OK BUT I NEED TO RANT MORE ABOUT TOUCH STARVED SPRINGTRAP THAT MAN HAS NOT HAD HUMAN CONTACT OF ANY KIND IN 30 YEARS. YOU CANT EVEN UNDERSTAND HOW MUCH HE NEEDS IT NOW. HHHRHGGHh.
at first hes definitely gonna be avoiding any sort of touch out of fear because its so unfamiliar.
but like something sets it off, whether its accidental touches or you trying to clean off a part of the suit slightly-
somehow it happens and all those years of touch starvation rush back in.
and hes trying to hide it but you watch as he makes excuses, reasons to be close to you, anything.
but eventually you notice- he's not great at being subtle about it - so you start to do the same, you almost just want to see his reaction. he seems to freeze up every time, though in a way you can tell is positive.
and after a while it turns into what he was needing the most- you'd just let him melt into your arms, running your hands through the suit's fur, you swore you heard him purring- and for the first time in so long, he was finally allowed relief from some of the constant pain he was in :)
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“You need to do better.”
(This gets vitriolic, and is a full-blown criticism of Macaque’s portrayal in Season Four and Five. If criticism of a character/franchise you like upsets you, I do not recommend reading.)
Wow. I had no faith in his character writing, and I’m STILL disappointed.
And it only took one episode! How impressive!
Macaque, who has put in ZERO on-screen effort to become a better person or make amends to his victims, is criticizing Wukong for being a bad mentor! And does Wukong criticize him back? NOPE!
After getting screamed at and berated, does Wukong defend himself? NOPE!
Ooh, but there was a second long reference in a dual yelling match that mentioned that Macaque was a genuinely bad person who took glee in hurting innocent people! Oh, fucking delightful! Ooh, Wukong even points out in one episode that Macaque goes unpunished!
Pointing out a flaw in your writing does not make it less of a flaw.
Macaque will always be allowed to do whatever he wants to anyone he wants- power theft, attempted murder, insults, deceit, assault-
And the narrative and characters will never hold him accountable or force Macaque to look inwards or become a better person.
Macaque will always fall upwards into redemption without any obstacles or pushback.
There will never be a struggle to goodness with a satisfying conclusion. There will never be a moment where falters in his newfound goodness and questions going back to his old ways. There will never be explicit remorse or regret. He will never have deep introspections on his crimes and atrocities that provide a reason for him to want to change.
The sum of his “arc” will always be “you were a good guy all along”, and that lack of depth is where it will stay.
RIP Seasons 1-3 Macaque. You were fun and interesting and cool and lovable.
But the man they replaced you with was destined to be a boring and brooding “anti-hero” who has no real connection to the actions you selfishly and violently performed with your own two hands-
And you will always be a less interesting character for it.
The execution of the actual arc boils down to a single heroic (but ultimately self-serving) moment and then Macaque is immediately forgiven for all the crimes he’s committed and is a magically better person without any effort and nothing he’s done is ever brought up again.
It severely weakens any character’s arc to cut them off from their past actions. If MK forgot his traumas every season instead of carrying them forward- we’d all agree that doing so was a case of poor writing.
It was the reason that people disliked Mei’s portrayal in Season Four- she immediately moved on from the Samadhi Fire arc and “no longer wielded it” after spending a whole season gathering and learning to use it.
Why can’t we agree that it’s bad for Macaque, too?
You can’t “develop” a character by dropping an entire plotline and writing it off with one line.
You can’t “redeem” a character by pretending that they were a good person right from the start.
Sorry, bud.
I really did like you. I just wish I could like your writing.
——————
And, what is more clear to me now than ever?
People only defended Macaque’s shitty writing because they think he’s hot.
I know this now, because I’ve seen white-hot Li Jing arc hatred from fervent Macaque arc defenders.
So we all agree that an “I didn’t really mean it!” isn’t an excuse to abuse the people around you? That you don’t get to mistreat innocent people just because you’re stressed and upset?
Hmmm.
Hmmmmmmm.
I wonder why people despise Jing for his dogshit “one nice thing redeems all your bad actions” arc but love Macaque for his??
(Because they think the monkey is hot.)
The funny thing, though?
Li Jing apologizes to at least one of the victims of his actions. He expresses regret and remorse.
Macaque doesn’t even have that.
——————
Anyways here’s a line that I hate because Macaque has in no way developed enough to have the right to deliver it-
AND NO, SUDDENLY HAVING AN AFFINITY FOR PERFORMING KIND OR SACRIFICIAL ACTS IS NOT GOOD CHARACTER DEVELOPMENT
HIM MAGICALLY OFFSCREEN BECOMING A GOOD PERSON WHO CARES ABOUT INNOCENT LIFE IS NOT GOOD CHARACTER DEVELOPMENT
IF ALL IT TAKES TO “BE BETTER” IS ACTING LIKE A HERO, WUKONG IS LITERALLY A THOUSAND TIMES BETTER OF A PERSON THAN HE IS
THIS LINE IS DOGSHIT
“You need to do better.”
Really, Macaque? Maybe you should take your own damn advice- try apologizing to one of the people you tried to hurt and tried to murder in cold blood!
Like when you trapped MK under his staff after stealing his powers and tried to murder him when he was helpless?
Or when you kidnapped MK’s friends and tortured the kid by forcing him to fight them?
Or you led a violent assault against a palace full of innocent people?
Or violently beat his dear friends until they were screaming in pain?
Or assaulted Tang, who posed no threat to you?
Or threatened to murder an innocent girl if you didn’t get your way, then ran away (and encouraged MK to abandon her) first thing when it put her into a life-threatening meltdown of raw power?
(Isn’t it cool how NONE of these people have interesting or varied reactions to him doing this and ALL immediately are cool with him like a gelatinous hivemind.)
(Oooh ONE mildly questioning line from Pigsy but no anger over his adoptive son nearly being killed multiple times over)
(Isn’t it cool that no one has complex or interesting thoughts on this.)
(Isn’t it cool that by robbing them of unique feelings on the matter they robbed Macaque and the Monkie Kids of compelling and interesting interactions that could’ve helped flesh out their personalities and strengthen their characterization.)
(Isn’t it cool that Macaque and the Monkie Kids are actively denied intriguing character dynamics so Macaque’s shitty “redemption arc” can happen faster.)
(Isn’t that cool.)
Why don’t YOU do better, Macaque?
(In a way that is more satisfying than “one kind-hearted speech from a kid that I tried to murder changed my mind and now I am a better person but all my character development happened offscreen and without personal introspection”, at least.)
Also what the fuck do you mean by “do better”?
Be heroic and put your life in danger? He already does that! He’s done it more than you have!
Just tell MK that he’s not alone? YOU COULD DO THAT YOURSELF, MACAQUE!
Help MK with his traumas and fears? MK doesn’t tell anyone about those! He keeps them bottled up, lock and key, and actively refuses attempts to help!
Wukong TRIED to reach out to him, and MK PUSHED HIM AWAY! Was he supposed to tie the fucking kid down and torture the information out of him?
He respected MK’s boundaries by not pushing any further and letting him leave!!
WHY IS THAT A BAD THING??
What the fuck, man
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jafar raised jay to be slippery and selfish but jay knew there was strength in numbers and decided to trust and love and hope despite everything else. and he protects these people that he finds, the only things his father can’t take from him, his own treasure he guards like the lion’s head at the cave of wonders.
he’s the last one out, there to watch their backs, as close to them all as their own shadows. he’s their third eye, always hyper-vigilant, always on the look out. he knows when to start a fight, and when it’s best to leave it alone. it’s nearly always best to leave it alone. he wrangles them all back in, keeping them safe so they don’t have to worry about injuries or repercussions or consequences. his job is to keep them safe, and keep them alive.
and yet, in auradon, with no brawls or street fights or leering parents or turf wars or rivals or enemies, what is there to protect them from? passive aggressive comments? pastels? afternoon tea? what is a guard dog with nothing to guard? jay has built his entire life, his entire self, around servitude. if it’s not his father, it’s his gang, always the helping hand and the shoulder to cry on (metaphorically, of course) and the reassuring presence. without any of that, he is nothing.
he is the thief that gives. the boy desperate to hold on to his only sense of purpose. it’s all he knows: give enough away and they might let you stick around. chameleonic, knowing exactly who to be where and when. the charmer, the heartthrob, the villain, the protector, the liar, the snake, the attacker. anything you need. he can be anything at all, as effortless as breathing.
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that final scene in this ep of utsukushii kare. it feels like someone just ripped out my gut, slashed it open and trampled over the bloody remains. i want to sob. I want to out loud, fat tears, shaking my body sob. but all im stuck on is hira’s brokenly confused face, kiyoi on top of him grabbing onto his clothes and crying, an absolute tornado of emotion the likes of which he’s never shown, all to hira, all because of hira, and yet hira sits there and it’s like the storm covers him but he’s inside this impenetrable building and not a single drop of rain hits him. he knows it’s raining, he can hear it battering down on the roof, but it’s just rain. he doesn’t understand the full extent, doesn’t know the wind is ripping down trees and lightening is cracking the sky in two. and because he’s inside, he doesn’t need to know, doesn’t care to know, doesn’t want to know. hira will happily stay inside, in his bubble, in his constructed world, and he will be alone, and he will suffer, but that’s alright bc he’s not out there.
it’s like he’s gotten used to the internalized problems he faces, and they stick with him, almost a comfort to him now, in that he’ll see them when they’re not there. the external things that make him worried and anxious now, they’re less so, but hira still is that high school kid, getting picked on for his stutter, that faded into the background. he’s stuck there, and he’s never grown past it, and there’s almost a security in not growing, not changing, even if the thing you’re stuck as is worry and anxiety and invisibility and self doubt and constant internal doubt and criticism and lack of confidence. at least he’s used to it. at least there isn’t anything new to challenge him. and it shows, bc whenever he is challenged, in the sense that something that doesn’t fit he’s established world and role happens, he puts himself down and apologizes, like it’s a practiced, default reaction. that’s how he got through before, it’s how he learned to get through. but now, in the place he finds himself, in the situation and relationship he’s in, this is not a place for that reaction. the people he’s around, kiyoi, he doesn’t need hira to put himself down. he doesn’t need apologies. he wants understanding. and hira just resolutely refused that, said that he not only doesn’t understand hira, but that he doesn’t want to, and he’s not going to attempt to. and I don’t think he could have said anything more heartbreaking to kiyoi. all he has ever wanted was for someone to see him and understand him and love him for it. hira gives him love, unendingly and uncritically. he’s love is irrespective of anything kiyoi does or says or feels. it’s love of an idea, of a theory, of a concept in a pretty shell. it’s not love of the human inside, it can’t be, bc he just said he doesn’t want to understand that person, and without that there can’t be love. you can’t love something you can’t see or comprehend, that there’s a person kiyoi that isn’t the god kiyoi there is in his universe.
and the thing is, I think hira could’ve understood kiyoi, back when he saw a side of kiyoi that no one else did and still showed him love. I think down the line he could’ve gotten to know that person more and liked him, but the thing is, it’s different bc of kiyoi’s feelings. bc kiyoi’s feelings contradict so much what hira believes about himself that he can’t understand him. it’s easier to not know kiyoi that way and stick to his established universe, rather than understand kiyoi fully, bc in that he has to reevaluate everything, about himself and his place in the world and kiyoi’s place too. that is not an easy task. and it’s not that hira wouldn’t, I don’t think. I think there is a feasible future where hira recognizes that choice he can make and chooses kiyoi, chooses to challenge himself out of love for kiyoi and a want to understand him, and maybe even a want to understand and love himself. but bc he doesn’t recognize that as a choice he can make, he can’t do it. and I think that’s what hira needs to face, which I think is more than kiyoi and his feelings and care for hira can manage to accomplish. hira’s mental dissonance is gonna be a work in progress, it’s just a matter or him realizing it and getting to a point of actually working on it. the only thing is, in the meantime, can kiyoi be patient with hira, and the hurt he makes him feel? should he? bc when hira outright refuses to understand, when it feels that rigid and definite, when there’s no feasible future where he will understand, what’s the point? that’s the heartbreak. that hira is constantly worrying about forever, but he just denied a forever with kiyoi. and the problem is him, just not for the reasons he thinks he is. he needs to realize there is no forever with kiyoi the god, bc gods don’t last forever, they’re ephemeral, they’re fleeting. there can be a forever with kiyoi though, the man, the person, the human being, he just needs to step outside, into the storm, and let it soak him. bc when he gets to stand with kiyoi in the rain, he’ll see it’s worth it.
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