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#whereas in the written works
theabigailthorn · 5 months
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Love your work! I was wondering (because you book recs are always amazing), what are your favourite books of all time?
Ada by Vladimir Nabokov
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trensu · 8 months
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have another snippet of stasis in darkness! just 'cuz i'm bored tbh, and kinda stuck on all my wips i'm currently working on.
The seventh night:
“Has he spoken to you yet?”
“How could he when you’re here yammering my ear off every night?”
“He’s a god, I’m sure it wouldn’t be that hard for him to shut me up.”
“Even gods have their limits.”
“Oh, har har. The warrior’s got jokes. You didn’t answer my question.”
“...not yet,” Steve said stiffly. 
“It’s been how long now? A week?” The man hummed in a falsely thoughtful manner. “Maybe he’s just not that into you, man. Maybe he’s letting you down easy.”
At his words, Steve involuntarily curled his shoulders inward, slightly, ever so slightly, in defense. He'd been wondering that same thing earlier that day. Steve had toiled hours in the sun to fix up the shrine; to make it welcoming; to encourage a divine visit. 
He had stopped wearing his armor to free up more time to work. Putting it on and taking it off took too long, and he didn't have to maintain it as much if he wasn't wearing it regularly. He stuck to only his chainmail. He'd kept his shield stored away, too, so it wouldn't get in the way while he worked. Though, he made sure to keep his sword nearby.
He’d taken his knife and traced over the etchings of stars in the alcove that served as a backdrop to the statue. His knife had been ruined but it didn't matter. The Lord of Night would probably want the stars of his dark sky with him, he reasoned, and these had worn so thin. Sadly, it was the only detail he could bring out of all the stone. The statue’s face was so crumbled that Steve couldn’t even begin to guess what it had originally looked like.
He had discovered that the vines he chose to keep were moonflowers. They had blossomed every night since he’d removed the other more invasive plants. He'd draped them carefully so they lay across the statue's shoulders, wrapped lovingly around its torso and clung to its waist before the ends of the vines trailed off at the knees. 
The strange man might have made himself a nuisance during his visits but he never stayed the whole night. Steve had been able to get a few hours of makeshift prayers at the shrine every night. He’d done all this, yet dawn broke every day without a single sign that the Lord of Night had been listening.
“Warrior?”
Steve broke out of his reverie. He refused to look at the man. He had to clear his throat roughly before he could speak.
“It wouldn’t be the first time I’ve been rejected by someone I love." Steve tried not to dwell on his father's perpetual scowl and his mother's infinite disinterest. "I’m pretty used to my devotion being one sided by now.”
“That’s a bummer,” the man said. His sympathy was meant to be teasing, Steve could tell, but it came out surprisingly sincere. “Good thing you have a whole pantheon! Strong guy like you? Any god would take you to be their warrior in a heartbeat.”
“What are you talking about? No, I’m nowhere near done with his shrine,” Steve said determinedly. “I know a silversmith and a stone mason who’d give me a hand, and Dustin and Robin have been dying to come up here to bring him offerings. The only reason they didn’t come with me is because I had to do the pilgrimage on my own if I wanted a shot at earning his blessing.”
The man spluttered.
“Are you insane? A god rejects you and you’d come back? What kind of stupid–were you dropped on your head as a child?
“A couple times, but that doesn’t have anything to do with it.”
“Are you sure? Have you checked? You should go to one of the gods of medicine. Owens, maybe. Have him take a look at your head,” the man huffed in frustration. "For stars' sake, why would you want to come back?"
He ignored the insult to his intelligence. For stars' sake. Steve murmured the words to himself, letting them settle in his mouth to get a feel for them. He'd never heard of that one before. He liked how it rolled off the tongue, natural as anything. 
The man waited for his response. Steve took a moment to try to sort out his words. He kept his head bowed towards the shrine as he ruminated.
“People barely remember my god,” Steve finally said. “And when they do, they remember him as something he’s not. Even if he doesn’t believe I’m worthy of carrying his crest, he shouldn't be forgotten.” 
The man said nothing. Steve took a shuddering breath before the quiet could take over. 
“Having someone forget you is…it’s very lonely. Which is the worst feeling. I…I guess I don’t want him to be lonely anymore.”
The silence that followed his statement stretched long enough that Steve started falling into that meditative state he’d learned during his many nights at the shrine. It helped dull the twisted up, unsteady sensation that lingered from the man’s prodding at his every self-doubt and fear.
“He hasn’t rejected you yet, though,” the man broke Steve's musings awkwardly.
“He hasn’t reached out to me either. It’s fine. I’ll keep coming either way.”
Another silence. It was around the time the man usually left Steve to his worship. He didn't hear retreating footsteps. Instead, the man cleared his throat, and when Steve looked up at him, the man turned his face away, shrouding it in gloom.
“Maybe he’s nervous. Maybe that’s why he hasn’t contacted you yet.”
“Nervous? No way.”
“He sounds like a godly weirdo,” the man said. “Maybe he’s never had a holy warrior before and doesn’t know what to do.”
“He’s the good kind of weirdo! And there’s no way he’s not had a warrior carry his symbol. He must’ve had loads back in the day. I probably don’t meet his standards,” Steve smiled lopsidedly, playing off his insecurity.
“I’m serious!” the man exclaimed. “It’s possible! Some gods never get warriors. Some never want them at all!
“Look, even if I was the first to offer to be his, he’d know he didn’t have to be nervous,” Steve insisted. "I’ve never served a god before either! I wasn’t sure I could have faith at all until I learned about him. So like, if he’s new to it then so am I, and we’d figure it out together.”
“...you really mean that, don’t you? You’d let him make it up on the fly if he took you on.”
“Well, yeah,” Steve shrugged.
“You’d keep coming back even if he rejected you?”
“Yep.”
“But why? That’s so stupid. Nobody would do that!” The man sounded frustrated.
“I’m not really known for my smarts,” Steve said matter-of-factly. “Robin and Dustin had to translate the only book we found about the Lord of Night because I definitely wouldn't have been able to. It was a tiny book but it still took them ages to do because the language doesn’t really exist anymore. So they told me it’s possible it’s not accurate. It felt true, though, to me. 
“There was this quote, I can’t recite it word for word, but…it was something about how monsters don’t always look monstrous, and the monstrous aren’t always things to be feared.”
“That sounds ridiculous,” the man protested. Steve shook his head.
“No, it’s true! Like, I know I’ve got a pretty face and really great hair,” he smirked when he heard the man scoff, “but I was such a fucking asshole when I was younger. I went around hurting people on purpose, tearing them down for no reason other than I was hurting too, and that’s the shittiest reason to hurt anyone. I had to get some sense knocked into me by the people I call friends now. 
“My friends are the greatest people I know, and I’m really lucky to have them, but to everyone else? My friends are losers. They’re rejects because they don’t act right or they don’t look right; they talk too much or too loudly. People treat them like shit because they're different. 
“And after I noticed that, I started seeing it more even if I don’t always pick up on it. And I still mess up sometimes. I'm not a god, I can't change the world but…in the stories Robin and Dustin translated, the Lord of Night helped people like my friends because it was always the weak and rejected that try to hide themselves in the dark. I want to help those people find him again so they know they’ve got someone holy in their corner. They should know someone loves them enough to protect them.”
Steve didn’t really know where all those words came from; he wasn’t a wordsmith like Robin and Dustin. He always had a hard time verbalizing his thoughts, and he usually messed up the words. Nonetheless, these words had almost burned to be said. 
When the speech that flowed from him finally reached a natural end, he felt…lighter, cleaner. He felt like his shield and sword when they were polished to a shine. But when he turned to see his audience’s reaction, the man had gone. Steve felt strangely dejected instead.
The eighth night:
“Hey, it’s me again. My supplies are low and I don’t know what your thoughts about hunting on your land are so I’d rather not…I don’t want you to think I’m disrespecting you. I might have to leave soon to get more supplies,” Steve swallowed nervously. “Which isn’t an ult..ultimate…? No, damn, what is it called? I’m not trying to force you to talk to me before then, is what I mean. Not–not that I could! With you being a god.” 
Steve scoffed at his own blundering. He should’ve had Robin help him make speech notes. Cards with conversation starters. Something! He took a deep breath and tried again.
"But I'm coming back, I promise. I meant what I said about fixing up your shrine. I’ll commission a new plaque and I’ll talk to the stonemason about replacing your plinth. I don’t know a lot about sculpture, but I’ll get you the strongest type of stone and get something nice carved on it. Your flowers? Or cats? Cats are cute. Maybe your bats would be better…?” Steve trailed off.
It was quiet save for the faint rustle of leaves in the cool breeze. The full moon illuminated the area more than ever before. The shrine must have really been a beautiful sight back in its heyday. The thought of it sent a pang of longing through his soul.
The hour came that the strange man usually showed up. Steve steeled himself for another round of questions, another jab at his faith. The hour went by with Steve alone in the clearing. Steve frowned.
“Do you think he’s okay?” 
Steve’s question went unanswered.
After another hour without seeing his stranger, Steve had finally convinced himself to round the perimeter for a quick check in case the man was nearby or in need of assistance. When he found nothing, he checked again in case he missed something. 
Still nothing. Uneasily, Steve gave up his search and returned to the shrine. He knelt before it again, head bowed. He cleared his throat.
“Lord of Night, I don’t know his name, and I know he’s been rude–annoying–but could you please watch over the man? Please keep him safe from harm for as long as the stars shine tonight. Thank you.”
He received no response, but Steve had faith. He knew he was heard. He knew his god wouldn’t let an innocent come to harm if he could prevent it.
ps: i do not do those reader tag list things. if you’d like to keep up with my stuff, follow my writing tag: trensu tells stories
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bijoumikhawal · 8 months
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honestly RE: censorship has produced some very appealing queer coded relationships, I think part of the problem is that like. Straight relationships often don't compel me, yeah? And part of it is that I frankly, don't believe a fair amount of these characters are in love. The art contains social conventions so you'll assume they're in love. And if you're unaware of it and buy into those conventions, you never notice a problem (unless they're using the conventions that give female characters no depth. People today are somewhat more aware of that). There's a level of laziness to the way so many straight relationships are written.
Many queer censored relationships can't engage those assumptions because straight people don't understand something is gay until it's bedazzled in rainbow rhinestones, and even then some of them have doubts, so (usually) an artist must put effort in to make you think there's something there. There (usually) must be legitimate connection. And because they're censored, they continually cannot rely on anything too lazy to keep interest. They also can't try to deliver payoff that isn't ready (because they're rarely allowed to deliver payoff, if ever). They can't squash the appeal of a relationship by not knowing how to write these characters in a steady relationship to the point where you hate it.
You basically end up getting a (sometimes years long) build of potential and genuine connections, without a satisfying resolution- which sucks, but it also can be very compelling. The inability to say I love you outright means the characters must say it in other ways that tend to be more emotionally impactful- such as holding out a human heart to each other, selfless and hopeless sacrifices, pulling you out of hell, etc. You could argue these moments are an example of "showing not telling" even.
But as we move into more mainstream queer art I feel like some people are starting to use the same conventions I find so lazy and boring in depicting straight relationships. Because it's a Gay Piece of Media you know there will probably be a gay relationship, so you do come in with assumptions that the creators can play off of more efficiently than otherwise. You can miss at establishing the connection. You can rush the payoff. You can write the chase well but fail in writing the domestic. You can tell me these characters are in love without me buying in and believing it because you didn't really give me much to believe in.
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poorlittleyaoyao · 4 months
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Beefleaf isn't canon. Mxtx has said she doesn't like to write another gay ship different from the main (she struggled with svsss)
I have heard about this! The content I saw was just so insistent about Beefleaf that I wondered if maybe I was misremembering and the "no same-gender side couples" thing applied to MDZS only. (I have gotten similar vibes from Moshang and from whatever Yue QIngyuan and Shen Jiu's ship name is, but I've now obtained Vol. 1 of SVSSS and plan to read it, so if those two aren't actually canon, don't tell me! It can be a surprise!)
The "no side couples"--or, in MDZS's case, "no queer characters AT ALL besides the protag, his love interest, and the disgraced goth weirdo who annihilates himself to resurrect the protag"--thing confuses me, because... I guess I don't get the point of it? I totally understand not having the bandwidth to develop more than one couple. The challenge of adequately building up other relationships fully independent of your main couple without detracting from the exploits of your protagonist and his love interest could be daunting, as would expanding the story's focus and juggling multiple equally-prominent lead characters for an effective ensemble piece. But here it seems like people picked up a vibe between the characters from what was already there in the text and then MXTX was like, "oh, no, they're not a couple! there's just the one couple!" and THAT I don't get. If she's disinterested in writing women, but has a cast of attractive men who are all obsessed with each other, why not toss a romance in there between some of the guys? Again, you can keep it entirely as-is and just toss a kiss in there or confirm in interviews that yes, they were in love, and you're so happy readers picked up on that even though you didn't get to tell their full story on the page.
I am extrapolating based on the Xiyao situation specifically, so maybe this doesn't apply to her other works! But it is a choice that confuses me. A couple doesn't have to be that developed; Xuanli certainly aren't, but their existence is a major plot point. I should think that the presence of other m/m couples would bolster the main couple, if anything, because it sets a precedent for them existing in their world. There are situations where adding an expressly romantic element would change something fundamental about the relationship, but there are just as many where the addition of a romantic element changes nothing or makes it make more sense (case in point: Xue Yang's freakout after killing Xiao Xingchen).
Like I said, I get not wanting to devote energy to it, and I also get that sometimes a work or performance is received by the audience in ways the artist didn't intend (this is the Destiel website, after all), but to make it a conscious choice to have One M/M Couple Only? Based on what I currently know, this perplexes me.
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oh-meow-swirls · 1 month
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how does the raft not capsize.
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#puppy rambles#yo-kai watch#yw3#i mean komasan's not there in canon 3 so it's slightly better but not by a lot#i feel like someone should at least be falling off how is the raft also big enough to hold them all-#whisper floats so he doesn't add weight or any space really but like#it still needs to both hold the weight of three teenagers and two yo-kai#AND have the room for them all to fit#the rafting challenge in bada-bing tower is probably worse cuz it has to fit two additional yo-kai#i think komasan not being that important in the mainline games is very lame. he's pretty important in the anime so it's kinda weird#he is at least somewhat important in 3 since he's there for the yopple tour and everything in bada-bing tower#whereas in 1 he has the auto-befriend yo-kai curse (only being important in their debut chapter)#and in 2 he literally only shows up during the jibakoma quest in psychic specters#(excluding being an npc during the beginning of the jibanyan's secret quest alongside a bunch of other yo-kai)#idk what's weirder the fact they made him so important in the anime despite that or the fact they never made him important in the games#i personally go with the nyanderful days continuity that he also moves in with katie cuz that makes sense to me#i've literally never written anything where nate's the one who gets the watch in 1 so idk what i'd do there-#(funny how i've never written anything that's in the same timeline as canon-)#i want to at least write something at somepoint where nate and katie both get watches cuz i like that idea#i mean i have a dumb au idea where nate and katie independently get watches at the start of 1 at around the same time#and take an extended period of time to realize#mostly just haven't actualized that cuz 1) i already have the rewrite and 2) i don't have enough ideas#basically just have the basic concept-#these tags got derailed quick. and also make me really wanna work on the rewrite more-#i have so many ideas but i'm just not motivated to write any of them#and also most of them are for 3 and i haven't finished rewriting 2 yet 😔#‚‚‚ anyways-
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aroacehanzawa · 3 months
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the anti-work attitude leaving my body when i realise the job i'm applying for is at a state-owned company instead of a for-profit corporation
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fatherramiro · 4 months
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ive got so many thoughts about origin character playthroughs in bg3 as i go into act 3 of my wyll origin run, and while a majority of them are "wyll and lae'zel co protagonists of the game by a large margin" there's also some moments where im like "ooh id have done that differently if i were writing the game"
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anotherpapercut · 4 months
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I've been having a hard time making myself read which means it's time to read children's books for a little bit. I've never read animorphs or warrior cats, which one should I check out?
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mermaidsirennikita · 6 months
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always wild to see people freak out over dark romance novels when you know they're also like... Spuffy shippers? or something along those lines?
I mean, I have no issue with that lmao, I've had ships that are on the same level, but I don't know, it's just like... are you romanticizing the thing you're shipping to the point that you don't recognize its own darkness, or are you fully aware of that and just knowingly hypocritical?
#romance novel blogging#every week twitter declares that society is crumbling because of silly dark romance novels#and usually not even the REAL dark shit lmao#and every week it is the dumbest moral panic i've ever seen#but yeah dude it when you can literally see people with the WILDEST ships handwringing that i get really confused#like okay so the books are undermining women#but the women falling in love with their attempted rapists onscreen... are not..................#and to clarify to me it's just a quality of the work thing; the content itself there doesn't concern me#I MYSELF do not think spuffy as an example was handled well and the context of joss being who he is#retroactively makes it worse than a dark romance written by some random very normal lady keying into common fantasies#like mitzie or heather or whoever doesn't want to go out there and assault someone. probably#whereas joss.....................#wasn't allowed to be alone in a room w a teenage girl#and that isn't every showrunner ofc but a lot of visual representations of trauma#and romanticizations of these relationships onscreen are often written by people of the same gender as the perpetrator#whereas dark romance is often written by women--sometimes even women working out their own shit#and idk i'm kind of making that realization in real time as two why one bugs me more than the other#PERSONALLY speaking#and ofc that doesn't absolve women of handling SA whether it's romanticized or not badly#and CERTAINLY sa is not inherent to dark romance#which i think is a common misconception#dark romance in terms of genre is not 'rape and abuse as romance' it's honestly pretty broad#ANYWAY. thoughts over#just focus on the people who are actually preying on others plsthx
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neige-leblanche · 7 months
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"idk why i hate neige so much" probably because he is an antagonist! hope this helps
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essektheylyss · 2 years
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someday I will actually manage to write out my thoughts and feelings on Caleb's character arc in a manageable format for tumblr and then it's over for you all
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eclipsecrowned · 8 months
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me playing this game like 'do i even like dr*gon age anymore--'
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lord-squiggletits · 10 months
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The funny thing about my love-hate relationship with Barber is that conceptually, I do understand and agree with the concepts he established/strengthened about IDW Optimus, and I do think that if you want to write a good IDW Optimus you should read some of his stuff and ponder the themes that are trying to be conveyed therein.
It's just that holy shit the actual stories that IDW OP is in, like the plotlines and the reasons things happens and the style they're written in. Dark and depressing but not in a fun way, more focused on plot than character development, fast-paced and has a lot of things happen without much breathing or contemplation room, incredibly horrible plot holes and forcing certain things to happen for the sake of the plot. Like good god in THEORY his stories contain everything I wanted out of phase 2, it's just that the way it was EXECUTED fills me with so much disappointment and anger.
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rogersstevie · 4 months
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thinking about how like, if ASP had written season 7 with the final four words she used in the revival, that would've been a bummer no matter what, not because you can't make it work getting pregnant that young, obviously the whole premise of the show is someone who did make it work even younger than that, but with a reboot, it COULD HAVE been a truly lovely moment to end on rory telling her mom she's pregnant instead of the shock and horror (lol i saw a gifset the other day and lauren really overplayed the shock, it's so dramatic sdkjfksj like rory is 32, even if her situation isn't ideal, it's not as huge as it might've been at 22) like....just thinking how it could've been a different story, sure, with the typical drama and struggles we see in gilmore girls, but an ending where the pregnancy is good news would've been so much better, to see that bonding moment, to see lorelai find out she's going to be a grandmother and the two of them basking in the joy.....ugh it makes me so sad that they did that to rory honestbhly
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fiapple · 1 year
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other early buffy bi-coding includes: both her heart & spirit being initially coded as gay/bisexual (the writers weren’t sure which till tara came into the picture, & according to a semi-recent article, of which label pretty much until willow came out) & were intended as such, as the writers always knew one of them was going to come out.
#buffy summers#btvs#this is why i don’t consider the use of willow (a lesbian) to convey elements of buffy’s (a bisexual) sexuality biphobic whereas i sort of#do when that lens is applied to faith. in willow’s case her lesbianism is important like i cannot understate that but the writing choice#itself was influenced by the notion on part of the creators that willow being written as bisexual was the original intent & they changed#their minds because the lesbian representation was important & they felt with the way people thought of bisexuals it would make willowtara#get taken less seriously. so until willow came out she was very much a bi-coded character (STILL A LESBIAN & STILL MEANS HER & OZ WAS COMP#AS SOON AS THAT WAS CONFIRMED)#up until she came out- and it was largely if not entirely that before that point (bar the coming out scene) where she is used in any major#way to convey that aspect of sexuality with buffy- it becomes more general in terms of paralleling relationship struggle after that point#so willow being bi-coded & willow being used as a buffy sexuality figure were near entirely overlapping which negates the view of#bisexuality genuinely being part straight part gay rather than having to exist in dual spaces due to the way sexuality is dichotomized#also shout out to willow’s lesbianism for still retroactively working very well as a narrative way to convey that dual space even before the#choice to definitively make her such was made. her complicated lesbianism does so much for the themes girlie is carrying.#like a lot of people complain about that choice because of the fact we later got confirmation that it was made for reasons which were i#inconsiderate to both bisexuals & lesbians but ultimately willow as a lesbian works better overall than willow as a bisexual on a#storytelling level to me based on how sexuality in particular is ultimately positioned in the story by the end of s7#like when i talk about pre-coming out willow being bi-coded it isn’t to detract from her present lesbianism or say she should be bi- that’s#flat out lesbophobic & i don’t fuck with it- it’s just acknowledging a reality that influenced how she was written prior to coming out 100%#where as with faith that’s not present especially because she is fully meant to represent buffy (a bisexual’s) sexuality rather than any#sort of dual space struggle- she (darkly) mirrors buffy’s rather than playing a role in it#which then (to me) does start to play into the half straight half gay idea when considering again that she represents buffy’s sexuality#specifically the repressed aspect is positioning a bisexual’s repressed sapphic attraction as lesbian rather than… repressed bisexual#*ie positioning#attraction. like especially considering eliza said she thinks faith swing both ways it kinda does make me uncomfy & feels really reductivist#which is part of why i plan to make that post#blah blah people are entitled to their headcanons. in context the headcanon kinda has a biphobia issue when ignoring faiths bi-coding & word#of saint paul confirmation on top of her narrative positioning irt sexuality that’s all i’m saying
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erabundus · 1 year
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spent most of my time today remaking my answered banner and some dividers, but i'm happy with how they turned out. ✨
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