year and a half over them and how her inclusion kinda changes the story...#lol ik i always “speak” of it and discord besties would know a little more than those who aren't but i digress#i love it i love the thought of just...Madison putting so much of her faith and trust and love in them that she just becomes loyal to them#helping their cause and personal issues wanting to be a reliable friend and loved one to them#(probably the abandonment issues that's operating in that brain of hers lmao but) she just wants to stay by their side !!#and hope that they let her stay there in the years of them growing up together#somewhere in the messy notes in my brain and in my laptop's notepad did i think far in changing their overall fate to make the ending happy#but i just feel like that's just gonna stay there or be discussed in really tight circles IF i feel like sharing it hehu#i feel like madison and me inserting her into the jojo universe as a sort of “fix-it” tool is one that araki and many others wld surely hat#HAHAHAHAHA#when my notes and lore try to go against the biggest theme of fate in the series and how we're destined to go through it-#-that it can't be changed. how the joestars are cursed yadda yadda#i'm so normcore domestic life happy ending mary sue fix it canon divergence pilled okay !!!#i want both jotaro and kakyoin to be happy and alive !!! and making that possible by inserting my lame ass op oc 😎😎😎#HAHAHAH whatever i'll stop yapping <33
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faithfulcat111 · 1 month
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Update: I'm back on my Marvel comic reading venture. I left off last time in the Secret Invasion era, so wrapping that up now.
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Pick One: Magical Girl Show or Rom-com. You cannot be both.
Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.
This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.
Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.
So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)
To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.
Let's Talk Magical Girls
Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.
A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.
Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.
Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:
Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.
This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?
Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.
But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.
Origins as a Rom-com
Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!
In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!
First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:
Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.
I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:
Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.
This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?
In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).
Magical Girls Vs Rom-com
Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?
It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.
Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?
It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!
Are you starting to see the problem?
Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.
When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!
How Do We Fix This Mess
At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.
At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.
Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.
If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?
A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.
I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.
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rappaccini · 4 months
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do we need to like. talk. about how grrm taking so long to complete asoiaf means the original subversion of daenerys targaryen's character has been basically lost.
because aside from the show massively fucking the ending up, you also have to consider the seismic shift of the perception of fantasy as a whole since asoiaf hit the mainstream and since more intersectional perspectives and deconstructions of white saviorism have risen in prominence.
like it's a good thing that we're collectively critiquing and sideeying dany's storyline for the questionable, orientalist and often outright racist elements, and that the girlboss dany idea is being challenged. but uh guys. take a look at grrm. do you really think he was setting out to write a paul atreides style deconstruction of white saviorism with dany. or is it not more likely that he put those things into his story by mistake and didn't realize those problematic elements were there until decades later-- especially since girlboss feminism didn't fucking exist when he started writing asoiaf. is it not more likely that he missed the points he was trying to make about dany being a foreigner interfering in eastern politics and the white savior vibe her story sometimes puts off is completely accidental.
people do not seem to realize what the climate of fantasy was when grrm was writing asoiaf in the 90s-00s. the moral grays and grimdark elements of modern fantasy were in part popularized by asoiaf. grrm wasn't subverting the idea of dany being a good ruler. dany being a good ruler was the subversion.
daenerys targaryen is a deconstruction and subversion of the almost comically evil sorceress-queen antagonist of a fantasy novel that would never be written today.
think through what dany looks like from the outside:
she's the daughter of the mad incestuous king who terrorized westeros only a generation ago, and she's back to get his throne for herself.
she's going to make her arrival by invading from the Savage East and killing the one true lost heir, the son of the prince everyone loves and wishes were king, who was raised among the people, who's a boy, who practices the faith of the seven and will marry a westerosi lady. and she's going to destroy the shining city that he's going to rule from.
she rides a black and red dragon that spits black and red fire. she has two other dragons with her and used blood magic to hatch them. she killed a house full of warlocks, has prophetic dreams, talks to mysterious sorcerers and witches and is linked with magic.
she comes from a family of incestuous, weird-looking, magic-using, dragon-riding conquerors who are the last survivors of an empire that conquered half the world and decimated and enslaved an entire continent by using dark magic, dragons and horrifying experiments. and her family in particular is infamous for having a tendency to go insane.
she's so beautiful men are throwing themselves at her. she dominated one husband and killed another. her dragon set poor sweet quentyn martell on fire when all he was doing was trying to honor a betrothal agreement. she has sex with both men and women where she's in control of the encounters. she had a sexual relationship with her brother. she 'bewitched' the most powerful warlord in essos with her sexuality, convinced him to kill her brother for her, took over his following, and will come to westeros with control of the most deadly cavalry in the world who are already considered to be 'savages' -- and her association with them has already started rumors that she fucks horses because she's so insatiable.
she's infertile and sacrificed her one pregnancy (gasp, the Firstborn Son!) to hatch her dragons.
kinslayer allegations: her brother, her son, and her (fake) nephew. even her mother, to an extent.
she has very tanned skin, spooky silver hair (that's very short) and purple eyes, a tyroshi accent and wears revealing clothing that would scandalize westerosis.
she's the savior figure for a Foreign Religion that's spreading in westeros and competing with the faith of the seven.
she's either the savior figure for the 'barbarian' nomadic raiders, or the mother of their prophesized savior.
she's leading an army of foreign (brown) slave soldiers, sellswords and 'barbarians.' she's being advised by foreigners. her handmaids aren't Nice Noble Girls-- they're nomadic horsewomen who are stereotyped as unmannered and promiscuous.
and the westerosis in her camp are the ones westeros hates: pirates that just destroyed oldtown, westeros's beloved center of trade, faith and knowledge. specifically euron, who wants to marry her. the dwarf that killed king joffrey and escaped and is now back because he wants to burn down king's landing. an ugly westerosi lord from backwater bear isle who was banished for selling slaves. a westerosi knight who refused to accept the king's wishes for him to retire and ran off to serve the opposition... and probably marwyn, a controversial maester.
she destroyed the essosi economy, has sacked multiple cities, turned the ruling class out of their homes, crucified a bunch of nobles, and will probably burn the volantene tower full of nobles on her way west.
she's a woman, specifically a teenage girl, who has power in her own right, who wants to claim more of it. and who has no more powerful man to answer to.
daenerys is the embodiment of everything westeros hates and fears to such an extent that even if she does everything right, or doesn't do anything at all, westeros will never accept her.
we spent five books following dany off on her own in essos because that plotline's all about giving you context before she arrives: here's the Evil Queen's backstory, so by the time she does what she does, the reader completely understands and empathizes with her, even if they disagree with her actions. and when all our heroes hate her, and she decides to strip them of their power like she did in essos with the slavers, we don't know what to do.
the subversion is: what if our view of this evil antagonist is xenophobic and sexist, and all the things we're scared of her for were taken out of context or twisted to villainize her. what if the foreign culture she's from isn't evil, and what if her slave army is actually freedmen who chose to follow her, and she opposes the legacy of slavery her family sources their power from. what if she's 'mad' because she's understandably angry and upset, and not ~craaazy~. what if the nobles she was killing deserved it, what if the system they depend on was evil and deserved to be destroyed. what if our system that we've been fighting to preserve isn't much better and needs to go too, even if People We Like are in charge of it. what if she's a teenager who doesn't always make the right decisions, especially when much older adults with their own motives are manipulating her.
the subversion is: what if the evil sorceress-queen who's going to invade our wonderful fantasy realm and bring all her big bad scary changes with it is a complex person with good intentions who actually has a completely legitimate reason to burn it all down.
so if dany genuinely does go evil when she gets to westeros... there's no subversion anymore because the trope is played straight. therefore, she won't. but it won't even matter. we'll know that dany isn't a monster, but nobody else will see her that way.
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starlightomatic · 1 year
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I'm asking this in good faith, but also in an admitted lack of full understanding. If you don't have the energy to engage with this topic anymore please disregard it.
Someone on your post noted the comparison of Israel-Palestine to that of the Native Americans, but the way I read it it seemed like they were putting Palestinians in the role of the native Americans and Israel as the colonizing force, but historically wouldn't it be the Jewish people who are the Native Americans in that comparison? I ask because from what I know it would be the Jewish people in what is now Israel at the same time in history as the Natives in the Americas. Am I misinformed about that? I'm not trying to say Palestine would be the colonizing force in that comparison btw, just that if we're talking about natives to the land, it seems to me like it'd be the Jewish people.
tbh neither maps on exactly
the expulsion of jews from what is now israel/palestine started in 70 AD and then was a gradual process over the next few hundred years as people moved out due to oppression by various rulers, poverty, etc
palestinians, as far as i understand it, likely descend from a mix of some of the jews who were left behind and arabs who conquered the land. they've been there for hundreds of years, and some families have owned the same land for all of that time
the thing about indigeneity as it's been explained to me is that it's not about origin so much as relationship to colonization. and the founding of israel was colonization -- herzl actually used that word himself in his writings.
you know the jnf? the original purpose was to exploit a feature of ottoman land law. if you planted a tree on someone's land and they didn't remove it for a certain number of years, you could claim ownership of that land. this and other methods were used to steal parcels of land from palestinians.
"your ethnicity stole the land from our ethnicity, to whom the land belongs" is a fucked up framework that seems really akin to blood and soil (as does "our ethnicity has rightful ownership of this land from ancient times, so your ethnicity needs to clear out"), but genuinely wresting ownership from individuals owners really can be said to be stealing land.
also, the nakba was a series of massacres and fighting that led to a huge influx of palestinian refugees from many areas in israel/palestine, and israel seized control of the land and homes they vacated to hand over to jews. israel used the jnf, again, to cover the ruins of many palestinian villages with trees to obscure the fact that they were ever there. in general israel built over many palestinian villages and the mindset in israel is not to know and not to think about it.
personally i think the indigeneity debate is not useful. it feels sometimes that jews think that if we can prove we lived in israel in ancient times (we did, a lot of people insist we didn't because it is inconvenient), we can justify things like the above. my position is that it does not justify it, because it is not an excuse for causing human suffering.
however, many people use a framework that is not about human suffering, but about how invading foreign jews stole the land from the "rightful" ethnic group. i don't agree with that either. especially when it becomes an excuse to support ethnic cleansing in the other direction. that is to say: they locate the crime not in the invasion but in the foreignness. such people are motivated to deny the historical fact of jewish origins in israel, because their argument is based on jewish foreignness.
but anyway, the comparison to indigenous peoples in the americas refers to the way that palestinians experienced the establishment of the state of israel -- starting with small groups of settlers, involving violence early on and then massacres, and later ethnic cleansing and displacement. cities and towns destroyed. shoved into small areas with few resources. lack of power and autonomy.
in addition, the way the early zionist leaders conceptualized themselves as enlightened europeans colonizing land with disdain for the existing residents.
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tomicscomics · 1 month
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08/16/2024
Our deacon shared this anecdote last week at Mass. It's a little different each time I hear it, but the moral is always the same.
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JOKE-OGRAPHY:
1. This cartoon is based on a widespread but often mutated anecdote. There are lots of versions, so I'm not sure what the original story is (share it in the comments if you know), but the two versions I heard recently go thuswise:
(1) An atheist goes up to a Christian and says, "If I believed what you say you believe about Judgment Day and the fate of those who reject Christ, I would crawl across the world on broken glass, begging every single person to repent."
(2) A Catholic and a Protestant walk together, but as they pass a Catholic church, the Catholic bows and makes the Sign of the Cross, as a sign of respect for the Eucharist inside. His Protestant friend says, "If I believed what you say you believe about the Real Presence of Jesus in the Eucharist, I would crawl to that altar on my hands and knees."
(Breakdown) In every version of the story I've heard, there are two characters: a faithful person and an accuser of some kind. The faithful is usually doing some small gesture of their faith, which the accuser sees as insufficient for the level of belief the faithful claims to have. I want to clarify that no one expects for evangelists to walk on broken glass forever to preach to everyone in the entire world, or for Catholics to crawl up and worship at every tabernacle they pass on a drive. We're human, so we need to find ways to manifest worship or evangelism while also going about our normal healthy lives with each other. Sometimes those ways are imperfect and small, and that's okay, as long as we're really trying. The accuser's point is hyperbolic, but nonetheless poignant.
(Moral) No matter which version of the story you hear, I think the question it poses remains the same: "Is our faith more than just talk?" It's easy to say we believe in God, but what does that belief do? It's a monumental claim, isn't it? Maybe the MOST monumental claim you could make. It seems like it should have a monumental impact on EVERYTHING we do, but instead, life just kind of moves along. How can we dare to claim that we actually believe? What does believing even mean, if it doesn't manifest itself in more than our words? Big questions from such a small story.
2. Our deacon recited the Eucharist-version of this story last week at Mass, and it made me want to illustrate it. I'm sorry this cartoon isn't gut-bustingly hilarious. Here, let me make it up to you with a fun joke. Knock knock.
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dgrailwar · 2 months
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Round 13, Day 5 - A Wish for the Future
It seemed like the majority of you were willing to side with the goddesses. The tensions seemed high for just a moment, before the Ancient God's anger seemed to subside briefly, an expression resembling gratitude slowly forming on her face.
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' I thank you. This future… '
There wasn't a moment for the Mother of Monsters to fully indicate her own gratitude, as another voice rumbled.
' I'VE HEARD YOUR WISH… A WORLD DEVOID OF HUMANS AND MONSTERS… '
The ground rumbled.
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A massive beam shot towards Echidna, aiming straight for the core of the 'Grail'.
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"...!"
The Ancient God's eyes widened, her own mystic eyes flaring with immense magical energy in defense of the Mother of Monsters as her curse flared outward, meeting the sudden attack head on and the resulting clash causing the chamber to rumble. Even then, the Ancient God's attack didn't seem to be enough, as two more waves of energy spewed outward, the cascade of magical power slamming into her massive form and causing her to stumble back with an agonizing roar.
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"He's awake…?"
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' Typhon… that is not my Typhon… '
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While it did look almost identical to the dragon that Avenger and his Masters had seen, the pulsating purple growth on its chest was new. A small shape circled around the behemoth, white wings fluttering as dark ooze began to drip from the beast. Each dark puddle formed into a creature, as the three-headed dragon let out a massive bellow, the ground shaking once more as the Servants stumbled, quickly trying to catch their balance.
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' I WILL GRANT YOUR WISH. '
The voice, that seemed to rumble like thunder and quake the earth itself spoke again.
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"Hrm. So, the moth carrying Pretender's curse still lives, and it has begun piloting the Father of Monsters instead. How… vexing."
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"Wait, a Pretender-Typhon? Not to steal MoonCancer's thunder as the worrier, but Pretender was already an incredibly powerful dragon… hooking up a fragment of him to one of dragonkind's progenitors is both way too compatible, and way too dangerous."
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"Wait… why'd he talk about the wish being 'a world without humans or monsters', rather than a 'world of humans and monsters'…? Do you think that whatever Pretender's 'infection' is, it's like… twisting wishes around?"
The Gunner shrugged, before focusing his gaze on the Ruler and the MoonCancer.
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"So, seems like the dragon doesn't want our world either. Plan on joining its team, or are we putting grudges aside?"
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"...At least your wish considers humanity. Even if I don't agree with the principle… I'm not going to abandon my Masters or mankind! We're fighting together! To the end!"
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"As if I'd turn down the chance to fight a final boss like this! I mean, I'm still super scared, but I've got to show off my god's divine might, right?"
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"Hahaha! Glad that we're in agreement, then!"
The Avenger boldly stepped forward, throwing his arm outward. His mana, flames of vengeance and disaster, flared violently around him as you felt his Spirit Origin expand and grow in might, pushing his manifestation to the absolute brink.
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"Kuhahaha-- KUHAHAHAHAHAAA! Behold, the giant Typhon! Beyond mortal, beyond dragons, beyond gods! Birthed of the Earth and the Abyss, his might was not meant to be overcome by humanity, nor his own kind! However, this serves as our final trial! A world of human and monsterkind, this is the path that our Masters have chosen!"
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"I am Avenger! My True Name is the Count of Monte Cristo! Let us burn our spirits to the limit, and push on to a bright future!"
One by one, you felt as your Servants began to push their own Saint Graphs to the brink. Magical energy, prana surging like rapid rivers as they prepared to throw everything they had against the massive godkiller.
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"Masters, let's prepare for battle! Show me the faith in the world you want, and I will respond in kind! You have Jeanne d'Arc's banner, so let it fly in the name of victory!"
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"C'est la dernière danse! One last performance before it ends! I hope you're prepared, Masters, because there's no time to get cold feet now!"
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"Alright, here goes nothing… Shree Vakratunda Mahakaya Suryakoti Samaprabha… Nirvighnam Kuru Me Deva Sarva-Kaaryeshu Sarvada…!"
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"Go! Kiheitai! Come forth, Proto-Arahabaki! We're sparing no expense, we're pushing with everything we've got, so let's put on a show that'll make even the gods tremble!"
The Gunner pointed his hand outward, the space on the ground being filled with a swath of armed and ready soldiers, his mana burning alongside the others as he leapt upwards, landing on the shoulder of a massive pseudo-divine machine.
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"This is it… one more battle, and we'll have done it…!"
The massive form before them let out an echoing, terrifying roar.
The six remaining Servants readied their skills and weapons, preparing for the fight of their lives.
Behold, the ancient weapon that struck fear into the heart of the king of gods. A god-killer, world-shaker, he who could rip asunder the cosmos. Behold, the ancient ephemera that struck him down in the short time of its manifestation. A being that holds no desire for wishes, but only a desire to see one's hopes laid low and their hubris brought crashing down.
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The Progenitor Dragon, corrupted by the Mors King's curse! Typhon-Ephemeros!
The Extra Class of Twisted Wishes, Pretender!
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newnitz · 5 months
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I don't really see people talking about how cultural Christianity is applied to Jews.
In Christianity, Jews are the people who rejected and betrayed Jesus and are punished with statelessness and destitution, whose only redemption is accepting the Messiah and the Son of God. This is the basis of several antisemitic tropes, most prominently deception, religious supercessionism and the Wandering Jew.
In cultural Christianity, these tropes are considered tenants of Judaism rather than Christianity, as Judaism is considered Christianity without Jesus.
Christians see themselves as tortured saints, persecuted for spreading the truth of Jesus and God across the globe. Missionaries who go to non-Christian lands to try and get the people to convert by fearmongering with damnation to Hell see themselves as victims when they're rebuffed and asked to stop.
Cultural Christian non-Christians are usually atheists and adherents of folk religion revivalist movements who have suffered religious abuse, as many sects of Christianity normalize emotional abuse by instilling inherent guilt in the Original Sin and even physical abuse in "Spare the rod; spoil the child". These cultural Christians see the millennia of antisemitism and roll their eyes, to them we're just another sect of delusional religious people with a persecution complex.
To become a Christian all you need to do is accept the Father Son and Holy Spirit, to affirm your beliefs and confess your sins. To become a Jew you are either born a Jew, or you learn the Jewish culture and religion for months on end and must live half a year under the strictest restrictions of the Jewish lifestyle to show commitment. That is the difference between a universal religion and an ethnoreligion.
In a Culturally Christian world there is no room for ethnoreligions, and they do not exist. All religions are about your faith and which God(s) you believe in. So in a Cultural Christian's eyes, a country of Jews is a country that holds one faith supreme above all others and conditions rights with conversion, as that's how Christian countries have historically been.
Christianity's common ground with Jews comes from the Roman Empire appropriating the religion from the Cult of Jesus, and making it more appealing to the masses by introducing Greco-Roman and Germanic folk religion aspects into it. Xmas is Yule but with Jesus, Easter is a fertility holiday but with Jesus and so on. In the eyes of the Cultural Christian, Christianity and Judaism are two once-antagonistic sects of the same religion, no different than Catholics and Protestants.
Cultural Christianity erases and appropriates Judaism and is as inherently hateful of Jews as religious Christianity.
Now, when it comes to the elephant in the room: Islam.
Islam, like Christianity, is a universal religion. You must believe in Allah and accept the prophets, which include both Jesus and Muhammad. It is no more inherently violent than Christianity, though it's no less. In the Christian's eyes, Islam is the competitor, the enemy. The Muslims conquered Christian lands and converted them, and they've fought holy wars against one another throughout the Middle Ages.
To become a Muslim the Cultural Christian doesn't need to unlearn any of the core tenets of their culture. They can simply apply it to Islam.
Which is why many Cultural Christians, damaged by Christianity, are sympathetic to Islam. And since Muslims and Jews are no longer on good terms, they use this sympathy to give themselves a free pass to be antisemitic. Whether Muslims check their converts for bigotry, allow it or are powerless to stop them, that's another issue.
Jews are not diet Christians. We have less in common with you than you have with Muslims. Unlearn Christian cultural appropriation.
And no, I don't care that it's "offensive" to associate you with Christianity due to the religious abuse you endured. You still see the world through a Christian lens.
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skaldish · 2 years
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What is Norse Heathenry?
Norse Heathenry is a contemporary pagan spirituality derived from the beliefs, customs, superstitions, and folklore of the pre-Christian Norse people. It is one of a few different kinds of Heathenries, which include Slavic Heathenry and Teutonic (Germanic) Heathenry.
The word "heathen" means "of the heaths." However, it's not a word the Old norse people themselves used. They didn't have a word for their spiritual belief system, as they didn't distinguish this from all other aspects of their lives. Rather, "Heathen" was coined by Christian writers to refer to Scandinavian pagans (this is also why it's sometimes used interchangeably with the word "heretic").
Nowadays, Norse Heathenry is referred to by many names, which reflects different developing iterations of it. Amongst these names are Norse Paganism, Asatru, and Forn Sidr / Forn Sed.
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Where does Norse Heathenry come from?
Norse Heathenry comes from the Nordic countries of Europe: Norway, Sweden, Denmark, Iceland, and the Faroe Islands. These places are also known as the homelands of the vikings. But despite their shared origins, Norse Heathenry is not the religion of the vikings. This very large misconception has a very long, complex history behind it, owed to a combination of commercialization and fascist tampering. The Heathenry we see in America is extremely muddied from these influences. Fortunately, we now have the means to disambiguate it, thanks to increasingly accessible cultural exchange.
The following explanation is a product of ongoing anthropological, theological, and cultural research, in combination with what we know about the historical.
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Norse Heathen Beliefs
Unlike organized religions, Norse Heathenry is (and has always been) a decentralized belief system. This means it has no universal doctrines, no orthopraxy or orthodoxy, no holy texts, and no religious figurehead governing it. When you hear people say "There's no 'right' way to practice Heathenry," this is generally what they're referring to.
However, Norse Heathenry does have a distinct way of thinking about and viewing the world, and it's very different from what we usually see here in the US. If you're feeling stuck trying to figure out how to "do Heathenry," this would be why.
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Animism
A staple of Norse Heathen epistemology is Animism.
Usually, Animism is defined as the belief that all things have a spirit or vital essence to them. But this is only one definition of many, and not the definition that applies here.
The Norse concept of Animism is "the awareness that all things are part of an interdependent ecosystem." This changes how we engage with everything around us. We understand that when we interact with the forces of this world, they will interact back on their own merit. Our relationship with all things is a social one, and we're not spectators in our environment, but active participants at all times.
This stands is stark contrast to the way the USAmericans typically view the world: As a landscape to either test or be tested by, with the forces of the world acting as the means through which this is done.
Additionally, there's no separation between the sacred and the profane.
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Immanence
Faiths that focus on spiritual ascension, enlightenment, or attaining a good afterlife are known as transcendent faiths.
While Norse Heathenry has some transcendent elements, it's ultimately an immanent belief system, which means its focus is on living life for the sake of living, as opposed to living life to receive a good afterlife. A good afterlife is already guaranteed.
(Some Heathens may strive for a specific kind of afterlife, however, which do have certain conditions for accessing. But these are elective rather than required, and different as opposed to superior. It's all a matter of preference, at the end of the day.)
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The Norse Gods
Many people are already familiar with the Norse gods, such as Thor, Odin, Loki, and Freyja, but not many people are familiar with how they operate as gods.
In Hellenism and Religio Romano, the gods are divine lords who preside over different domains of society. It's a reflection of what the ancient Greeks and Romans highly valued in their civilizations: Law and political/civic involvement.
In Norse Heathenry, however, gods don't operate in a lordship capacity. Instead, they're more like celebrities in that they're celebrated figures everyone knows about.
While they don't rule over one thing or another, the Norse gods often act as allegorical representations of worldly phenomena. Thor is to thunderstorms as Loki is to "random-chance odds." SIf is to wheat-fields as Odin is to the old wandering beggar. Frey and Freyja represent masculine and feminine principles, Skadi the driven snow and foggy winter, and so on. The gods exist as worldly experiences inasmuch as they exist as ideas.
Lastly, but importantly, the Norse gods don't distribute rewards or punishments in accordance with on one's actions or deeds, nor do they tell us how we ought to live our lives. The way they interact with us depends on our individual relationships with them, which can be just as diverse as the ones we have with each other.
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Myths & Folklore
What people often refer to as the "Norse Myths" are stories found in two old Icelandic texts called the Prose Edda and the Poetic Edda. These texts are special because they're the oldest and largest collection of tales featuring the Norse deities.
However, these texts represent just one region's period-specific interpretation of Norse folklore. They also only represent a fraction of the tales that still circulate within Nordic oral traditions, so not only are they not "canon" in the usual sense of the word, they're also just a sample.
This is all to say that Norse Heathenry doesn't have a hard body of mythology. It certainly has a defined one, but its definition is built from local legends, fairy tale humor, songs, customs, superstitions, and family folklore in addition to what survives on runestones and parchment. The corpus of Heathenry is very much a living, breathing thing.
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Spirits
Norse Heathenry recognizes a wide variety of different beings, the likes of which can be found all around us. Some of these beings are like how we typically imagine spirits, in that they're incorporeal or otherwordly, while others are physical but may play tricks on you so you can't see them.
Like many things pertaining to Heathenry, there isn't a universally-shared classification system for Norse beings. But generally-speaking, beings are defined by their natures and the manner in which they relate to the rest of the world, rather than their morphology. For example, Trolls can take the appearance of rocks, trees, and also living people, but they can also be incorporeal spirits. This is all, however, the same kind of Troll, rather than being different types of trolls.
This is also why the lines between "spirit", "god," and "ancestor" can become very blurry at times. In English use, these are all typically labeled under the category "vaetter." Sometimes "wight" is used to refer to spirits of various types, but isn't often used to refer to gods.
Typically, the way people interact with spirits entirely depends on what kind of spirit they're dealing with, as well as their disposition towards human beings. Some spirits may enjoy a personal relationship, while others are best when left unbothered.
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Values & Morality
Because Norse Heathenry has no doctrine and is immanent in nature, it has no fixed value system. Just like the stories were decentralized, so were the Norse people's values.
This is a feature as opposed to a flaw, and a fact as opposed to a theory. But it also has a habit of making Americans very uncomfortable.
For this reason, Heathens sometimes choose to construct their own value system to observe as part of their practice. But what those values are is up to each individual, and individual community, if applicable.
Anyone claiming Norse Heathenry has a universal value system is either new to Heathenry, or selling something.
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Veneration
Heathen veneration is not just limited to gods, but also includes ancestors and even certain kinds of spirits, such as nisse/tomte.
Like most things in Norse Heathenry, what, who, and how a Heathen chooses to venerate is their choice to make. One popular observance across the globe is to craft altars, shrines, or similar sacred spaces for the entities one venerates. If a Heathen lives in a house that has a nisse (similar to a gnome), they might leave porridge (with butter) by the hearth for him, and he'll in turn bless the house with good luck and fortune.
Oftentimes, relationships with entities are very interpersonal. Heathenry's animistic and immanent nature means entities are rarely cold and distant, including the gods.
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Misconceptions!
A list of misconceptions off the top of my head:
The practice known as 'Odinism' is an invention of the Germanic Volkish movement, which was the social precursor to Nazi Germany. This is also, unfortunately, the first kind of "heathenry" to be brought to the US, back in the 1970's. It was spread through the country via one of the fastest-moving networks at the time: The US prison system.
The Black Sun is a Nazi symbol, not a Heathen one.
No, Norse Heathenry is not a closed practice.
No, you don't have to have Scandinavian heritage to practice Norse Heathenry. Blood quantum is not a thing.
The rune alphabets are old, but the method of runecasting is new.
So is the use of magical bindrunes.
Bindrunes are also different from Galdrastafir. The latter is actually a form of Jewish-Christian-Norse syncretism and needs to be taught orally since it's a mystery tradition. You can still slap the Helm of Awe on things and look cool about it though.
Norse Heathenry is not the same as being a viking, and Norse Heathens are not vikings. However, some Heathens partake in viking reenactment as an extension of their practice.
There's no good or bad gods in Norse Heathenry. All the gods are capable of great good and great bad, just like people. They're fallible, and that's what makes them relatable.
Odin and Loki aren't at odds with one another.
You don't need to wait for a god to pick you to start venerating them.
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If you're interested in learning more about any of these in-depth, check out the website I've built on Norse Heathenry, located in my pinned post!
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marzipanandminutiae · 1 month
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god I need to stop reading the notes on that "you don't owe anybody your downtime post that goes downhill in the notes
I got a bit hyperbolic in the tags but I still feel like my point was valid: you cannot just shoot down good-faith attempts at compromise between conflicting mental illness with "sorry I don't have the energy to do that :) :) :)" and then keep telling the person on the other side that they need to work on their issues. it cannot be all give on one side and all take on the other
for clarity, the original post said "people can't always respond right away and that's okay!" (which I agree with!). but then someone in the notes was like "could you maybe tell me if you don't feel up to talking when I reach out to you?" and OP and a few other people were like "so, no, because if I had the energy to do that, I'd have the energy to conduct a conversation. sorry! anyway work more on your own stuff thanks!"
and this pissed me off because like. people with mental issues that can make us annoying/clingy/insecure about people's love or friendship? we never seem to get grace. we are ALWAYS the ones being told that we need to be better- which we definitely do! I'm not arguing that! -amidst all the posts telling you that you don't owe your friends anything ever and if someone ever gets annoyed or concerned by a lack of a response, that's on them. nobody EVER seems to get told "well, maybe work on being able to say 'hey, not feeling up to it; talk later!'"
and obviously there are degrees of this. getting worried and spam texting after two hours with no reply to a non-time-sensitive message is an issue; getting annoyed when someone ignores you for months is understandable. not texting someone back immediately is fine; not texting them back ever and then expecting them to still be there for you is not. but I feel like both extremes are issues to be worked on, and only one gets negative attention here on Tumblr
seriously you don't want to know where I started with all this. it was Bad. passive-aggressive, "manipulating people without realizing I was doing anything wrong" Bad. I have worked on it and continue to work on it. I used to tie myself in knots when I saw that little green dot and they didn't message back right away, or if they hadn't messaged first in a while. and subsequently take that out on my loved ones, intentionally or not. it wasn't fun for me, it certainly wasn't fun for them, and I've struggled to get out of that place and not go back there
but. I and people with similar abandonment/insecurity issues can't do it all. it's not meeting halfway when only one side is expected to move
and to see a post being like "well some people are just never going to listen to reason and I have to ~let myself accept that~ UwU" when all I said was "we can't be the only ones trying, and it's not fair that we're often expected to be" is just. hnnnng
I need to go aggressively cut plastic bits off gold braid trim
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9. "If I'm desperate it's all for you." For Nanami?
Last Call {Nanami Kento}
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When the battle in Shibuya reaches its peak, Nanami decides to give you one last call just in case
A/n: so... since the request wasn't really specific, I took it upon myself to figure out the rest of the plot.
Pairing: Nanami x sorcerer!reader
Trigger warnings: mentions of character death, mentions of anxiety and panic that are purely related to the situation,
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Truth be told, neither you nor Nanami had expected the events of Shibuya to go that far. Having Gojo there had once been a comfort but now that he was gone, it was pretty much obvious that it was a life or death situation for many sorcerers and normal people.
But you had faith in both yourself and the rest of the sorcerers that were going to be there despite originally being somewhat conflicted about the participation of the students.
Nanami didn't say anything. You knew how he was, confident that the whole thing would end up in a matter of seconds. Everyone believed the same thing. Until Gojo was sealed.
There was a moment when you thought you should probably call Nanami after the news broke. "Just to hear his voice." You kept repeating to yourself, trying to prevent the panic and anxiety from settling in. He was a grade 1 sorcered after all, of course he would get the short end of the stick.
You nesorcver ended up doing it because you had to deal with some curses.
With your own battle having come to an end and with no further orders from above, you waited, keeping an eye on the rest of the sorcerers, helping whenever you could.
"I'm going in."
His voice startled you, almost making you flinch. You didn't have to turn around to unerstand that he was beyond frustrated. It was clear from the sharp tone in his voice even though Nanami always spoke in such a gentle and soft way to you.
When you turned around, he was standing right behind you, leaving little to no space between the two of you. Under different circumstances he wouldn't have done something like that but you needed that level of comfort and so did he.
"In?" You knew what he meant but the denial had started settling in; that this was far from over. It wasn't about defeating a couple of curses, lifting the veils and hoping to find Gojo hidden under some cardboard boxes.
"The next battles require at least grade 1 sorcerers." He said, looking down at you as you fixed his shirt and hair slightly. His chest was heaving, his own battle with Shigemo having just ended.
"I am grade 1." You quickly responded.
"We're packed."
"Nanami-"
"I have taken Ijichi to a safe place. Join him and wait for reenforcements."
"Excuse me?"
You knew what he was doing. Disclosing information to keep you safe even though one more person would make the situation slightly better. You knew he didn't want to offend your abilities or belittle you. He just wanted you safe but still... it hurt.
"Please, sweetheart, do it for me." Hearing Nanami like that was odd to say the least. He was pleading, begging you to stay safe without even attempting to 'argue'.
"Additional help won't hurt." Nanami turned his head to the side, a desperate attempt to keep his cool. He would fall down on his knees to beg you if he had to.
"Please."
"Instead of being desperate to keep me safe, you should be begging for help. Who knows what else they've got in store?"
"If I am desperate it is all for you, so please. Hide."
"And let everyone else suffer?"
"I'll suffer." He breathed out. "I will suffer if I come back and you're not alive."
Nanami never came back.
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Tags: @vera-deville
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buckets-of-dirt · 2 years
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(ID: A screenshot of tags that read "#Prev what are some alternatives to the word primitive that are less derogatory" /end ID.)
@panicdeleter I'm responding to your question on a new post so that the op of the original doesn't get this in their notes because answering in good faith is going to take a lot of explanation.
Short answer: there isn't one.
Long answer: as you say in your tags, "primitive" is a derogatory term with a very loaded meaning. Removing it from your vocabulary is less a matter of finding a more PC alternative, and more a matter of understanding why it's derogatory and changing your perception of what's being discussed. To do that, we're going to have to look at archaeological theory for a minute. Stick with me, I do have suggestions at the end.
Archaeological theory is a complicated subject and there's no way I'm going to try to summarize all of it in a Tumblr post since it's a topic arch programs devote at least a semester (if not longer) to. So we'll focus on the relevant bits.
Essentially, in the bad old days when archaeology was starting to become a discipline instead of a thing rich dudes did on the weekends, there was this idea that certain European societies were the peak of civilization and everywhere else was less evolved and therefore primitive. It was based on the misunderstanding of the theory of evolution that was common at the time. Like so:
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(ID: a diagram drawn in pen. It's titled "Ye Olde Arch/Anth Theory TM". The next line says "Primitive = simple, less evolved, bad". Below it there is a vertical arrow pointing down, with the words "one way line" next to it. Under the arrow there is a line of text reading "Advanced = complex, most evolved, good". /end ID.)
These early archaeologists believed that all of humanity lived on a hierarchy with the "advanced" societies they lived in (and their ancestors like Ancient Greece) at the top and all the "primitive" past and current societies (destined to either become like them or die out eventually) at the bottom.
It's been a long road for archaeological theory. The 20th century was fraught with theoretical movements and debates that sometimes literally devolved into fistfights. But eventually we all ended up more or less here:
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(ID: A hand drawn diagram in a similar format to the one above. It's titled "Arch Theory Today (Short Version). Below the title there is a single line of text centred around a horizontal line with arrows at both ends. The left side of the arrow reads "simple" while the right side reads "complex". The line itself is labeled "continuum or spectrum". /end ID.)
While you'll still find some archaeologists who disagree, the main consensus appears to at least be on the same page that instead of the old primitive vs advanced hierarchy, societies exist on a spectrum that ranges in complexity. In the most basic terms, because I'm glossing over A LOT of nuance here, hunter gatherer societies tend towards the simple end of the spectrum while big state societies are on the more complex end. This is not meant as a value judgement of these societies, but merely an attempt to classify them so other people have a frame of reference for what you're talking about. Even so, there's considerable debate about the language used for certain terms and societies, and I am not necessarily qualified to go into that in this post.
I say all that to help you understand why I can't give you a catch-all term to replace "primitive", because if one did exist it would be just as derogatory. In certain contexts there may be more appropriate words that you can use, such as simple (as in the case of the meme that inspired this post) or old. But a lot of the time an alternative just doesn't exist because we are not better or 'more evolved' than our ancestors any more than people living in big state societies are any better than people still living as hunter gatherers.
I know this has been a very long post, but I really am just scratching the surface here. For more information I suggest looking at podcasts like The Dirt or A Life In Ruins, youtube channels like The Welsh Viking or Archaeology Tube, or the blogs of any of my fellow dirt lovers here on Tumblr like @chaotic-archaeologist, @micewithknives, @art-thropologist, @archaeologistproblems, and @rhysintherain to name just a few. Archaeologists are generally a bunch of nerds who will take any opportunity they can to talk about the human past, and we rarely bite.
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chaotic-banana-fish · 3 months
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ASH LYNX & RELIGION
The other day, like many others, I found myself thinking about religion and religous imagery in Banana Fish, something which I find fascinating. And I found myself asking the question of wether Ash ever believed in God. We see him pray once for Eiji's safety, as he leans and falls against the window, light pouring from it, the image itself religious. Yet, there doesn't seem to be any other instance of Ash being religious in any way, so I wonder if his prayer came from a moment of complete desperation or if something in him truly believed there could be a higher power able to keep Eiji safe. I've seen people offer both perspectives, saying he's never believed in god at all but will do anything to try and save Eiji, or that he maybe once believed in god but stopped believing after everything that happened to him. However, as far as I know, we're never given a definite answer.
So, I began to question, if Ash were to be religious, where and how did that begin? His up-bringing was almost certainly not religious at all, as his father is the furthest away from Christian as one can be, and the town itself doesn't show any indication of being especially religious. Plus Massachusetts is (according to google at least) one of the least religious states in the US. After running away from home his life obviously changed drastically and he was enduring an incredible amount of abuse and would not exactly have time to think about religion.
So, as I calmly wondered about all of this, suddenly an obvious revelation hit me like a truck. Aslan. His name, given by his mother meaning "day-break" is an ancient prayer word. * If there was anyone religious around Ash it was his mother. Now, even though Ash was given this name because he was born with the dawn, and his mother was a hippie drug addict, this doesn't necessarily mean that this word or religion didn't hold importance for her. Furthermore, Ash doesn't know anything about his mother other than she left, I doubt he even knew she was just a teenager. So, in his mind, given the origin of his name, his mother may have been religious, and that belief, God, and his name is the only thing that ties him to her. When Ash prays to God, it's the same as praying to his mother. He's praying to that figure that should have been there, taking care of him, loving him, keeping him away from danger, that person that he tries to reach out for when looking at the sky only to find nothing. Both are blurry and without a shape or name.
He's shown to grieve the loss of his mother whom he never knew, he wants to believe she loved him but wonders why then, she abandoned him. His faith in that love is as unreachable and otherworldly as belief in god, and yet he clings to both in times of desperation. It is then a twisted fate that the only thing we see him ask of God is to die in place of Eiji, which he does, and after which he is buried next to his mother.
(* I want to note that this etymology isn't actually correct, but I assume it was just a mistake from Akimi Yoshida's part.)
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delvinanaris · 27 days
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The speeches from everyone were really great.
But there was one speech that was very conspicuously missing. One person's story that deserved to be heard. And the more I thought about it, the more I could hear that speech.
There was one among us who was a devout follower of the Gods of Exandria. They were an aeormaton, in gold, no taller than Chetney here. Their name as they knew it since they were restored to life in the modern age was Fresh-Cut Grass, but we found out recently that their original name, given before the fall of Aeor, was Faithful Care-Giver. And they were always, always true to that original name, even when they didn't know it was theirs. Though they came to it late, they were a devout follower and cleric of the Changebringer. They were with us when we went to the moon…and the only reason we're able to be here today is because when we were trying to leave the moon, they sacrificed their life to save us; to slay Otohan Thull, the Terror of the Peaks and a leader of the Ruby Vanguard. So while few of us left here have any deep reverence for the Gods, you can be sure that we will do everything we can to defeat Ludinus, and stop his plans. Not just for Exandria, or the Gods, or even ourselves, but for FCG. Our Faithful Care-Giver.
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genericpuff · 7 months
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Hey puff! So you said Hades is a "mess who hasn't spilled over" and there are definitely some warning signs even now - Artemis' dislike, the ominous grin in the last chapter does not bode well for Alex, him treating Minthe pretty badly and dismissively, being open about his attraction to Kore while acknowledging Minthe, eating Dio to shut him up and laughing about it (No Kronos flashbacks, Hades??) Of course he did a lot of this in LO too but that was framed as a good thing and you seem more self aware than that.
My question is are he and Kore still endgame with his bad traits? Or is Kore just hiding a much darker, more selfish side who would like all this?
Hades and Kore are both very, VERY complicated people with complicated backstories that involve both the good and the bad. They're both victims of circumstance as well as their own wrongdoings (even the ones that were well-intentioned, they're both walking the road to hell wink wink), they're both holding on to some pretty dark shit and we're going to be exploring plenty of both sides along the way. I'm obviously trying not to spoil anything, but I will say that Hades and Persephone are not going to have a cut-and-dry 'fairy tale romance' like what was attempted in LO, Rekindled is attempting to be a more faithful retelling of the original Hymn to Demeter after all (or at least its original themes and messaging). They're both incredibly damaged people with a lot of tightly-sealed baggage that DESPERATELY needs to be unpacked and we all know what happens to relationships built on those types of foundations ;0 So that's all ima say on that ~
As for the irony of Hades 'eating' Dionysus, hurt people hurt people. Though I wouldn't worry about Dionysus, he just projects his consciousness into berries, he's alive and well ;) As for Hades... let's just say you shouldn't eat berries possessed by the god of madness, guy is gonna have a harsh comedown LOL
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