Just got an email about webs.com closing down. That was a good website hosting site, I had about 4 silly little websites on there, I can't move them anywhere because there is no longer a free hosting site that allows you to upload your own html and css, it's all template-based now.
I'm so sad, we're losing all of our rich and individually-created content! All that was done in the 90s and that made internet weird and interesting. All of the cringy stuff that used to make us happy, or made us feel like we're special. RIP Webs. I will miss you.
fnaf is fucking crazy on one hand its fucking five nights at freddys theres animatronic furries possessed by ghost children its fucking stupid as shit but on the other hand i will start fucking cryong if i think about elizabeth for too long
when iamjakehill said "you've got eyes like the sun and they've been burning me up" and "so bring me down again just like you do when things get shaky" and "i'm sorry for the mood, but i've been dying lately" and "i hate the way your halo shines so softly" and "it's hard to see the way with all the fog we're in" and "and darlin' you're the reason why i am who i am" and "this you and i was a surprise, it wasn't part of the plan" and "i'll bring you down again just like i do when things get shaky" and "you've probably never felt a heart so frozen" and "i like the way you hate the way you love me" and "yeah, i think we crossed the line, probably went overtime" and "i'll try to say it's fine, i do this every time" and "now i can't hear myself, think when we're in the hell we put each other through, i can't get over you" and "now what's the point of undressin' if we lay awake stressin'" and "i can feel you inside my soul" and "you lay your head on my chest, but you know we're such a wreck, we're spinnin' out of control" and "tell me how you really feel, not what you think i wanna hear" and "and tell me if you really care or if you're only standing there 'cause half of you is too scared to leave" and "and maybe we could talk it out, but all you do is shut your mouth when i need your voice in my ears" and "you're stuck in my head, you're my favorite shade of red" and "i'll pull you close and overdose, i'll love you 'til i'm comatose"
So I’m binge listening to the Magnus Archives for the first time because I’ve heard the 2nd volume is coming out soon, and it’s honestly just a fever dream experience. Like, when I started listening I knew it was going to be consulted and the episodes were going to reference one another, so I was very diligent about taking notes on odd details. But I was not prepared for the sheer amount of information that would become relevant. I’m now on MAG 54 and I’ve completely lost track. Who knows what’s happening? Did that name sound familiar? Was that guy mentioned before? Who are these Cockney fellows? What is the time line? And why are there two separate people named Jared?? Or are they the same person??? I know something is happening but I have no idea what.
someone said that holden caulfield would be one of jason’s least favorite protagonists, and tbh i don’t disagree bc imo he understands holden, can relate to him in a way that he really wishes he couldn’t. i feel like jason and holden are two sides of the same coin
WHY is literally every one of my local music shows 21+. like I fucking KNOW why but also there's like one event out of 12 that's not 21+. like do i want to lie to get into shows? normally i wouldn't give a shit but i really do NOT want to be known as the kid that fuckin lied about my age yknow? give me a wristband and a big sticker that says "UNDER 21. PLEASE DO NOT GIVE BOOZE TO THIS IDIOT." write it on my forehead for all i give a shit. just Let Me In
simon riley has a home, not a particularly big house in quiet neighborhood, a place where he doesn't wears his gear and doesn't has a knife pocketed at his thigh, where he doesn't hides under another identity, remaining just simon, a sated man with a sweet wife and a chubby baby at his hip, a civilian life he's so desperately tried to seek and that you gifted him.
home with a bright, spacious kitchen where you stood each morning together, with simon's hefty form cloaking you from behind, thick hands trailing under the satin of your nightie, bunching the fabric on your front, where you're pressed against the wood of the kitchen counter, your cat walking on top, before meowing lightly and jumping off onto the floor, knowing that it's best for her to leave you two to be, furling into another room through half opened door.
baby sleeping in the crib, peacefully, a soft lulling melody wafting through the chilly air of the room that keeps your girl sleeping tight, door closed slightly to muffle any possible sounds from disturbing her sleep, your mellowy sounds that slip past your parted lips when simon teases his thick fingers against your sopping folds, cupping your warm pussy beneath the cotton of your panties, swiping across your slit and gathering the oozing slick there.
a family, the one simon would protect with everything he has, to keep you, his sweet wife, always by his side, with your pretty finger adorned by the sparkly, wedding ring that matches his, cooling against your swollen clit where he can't stop teasing you, spreading your folds to the morning air, dripping wet and taking every inch of his girthy cock gracefully, spasming around the girth he feeds you, squeezed tight in your thin, gummy walls.
muffling your hiccuping cries, simon's hips bouncing against your ass, squeezed in his rough palm through the fabric of your nightie, fat supple and spilling from his fingers, as his heavy balls press and slap against your folds, drippy with your slick and his tacky precome, matting the tangle of fuzzed curls of hair on his pelvic and meaty thighs, muscles tensing with webbing heat in his soft belly, rolls of skin rubbing against the small of your back, as he folds himself over you.
he kisses the molassed whimpers from your lips with his searing mouth, pummels into your pussy when your gooey walls flutter and clench, rippling, stuffed full of the thick girth that grinds against your small, sens spot and makes you claw painfully at the wood of the counter, simon's hand gathering your wrist, tying them together by his fingers, the same that currently flick across the small bundle of your nerves, swollen, full of pumping blood, when you cry out loud in the soft furl of his lips.
your darling girl still asleep, cat curled against her small form, tail draped over her slowly breathing body and prolonging her sleep, unable to hear the heavy breaths coming out from the kitchen and the breathy giggles simon completes to devour off from your lips, with his clashing teeth's and greedy tongue, despite your panties being sodden and his cum trailing down the underside of your doughy thighs in viscous, glistening globs.
a home, with a smell of fresh breakfast curling and dissolving into the air of the room, as you stand behind the stove, watching the two sizzling pans as simon busies himself in helping your baby brush her teeth, cradling her against his chest, as she babbles groggily, already all over his ears, as he chuckles hoarsely, bundling her against the bend of his elbow, walking back to the kitchen with a cat meowing at his feet, hungry too.
Here’s some inspiration for anyone who wants to write a green utopia or something that symbolize the rot under the surface.
I visited Stige Island today. It’s not really an island because it is connected to the mainland by a small road but the name stuck.
It is an artificially constructed island that was turned into a dump which made it grow bigger and bigger as more trash was piled on top.
Eventually the dump was closed down by covering it in a thick layer of dirt which is why the island is full of hills and bumps. A web of paths were created and the landscape was dotted with playgrounds and picnic tables and today it’s an incredibly popular place for the locals to relax.
Unfortunately most photos online show the island in its early sorta barren state because today it has become a haven for all sorts of plant and animal life skittering around in the dense bushes. It’s a wonderful place to go birdwatching, fishing or pick berries.
But the trash is still down there creating methane gas. What did the city do about that? Harvest it for energy of course! So when you walk around the island you’ll see pipes and what appears to be manholes that are part of this sophisticated system.
You can look at it in two ways. To me it’s a wonderful solution to turn this former dump into a beautiful green area for wildlife and people to use while also using it for energy, but the idea that something fire related could happen and blow the entire thing up and unearth the dirt of the past is pretty tempting.
Last Tribe A Day run cycle was today so I decided to combine them all to show the differences!
ID under the cut
[ID: Seven sketchy animated run cycles, all of the original dragon tribes from Wings of Fire. They alternate sides as they go down, starting with the top one on the left and the second on the right, and so on. The background is a blank white. Each dragon has shaded limbs to help see the differences while in movement. The right wing is the darkest shade, followed by the left wing (closest to the screen), the the right legs are the lightest shaded. Descriptions are in order from top to bottom:
Mudwing: Drawn in a dark red. The thickest dragon by far, opening is mouth in a smile as its front legs hit the ground. Its large wings have four toes as if they were a third set of talons, which is used as another set of legs while running. The wings lift off after the back legs. The entire body bobs with its weight while it runs, lunging with its back legs. One of its back legs disappears while it runs (oopsies) and its large tail flicks with the run.
Skywing: Drawn in a darker red. Much skinnier dragon with longer limbs and larger wings. Its large wings remain slight open above its border, slightly bobbing as it moves. The body itself doesn’t move up and down, instead just twisting with movement of its limbs. Its tail is a little stiff, again just moving up and down. As it runs, one foot touches and leaves the ground at a time.
Icewing: Drawn in a dark blue. Its body and shape is ridgid, its head swooping up and down like it lunges with every time its front talons land. Again, its wings are used as a third pair of legs, however they are mostly used after the other limbs are mid-air. Its talons are visibly sharper, as well as its wings. Sharp spines on the back of its neck and end of its tail are visible as well, which bobs with the movement.
Seawing: Drawn in a dark blue. A thicker, long dragon with short but thick limbs and webbed frills along its spine and sternum. It’s thick tail continues the up and down curve it’s body makes with every move, flicking the end of the frills as it does. Its wings are semi open above its body, bobbing with the running movement and tilting up and down as its spine curves.
Sandwing: Drawn in a warm brown. Long limbs but thicker than skywing. All four feet lift of the air when they’re closest during the run, each foot hitting the ground one at a time. It’s barbed scorpion-like tail bobs up and down at the end. Its wings are folded and stuff near its shoulders, tilted diagonally. A solid frill lines its spine, biggest at the back of its neck and above the back legs.
Nightwing: Drawn in a dark purple grey, and by far the stiffest run cycle. Thick body with short but thinner legs than mudwings or seawings. Spikes line the spine all along its body, longest at the back of the neck and back of the body. Its wings are held stiffly and slightly folded over its body. Other than the legs and tail, most of the nightwing barely moves as it runs, and its legs hit the ground in pairs, front legs then back legs. They don’t even cross between each other at the closest part in the run. Its mouth opens and closes as it runs, not in any particular expression, I was just bored.
Rainwing: Drawn in a muted dark green. By far the bounciest run. It has a thin body and a head I accidentally drew a little big. It’s three-toed wings are used as a third pair of legs, used most right before it’s front legs hit the ground. Its front legs hit the ground at different time, however the back legs hit and leave together. Its tail is by far the longest, curled at the end and slightly unraveling as it flicks up and down. Beneath the curved horns is a frill with two connections that slight opens and closes with the movement. It’s grin also opens and closes with the movement.