#what verse do you want

[xxplastic-cubexx]

this_is_stupid.mp4

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[whaliiwatching]

a rendezvous beyond

and a halfway closeup just bc im rlly happy with how the bg turned out lol

[milimeters-morales]

also when Hobie asked Gwen “are those my chucks” after talking about her toothbrush and how she crashes in his universe sometimes (which honestly so glad he said all that rapid-fire because it left both me and miles scrambling) it makes me think that he didn’t even know she got them and that’s the first time he’s seeing them after they got “mysteriously lost” even though they’re a gift from him 😭😭

[kita-shinsukes-hand-holder]

I hate you mfs that don't like Gwen after across the spider verse it smells like misogyny

[cherrywhite]

"What's the opposite of a sacrifice?" The Silt Verses asks. A gift, is the audience's knee-jerk reaction. It has to be a gift, right? But no, perhaps that's too simple, isn't it? It can't be that easy. Neither Paige or Carpenter got the answer, so it has to be something more complex, right? Maybe...something reclaimed? Preserving in the face of sacrifice? Maybe the answer is something loftier? And episodes later, we finally get the answer and it's...

A gift. Of course it's a gift. How could it be anything else? A joy with no conditions. 

And I think this brilliantly shows how unthinkable a life without sacrifice is, in the world of The Silt Verses. Sacrifice is so ingrained into the society they've built that an opposite is entirely unthinkable. Paige didn't get it. Carpenter dismissed the question entirely. And ya, they were both taken off guard by the question, never really gave it serious consideration you could argue. But even we as the audience began to turn ourselves inside out, trying to find an answer to the riddle that would fit for the world of The Silt Verses. You've won, because they can't get away from you, says Val, they’ve never once seen the light beyond the light you made for them. There's no getting better for any of us. That answer, something that was right in front of us this whole time, seemed as if it was too easy, too simple. Outside of the parameters of the complicated world these characters must live in.

And Hayward will sit with Carpenter, the two enjoying each other's company despite the odds, and describe how stars provide light without asking for anything in return. He will go on the radio with Paige, neither of them able to decipher each other's words, the connection too flimsy, and be content with just the gift of getting to hear her voice. This is a world where the opposite of a sacrifice is unthinkable. And yet, it exists anyway. The answer exists in all these small moments. In Paige sitting down for breakfast with Carpenter and Faulkner. In Carpenter and Faulkner finally understanding each other, the two standing at the edge of a pier as their god's currents come to take them away. In Hayward and Paige giving characters like Elgin a second chance, her life previously forfeit as nothing more than a body for the government. In Gage asking their sister to go home together. In Shrue extending a hand out to Cross. Acantha, offering a warm seat and tea to Carpenter as she decides where to go next. Val, getting on the phone one last time, to ever so slightly shift the winds.

And I'm not sure what my point was here, I'll admit. But these are the moments of the podcast that will forever stay with me. All these moments of genuine love and warmth and everything in between. It can still end with love, can't it? asks Carpenter. And it can; and it does. It always could. And that's a gift in and of itself. 

[iwasbored777]

I know this wasn't necessary for the movie's plot but it should've been in the movie I'm crying 😂

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[mongeese]

Very small piece overshadowed by everything else but I full almost cried at Elgin's line here. Service to others and service to a cause you believe in as service to yourself. Not working for anyone else but dedicating yourself to your work and your community because you want to, because it matters to you. So fucking true. Anyway totally unrelated hc that definitely isn't me projecting I think Elgin's butch

[Image ID: A screenshot of The Silt Verses transcript. It reads

"PAIGE stares at her. She's genuinely touched.

PAIGE: Do you do anything for yourself, Elgin?

ELGIN: (Almost surprised by the question) All of this has been for me. You know that Paige, don't you?"

End ID]

[cheshiresense]

[Last Part]

Can't have a Yuzu POV without a Karin POV lol~

-0-

Karin makes it back before curfew with fifteen minutes to spare. Their brother had extended hers and Yuzu's curfew to 10pm since they'd hit their double-digits, and she's always been mindful to never break it. Yuzu isn't usually one to stay out late, but Karin likes her freedom to wander around without supervision enough that she isn't going to risk a grounding just because she couldn't be bothered to check the time. Besides, she knows kids her age don't get half as much trust or leeway from their guardians, so Karin isn't going to disappoint Ichigo's expectations by not following the few rules he'd set for them.

Not to mention she has exactly zero faith in her own ability - or honestly anyone else's - to slip under her brother's radar anyway. Only an idiot would think they could, and Kurosaki Karin wasn't raised a fool. Sneaking in late isn't even worth considering.

So she's back by 9:45 sharp, and she unlocks the apartment door to reveal a scene in the sitting room that's not entirely unfamiliar ever since dinner last Tuesday.

"Shoes," is Ichigo's greeting, and Karin immediately rallies.

"I rinsed them!" She insists defensively. "Thoroughly!"

She had. Karasu River, specifically that spot where their mother had died so everyone's avoided it ever since like they might get cursed if they stray too close, is a great place to get rid of evidence.

"And now you're thoroughly tracking water through the door," Ichigo points out dryly, which, oh yeah, she is, whoops.

Karin makes a vaguely sheepish face before quickly toeing out of her sneakers and leaving them outside to dry instead. Just her luck that Yuzu dropped a vial of her newest poison yesterday and burned a hole straight through the entryway doormat, and they haven't had a chance to replace it yet.

She shuts the door, drops her duffel bag against one wall, and ambles over to her brother for a hug and a cup of tea from the fresh pot on the kotatsu. Or rather, Ichigo goes about pouring her one while she slumps into his side with a content, if tired, sigh.

Ichi-nii has never really been one for hugs, even when she and Yuzu had been smaller, and that's no different now. Occasionally, on a birthday or new year or when - very rarely - something had made them cry, he'd dole one out to each of them, stiff and a little awkward, but genuine in a way Karin knows he'd had to learn just for them, and that alone had made it precious. Besides, he's never refused their hugs when they take the initiative to go in for one, and Karin knows full well that anyone else would be thrown across the room or tossed out a window, Mizuiro included, so that's just as good even if Ichigo doesn't often return them.

She leans against him now, and he endures it stoically, handing her tea and also casting a surreptitious eye over her for any signs of injury. There are none of course— Karin's been learning how to protect herself ever since her brother had become the undisputed head of the household, even if Isshin still remains determinedly blind to anything related to his son to this day. And on top of that, Ichigo's long since ensured their safety from most lesser predators in this town, so it's not as if they have anything to worry about.

Of course, there are still morons who slip through Ichigo's iron-fisted oversight - or rather, are allowed to slip through - either because they're new to Karakura or they're lured in from a neighbouring town, all of them deemed harmless enough prey for Karin and Yuzu to play with. They make for wonderful test subjects for Yuzu when she's getting creative again, and very convenient outlets for Karin whenever soccer and karate aren't enough to siphon off her excess energy. Unlike Yuzu, Karin really isn't made to sit still or stay indoors all day.

She blinks when Ichigo jostles her out of her thoughts with a nudge and a succinct reminder, "Greet."

Karin's pretty sure there's some kind of What Manners And Social Norms To Teach Your Kids So They Can Fit Into Society self-help book squirrelled away in Ichi-nii's room somewhere. Possibly even a series. Of course, her brother certainly doesn’t follow his own lessons on conduct, but this is one of those things that Ichigo has always implicitly expressed his preference for her and Yuzu to ‘do as I say, not as I do'.

So Karin can only swallow a forbearing grumble along with her tea before nodding curtly across the table, "Good evening, Hirako-san, Urahara-san."

Ichigo's already turned back to some papers in front of him, because bright side— her brother's number of fucks to give begins and ends with the most perfunctory of civilities, so at least Karin doesn't have to waste time on small talk. Yuzu, her crazier half, is the only one of them who actually enjoys that stuff. Karin sometimes can't believe they're related.

"Brat," is Hirako's response, and his voice says amusement but his eyes say caution. Well, amused caution, but Hirako seems to find almost everything a little funny, and it's not even some weird bravado because his reiatsu manifestation is constantly a glittering field of yellow-gold-blue that takes the form of a sunny beach. Usually.

On the other hand— "Good evening, Kurosaki-san," Urahara returns, perfectly polite, with a perfectly pleasant if distracted smile, perfectly suited for someone who's genuinely glad to see an acquaintance's sister home safe. Except his reiatsu manifestation is a fucking ocean of blood, deep and dark and completely still on the surface no matter what he says or does. The only times Karin's seen even just a ripple in it is when Ichigo is talking. Her brother at least seems to have a knack for taking Urahara off-guard. Nobody else though, and the external mimicry of human reactions - no matter how expertly crafted - doesn't impress Karin one bit when she can see the disconnect between his insides and outsides.

So she snorts and goes back to ignoring them both. Since the dinner last week, these two have come back a couple more times, mostly meeting with Ichigo for something or other, probably a ghost-related problem, with Urahara also dropping off a stack of books and scrolls for Yuzu, and they seem like they'll be sticking around for a while. But until Ichigo tells her that they're going to be part of the family, like Mizuiro, Karin's not going to waste her time on getting to know them. Honestly, just by dint of being people, and worse, troublesome ones, means that they're more likely to get themselves offed at the business end of Ichigo's swords than anything else.

"Ichi-nii," She says instead. "I have another away game on Friday. Can you sign me out of class?"

Ichigo makes a noise in the affirmative. "Leave the form on the kitchen table before you go to bed. Is it in Naruki City again?"

"Yeah," Karin makes a face. "Back-to-back matches against Hiromasa. Dunno why they even bother when they're not serious about it anyway. And they're so annoying. We always kick their asses but they still look down on us cuz I'm a regular on the team. What, a girl can't play soccer now? But we literally run the score up into the double digits every time we play and all they say is that they were going easy on us cuz we've got girls on the team!"

She stops and takes a deep breath. She's actually complained about this before, multiple times, ever since she'd turned nine and been deemed old enough - and tall enough - to play in official matches. Or as official as elementary school club competitions can get anyway, and being able to play against other schools was awesome, but that didn't mean some of their opponents weren't dickheads. At least she'll finally enter middle school next year and probably won't ever bump into this particular group of idiots on the field again, but until then, she's no doubt going to complain some more.

And her brother always listens with the sort of patience he wouldn't extend to anyone else's whining, which Karin likes to take shameless advantage of, but on occasion, she also needs other ways to vent, and that was really what today had been all about after enduring last Friday's game.

Right on cue, Ichigo asks without looking up, "Haven't you gotten it out of your system yet?"

Karin huffs and takes another long drought of tea before speaking. "Kind of? But the guy didn't even put up a fight! He even pissed himself, Ichi-nii! Before I even did anything! It was gross!"

Ichigo finally lifts his head just to level a look at her. "You play with your food too much."

Karin stares indignantly back at him. "I do not!"

"How long have you had your eye on this latest one?"

Since like, three weeks ago, but that's not Karin's fault! "It's not my fault he took forever to take the bait. You'd think it would've been easier with the way he stalked my jogging route every single day just to see me in a tank top and shorts. Besides, I was saving him for after last Friday's match! You know, as a treat."

"And now it's already Tuesday," Ichigo mutters, but he also pats her on the head in a vaguely comforting if condescending manner, like he's consoling her for a botched job.

Karin splutters. "Ichi-nii!"

Ichigo smirks briefly. "You're still young. You'll get better. There's no rush."

Karin pouts into her tea. Eleven - literally twelve in less than half a month! - isn't that young. She's definitely not a kid anymore. Ichigo was already scaring the crap out of half the town before he'd even hit his pre-teens. He hadn't even killed anyone yet back then but people twice his size would pick fights with him that he'd always win, and then he had started killing once he'd turned thirteen, which had only cemented his reputation. Karin and Yuzu had had to beg forever to get their brother to teach them some of the tricks of his trade, because they hadn't wanted to wait years to follow in Ichigo's footsteps, and Ichigo had thankfully agreed that it made sense for them to learn how to protect themselves.

Still, no matter how many bodies she and Yuzu have put in the ground - not that many actually, they've got a long way to go to catch up to Ichigo - Karin isn't so oblivious that she doesn't know that a good portion of the respect they receive these days is entirely down to their brother's looming shadow behind them. But everyone needs a goal or two in life, and one day, she wants people to look at her and flinch because she's scary enough all on her own.

"Did you clean up properly tonight?" Ichigo adds like an afterthought.

Karin rolls her eyes. "I would've called you if there was a problem. You know I have like three different cleanup crews and Mizuiro-nii on speed-dial."

She can't wait until she's tall enough to bag and carry adult corpses around on her own. It's embarrassing to have to call someone every time she - okay, she admits it - makes a bit of a mess. It's not an issue when Ichigo is there, and she just has to help him, but when she's alone, it pays to have extra hands in the aftermath, even if it feels kind of like she still has to be babysat.

"Cleanup crews?" Hirako suddenly interjects from where he's just been watching them and listening like he's never heard a single conversation in his life and it's somehow super fascinating. What a weirdo. "Where'd ya get those from?"

Karin squints at him. Why does he want to know? Shinigami old as dirt still don't know how to do their own cleanup?

"They're just local yakuza," Ichigo actually takes the time to answer, which seems exceptionally tolerant of him. He must really like this guy for some reason. "Someone always has some free time to lend a hand, and they don't mind sharing their dump sites."

Hirako arches an eyebrow. "They don't?"

Ichigo smiles lazily at him. "Not anymore."

Hirako stares at him for a beat longer before bursting into raucous laughter, except the sunny beach from before is shifting, sliding, fucking shimmering, and then it's no longer a beach even if it's still a field of yellow-gold-blue. Instead, sand dunes rise where there'd only been wild grasses and rocky outcrops before, an endless desert as far as the eye can see, while the sea isn't a sea at all but something that could be an oasis or just a mirage, now gone hazy behind a wave of heat, and all of it so deceptive and deadly that you might wonder how you could've ever mistaken it for anything remotely harmless at all.

And it's even worse beside him, because Urahara is sitting there, blandly smiling away from behind his fan, and he doesn't look much of anything, but the ocean of blood he's literally submerged in stirs for a minute like there's something large and lethal swimming in its depths. Karin can't see what it is though because the blood is so thick that she can barely even make out Urahara's face, let alone anything else.

She rubs at her eyes. They're giving her a headache. This is why she prefers baseline humans over ghosts. Ghosts naturally have more reiryoku than average living beings, and Shinigami have even more than that - way more - so Karin in turn sees a whole lot more than just flashes of transparent images when she has to look at them. And it would be bad enough if it was just that, but these two lie so much. She doesn't know if it's a Shinigami thing or Ichigo just attracts complications, although now that she thinks about it, Mizuiro had given her headaches at first too. It'd just been easier with him because when he'd started coming over to hang out, he didn't have anywhere near as much reiryoku as these two guys, and now Karin's just used to him so it doesn't much matter anymore.

But these two. She doesn't even know what Hirako's deal is, because as far as she's aware, he hasn't really lied about anything so far. His insides match his outsides, so to speak. But his manifestation also seems to imply that everything he says is as much a truth as it is a lie, or that it could be a lie just as much as it could be a truth, depending on the situation. Which doesn't make any sense, at least not to her.

And don't even get her started on Urahara. That man oozes shady vibes so it's not exactly a shock that his manifestation reflects that. It's just... who the heck has an ocean of blood representing their soul? It's not the fact that it's blood that confuses her; it's that the blood is all there is. Even if you kill a person a day for a thousand years, it can't be all that you are, right? Even Ichigo doesn't have something like that. Although to be fair, his reiatsu manifestation can probably come across as pretty disturbing too. But Karin basically grew up with it so she can't really say for sure. It's certainly never frightened her. Not that Urahara frightens her either. It's just... weird.

Both of these old dudes are so weird. They're the first people she's come across whose manifestations are as complex as her brother's, but she doesn't really know what she can interpret from them because manifestations are different from emotions, and besides that, emotions are her sister's wheelhouse anyway. Yuzu is the one who can pick up what someone is feeling at any moment and extrapolate from there. Karin just gets a bunch of pointless shitty abstract art shoved at her eyeballs, and Shinigami are clearly the worst about it.

And just to make it really unfair, Yuzu says that emotions rarely get too loud for her. Karin doesn't know if it's because her sister had been born with natural talent when it comes to controlling her ability while Karin... hadn't, or if Karin's ability encompasses so much of one of the senses she depends on most in everyday life that it simply affects her more easily, but either way, if the manifestation is a powerful one, then the longer she focuses on it, the more it can overwhelm her.

It'd been almost unbearable at first when she was younger, all of eight years old and finally tapping into her portion of the family inheritance, except even a glimpse of another student with slightly above average reiryoku levels could wipe her out for hours. There'd been days where Ichigo had had to pull her out of school just so she wouldn't have to see anyone, living or dead, and she'd needed almost six months before she'd gotten a proper handle on it.

During last Tuesday's dinner, she actually couldn't even see what Hirako and Urahara's faces looked like until near the end of it. Their reiatsu is just that strong, which means their manifestations appear completely solid and three-dimensional, and that means that those manifestations are the only things Karin sees most of the time when she has to look at them.

She doesn't even get the benefit of practically being able to read minds like Yuzu can. Although Yuzu always says it's nothing like reading minds. Karin remains unconvinced. Emotions can reveal a lot, especially with context clues. Manifestations on the other hand almost never react to whatever is happening in real time. Unlike emotions, they're rarely a consequence of outside stimuli. Hirako's had changed earlier, from illusory beach to the real desert hidden underneath, but that's because his manifestation has always been like that, switching between the two when the mood - his mood - strikes. Even now, it's already settling back onto the beach scene. It may have been somewhat affected by what Ichigo had said - by cleanup crews??? - but it hadn't shown anything that hadn't already been there, part of Hirako's soul.

In contrast, Urahara's the real outlier. Karin doesn't even want to think about his manifestation, never mind look at it. It's not that his soul has become something new either - the whole person would have to be swapped out for that to happen - but she's never met anyone, ever, whose manifestation seems to hinge so absolutely upon one person before. She's not even sure if Urahara is aware of how... fixated he is. And she definitely doesn't know what it means. Ichigo doesn't even like the guy, and Urahara - inside or outside - doesn't seem particularly hung up on Ichigo. Except of course for the little matter of how his actual-facts immortal soul is doing the near-equivalent of placing itself in the palm of Ichigo's hand, which- what. Didn't they just meet like two seconds ago? If Karin actually believed in love at first sight, she'd say this might be what it would look like if it could manifest a physical form in the creepiest way possible, but she doesn't, so to her, Urahara's just insane.

Anyway, no one can blame her for not wanting anything to do with these crazies, especially when coupled with her ability. She wouldn't give it up if she could, because it's hers, and it makes her special like Yuzu, like Ichi-nii, makes her part of the family in a way no one else but the three of them can be, but at the same time, it's honestly a pretty useless skill. Manifestations are just... portraits of souls laid bare, which sounds all kinds of impressive and philosophical but is actually just a fancy way of describing a lifetime of squatting in an art museum with all its exits sealed.

It's terrible all around, made doubly so by their houseguests, and in Karin's opinion, the sooner Ichigo gets tired of them, the better.

The room has gone silent, and Karin only notices when the mostly empty tea mug is plucked from her hand. She's pinching the bridge of her nose with her other hand, eyes closed, but she opens them then to peer up at her brother.

"It's getting late," Ichigo says without much inflection in his voice, but he also pats her head again, and a flare of reiatsu floods her retinas like cold spring water on a hot day, washing away the pain. "Go to bed. Lights out by eleven."

Karin's more than happy to get out of there, away from Less Crazy 1 and More Crazy 2.

"Mm, I know," She gives her brother a quick hug before clambering to her feet. "'Night, Ichi-nii. I'll leave the form in the kitchen."

Ichigo grunts his acknowledgement, and Karin spares a moment to nod in the general direction of the Shinigami before wandering away, pausing only long enough to scoop up her bag before making her way up the hall and to the master bedroom. She and Yuzu still prefer sharing each other's space even though Yuzu is fastidiously possessive about her own belongings, so Ichigo had given them the biggest room when they'd moved in, while he and Mizuiro had split the single and study-turned-bedroom between them. The best perk of this is of course the fact that she and Yuzu get the en suite bathroom to themselves.

Her sister is still up, bopping to some music on her headphones while reading one of the scrolls Urahara had given her. She barely glances up when Karin comes in, although she wrinkles her nose plenty when it's clear Karin hasn't had time to do her laundry.

Karin rolls her eyes and shuts the door behind her. "I won't leave anything lying around, don't faint."

Yuzu glowers at her. "I don't faint!"

Karin snickers as she ducks into the bathroom. "Whatever you say, princess."

The thud of a pillow hitting the bathroom door is her reply. It's actually pretty hilarious when Karin thinks about it. Yuzu's manifestation is a sterile white room lined with perfectly preserved faceless corpses wall to wall, but give her a human body with its guts spilling out, and she immediately runs for the nearest toilet. She doesn't mind the scent of blood, but gods forbid any stains linger where they shouldn't.

Speaking of, Karin digs out the set of clothes she'd changed out of earlier, after her stalker had been dealt with. She hadn't even gotten them very dirty this time, and she'd made sure to scrub everything clean in the river anyway before coming home, but she'll still have to toss them into the washer again if she doesn't want Yuzu nagging her about it. In the meantime, she shoves it all into a vacuum seal bag and leaves it in the corner. She can haul them over to the laundry room next door in the morning with the rest of the past week's load.

Her knives are tucked inside the duffel as well. Those she'll take care of tonight. Ichi-nii went all the way to Nagasaki to commission them for her from a semi-retired blacksmith last year. They're elegant and gorgeous, and they cut like a dream, sheathed in black leather and embossed with a small stylized K on the flat of each blade, only noticeable when the metal runs red. It's the best gift Karin has ever received, and if they ever rust, or she ever loses them, she'll probably bawl her eyes out.

She hops into the shower next, sighing happily as she relaxes under the hot water. Despite the atrocious company Ichigo keeps these days, today's still been an overall good day. She'll be able to go back to her jogging in peace starting tomorrow, and the upcoming match on Friday doesn't seem quite as irritating now that she's had someone to stab a time or ten. Of course, after the match is another matter entirely. Maybe she can tag along to Yuzu's bake sale on Saturday. There's always a couple suckers at the outskirts of Karakura too stupid to live.

It's something to look forward to. For now though, she finishes her shower, brushes her teeth, and then gets to work cleaning her knives. She doesn't have all night.

"Was Onii-chan still talking to Hirako-san and Urahara-san?" Yuzu asks a little later as they get ready for bed because their brother always knows if they stay up too late.

"Yeah," Karin says around a yawn as she sets her alarm. "They might still be out there. Can't you sense them?"

Yuzu shakes her head, leaning over to switch off the lamp on her nightstand. "They're... quiet, I guess. Quieter. I have to be in the same room as them to pick up on their emotions."

Karin hums as she rolls herself into her blankets. "What do you think about them?"

"I don't, really," Yuzu admits easily, so they're agreed on that at least. "Although if Onii-chan gets rid of them, I hope he can wait until after Urahara-san has finished teaching me."

Karin snorts. Typical.

They're silent for a moment until Yuzu speaks up again. "I think they're trouble. I mean, Onii-chan did mention it during dinner last week. But I think it's a different kind of trouble than the usual stuff. Not like yakuza or random creeps or even the monsters. Worse, I think they're going to bring trouble."

Karin frowns into the dark. Well, it's not anything she hasn't thought of herself. It's another reason why she dislikes them. If they've got problems, why do they have to dump them at Ichigo's doorstep? What have they ever done for Ichi-nii?

Still, "Ichi-nii will be able to handle it," Karin says with certainty. She's never known her brother to fail at anything. There has never been a problem Ichigo couldn't solve. He'd even cowed their father without ever laying a single hand on him, and that was back when Isshin had still been stronger than Ichigo.

"Well, obviously," Yuzu says, equally confident. "Maybe Onii-chan will even have some fun with it. I know the monsters don't give him any kind of challenge anymore. And he likes Hirako-san and Urahara-san well enough."

"He likes Hirako," Karin corrects, shooting a flummoxed look at the bed across the room. "Urahara, he could take or leave. I'm surprised Ichi-nii lets him come here at all."

"Yes," Yuzu says with an audible smile. "Onii-chan lets him come here."

Karin blinks. ...Huh.

"So, what, is it like... a crush?" Karin grimaces. Ew. "They're old and weird!"

Yuzu giggles. "I don't think I'd go that far. Yet. Besides, they're also powerful and interesting and not afraid of him, and you know what Onii-chan's like."

"Yeah, but I also thought Ichi-nii doesn't get crushes," Karin grouches. "I can't believe it's both ways."

"Both ways?" Yuzu echoes, and Karin can almost hear her eyes go wide. "Urahara-san too?"

Karin squints up at the ceiling. "What, you didn't pick that up from him? I mean I don't think it's actually a crush. Like you said. But there's something there."

"Urahara-san is a bit strange about Onii-chan," Yuzu agrees thoughtfully. "But I'm not exactly sure what it is. His emotions are hard to read sometimes. Hirako-san is easier. And nicer."

Karin makes a disgruntled sound. 'Nice' isn't how she'd put it, considering Hirako's reiatsu manifestation.

"Hirako-san isn't that bad," Yuzu says, amused. "And they're both kind of like Onii-chan, so that might be good. It's good to have friends."

Karin shrugs and grabs an extra pillow to hug. "Whether they're like him or not, if they do something dumb, Ichi-nii will handle it all the same."

Yuzu laughs, bright and cheerful and just a little anticipatory, even if she does seem to have a better opinion of them than Karin does.

The conversation between them fades away. Karin shuts her eyes and lets her thoughts drift. She has morning practice tomorrow and can't be late, so old weird men calling on her brother are frankly the least of her priorities.

[wildstar25]

The 3rd Sun of the 3rd Umbral Moon - or in other terms, June 3rd - marks the day a very special cat entered the world. Happy Birthday Arsay!

(Opening images in a new tab is recommended for best quality viewing, thank you!)

[phvnthom]

[whaliiwatching]

he also means it gay

[shih-coulda-had-it]

Redestro and Toshi twins au should recreate the Yoichi being punted by AFO scene

couldn't decide which twin would be funnier. but yeah. brotherly violence.