#which feels out of character for me </3

[basilpaste]

Hgi if ur just wanting like reqs for connie ficlets. Id love to see him like interacting w more of the party. I wanna know more abt his dynamics w them

You've found that you have a much easier time writing expressions than you do reading them. This is, of course, because memory likes to dramatize them. A smile is much more solid in your mind's eye than it might be on a face.

That's... usually the case, at least. Perhaps it's a Vaugardian thing. Maybe just happenstance! But. Well. You're Vaugardian companions certainly all wear their hearts on their sleeves.

Mirabelle is fretting over something. This much is obvious. She's rocking back and forth on her heels, biting her thumb nail, clearly lost in thought. Her expression is furrowed and her large eyes clouded with worry.

Really, it's very easy to tell with her.

"Mirabelle, dear!" You stalk over to her, placing a hand softly on her shoulder.

She jolts out of her trance, hand flying to her rapier, "WAA!? Conifleur??? Sir?"

You smile, "The one and only!"

"You scared me!"

"I noticed." You hum, slipping your hand off of her and moving to face her properly, "You certainly seemed lost in thought."

"Oh, um... It was nothing, really!!"

"Ahh... I don't quite buy that, Love." You tell her simply, "I could hear the gears in your head turning all the way from camp. What's on your mind, Miss. Mirabelle?"

She holds her hands to her chest, almost as if in prayer. You do it differently in Poteria but you've lived here long enough to recognize the gesture, now. Mirabelle won't quite look at you. That's more than alright! You have time before you have to return to camp.

"We're getting close to the fourth orb. And the curse is spreading faster than ever. If we're not careful... one of us could...." She trails off.

"We won't." You tell her, with much more confidence than you really have, "All of us are determined to see this through, Dear."

"But!-"

"Ah!" You put a finger to her lip. "No buts! What kind of story would it be if the heroes lost?"

"This isn't a story!" She argues.

"I know," you concede, "but it is our story, is it not? May as well stay optimistic."

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[konakoro]

This is definitely my favorite runner in book 6

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[aroaessidhe]

2023 reads

The Spider And Her Demons

YA Australian urban fantasy/horror

about a Malaysian-Chinese girl who’s half spider-demon, just trying to keep her head down and survive high school

when she accidentally kills and eats a man in front of the most popular girl at school, they strike up a strange friendship and she starts to learn more about herself and the supernatural world

aroacespec/sapphic ish

[dewhander]

baby’s first sticker batch!!!!!!!!!!!!!!!!!!!!!! I shipped out my very first batch of orders ever today, so i wanted to do something special for them :] I’m thinking that in the future i include 1 or 2 random picks with each order or have a grab bag put up….

[louisdelac]

there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.

like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?

and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?

the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)

[kakusu-shipping]

Thoughts on/during Mochi Mayhem? I'm curious. Especially towards the... memetic dance scene(s).

I LOVED IT!!!!

Pokemon Scarlet and Violet really put me in the "I wanna be a kid doing stupid dumb goofy things with my friends" vibes and Mochi Mayhem really delivered! everyone coming over to the player's house and hanging out at the start and the whole finding the remote mini quest at the community center really got to me. We're just a couple of kids doing kid things!!

Also the fact that Arven says Clicker like an old man means so much to me. We really are siblings.

SPEAKING OF ARVEN

He knocked it out of the PARK during Mochi Mayhem being just??? So funny??? Like, he's so pushy about being the player's one and only Best Friend

And he's so agro at Kieran over it to the point of ending the epilogue apologizing for it... But Kieran didn't even notice because he's so use to his sister being agro at him like that???

Also the fact that he has just enough control while mind controlled by Pecharunt to be embarrassed by the stupid dance dskgjdfjgjdfh Hysterical

There's a lot of other really silly moments that got to me very personally, like how much everyone calls out Nemona for being entirely too much, or just the implication that the three of them were hanging out without me, implying they've all become friends as well really gets to me

I don't like the paid DLC direction Nintendo is going in, but this is the best Pokemon Game post DS Era in my opinion, even if with the DLC it's more than double the price of a DS era Pokemon game with about the same amount of content...

But yeah! I really liked the Epilogue! I had a great time, I loved seeing everyone getting to have a fun time and being silly, I ADORE Pecharunt to no end, and am super happy to have Kieran back in the club room finally!

[owlyflufff]

haikyu's dumpster batte is only going to be around 1 hour and 24 minutes, oh it's genuinely bokuakaover

[u5an5]

I know ultimate sacrifice is dying in fight for what matters the most and in 100% cases it was reversed by kissing headcanon is strong, but what if your existence was erased from the universe and only I remember about you now instead, huh?

[averlym]

some very very quick costume shorthands!

[coredrill]

funniest thing abt bravern is that isami goes around saying shit like “there’s no point in saving the world if smith’s not here” “i’m not strong enough to do this but smith made me feel like i could” “hey smith i feel your dick” “smith gets full body waxes?” and also literally begging smith to talk to him from beyond the grave (in a callback to their first conversation no less!) and yet the poor dude is like. struggling to hold onto his spot as the third gayest character in his own show LMFAO

[feline-evil]

Dethvanity is really funny to me conceptually as an episode because you can see how little they had to make the characters insecure about for the bit. They swing for obvious lowblow choices with Pickle' baldness and Nathan's weight and even those require some suspension of disbelief because ok. Sure. Nathan '(said extremely proudly) never skipped a meal in my life!' Explosion is insecure about being a big man now. Nathan *guy who everyone thinks is smoking hot 99% of the time* Explosion is a tiny bit larger than usual and is insecure about it now. Lol. Lmao even.

But anyway then we hit Skwisgaar and Toki and there's like NOTHING to swing for, you can see them going uhhh ok Skwis doesn't sleep he probably drinks a lot of coffee, and Toki? Shit, what does Toki have to be insecure about with his looks. He's perfect, he's adorable, he's ripped. Um. FUCK IT, HE'S DOING NOTHING BUT EATING LEMONS. WE GOT NOTHING, WE GOT NOTHING, JUST GIVE THE BOY CITRUS FRUITS.

WOE 🍋 BE UPON YE

I'm sure i could make some smarter points about the attempts at applying vanity in this ep and how outside of this and a few other moments i do actually like that the show rarely takes pot shots at things like Nathan's weight, but you see Nathan has shirtless scenes in this one and so my intelligence is impeded when all the blood rushes out of my head and into my-

[randomminty]

I wanted to draw misakis funny shirt so so so badly but i couldnt draw her hat for the life of me :,,,,(