#what do you think of patch work part of design

[choatichaunteddoll]

“Fishing at Lost Lake, trashing the popular kids’ cars, and playing in your shitty garage band are all things you’d rather be doing than working a dead-end job that will probably keep you trapped in Pine Point for the rest of your life. Fortunately, you get to work alongside your best friend, Dimitri. Unfortunately, Dimitri is leaving town at the end of the summer… and you’re not”

Pine Point: Insomniac is a short, surreal slice-of-life visual novel following Nil, a severely sleep-deprived slacker, as he tries to survive the day at work with his best friend, Dimitri.

TW: Mentions of drug use, Neglect

All this information is gathered by me with the information that was currently provided by @zeddyzi posts, live streams, etc. I'll do my best to get everything right but send me more info if i missed anything or got something wrong

I do NOT have acess to Zi's pateron so all of this is public information

This will be Updated as new information comes out

Background on story: Zi took name from the song “Pine Point” by PUP, Band is called “My life is a shit show and i cant wipe away the stain” Pine point is basically an edgy south park fanfic, pine point does not take place in a specific year, Zi says the hardest part of design characters is thinking of what hats they would wear, Zi dont know what pine point is cuz its just vibes, part of pine point agenda is to make people go outside, technology is very 90s

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Nil lore: hes probably afraid of geese?? He has a sweet tooth, neglectful parents locked him outside house a lot so he sleep in woods, woods cured his insomnia actually so bonus, singer in band, can carry dimitri, extremely short, Nil smells like campfire and woods, Nil has been called “Discount bakugo”, Nil listens to more hardcore music, Does not go hunting mostly just fishes and camps, Max from camp camp was an inspo, He no good at math, if Nil was a furry he’d be a raccoon, Lionheart by Pup fits Nil, only child, quiet and troublemaker, Nil is named after the band “The Dirty Nil”, Nil wouldn't having a dating profile but if he did then he would pose like dads with fish, Nil cant drive so he rides bike everywhere, His jacket probs have a bunch of sewn on patches, Doesn't like going to rehearsal and is constantly late, Drinks a lot of energy drinks, used to have a deer trapper hat, Possible voice claim: Ash from fantastic mr fox, could probably eat anything and survive. probs due to eating a lot of questionable stuff + dirt as a kid, aggression is a defense mechanism, nil has no interest in baking or cooking…he can cook camp meals (eg. ramen and maybe eggs/bacon) but thats about it. can and will eat anything tho, he has 0 standards for food, would prob gift Dimitri a fish, When flustered he gets aggressive and starts yelling, if Nil wore a suit he would prob be scratching at it the whole time no matter how hard you try to tame his hair it keeps spiking back up, nil's favourite game is buckets, nil would probably cry or at least tear up if a rly old tree gets cut down, nil might be a belmont listener, Nil would be that song/animation meme where someone asks how they would show affection and they sing about how they'd beat people up if they even looked at their fav person the wrong way, he/they pronouns, Probs would like some kind of cola, he still sleeps in his room in the winter he just has a hard time falling asleep in his own house, Nil probably would skip prom

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Dimitri lore: decent cook, literally everybody in town likes him, guitarist in band, can carry Nil, smells like skateboards, Dimitri listens to alt-indie rock/midwest emo, Might have greek ancestry, canadian guy, he once had braces, Dimitri is the that dumb kid w/ the acoustic guitar around the campfire, studies like his life depends on it, going to Uni, would probably do engineering for his major or whatever (Idk college words), weed, Has a younger sibling, just a chill guy, is actually a brunette, named his truck Juno, Would listen to waves, he’d be a surfer dude if he wasn't canadian, Doubles both lead and rhythm parts but prefers lead, Skipp and Dimitri would get along, Dimitri is taller than Stone, dimitri might sound like never shout never (talking voice, not singing voice), Mom friend, huge stoner, one of those super well rounded kids-- athletic and academically smart, prefers homemade food over fast food, does not wear aprons just rawdogs it, when flustered he says that “You got the wrong guy!” and gets embarrassed, Both goth and jock, Dee has at least 10 speeding tickets, dimitri used to have a hockey player ice cream scoop hair phase, dimitri would be the guy to say shit like 'just gonna squeeze right past ya' and 'you're on thin ice pal', Dimitri is prob an acts of service kinda guy, he/him pronouns, eyeshadow bitch

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Momo lore: bassist in band, has 2 vertebrae, horrendous posture, most unhinged character ZI has, momo used to have a poncho thingy, long neck, im with stupid, momo would show up in a tshirt and jeans at prom, Full name: Mono ‘Momo’ Momoko, transcends gender,

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Journey lore: drummer in band, Journey like this frog, im stupid, journey would look all cute n snazzy like his mom dressed him up for prom,

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random: Nil and Dimitri are childhood friends, Nil is Enemies with Roark Romaro, Nil and Dimtri are the same age, Nil and Dee’s fav song is DVP by PUP, if the group found a baby in the trash they would put it back in, if nil and dimitri went to a beach they would immediately start digging a hole, Momo and journey were partially inspired by Jay and Silent Bob from Clerks

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Roark: hockey

[moreartthings]

Murder drone kuromi again ver 2 and in disassembly mod went for a more gothic theme with this one do you guys like her

[pixelplushies]

So I was recently tasked with a very well loved soft toy Flip the Frog from the 1930s to restore.

He was bought new for my great aunt-in-law when she was 10, and was gifted to her sister's children when they were young. My mother in law has memories of feeding him cornflakes and putting her hands in his mouth, which felt very soft and velvety.

He had been in the attic for a number of years, and had moths get to him. He had lost his eyes. Luckily there are some examples online which show what he was meant to be like!

I approached this project wanting to retain as much of the original plush as I could. I thought about doing a total restoration, but I would end up replacing so much I might as well be making a replica! I wanted to make sure I used fabrics that were sympathetic to the time period, so 100% wool felt and cotton velvet seemed appropriate. The only liberty I took was polyester thread, because that's what I had already.

I researched a lot of plush restorations and best practices. A lot of places recommended only surface washing, but poor Flip was so full of dust and the remains of moths, but his fabric body seemed rather sturdy still, I thought I would take the risk of un-stuffing him to give him a thorough bath. I very gently took him apart and unstuffed him. His stuffing material looked to be kapok. There was lots of moth poop.

I gave Flip a gentle bath with carpet cleaning solution, which is what is recommended for vintage plushies. It's designed to be used on lots of fabrics including natural ones like wool and doesn't leave a residue once it's done cleaning so won't degrade the fabric over time. Loads of grime came out of Flip, as well as some yellow dye from his feet.

Flip then had a good air-dry in the sun. He seemed to enjoy soaking up the sun, he was already looking a lot cleaner.

Flip's eyes (which once upon a time caused my cousin-in-laws nightmares) were particularly gross and moth-eaten underneath. I decided to re-cover the card disks that made up his eyes with velvet cotton instead rather than reuse the old eyes. His original velvet was really bright yellow but had faded over time. I decided to use a fabric that matched his more faded look, I felt the bright yellow would look out of place. I also got some wooden beads and cut them in half and painted them for his pupils, which I glued on.

When it came to restoring his feet, I tried to retain as much of the original material as possible. I enjoyed patching and repairing the felt, I chose a 100% wool yellow felt that was close to his old colour here. Highlights the age of the old parts, I feel like it draws attention to his history and age.

Time to put him back together! I bought some new kapok stuffing because I couldn't reuse the old dusty moth stuff. Luckily you can still get it. I wrapped his metal skeleton in felt so that if it got rusty it wouldn't stain him (he's already a little stained from it rusting). Then I slipped his limbs over the skeleton and sewed them back on!

Ta-daa!! Here's flip looking a lot better, even if I say so myself.

One of the things we noticed when looking at photos of these soft toys is that they seem to have pinkish or white bow-ties and this Flip was missing his! Looking at the character art, I believe they were originally red.

The orientation of the eyes also seems to vary because I think they were prone to falling off and being sewn back on. I chose to orient Flip's eyes close to how they were when I received him, but slightly more vertical to make him appear more friendly.

Flip was a very fun challenge and got me thinking a lot about restoration vs conservation of historical artifacts, he may not be super duper old or rare but I feel like I better understand the dilemmas and judgements that have to be made when working on objects like this!

[thecassafrasstree]

Had a few folks interested in how I made the patches I posted for Solarpunk Aesthetic Week, so I thought I'd give y'all my step-by-step process for making hand-embroidered patches!

First, choose your fabric and draw on your design. You can use basically any fabric for this - for this project I'm using some felt I've had lying around in my stash for ages.

Next, choose your embroidery floss. For my patches I split my embroidery floss into two threads with 3 strands each, as pictured. You can use as many strands in your thread as you prefer, but for the main body of my patches I prefer 3 strands.

Next you're going to start filling your design using a back stitch.

First, put in a single stitch where you want your row to start.

Poke your needle up through the fabric 1 stitch-length away from your first stitch.

Poke your needle back down the same hole your last stitch went into so they line up end-to-end.

Repeat until you have a row of your desired length (usually the length of that colour section from one end to the other). Once you have your first row, you're going to do your next row slightly offset from your first row so that your stitches lay together in a brick pattern like this:

Make sure your rows of stitches are tight together, or you'll get gaps where the fabric shows through.

Rinse and repeat with rows of back stitch to fill in your patch design.

When you're almost to the end of your thread, poke your needle through to the back of the fabric and pull the thread under the back part of the stitching to tuck in the end. Don't worry if it looks messy - no one's gonna see the back anyway.

This next step is fully optional, but I think it makes the patch design really pop. Once your patch is filled in, you can use black embroidery floss to outline your design (or whatever colour you want to outline with - it's your patch, do what you want). I use the full thread (6 strands, not split) of embroidery floss to make a thicker outline.

I use the same back stitch I used to fill the piece to make an outline that adds some separation and detail. You could use most any 'outlining' stitch for this, but I just use back stitch because it's just easier for me to do.

Once you're finished embroidering your patch, it's time to cut it out!

Make sure to leave a little border around the edge to use for sewing your patch on your jacket/bag/blanket/whatever, and be careful not to accidentally cut through the stitches on the back of the patch.

If you have a sturdy enough fabric that isn't going to fray, you can just leave it like this. If not, I recommend using a whip stitch/satin stitch to seal in the exposed edges (I find that splitting your embroidery floss into 3-strand threads works best for this).

And then you're done! At this point you can put on iron-on backing if you want, or just sew it on whatever you wanna put it on. Making patches this way does take a long time, but I feel that the results are worth it.

Thanks for reading this tutorial! I hope it was helpful. If anyone makes patches using this method, I'd love to see them! 😁

[luludeluluramblings]

Smalltown!Neglected!Meta!Reader x Yandere!Batfam ☁️ Part Eight

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Part One ☁️ Part Two ☁️ Part Three ☁️ Part Four ☁️ Part Five ☁️ Part Six ☁️ Part Seven

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A/N: I think I went too hard on this, but I also feel like it wasn't enough. I really wanted to play around with dialogue more. I was going to have the Bats hit Smalltown in this, but I think it would be best if the confrontation(s) had it's own chapter. Let me know what y'all think!

A/N: This is my longest writing yet. Just a heads up. Hope that's all good!

Warnings: Yandere themes, alluded murder, platonic bed sharing, OC usage.

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The way the raindrops on the windshield seemed to chase each other didn't even registered to you as your heart continues to palpitate in your chest. Your hands shaking on the steering wheel as the numbers on the mile markers continued to change, and they weren't growing any steadier with each passing one. The way the excitement to gyrated inside your chest as the old truck continued on the patch-work road made you feel lightheaded. Not in a bad way, but in a way you could get addicted to.

It didn't stop the nausea curdling in your stomach, but you chalk that up to this being your first true act of rebellion. Even if you felt it was justified. It wasn't like they were going to chase after you, though. They had made their priorities clear. Clear as Gotham's smog filled skies. You weren't going to allow yourself to waste away in that manor filled with more secrets than people when there was a life outside of it that you had once been a part of.

It wasn't until you were certain a full day had past that the storm had finally dissipated, both over Gotham and over your mind. The trepidation in your belly at long last fading into a sense serenity. Even if it was only a fleeting thing. Water rarely stays still for long when the storm comes.

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Back in Gotham the family had finally dragged their bone-weary selves back to the cave. Some collapsing in the nearest got. Some dragging themselves upstairs for their comfort of their bed. But, surprisingly, it's Damian that drags himself to your room. The past two days had worn him down and he just wanted his sibling, even if it meant disturbing them. Even if they were mad at him.

It doesn't register to him that your bed is empty. That some of your things are missing. He crawls under the covers and curls into the pillow like a temperamental cat. Resting his eyes temporarily he says. You're his sibling, you shouldn't mind. (He had heard you laughing on the phone about how your other little brother used to do this on occasion. He wants to know what that’s like)

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As everyone rest their heads back home, unaware that the worse was yet to come even after the lighting had passed, you start to turn down familiar roads. Roads you had memorized every bump of once. The roads that lead you towards a home you had missed and things you used to know.

There's a few new bumps and pot holes that you don't recognize, but you're too excited to see them as the warnings they were.

As you pull into the driveway of Nana and Grand Daddy's house, you can see Nana standing outside. Waving for you in front of the two-story bedroom house Daddy had designed and built for them years ago. The place was well cared for despite the creaky steps on the front porch that you had spent many hot summers on. Blowing snow across the yard to keep cool.

When you finally park the truck and hop out Nana's already rushing towards you with surprising speed for her old age. Already your arms are opening for her when she suddenly scoops you up and locks you in an tight embrace.

"I missed you." You mumble into her shoulder. Trying to fight back a few tears as the scent of her bitter perfume fills your nose.

"I missed you more. We all missed you more, sugarplum." You hear the gravel in her voice as she gives you one last squeeze. Holding you so tight that for a moment you feel you can't breath. But, before you need to gasp for air, she pulls back slightly. Her aged brown eyes looking you over appraisingly. "You sure ya' don't wanna rest up a bit? You look thin, sweetpea."

A soft noise escapes your lips in a puff.

"I'm sure. Still too wired from the drive." You reply as you wipe those few stray tears that somehow trickled down your cheeks. Your best efforts to keep them contained failing.

Everything around you feels different. It's home, but there's something about it that is different. The smells are the same, the sights are the same, even the sounds are the same. But, you chalk it up to the way the Gotham air still clings to your skin and the silence of the manor that has left your ears sensitive to the slightest shifts in change.

"I… I kinda feel bad about leaving how I did." Comes your immediate confession as she continues to hold you like you're made of soft gold.

Even if it seemed unnecessary to say, it felt nice just to blurt out how you were feeling to someone who actually listened. Besides, Nana had always made you tell her what was bothering you if there ever was something. It was a habit to tell her things by now.

"Leaving Gotham, I mean…. running away in the night without warning, Nana."

"Nonsense, baby." Already she's brushing your cheek and trying to soothe the worry and fear. Holding your face between her hands so all you can focus on is her.

"You ain't done not a thing wrong. They was being unreasonable. Besides, you can just call them later and tell them your alright." For a moment, you feel like she's lecturing you. Like she used to when you where little. About being safe and staying near her at all times when you went out into town with her. But, now you're grown and she still does it.

"Are you sure, Nana? Because I know You, and Momma, and Daddy used to get on to me about asking permission before doin' things-"

"Ah-ah," She irrupts your before you could finish, "This is one of those incidents where it's better to ask for forgiveness, I promise. Besides, I know you asked first. Not your fault they was being unreasonable. Not your fault at all, baby." Nana's voice going from stern to a soft coo as she starts to lead the way into the old house.

You take a breath of the place, smelling the seasonal candles that you usually had lit this time of year. Noting the slight changes in decor. Projects that Nana probably had Grand Daddy completing while you were gone. There's even more pictures on the walls. Some more of Momma and Daddy, and even more of you. Nana had even printed out the ones you had sent her on your phone while you where in Gotham.

It was nice she missed you so much that she made you the center piece of the picture gallery, but still it felt odd. You had been hoping to see more pictures of your brother, Jean Luke. To actually see what memories he had made without you. But, you don't comment. You just head towards the kitchen. Sitting in your usual spot at the counter to continue talking with her.

You can smell her cooking. Nana really wasn't the best cook, but she went all out making a few of your favorite dishes with as much effort as she could muster out of her bones.

"So, how's Lukie been doing?" You mean to start conversationally, but your tone drifts to sounding more concern when the reminder about the lack of pictures on the wall crosses your mind and the thought that maybe he actually hasn't been coping well since you’ve been gone pops into your head as well. "I know what he tells me. That he's doin' fine when we’re on the phone, but how is he actually doing, Nana?"

"He's doing better." She replies while checking the oven, a slight sigh in her voice. She caught your tone of concern. "Still misses your Momma and Daddy. Bless. But, he's doing better. He'll probably feel ever better now that your back." She gives you a grin before sliding you a cutting board and a knife.

Already you fall into step, peeling and chopping the things she hand you.

"I'm not actually back, back." You mention, biting your lip when you catch her freeze.

"What you mean, baby?" Her soft voice doesn't match her tense shoulders. The lines on her face growing taunt.

"Well, it's just I kinda feel bad about how I left things with Bruce and 'em. And, I still gotta finish high school." You start to explain. It is true. You had a whole day to try to think about your actions. Getting out of Gotham had helped you process your feelings about the place. You still didn't like Gotham, but you'd been told all your life that family was important. You just didn't know that the family that had told you that wanted you to put them before all others.

"Oh, baby, you won't be needing none of that. Besides this is where you belong. We need you here. Them city folks just don't understand you, baby." You're about to protest when she continues on just before your lips could part to speak.

"Besides, Tanner's really been missin' you. He about turned himself into a frog when Mae showed him a picture of you in that pretty little outfit she made for ya’. The boy about croaked." Nana gives you that meddlesome look you knew to well. The one she gave you when she spoke about her church friend's grandson's. The one that always made you bush.

It was a clever distraction, and not at all a lie. Nana had watched Tanner turn green with envy at the sight of you in that dress and with your date. And, he about sang when he heard about your date's death right after. The town all had to forcefully stop him from driving back to Gotham to just to comfort you.

"Nana, you're being silly again. He don't like me like that." You brush off the flush with practiced easy, giving her a stern look of your own.

"Things change, baby. You're grown now. Everything's gonna be different, but just the same." She muttered that last part so low you could hardly hear it. Just as your about to question that statement, she changes topic once more.

"Now, you wanna stay we me and your Grand Daddy tonight?" The question stunning you for a second. You hadn't even thought about where you were going to stay when you started your way back here. But, the longing creeps back into your chest once more.

"Actually, I want to stay at the old house. I- I miss my own bed." You once again find yourself confessing, though it goes much deeper than that. Nana likes it when you let her see even surface level things, usually she's able to draw the proper conclusions from them. However, this time Nana tenses for the briefest moment, but then relaxes almost instantly after. You nearly miss it.

"Of course, baby. Of course. Take Lukie with you. It'd do him some good and I'd hate for you to be alone all up in there. The loneliness might get to ya." She seemed to place a bit too much emphasis on bringing your brother with you. But, you weren't going to complain.

After all, "It already got to me, Nana. It already got to me." You whisper to yourself before letting Nana regale you with all the latest town gossip.

It's not long until you're making plans to help set up for your brother's and by extension your own birthday tomorrow. Happily chatting away until Grand Daddy and Jean-Luke walk in the door.

Instantly, receiving a soft kiss on the forehead from Grand Daddy along with a tight grip on your shoulders and a firm, "Missed you, sugarplum." Before he slowly lets you free to help Nana and quite speaking to her.

You turn to your brother, little Jean-Luc, and reach for him with the swiftness of a breeze. He seems to hesitate before returning your hug with an almost intense ferocity that strangely makes you think of your last hug with Dick. Like he doesn't want to let go. Like he's almost scared to let go.

You let him hold you a good long while, standing there in the kitchen. It should feel like a relief to hold him again. Yet, you have the sudden urge to carry him away. Something that makes the winds inside your chest tell you to flee. You mange to swallow it down, but not the tears. Those freely pour down your cheeks as you both whisper about how much you missed each other back and forth. You notice how oddly quite he is. It's easy to blame that on the grief you both still feel, but it's different.

Sitting at the table and enjoying the meal feels different. Everything is different. Including the way Jean-Luke grips your hand when you tell him your going to stay at the old house and how he can come if he wants.

You almost want to laugh at how fast he leaps into the front seat of the truck. The grin on his face the most genuine you've seen since you got here.

Driving up to the old house made you ache. A deep ache that you felt from you chest to your palms. The dirty from the buried grief you felt being disturbed. As you glanced at your little brother’s face, the one that looked so much like Momma’s, you could tell he felt it too. Which bothers you because he shouldn’t have had to bury his grief like you did yours.

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Back at the manor, in the short time it had been since Damian rested his head on your pillow. He noticed it was too still. You were always moving in the manor. Always breezing through the halls. Yet now things had gone still. Not just in your room, but through out the manor.

His green eyes had opened, and sharpened. You should be here resting with him. Where were you? He hadn't bothered to keep track of your belongings before, but some things felt out of place. After a brief scan of the room, he made his way towards the cave. His senses on high alert for you. Straining to overhear your usual chattering on the phone or your pattering feet on the carpeted halls.

But, there was nothing. Most everyone was asleep or dozing and the stillness bothered him. The cooling realization filled him with each step as he walked down into the cave.

Sitting at the computer, Bruce goes over the footage of the previous nights. The storm was suspicious, and the churning in his gut and the way his hair stood on end didn’t help those suspicions. But, when Damian had entered the cave, those suspicions went from whispers to screams.

"Damian, get everyone to the cave. Now."

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"Missing? What the hell do you mean missing?" Dick was the first to respond to the news, standing at attention and livid despite having recently been woken up by an anxious Damian. Well, as anxious as Damian would physically allow himself to be in front of anyone.

"Damian brought it to my attention and the truck is gone from the garage." Bruce replied. Normally, this would sound like his usual paranoia flaring, but no one questioned him this time. Just the grim look on his face and the way his shoulder's tensed let everyone know that this was a completely serious matter.

Exhaustion immediately melting form everyone as the mission suddenly shifted.

"Barbara, pull up the manor security cameras from the night first night of the storm."

She speedily rolled her chair over to the computer and started pulling up the footage. It was only because she had years to develop her self control that her fingers didn't shake as she typed on the keys.

I should have been watching them. I should have checked on them.

The footage begins to show the exact moment that their sweet sibling left their room with a large bag of their shoulder and a excited grin on their face.

Why are you smiling like that? Why are are you happy to be leaving them? Why are you leaving? Why are you leaving?

A million thoughts flash through each of their heads. All filled with variations of despair and worry. Those are quickly amplified when the camera video finally goes out due to the multiple lighting strikes that hit the manor and the generators.

"They left right when the manor's and cave's generator were hit." Tim jumps in into detective mode right away, not wanting to linger on the disparaging thoughts in his head. And, the budding anger in his chest for allowing this to happen. And, for you leaving them. Him.

"Why are their eyes glowing?" Duke points out, coming out of his head finally when his eyes catch the flicker of a glow on the screen. It was a blessing that the cameras were so state of the art.

"What?" That snaps everyone else out of their heads. All of them moving behind Barbara to see what he's talking about.

"Their eyes," He bends forward of the keys, lightly pressing his finger to where you face is on the high definition screen. "They're glowing."

"Babs…" Dick murmurs into her left ear, his eye's never leaving your frozen smiling face.

"On it." She nearly hisses right back. Fingers actually shaking this time as she zooms into your face and changes a few setting of the camera to see the light waves that were captured.

And, right there on the screen, was the hint illumination in those large eyes of yours.

"Holy shit, you're right." Stephanie is the first to speak. Stumbling back as she starts running a million different scenarios through her head. The other's following. Some still sitting enraged or worried about what this might possibly mean.

Possible hypothesises start being blurted out.

Mind Control?

Hypnosis?

Magic?

God, I hope not.

Aliens?

Even worse than the magic.

"Maybe someone from that town manipulated them?" Cassandra suddenly suggests, having silently watched the footage of you play over and over again. You looked excited, genuinely excited, and it broke her heart that you did. But, there was a part of her that was still hopeful. That maybe you left because you didn't know any better. Didn't realize how much they adored you. They'll fix that. They fix that as soon as they get you back.

"Was anything tampered with when that asshole dropped off the truck?" Jason grumbles while rubbing the bridge of his nose. Of course he is livid. You fucking left. Sure, he liked putting the fear of God into you and could even tell you were unhappy at times, but you're an idiot if you think it's safe out there. And, you need to come home. Fuck, he'll even apologize and make up for scaring you. Please, just come back.

"No." Tim knows this because he made sure to check. Bruce may not have wanted to touch the truck and forbid them from messing with it. But, that didn't stop Tim from snooping on you at the very least. He just wanted to pretend he was in your fondest memories. Only until he could help you make newer better ones.

"Maybe a drug? Some chemical compound?" Duke eventually suggest, praying it isn't so.

"We could run a test? Just to check." Already Barbara begins pulling up the programs necessary, while Tim sets up the lab equipment. Dick is already running up to your room to grab any strand of hair he can find that might have been left behind. And, maybe checking to see if they were all wrong and you really didn't leave them. Him.

"Run them all."

That draws everyone's attention back to Bruce. The man had been standing stoically in silence. Brooding in silence as his thoughts overwhelmed him.

You left him. You left because of him. This wasn't some disagreement on how he did things as Batman. This wasn't because you were trying to get back at him. You left him willing because of what he had done as your father. No one has ever willing left him like this before. Not his children. Not his parents. Not anyone he has ever allowed himself to actually care for. It makes him mad, but more than anything it makes him want to collapse in on himself. He won't. Obviously. But, he's going to bring you back home. He's going to fix his mistake while he has the chance and you will give him that chance.

"Bruce… That includes a DNA test."

"I said all of them."

"What?" It's Damian who finally speaks up. For the first time since he alerted the other's of your disappearance. "Why would you do that? It's unnecessary."

It's a betrayal, he thinks. Not on your part. You may be too soft and too kind and too fragile and too simple minded. But, he knows you’re his. He may have gotten over his obsession with the blood in his veins, but the blood in yours connects you to him in a way none of his other siblings can have. He doesn't even think to question it. Doesn't want to. And, for a moment, he feels utter betrayed by his sire for thinking to doubt it.

"Damian."

"NO. It is unnecessary." He doesn't glare, but the anger is plain on his face. How dare father question?

Regardless of what Damian wants, Bruce nods to Barbara and Tim when a downtrodden Dick reenters the cave with a hairbrush in hand. You really were gone.

"Do it."

"Father-"

"Damian. They are our family, regardless of the results."

Bruce will love you regardless. He did a DNA test all those years ago. He knows your his, but he needs to make sure your still his. That something didn't change you or take you from him.

For Damian it's a tense minute. He knows you'll be family. No matter the results. But, he wants to share something with you that only an exclusive few people on this Earth or in this life ever will.

"Fine."

After that, it's silence for the next forty-three minutes. The programs running on the BatComputer dinging softly as each one is completed. Barbara's fingers rub together as she watches each one.

Tim doesn't bother looking, too anxious to sit around and wait. Already, he is on a spare computer looking into God knows what. Whatever it is, the rest of them can tell it's about you. Just by seeing the way his pupils are blown wide and darting about his screen.

Dick stands tense. Normally he would move about. Pace or do something. But, it seems wrong right now. The discomfort in the stillness is nothing compared to his current distress at knowing you're gone.

Stephanie debates internally on ripping the spare computer away from Tim. Wanting to see what he's found on you. Wondering if he knows if you're alright or not. Wondering if he's just watching looped footage of you and not sharing.

Duke is thinking. Really, he's contemplating what's happening. This is going to spiral into something. He feels it. He might not be the most experienced or most trained, but he knows something is changing. And, for once, he's not scared of the idea. Mostly because he knows by the end of this you will be back home. They won't allow you to stay lost.

"DNA test shows their a match to you, Bruce. And, we compared them to your old test of them too. Still a match."

Damian nearly beams, but manages to hide his relief under a smug smile.

"I told you, father."

"I didn't doubt." And, it is true. He never doubted you were his. But, he is still searching for an explanation.

"No drugs. No anything in their system that would register, but-" Barbara stops when she notices the screen. The anomaly on it. The one test that triggered. A question being possibly answered from the result and a million more arising if true.

"Oh."

"What is it?" Jason breaks the silence that's once again gone over everyone. The sense of unease bubbling through them all.

"I ran their DNA through all the usual test, and there was one single positive one."

"Which one?"

"Meta gene. And…"

Oh.

"It's active."

"Son of a bitch."

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As your brother and you start getting settled in for the night in the old house, airing out the stale air, pretending the dusting isn't there, you wonder around a bit. Similar to how you would back at the manor. Only this time there's no historical paintings on the wall. Just pictures of your own history laid out before you.

You'd never been more grateful for all the photos taken by you mother. All the times she would chase you down with a brush or comb in hand yelling at you, "You need to make sure you have nice hair for the picture. Or, the one's with terrible hair will be the one's that forever."

"But, what if I want them to last forever?" Your voice had been young and cheeky then.

"What if I just want them to last a little bit longer?" Now that voice was older and much more solemn.

Quickly, you shake the thought from your head. Setting your bag back in your old room for the night. A quick glance at the old space shows that someone's been in it recently. Probably your old friend Mae, judging by the amount of clothes spilling from your closet and dresser. She was always stuffing things in here for you. It makes you smile fondly to know that she missed you despite your phone calls early every day.

As you walk back down the hall, you find Jean-Luc standing outside your parent's old room.

"You wanna come with me to see them?"

"Yeah." The word soft, full of unshed grief as you both walk out to the back. There's an old live oak with Spanish moss out there, and two dead people that were loved and buried underneath it.

"Daddy always liked it when you made it rain when it was sunny out." Lukie whispers, recalling all the times you won the water-gun fights.

You remember the summer showers. The snowy Christmases. The way you used to blow the pollen away. The hurricanes you tamed. The tornadoes you saved the town from . The memories make causing the rain difficult. But, when you walk through the slightly overgrown grass towards the two stones the tears fall easy while the rain falls hard.

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"I pulled up all the weather patterns for that region and the theory is starting to look more factual by the second." Tim's already taken the helm, old weather radar scans on the screen. Files on Smalltown and it's people pulled up for display.

And, an entire screen dedicated to you. You. You. YoU. yOU. YOU? YOU

"So, it's confirmed they caused the storm. But, why?" It's Stephanie that asks while pacing back and forth next to the all of gear. Her worry and disbelief illuminated by the display lights.

"Princess was probably pissed." Jason says while cleaning his guns. The parts neatly laid out on the table while he shines and greases each piece. Twice. Thrice. Over and Over.

"But, why?" Dick is finally in motion, tapping his foot as impatiently. He knows they need all the information and a plan before they can get you back. But, the wait is straining him.

Barbara gives him a single look in reply. One that they've all shared often enough to know the meaning of.

"They hid it pretty well." Duke mushes. Strangely enough he's happy with this information. Everyone else in this family is technically a normal person, just with maxed out skill stats and trauma. Now, you two can both be normal childhood bros and meta buddies together.

"Cass, did you suspect anything?"

"I didn't ask." Which translates to, she knew, but didn't want to say anything that would drive you away. Seems kind of pointless now that you're gone, though.

The bitter silence reigns once more, before Tim speaks up.

"Incoming. The Asshole is getting a call from Nana." A few clicks and they're listening to the sound of your old childhood crush and your dearest Nana speak. The topic? You.

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That night you curled up with Jean-Luc in your parents old bed. Like you both used to when nightmares made cowards. You had to dig the old bedding out of the storage. The scent of the detergent Momma used to use faint on them. But, the two of you burrowed underneath the duvet like you were trying to hide from the world.

"How you feelin'?" You whisper to him, the room only illuminated by the stars in the window and the faint bathroom light.

"It's weird without Momma and Daddy. Everythin' is weird now and scary." He mutters in reply. He practically plants himself into your side.

"I know. I feel that way about it too."

"No, I mean… here. In town it's weird. Eveybody be actin' weird since you left." There's something in the way his voice shakes that makes you think he's not making this up

"What do you mean about everyone actin' weird, hun? I thought you were spendin' time with everyone. Nana said you were hanging out with Mae and Tanner. I know Mae is odd, but-"

"Nana's being weird too. And, Grand Daddy. She don't let me do nothin' fun at all these days. Says everything's to dangerous, and if somethin' happened to me you'd be upset." The child interrupts, sounding remarkably like his age with his complaints. But the low sound of his voice sounds less like mutterings and more like a cautious whisper.

"Well, that's cause Nana loves you. She don't want nothin' to happen to you, baby." You try to reassure him, as you've always done.

"But, she's always going on and on about you. She's almost as bad as Tanner." The way he says that name makes you pause. Tanner's been mention quiet a lot since you've been back. And, you've only been back for a couple of hours.

"Tanner's gone on about me?" You try to sound bashful, try to sound like its a compliment. But, the blush doesn't come.

"Yeah." Lukie practically roots himself into your chest where your heart is beginning to pound. "Always going on about you and the future and ranting about Gotham. He… he's kinda scary. I saw him and Grand Daddy a few months ago dragging something into the swamp. It looked… it looked about as long as a gator, but it wasn't a gator. It had clothes on."

"Baby, what do you think it was?" You somehow keep your voice steady as your arms wrap around him. Clinging to him and shielding him.

"I don't think I wanna remember. I just want everything to go back to normal."

After that, you let the wind outside the house howl. The way it blows through the trees with your fear keeps you up. Eventually you force the rain once again. Trying to lull Lukie-boy and yourself to sleep. For a brief moment, a flicker of a thought before you drift off into an uneasy slumber you think...

Should I have stayed?

And, your not certain if your talking about here or Gotham.

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A/N: I'd say there's about two more parts of this left, then we'll be really focusing on Pregnant!Reader for a bit. Got a blurb list in the works for it and a few ideas. And, I really really really need to clean out my ask box. Oops.

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Taglist

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[kykyonthemoon]

His Mini Version

His reaction when he saw the little doll version of himself that you possessed.

── .✦ Character x Female Reader (MC)

Included parts in order: Rafayel, Xavier, Zayne, Sylus, Caleb.

♡︎. Tags: fluff, domestic fluff, soft and sweet, plush dolls, established relationship, jealousy (Xavier's part), long distance relationship (Caleb's part)

♡︎. Word count: ~2k4

♡︎. Requested by Yue AuV.

── .✦ Masterlist ♡ Request a fic - closed for the time being.

Rafayel

“Huh?”

Rafayel picked up the plush doll on the table, examined it for a moment, then turned to you and asked, "Is this how you think of me?"

You blinked. "Lovely, right?"

Rafayel frowned. He raised the doll to your eye level and said:

“Hear me out, Miss Bodyguard. I do look handsome and stylish, my physique is toned, with a model-like form. Yet, why... Why is this doll that you believe to resemble me so... chubby?"

"Rafayel!" You shrieked and swiftly grabbed both hands to cover the doll's ears. "How can you say that in front of Little Fish?! He'll feel terrible for himself!"

Rafayel gazed at you, then at the plush doll you had just given a name. His body was spherical, with small arms and legs coming out of it. His face was likewise round and fully linked to his body, resembling a huge cotton ball with purple hair patches on top.

"I've gained a little weight lately," Rafayel said, pouting while rubbing his belly. “But I'm definitely not that round!”

“I made him exactly like you for a purpose. Criticizing him means you are criticizing yourself.”

Rafayel did not give up. He took up Little Fish and brought it near to your face so you could compare. 

“Don't you think he's muuuuuuuuch less attractive than me? His body is not as beautiful as mine. He is not as cute or talented as me. Can he paint? Can he make you laugh? What makes you think he can ever replace me?!”

You tried not to laugh when Rafayel puffed up his cheeks, looking like a pufferfish, even identical to that plump plush doll. You replied:

“Well, you don't know that Little Fish also has a very special feature that is different from other dolls!” 

"What's so amazing about it? Tell me."

You extended your hands to accept the doll from Rafayel. When you gently squeezed the center of his chest, Little Fish made a sound mimicking Rafayel's voice:

“Hello Miss Bodyguard! Hello Miss Bodyguard!”

Rafayel stared at him with wide eyes. His demeanor changed from astonished to slightly suspicious.

"I recorded your voice," you added. "Simply hit the button, and he will talk. I can make a new recording if you want. What do you think? He's good, huh?"

You enthusiastically hugged Little Fish and approached him. Rafayel simply scratched his head. “Humans certainly have many strange toys,” he commented. But in the end, seeing you having so much fun with the plush doll, he patted your head and said: "Even though it's a bit ugly and weird compared to my standards, I'm still happy that Miss Bodyguard likes me so much that she even owns a plush doll designed after me!"

Xavier

Since joining Lumiere's fanclub, which was founded by your colleague Nero, you frequently brought home merchandise related to him. There were badges, cards, decorations, and even cotton goods. Among the dozens of Lumiere products that take up room in your residence on a daily basis, you absolutely adored the plush doll named Lumi.

Lumi had two bunny ears and was only a little larger than your hand, making him easy to carry anywhere and at any time. When you worked, he would stand on the desk to encourage you. When you trained, he would slip into your coat pocket and patiently wait for you on the bench. Every time you went out, you carefully put him in your bag. When you arrived home, he was usually on the couch next to you, or cuddled in your arms while you watched TV together. Even when you slept, you would bring him into bed, place him next to your pillow and cover him with a blanket.

Needless to say, this made Xavier quite uneasy. He had not liked Lumi one bit since he appeared in your arms for the first time. The plush doll occupied all your attention. He accompanied you everywhere, all the time. Your phone was full of pictures of him. Even when you slept, the doll was allowed to sleep with you while Xavier was left out. He sat on the edge of the bed, crossing his arms and glancing at Lumi.

“That's it, kiddo.”

Lumi opened his large blue eyes to stare at Xavier.

“You must leave.”

A rabbit ear on Lumi's head drooped down. 

“Give her back to me. Besides, the place where you sleep used to be mine."

The plush doll continued to stare at him with such innocence. Just as Xavier was about to pick him up, you walked into the room. You had changed your clothing, and of course, your pajamas included Lumiere's chibi pattern on them.

“What are you talking about with little Lumi?” You asked.

“Ah, nothing. I'm just telling him to go away.”

"Huh? Why? He's so little, he won't take up too much room on the bed, right?"

Xavier gave him a glance before turning to you, and his eyes quickly returned to their round, watery condition.

“He's been following you all day. Why does he even take my place at night? Do you really like him more than me?”

Xavier knew too well that you easily got softened when he acted like that. If Lumi's cuteness captured your heart, he would reclaim it by the same method.

“It's not like that,” you replied. One of your hands caressed Xavier's cheek. “Lumi is the one who will protect me in my dreams on the long nights while you're not here.”

Xavier rubbed his face into your palm. He said, “But now that I'm here, Lumi can go elsewhere.”

You thought what he said was right. So you compromised and placed the doll on the opposite side of your pillow, rather than between you and Xavier as previously. You snuggled into Xavier's arms. He remained silent, as if he had a lot on his mind. Then, after you had fallen asleep, he covertly grabbed Lumi and threw him to the ground, then hugged you even tighter.

Zayne 

You set a lunch box on Zayne's desk, then placed something else on top. 

It was a little plush doll measuring about ten centimeters. He had black hair, green bean eyes with a little brownish-yellow tint, he also donned a white blouse just like a certain doctor. 

“What do you have there? A mini version of me, it seems?” Zayne asked while putting away the files on his desk to prepare for lunch with you.

“Hehe,” you happily took the doll. He nestled into the palm of your hand. “Doctor Zayne, look how small you are! I can hold you with just one hand.”

Zayne gave you a little grin. Then he grabbed your other hand, pulling you closer to him.

"Of course." But if you use both hands, you'll be able to handle more than one Doctor Zayne.

You grasped both big and small Zayne with care.

Lunch that day went really well. Before departing, you slipped the little plush doll inside your coat pocket on the left side of your chest, patted it a few times, and told Zayne:

“This is where tiny Zayne will stay every day.  I will take him everywhere, including work, amusement parks, and even home. He will always be by my side!”

Zayne smiled and responded, "It turns out that I can cure not only your heart disease, but also your love sickness?"

You blushed. The Zayne standing in front of you suddenly leaned down, as if talking to the little doll in your pocket: "Miss Hunter and this plush doll's entire day would be so hectic. Would you mind asking her whether she still has time to join me for dinner tonight?"

You laughed when you noticed Zayne's childishness. You replied: “Of course I do. But after all, little Zayne is still an intern here. What are Doctor Zayne's thoughts about being his mentor?"

Zayne stood up straight, tenderly touching the doll's cheek with his finger. "All right. I'll be spending time with Intern Zayne. But when I do that, the lady who takes care of Intern Zayne should come along as well.”

As soon as he finished speaking, Zayne's fingers rose to push on your face. You puffed up your cheeks and nodded firmly in accord. From that day on, all your dates with Zayne were accompanied by little Intern Zayne, and he even made arrangements for the doll to have a separate seat by the windshield of his car.

Sylus

Sylus made frequent late-night visits to your place. That night was no exception. But he was astonished to see you open the door with a worn out expression, dragging a big plush doll on the ground.

"Why does it look so familiar?" Sylus spoke after studying the doll. He was around sixty centimeters tall, with white hair, red eyes like two rubies, and a signature smirk that looked so much like Sylus's.

"Huh? Oh, Baby Crow is a mini version of you!” You replied. After closing the door, you strolled back to the living room, holding the doll. You and him fell onto the sofa. Feeling tired after a long day, you had decided to hug the doll to bed before Sylus arrived.

He looked at you and that Baby Crow doll on the sofa and clicked his tongue. “It's a little huge compared to the definition of mini. And what the heck are you putting on me?”

Sylus snatched him out of your grasp. The doll - his little version - was dressed in pink Hello Kitty patterned pajamas,  identical to the ones you were wearing. He frowned.

“You and the doll even have matching pajamas. Where are mine then?”

Slowly opened your eyes on the sofa, you giggled: "Seeing that you like it so much, I will make you a set tomorrow. There are also Kuromi ones."

Sylus leaned down and kissed your hair, whispering: "Sleeping on the sofa will hurt your body." Then he helped you get up. You wrapped all of your limbs around Sylus's torso, as he held you with one hand and carried Baby Crow inside the room with the other.

Another night, when Sylus arrived home late, he caught you cuddling Baby Crow and sleeping soundly on the bed. Both of you were wearing the purple Kuromi pajamas you had mentioned before. He grinned as he softly punched Baby Crow. 

“Hey, you're taking up my space,” he told him.

The plush doll's challenging smile appeared to be taunting him. Sylus removed him from your arms and placed him at the end of the bed. Because there was nothing left to hug, you rolled over slightly, your fingers constantly searching for warmth until you found him.

Sylus took the doll's place, held you, and allowed you to immerse yourself in his arms. He said quietly: "You don't need a plush version of me anymore when you have the real one here, right?"

The next morning, still drowsy, you cuddled him and told him that your Baby Crow had grown into a genuine person.

Caleb

Caleb sent you a surprise package. Curious, you opened it and discovered a plush doll the size of a pillow inside. What was worth noting was that the doll resembled him, with purple eyes and an apple on his head. You phoned to show off to Caleb, who was still on duty at Skyhaven.

“Oh, you got him? I mean, Baby Cal?”

“You even have a name for him?” You grabbed the doll and placed him in your lap so Caleb could see him through the video call screen.

"Of course. I purposefully ordered him specifically for you. He's a present.” Caleb smiled brightly. He was free at the time, but his mission had yet to end so he could not come home to you right away.

You gazed down at the doll on your lap. He was so warm, and his adorable chubby face reminded you so much of Caleb. You inquired:

“But why did you send him to me?”

"To keep you company when I'm away on missions, of course," was his reply. "He will remind you to eat and go to bed on time, or hug you when you're weary."

You touched Cal's head. It was true; he was so soft that you simply wanted to squeeze him.

"Is this your compensation for not coming home for a month?"

Caleb laughed. He seemed a little sad. Then he instantly returned to his regular fresh appearance.

“Do you like him?”

"Of course. I can even release my rage on him every time I'm angry at you. Look!”

Having said that, you squeezed the doll's cheeks really hard. Caleb laughed from the other side of the screen. "Poor, little Cal. It looks like he'll have to take my position as your punching bag for a while now."

You kneaded the doll's cheeks again. He even donned a military uniform similar to Caleb's. The doll would not be able to replace him, you know; yet his existence would sooth your longing for the real person.

You leaned your head against Cal and asked Caleb:

“I have Cal here. What about you?”

“Oh, wait a minute.”

Caleb disappeared from the screen. You heard a rustling noise. A few minutes later, he emerged with another plush doll dressed in a Hunter suit. You immediately recognized it as a plush replica of yourself.

“This is little Hunter,” said Caleb. “She and little Cal are a couple. Every time I look at her, I will always think of you. For example, when I enter the room, she will appear and say: 'Why haven't you bought a ticket to Linkon yet?!' or 'You still dare to stay up late playing games?!'..."

You burst into laughter. "I didn't say it in that awful voice. But how old are you to even buy these things?..."

“I've been teased a lot by colleagues these past few days since I got little Hunter,” Caleb told you. “But since I think you also like plushies, I wanted to make something for you.”

"Thank you." You smiled, lovingly rubbing the doll he sent. “I like little Cal, but he's going to miss little Hunter very much. You mentioned that they were a couple. It means they should not be apart for too long, right?”

[pedgito]

𝐒𝐓𝐑𝐀𝐍𝐆𝐄𝐑𝐒 | Joel Miller x reader

↝ other fics | requests? | ao3 | update blog | fic rec | ko-fi

part two– summary | It's a shitty situation, dependency brimming unspoken and one wrong move puts your life in danger and once again, you find yourself owing everything to Joel.

content warning | DDDNE — DUBCON, coercion, selective mutism on readers behalf, graphic depictions of violence, injury tw, attempted sa (briefly), brief mentions of pregnancy and procedures to prevent it, mean!joel, unhealthy coping mechanisms for trauma, all angst no fluff but a lot of emotion, smut (bc without it who am i), sex riding an adrenaline high after life or death situation, joel fucks you against a tree, showering together, weird domesticity, guilt-riddled joel, bed-sharing, unprotected piv, creampies, lots of progress made here i promise

author's note | part three will more than likely be out by the end of this month i promise! also thank you to everyone who's shown this story so much love, it means so much to me. this chapter is about as light as this story gets...so....sorry? <3

word count —9k

part one | part three | strangers masterlist

They argue about you like you’re not standing a few feet away.

“She needs a job,” Tommy tells him, “Rules, Joel. Everyone pulls their weight—how this works.”

“You act like I don’t know that,” Joel gripes, “but what are you expecting her to do? She don’t talk, she refuses to go anywhere without me. She sure as hell ain’t gonna be much use workin’ the stables or fixin’ fences when she’s so goddamn skittish.”

Tommy shrugs, “Patrol, then.”

Joel’s eyes narrow, “Like hell,”

Another silent standoff you were more than happy to stay out of, the nylon of your coat scratching against itself as you take a couple steps back in the fear of an impending blow up.

“Give me another option then,” Tommy argues, “You just said she won’t leave your side—”

“She ain’t ready for that,” Joel says rather defensively, your brow furrowing at his disdain over the idea, ignoring the fact you were on the run for several weeks, surviving on your own—this was different.

Admittedly, you had clung to Joel.

He was safe, comfortable, and had become a strange sense of home in an unfamiliar place.

As much as he tried to act like it didn’t affect him, he’s grown used to your presence. Though, he’s set a hard boundary with you—no touching, keep your distance, and always make yourself known. You were always quiet, eerily so, and Joel hated that.

Tommy attempts to decipher Joel, staring at his brother, “You don’t think she can do it,”

“Both,” Joel admits, both of their eyes flickering toward you briefly, expressions unreadable.

“I think she’ll surprise you,” Tommy admits.

Joel shakes his head in a lazy disbelief, not believing an ounce of what Tommy is trying to convince him of, “We’ll see—but she’s with me, no one else. Not even Ellie.”

“Figured that,” Tommy retorts, “You’re goin’ out pretty far, we haven’t hit the lodge in a couple weeks. That alright?”

Your body tenses at the mention of it, but neither of them notice. Joel’s hand curls into a fist and flexes open, a nervous tic you’ve noticed about him when he was trying to steady himself, he nods silently in response.

When you both arrive back to the Miller home, Joel begins packing his bag up, already half-stuffed and switching out a few things. He tosses you a tattered bag, old and well-loved before he’s pointing toward the basement.

“A couple pairs of clothes, extra pair of shoes, nothing that ain’t a necessity—I’ll stock your pack with the other stuff come mornin’ before we head out,”

You had a night then.

There was only one lodge near Jackson that you could remember. It was the last time you saw them.

The men in tailored gear, embroidered with a gold patch that designated their status amongst the group. 

Trackers, seekers—they handled the recruiting, though often forced. They were glorified kidnappers, taking young men and women against their will if they were unfortunate enough to cross their path, but they also managed the hunting.

If someone escaped, they never came back in one piece.

Whether that was a shattered mind or a missing limb, it was never good.

The lodge was empty when you found it, just at the crest of winter when you had snuck in, fitting yourself into a sizable gap in the flooring covered by a wooden panel.

The men had been on your tail for days, tracking you through the miles of forests behind you and into the town.

Luckily, they were unsuspecting at that moment.

Your misfortune came later, but the lodge was a warning.

They were near, always near—you had no idea if they were still searching, even after a few weeks of settling in.

It was the unknown, the looming presence, that terrified you. 

They had an obligation to follow demands but most of them did it for sport.

It was never anything but a game.

—

Sleep is fickle that night, scratching at the rusted metal of your bed frame until it was caked under your nails, the soft hum of electricity above as it moved through Joel’s house, his soft footsteps as he woke, gentle as he strolled barefoot, eventually trading it for heavy footfall as his boots went on—it was early dawn when the tap came to your door, feigning sleep as you hid under the sheets.

Joel gives you a few minutes, pacing beyond the threshold.

His patience reminds you of the kind you used to wish for back when everything was different, back when you were nothing but a prisoner—you were pushing it, though. Even Joel’s patience would wear thin, making your best attempt to delay the patrol before he’s opening the door with a click, the key shoved into the mechanism before the door creaks open.

“Get up,” he barks, “we’re already late and holding up the rest of ‘em,”

You moan tiredly, barely audible, shuffling under the sheets, only for them to be ripped back in an instant.

“You’ve got about five seconds,” he warns, snatching your pack off the floor as he stands over you, daring to pry your eyes open to take a peek at him, “or I’m rippin’ you out of that bed,”

He catches your eyes as they open and his brow is cocked authoritatively, making your body move despite your apprehensiveness for the entire situation and Joel eyes you skeptically, stepping around you as you move with little enthusiasm.

“If you changed your mind, I can talk to Tommy,” Joel says with a tone that makes your chest tighten with fear—both of abandonment and helplessness, “I’m sure he’ll find somethin’ for you to do here while I go and—”

You stop in your tracks at his words, coat on and shoes barely slipped over your heel as you’re approaching him with immediate worry, shaking your head furiously as you grip onto his bicep, eyes pleading.

He’s always direct with you now, making sure your eyes connect with his. He’s learned to read you through facial expression and emotion, settling with the fact you weren’t going to speak to him, whether capable or not.

“Alright,” he sighs, and you shrug slightly but not enough to break your hold, “then hurry up.”

His voice carries the weight of a thousand other mornings like this, where silence and glances fill the space between you. He’s grown comfortable, surprisingly. He didn’t like how normal your presence had become or how you seemed to settle into his life easily.

“Probably make a few stops along the way,” Joel explains, “I took myself off patrol duty for this,” he means you, this, the burden of your situation and disruption, “the lodge is far but usually out there we aren’t dealin’ with much, less infected in the cold and all.”

But not people, you think.

He sees you tense at the mention, coat shrugging over your shoulders.

Last ditch effort. Anything.

Just change his mind.

You reach for his palm as he extends it face up, examining you carefully.

You tap your pointer finger into the center of his palm before pointing it at the floor, the hand holding his wrist tugging insistently.

Stay. A finger into his palm.

Here. A finger to the floor.

You repeat it a few times until he seems to understand through the silent communication.

“Stay..stay,” he begins, deciphering your message, “we’re not—no we’re not stayin’ here.”

Your face falls, instincts turning to drastic measures as you drop his hand, invading his space in a way he’s been careful to avoid, hands curling around the side of his face and the soft brush of his beard itching your palm before you’re leaning forward to press your lips against his own, eagerly pulling him toward you.

Joel’s quick, though. He rips your hands away, fingers tightening around your bicep harshly.

“Don’t try that shit again,” he growls, “ain’t no fuckin’ choice in you stayin’ here.”

You try to yank away from him but it was pointless.

“Are you gonna listen or do I need to drag you out?”

Your jaw tightens and you slackening under his grip and while he could let you go, he doesn’t.

You stumble behind as he pulls you with him, up the stairs, around the hall and into the living room until you’re standing at the door and he’s releasing you to jab a finger in your face, flinching with every flick as it grows closer, making you go nearly cross eyed. 

“You give me even the slightest amount of trouble while we’re out and I won’t hesitate to leave you behind,” Joel threatens, that sinking feeling of regret swirling in his gut the moment your expression softens.

She fucking trusts you, he reminds himself.

As slippery as that slope could be, he’s got a responsibility. 

You nod shakily and the tightness of his grip pierces your soul, immediately submitting to his hold as he jerks you to face forward and reaches around to grab the knob, chest pressed against your back as you step outside.

A swirling wind greets you, whistling its own kind of warning as Joel drags you through the brittle, dried grass. Your boots crunch against the frosty ground, doing your best to keep pace with him, breath puffing out in frantic clouds. Cold air bites your skin and the crunch of your boots, now on gravel, fills the silence between you. It’s tense. 

You follow him to the stable as he releases his grip on you, to the weapon compound, close at his side as he steers the horse to the front gate, looking rather apologetic to his brother who seems to sense the situation between you and Joel and quickly averts the watchful eyes of others with his voice, calling off the list of locations and names like a roll call.

“Get on,” he orders, softer now but still edged and you oblige, feeling a hovering touch of his hand over your thigh as you climb onto the horse and lean back, making room for him to climb on.

Joel’s arms snake behind him to wrap yours around his jacket before he grabs the reins and clicks his tongue. The horse hesitates, feeling your combined weight, then lurches forward. You cling to the saddle as Joel steadies you with a firm grip, holding you close as Jackson fades from view.

The solace you’ve come to appreciate slipping through your fingers, even if temporary, made the pit in your stomach grow rapidly.

The landscape stretches out in muted colors. Bare trees reach like fingers, tendrils to the gray sky and frost clings to their branches. Joel’s silence feels like a wall between you, and you bite your lip to fight the chill that’s creeping into your bones, shrugging the hood of your coat over your head as you bury your face in between his shoulder blades, eyes peeking over.

It’s a strange kind of comfort for Joel the way you settle into him, close and warm. 

As much as he tried to keep his distance, there was always a loophole.

“You gonna explain what that was back there?” Joel asks, knowing his questioning is pointless, the roar of the wind and the bumpy ride making it nearly impossible for any type of silent communication, “I don’t want you doin’ that anymore, thinkin’ you need to act that way to…I don’t know—do whatever you’re wanting to do,”

The landscape rolls by like a somber, black and white film strip; broken fences and abandoned cars sprouting from the ground, dead infected and rotting animals, houses abandoned. It wasn’t as normal now, living in a lively place with such a dichotomy only a ride away, reminding you just how temporary your life was in this world.

“Were you scared to leave Jackson?” he asks curiously, trying to decipher what he could.

You hesitate, unsure how to answer. It was a yes and no question—safe was anywhere with Joel, but you were still weary. You don’t answer immediately, so Joel assumed that wasn’t the problem.

“Is it the weather? Don’t like the snow?” you shake your head almost immediately, uncaring for the elements, finding that dying from frostbite or heatstroke were both equally miserable.

“The lodge?” he asks after a long, drawn out silence—the ride was still long, more difficult as the snow began to pick up, falling in thick sheets, “Is there somethin’ out here you ain’t told us?”

You shift slightly, the leather of Joel’s jacket creaking beneath your cheek. The question hangs heavy, like the snow. It’s too much to explain, the knot of reasons tangled inside you. You press your face into his back again, wishing you could dissolve into him and stay there. You feel his sigh before you hear it, learning the way his body works through touch and sound. It’s not disappointment—it’s understanding. 

But, that frightens you too.

Joel makes a few short stops along the way, simple checks on smaller lookouts that don't even require you to get off the horse, keeping watch as he was in and out within a couple of minutes, eyes always on you no matter where he moved.

You can sense the way his anger lingers in his face and the stiffness of his shoulders but his instinct to protect is stronger, shoving the sturdy emotion aside to traverse through the heavy storm until, hours later, the lodge comes into view, your heart hammering in your chest.

Your fingers tighten around the lapels of his jacket and he looks down, watching the way you strangle the fabric under your grip, shifting slightly on the saddle as he slows to a stop just inside the lodge before Joel helps you off the horse and ties him, leaving you for a moment that feels nothing short of a century, frozen in your spot as you hold your bag close to your chest.

“At some point you gotta start talkin’,” his voice startles you as it comes from the shadows, jacket stripped as he kneeled down at the fire pit near the center of the room, working quickly to warm the place up, “it ain’t about inconvenience either, it could get you killed.”

You move silently and sit nearby, eyes downturned and lips pulled tight.

It’s impossible to explain, the way your throat constricts at any attempt to speak, like a knee jerk reaction as you anticipate the strike of a hand or foot, a lash at your back or the hot prick of a cigarette into your skin. 

You still felt it occasionally, the phantom pain.

Your bottom lip trembles as they part, desperately wanting to make the attempt but knowing your body won’t let you out of self-preservation. Joel doesn’t see the struggle, but he can see your fingers fidgeting, restlessness laying in wait. 

“Did you bring your paper and pen with you?” Joel asks, sounding fatherly in a way that hints of a life lived and lost, “You can’t just ask the way you did this morning for no reason, I want answers,”

You nod obediently, riffling through your bag for the items.

Joel waits until they're in your hand and the fire crackles to life before he asks his first question.

“Is it the lodge? Is that why you wanted to stay in Jackson?” he asks, watching you scribble down a swift answer.

Yes. But, more.

He leans forward on his knees and into your space to read the scribbled note, sighing tiredly.

It isn’t what he wanted, obvious in the roll of his eyes.

“Explain,” He says tensely, “Stop bein’ so damn cryptic, I don’t like that shit,”

They followed me here. I hid. 

Joel’s face contorts in confusion.

“They followed you that far?”

It was their job. Bad men, all of them. They enjoy it. I hid and they didn’t find me. That time. I was worried they might find me again. They didn’t that time.

Joel examines the concentration on your phase as you write out the words, taking the notebook as you gently shove it into his palm, large fingers wrapping around the notepad.

“Who is they?” Joel asks, “You keep writin’ they,” his fingernail scratches over the word, leaving an indent in the paper, “We’re tight about patrols out here, we woulda saw ‘em. You sure it wasn’t someone else? Maybe just some random raider? They stroll through from time to time lookin’ for shelter.”

No. Not random. They wore emblems, gold and threaded to look like an anchor. There are men we serve, higher-ups. Then ones that follow a code, like an army. The men after me were hunters. Trackers. Do you understand? Not for animals.

“Sick fucks,” Joel says mostly to himself as he reads over your writing,

Don’t leave me. Please. I will do anything.

His earlier words echo in your head, seeming to cross his own mind at the same time.

You shove the notepad at him hastily, hands trembling slightly,

“Don’t get worked up," Joel says, voice a little gruff, "I’m not leavin’.”

Safe. He writes it out underneath your own words. 

Thick. Heavy. 

He nods.

Suddenly, as Joel feels around in his pocket as he stands, he comes across an object Tommy had handed him before he left, careful as he approaches you and reaches for your hand, pressing the solid weight of the object into it.

It was your knife, cleaned up and sharpened to a dangerous point.

Joel makes a noise of warning, fingers tight around your wrist.

“This ain’t yours to keep,” Joel explains, “jus’ while we’re out here, in case you come across an animal or something, it comes right back to me when we leave, understood?”

Begrudgingly, you nod.

“Put it away,” he instructed, watching as you closed the knife and stuffed it into your pocket.

You couldn’t explain it, but the frustration in him still simmered, unsure if it was because of you or not. Joel was a sorrowful man, carrying enough guilt for a thousand men—it could be that he was just having a day, desperate for a moment to himself.

It comes a while later after you’ve both settled in and the place was filled with warmth, “Keep watch, don’t wander—I’ll sleep for a couple hours then take over, got it?”

You nod quickly, perched on the wide, open window as you watch the snowfall. 

Something about it was oddly therapeutic, looking over to watch the scowl on Joel’s face soften as he fell into a deep slumber, leaning half reclined against a wall with his jacket balled up by his head to double as a pillow.

Hours pass without incident, thankfully. Joel said two, but it was already four and he was still sleeping, snoring now as he’s slumped down into a more horizontal position, growing slightly restless as the storm had calmed and the sun was shining overhead, desperate for a few moments of fresh air now that you were here, feeling comfortable enough in the quiet and with Joel’s presence that you could step out for a moment and breathe, putting on your shoes and coat quickly as you slipped out the back door of the lodge and watched a pair of birds on a branch as they hopped beside each other, chirping quietly.

You can’t remember the last time you’ve felt this calm or relaxed, glancing over at Joel sheepishly despite his obliviousness. 

You inhale deeply, letting the crisp, post-storm air fill your lungs. 

The lodge is silent behind you, save for the faint sound of Joel’s snoring. The fresh air feels like a relief, a moment of stillness that you hadn’t realized you needed. That you deserved.

Your eyes follow the pair of birds a moment longer, chirping softly to each other.

It’s peaceful—almost too peaceful. 

A small prickle of unease creeps up your spine, but you shake it off.

It’s just quiet. 

Nothing’s wrong.

Then—

You feel your throat swell.

The snap of a twig.

You freeze. The birds flutter away, startled. Your breath catches.

You don’t have time to turn before an arm locks around your chest, a rough hand clamping over your mouth. You couldn’t scream even if you wanted to.

“Oh, easy, ea-sy,” the stranger coos with a sickening softness, “don’t wanna wake him up, do ya?”

The faceless attacker holds you tight, something sharp and jagged at your back as he guides you backwards, further away from Joel.

Your pulse pounds in your ears as you struggle, but he’s strong. 

He reeks of sweat and damp clothes, his grip unyielding.

"You people think you’re so damn careful… but you’re just easy pickings if you ain’t watchin’,” he sounds so smug and amused, greedy as he dragged you further and further away, feet stumbling out beneath you as you fell into the snow against him, a grunt shooting from his chest but ultimately it was followed by a spine-chilling chuckle, a hand slipping underneath the material of your shirt and over your abdomen, “been camped out here all day watchin’ you both, thought you were a dime, though–couldn’t pass up the opportunity,”

You twist sharply, managing to get free, clawing at his arm as you shove it away. He grunts in irritation but grabs at your ankle, yanking you back down as you fall to your ass, silently groaning at the pain.

"Feisty," he mutters. "I like it. Ain’t much fun otherwise."

You’ve fought for your life plenty of times and this was no different.

It shouldn’t surprise you that misfortune met you at every turn, allowing yourself to fall into a false confidence only to be disappointed once more as the man looms over you, a shadow of menace. You kick wildly, connecting with his shin. A low snarl escapes him.

“Little bitch,” he hisses, shaking his leg as if to brush off the sting. 

But, it gives you a moment to scramble backward on your hands and heels, snow biting at your palms as you shoved your hand into your pocket to find your knife, watching as he stalked toward you in a pure rage, opening your mouth in a scream you know will never come, but then he’s tripping, scrambling to catch his bearings over you.

The tip of the blade slices through his guts like butter, feeling the bile rise in your throat at the sensation and the warm spread of blood over your hand, desperately trying to force his weight off of you, but his hands finds your face, thumbs reaching for your eyes in any attempt to injure you but then there’s a shot ringing out, startling the both of you.

Simultaneously, the man jerks violently, his hands going slack around your face as he falls with a gurgling choke. Blood flows down his neck and onto you, drenching your clothes in a way that makes you want to crawl out of your skin.

You scramble to your knees, backing away without looking toward the gunman as you panic, wiping the blood from your skin and into the snow, desperate to rid yourself of the thick fluid before Joel’s invading your space, fingers tightening into your coat to yank you upright as he shoves you back against a tree, blinded with pure rage.

He had saved you. He was angry, sure. But, he saved your life. Again.

“Are you fucking stupid, girl?!” he asks, his tone tight and harsh, met with a meek nod.

“Wrong answer,” He snaps, “I said two hours, then you wake me. I said not to wander and you did—so answer me again, are you—fucking stu—”

He doesn’t register that sting of your teeth in his bottom lip until your hand curls around the back of his neck, tongue spearing into his mouth as his mouth parts in surprise, your fingers tangling into his hair as you pull him into the kiss. 

Thank you, it breathes.

His grip slackens for the briefest moment before turning to steel again, fingers knotted in your clothes, twisting and pulling you closer. The violence of him feels like a lifeline, like something sure and solid in this brutal world. He’s safe. 

Safe.

He shoves you harder against the tree, rough bark biting through your coat as his teeth gnash against yours, tangled breaths turning to steam in the cold.

Your head spins, heart shuddering up into your throat, and you lose yourself in the way he feels, like fury itself. His hand moves from your clothes to splay over your belly, warm and forceful where the knife was just seconds before on your attacker who lay lifeless on the snowy ground.

You can’t stop thinking. 

The coppery taste of blood lingers everywhere: on your clothes, on the dead man, on Joel’s mouth now. The snow around you is red-stained as his hands roam over you, your own hands mirroring his unspoken neediness as you tear into the belt of his jeans, feeling him undo your own in tandem, unable to look one another directly in the eye at that moment, desperate for connection by other means.

He shouldn’t be allowing this, but the urge to consume your gratitude is stronger.

His thumb fumbles with the button of your jeans, and you’re practically writhing to get them off, burning up despite the chill. You sigh internally as he manages to get them free, yanking them far enough down your thighs before he’s turning you against the tree.

The world fades around you; it’s just him, just you, each breath mingling as he frees himself from his pants. You feel his heat press against you, insistent, frenzied, somehow apologetic as it fits between your thighs.

You feel his fingers fit between your legs and spread between your folds like instinct but you’re shaking your head, hand clawing at back of his neck as you arch your ass into him, a silent plea for him to just fuck you instead, needy as you bring his mouth to yours with a distinct hunger, swallowing up his ragged breaths as he rubs his thumb and pointer finger over the head of his cock and through your slick before he’s stretching you open with little grace, mouth open in a silent gasp as your free hand grabs at his hip.

“Fuck,” he breathes into your mouth, words dissolving into a groan as he sets an unrelenting pace. The tree bark is rough against your skin, but you don’t care, the rawness of it only adds to the frenzy growing between you. Hastily undressed and filthy, the kiss-smudged blood across his face smearing into yours.

He’s practically holding you up like this, his grip slipping over your hips as his mouth finds your neck, biting down just enough to bruise or draw blood of your own, not entirely sure.

His thrusts breath raw desperation, nails clawing at bare skin as he hisses into your neck.

There’s nothing soft about it, no measured rhythm, just a brutal need for each other. 

Joel is acutely aware of the way your body is responding to him, silent sobs racking your chest as you pull him impossibly closer, “I gotcha,” he says, “I feel you, you’re gonna give it to me, aren’t ya? S’right there, I feel it,”

And he wants it more than he was comfortable admitting to himself, the satisfaction of filling the insatiable need you had craved from him.

His hand snakes over your mouth, smothering sounds that would never surface, but the gesture is heady, biting at the skin of his palm until you knew it would sting.

Desperation blurs into pleasure, and you feel it shuddering through you like an electric current and the world comes rushing in again all at once: the cold air nipping at sweat-slick skin, branches clawing at your chest like a bitter, jealous lover. It’s hard to tell, the way you both are clawing at this for dear life, but you think this is maybe as close as the two of you have ever been, filthy and frantic and burning up together as you come, feeling Joel pull out in enough time to spill into his fist, low and drawn-out grunts that had you cunt pulsing, resting dissociatively against the tree.

It was the most human you’ve felt in years.

“Get inside,” Joel says suddenly, pulling you back to reality—surprisingly, his voice is calmer.

And for once, you don’t argue.

–

Joel watches you change, trading the bloodied clothes for fresh ones and wiping you down in between, a silent but intimate gesture that neither of you outwardly address, eyes scanning his face carefully as he taps at your chin so he can wipe underneath your neck.

And you don’t speak about it.

Joel doesn’t even acknowledge it.

He takes care of the body, stays on watch despite your quiet persistence to help

But, as your hand trembles at your side as you approach him beside the fire pit, his fingers thread into your own, a heavy weight holding you down until it stops shaking. You can feel the small tremor on his own, harbored for different reasons. But, it calms him too.

You felt like there was finally equal ground to stand on.

–

When you arrive back in Jackson a couple days later, Joel relays information about the raider with some omissions, only suggesting that there be more frequent checks, but as you and Joel settle into a routine, things become almost…too easy.

He’s always expectant of your knife the moment you approach the gates, handing it over without problem, but just as easily sliding it into your own as you settle into your patrol spot for whatever rotation you both ended up on, still increasingly weary around others that weren’t Joel, you find a similar protection with Tommy, though not entirely comparable. 

Tommy only took you out so far as to teach you how to shoot and clear out infected that were a safe enough distance they couldn’t do any real harm, only swarms passing through.

Joel still hasn’t initiated any touch with you since that day, but his actions are increasingly more intimate despite his body language around you—though, that doesn’t mean he stops you.

Maybe it was how he justified his own righteousness, that he was absolving himself of the guilt that he had knowingly allowed you to attach yourself to him, almost selfishly.

With Ellie’s growing independence becoming more and more obvious, Joel leans toward your odd connection and the ease it brings to his routine.

You’re shivering over a cup of coffee one morning despite your layers and blanket wrapped around your shoulders, the chill making your bones ache.

“You can sleep up here, you know,” Joel tells you, “the couch is comfortable, s’close to the fire, too.”

You shrug nonchalantly, sipping softly at the strong brew.

“Sleep up here,” he tries again, a command, your hesitation curling around the steaming cup as your eyes connect, nodding hesitantly.

His mug scuffs the counter as his fingers curl around the ceramic, his hip settling into the edge as he leans into the surface and you meet him with an honest gaze.

“Are you only agreeing because I’m tellin’ you to?”

Sheepishly, you nod.

Joel doesn’t harp on it, though. It was a small battle won, less worry of you catching frostbite or a cold down in the basement, your presence more apparent as you move into the neutral living space, there when he wakes and when he retires for the night, quiet and somber.

Then, there was an instance with the shower that became routine. 

Your skin caked with dirt and re-opened cuts crusted with days old blood, a particularly rough run-in with a group of infected that Joel had dealt with mostly, you trailing close behind and taking out the few stragglers.

Joel always opted for privacy anymore—save the moment at the lodge when you had shed your blood stained clothes and Joel had to make sure none of it was your own, but your body was exhausted as was your mind, losing your footing as you stumbled into the sink and made a soft noise that Joel’s never heard before.

He’s never heard anything from you, really. 

Only your breathing, heavier in moments of anxiety or despair, but soft as you slept.

You were hunched over the tub and half-dressed, your head pounding as the blood rushed there, eyes squeezing shut as you bit at the inside of your cheek and Joel’s presence is there, but far, hovering near the door as he just needed eyes on you to confirm you weren’t hurt.

As the door closes and you’re pushing back to your feet, you yank it back with a similar strength and Joel watches your hand reach for him, curling in the fabric of his shirt as you silently plead for him to come closer.

Help me, your eyes plead.

Quietly, you guide the shirt over his head and his mind finally catches up, reaching behind you as he turns the water on until the bathroom was smothered with steam, his eyes wondering anywhere but you as you both stepped in naked under the stream, guided by Joel to turn away as he washed you in silence, careful and methodical, leaning into his touch as his fingers curl around the back of your neck to wash your hair.

It happens once or twice again, based around the frequency of patrols and whenever the house was empty and though Joel is hesitant to your touch, eventually he gives in, eyes usually closed as you face him, hands tugging through his dirtied hair and over his chest, a low rumble as your fingers curl a little too low, grazing over the curve of his ass before his fingers catch your wrist and his eyes pry open, shaking his head.

Eventually, his resolve fades.

He tries, but your persistence is steadfast, growing needful to his proximity in every facet of your life and the kisses are shy at first, gentle presses to his shoulder or arm, occasionally over his chest or neck, his hands hovering but never touching without necessity. 

He doesn’t like to talk, either. But, he became familiar with the scar on your lower abdomen, just above your pelvis and thick, the skin clearly marred but not like the others on your body.

You always guide his hand away out of discomfort, unsure how to explain without using words.

Though, given what you’ve told him and the behaviors you’ve exhibited, Joel can make a guess.

He blurts it out one night as you shower until the water grows cold.

“They take something from you?” he asks, already knowing the answer.

You nod slightly, hands curving over his shoulders to dig into the muscle and knead, his eyes downturned and dark, intimidating as always.

The doctors performed a salpingectomy on many, including you, unsafe and at risk of death given the environment and lack of understanding, there was no telling what kind of damage they had done, but the most important part was that reproduction was null, some sick and twisted belief to keep women obedient and available. 

You don’t remember much, but it was years ago.

Your face heats as you mimic a pregnant belly, ignoring how his hand guides over your breast with the soapy rag as you lock eyes with him, shaking your head.

His face twitches emotionlessly, nostrils flaring, “I’m sorry,” and he means it.

Joel remembers the harsh accusation he’d thrown at you, assuming your motives without understanding or knowing, but this—it gives him perspective. 

–

A few hours later, you wake from a night terror.

It was dark, pitch black and quiet, but you couldn’t move.

Your mouth opens to scream but nothing comes out, thrashing against invisible bindings until you come to, Joel’s hands locked around your shoulders to keep you still, shaking you back to reality.

“Hey, hey,” his voice is an instant drug that soothes, eyes ripping open and searching frantically until they land on his face, “breathe, kid—you’re here, not there,”

Joel knew—of course he did.

He stays until you calm, pushing up on your hands to sit up and reaching for his arm as he stands, repeating the same gesture in his palm that he’s come to understand, crystal clear.

Stay, you gesture.

“Okay,” he agrees quietly, but you’re pulling him closer, fingers curling against his sides and Joel shakes his head, giving you some resistance, “nono—ain’t enough room for that, alright?”

Your grip tightens, begging.

Joel exhales through his nose in defeat, his hands twitching slightly where they still hold you. 

He doesn’t even need to ask, your footsteps following closely behind his own as he turns, padding back toward his room down the hall, slipping into his bed and under the sheets without a word, the weight of him next to you enough to settle your anxiety.

The second time you crawl into his bed, it’s after another nightmare. 

He doesn’t say anything—just lets out a tired sigh and shifts over, leaving space for you. You don’t touch him, not at first. Just tuck yourself into the blankets, facing away, the tension in your body easing just enough for sleep to take hold.

Then, it happens again. And again.

Every night, the same thing. 

You slip in, quiet as ever, and Joel tells himself it’s fine. That he can keep his distance.

But, you always end up entangled by the time you wake.

Your cheek pressed into his chest. His arm curled protectively around your waist. 

His breath in your hair.

Him, around you.

Joel knows he should stop this. 

He should tell you to stay in your own damn bed.

That it ain't right.

That he can’t be what you need him to be.

One night, he’s not asleep when you slip into his bed.

He feels the mattress dip, the hesitant pause before you settle in beside him, close but not touching. Joel keeps his eyes shut, breath steady, pretending he doesn’t notice.

But, then your fingers ghost over his wrist, then around his waist, your knee shifting between his thighs as you curl into him and nuzzle against his neck, lips pressing into his pulse point.

He stiffens. Feels you hesitate, then try again, pressing a kiss into the sensitive skin of his neck.

"Kid," he mutters, voice low, warning.

He can feel the neediness in your touch, eyes flicking up shyly to look at him as he bows his head to look down at you.

"You do everything I tell you to," he murmurs, and he’s right—voice rough with sleep. "If I told you to go back to your own bed, would you listen?"

Silence.

Then, your fingers tighten slightly where they’re wrapped around him. A slow shake of your head to answer his question and a sigh from him that follows, it shakes the room.

It’s defeat.

Your lips brush against his jaw first, tentative, testing. When he doesn’t stop you, you press again, slower this time. Then lower, over the rough stubble of his throat.

Joel lets out a slow, shuddering breath. His hand finds your waist, fingers curling tight before forcing himself to loosen his grip.

His fingers twitch against your waist, the calloused pads pressing firm into the soft give of your skin. His breath is heavy, slow, controlled—because he has to be.

“Shouldn’t be doin’ this,” he says, but it’s weak, “can’t be.”

A hollow protest. 

You don’t say anything, just tilt your head, lips tracing along his pulse, feeling it thrum beneath your mouth, slow and steady. He’s always so calm, a constant beat that never skipped or faltered.

He exhales sharply, his grip tightening. “Christ,” he breathes, head tipping forward until his forehead brushes against yours. “You don’t listen worth a damn, do you?”

You shake your head again, more deliberate this time.

His eyes flick to yours, dark and searching, like he’s looking for something—one last excuse to push you away. 

But there’s nothing—he’s guilty for the need of this too.

And then you’re pulling him down, lips pressing against his, soft but insistent, and any last restraint he had left crumbles in an instant.

Joel groans against your mouth, deep and wrecked, his hands still hesitant to touch, only allowing it as you initiate, dragging his hand to your waist and down, under your thigh until he’s hiking your leg over his hip.

His lips part, teeth grazing your bottom lip before he kisses you again, harder, deeper, like he needs this just as much as you do. Like he’s just as desperate for it.

He is.

Joel pulls you closer, his hands gripping at your waist. His lips are slow at first, searching, but when you whimper against his mouth, something inside him snaps. It’s a sound he hasn’t heard, the first he’s ever heard, surprising yourself as the sound slips out, throat immediately collapsing on itself in fear, awaiting the hands that wrap tight around your throat and suffocate.

Instead, his hand fists in the fabric of your shorts, curling around your hip as your core drags over his groin, his quickly hardening cock pressing against the inside of your thigh.

"You don’t even think twice, do you?" he rasps against your lips, his breath warm and unsteady. "Just do whatever the hell I tell you without arguing?”

You nod, fingers threading into his hair, tugging just enough to make him groan. You nod, pressing a kiss to the corner of his mouth. With your muteness, it meant Joel’s eyes had to be on you, constantly waiting and searching for communication.

It made you feel special, the way he was attentive to you at all times.

Your thumb drags over his lip as you pause for a moment, letting the weight of his words sink in.

His eyes darken, something unreadable flickers across his face, and his hands still for a moment too, resting heavy on the bare skin of your leg.

“That ain’t always a good thing,” he tell you, but he’s already leaning back in, following the push into his shoulder as you raise your leg over his abdomen to straddle him, pressing him into the mattress as you grind down into him.

Somehow you know he’ll follow, that he won’t resist. 

He’s guilty, too—doesn’t ever think twice when it comes to you. That’s what eats at him the most—how easily you give in to each other. How willingly.

Your hands skim down his chest, nails scratching lightly over the thick hair there, down to his stomach, lower—until he catches your wrist, shaking his head.

"Slow down," he murmurs, voice strained, rough around the edges as your hips moving at a leisurely pace, glancing down to admire the thickness of his shaft as the fabric hugged around him, leaving no part of him to imagination, the thick trail of hair that disappeared beyond his waistband, "You don't gotta—"

You shake your head, mouth hung open in silence as your eyes fall shut.

A groan rumbles low in his chest as he lets go of you, hands falling to his side as lets you use him, slowly realizing what this moment was for you.

A reclamation of your own pleasure and autonomy, using his body for release that did nothing to benefit him outside of the wonder that bloomed into his features as you move more frantic, fabric bunching up higher at your hips as you chase your high, working toward the crest of your orgasm that you just couldn’t reach, face scrunching up in annoyance as you start to hit as his chest with soft blows, seemingly frustrated.

Joel knows what you need, skin against skin, flush connection.

You look up at him with a pout that pleads, screaming out.

And this time, he doesn’t stop you as you shift, a fury of limbs as you remove your shorts with impatience, tossing them to the floor as you tug at his sweats, his cock bobbing heavy and free, just far enough down his thighs that you can see how his balls tighten at your touch, taking a moment to admire him this way, his face contorted into something unreadable as your thumb slides over his slit, leaking with precum and his tip a blushed red.

Joel lets out a strangled breath, his head tilting back against the pillow as your fingers wrap around him, slow and deliberate, dragging over the length of him with just enough pressure to make his stomach tense.

He breathes slowly, his hands twitching at his sides, like he’s resisting the urge to touch you. 

To guide you. Teach you.

But he won’t—he lets you take what you need, lets you move at your own pace. 

You shift upwards, lining yourself up with him, the heat of your slick cunt teasing against his length, dragging up and down as you shudder at the feeling, the head of his cock sliding against your clit, the shlick of your bodies as they move against each other.

His jaw clenches, muscles taut as he watches.

Your fingers curl against his skin, nails pressing into him as you take all of him, inch by inch.

He finds himself waiting for a sound, silently begging for it, curious if you would sound as wrecked as he did, grunting when you’re seated fully, the burn mixing with pleasure so intense it makes your head fall forward. 

Joel’s breath stutters. His hands find your waist with your guidance, squeezing tight, like this was your attempt in trying to get him to ground himself too. He doesn’t move, doesn’t thrust up into you—just lets you adjust, lets you take him however you want. 

“Fuck,” he grunts, voice wrecked. “You feel that?” You nod, biting your lip, rolling your hips experimentally. A pleasurable ache growing in your gut. He groans, low and guttural, his fingers digging into your flesh. “That’s it,” he breathes. “Take what you need.” 

And you do.

You start slow, your hands braced against his chest, feeling the taut muscle beneath your palms as you roll your hips, testing, searching for something you’re not sure of. The stretch is deep, almost too much, but it’s what you want—what you need.

Joel’s hands grip your waist, like he’s holding himself back, like if he lets go, he’ll take over. 

But he doesn’t. He just watches, dark eyes hooded, jaw tight as you find your rhythm.

He exhales through gritted teeth, watching the way you move, the way your body trembles every time you take him deeper, your breasts shifting under your shirt as you bounce, finding himself speaking before the words filter, like his pleasure has a mind of its own.

"You always listen so well, don’t you?"

Your breath hitches at the praise, the smallest whimper slipping from your lips, and Joel's fingers tighten on your hips, not guiding you, but steadying you, anchoring you to him. You’ve never made sounds like this before, not even by accident.

With him, the fear of retaliation has begun to ease. Each noise that slips isn’t met with anger or rage, but astonishment, eyes widening in wonder.

“You like that?” he asks, voice rough, like it’s been dragged down a gravel road, "Doin’ what you’re told?"

You nod frantically, grinding down harder, desperate for more.

For him, you think. Only for him.

Give me safety. I’ll give you everything.

He curses under his breath, his restraint fraying at the edges. "Fuck—look at you," he groans, his fingers digging into your flesh now, a warning, his own control slipping. "Takin’ me so fuckin’ good."

A shudder runs through you at his words, your walls fluttering around him, making him hiss.

"Keep goin'," he murmurs, lifting up slightly as he settles on an elbow, the thumb of his free hand stroking your skin, the tension in his body betraying how much effort it takes to stay still, “I feel ya, how bad you need it,”

Your fingers reach for him, prying his grip from your waist and guiding his hands up, over your body, pressing them against your breasts, your stomach, anywhere you can, until he gets it—until he stops holding back. He rises to meet you, arms wrapping around your waist similar to how you had cornered him on the couch in the basement, but the implication is different.

A deep, guttural groan escapes him, and then his hands are moving on their own, sliding down to grip your ass, to spread you wider as he thrusts up into you, slow but deep, pushing a broken moan from your throat.

"Yeah?" he rasps in surprise, voice strained. "Is that what you wanted?"

You nod helplessly, nails scraping over his chest as you try to keep up with his pace, but Joel doesn’t let you. He takes over now, fucking up into you with long, deliberate strokes, each one dragging a whimper from your lips.

More sounds, he needed more sounds.

"You gotta tell me," he pleads, his grip almost bruising now. "I need to hear it."

You open your mouth, but all that comes out is a breathy gasp, your head falling forward against his shoulder, and Joel growls, wrapping the arm around your back tight to keep you pressed against him.

"Say it," he demands, voice thick with need as he looks up at you, "Tell me what you need. I know you can—you’re doin’ so good," It was such a stark contrast, the praise.

Your lips part, voice shaky, barely above a whisper and broken, your voice foreign to your ears as it leaves your mouth

"You."

Joel freezes beneath you, stilling for half a second, something unreadable flickering across his face before it’s gone, replaced with something darker, something deeper.

He wants to fucking ruin you and build you back up watching as the tears form in your eyes, knowing what the action meant, the energy and bravery it took, he doesn’t push it aside.

His chest rises sharply against yours, breath stalling like he’s not sure he heard right. His fingers twitch against your skin, gripping tighter, but he doesn’t move. Doesn’t speak.

You feel the weight of it, the shift in the air. 

His pulse hammers against your palm where you press against his throat, his body locked beneath you like the words had cut him deeper than any knife ever could.

Your voice.

You’ve never spoken before.

Not to him. Not to anyone.

And now, with your body wrapped around him, shaking, desperate, it’s him you ask for. 

Him you need.

His name is on the tip of your tongue, but you don’t say it. 

You just press closer, urging him with slow rolls of your hips, hoping he understands, hoping he doesn’t make you say it again—because you don’t think you can.

And then, Joel moves.

Slowly. Carefully.

His hands roam, sweeping over your back, your waist, fingertips ghosting over the curve of your ribs like he’s memorizing you, feeling you breathe. His touch is softer now, reverent, as if the moment itself has changed, evolved into something neither of you expected.

You nod to an unasked question, pressing your lips against his cheek, his jaw, anywhere you can reach, trying to coax him back, trying to keep the moment from slipping away.

His hips snap up, slow but deep, dragging a soft, broken moan from your throat that makes his grip tighten. A noise barely audible.

"That’s it," he breathes, his voice thick with something you can’t explain. His hands guide you now, steady but unrelenting, moving you with him, driving deeper, harder, every roll of your hips pulling another sound from your lips, another shudder from your body.

He drinks in every noise, every gasp, every trembling sigh like it’s the most precious thing in the world. Collecting them all and committing them to memory.

"Keep talkin’ to me," he mutters, voice ragged, desperate. "Let me hear you."

But, you can’t.

The pleasure is too much, coiling tight, pulling you under, and all you can do is cling to him, gasping against his throat as your body starts to shake through your orgasm. The energy it takes to speak, the courage bleeding you dry. You’d lost your voice again.

Joel feels it—your unraveling, your breaking, the way your walls flutter around him—and it undoes him completely. Your hands cradle your face, tilting his head back so you can see him, his dark eyes burning into yours as he thrusts up hard as he spills inside of you, not entirely thinking as he does it.

"That’s it, baby," he praises, “Keep squeezin’ me, I’m right here,”

And for a long moment, neither of you move. 

The only sound is his ragged breaths, the pounding of your heart.

His lips brush your collarbone, his breath warm against your skin.

"You," he murmurs to you, soft, like it means something to him too.

Maybe it does, you weren’t sure.

–

He reaches you this way, through connection and touch.

Sex or something similar, the intensity of the moment clouding your thoughts and relaxing your worry, and his too.

It was a give and take with each other, distracting Joel from his constant stream of troubling thoughts and worries, still never approaching you—it was always under your guidance.

Maybe it’s selfish. Maybe it’s wrong. But every time your hands find him, every time you press yourself into his space, silently asking for comfort, for connection, he gives in.

The moment you touch him, the constant, gnawing dread in his mind quiets.

Just for a little while. And selfishly, he needs it.

Your fingers trail up his chest, light, uncertain, tracing the scars like a map. Joel watches, his breath slow and steady, his muscles tense beneath your touch—but he doesn’t stop you.

He never does.

You cornered him in the kitchen this particular night, his hands curled over the edge of the sink with his head hung, chest heaving like he had just woken up from his own nightmare, sneaking out of bed but not quite enough that you wouldn’t notice.

When you press your lips against his skin, soft and searching, he exhales like he’s been holding it in for too long. 

Like you were the answer.

"You sure?" he asks, his voice rough, low, but there’s no demand in it. 

No expectation. 

Only restraint. 

He’s not sure how much longer he can hold back, between the constant time spent together and the nights spent inside of you, allowing your greediness to take hold.

He pushed his own aside, stuffed until it was boiling over.

You nod, and that’s all it takes.

His hands find your waist, pulling you against him, guiding you the way you he needs, the way he knows you need too, his grip firm, like he’s holding something fragile—something breakable.

That's what this was, after all.

A delicate balance. A silent understanding.

You give each other this, and in return, he gives you himself, as do you—fully, completely, no barriers, no walls.

When he moves it is slow and deliberate, when his mouth finds your throat and his fingers grip your neck, guiding you against and up on the counter, fingers spreading underneath your top before it’s torn over your head, it was all the same. His palms curve around your neck, pulling you toward him as his lips capture yours in a surprisingly tender kiss, lips parting immediately as his tongue licks along your own, mirroring his touch as you spread your legs to make room for him. 

You don’t need anything else but this.

Only this.

Only him.

Only you.

But, there’s that gnawing in Joel’s chest that makes him out to be the monster he knows he can be, taking advantage of your trauma and pushing your limits, using you like you’ve been used before.

He’s no better, he thinks.

If anything, he’s worse.

[bweirdart]

EVENT OVER! THANKS EVERYONE WHO JOINED IN U ALL DID AN AMAZING JOB <3 SEE YOU AGAIN NEXT YEAR IN MARCH FOR #mARTch OR NEXT OCTOBER (2024) FOR A NEW SET OF PROMPTS!!!!!

OC-TOBER 2023 PROMPTS!!

general tag: #oc-tober / my prompts: #bweirdOCtober

F.A.Q:

Do I have to draw EVERY DAY?

NO! I highly encourage skipping as many days as you need to avoid burnout! There are 10 main days in the event (marked with a ⭐ star) that you can focus on if you don't feel up to doing every day, or you can choose your own adventure and just do the prompts you personally like!

Do I have to DRAW?

NO! You can also write fanfiction snippets, repost older art that fits the theme, tweet headcanons/backstory, roleplay in-character as your oc ... genuinely anything that fits the theme is OK!!

Can I start early?

YES! I understand some people work at a slower pace and might need a head start! So long as you wait until October to post it, you can start working as early as you need!

I missed the start of the event .. do I have to catch up?

NO! Please don't stress about days you missed, you're allowed to just skip to the current prompt!

RULES:

1. MAKE FRIENDS! The community is the best part of this event .. please try to follow new people, ask questions about ocs you like, compliment people's styles, ask friends to create with you, etc!

2. TAKE IT EASY! Skip a day if you're tired, busy or just not interested in the prompt. You don't have to catch up on it later. This is supposed to be fun, not work!

3. BE KIND! Please think about the people around you - don't give people unwarranted harsh criticism, content warn for themes/imagery in your work that could trigger someone, don't create anything hateful, etc

MORE:

text version / tips and ideas on bweird.art or below ↓

star = main prompts | no star = optional

INTRO WEEK

1: FAVE OC ⭐

-Which of your characters is your favourite right now?

2: NEW OC

-Who is your newest OC?

-Design a new OC right now

3: OLD OC ⭐

-Do you remember the first OC you ever made?

-Is there an OC you haven't drawn in a long time?

4: RE-DESIGN

-An OC who has changed a lot over the years

-Take an old OC and update their design right now

 

BACKSTORY WEEK

5: RELATIONSHIPS ⭐

-Who is important to your OC?

-Do they have a partner?

-Do they have a best friend?

-Are they close to their family?

6: SYMBOL

-What imagery do you associate with your oc?

-Are there any colours, flowers, animals or concepts that symbolize them?

7: PERSONALITY ⭐

-How does your OC behave?

-What are their positive traits?

-What are their negative traits?

-Are they extroverted or introverted?

8: PAST

-What was your OC like as a child?

-Where did they grow up?

-Are there any significant moments from their past that shaped who they are?

9: FUTURE ⭐

-Does your OC have a goal they're working towards?

-What will your OC look like when they get older

-Do you have a planned ending for their story?

PALETTE WEEK

10: pumpkin patch palette

#251604 #1E3807 #5B5E1A #A2A657 #EBA00F #F3ECCC

11: hot cocoa palette

#520B13 #BB382E #E27E6D #88392C #AF5D40 #E1AFA4

12: midnight zone palette

#000007 #000049 #183885 #004D4F #0E8788 #FFF1C0

13: peachy palette

#DE6450 #DB9171 #FFC1AE #FEE1AD #FFF2E0 #D9D8D8

14: haunted house palette

#552506 #6E25AA #ED690B #F925A0 #8F8BA7 #A6C1AA

FUN + GAMES WEEK

15: MEME ⭐

-Post memes that remind you of your OC

-Draw your OC as a meme

-Fill out a character meme (classic deviantart style)

16: FOOD

-What is your OC's favourite food?

-What is their least favourite?

-Can they cook?

17: EYES-CLOSED ⭐

-Draw your OC with your eyes closed! No cheating!

-Write a scene without looking at the keyboard! Keep the typos in!

18: SWAP

-Swap the style or aesthetic of two of your OCs

-Species or gender swap AU

-Invert an OC's colour scheme

19: INSPIRATION ⭐

-Is your OC inspired by any pre-existing characters?

-Are there any particular songs/lyrics that inspired something about one of your OCs

-Do you have a dedicated pinterest moodboard for your character?

20: INVENTORY

-What does your OC carry around with them on a daily basis?

-Are there any objects that have sentimental value for them?

-Loot drop for your DnD OC

 

FRIENDS WEEK

21-25:

There's no specific daily prompts for this week, but here are some ideas you can try ...

-Art trades with friends who are doing the event with you

-Your OC interacting with a friend's OC

-Gift art for someone whose OCs you like

-Work together and collaborate on something with a friend

-Roleplay an OC scene together with someone

 

HALLOWEEN WEEK

26: FEAR ⭐

-What is your OC scared of?

-Draw one of your OCs trying to scare the others

27: MONSTER

-Do you have any monster OCs? (eg: vampires, werewolves, creatures, ghosts...)

-Draw a human OC as a monster

-Design a new monster

28: TRICK

-Play a trick on an OC

-Do you have an OC who would play tricks on people?

29: TREAT

-What is your OC's favourite halloween candy?

-Give an OC a special treat to make up for yesterday's trick

30: MAGIC

-Do any of your characters have magical powers?

-Give an OC a magical or cursed artifact

-Create a magic-using OC like a witch or wizard

27: COSTUME ⭐

-What is your OC dressing as for halloween?

[aliyahwritings]

THE CONTRACTED HEART — Rafe Cameron (06)

MASTERLIST | Basketball Player & Model!Female Reader

Summary: Rafe Cameron, a basketball star, needs a marriage to fix his image, while Model!Reader needs one for citizenship. They may be the perfect solution for each other.

Warnings: smut, descriptions of violence, jealousy, usage of drugs, talks about body image/ed, angst, and lots of bickering. Reader is confident, a people-pleaser, has a traumatic past, and is a sunshine with an attitude. Rafe is a whore, possessive, cocky, and secretive about his past.

Word Count: 5.3k

Aliyah's Notes: after the calamity of ch5 i present u ch6.... enjoy it. or not. AND IM SORRY FOR THE ENDING 🔥😩😅😨

It's been days. Or weeks? You didn’t even know anymore. The calendar on your phone kept reminding you, but you stopped counting. Maybe if you ignored the world long enough, it’ll forget you existed. Maybe if you stayed in this apartment, you could disappear into these four walls like you were never here in the first place.

Numbers. You used to count them, obsess over them, keep track of every passing hour. But now, time feels... irrelevant. What’s the point of knowing how long you’ve been sinking when no one’s coming to pull you out?

The silence feels... safe. No one to judge you. No one to see the mess you’ve become. It’s funny, though—people always see what they want to see. The headlines called you a goddess, an untouchable force of beauty and success. But what would they say if they knew the truth? That the girl in their glossy magazines could barely stand to look at herself anymore.

You hated this. The lying, the pretending. Nina thought you were just going through a rough patch, but she didn’t know how deep the cracks went. It wasn’t supposed to be like this. You weren’t supposed to be this anymore—broken, fragile, teetering on the edge again. You swore you’d never come back to this place. But it’s funny how easy it is to fall back into old habits, how fast the darkness creeps in when no one’s watching.

No one’s watching.

Maybe that’s for the best. Let them keep seeing the version of you they wanted to see—the confident supermodel, the girl who had it all. Let them believe the lie, because the truth? The truth was ugly. The truth was you’ve been staring at your phone for days, hoping—no, needing—for a message, for something from him.

But nothing.

He was in Missouri. Working, you guessed. You didn’t even know when he was coming back. He didn’t say. 

You hated him for that. But you hated yourself more for caring. For letting him in, even when you knew better. For thinking, for just one second, that maybe—just maybe—there was something real between you, beneath all the lies you told the world.

But none of it was real. Not the dating, not the smiles, not the person they thought you were. You were a fraud. A perfect, golden fraud wrapped up in designer clothes and empty promises. And the worst part was, you were too tired to fight it anymore. Maybe this was who you were now. A girl who hid in her apartment, waiting for the world to forget she existed.

Or maybe it already happened.

The sound of the door creaking open started you, pulling you out of the spiral you’ve been sinking into. You didn’t even need to look up to know who it was. No one else had the key to your apartment beside her.

“Are you kidding me, Y/N?” Nina’s voice cut through the heavy silence like a knife. “This is the third time this week. How long do you think you can keep doing this?”

You didn’t respond.

Nina stromed in, slamming the door behind her, and you heard her heels clacking on the floor as she made her way to the living room. “You’re not answering your phone. You’re not responding to emails. You missed three shoots! People are asking questions, Y/N. What do you think I’m supposed to tell them?”

You stayed silent, curling deeper into the couch. Maybe if you didn’t look at her, she’ll go away. Maybe she’ll finally get the hint that you didn’t want to be saved.

But Nina wasn’t the type to back off. “No,” she snapped. “You don’t get to ignore me, not today. You need to get up. You need to fix this, Y/N. You think you can just hide away forever? Is that the plan? Because let me tell you, honey, the world won’t wait for you to get your shit together.”

She stood in front of you now, hands on her hips, glaring down at you like a disappointed mother. Her usually immaculate hair was slightly disheveled, and you could tell by the tension in her jaw that she’s been worrying. 

“Talk to me, honey,” she said, her voice lower now. “This isn’t you. You don’t just disappear like this. What happened? Is it Rafe? Is it work? Are you back to…” her voice trailed off, but the question hanged in the air, heavy and unspoken. 

You couldn’t look at her. The shame curled in your chest, making in hard to breathe. She didn’t know. She didn’t know how badly you’ve relapsed, how badly everything felt like it was slipping out of control again. And you couldn’t bring yourself to say it. Not to her. Not to anyone.

“When’s the last time you even showered? Eaten something decent? Your career’s on the line. Everything we’ve worked for is on the line. You can’t just… give up like this.”

Her words hit like slaps, each one stinging, but you still didn’t move. You couldn’t.

Nina huffed, pacing now, her frustration spilling over. “I don’t know what happened between you and Rafe, and honestly, I don’t care. But whatever it is, you don’t get to throw your life away because of it. You’re stronger than this, Y/N. I know you are. So why the hell are you letting this break you?”

You flinched at the word “break.” Because that’s what it feels like. Like you’re already broken, shattered into a million pieces, and you didn’t even know how to start putting yourself back together.

Nina crouched down in front of you, her voice softening, her eyes searching yours. “Talk to me, honey. Please. Tell me what’s going on. I can’t help you if you don’t let me in.”

For a moment, you almost did. You almost told her everything—the text, the relapse, the endless void you’ve been sinking into. But the words caught in your throat, choking you. What’s the point in talking when nothing will change?

You shook your head, your voice barely a whisper. “I’m fine.”

Nina’s eyes narrowed. “Don’t give me that bullshit. You’re not fine. You’re far from it. You think I haven’t seen you like this before? You’re not fooling anyone, Y/N.”

She stood, her frustration bubbling back to the surface. “You need to snap out of it. Because in five days, you’re getting engaged to Rafe Cameron, whether you like it or not. And a week after that, you’re walking down the aisle. You can’t afford to fall apart now.”

You swallowed hard, the weight of her words pressing down on you like a lead blanket. The engagement. The wedding. The lies. It all felt so suffocating, so inevitable.

Nina crossed her arms, her voice firm. “So here’s what’s going to happen. You’re going to get up, you’re going to shower, and you’re going to pull yourself together. Because tomorrow, you’ve got a charity event with Rafe, and you’re going to smile for the cameras and make everyone believe that you’re still that perfect, golden girl they love.”

You wanted to scream at her, tell her you couldn't do it, that you didn't even know how to pretend anymore. But instead, you nodded numbly, sinking deeper into the fog that had settled over your mind.

Nina sighed, her voice softening again as she headed toward the door. "I'll be back tomorrow morning. And I swear, Y/N, if you're still in this state when I get here, I will personally drag you to that charity event."

The door closed behind her with a soft click, leaving you alone with the weight of everything she'd just said.

You hadn’t slept. Not really. Just laid there, staring at the ceiling, trying to figure out how you were supposed to pretend like everything was fine when every part of you was falling apart. You could still hear Nina’s voice in your head, telling you to pull yourself together, to be the golden girl everyone expected you to be. 

You dragged yourself out of bed, your body heavy. Your legs felt weak, and your mind feltl worse. Everything was numb, but somehow you still felt the pain. You stumbled into the bathroom, turning the water on without thinking. The cold spray hit your skin like tiny needes, and you stood there for a while, trying to let the string wake you up. But it didn’t work—you were still in that fog.

When you finally stepped out of the shower, you didn’t even bother looking in the mirror. It didn’t matter. You grabbed the first thing you saw—a plain black sweater, loose and oversized, and a pair of jeans that didn’t quite fit right anymore. You didn’t even try with your hair, just pulled it back into a bun. No makeup. What was the point? It wasn’t like anyone cared what you looked like today.

When you got to the office, the tension hit you the moment you walked through the door. Your stomach twisted as you made your way down the hallway, each step heavier than the last. You could feel your pulse in your throat, your chest tightening with every breath. You shouldn’t have cared. You shouldn’t. But as you pushed open the door to the conference room and saw him sitting there—Rafe, looking like he hadn’t been bothered by a single thing—you felt the anger bubbling up, hot and sharp.

It started as a familiar ache that had been building ever since the night he walked out of your apartment without a word. Two weeks. Fourteen days of silence. Fourteen nights spent waiting for a text that never came, hoping for even the smallest explanation, something to make sense of the hollow space he’d left behind.

Day 1. Monday, 2:42 AM

You: “Hey. Are you home? LMK, just to be safe.”

Day 2. Tuesday, 8:18 AM

You: “I’m still so confused about what happened last night, but let’s talk when you have a minute.”

Day 3. Wednesday, 5.32 PM

You: “Look, if you’re mad at me, just say it! I thought we were good, what the hell?”

Day 4. Friday, 11:04 PM

You: “It’s been days and I still don’t understand why you left like this.”

Day 5. Sunday, 3:27 PM

You: “Fuck you. I don't know why I keep texting. I know you’re seeing my texts, even though I’m on delivered. Just tell me if you’re done with this.”

Day 5. Sunday, 10:41 PM

You: “Why am I acting like I’m the one who fucked up? I didn’t do anything wrong. You left me like I was nothing, and your only explanation was a shitty rom-com excuse. I thought we were friends, Rafe.”

Day 5: Sunday, 11:36 PM

You: “I hope you rot in your shit ass apartment, but trust that I will show up to one of your stupid games with a sign that says “Small Dick Ghoster” in big, glittery letters. And I hope Chiara will hug you so hard that she’ll end up strangling you to death. Fuck you, again!”

And there he was, sitting there like none of it had happened, like you were still just strangers playing a game. His posture relaxed, that effortless confidence radiating from him, his gaze fixed on the papers in front of him, completely indifferent.

It infuriated you—the ease with which he moved on, the way he could look so composed, so completely unbothered, as if he hadn’t abandoned you in that moment when you were raw and vulnerable. Like it meant nothing. Like you meant nothing.

Every part of you screamed to confront him, to demand an explanation for the silence, the absence, the complete disregard. You could feel the hurt clawing up from your chest, tangling with the anger that burned hotter with each passing second. He was so close, but somehow, he felt miles away.

So instead, you steeled yourself, locking down the hurt, burying it beneath the anger that simmered just beneath the surface. You wouldn’t let him see the effect he had on you, wouldn’t give him the power to know just how much his absence had shattered you. No—he would get nothing from you. Not a word, not a glance, not a single sign of the turmoil raging inside you.

You walked past him without a word, each step heavy with the weight of the anger you swallowed down. Let him sit there, pretending like nothing was wrong. Let him think he could ignore you, dismiss you, erase you from his life without consequence. Because you would make sure he felt every bit of the coldness he had left you with, every ounce of the hurt he’d carved into you.

Ignoring him was the only power you had left, the only way to keep the anger from spilling over, from breaking you down entirely. And if he thought he could continue on as if the past two weeks hadn’t happened, then he was going to learn just how wrong he was.

Nicolas cleared his throat, breaking the silence that had settled over the room. “Hi, you two—we’ve got a lot to go over, and the timeline is tight. The engagement is in five days, and the wedding is scheduled for a week after that. So we need to finalize the details today—food, decorations, dresses, the guest list…”

You couldn’t focus. The words blurred together a dull hum in the background as you stared down at the table. Rafe said something, his voice casual, but you tuned it out. You didn’t want to hear him.

Sabrina spoke next, her tone brighter, more enthusiastic. “The audience is really enjoying you together, by the way. Ever since your date, and especially after the pictures from Kelce’s party where you two were cuddled up? People are in love with the idea of you and Rafe together. So, good job, guys.”

Your stomach churned at her words. Cuddled up. Like you were some happy couple.

“And tomorrow,” she continued. “You’ll need to make another public appearance together. It’s a charity event for cancer awareness. A perfect opportunity for more good press. The public is expecting you two to show up as the perfect couple—affectionate, in love, all of that.”

In love.

You bit down on the inside of your cheek so hard you tasted blood. This was the part where you were supposed to smile and nod, agree to hold his hand and play the role of the devoted future fiancée. But all you felt was the tension building, the weight of the lie pressing down on you until it was suffocating.

Rafe shifted in his seat, and you could feel his eyes on you, but you still didn’t look at him. Rafe felt an uneasy twist in his stomach. You looked… different. Disheveled, almost. Your sweater hung losely over your shoulders, practically swallowing your frame, and he could see dark shadows under your eyes that hadn’t been there before. You seemed smaller somehow, your usual energy muted, replaced by something tense and fragile.

Rafe’s gaze dropped to your hands, noticing how your fingers fidgeted restlessly, twisting and tugging at your sleeves. Your leg was bouncing under the table, tapping out an anxious rhythm that only he seemed to notice. Every small movement, every nervous habit—you looked like you were holding yourself back, like there was something simmering beneath the surface, ready to break free.

You still hadn’t looked at him, hadn’t given him a single glance, and that bothered him more than he wanted to admit. You’d been messaging him, and he’d been… well, avoiding it, convincing himself it was for the best. But seeing you now, seeing the wear and tear he’d left behind, he couldn’t shake the guilt.

Rafe’s chest tightened. He’d expected you to be angry, maybe annoyed. But this? You looked worn down, frayed at the edges, like you've been carrying a weight no one else could see.

You didn’t remember most of the details they were talking about. Your mind drifted in and out of focus as they went on about the guest list, the food, the decorations. All you heard were words—dresses, flowers, venues. None of it felt real. It was as if you were watching someone else’s life unfold in front of you, just sitting there, an outsider in your own story.

“The wedding will be televised, of course,” Sabrina says, flipping through her notes, her eyes gleaming with the excitement of it all. “And with a full press presence. We want every detail to reflect both of your public personas. Elegant, grand, but also with an intimate, personal feel—something that tells a story about who you both are.”

Who we were. I almost laughed at the irony. I didn't even know who I was right now, much less who we were.

“We were thinking of something grand but elegant. A modern luxury wedding. White roses, lots of gold accents. Maybe something at the estate in the Hamptons?”

You glanced at the board, at all the glossy, pristine images of weddings that could belong to anyone. None of them felt like you.

“Do you have any preferences?” Sabrina asked, smiling like this is the most exciting conversation in the world. “Colors, themes, anything that’s important to you?”

"Actually," you finally broke your silence, your voice coming out quietly, but the words landing heavily in the room. "I’d like the ceremony to reflect... my background." You could feel Rafe's eyes on you again, but for once, you didn’t care. This wasn’t about him.

Sabrina blinked, taken aback, but she quickly nodded, jotting down notes as if she were open to whatever you had in mind. "Of course, that could be beautiful. Were you thinking about specific details?"

You hesitated for a moment, uncertain if they’d take you seriously, but you pressed on. "Yes. The colors… the decorations. I want there to be vibrant colors—not just whites and pastels, but deep greens, maroons, and gold. The way we’d have them back home. And for the flowers… jasmine and roses. That’s what we use for weddings where I’m from. I want it to feel like... like part of my heritage."

Nicolas raised an eyebrow, as if he hadn’t expected you to care about any of this. But he just nodded, his pen moving across his notepad. "We can definitely arrange that. A traditional, multicultural theme would add a unique touch to the event, I think. It’ll definitely resonate with the press and the viewers."

You didn’t care if it resonated. It wasn’t for them—it was for you, a sliver of authenticity in this whole farce.

Then Sabrina’s voice broke into your thoughts. "And of course, the dress. Have you given any thought to what you want? Or would you like us to arrange for a stylist to go over options with you?"

Your heart twisted at the mention of the dress. The one thing you’d always imagined as a girl—the dress you’d wear at your own wedding. Only, you’d never thought it would be for this.

"I’d like to include some of my culture there too," you said, your voice barely above a whisper. "Maybe... a fusion. Something elegant and modern but with hints of traditional South Asian bridal elements. Like embroidery or... beadwork. Maybe even henna if it wouldn’t look out of place."

Sabrina seemed to light up at the idea. "That would be stunning. We can definitely work with that! I know several designers who specialize in fusing traditional and contemporary styles."

She was still talking, but the air around you felt thicker, as though the room was closing in. You could sense Rafe’s gaze without even looking at him, the weight of his silence pressing into you.

You zoned out again, your mind wandering back to the last wedding you attended. The colors, the music, the way the bride’s lehenga shimmered under the sun as she walked down the aisle. You’d always thought your wedding would be like that—full of life and celebration, surrounded by people who loved you.

Instead, you were planning a wedding for the cameras, for people who didn’t know you.

The sudden, sharp knock on the door cut through the stillness like a jolt of cold water. Your head shot up from the pillow, heart hammering in your chest. For a moment, the world felt like it was still. The quiet of your apartment, the thick fog still clouding your thoughts. You didn’t want to get up. You didn’t want to face the world outside of this bed, this cocoon of emptiness you’d wrapped yourself in for days.

Another knock, this one louder, more demanding.

“Y/N!” Nina’s voice came through the door, sharp and impatient. “You better not still be in bed, because I swear—”

The door swung open before you could even make a sound, Nina storming in, wearing the same determined, unbothered expression she always had when she was on a mission. You tried to bury your face back into the pillow, but she wasn’t having it. Her hand reached down, grabbing the covers and yanking them off with force. You shivered as the cold air hit your skin, the warmth of the blankets yanked away along with any shred of comfort you’d been clinging to.

“Get up.” Nina wasn’t asking. She was commanding. “You’ve got a charity event today, and Rafe is already at the venue. We don’t have time for your pity party.”

You squinted at her, still half-wrapped in your sheets like a burrito, and mumbled from underneath the pillow, “Can’t you just… I don’t know… handle it for me? Go in my place. You’d look great in a gown.”

She cocked an eyebrow. “Oh, I’d look amazing, but you and I both know I don’t have that kind of charisma.”

“True,” you admitted, peeking out from under the pillow. 

Nina raised her hands in mock surrender. “Exactly. Now, up. I’m not playing with you today.”

Before you could even protest, she yanked the covers off you with a dramatic flourish, leaving you to shiver in nothing but your oversized T-shirt. It was a miracle you didn’t roll off the bed in the process.

“Come on, Y/N. Let’s go.” Nina didn’t wait for you to even get a grip on reality before heading straight for your closet, rummaging through your clothes like she was on a mission. “You’re going to look so good today that Rafe might just start thinking you actually like him.”

You shot her a glare that could’ve frozen water, but she just smirked, tossing a black dress onto the bed like she was some fashion fairy sent to save you from yourself.

“I’m not going,” you said flatly.

“Oh, yes, you are.” Nina threw a matching pair of heels onto the bed with the same casual flick of the wrist she used to dismiss your protests. “Because you will look stunning, and you will show up.”

You sat up slowly, rubbing your face. “What is it with you people? Why does everyone keep trying to drag me out of bed? It’s like I’m the world’s most reluctant celebrity.”

“Because you are.” Nina grinned, holding up your dress like she was presenting the Holy Grail. “But, hey, guess what? You’re really good at it. So stop sulking and get your glam on. You’re the star of the show today.”

You let out a theatrical sigh. “Oh, joy.”

Nina didn’t even flinch. “I’m not asking for a performance. Just put on the damn dress and show up. You can pretend to be miserable, and I’ll pretend I’m not a miracle worker for getting you out of here.”

You hesitated for just a moment, then dragged yourself out of bed with a grunt. “Fine.”

“Oh, by the way, Aisha’s going to be there. She practically begged me to make sure you show.”

Your eyes snapped open. Aisha Patel. Your best friend and, quite honestly, the only person in your life who could drag you out of bed with a single text. She’s been your best friend since you’d arrived in the States. She’d been away for five months—longer than ever before—working on some high-profile project in Switzerland. You hadn’t seen her in ages.

“You’re kidding,” you mumbled, sitting up and rubbing your eyes. “Aisha’s coming?”

Nina smiled smugly. “Yep. She’s flown back for the event. Can you imagine the drama if you don’t show up? She’ll never let you live it down.”

You sighed, a smile tugging at your lips. “God, I missed her.”

“Me too,” Nina said, her voice softening for just a second. “But you still have to get up. Like now.”

You looked at the dress Nina had already picked out, a sleek white gown that somehow made you feel both glamorous and like you were about to attend a royal gala. “Fine. I’m up. I’m dressed.”

Nina, who was already rummaging through your closet like a pro, grinned. “You look absolutely beautiful, honey,” she noticed your weight loss but decided to not speak on it, in fear it’ll make you relapse… if only she knew. “Chiara’s also going to be there...”

You froze, the mention of Chiara Romano sending a cold shiver down your spine. You’d told Nina everything about the Chiara encounter—her subtle digs, the way she made you feel like you were just another passing phase in Rafe’s life. She’d made things uncomfortable enough at Kelce’s party, and now you had to face her again?

“What? Fucking why?”

“Her father’s the one running the whole damn event,” she explained. “I’m surprised you haven’t heard of her or her family because they’re pretty famous, especially in the entertainment and events world. So, get ready for a day full of small talk, fake smiles, and people who will pry into your private life.”

You sighed. “How perfect is that?”

You stood in front of the mirror, trying to shake off the heavy weight of everything swirling in your head. You glanced at the clock. You were running out of time.

You reached for your hair tie, pulling it through your tangled locks. Your hair had grown longer than you remembered, and you decided to tie it up in a messy, yet elegant bun—one that would allow a few soft, curly strands to escape and frame your face. It was casual but chic—classic you. You let a few strands fall loosely, giving the bun a less formal, more effortless vibe. After a moment of satisfaction, you moved on to the makeup.

A soft, dewy glow covered your skin, nothing too dramatic. You didn’t want to feel caked in layers today, just enough to enhance your features. You applied a touch of blush to your cheeks, just a hint, to keep the look fresh. A thin line of mascara lengthened your lashes, and your signature lip combo was the finishing touch. Simple. Comfortable.

As you turned to check yourself one last time, you heard Nina's voice from the other room.

“Y/N! We need to go now. Rafe's texting me and he’s getting antsy. He’s apparently already at the event!”

You sighed, feeling the familiar rush of anxiety settle into your stomach. The mirror reflected a version of you that was ready for the world, but the world, especially tonight, wasn’t ready for this version of you. But as the pressure of the event built up, you couldn’t deny the uncertainty gnawing at you.

When you made your way into the living room, Nina was pacing, her phone glued to her ear. She shot you a quick, approving glance. “Looking good. Let’s go.”

As you grabbed your clutch, ready to face whatever tonight had in store, the doorbell rang. Your heart skipped a beat. Was it Aisha? Maybe she’d arrived early, wanting to meet up before the event?

But when you opened the door, your breath caught.

Standing in the doorway wasn’t Aisha.

It was Rafe.

He was in a suit—sharp, looking like he belonged in a magazine ad for high-end fashion—but his eyes, dark and intense, held something more than just a desire to impress. He had the look of a man who knew he had messed up.

His words hit you before you could even process them. “You look stunning. I wanted to make sure you’re okay... before all this.” The sincerity in his voice made your heart thump a little faster, and you hated yourself for it.

The words caught you off guard, and for a moment, you just stood there, blinking at him. You hadn’t expected him to show up—especially not with that kind of intensity in his eyes.

You exhaled slowly, your arms instinctively crossing over your chest, your posture defensive. The audacity of this guy.

“Really?” You scoffed, trying to mask the vulnerability creeping up your spine with sharp sarcasm. “Now you care?”

Rafe seemed to falter at that, but he quickly recovered, taking a small step closer, but not enough to make you feel cornered. “I’ve always cared, Y/N. You know that.” His voice was quieter this time, and the sincerity in his eyes almost made your resolve crack.

“Do I?” you shot back, stepping out of the doorway and giving him a once-over, your gaze icy. “Because you sure had a funny way of showing it.”

Rafe winced, a flash of guilt flickering in his eyes. He ran a hand through his hair, his jaw tight. “I messed up, okay? I should’ve reached out. I didn’t know what to say, but I should’ve just... shown up.”

You rolled your eyes, the anger simmering beneath your skin rising again. You could feel your heart pounding in your chest, not from the sight of him, but from the frustration that had been building over the past two weeks. “You didn’t know what to say? You think showing up fixes two weeks of silence? Just like that?”

He took a step forward, his face tightening, as though he was bracing himself for a confrontation. "I wasn’t sure what to do," he said, his voice lowering. "I thought... maybe you needed space. I thought if I gave you time, it would be better." He ran a hand through his hair, frustration clear in his expression. “I was trying to do the right thing.”

You stared at him for a long moment, the audacity of his words settling like a lump in your throat. “Space?” you asked, your voice low, incredulous. “You thought ghosting me for two weeks would give me space?” 

Rafe’s face twisted in guilt, but it didn’t matter. You weren’t going to let him off the hook.

“Did you at least see my texts?” you demanded, anger rising in your throat.

"Y/N, you’re needed at the car right now!" Nina called, stopping Rafe in his tracks of answering. Before you could walk away, Rafe reached out, his hand closing around your wrist, pulling you back gently.

"Wait," he murmured, his thumb brushing your skin.

You stared up at Rafe, your breath caught in your throat, uncertainty swirling in your chest. The air between you two felt charged, a thousand unspoken questions hanging in the balance. Your pulse was racing, but before you could voice any of them, Nina practically shoved you both into the elevator. Her hand pressed the button for the ground floor as she threw your heels at you, the sharp click of the stilettos punctuating the tension.

You caught them on instinct. The elevator descended, and your mind was still spiraling, trying to piece together what the hell was happening. What the fuck—this distance between you and Rafe? 

But just as the elevator doors opened, the sound of a familiar car door slamming outside caught your attention. A quiet thud, followed by the sound of heels clicking against pavement. Your instincts were on alert, an uneasy feeling crawling under your skin.

And when you turned to look, you saw someone stepping out of the car.

Someone who shouldn’t be here.

“I was wondering when we’d get the chance to catch up.”

chapter seven

[stonedeadforever]

Painting leather with clean long lasting results. A somewhat in-depth post

Materials used:

For painting: Scrap leather, watercolour pens, parchment paper/tracing paper, leather paints (ROC læderdækfarve is the best one I have ever tried. NO others compare to it), and small brushes (synthetic and sable)

For sewing: scissors, stitching wheel (optional), waxed thread, and leather needles

There are probably other ways to do this but this is what I came up with through trial and error over a few years and it has yet to fail me.

On the left is my reference. I traced it digitally to make a simplified mockup and added a white outline to get a feel for what it would look like on black leather. This isn’t necessary for all designs, but I’ve found that it also gives you a feel for the composition that does help when painting. I already knew that I wanted this on my belt bag so I stretched the image slightly to make the final patch fit it better.

I then inverted the colours and flipped the image. I taped a piece of parchment paper to the screen and traced the lines with a red watercolour pencil. (Shown on regular paper as my parchment paper is brown and does not show up well on camera)

the pencil being water based is important. If it isn't a watercolour pen, it will not transfer at all.

I use my ipad with procreate to create the stencil, but I used to do this on my phone with ibispaint for years, and it works the exact same. If you have access to a printer, you can skip this step and draw directly on the backside of the print if you have a lightsource behind it. Using a printer will make the tracing easier, but transferring with it might be a bit trickier.

Next I slightly wet the leather surface and press the stencil on the damp leather. This takes a lot of trial and error as different leathers need different amounts of water. Too little water and there will be no transfer, too much water and it will bleed into a blob and the stencil will be unusable. But if just the right amount of water is applied you will be left with a usable guideline for your design.

I start the painting process with watered down paint, following the guidelines I have made and referencing the mockup from before closely. After the stencil lines are painted, I wipe away all the excess red with a wet tissue. I also switch from referencing my mockup to referencing the original picture at this point.

Left: one layer. Right: two layers and cleanup

I forgot to take pictures between the guidelines and first paint layer being finished but this is like... the most straight forward part of the process. The most important thing is looking closely back and forth at the reference and comparing your painting to it every few strokes. I use a tiny brush LOADED with paint and a light hand to create pigmented lines and dots. When the first layer is dry to the touch I go in with black paint to clean up any imperfections. The black paint has a slightly different finish to the bare leather, so I do my best to avoid having to use it too much. After that I go in with a second layer of white. The white I use is fully opaque in two layers. I think I spent a total of two hours on this from start to finish.

Most leather paints take up to 48 hours to fully dry. Do not be impatient and cut out, sew, or wear the items you painted before it is fully dry, even if it feels dry to the touch. You WILL ruin your hard work.

I use a stitching wheel to mark out where I want the stitches to go. This is a totally optional step, but I like how neat it makes my stitches look. The thread I use is a thin waxed cotton thread. Don't skip out on leather needles. The type I use have a triangular point instead of a round one and slice through the leather instead of piercing it. Your joints will thank you.

Some of the many other projects I've done with this technique. I used to regularly do jacket commissions but I don’t have pictures of most of them due to changing phones. Both the sisters of mercy/paranoid jacket and the motörhead/znöwhite jacket has had about two years of daily wear and no touchups.

Some other stuff I didn't know where to add:

Your brushes matter. Different brushes are good for different techniques. Small springy synthetic brushes for lettering. Round tiny sable brushes for graphics like the one shown here. Flat eyeshadow brushes for covering large areas with no visible brush streaks.

If you are going to do something that isn't in black and white, you will need a base coat of white under any colour to get full pigment. Otherwise the colour will look dark and dull.

If your leather is a light colour, you can just do a regular transfer with tracing paper and a graphite pen.

Don't use leather that is too dry. If you drag your finger across the surface and it feels like suade, the paint will crack and flake off together with the surface of the material.

You can find scrap leather by thrifting leather clothing items and cutting them up. There are sometimes bags of leather scraps in the crafts sections of thrifts, or if you don't care for the ethical connotations of getting leather that isn’t second hand, you can often buy leather scraps by weight at fabric suppliers.

If you are gonna paint faux leather, you might want to switch from leather paint to vinyl paint.

Treat the finished product with care. As long as you don't scrub at it or keep it wet for a prolonged period, there is a good chance that it will last for years.

[opbackgrounds]

The Romanticism of One Piece III: Emotionality and the Absurd

AO3 Part I Part II Part IV

“Do you think I am an automaton? — a machine without feelings?” —Charlotte Brontë

After opening with Roger’s death in chapter one, the perspective of the manga immediately switches to focus on our main protagonist, whose first action we see is of him stabbing himself in the face in order to look cool. The introductory panel of Luffy is one of childish, absurd determination. His mouth alone takes up over half his face. It looks a bit silly, and after patching him up, Shanks just…laughs. 

The Romantics, on the whole, were not silly people, but they were bursting at the seams with emotion. If you read a Romantic novel expect the characters to spend a great deal of time soliloquizing about their feelings. If you look at a Romantic painting expect bold colors and dynamism composition. If you listen to a Romantic musician expect songs that are passionate and full of energy, unrestrained from traditional forms. In a word, these people were extra. Specifically, the Romantics embraced the full spectrum of human emotion, from the depths of despair in a work like the Sorrows of Young Werther to the heights depicted within the essays of the American transcendentalism movement. 

This heightened emotionalism of the Romantics always trumped over what was realistic or scientific. For example, look at a work like Jane Eyre. While melodramatic, it’s a work that ostensibly takes place in the real world. Yet the most emotionally-charged moments introduce supernatural elements, including reuniting the main couple at the end when Jane randomly hears Mr. Rochester speak her name on the wind from halfway across the country. 

And by random, I truly do mean random. It’s difficult to put into words how out of left field this is for the reader. There are only a few pages left in the book, and by this time the main couple has spent more time apart than together and had no reason to believe they’d ever be reunited. But their love becomes a literal supernatural force strong enough for Jane to rush after him without hesitation, and they live happily ever after. 

(Please, I beg of you to watch the last 10 minutes of this movie. It was one of the most unintentionally hilarious experiences of my life).

It’s an extreme and slightly goofy example, but what is One Piece if not extreme and slightly goofy? It’s a story that, at its most fundamental level, makes you feel. We all know the pain of crying over a boat, and what makes the death of the Merry, along with any other number of things that should be stupid but aren’t, is Oda’s commitment to sincerity. Emotional truth trumps logic, always. It’s why we celebrate characters like Bellmere who can’t not call herself a mother, even if it costs her her life. The bond of found family is more powerful than the logical choice of denouncing Nami and Nojiko. Oda had other characters try to inject logic into Bellmere’s decision after the fact, but there’s no evidence from Bellemere herself that she was behaving logically, and we love her for it.

The artstyle itself emphasizes emotional truth over realism. Oda is more than capable of drawing in a more realistic or traditionally “cool” style if he wanted to, but it would be to the detriment of the story he’s trying to tell. Every smile takes up half a character’s face. People who are crying are portrayed as sniveling wrecks. Their fury becomes palpable, their hopelessness gut-wrenching, their joy contagious. Oda chose very early on not to give Luffy thought bubbles, and in the absence of knowing what he’s thinking, it was absolutely imperative that the audience knew what he’s feeling. The few times his expression becomes ambiguous immediately stand out and lend a scene a sense of weight that borders on unease.

This expressiveness doesn’t stop with the character designs. Oda will tweak perspective to make important people or places seem even larger than they really are. Buildings will follow Loony Toons logic if a gag calls for it. Locations and ships, particularly once the crew reaches the Grand Line, become absurd and impossible. 

(Remember, Hancock and Mihawk are both only a little over six foot tall)

But for One Piece, it’s in this absurdity that the impossible becomes possible, through sheer force of will. Luffy is on every level ridiculous, but it’s because he’s ridiculous that he chooses at every turn to keep fighting against forces that by all rights should be impossible to defeat. Many of Luffy’s most despicable enemies are the ones who in some way or another have taken away other people’s ability to feel as they wish. Arlong took away Nami’s happiness and made her cry. Crocodile stole Vivi’s ability to smile. The zombies of Thriller Bark are reduced to mindless slaves while the toys under Doflamingo’s rule are physically unable to emote. And perhaps most powerfully of all, the people of Wano and the slaves of the Celestial Dragons are both forced to smile despite their horrific circumstances, a bastardization of the joy Luffy brings no matter where he goes. 

In his prelude to the Lyrical Ballads, William Wordsworth wrote that, “All good poetry is the overflow of powerful emotion”. He linked emotion to motion, or action, with the catalist between the two being the creative power of imagination. While many of Luffy’s fights are ultimately won because he’s able to punch another person real good, the seemingly limited ability of the gum-gum fruit forces him to come up with increasingly-creative ways in which one can stretch, until he’s able to stretch the fabric of reality itself to bend to his whims. It is said, in all the world, that there is no power more ridiculous.

At the end of chapter 218 a galleon falls from the sky, and Oda quotes fictional physicist Willy Karen, stating, “Anything man can imagine is a possibility in reality.” It is through the power of imagination and absurdity that Luffy fights against the forces of oppression. There is nothing more dangerous to an institution than losing its credibility, and nothing so dangerous to one’s credibility than the power of mockery. If one can face the darkest, most difficult times and still laugh then, well, they become a little less dark and difficult. By laughing, and helping others to do the same, it becomes easier to make it through another day. It’s important, I think, that Oda has emphasized the act of laughing so much, drawing attention to it by virtue of giving out unique laughs all throughout the series.

One Piece has the reputation of being "the silly pirate manga". This isn’t untrue, but it does a disservice to the breadth of feeling the series inspires. As I said, we’ve all cried over a boat. Slavery, oppression, and every sort of hardship exist within the One Piece world just as much as it does our own. 

Oda’s answer is to combat these things with the silly and the absurd, by being creative and imaginative while pursuing one’s passions with one’s whole heart, no matter where those passions may lead. He tells the reader you have the right to feel as you wish and pursue joy wherever you may. And when you run up against resistance, you fight like hell for what you believe in. 

And as it turns out, that’s a Romantic virtue, too.

[childrenofcain-if]

That scenario with D and MC having an argument while being long distance has me thinking how it'd go for them to spend time together at the farm? Especially for a spoiled MC who has never done any farm work 🤣

What would D's reaction be while they're complaining that there's dirt on their hands and their $1000 branded shoes, almost having a stroke when they step into fresh cow shit. I do think at the end my MC would try to adjust and even try to bond with the farm animals because they love D too much to do otherwise

the diaconu’s farmhouse looked like something out of a postcard, except for the way the air smelled—earthy and alive, undercut with the tang of manure.

it was sprawled out across rolling fields of tall grass, speckled with wildflowers, and the old oak trees loomed like sentinels guarding the quiet. the house itself had been scrubbed clean of its former dilapidation—new paint on the weathered boards, the wraparound porch gleaming like something out of a country living magazine. it was picturesque, serene, but utterly foreign to you.

and while it was all beautiful, sure, you couldn’t stop glaring at your brand new louboutins.

“oh my god, do you know how much these cost?” you said for what felt like the hundredth time, holding up one leg to inspect the damage. the soles were caked with mud, the once-pristine leather now streaked with grime. “this is disgusting. why would you bring me here? why did i let you bring me here?”

D laughed, the sound as bright as sunlight off metal. “you could’ve worn boots like i told you to.”

“boots wouldn’t have helped,” you muttered, pulling at a loose clump of dirt. “this whole place is a death trap for footwear.”

D, who was busy tying a tarp over a stack of hay bales, grinned at you over their shoulder. their gunmetal gray eyes twinkled and their brown hair caught the light just so. they looked unfairly gorgeous for someone who’d spent the last half-hour shoveling hay. “you’ll survive, city slicker.”

“i’m not a city slicker,” you shot back, crossing your arms.

“oh yeah, sweet cheeks? when’s the last time you touched dirt on purpose?”

you opened your mouth to argue, but then there was a squelch.

D froze, looking down at their boot, which was firmly planted in a pile of fresh cow manure. you froze too, horrified on their behalf, until D burst into laughter.

“oh my god,” you said, positively freaking out. “oh my god. i think i’m going to die. get me out of here!”

“it’s just cow shit,” D said, still laughing as they scraped their boot against a patch of grass. “relax.”

“relax?” you said, incredulous. “that’s easy for you to say. you’re used to this. i’m an innocent witness. a victim.”

D shook their head, their smile as unbothered as the wind brushing through the fields. “you’ve never been funnier, you know that?”

“is that a real chicken?!”

***

the first few days were hard.

you complained constantly—about the bugs, the heat, the chores that D somehow convinced you to help with.

milking a cow turned out to be more terrifying than you’d anticipated, and the chickens seemed to have a personal vendetta against you.

you refused to wear anything other than your designer clothes, which only made everything worse, and every time you got dirt under your nails, you threatened to call an uber back to civilization.

D, for their part, took it all in stride. they teased you mercilessly but never in a way that felt mean.

when you were the one who accidentally stepped in cow shit the first time and started screaming loud enough for people to hear you in the nearby city, they laughed so hard they had to sit down, but later, they cleaned your shoes without you even asking.

“this place is cursed,” you said one evening, collapsing onto the porch swing after a particularly grueling day. your arms ached, your hair was a mess, and there was a smudge of grease on your jeans.

D sat down beside you, their face glowing with the kind of happiness that only came from being somewhere you truly belonged.

“it’s not cursed,” they said, leaning back and looking out at the horizon. “you’re just not used to it yet.”

“that’s an understatement, rook. i grew up in air-conditioned luxury. i’m not built for this life.”

they laughed again, soft and affectionate. “maybe not, but you’re doing better than i thought you would.”

you shot them a skeptical look. “that’s not exactly a compliment.”

“it is when you think about how pampered you are.”

“excuse me?”

“i mean it in the nicest way,” they said, holding up their hands in mock surrender. “you’re trying. that’s what matters.”

you wanted to argue, but the sincerity in their voice stopped you. instead, you muttered, “i’m only trying because i love you.”

D’s smile was so wide it felt like it could split the sky. “i love you too, my gorgeous city slicker.”

***

as the days went on, you found yourself adjusting in ways you hadn’t expected.

you stopped flinching at the sight of dirt, started remembering to wear the boots D bought for you instead of your ruined designer shoes. you even began to enjoy some of the chores—not because they were fun, but because they made D happy, and seeing D happy made everything else worth it.

you bonded with the animals, too, though it took time. the cows were less terrifying when you realized how gentle they could be, and the chickens stopped pecking at you quite so viciously.

one particularly stubborn goat, marcus, became your unlikely favorite, and D teased you endlessly about how you’d started sneaking it extra treats.

“see?” they said one afternoon, watching as you scratched the goat’s ears. “told you you’d come around.”

“don’t get cocky,” you replied, but there was no real bite to your words.

but as much as you still grumbled and complained, there was something magnetic about D’s ease. the way they moved through this place—like the land and the air knew them—made you feel like an outsider in the best way.

you followed them around reluctantly, watching as they worked with a kind of practiced motions, securing gates, checking on animals, tinkering with an old pickup truck parked under a tree.

it was easy to forget, sometimes, that they’d lived a whole life before you. that this farmhouse and these fields had been theirs long before san francisco, long before yale.

they’d told you about it before—about summers spent baling hay and feeding chickens, about the farmhands who taught them to swear in three different languages—but the reality of it hit different.

***

D watched you from a distance one day as you were petting one of the fluffy, brown highland cows, their hands busy under the hood of the pickup truck but their eyes constantly flickering to where you stood.

they weren’t sure what they’d expected when they brought you here for the summer—maybe for you to complain the whole time, maybe for you to hate it—but seeing you with the cows, with dirt on your hands and dirty boots, felt like something they hadn’t let themself hope for.

when they glanced at the flatbed of the truck, their gaze landed on the pair of gloves you’d both left there earlier. their gloves, worn and patched in places, were next to yours, which were new but now had slight smudges of mud. something about the sight made D pause.

this place had always been a piece of them, something they couldn’t forget no matter how far away they moved. but seeing you here, trying despite yourself, made it feel like something new. like it wasn’t just theirs anymore.

you glanced up, catching their eye. “what?” you asked, brushing your hands off on your jeans.

D shook their head, their smile softening. “nothing. this summer has just been full of surprises.”

you walked over, brushing a stray piece of hay off your sweater. “well, don’t get used to it. this is a one-time thing.”

“sure it is,” D said, their smile widening.

the sun was starting to set, casting the fields in gold and pink. you sat beside D on the edge of the flatbed, watching as the cows wandered back toward the barn.

“this place is beautiful,” you said finally, your voice softer than before.

D nodded, their gaze fixed on the horizon. “yeah. it really is.”

you hesitated, then reached out, your hand brushing against theirs. “i can see the appeal now. at least a little.”

D turned to look at you, their expression unreadable but warm. “thanks for being here with me.”

“thanks for not laughing at me when i screamed about the dirt during the first day here,” you replied, trying to lighten the mood.

“i mean, i definitely laughed,” D said, their grin breaking through. “but i’ll pretend i didn’t, for your sake.”

you rolled your eyes, but you couldn’t help the smile that broke through your lips.

***

for D, this really was a dream.

they told you about it during your last night together at the farmhouse as you sat on the porch, watching the fireflies dance in the twilight. the air was warm and sweet, and for once, you weren’t thinking about the dirt under your nails or the soreness in your muscles.

“i used to think about this place all the time,” they said, their voice quiet. “when i was a kid, it was like... like magic. i loved it so much. i never wanted to leave.”

“and now?” you asked, leaning against their shoulder.

“now it’s even better,” they said, turning their gray gaze towards you. “because you’re here.”

you looked at them, startled by the honesty in their tone. “even though i’m a spoiled brat sometimes who whines about everything?”

D laughed, pressing a soft kiss against your lips. “even then. especially then.”

[exodusin]

♱ — 𝕬𝖓 𝖚𝖓𝖍𝖊𝖆𝖑𝖙𝖍𝖞 𝖔𝖇𝖘𝖊𝖘𝖘𝖎𝖔𝖓 𖤐 yandere!bill cipher x goth!reader ; MOSTLY triangle bill and some FEW human bill in some parts, human bill is based off this design, no twinkification of the nation, stalking, manipulation, gore, abuse, just overall out of pocket, there will be smut but it is consensual, NO NONCON we don’t do that here, reader’s personality is kind of based of Henrietta Biggle from South Park

TW; childhood trauma, bullying, abuse, torture, stalking, creepy ass behavior, manipulation

𝖕𝖗𝖔𝖑𝖔𝖌𝖚𝖊

* ੈ✩‧₊˚

August 25, 2016 — Gravity Falls, Oregon

You and your best friend, Wendy Corduroy, were at the mini-store plazas in downtown Gravity Falls, looking for stuff for college. You were entering the art field, despite your mother's objections that you should study something more lucrative. But you didn't mind; just one year of arts wouldn't hurt. You wanted to pursue something you truly enjoyed.

You picked up a few goth band pins for your backpack: Siouxsie and The Banshees, The Cure, Bauhaus, Sisters of Mercy, etc.

"Dude! Tambry is back. It's been a while since we've seen her," Wendy said, showing you a recent text from Tambry about returning to Gravity Falls. You exhaled smoke from your lips and smiled.

"How's she doing? Did she mention anything about me?" you asked. Wendy shook her head. "Not yet, but hopefully she'll be excited to see us. I think she's still a bit... traumatized by the apocalypse."

"I think everyone is, but we cope with the 'Nevermind that!' thing... It kind of works for me," you said casually. It had been frightening to think about but knowing your abusive mom had been turned to stone made you feel slightly better.

Shaking off the thought, you continued walking and talking with Wendy. You both were headed to the Mystery Shack for work. Upon arrival, you clocked in and placed your backpack near your workspace.

"There you are!" You smiled at the familiar voice of Soos, the coolest manager ever, especially since Grunkle Stan retired in a way.

"Good news, dudettes! You two are getting a raise!" Soos announced.

You and Wendy looked at each other and grinned. "Wait, really?" Wendy asked excitedly.

"Of course! I understand college is a money grab, dudes," Soos chuckled. "Does $19 an hour work?"

"Better than okay, it's perfect!" you exclaimed. Tambry walked into the shack, her hair a bit longer this time, grinning when she saw both of you and Wendy.

"Guys!"

"Tambry!" You and Wendy exclaimed, giving each other a group hug, reminiscing about 2012.

"Purple-haired girl! Is it Tambry? Please correct me, dudes," Soos said as he joined the hug.

"You guys are crushing my bones..." Tambry groaned but chuckled.

"Now that we have a strong trinity of young ladies, I want you three to find something, anything that can attract tourists, as long as it isn't hazardous. Make something up, just like the old Stan ways!" Soos smiled. Tambry looked at him. "But I don't work for you?"

"Oh, come on! It's a good excuse for you three girls to have a night out and go on some sort of scavenger hunt."

"That feels like something Dipper and Mabel would do," you said, memories flooding back.

"Better get going now. Melody is making bomb enchiladas, and I don't want you dudes missing out."

"Bet, c’mon, let’s go see what this creepy-ass town has to offer," you said, grabbing your black trench coat with goth band patches, unaware of the reptilian slit on the moon watching you—only you—invisible to others, but you remained oblivious.

Oh, dearest

Oh, my dearest

[sequence-trotter]

With Sunday's drip marketing, one reaction I've seen is surprise that he's still on his same path toward the same goal of paradise.

But of course he is! HSR patch 2.2 Penacony is a long string of scenes where Sunday is like "debate me, please debate me, I feel a little bit like I'm going crazy here, how are none of you seeing what I'm seeing, someone please debate me." He sees a cold and uncaring logic to the world and desperately wants to be wrong about his conclusions.

And no one debated him. They overpowered him and broke his illusion via power rangers distress call and "severed [his] Path with their hands," as he put it, but no one really debated him in good faith on the terms he set. Of course he hasn't changed! No one was even faintly capable of articulating an alternate position!

unacceptably long-ass boring post incoming. if you click the read more you have only yourself to blame. i had to put in subheadings for navigability this post is a MESS

(authors note: in an absolutely embarrassing travesty i managed to hit the picture limit per post so this will be a post in multiple parts. this part covers Sunday's goals and Robin's initial response. A follow-up post will cover Firefly and the Astral Express's response, as well as the final confrontation and what this all means)

(double note: due to post length limitations this ended up being three reblogs long. completed version here.)

(A note before we set off: I do not think the HSR writers are very good, or more charitably, I think the constraints under which HSR is made pretty much preclude it having a thematically satisfying narrative. Not the least of these constraints is the obvious fear around having anyone playable be "too bad," which is why Blade was introduced as an implacable force of ancient vengeance for crimes unutterable, and now he's your 35-year-old coworker who jokes about killing himself. Everything I'm saying here is just interpretation, and it will certainly not be the game's take, since the game's moral reasoning doesn't seem to extend very far beyond "the Astral Express is good guys :)". Accordingly, please take this in an appropriate spirit, as someone looking for griminess and nuance in a game with a distinct deficit of either and an extreme unwillingness to treat its most interesting concepts as anything more than set dressing or very loosely-implied subtext.)

So to start you gotta ask, what is Sunday so mad about? Why does he demand that you debate him?

I. Sunday's Goals: "A Paradise Exclusive to Us Human Beings"

In his own words, what Sunday is fighting against is the fact that the world runs on predation and violence. Order is the enemy not of Chaos, but of Nature, and natural selection.

For Sunday, the problem is not merely that bad things happen in the world, or that the weak suffer. The problem is that the world is cruel in its design. The logic of survival is cruel. The extent of the problem is not just the dove dying to predators, though that is a huge part of it. It's the average worker, required to work at drudgery or worse, usually for the benefit of another, and always under possible threat of deprivation and death, because the nature of the world is that you must work or hurt or exploit or kill to survive. It's the man who sold his children into slavery for the chance at a better life, but more importantly it's those children, an afterthought in the end even to their father.

It's not just the suffering alone that he is responding to, either. In suffering and deprivation, Sunday sees a loss of control and choice. that necessarily entails a loss of dignity and meaning. Both the Astral Express and Firefly object that people should have the right to choose, but Sunday simply responds that they have no greater ability to choose under the status quo. To Sunday, a man who lives in a literal dream world, a life lived struggling for better things might be noble, but it is unequivocally not as dignified or happy as one lived in bliss.

This is part of why he's so fixated on the idea of weakness. Sunday perceives a distinct difference between people who believe their struggles give their lives meaning, and people who do not feel themselves to be free in the first place and thus find no greater meaning in their struggles. He clearly sees the second group as weak (a term he uses without judgment), and unable to fully express and experience their human dignity as a consequence of their position.

Sunday sees the history of Penacony as essentially recapitulating this struggle over and over. Hanunue frees the prisoners, but can neither secure Penacony's permanent freedom nor give the former prisoners full and dignified lives. Then Hanunue dies, and Sunday's sort of intriguingly ambivalent in how he portrays the Harmony taking over. It's actually kind of inspiring and humanist! This is a guy who's still deeply invested in Harmony's ideals.

But of course, we don't need a direct critique from Sunday to know how the Harmony has failed Penacony. We've seen it with our own eyes over and over. Do we need Sunday to tell it to us again when we've already spent our time with Chadwick, and Cocona, and Tizocic II? We have already seen over and over and over again in Penacony how systemic constraints and problems drive people who could have lived bright lives down dark paths, even in the Dreamscape.

Most intriguing is the third act, ostensibly the future, in which Ena arises and then is cast down because the people reject THEIR paradise in which THEY control and define all things. This could kind of be a jump to the past...except that Ena's previous "death" was due to absorption by Xipe during THEIR ascension, not because the people cast THEM down. The only event it appears to bear any resemblance to is...well, you beating Sunday in a few missions' time, because you reject his paradise since it's all in his control. Weird!

Back to the main matter, Sunday believes that true human dignity and flourishing requires not just freedom from outside control by otherss, but freedom from suffering and privation. He sees the weak (in his thinking, people spiritually unable to rise above suffering) as people unable to fully express themselves, who deserve the dignity of a life free of suffering or bitter choices. He spells this all out quite plainly in his opening lines to you when you arrive at the grand theater:

So we know what Sunday wants. And we know his answer to it: the Sweetdream Paradise (as I will be calling it here because I think it's funny and also because the sweet/bitter dichotomy is a huge part of Penacony thematically). He will use the power of Xipe's Emanator (Dominicus, the Harmonious Choir), and the remains of Ena (unclear if these are like, conceptual or metaphysical or what) to become something new (context implies possibly a new Aeon of Philosophy) that will enable everyone to sleep forever, entering a Penacony-esque dream in which nothing bad can truly happen, sustained by whatever new thing Sunday becomes. Everyone will be experiencing life through dreams while Sunday is the only thing awake in the real world, but that won't matter anyways because the dream will be basically the only thing that exists, without even Aeons interfering. It would be a truly human paradise. (One interesting little note here is that Sunday seems to quite clearly resent the Aeons for standing above humans and for offering no true solace to the suffering. No Aeons No Masters)

(I know I said above I think Sunday may have been becoming the Aeon of Philosophy and he says here his intent is not to become an Aeon. But the enemy description is pretty clear that Order and Harmony are forming the shell of an egg for a new god and the enemy is called "[Embryo of Philosophy] Sunday" I think it's pretty fitting both for his Icarian plan and the narrative role of Aeons that he was on the brink of accidentally becoming one, and probably having his original goal and his humanity subsumed into the nascent Aeon's Path. To me that seems an equally fitting ending for his hubris.)

What's really interesting to me about the Sweetdream Paradise is that the game goes out of its way, before it begins, to make it seem like a viable alternative path.

Such a dream could never be stable! Well, with a Stellaron and an Aeon (and idk, an Aeon's metaphysical corpse), all things are possible, so jot that down. You just want to set up a totalitarian regime under your dead God! No, LOL, I also hate God! Did you miss the whole dungeon before this about how much people hate God, and how much I in particular resent God for allowing suffering and human weakness? People will have no freedom of choice! People are free to make whatever choices they like in the Sweetdream Paradise, they just won't ever face bitter consequences as a result. Sorry I'm removing their freedom to [checks notes] sell their soul to the literal devil (hi Jade!) for short-term gain and guaranteed long-term suffering. I'd hate to lose that! People won't be real! Okay, well, Penacony seems to count as plenty real, and it's literally the same thing. Hell, Black Swan is literally a memetic entity who exists only in your perception! But she counts as real. So clearly we're just haggling along some kind of continuum of real-fake here, there's no hard line like people want to say there is.

The implicit purpose of all this setup is to force a true philosophical debate about the suffering of the "weak," the way the status quo demands and accepts this, and whether it can be justified or redeemed by freedom or choice. The other, more common approach would be to use practical limitations as a narrative eject button, e.g. "well, we've learned your Sweetdream will inevitably collapse anyways due to Stellaron Reasons, so even though your purpose was noble and our stance on it is still ambiguous, we have to stop you." I thought this was neat on HYV's part, because I think that other approach sucks. Call it the Legend of Korra approach, if you like: a plotline comes too close to criticizing the power fantasy underlying this particular type of genre narrative, so it's time to "fix" it by revealing the villain as comically evil and actually totally insincere.

So here's Sunday's position: suffering is not just bad but inimical to the truest possible human dignity, and if we can abolish it by means of totalitarian magic god ritual we ought to. How do our heroes respond?

II. Robin – "Which Aeon Can Make Our Dreams Come True?"

Well, first up is Robin, who responds so poorly I honestly felt like the writing was unsubtly overcorrecting for Sunday's position's inherent unpopularity (no one really likes totalitarian philosopher kings and gamers hate being controlled, Gamers Rise Up). She's like, "I get that people feel like they achieve some essential happiness or dignity here, but the big problem with Penacony is that it's FAKE and it's TOO TEMPORARY" and Sunday gets to just sit there and be like "yeah hmmm sure would be nice if someone could answer those problems easily by making the Dreamscape the literal only thing in the world and therefore the realest thing there is and also permanent."

Then Robin makes a hard left turn into completely wild arguments and is like "and that man suffering from a terrible illness who lost everything should have to be suffering in the real world because idk maybe they could have fixed his disease? I'm not like a doctor or anything but they say doctors are real good these days."

Completely deranged argument. Though honestly I kind of love this version of Robin and wish they'd go all the way with her. She's a girlboss bootstraps libertarian pop star let her live that truth.

Anyways here's where Sunday and Robin have their direct argument.

Humans deserve a chance to fly, says Robin. Okay, says Sunday, well we live here in the real world where vast billions of people never will. It's all great and cool for the anime protagonists and pop stars of the world to talk about self-determination and the human right to make your own meaning, but the rest of us live every day in a world where the powerful determine the future.

That last line of Robin's is so funny to me. "If that were true, then only the powerful would have the right to determine the future." BINGO, QUEEN! YOU GOT IT! That's the world you live in! Not one where everyone flies!

When you say "Birds belong in the sky, even if they can't fly," what you mean is "I see the death and suffering of others as acceptable and even necessary to give my life meaning." You can't have one without the other. This is what Sunday objects to.

What's interesting about this is both Sunday and Robin are actually slipping in their attachment to the Harmony. Robin credits her failure to sing to her own weakening faith in the Harmony, and Sunday later claims it was actually due to him and his attachment to Order (and also the whole Oak family's like psychic hive mind of evil under Gopher Wood). But here, Robin is like "Well, the Harmony says we should care for the weak." She doesn't exactly claim the statement for herself. And she shares Sunday's fears that the Harmony is incapable of creating the kind of paradise they both dream of.

So here we are right at the start of Sunday introducing his beliefs, and Robin's responses not only have been kind of weirdly un-nuanced in a way that makes her side look bad (I just can't get over her saying that dude who lost everything in war should have chosen expensive and painful rehabilitation as a moral matter. Robin what are you talking about), but she clearly is sympathetic to Sunday's concerns and is openly asking him what his conclusions mean they should do.

Of course, HSR 2.2 ignored Robin for no discernible reason, so we will be denied any further development of this discourse between the siblings. But Robin will return in the final battle, and when she does, she will both reveal that she is not thinking in the Harmony's terms, and that she has only practical objections to Sunday's course of action, rather than what he really wants: a different and more compelling logic to replace his own.

[issue-paper]

My designs for the main cast :D Thought process explained below vvV

The original designs are great! I love Astro so much and Dandy is my absolute favorite toon out of the six of them, but I felt like their personalities and likes could be pushed further through their designs so here's my take. My thought process was definitely more towards what they would look like in an actual cartoon on screen. Sprout: Sprout's original design is really cute, but I don't really get why he has a scarf? It's a simple accessory but it doesn't really tell me anything about him. So I decided no more scarf and instead he gets an apron. Sprout likes to bake! It's a not so subtle choice to make but it suits him well I think. Shelly: Shelly is soooo cute and I understand in the lore she's the most ignored out of the mains so her in game design makes sense as to why she's so simple but I wanted to push her interest in archeology harder. So she gets a pair of boots and a pair of gloves with a patch in her dress to get across she's always doing something that its needed repair. Dandy: I admit Dandy was a little harder to think of something for. He's such a solid and simple design, a perfect mascot really but I decided to tweak his colors just a little and give him a friendship bracelet. It's rainbow, just like his petals. I figured I wouldn't dress him up because Dandy would be the one to have multiple outfits depending on what he's doing with his friends, he's everybody's friend! Pebble: Pebble is the biggest change, he's still got his big eyes which I love. I do wish I had kept his weird stare but I'm just keeping him cute for now. He's rounded out as I felt he didn't come off as a pebble and more like a stepping stone you'd find in a garden. Which might've been the intention with his original design since they're in a place called GARDENVIEW but I still wanted to round him out. I wanted to add dog ears simply because it's cute, how would that affect his twisted? I'm not super sure, I'm not doing these designs with the game in mind. Vee: Vee was honestly quite hard to change. Her design is very simple and I like her bean body shape too much to get rid of it, so it looks more like she's in a body suit instead. I do worry Vee's tones are too similar but I checked and she looks okay. I also gave her some cute little heels. I decided to get rid of the bend in her antenna feeling it could be used to show her emotions better. A stressed out Vee could have a bent one, but the perfect game show host wouldn't be seen with something like that. Astro: Not a huge difference! I've given him some big socks, a pair of slippers, and added some fringe to his blanket. I've also changed the plus shape on his face to a twinkle shape, along with the pompom on his hat. Next time I draw him the twinkles may both be smaller, I feel like the one on his hat looks too heavy. The color choices on each toon were very important to me. Something I really admire in MLP:FIM is how excellently the mane six are designed. Some of them share colors, not a single one of them looks out of place next to the other because of how their colors work. So I wanted these main six to also share colors while also each have their own defining color. Sprout is red, Shelly is orange, Pebble is yellow, Vee is green, Astro is blue, and Dandy has each of their colors on his petals. He's everyone's friend so he has to look the part. And that's it! Thanks for reading if you did, I really like these characters a lot and I wanted to share my take. Again the original designs are wonderful. Qwel did a great job. These were made out of love for the original cast along with a love for character design.

[vampbloodx]

DIY Basics

-Goth DIY Tutorials Number 1 (Part 1)- Hi there, I decided to start a little DIY series! I’m not the most professional at anything lol but I’ve been doing DIY and crafts my entire life and been part of the goth subculture for 10+ years. I’ve seen a lot of baby bats and people inexperienced in crafts online saying they don’t know how to DIY thrift store clothing to be goth so I’m here to help! I believe DIY is super important to the goth subculture and should be easy and accessible, and if I can stop anyone from buying big fast fashion brands I’ve done my job.

For the first post of this series I thought I’d link some sources for people new to DIY or looking for some easy projects to do yourself (projects will be in part 2)🖤This will help you find a starting point if the idea of DIY is overwhelming.

None of these links are mine! I will be posting my own tutorials as part of this series though:)

Some of the most basic starting points for goth DIY are using fishnet tights as a top (just cut a hole in the crotch and cut off the feet), putting safety pins in everything, adding holes to clothes, and adding pins and patches. I like to make my own patches, either by free handing or stenciling, which I linked a tutorial for in this post.

Helpful tools to have:

(I don’t agree with buying from aliexpress but their other sources are great!)

Sewing Tips for Beginners:

T-Shirt Design Methods:

This is just s few ways to weave t-shirts, there are a ton of different ways to do it and YouTube has some great tutorials, especially on Angela Benedict's channel

RIT Dye Tutorial:

Patches:

Sewing them:

Stenciling them: