Okay Zero, who's the worst. Eobard or Joker?
Joker is the worst when it comes to Batman. He's Bruce's narrative foil and his raison d'être, he's the embodiment of everything Batman fights (and abhors) and in a meta sense, he's also queer, flamboyant and immoral while Batman is straight, serious and righteous.
However, Joker is also someone Bruce can't live without.
He's possibly the only one who truly, intimately understands Batman and why he does the things he does. And he doesn't even judge him! Joker is happy that Batman is Like This™, the good and the bad, wouldn't want to change him, accepts him exactly the way he is, whereas Bruce's loved ones will always have something to say about who Batman is and how he does what he does.
And for all his talk about how wrong everything Joker represents is, also the other way around is true. Bruce understands Joker (so much so that sometimes he's scared by this) and at this point in his "career" basically needs him to function.
Eobard is the worst when it comes to Barry. He's is so fast and so unhinged that when he's involved, it's an All Hands On Deck situation and all the other speedsters need to come and help stop him. He is the Reverse Flash, literally, but not just because of the Negative Speedforce - where Barry forgives, Eobard holds perennial grudges. Where Barry gives a second chance (and a third and fourth and a fifth and a sixth and a-), Eobard will declare you're his mortal enemy at the slightest offense. Where Barry is full of unconditional love, Eobard has no idea what does it even feel to love and be loved and cannot simply conceive it. Which is part of why Eobard wants to be Barry (he has a perfect life), but also wants to have him (no one should ever be close to Barry but Eobard himself), but also hates him so much: everyone loves Barry, but how can Barry possibly love everyone back?
For Eo love is a quantifiable thing, and it's quantified in the attention you give, and so it's impossible that Barry is sincere when he claims to love all the people he loves. It's just not possible. He must be lying.
But Eobard is also the person who knows Barry better than anyone else. Eo is the cause of a lot of his pain and turmoil, and recognizes this. Where other people belittle Barry's feelings and don't take his suffering seriously, urging him to just get over it, Eobard understands. Barry is the reason why he exists and in his distorted, psychotic way Eobard is devoted to him like to a divine being, and will never let him go, and will always feel for him what he can't feel for anyone else, because there isn't enough room in his heart for anyone but Barry.
If the question was "who can make more damage between Joker and Eobard", then obviously Eobard. If we don't count the meta stuff that applies only to Batman, Joker is just an unpredictable serial killer. Eobard is a chronomancer who can fuck your life up starting from when you weren't even born (in fact, he can make it so you never will be born at all), and change the literal course of time. Then there are also all the average speedforce abilities.
If the question was "who did more awful things between the two", then I'm going to have to use a meta answer and say Joker - Eobard doesn't appear in all that many DCU medias, while Joker is everywhere, and so going by numbers he did more damage because he had more chances to. But his reach is human, Eobard can erase an entire timeline if he so wishes, so it's two very different ballparks anyway.
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Hope this isn't a weird question, but since you're probably one of, if not the biggest eakwynn stan, I wanted to ask; what do you think of Oleander by Mother Mother as an eakwynn song? Don't know if you've ever heard it but I think it fits them a little and if it's not weird I wanted to know what you think about it?
I heard a few songs by Mother Mother but never this one and oh, I really see it. I've always had the headcanon that Owynn has trouble making connections with others, half because of trauma/mental illness and half because he's so destructive (both towards himself and others) that basically no one stays beside him long enough for him to become attached to them.
Enter Eak, who's forced to be by his side due to Owynn's convoluted plan- and sticks around long enough for them to actually start caring about each other. The first real connection Owynn has made in years, in almost a decade.
I don't think Owynn would ever voice the idea that he would die if Eak left, because he's too proud for that, but he'd definitely feel it. Especially because he's been so awful to Eak and his friends, so there's a good reason for him to leave. A part of him acknowledges how horrible he's been and wants to fix it, be a better lover, while another part just wants to double down, terrified that Eak will slip away from him if he doesn't keep him under his thumb. He's trapped at a crossroads between getting better, and getting so much worse.
Anyway, thank you for your suggestion! I liked it so much that it's going in my eakwynn playlist :)
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If you're still doing the choose violence ask game: 2 (👀), 9, 10, 22 ?
I got such a rush from finally answering the first ask that I'm doing this for as long as people send me questions. So here we go again!
2. a compelling argument for why your fave would never top or bottom
anon, I'm at work. I'm seeing this at work. :'D
Okay, serious face. Albus Dumbledore is probably my fave if I have to choose between him and Harry on this blog. I just have to figure out why he would never...
Bottom. Albus would never, I'm sorry. He won't. He can't. Like, maybe when he was having his whirlwind summer romance with Gellert, he bottomed every single time they fucked because he was so in love and this was his equal and his partner and so what if he was a little rough and distant sometimes in the bedroom, and always wanted to top and tug his hair and hiss out orders? This was The Man The Universe Had Crafted For Him, and he would absolutely bottom for him every time... and then the summer of 1899 ends. And Ariana dies. And Aberforth breaks Albus' nose. And Gellert fucks off to go be a fascist.
And Albus, alone and heartbroken, resolves to never trust someone that completely again, never love someone that same way, and never let anyone get into a position of power over him where they might be able to use his knowledge and talents for ill. That means physically, emotionally, spiritually, psychologically... carnally. So he has sex with plenty of other people, and even falls in love with a few of them, but he is in control at all times. He never bottoms again.
That's all I've got for that one.
9. worst part of canon
So the first answer that came to mind is posted here, but for fairness' sake I'll try to come up with another worst thing. (That's not related to ships, because I'm trying really hard not to be THAT violent on the violence ask game.)
I think... that if That Woman was going to introduce international schools, students and characters in the middle book of the series, she should have done more with them than having them vanish after Goblet of Fire, only to come back for either fake romantic tension and one line of exposition about the Hitler allegory Dark Lord of the Before-Times (Krum, Deathly Hallows) or to be married off to a Weasley for an aesop of It's Not About His Looks Now That They're Jacked Up (Fleur, Half-Blood Prince). I'm not saying Fleur and Viktor HAD to be best buddies forever with Harry, but it is weird that they have this unique bond that no other young students have had with each other in hundreds of years, they even lost one of their fellow champions, Dumbledore gives this very moving speech about remaining connected and not letting darkness and prejudice sever new ties, and then... nothing. No side adventures in France or wherever Durmstrang is, no communication from either side, nothing.
Feels like a huge letdown in hindsight.
10. worst part of fanon
Oh, no. That's not fair. There's just so many.
If I had to consolidate what I currently don't like about the HP fandom/fanon into a few lines, I think I would say that I hate the pureblood/Dark side apologism. I do believe in nuance in characters. I do believe redemption and/or walking different paths is an important theme in Harry Potter, and I think it's fascinating to explore that with any and every character you can think of, even characters I may not personally like. But I really, really hate the way the fandom has taken that and twisted it into this idea that we were sold a lie at the start: that the British magical government was fine the way it was, and so was the society around it; that Dark magic Isn't All That Bad, Really, and there are actually Good and non-prejudiced things about a few rich bitches passing down their knowledge and secrets and slurs for generations within the Family, and keeping the Family "Pure" is cool actually, and none of this has any relation to real life ideas about miscegenation and classism and racism and eugenics, what are you talking about?
It's just so worrying. As a minority, when I see people on tumblr/twitter/AO3 gleefully agreeing that we need to eat the rich and fix society and eradicate all the horrid -isms and -archys ruining all our lives, then watch them turn around and write a 200k epic where Dumbledore was the evil one for locking the Horcrux books away and championing marginalized members of society, Hermione is just uppity for wanting to make necessary changes to the darker parts of magical society that That Woman was literally pointing out for a reason, and Tom Riddle is only bad because he took the good segregationist pureblood ideas and added murder to them... and when that fic gets thousands of comments agreeing with them full stop with no examination of any of that... it makes me anxious, at a minimum. The same thing is happening now with Grindelwald now that he's actually a figure on the screen and not just some dude mentioned a few times in the book series: same apologism, same justification of atrocities, same good-guy-blame-games, same blorbofication even.
On the one hand... fiction doesn't always directly reflect or affect reality. On the other... this unironic pro-pureblood meta is a pervasive concept that has popped up in thousands of fics written by thousands of fanfic writers. It's happened for years, and it keeps happening, and I see very few fans speaking out against it or even acknowledging it as a problem. So that makes me ask myself, who actually is willing and able to examine the injustices of our society and build a better imaginary society through the lens of HP fanfiction, and who's okay with the prejudice in the HP world as long as it's coming from the faves they're attracted to?
22. your favorite part of canon that everyone else ignores
Happily, this is a harder question to answer because I've been finding so many like minds in the past 5 years who go feral over the same 20 HP scenes as I do. ^^ But give me a sec, I'll think of something.
...
Okay. Got it.
In order to answer this question, I have to go back to the first time I, young teenager, avid reader, recent reader of the HP series once book 5 was out, realized that Harry and Dumbledore had a much deeper relationship than just headmaster and student. The thing that made me latch on to them and project like crazy, basically.
It's the scene in Goblet of Fire chapter 36 where Harry has been rescued from Fake Moody and he's in Dumbledore's office with Dumbledore and Sirius. Dumbledore asks Harry to relay everything that happened to him once he touched the Portkey in the maze—and immediately Sirius tries to protect Harry from having to relive it now, so soon after it's happened. And then this scene happens.
Dumbledore stopped talking. He sat down opposite Harry, behind his desk. He was looking at Harry, who avoided his eyes. Dumbledore was going to question him. He was going to make Harry relive everything.
“I need to know what happened after you touched the Portkey in the maze, Harry,” said Dumbledore.
“We can leave that till morning, can’t we, Dumbledore?” said Sirius harshly. He had put a hand on Harry’s shoulder. “Let him have a sleep. Let him rest.”
Harry felt a rush of gratitude toward Sirius, but Dumbledore took no notice of Sirius’s words. He leaned forward toward Harry. Very unwillingly, Harry raised his head and looked into those blue eyes.
“If I thought I could help you,” Dumbledore said gently, “by putting you into an enchanted sleep and allowing you to postpone the moment when you would have to think about what has happened tonight, I would do it. But I know better. Numbing the pain for a while will make it worse when you finally feel it. You have shown bravery beyond anything I could have expected of you. I ask you to demonstrate your courage one more time. I ask you to tell us what happened.”
The phoenix let out one soft, quavering note. It shivered in the air, and Harry felt as though a drop of hot liquid had slipped down his throat into his stomach, warming him, and strengthening him.
He took a deep breath and began to tell them. As he spoke, visions of everything that had passed that night seemed to rise before his eyes; he saw the sparkling surface of the potion that had revived Voldemort; he saw the Death Eaters Apparating between the graves around them; he saw Cedric’s body, lying on the ground beside the cup.
Once or twice, Sirius made a noise as though about to say something, his hand still tight on Harry’s shoulder, but Dumbledore raised his hand to stop him, and Harry was glad of this, because it was easier to keep going now he had started. It was even a relief; he felt almost as though something poisonous were being extracted from him. It was costing him every bit of determination he had to keep talking, yet he sensed that once he had finished, he would feel better.
This is one of the best scenes in the entire book, the entire series. It completely refutes the fanon Dumbledore who is often cold, cruel, inflexible and unrelenting in his quest for whatever the author wants him to be inflexible and cruel about at the time. It shows that Dumbledore, the real Albus Dumbledore, is one of the few people who understands what Harry needs and is able to provide it to him, even when others who also care for Harry would rather protect him or shield him from what he needs.
Kid me was particularly taken by how gentle Dumbledore is with Harry here. It made me look back and see how in some ways this scene, this closeness, is the culmination of all the times they've met and spoken before.
(You can imagine how painful it was reading Order of the Phoenix right after this.)
But yeah, that's probably one of my favorite scenes that other people ignore or haven't talked about/drawn/written about much. Which is ironic, because the scene right after that where Harry talks about Voldemort taking his blood and Dumbledore's eyes do the triumphant "lol Voldemort just fucked up" gleam is probably one of THE most talked-about scenes in the fandom (even though to this fucking day in 2023 people still don't realize what the gleam meant, when even That Woman has clarified what it meant in INTERVIEWS).
...And for me, safely at the end of the questions, that's all she wrote.
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