#which i dont understand but yeah

[zoppzoop]

mutuals if i decide to draw something possibly unconventional would you disown me....

[cubbihue]

“He knows Timmy will come around eventually. It's only a matter of waiting for his clock to run out. And HP is very patient.” Hey uh.. WHAT DOES THAT MEAN HIS CLOCK TO RUN OUT is he waiting for Timmy to become a full fairy (Pixie?) and when that happens Timmy forgets about being a human entirely?

Sometimes Timmy wonders why he has grudges against certain fairies. Some of them, he can understand- like his dislike of Dr. Rip Studwell. But other ones, like with Cupid, it's a bit of a blur.

He must've been a very very vindictive 10 year old! Ah, well! Timmy's learned that he has to pick and choose his own battles wisely.

And uh. Fighting with the man who decides his paycheck and vacation days is not a battle worth choosing. Talk about a hostile work environment!!

Bitties Series: [Start] > [Previous] > [Next]

[spitblaze]

You know I probably would have figured out something was up with me genderwise sooner if people assigned female at birth were not conditioned from a young age to absolutely loathe their bodies in order to sell beauty products and diets and unattainable standards

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[ethereal-forest-furry]

i have a lot of respect for wasps. they have firm boundaries and they will protect themselves and their home and their family and theyll risk their lives to do it every single time they think theyre in danger. and i feel like it says something about us as a society that we hate them for that

[god-tier-bastard]

anybody else absolutely baffled every time ame has to do her job as witch of the world's heart? like when she was talking to Mirara and instead of addressing the "bring humanity to heel" comment she just brought up her cat mug? or the lying to the coven? or the way she handled that last vote? idk i love ame so much, but i simply do not understand how she handles most things, even though it tends to work out for her aside from this vote.

[tenderjock]

outstanding leadership, extraordinary initiative, & steadfast devotion to duty

Daniel&Jack&Peggy, and medals earned in wartime.

"You ever notice that Thompson doesn't talk about the Navy Cross?"

Peggy froze in the middle of adding milk to her tea. After a moment, she put the bottle down and stirred carefully, thoughts racing. Without turning to Daniel or letting her surprise inflect her voice, she said, "What do you mean?"

Daniel shrugged, a little jerkily. "I don't know. Everything's always bigger and better with him, you know? He'll tell you how much he earns or how long his - ah, you know, he'll brag. But he changes the topic every time it comes up."

She tapped the spoon against the side of her cup. "Perhaps he -" She broke off, struggling for the words that would turn Daniel's attention away from the issue. "Perhaps he simply doesn't like to talk about things that happened over there. We've all been there; it's never anything like the medals or newsreels seem to say it was."

"Yeah, sure," Daniel said. "It just doesn't seem like Thompson to not tell everyone he knows about it."

"You don't talk about your Purple Heart," Peggy pointed out, not ungently. Daniel stiffened.

"That's different."

"It is," Peggy agreed. "It's different for all of us."

A pair of familiar footsteps joined them at the office commissary before Daniel could respond. Peggy glanced back down into her cup and added a generous spoonful of sugar.

"I see my top agents are spending their workday productively," Jack remarked, his smirk a sharp line in his face.

Peggy shot him a rather arch look. "I see Chief Thompson is having an equally productive day," she said. "Have you admitted defeat yet?"

Jack made a face. He'd been fighting, along with Agent Faut and some rather obnoxious pencil-pushers, to balance the New York SSR's budget for the better part of the week. Most of his morning had been spent in a meeting with the senator's aide.

"I got 'em on the ropes," he said. Daniel clears his throat, rather judgementally.

Peggy isn't quite sure who he's been more upset with recently: Jack, for taking the promotion, or her, for not being bothered by it.

His attitude was a bit annoying, to be honest. Frankly, she was never going to receive a Medal of Honor or the position as New York Chief, no matter who advocated for her or what evidence was presented to the U.S. government. Daniel had to know that, too; the man wasn't stupid. And he had to realize that having Jack in charge, where they could keep an eye on him, was better than any alternative.

"We were discussing wartime medals," Peggy said instead of all that. Jack stiffened; Daniel noticed; Peggy rolled her eyes. "I once knew a man who earned an Order of the Bath for strategic actions in battle." She considered the memory. "He had terrible teeth."

"Order of the Bath?" Jack said, disbelieving.

"For conspicuous heroism taking place in a sauna," Daniel said. Both men laughed. Peggy sniffed. They had no respect, these Americans.

"What about Carter?" Jack asked, still laughing.

Peggy blinked at him. "What about me?" she said.

"What kind of awards did Agent Peggy Carter deign to accept?"

"I didn't earn any," Peggy said stiffly. "Women aren't combatants."

That's a bit of an oversimplification, she will admit in the privacy of her own mind. There were a few medals she could have theoretically earned, from the Americans and her own government, had circumstances regarding her service not been so, well, unique.

Some Englishwomen had received medals, but their service had been different than hers - usually as pilots or somesuch, not the covert missions she had in occupied France and Nazi Germany.

She may have qualified from the U.S. Women's Army Corps Service Medal, although it perhaps would have required Colonel Phillips to pull a few strings. Peggy had occupied a strange place in the war: a woman, first of all, and therefore not allowed in combat or eligible to receive medals for heroism under fire. But she had also been a spy, someone who technically didn't exist; and a British operative working for the Americans. Both sides had simply sort of - cut her loose, after victory was obtained and she was no longer useful.

It was only due to Colonel Phillips' recommendation that she had this job in the first place. Peggy pursed her lips, then shook herself out of her thoughts.

Only to find the two men staring at her like they had just been dunked in ice water. It was a bit unsettling. She took a sip of tea.

"Anyway," she said. "I actually do have work to do. Daniel, try to keep in mind what I was saying."

Jack was frowning at her. Daniel was frowning, too, but his gaze flicked to Jack once when she spoke, before he nodded.

"Sure thing," he said, and shifted on his crutch out of her way to let her back to her desk.

: :

Peggy frequently found herself the last person in the office, nowadays, with the possible exceptions being Daniel and Jack. Right now, Daniel's dark head of curls was bent over his desk and Jack's light was still on in his office, although the blinds were drawn.

They've all been working in a companionable silence for the last two hours. Daniel was eating something that smelled hot and spiced at his desk; little noises kept coming from the Chief's office, the sound of a file cabinet being opened or the desk chair being pushed back.

For Peggy's part, she's been combing through reports of gun sales to women matching Dottie's description in the tri-state area. She has found three that warrant a closer look, and was just about to get herself another cup of tea and really settle in when Jack's door opened and he slouched out.

He stopped in front of her desk. She looked up at him and raised an eyebrow. He stared at her for a second, looking troubled.

"Yes?" she ventured, when it became clear he wasn't going to say anything to her.

"Can I talk to you?" he asked, rather abruptly.

Daniel was looking at them now. Peggy drummed her fingernails on her desk, then nodded and followed Jack into his office, where he shut the door behind them.

He then proceeded to stand at his desk, hands braced against the wood, staring blankly. Peggy was honestly starting to get worried, not that she thought letting Jack know that was a good idea.

"Chief Thompson?" she said. She didn't touch his arm, but it was a close thing.

Jack opened his desk drawer and pulled out a box. It looked like a large jewelry box and was made of navy blue leather, with gold detailing. Peggy didn't need to ask what was inside it - even if it hadn't had the name of the medal printed on it in little gold letters, she would have known.

"You should have it," Jack said. His face was grim and set.

"Jack!" Peggy said, shocked.

"You should have it," he insisted. "I don't - it shouldn't be me, anyway. And you deserve it, Peggy. We both know that." Jack glanced at her, then glanced away. "I was going to put it out on my desk but - I couldn't. I can't. You should have it."

Peggy stared at him, feeling like her heart was in her throat. Jack Thompson was a liar, and a fraud, and a self-serving, arrogant pain-in-the-arse to work with, but sometimes he still surprised her.

And, anyway, it would do no one any favors to make this into a bigger deal than it already was. She nodded, and carefully took the box and tucked it under one arm.

"I'll keep it safe," she said quietly. Then, more briskly, "Do you want me to brief you on the progress I've made in the Underwood case?"

"Christ," Jack said, rubbing his eyes. He laughed, a little wetly. "Yeah, that'd be great. Tell me you got something."

They talked for a few minutes. Jack agreed with her that there was meat in the rumor of a bank robbery being planned, although neither of them could fathom why a notorious Communist would want to rob a bank. When Peggy left his office with the Navy Cross in hand, Jack was pouring himself a Scotch, looking exhausted and like a weight had been lifted from his shoulders.

Daniel looked up as Peggy fastened the clasps of her purse and got her coat. "You leaving?" he asked, and then considered her more closely. "Are you okay, Peggy?"

"Yes," she said. "Just, you know." She looked at Jack's office door and clutched the rectangular shape in her purse tighter. "I need to get home."

"I'll walk you out," Daniel said, still watching her. "I'm just about done here anyway."

Peggy waited while he grabbed his coat, hat, and briefcase. She had to watch her pace a bit when she's walking with Daniel, but the company was usually worth it. Tonight, she was tired and a little shaken and a bit too reflective, and she appreciated the distraction of having to make small talk with Daniel as they walked to the subway station together.

As they were waiting for her train - hers was due in four minutes; Daniel's, in six - Daniel said, apropos of nothing, "I guess I just never expect Thompson to care enough about anything to feel, I don't know." He looked across the platform blankly. "Shame or guilt or, or loss. Or anything."

Peggy looked at him. "I know what you mean," she said.

"You know why he doesn't talk about the Navy Cross." It wasn't a question. Daniel wasn't looking at her.

Peggy tucked her heavy purse tighter to her torso and breathed out slowly. "Yes," she said. Just yes, and nothing else.

Daniel nodded, still staring across the empty platform. "Is it something I should know about?"

She gave that some thought. "It's not something I'm going to tell you," she said finally. "Not without Jack's permission, which I don't think he'd give. But it doesn't change who he is, not really. It might explain some of what he's done, recently." Then, because she wanted to be honest with Daniel: "Although you may not like the explanation."

He dipped his chin to his chest. "Alright," he said, then again, quieter, "Alright."

Her train arrived, and Peggy boarded, wishing Daniel a good night. Peggy observed him through the car's dirty, cracked window, a dark figure braced on his crutch, looking down at the concrete beneath his shoes. Peggy put one hand into her purse, pressing her palm against Jack's medal as she watched him.

As the train pulled away from the platform, Daniel seemed to shake himself and turned toward the opposite tracks, where his train going the other direction was arriving.

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[bacchuschucklefuck]

this whole thing being abt rage is also really interesting. I feel like it comes up so much in fiction as a motive because it's the one emotion that's unifyingly restless while everything else can be petrifying, and just personally nothing hits like impotent rage for me, esp. with teen characters, esp. with characters whose rage is stoked by Someone Else to further that Someone Else's cause. like you'll have done all that in a bout of passion and when you're done you look around you and nothing has changed. those sentiments don't get quelled by being satisfied. righteousness withdrawal is a horrible thing to intentionally drag someone into, least of all just some kids.

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[spacedlexi]

speaking of fucked up overly hated female twdg characters i find it Super Interesting how people will say carver was the best villain in the whole series, but when lilly is literally just a successful carver (iron fist leader of a community turning children into soldiers) suddenly shes a bad/lame villain for some reason 🤔

[moeblob]

New OCs

(briefly, humans and supernatural beings have to team up for building better relations with each other and all the supernaturals can shapeshift and take on human appearances but also have their 'original form'.)

OK so I was GOING to draw fanart today - I had a fun idea and everything! But health anxiety (and anti-anxiety meds) wore me out so I kinda .... slogged through OCs as a treat to me. I am going to go to the doctor tomorrow so HOPEFULLY it's all okay.

[randomwriteronline]

Do the matoran even know what the difference between male and female is. Did the great beings ever instil the knowledge in them or is it just something that they like. Picked up from other species like the vortixx and skakdi. And makuta i guess. Do they assume female and male are an oversemplification of the elemental thing. So like you have female which is Water and then all the other elements just get funneled into male which instead of a specific element is just Not-Water.

How do they rationalize lightning matoran then. Like are they a subkind of ga-matoran? Because water is a good conductor for lightning? And what about Orde and the psionics. Great Beings go well we cant have you be male now bc youre too destructive, lets make the next ones all female, and Orde is just like what the fuck is a male. Or a female. Never heard of that in my life.

[lesbiancarat]

want to give my two cents on the AI usage in the maestro trailer--

i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video

however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern

the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI

and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?

it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey

i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations

[trashcreatyre]

I think the main thing that pisses me off about like 90% of mephiles ships is that people will be like "how old is he??" Look that fanwiki says that he's ten and they RUN with it. Like they don't read further. I'm so convinced that most people don't even know the plot of 06 bc the shit I've seen people draw and write with the characters is just mind boggling.

[ohitslen]

I am here, once again, with my Ao No Flag propaganda

These two specific panels of Toma were the thing that made me think over a year ago “Man. I want to be like that too” as in KAITO drawing expression because—

The subtle shift of emotion, it’s present all throughout the manga, but this is what sold it for me. For no particular reason, it’s not even the best example, it was just what sealed the deal to me