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#where are they? idk. situations
xau-u · 8 months
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'what if sun's face could glow' and then spend too much time on it
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sasakisniko · 3 months
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I keep seeing this take that I feel fundamentally misunderstands Edwin's comment about Charles' reaction to The Night Nurse being "extreme".
Charles obviously took it the way so many people are taking it. As a judgment. He's already insecure, already afraid he's a bad person, that he's violent, and Edwin's comment confirms it to him.
But I don't think that's what Edwin meant. I think what he meant was that that reaction was extreme for Charles. He's known Charles for more than thirty years. He's seen how Charles reacts to threats and how he uses violence exclusively in defense against others' violence. And, in comparison to Charles' reaction to The Night Nurse in 106 (trying to convince her to let them go or even to let Edwin go and take him instead), his reaction in 104 is markedly different. Which, to me, suggests that, if there weren't other things going on that Charles was struggling with, this is how he'd have reacted in 104 as well.
Edwin is well aware that this isn't how Charles would normally react, so he knows something is wrong. He's not judging Charles. He's worried about him.
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butcharium · 5 months
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I often do think it is important to call myself a woman. In past I've had kids ask me "are you a man or a girl" and in hindsight I think these kids were quite perceptive of the world. Especially when you're in your 20s it's men and girls, I've seen students write pieces describing themselves as men, but their female peers of the same age they call girls, but I have also heard bisexual women say they like both men and girls. In past I've fallen into that myself and said that yeah I'm a lesbian I like girls, but do I? No I am in my twenties and I am actually only attracted to my fellow adults - women. It does feel more serious, less trivial, both to be and be attracted to women as opposed to girls, and that can be a bit uncomfortable to be faced with. It is also important to me as a butch. I am no longer a tomboy I am a butch I am no longer a girl I am a woman. I am a woman and women can be like me. I don't feel like I've succeeded enough at adulting to call myself a woman, but that doesn't matter. I am 25, and if the word bears other connotations so be it, that's not my problem.
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Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)
Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.
And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.
Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.
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bunnieswithknives · 18 days
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(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed
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Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable
Bonus:
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#The horror of putting Dev in a situation where he would 100% be wearing his sunglasses#Like NOOO the perfectly construction expression of horror I was going to give him#fop nature au#fop#fairly oddparents#fop a new wish#fairly oddparents a new wish#fop dev#dev dimmadome#dale dimmadome#fop dale#fop peri#art#digital art#fanart#I cant tell if I got the tone right with this one#Theres a very careful balance I try to strike with comedy vs horror and Im not sure if I got it#I also try to keep a sort of balance when depicting characters that are just straight up awful#I dont like depicting characters as cartoonishly evil but I also dont want to make him seem overly sympathetic#or like he's 'deep down a good person' because he's straight up not#He's awful and selfish. What he's done to his son makes him deeply uncomfortable with himself#but that discomfort means absolutely nothing when he refuses to change or become a better person#and he does refuse to change. changing is hard#he still keeps hurting Dev at every turn and maybe to tries to justify it to himself as being for Devs own good#but regardless he is still refusing to listen to him and hurting him even more in the process#idk im rambling#I like to keep the abuse balanced out with these nothing little concessions on Dales part#tbh even this concession didnt come from the good of his heart he just wanted to avoid making a scene#also because the visual of Dale deciding CARRYING him everywhere is better than just letting him have his cane is very funny to me
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cokoweee · 1 month
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I’ve been practicing sumthin (lies)I always have the hardest time with so next update might be very much so scuffed. THIS UPDATE THO FOR SOME REASON FLOWED VERY EASILY.
These updates would come out so much faster if I stopped doing dumb shit like sitting in my closet or eating and working
<===—===>
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fluentisonus · 2 months
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(typing this as I walk to work so this is not articulate but) thinking a lot abt how les mis w javert sort of. hm. questions? problematizes? the Idea of dogs & the domestication of dogs (metaphorically ofc) like it sort of looks past the 'man's best friend' angle entirely & makes you think things like. kind of fucked up of humans [the social order] to domesticate the wolf [person outside of society for whatever reason] expressly to turn against & cause harm to other wolves in order to keep them out [away from respectable society] & keep themselves safe but never truly consider it an equal [it'll always just be a dog]. kind of fucked up that the dog finds enjoyment & life's purpose in this
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sammigy · 4 months
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forever thinking about how important names are in the aftg universe… like neil and nathaniel obviously but also jean and jean-yves (or johnny), renee and natalie, dan and hennessey, andrew having been referred to as andrew “doe” for most of his childhood, jeremy asking people to not call him by his last name… like damn
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sunlit-mess · 5 months
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I can only take so much, but lately, they have replaced my reflection. And realize I'm just as bad as them.
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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dnpbeats · 27 days
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so interesting to me how we've heard phil's perspective on meeting dan for the first time but haven't heard dan's at all (aside from the mr. burns comment lmao 💀). like i wonder if dan would agree with phil and describe himself as being confident, or if he was also nervous and either was good at hiding it and/or phil didn't see it through his own nerves
(slightly unrelated but i just realized this so i'm gonna put it here: dan and phil are COWARDS because why have they answered two different questions about first impressions and only talked about their impressions when meeting irl.... like why are they still withholding their first impressions of each other online (¬_¬))
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butyouaremymess · 3 months
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And I know in my heart hurt people hurt people
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mumuqings · 9 months
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tgcf book spoilers, but one mu qing and xie lian snippet that I think about a lot is this one, at the start of xie lian’s second banishment when he’s surprised to hear mu qing being described as generous and kind:
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as opposed to this memory from before his first ascension when mu qing started giving out cherries to the kids in the city:
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I think it just really goes to show 1) how deeply mq’s actions truly affected xl and what he thought of him, but also 2) just how different mq and xl are fundamentally in the way that they think and approach things.
I don’t have a lot of commentary on xl that hasn’t already been said, but bc we get the story from xl’s pov, we see a lot of mq’s actions being framed as selfish or suspicious (which is fair, bc again, we know how much his actions hurt xl), but we also see a lot of misconstrued kindness, like in book 8 where it’s revealed that he knocked out fx in order to save him. it’s also pretty obvious how much mq still cares abt xl, with how quickly he volunteers as fu yao and the lengths he goes to protect him when he deems hc a threat, so I also think it’s very likely that mq leaving the trio first was exactly what he said it was — that he thought becoming a junior official, ascending quickly, would be the best way to take care of not just his mother, but also xl, fx, the king and queen, and himself, and so in a way, him leaving was him acting on his kindness. but ofc it doesn’t work out, and he spends the next 800 years fighting w/ fx about it, defending himself, his decisions, and his kindness, and nitpicking the accuracies of his statues while he himself remains completely misunderstood by the two people he probably cares abt the most.
and idk, I guess I just think that’s probably a really lonely way to spend 800 years.
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stealingyourbones · 2 months
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Gonna start making another DPXDC writing challenge where I’ll make a bingo card generation that contains super popular tropes in the fandom.
The goal is to not write said tropes. Bingo of tropes to avoid and even more of a bonus if you do a blackout board on the tropes you didn’t do.
Reply with the most common DPxDC tropes ya can think of so I can add them to the Blackout Bingo List :)
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cherrytraveller · 1 year
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too much energy & bursting citrus flavors🍊
Twitter || Ko-fi || Instagram
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iizuumi · 3 months
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More reno sandwich!!!!!
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