#which doesnt make either of them a bad character

[peanutheaddd]

HI OOMFIE.. PENIS HEAD EVEN.. I gyatt a few questions about the muse au cause i have vrainrot

where does Petey live in this? Is t like a studio apartment or a garage?? Where the fuck he at bro!!

Does Dogman ever get revealed to the media/public that he’s half human? Like does someone lowkey ever put him on blast

how do they commmunicate!! Normal sign or does Dogman use Paper :0

does Dogman have any hobbies of his own?? How’s him and LPs relationship in this

Can we frolick in FEILDS together

ANON I WOUD LAY MY LIFE DOWN FRO U OHHHHHH MY GOD i alr love getting asked abt my aus but THIS MANY QUESTIONS IN ONE ASK......? OH IM SICK IN THE HEAD

-- i have no idea where he lives specifically like i dont have a concrete idea of it but all ik is that his art studio and his home are the same place . and the place he lives is more art studio purpose than home purpose . theres probs js a blanket in the corner for him to sleep . 😭😭😭 and like pipes running along the walls . industrial sink that he uses for cleaning his brushes and washing his clothes and dishes and making his coffee .

i think its like a dirt cheap studio apartment in kind of a bad neighborhood. smth smth redlining . like the floors are made of concrete and shit 😭😭😭😭😭😭 no ac no heating . concrete box with his art supplies and some bare necessities . he doesnt rlly take care of himself either so there arent many bare necessities either 💀💀💀💀

-- and im not sure if dms identity ever gets revealed . it makes the most sense plot wise but idk How i would fix it . the only way i can see it being fixed is dm having to flee the country 😭😭😭😭 bc the government would kill him . and if they dont kill him he would At Least get put on like an fbi watchlist if he isnt on one already 💀💀💀💀💀 . hes already an activist like that would just be the final nail in the coffin im ngl . if youve heard of the black panther party (hopefully u have) the us govt during the late 1900s would Literally just Kill members of the bpp . like . its not out of their character . and since muse au takes place during this era the government Definitely has the audacity to just kill him .

i think also dms surgery was probably government backed . since he got blown up on the war front it makes sense that the subsequent surgery was . the governemnts doing . and the govt does Not want people knowing about it . so if his identity ever gets revealed it would be too risky on the govts end to keep him alive so they would lit do anythign to try and kill him 💀💀💀💀💀💀💀💀💀

Ultimately . im not sure . id have to think on it more . tbf the ending to muse au in general isnt developed fully yet LOL i dont have the faintest idea what happens .

-- communication is initially paper and pencil but eventually petey starts learning asl . lil petey learns before him i reckon which. makes sense LOL

-- as for hobbies.... Heh... ive been thinking of having dm be a bit of a writer . my hc of dm liking poetry applies to most if not all of my aus . i had an idea in my head of dm writing a poem abt petey and he gets kinda emotional abt it . smth smth artist gets art made about them for the first time in their life .

-- he and lp have a relationship pretty similar to canon methinks they jsut get up to shenanigans and they fw each other heavy . dm really likes his art and likes to listen to his stories and he likes to give him little snacks to eat . lp likes to draw dm and dm likes to pose for him LOLLLL hes his number one fan !

-- YES!!!!!!! LETS FUCKING FORLICK DAWG!!!!!!!!! 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

[don1t1red]

I know that this is a very unpopular opinion but hear me out!

I think not enough people consider Corvo as an unreliable narrator. We see the story from his point of view and all we know about Jessamine Kaldwin comes from his perspective. So, to think on that, do we really know how good Jessamine was as the Empress? 

I know that she is usually portrayed as a good person if not a saint but what if it wasn't that way? A lot of people in the streets are indifferent towards her image, if not hostile; the situation with Delilah; how both Geoff Curnow and Corvo are treated because of their nationality; two hatters recalling how greatly Corvo dealt with workers uprising under her command  – a lot of things are a tell-tale signs that something is not quite right. 

And at this point I have to clarify that I'm not saying things like "boo no I hate Jessamine". No, it's actually quite the opposite, I love her character. But the way it is usually portrayed seems to be so dull and static. Let her not be a saint. 

Let her be manipulative. Let her tell Corvo that "he is not like other serkonans, he is sooo special and that's why he is where he is and not somewhere deep in the silver mine", while being (just as any nobility in Gristol) not very welcome to any outlanders. 

Let her be power-hungry and afraid to lose this power. Remember a bonecharm in her hidden room in the Tower? Who knows how it ended up here! Maybe she knew (or felt) that Delilah was coming, capable of overpowering and taking everything from her. Maybe Jessamine was so afraid to lose her posh life that she was ready to use some kind of a black magic! 

Let her be disloyal. Obviously, she and Corvo developed some kind of codependency. But along with that, she was the Empress so who could stop her from having an affair or two? And Corvo was just the safest option, with a way less unnecessary risks and questions. 

Let her be an imperfect person. 

Obviously, Jessamine could be easily born a perfect ruler and a perfect loving woman for her chosen one and her daughter. But maybe she had to learn it the hard way. 

Maybe she changed along with Corvo. Maybe the plague was a critical point for her character, maybe those months without Corvo made her rethink a lot of things. 

And isn't it tragic, finally understanding and becoming the Empress everyone wants to see in you, just to be killed the other day, because all those changes have been seen as a weakness? Have nothing but faith in your closest one, faith that these people will be more wise than she was? 

Give her some development, give her some motion! She could easily  be a saint, static point.  But in my opinion, she deserves to be not perfect but in constant motion. Trying and learning, understanding and making mistakes. She was too young when she became the Empress, she was a part of gristolian nobility, not so kind to anyone but themselves, she literally had no prerequisites to become a good person. And yet somehow she did. 

It's always so easy to be a "saint" from the very beginning. And it's always so hard to learn how to become one.

[sonknuxadow]

i have mixed feelings on trip's design tbh. like i dont Not like it i think its very cute on its own. but compared to how she looked in all the promotional stuff for superstars (so. with her helmet on) i couldnt help but be mildly disappointed at the face reveal because she looked so much more unique with the helmet . or at least she looked more unique compared to other girl characters specifically

[kohakhearts]

yeah im thinking about the full version of 1・2・3 again yeah its making my brain a little mushy about The Characters

[windupaidoneus]

ok ive finished the dlc so now i can properly say my least favourite thing about dragon age awakening is that the women feel like an afterthought & don't fit in the group at all. & i want to care about them & their banter so much. but i really don't because the game is giving me fucking nothing

[timekeepers-memoir]

do you ever feel scared drawing a character because you're scared of butchering their vibe?

[mbat]

i could say so much about this but it is kinda infuriating, and i dont know if theres a conversation about it that i just dont see people having, but it feels like 99% of the time that i see a jewish character in media, especially jewish men, theyre "weaker" in some way. and theyre even moreso never allowed to be the big strong and/or badass ones.

i saw a list yesterday that was a bunch of jewish characters in media, and there was a character on that list that i know of and have seen some of, but i didnt know she was jewish. what i knew about her was that shes seen as "weak" and shy and dorky in her show. so when i read that shes jewish, it just felt like "of course she is."

and dont even get me started on these characters being "weak" or dorky or, in the mens cases, feminine, and how it makes them the butt of the joke a lot. i could list several cases ive seen, but the main one that comes to mind is leslie berkowitz from one day at a time (2017)

i love that show. there is many things i love about that show and can praise about it, but leslies character is not one of them. hes a man with a name thats seen as a womans name, so of course they joke about that. hes "submissive" in the fact that people tend to step all over him and he just accepts it, and they joke about that. its also so weird because that show gives so much respect and understanding and empathy to every other character, but the one explicitly jewish character... is a joke?? they take him seriously very few times compared to everyone else who gets so much time to be taken seriously. and the jokes about him in particular just feel gross because theyre so... opposite to everything the show seems to stand for. like, this show literally has a nonbinary character but theyre still making fun of a man for being seen as feminine. make it make sense.

i can think of few times that ive personally seen that a jewish character was allowed to be a full on badass, and even fewer where they werent a nerd of some kind at all. i should clarify that i dont think being a nerd is bad, but obviously a lot of people have in the past considering... everything ever for the past few decades.

and hell, most of the times i can think where jewish characters have been allowed to be badass and strong were when they were written by jews. i cant speak for every single time, and my knowledge is of course limited here since ive only seen so many pieces of media, but like, isnt that just kinda wild

[links-hella-fine-booty]

I have way too many emotions to process and everything bothers me

[ultimateloserboy]

duck and red guy are not good people.

ive probably said this a million times already but friendly reminder that they’re incredibly grey. they ruin their own lives just as much as the house does it for them, not to mention how theyre responsible for most of the turmoil in yellows life. duck especially loves with his entire heart, but that doesnt stop him from being a piece of shit.

a lot of you watch the series with this idea that the main three are poor innocent babies trapped and helpless when actually, if there was anywhere else to go (which its implied there isnt) red and duck would never fuckin get there because theyre too selfish and stupid to make it.

becky and joe said themselves in a QnA that yellow made it up the stairs alone because red and duck are just too cynical and selfish to ever make it anywhere. the second yellow started heading down the stairs it was over for him, because red and duck will NEVER listen. they want answers but are too stubborn to ever receive them. The house could be unlocked completely and theyd keep themselves there

Not to mention how they treat each other. they either enable each others shitty behavior, or give up on trying to stop each other. red starts to get onto duck for his behavior towards yellow, but then he joins in to make fun of him multiple times. because he doesnt actually care that much, and that apathy can make him cruel

i think a lot of you forget that even as they are normally, even on the regular floor— not even being bigger boys— they DROWNED THEIR FUCKING CAT!!!!!!!!

and they did it together, is what gets me. theyre codependent. theyre all the other really has, the only other adult really to talk to. they completely disagree on everything, having the opposite worldview of each other which causes them to argue constantly— but theyre all the other has. the only one as shitty as themself. they get stuck with each other in the bigger rooms. growing grotesque together, ruining themselves TOGETHER. they get farther apart. they speak to each other less. they torture smaller things for entertainment rather than talking with each other— but theyre still stuck together. glued to each others hip until the world stops spinning, but always being too cowardly and stubborn to be kind to one another and let themselves be happy together.

even when they reach clarity, or they hit an arc that makes them better people— theyll just forget tomorrow, and go right back to being terrible.

theyre not helpless. sure theyre victims, but not perfect ones— and they themselves have victims of their own

and dont even get me started on the mischaracterization of red in this fandom. YES hes just as bad as duck!!! hes not a fucking baby hes a grown ass man!!! he says the same shit as duck all of the time and yall see it differently cuz his voice is nicer to hear or he says it quieter. and may i add— he can be socially awkward and still an asshole. he can be neurodivergent and still an asshole. it doesnt cancel out, you dont have to pick one or the other.

yall take everything interesting out of these characters so you can make them sexymen but to me the sexiest part is the nuance of the character. duck and red are assholes but that doesnt make them unlikable, the show itself proves that. theyre incredibly likeable but still do terrible shit, and yall forget BECAUSE of how likeable they are.

this isnt meant to be some post to make you think theyre bad people that you should hate because thats bullshit. theyre not good people but theyre not overall bad people either. their actions are terrible but at the end of the day they can and have been better, even if only temporarily. there is a part of them that could easily fit into a happy family— a part of them that can heal each other instead of hurt each other. but unfortunately thats the part thats always erased

[yandere-romanticaa]

hi my love! is it ok if i can request any mtp character that has a darling that cannot speak english very well and has an accent? so when she gets kidnapped or when character acts like yandere towards her, she is confused because she doesnt really understand some of the english? but she tries her best to speak english haha<3

i’m sorry if it is hard to understand me, english isn’t my first language :< (like the darling above!! lol) please take care ana, i love you so much<3 and feel ok to ignore this, i just thought it wouldve been cute haha

The world had bowed to the United Kingdom. There was not a single corner of the globe in which the massive nation had not stepped foot in, trampling the lives of the innocent and forcing their customs onto the so-called "savages". Even if one was not from a colony, the effects of the nation could still be felt. Each little ripple could cause a massive tide, be it good or bad.

This is why you wanted to come to London.

Start fresh, seek out a new life. Oh, the thought of leaving your family terrified you to the core but the prospect of a better future was just far too good to pass up on.

London was a city of invention and hope, a place in which things were constantly in motion. Your English was abysmal at best, and the fact that you were foreign did not go unnoticed either. The highborn lords and ladies would look down from their carriages, as if they were the mighty gods who ruled over everything and anything that dared to take breath.

No matter. There was no time to worry about that.

Find work, get a roof over your head and some food in your belly. Those are the primary objectives. Make a fat paycheck and send some money back to family and loved ones, the thought of making their lives easier made your heart do backflips. With nothing but a single suitcase and almost no money, you were no better than prey in this den of wolves.

Fate was a fascinating mistress as none of the wolves had managed to sink their fangs into your supple flesh.

It was as if the stars themselves had gazed down at you and blessed you with a man so kind and gentle, a man who just so happened to be looking for someone who could clean his very expensive and lovely manor.

His name was Albert James Moriarty and on that very day, he had become your savior. He graciously offered his hand to you, his elegance shining brightly all over him like the sun as you stared at him in awe, wondering how you had managed to get so lucky so soon. In no time he gave you a uniform and informed you of your daily duties as best as he could. You had expected your lord to become impatient with you, to at least scoff under his breath for your inability to formulate a basic sentence, and yet that was never the case.

Lord Albert did his best to be patient with you, using hand gestures, facial expressions and sometimes even drawing out whatever his desires were or what needed to be done. He would mimic drinking tea with his hands, point to places that needed dusting and he made sure that you could at least understand basic greetings and farewells, just in case you needed them. When you had the spare time, he would have you sit down in his private office, the fire crackling behind you both as he handed you a book to read out loud. Albert would work on his papers as you clutch onto the book, eyebrows furrowed in concentration as you did your best to grasp the English language. In due time, you realized that he was giving you children's tales which were always filled with easy sentences, basic grammar and just a hint of whimsy.

There would always be a hint of a smile on his face as you read to him, as if he was pleased with your efforts.

The thought alone made you want to weep from joy. Preparing for the worst case scenario seemed to be absolutely unnecessary as Albert always had everything covered when it came to you and your needs.

Although, your lord did seem to act a bit odd at times.

That dashing green gaze of his would trail after you enter the room, his deep and soothing voice always lingering nearby as you dust the bookshelves, his accent only making him more appealing that he ought to be.

Falling for him was not an option. It just couldn't be. He was your boss - your lord - and surely a man like that would never cast his gaze to someone like you, right? His wandering eyes have been chalked up to figments of your imagination, the gentle mornings you would share with him were nothing but British customs you were yet to get used to.

Lord Albert was not a wolf.

He would never harm you.

And there was truth to that. You were one of the few people that Albert James Moriarty would never even think about laying a finger on.

As for the rest of high society...

That was a different tale to tell.

My darling, your English is lovely! If it makes you feel any better, English is also not my mother language as well! My apologies if this was too rushed, I just wanted to write something for Albert and you gave me the excuse to do so. Thank you for requesting and I hope you enjoyed it!

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

[wavesalwayscrash]

sorry for the long ask lol… lots of musings about things

i really, really appreciate the way you write abusers in this comic. it may be a bit of a weird thing to say, but so many write abusers as just one dimensional characters who are bad when they’re… Not. they’re people, who do bad things, with reasonings that could be all sorts of things (which doesnt mean their reasonings are Justified). i feel like the narrative around “abuser one dimensional bad” makes it harder to recognize how complicated actual real life abuse can be. a character can still be bad, in the wrong, and an abuser while genuinely caring and having some semblance of a reason in their head for what they do. in my experience abusers don’t tend to realize they are in the wrong/tend to try to justify it, they’re not always fully consciously acting bad just because/for the sake of causing harm, and theres not always a premeditated plan out of it, either.

this was all sparked by reading some of your asks about the king. about how love can co-exist with abuse (and that doesnt negate the abuse, either, but makes it harder to realize and break out from). it isn’t as black and white as it seems, i like seeing the depths of that more than the portrayal of an abuser being wholly morally black and terrible

i’m super excited to see more of the king, i’m putting him under a microscope. analyzing his actions. he disgusts me but i’m compelled. i want to put him in a microwave just to see what would happen. im especially fascinated by mariner, too, he’ll be a fun beast to dissect (i looove the taixu pmv and how it contrasts him and the king)

and of course - i really appreciate how you write lain’s response to all this! it can be a lot to unpack. i simply feel like i always see more appreciation for the writing of an accurate deconstruction of trauma versus the writing of a good abuser (good in the sense of the writing, not the character). thank you for all the work you put into this wonderful comic! i feel (so far) its an excellent reflection of all the muddy in-between that goes into motivations and actions. there seems to be some semblance of a power corrupts theme going, too, and im super excited to see that develop (whether im proven right or wrong there)

(and because im sending this publicly i don’t condone abuse, i just enjoy dissecting abusers in fiction. enjoyment of a character does not mean i condone those actions in real life)

Hey, I really appreciate this ask. A lot of my writing and my thoughts regarding abusers come from both my own experiences with them as well as interacting with other abuse victims like. everyday (my wife and people in my close friend group). And I agree with everything that you said here. I don't really like the "abuser is one dimensional bad" kind of idea, and in fact kind of works against how hard it is to realize you were abused in the first place. Making abusers Bad All The Time has made me think "well what I went through wasn't that so it couldn't have been abuse" before. Which isn't the case. Abusers can be kind, can be caring, can comfort you when you're upset, can help you out, and can still abuse you. While not the only reason, it's one of the reasons why it's so hard to leave an abusive relationship/realize it was abuse in the first place.

I'm trying not to get super into my own experiences of abuse (I don't wanna just trauma dump on ya lmao), but a lot of the parental stuff in regards to The King is drawn directly from my own experiences (The sexual part is drawn from my wife's (again with permission/encouragement)). I know intimately that a parent can love their child and still treat them like shit. It was only when I started going to therapy and telling people about my experiences that made me realize what I went through Wasn't The Norm and I was in fact abused.

As well, the reason I write abusers like the King and Mariner having reasons for their actions is honestly just a comfort thing for me. I will never know why my abusers treated me the way they did. I will never know the reasons as to why they did what they did, I'll never know what was going on inside of their head. I can guess, but I will never get that kind of closure in my real life. But in this fictional world, I do get to make reasons for their actions. I can give them reasons and justifications and I (the author) get to decide why. and that, at least to me, offers the smallest bit of comfort.

+I'm glad you're enjoying the story <3 Mariner's one of my favorite guys, he's a little freak and I love him soooooooo bad.

[420technoblazeit]

ok now that ive watched all of the fairly oddparents reboot here's my thoughts on peri and dev bc they ended up being my favorites

kind of obsessed w/peri's tumblr sexyman energy lasting approximately five seconds bc he's constantly stressed out dealing with dev. it's a little funny. he literally talks an octave or two higher than in that clip at all times. born 2 be a tumblr sexyman forced 2 deal with an obnoxious ipad kid

also idk if this is a hot take but peri's kind of a bad fairy godparent. and it's not even his fault really, he's trying, i think he just doesnt understand what dev needs. which makes sense bc dev's his first godkid. but he doesnt seem to get that while dev is really demanding all the time that's mostly bc aside from hazel peri seems to be the only person he regularly interacts with and he's grown up with the understanding that the only way to make friends is to buy people's respect and that's what he uses a lot of his wishes for

like yes peri's right, his job is just to grant wishes. but when you look at how cosmo and wanda interact with hazel theyre constantly suggesting ideas when she isnt sure abt how to solve a problem and coming up with new solutions. they also make sure to take the time to teach her life lessons when they see the opportunity to do so. but peri doesnt have the experience to do either of those things and that + his insistence to stick to the rules kind of puts a strain on his relationship with dev

i feel like it's pretty clear that dev got a fairy godparent bc he's being emotionally neglected like crazy. his dad sucks ass. and peri seems to recognize that and tries to give him emotional support but he doesnt really know how and sometimes runs out of patience with him. anyway i hope they get a second chance so we can see peri learning how to b a better fairy godparent. idk if that's the direction theyre gonna go w/those characters i feel like they wouldnt get rid of either of them considering how popular they are but itd b nice to see them work it out properly yk

[deliajackson]

I saw on the PJO side of TikTok cause I was trying to find some book Percy Edits.

And I saw something saying about Annabeth that said "Annabeth is too good for Any Man, Annabeth Is too good for Percy".

And I just started laughing, like I wanted to comment something but I honestly knew that if I did I was definitely gonna get Attacked.

But I found that TikTok very funny because they seriously thought Annabeth was too good for Percy when In Reality it's the other way around.

Like she should be Lucky she's even dating Percy cause if Percy even had a ounce of Self-worth he would know that he deserves better than Annabeth and CAN do better than Annabeth.

Like most of this fandom doesn't understand how much of a Catch Percy is and it annoys me so much

Like he's So far out of Annabeth's league it's not even funny

Imo he's way out of Everyone's League but what do you think about that?

.... What I think is a little bit sensitive.

Look, I really don't like how media portray "feminism" and how that media actually shaped how people especially girls herselves should act and behave.

From early 2000 to here, "feminism" media is about making the woman be a badass/extra intelligent/rude - while passing rude as girlbossing - who doesnt need any help - especially if it comes from a man - and reduce the man to either "stupid boyfriend who cant do anything without her"/"in dark romance they are sanctified because they would commit genocide but he wouldnt harm the girl and do everything she pleases"/"vile stupid idiot sexist who needs to be beaten up by the strong girl mc"

It is literally 50/50. Men are not equal to his partner in those relationships. They are bellow their girlfriend in literally... everything. In other words.... They are used as plot devices to prop up the female mc. It is as boring as the girl being only there to be what drives a man in the narrative.

Like. Their entire personality is reduced to that. And while sometimes that may work in the story, as you know a character in which the purpose in the story is especifically to haunt the narrative like how Epic treats OdyPen - all the new media is streaming this kind of thing and yelling "we are feminist".

No. You are just playing with sexism and believing you are being woke.

It is annoying. It is bland. It is cheap.

Why that long discourse? Because Fandom and Riordan since HoO is making Percabeth and especially Annabeth fall into this category. Where her flaws are not treated as flaws, actually they are praised. She doesn't grow, she acts worse then when she was 12 in many ways, especially regarding her treatment of Percy. Percy is always at fault, and Annabeth is always in the right. The entire dynamic of Percabeth is basically Percy trying to appease Annabeths feelings and insecurities and fears while they are in supernatural adventures, and when it comes to Annabeth, Percy always has to sacrifice something for her, while all of his own traumas are put in second place and in return Percy is mocked, disrespected and physically assaulted, guilty blamed many times by someone that should care for him as much as he cares for her.

For godamm sake, Riordan made Percy incapable of tying his own shows and Annabeth needing to speak up for him, because according to Annabeth Grover and Percy were in awe in Hecates presence because she was a goddess in WoTG.

(You know, the same Grover who is the lord of nature and lived around Dionysus since he was born. The same Perseus who fought gods, titans and giants, who looked at the face of many gods and treats them either as friendly (like Hermes) or openly passive agressive. Perseus who was named Praetor and directly responsible for the fall of Typhoon in the Last Olympian. The same Percy who saved her life from primordials and monsters down in Tartarus. It is the first time in my entire life I see a MC be devolved so terribly on page only to prop up his own girlfriend in the narrative) I will stop here because talking about wotg is bad for my mental health.

In a relationship both people have to deserve each other. It is not about who is stronger. Who is smarter. Who comes from which family. It is about what they do for one another, what they do with each other and put it on the balance. They have to respect each other. They have to cheer each other up. They need to be each other safe place. Where they can be themselves free of cruel criticism, but still be able to grow and envolve to the best versions of one another. (I am highlighting "cruel" because that is important. I am not meaning construtive criticism.)

I will say it till my dying day: PJO Percabeth (the five original main books) it had everything to be a great couple. There were problems, of course, but they could easily - and I mean easily - be solved with the right narrative decisions. They had everything to be as great as hiccstrid in term of the relationship development and (as important as the other) individual development.

From HoO ahead: Annabeth doesnt deserve Percy and Percy deserves someone better.

[queenrizzardnthelizardscissored]

now that the veilguard dust has settled im kinda just left feeling a bit... sad. like idk how to explain it. its like all the love i had for this series and the world was kinda shattered by it. like. i can either view it as a mid fantasy game on its own, or some kinda dragon-age-themed themepark ride, or i can make it canon and this is really what everything was building up to.

it just feels like everything i loved abt the series was sanitized and removed, and i cant even really get angry abt it bc it feels so sterile. like the thing about mages and how apparently they just are normal people now. as someone who struggles w/ mental health, including issues that make me hyperfocus and make a lot of stuff, or make me compulsive about weird random things, and then make me lethargic or annoying to everyone else, the way that mages worked in these games was so. idk. brutal but also relatable. it didnt feel like they sugarcoated the mental health issues, but it also didnt feel like they dehumanized these characters. they're all so human and we can see that they dont deserve agony or suffering or to have their minds destroyed and live w/o emotion (this in particular was affecting to me given my journey w/ psychiatric medication) but also that they need support networks, they need people to help them and hold them up and also say no sometimes and keep them from being their worst selves. but the core horror of that, of these people marginalized everywhere which just worsens their mental health issues, of these people tormented all the time by dreams they cannot control who have just accepted it, that there's nothing they can do to get better, of these people whose greatest strength is also their weakness, the core horror is just gone from DAV. it doesnt even care about it.

it also doesnt care about the injustice of the world. the thing that is so poignant about these games is that the world is not simple and that there is never a big bad. the 'big bads' that exist are there not as conventional villains you're meant to hate (nobody thought the darkspawn was a compelling villain, nor, really, demons? DA2 doesn't have a villain, really, just a bunch of sad people pushed to their limits who do horrible, horrible things bc they believe it's right), but as things that disrupt society, confront existing systems and exploit their weaknesses and demand change, or everyone will be annihilated. but in DAV, these societal weaknesses either aren't there or are distilled down to one or two bad guys from whom the whole 'evil' descends. it has villains that are gods that were worshipped for so long, and now turn out to be kinda insane and evil. this is, in my opinion, NOT the direction dragon age should go (i wish that DAI hadn't done the Solas thing, the veil should've remained intact and we should focus more on politics, on how the world rebuilds after the mage-templar war, what the qunari are doing, on small scale people's lives), but. it is what was done, and there's still a lot of potential there. Solas is a great character in DAI even if I think they should've gone in another direction. he challenges the worldviews of literally every character. so does the existence of these gods.

but the thing is that they end up not challenging anyone. the venatori, who, reminder, are human supremacist nationalists that hate the elvhen people and are extremely revanchist, side instantly with the gods the elvhen worshipped, for seemingly no reason, other than that they're Both Evil. The elvhen instantly recognize the gods are Evil and side against them. Solas is now One Guy rather than a thing that tests the boundaries of society. I'm not sure if this was because the game is rushed, or, and this is more what i suspect, the devs didnt want the players to have to confront the obvious and extremely difficult choice of potentially siding with the slavers and racists for what is, in universe, the 'greater good', even though that would be a fucking fascinating place for the game to go, especially if your Rook was elvhen. rather than examining these hate groups, or the structure of a society that builds itself on hatred and systemic injustice, the game just goes the easy route by turning their evil from something real and thus frightning due to the fact it exists in real life, can be seen in flags and posters on the roadside if you're in some parts of America, to some absolute unimpeachable evil that cannot be analyzed nor reasoned with. Imagine if they, for instance, explored Tevinter politics. a super crude version of this, which sucks and i have put little thought into, is to examine the way in which fascism and slavery upholds the social order. by positioning the elvhen below even human slaves and non mages, there's always someone lower for them to target and jeer at, and so they ignore the fact that they themselves are being fucked over by both the overarching structures at play and the people perpetrating them. instead, the game did none of these things, and did not even make the canon slavers in the canon slave country, (whose buisness of slave-trading and capture is tacitly accepted by rulers of Southern countries because even there, the elvhen are seen as second class), OWN SLAVES. We see none of this, none of the broad-scale social evils of inequality or the horrors of slavery and systemic racism, and so beyond avoiding the difficulty of having the player maybe have to temporarily side with and/or attempt to end slavery and the systems in it, *even when it affects their own people*, we just remove it all together. the relatable, realistic, *banal* evils are replaced with cackling villain laughter and dramatic designs.

the fact that we've torn apart and destroyed actual evil for the sake of replacing it with a caricature necessarily means the characters are less complex, which is fucking sad because there's so much genius on display with these character concepts. Harding's journey in particular could've been great, with her anger at the way her people have been fucked over present and past, and her either controlling it or embracing it. If you wanted to tie it back to the main story (which companion quests always sort of should thematically), you could have her realizing that the elvhen were just as fucked over by the evanuris as she and her people. Taash's quest about discovering their gender and the way that things are lost in cultural translation could've been great, if it leveraged the way the qunari work. the qunari have a very different system of gender than humans or elvhen or dwarves, though, importantly, just as restrictive. their journey could've dealt with actually integrating and synthesizing these cultures, and with breaking down both models of gender and how they fail to account for and capture the actual lived experienced of people, instead imposing a false dichotomy on them. In human countries, gender shapes work, in the qunari, work shapes one's gender. How could these equally repressive things be integrated or dealt with? Think about how cool this would've been to do ! there's so much cultural worldbuilding potential as well as the actual journey of these characters. but instead, we import a phrase from the real world that is characteristic of our present moment. historical cultures have had all sorts of different understandings of gender than our current system, not necessarily more or less restrictive (well, more restrictive if we consider the recent past in the West) but different. the identity of nonbinary is meaningfully different from that of "similar" positions in other cultures. in fact, dragon age already kind of already began to deal with this, albeit in a very-2014 way. It's just so dissapointing from both a queer perspective and a worldbuilding perspective. every quest is like this, a genius little kernel of an idea that instead of being expanded on and reshaped through the lens of the world we're in, is destroyed and made into the simplest, worst version of itself.

while we're at it, let's talk about souls. it's one thing that the enavuris exist. fine. i don't think that they needed to do that, but there were a lot of cool things that could be done with it, and i get why they made that decision, even if they didn't expand on it. but the whole thing about the enavuris is that they ARENT GODS! there are no confirmed gods in Dragon Age, and no confirmed afterlife. Remember Justinia in Inquisition and how it was a spirit that copied the imprint of her mind and personality on the fade? remember the same thing with Cole? Remember how Leilana can die and come back as a spirit that really, genuinely believes it is Leilana, but is, by the most physical of definition, 'not'? (insert metaphysics and debates about consciousness here).

The reason the fade and spirits are so damn good is because they are not as simple as an afterlife. what they are, as is clearly communicated, are impressions of reality and information. to put it another way, the fade reflects the perceptions and shapes and information about reality. the spirits that exist are not 100% truthful, and not because they're lying, but because their very existence is shaped by others beliefs. information gleaned from the fade is not 100% reliable, because how the fade looks and what happens in it can be manipulated not just by demons but by belief. There's a great bit with Solas from early in Inquisition where he talks about a battlefield that changes shape, changes events, based on whether the spirit he's talking to is closer to the losing or winning side. How damn great is that? the spirits aren't literal ghosts, but OUR CULTURAL MEMORY. the way they exist is so damn good, the way they carry on cultural traumas and beliefs. While we're at it, think about how this ties in to mages, who are tormented by spirits. They are literally tormented by cultural trauma and pain that persists even after the original victims and original perpetrators are long gone. God that's so great. What dying does is unclear, just like real life. What persists after death is your 'legacy,' warped by what other people thing of you. this ambiguity is great because whether or not an afterlife exists is unclear, but also, the 'soul' supposedly passes through the fade before dying. This system of magic, where spirits are not malevolent nor kind nor truthful, but formed by density of information and strong belief and cultural memory, is very unique. The closest thing to it is the spheres in the Witcher, and even that's different. In veilguard, souls exist and they are literally echoes of people and are 100% accurate.

The themes of Dragon Age, up to DAV, have been about cultural memory, about how beliefs impact actions impact beliefs, about (to borrow a really good comment on an early post) the truth of what religion makes us do rather than the 'truth' of what religion is. Think of how this magic system of spirits that are influenced by belief and cultural memory and raw strength of emotion that persists and impacts others even when the original person to feel those emotions is dead ties in to these themes. It's so beautiful, genuinely, even if the game does not explicitly explore it. Now think about how this all is lost when we make it so that souls explicitly exist and can be reserructed and spoken to.

Even aside from the broader themes, think about the potential that was there for the Mortalitasi. Rather than just being straightforward necromancers, if we applied old Dragon Age rules, the spirits they would summon from the corpses of people were not actually those people, but what their living relatives think of those people. How brutal and awesome and sad is that? That there is no true way to speak to the dead, only to speak to your conception of the dead. It's so beautiful, and sad, and honestly hurts my chest a bit to think about. Not only is that gone, but the concept it made way for - the existence of liches - falls way short and is in fact made actively worse by this change. So, liches are souls of mages possessing/controlling their own corpses, if I understand it right. Imagine if the 'souls' were not truly the original person, but a spriit imitating them. Not only does this make the whole thing bittersweet - it means that a person is sacrificing their life to cement a sort of constant legacy, because they are too afraid of dying without an impact of the world - but it means that a person who becomes a lich is taking this risk. Imagine if everyone hates that person, and so the new spirit that is now 'them' is an asshole. They have become, literally, the person everyone thinks they are. That's such a poignant and genius idea that is stripped away for, what? Literally just generic fantasy DND liches? It's. just. the loss is so sad. Especially since the theme of the character who has the option to turn into a lich is that of fear of death. What better way to show that fear of death ruins the way they LIVE than by making the new person not literally be them? By exchanging their life and happiness therein for a legacy? It's so beautiful and yet. gone.

the game, despite being on its own a really pretty but ultimately mediocre action RPG, feels like such an overwhelming loss because it not only destroys the world in which it is meant to be set but also because it seems to ignore the potential inherent in its own story. I am not a dragon age writer, and thank god for that, because I suck at writing, but if I was, i would've made the game more small-scale and poltiical and focus on ideology and fear and radicalism and acceptance rather than gods. TO be clear - I'm not mad that they didn't do that alternate game. I'm sad that they did this different idea, about the gods coming back, and then didn't do it well or even commit to their own idea.

and beyond that is the fact that it wants so badly to simultaneously distance itself from the previous games while also calling back all the time. the issue is that that could never be done, because the game is, inextricably, a sequel to a 2014 game that ended with a clear setup for a sequel this game expands upon. The game brings back this character from the previous game as a main villain, but because it also wants so badly to distance itself from the previous games, it makes him flatter, unreactive to the decisions and contexts of the previous games. The Solas of DAV is like the Solas of DAI immediately after waking up. The game brings back Varric despite him being in two previous games, and then proceeds to make him NOT Varric for most of the game. It brings back a companion from DA2 only to have her dress up in the worst outfit ever and not reference anything or be changed by her experiences, and then she fucks off. It has a plot inextricably tied to religion, but barely mentions Andraste or the Maker once, even in conversation among a group of casual believers, even as an exclamation. At the same time, the game is set in a nation completely different to the one of previous games, but it doesn't actually exploit that for any purpose. Rather, it destroys everything from the previous games. It makes it so the South is torn asunder, and yet our characters don't seem to care. Everyone from the previous games is implied to be dead, Hawke, maybe Cassandra, the HoF, Sera, Fenris (which is not in this game because they realized that having him here would expose the fact this game has ignored slavery entirely), Merrill, Josephine, Blackwall, Vivienne, everyone. At the same time they bring back a character from DAI who should've known these people for years, and she somehow goes on camping trips while the 6th and 7th blight destroys her home and everyone she's ever known. The game does not want to actually interact with the previous media, or the worldbuidling therein, but at the same time it must somehow remind you it is, in fact, a dragon age game, and so it must bring back and puppet around these characters and ideas just to show you they exist.

It's just so sad, but also kind of inevitable, and any solution would be terrible, because this game comes out 10 years after the previous entry. If they made it a direct sequel, where you play as Inky again, which would be the most logical thing to do, new players wouldn't get it, because why the fuck would they? They'd have to play a whole other 10 y/o game just to start this one. If they had you play as a small-scale character doing a side-ish story that ties into the main plot, a la DA2, with an inquisitor that chooses what to do w/o your input based on DAI choices, which would've been my preferred option, since it meant your character could be new and interesting without feeling out of place, everyone would've rightfully been mad that all the big world ending stuff is happening to someone else (which I think would actually be really cool for a narrative, to feel so helpless, tossed about by the world while you struggle to survive, but I can also see why they didnt want to do that.) If they did a time-skip, say, to the next Age, and had Solas defeated offscreen, which I think would actually be the best as far as creating a new series with divergence while also maintaining the lore and theming w/o having to account for player choices, well, this I think would've been the best game of the lot, but everyone, including the writers, would've been fucking pissed to not see an end to their story, to just have them live their lives and defeat Solas off-screen. So in the end, they're left with a sort of weird hybrid, where we play as a new character but also it's a direct sequel but also we're the one doing world-changing events but also there's a time skip during which nothing happened somehow, but everyone is still around just older. Even if this was well-done, and had artistic integrity and no interference due to market decisions, this would be a very hard balance to strike. But that's not what was done. Instead, the game started as a single player campaign, then was redone to make an MMO, then a raid game, then co-op action, then live service, then back to single-player again, and then rushed to recoup costs. With that in mind, it's really not *awful*. And then, of course, there was the bullshit "wokeism!!111!" assholes, as if the first game didn't have both gay and lesbian relationships, the second didn't have the same, the third didn't have both of those and also a canon trans character. It's just sad that it ended like this, with everything, including, somehow, my retroactive enjoyment of the series, being destroyed. I know it's stupid to not like old things because of the new thing, but. idk. it's this weird involuntary reflex. Ah well. I loved this world and its characters so much and now it just kinda feels hollow. :(

[windmill-for-the-land]

Finished the Netflix Devil May Cry show a couple hours ago and i think i've finally collected my thoughts about it (Spoiler Warning and a kinda long post)

TL;DR Pretty good but the second season is going to either make or break this show, it depends on it to flesh out its characters, and fix the concerns raised up by its cliffhanger ending.

To start, i think the show is a fair 7/10, I really enjoyed it, the action scenes and animations were great(even if the cgi got pretty bad on a few of them, specially on Agni and Rudra at certain moments),the songs always fit in very well with the scene, and the licensed music choices were really good, the story and voice acting were pretty nice too, they got Dante's character pretty well in the show which is great and the 6th episode was simply beautiful!(even if what it depicted didn't feel very devil may cry but we'll get to it)

But the show has a fair bit problems(most of which i think can and will be solved in season 2 but we'll see) that hold it back from being REALLY good instead of pretty good or okay.

One of the biggest problems being Lady's adaptation in the anime.

When i saw that she was going to take a very important role in the anime i was HYPED, she is easily one of my favourites, constantly fighting with Nero over who is my number three favourite. Unfortunately, her character in the netflix show ended up being pretty shallow for the most part while also barely feeling like the character she is supposed to be. They did a good job on her backstory in the shows universe(plus arkham is totally alive since he didn't die on screen in her flashback, which is great because it means there could be a possible take on the dmc 3 plotline in one of the seasons that would develop her as character), my problem with her is the way she acts throught the main story, her swearing like a sailor is already pretty disappointing, something i like about dmc is that the characters rarely ever use profanitys, making it so that a line like nero's fuck you in dmc 5 actually feels impactful and cool, meanwhile in the show, she says either fuck or shit in every sentence and it felt ridiculous, not like her at all, i was already so sick of it by episode 4 or 5, it felt like a forced attempt to try make her sound cooler and justify this show being for adults(much like castlevania).

But more importantly, her arc in the show feels unsatisfying, i understand that her arc is clearly not complete, it is certantly going to continue in season 2 with her leaving darkcom, throwing that ugly-ass armor away and rescuing dante, and that's fine, i dont think every character should have their entire arc in only 8 episodes, but the main focus of the first season was on Lady (I'd say 60% Lady 40% Dante, which sucks because this is a pretty good version of Dante that NEEDED more screentime), and she barely changes by the end of it. She starts out blindly following darkcoms orders and being a dick to dante, and ends still following their orders and hurting Dante, but being slightly remorceful and unsure about it now, the only major change is that she doesnt hate every single demon anymore after her encounter with the hellIrefugees, and that she actually likes Dante and feels bad for doing that to him, although with season 2 hopefully finishing her arc, i think season 1 will become a little better retroactively.

Speaking of the hell refugees(i forgot their name sorry)

they were fine? I guess??

I get what they wanted to do, they wanted to add some moral greyness to Sparda's actions and flash out the demon world so that not everyone except Sparda is evil, therefore building on the theme of there being humans as wicked as any devil, and devils as kind as a human.

But since literally every demon in the show was working on the goal of freeing the weak devils from the demon world so they can have a better life, YOU END UP WITHOUT ANY ACTUALLY EVIL DEVILS IN DEVIL MAY CRY, which of course, isn't very good for an adaptation of a series based on slaying hundreds of demons every game. I think this is another complaint that can be remedied by season 2, if they show that the refugees are the exception, not the rule, and that the underworld is still packed full of stronger demons working for Mundus that willfully perpetuate the misery of the weaker ones, it would solve one of the most consistent complaints i hear about the show, that it humanizes the demons way too much, by answering these complaints with "Actually, these are just a portion of the demons, there a LOT classic 100% evil devil may cry demons, you just didnt get to see them in season 1!!"(also i think the demon world looks too much like an alien planet instead of the underworld, which i get that's what they're going for, but it really doesnt feel right in an adaptation of one of the best visual depictions of the underworld in videogames, specially in Dmc3, some of those sections look gorgeous, and the show is severely lacking in that gothic architecture.)

Also the U.S.A invading the demon world and DROPPING NUKES on the weak demon refugees in a analogy to real world US actions while American Idiot by Green Day plays in the background felt so on the nose and unfitting for dmc I couldn't take it very seriously, they went too hard on the "humans are the real monsters" side with little to no nuance, since they are depicted as more evil and malicious than any of the actual demons, plus it makes the regular humans have too much control, the demons in dmc should absolutely destroy the army, like in 5's opening scenes, with their only hopes being our protagonists, i REALLY hope that when season 2 drops they start with Vergil and Mundus' forces absolutely destroying the humans forces, to show that, sure they can arrest and bomb a bunch of weak demons who can barely survive on their own land, but when the powerful ones show up, they're out of their depth and are forced to rely on Dante and Lady.

Now,moving on to the storm shaped elephant in the room, Vergil.

He's got a total of like, a minute of screen time, but it was enough for a huge size of the fanbase to go up in flames about it, and honestly? i understand why, i don't agree with the assumptions that Vergils is absolutely be like that in this adaptation, but i get it, having Vergil on screen basically saying that he is voluntarely serving Mundus sounds sound insane and like a huge character assasination.

Buuuuuut, i think that's the point, its to make us question what is going on with Vergil, since at no point in time would he ever willingly work for Mundus. My theory is that instead of unlocking his devil trigger and escaping the attack on their home, in the show's universe, Vergil is captured and brought to hell as a child, likely being tortured or brainwashed by Mundus to align with him and make him blame Sparda and the human world, so it would basically make it so that Dmc1's corrupted Vergil shows up before anything else.

I really hope im right and this is the direction they're taking Vergil, because if he really is willingly serving Mundus and his Devil trigger is Nelo Angelo, it would be soooooo fucking bad that i could not defend the show anymore, it would be such a huuge character assasination and would turn Vergil from a hurt and tragic character, that copes with his feeling of powerlessness and guilt from not being able to protect his mother, brother and himself by becoming as powerful as possible to make sure he is NEVER in a situation like that again, no matter what and who it takes, into the stereotypical EVIL TWIN that simply does bad things, alongside the person who killed his mother and probably his father, and it would absolutely not fit with Dante and Vergil's dynamic AT ALL.

also before i get to my closing thoughs i just wanna say dante felt a little weak in it and that i feel like he didn't get enough spotlight in HIS OWN SHOW, like i know that he's waaay less experienced than any version of Dante from the games but omg he spent the entire show post episode 2 getting his ass kicked by lady and almost every single demon, even with devil trigger(speaking of which, having devil trigger from dmc5 playing during his devil trigger transformation while cool on concept, really doesnt fit since that song is VERY personal to Nero and doesnt fit Dante as well, plus i honestly didnt like the cover of the song used tbh but its not that big of a complaint.

In the end i really did enjoy the first season of Devil May Cry, and i am very hopeful and excited for the second season, the highs were really high, the animation was pretty amazing, loved the opening and every single one of the endings, and dante felt great, but I cant help but be worried for the future of this show, if the second season doesnt address some of these issues, SPECIALLY LADY AND VERGIL, it will really be like the castlevania netflix show, fun in isolation and with no knowledge of the source material, with a decent plot and some nice visuals and songs, but lacking severely in the core elements of the series they are adapting, making it that i cant help but dislike it a little, i really hope it turns out well since i want to really, REALLY LOVE this show, not to JUST like it or even dislike it.