pedantic but i keep getting all UM, ACTUALLY in my head when mainstream press calls gregory and janine will they/won’t they
like ma’am, this is a SLOWBURN
which is genuinely different okay, because there’s absolutely zero pretense here they won’t and it’s just a question of “how long is quinta going to torture us by slowly turning up the heat” like get with the fandom terms
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The bsd author realizing too late they've missed their chance during the cannibalism arc of making Akutagawa be cured from the disease via true love's kiss so to make up for it they've finally resolved around making Akutagawa be cured from the vampirism via true love's kiss. A wise choice I must say
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Sobbing in bed because I'm writing a Ulysses fic and I'm caught between him killing the Courier because they are willfully giving up all the people they love and all the good they've done in the Mojave and he wanted them dead and gone-
And him just telling them they don't belong in the Divide with him. Not them, not their soft heart.
"You need to go home," Ulysses would say.
The courier would just laugh.
"Go home, Courier," they mumble. "Your signs. I have them all marked on my Pip-Boy. I don't even know why, but I mark all of the ones I find."
They traverse the Divide KNOWING Ulysses will kill them.
They take off their armour and keep only their finest, best combat knife and a gun on them with enough ammo to get them to Ulysses and to give him a third bullet to put in their skull alongside the two from Benny.
They offer him their knife, their gun, and the option for him to kill them with his bare hands.
Willingly. Selflessly. Painfully.
"I could never hate you, Ulysses. Not for this, never for this. I will never be mad at you for this."
And he's caught.
They're a godsend to this place, so much good they've done.
Does he kill them? Or does he bridge the Divide?
Maybe they go home. Maybe he kills them.
And maybe, after everyone back home knows they're okay... Maybe they do belong here, in the Divide, with Ulysses.
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idk man but i think theres such a connection between will being possessed in s2 and like 'what happens when my boy is gone' and will giving the painting to mike under el's name. just like... will being replaced and then replacing himself. and like his entire person was being replaced by the mf, but also everything that he said was from el with the painting and speech was intrinsically his and his alone. and how his arc since s1 has been about hiding but also being right there. and how its all tied to his queerness. and how ideally in s5 this should lead to will not hiding/moving on from his identity and his feelings, but instead embracing them.
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maybe it's because I'm in the "I'm so obsessed and hyperfocused on my little guys I will make any song seem like it's about them even if it couldn't be any father from actually relating to them at all" stage of my Theon and Asha hyperfixation but like...
I feel like 'I bet on losing dogs' by Mitski is about them.
it's about Asha and her relationship with Theon.
he's her baby brother. the baby brother who looked up at her smiled when she had gone in his room, intent on strangling him to stop his cries. he's her losing dog. the dog she keeps fighting for when no one else will. she never gives up on him, not truly, even when he is so clearly doomed, because she loves him, she won't give up on him.
and Theon is, in so many senses, a dog. he's been passed around from owner to owner, home to home, trained and beaten and domesticated, made to behave how his owner at the time sees fit. he's a good dog, a good beaten dog.
and now, in a way, he's Asha's dog. she doesn't want him to be her dog, she wants him to be her brother, and Theon's trying, he really is trying, she knows he's trying, but part of him will always be doomed to be a dog waiting to be hit, waiting for a command, waiting to be trained.
he's her losing dog, she knows it, knows he's doomed, deep down, there's little hope, he'll die a damned dog, but fuck it she doesn't care, he's her blood, her baby, he will be by her side no matter what. she'll always go back for him, she'll always fight for him, she'll always tell him to stay, she'll always give him a chance, she'll always try.
~~~~
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Just started reading a propper sapphic novel, The Jasmine Throne and like... Is this what straight people feel when they read romance??
It's intoxicating.
Every scene is so powerful and heady. It's delicate and it hits me like a sledgehammer. It draws me in like romance never has before. Shit, no wonder I always felt like I was missing something in Twilight or whatever, it's like trying to get drunk on root beer.
We need more sapphic novels.
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