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#which is good for writing
gooopy · 2 years
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I need someone who has a better grasp of the disco elysium characters inner turmoils to talk to so i can accurately assign them victorian flower meanings <- normal and also not autistic
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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ronanlynchbf · 9 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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stoopidstapler · 10 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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howlsnteeth · 1 month
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24/05/2022
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goddess-of-silvers · 9 months
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I know everyone’s mad at Aziraphale right now because of how the season’s ended but I don’t think we’ve talked enough about the fact that Aziraphale has been keeping a diary for centuries (based on the fact the entry we see is from volume 603) and he literally starts his entries with “dear diary, last month Crowley and I both happened to be in Edinburgh”.
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idolomantises · 4 months
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i'll be real, i always hated it whenever media tries to "critique" Christianity while portraying all Christians as bigoted, misogynistic and irredeemable. its why it matters a lot to me that my own angels have some nuances to them.
Sera is very puritanical and obsessed with showing her devotion to God, but she's still a caring and well-meaning angel.
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justheblueberry · 2 months
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the artist
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sualne · 1 year
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have some trans swan lake barbies
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wasyago · 8 months
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i imagine it's quite chilly in the black sea (for the lack of sun and color), so they're wearing slightly warmer clothes now uwu
+ thoughts
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plutoswritingplanet · 20 days
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Hand That Feeds (Cooper Howard/The Ghoul x Female!Reader) pt. 2
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a/n: this one's a bit shorter, next one will have smut, i am so fcking sleepy writing this i'll have to check tomorrow it this isn't a hallucination
Warnings: Horny Violence, Blood and Guts, Suggestive Themes, we're on a steady route to pound town
Summary: Cooper catches his prize, but an uninvited guest puts a strain on an already rocky relationship. Cross-Posted on AO3
PT. 1
You must be a Vault Dweller. Truly. There is no other way to explain the utter lack of self-preservation skills.
Cooper finds you almost immediately after the sun sets. He can see the flickering light of your small bonfire through the trees, and languidly, he stalks forwards, opting to stay in the shadows to observe you a moment longer. 
You're sitting on the ground, back leaning against a destroyed carcass of a plane. Hair pushed out of your face, Cooper can see the flames illuminating your focused expression with warm light. Once again, he's struck by this seemingly regal air around you. Like you've been raised in a castle, far from this fucked up place, that is now his home. A princess, stuck in harsh reality. Eyebrows furrowed, bottom lip tucked hard between your teeth, you seem to be pondering over something.
With quick motions, you take your messenger bag, opening it and dumping its contents onto the ground in front of you. It's somewhat hard to see, but the sound of small glass bottles knocking into each other is telling enough. 
Taking stock of your inventory, you begin to tuck everything back into the bag. Chems upon chems, RadAway, RadX, quite the little drug library, and Cooper's eyes immediately lock onto his most sought after, amber liquid. Why would a Smoothie like you need any of that stuff is beyond him. He hasn't seen any Ghouls in the small town you hail from. 
Perks of the job, he thinks to himself, as you stack away at least five vials.
At the last bottle, you hesitate, bringing it up towards the light, and looking at it with a worried expression. The liquid swirls inside, and Cooper watches from the shadows, as you press the cold glass against your forehead in a motion eerily reminding him of a prayer. Your shoulders shudder, and Cooper's mangled ears strain, as he sees your mouth move.
- Let me be brave - you whisper to the vial, like some ancient spell, and something new tightens in his chest, something he immediately brushes away.
Then, he sees you lift a very familiar piece of equipment, putting it on your wrist, and begin to tweak something in the controls. A Pip-Boy. Old and battered, but apparently still working. All his confusing feelings are wiped clean in an instant. Now, he's truly intrigued. The clasps seem slightly too big for your hand, and the device slides the length of your arm, as you move. 
You sigh, heavily, then press something, and the Geiger meter clicks to life, picking up on stray radiation. Cooper feels his muscles tense, knowing all too well, why the device has activated so rapidly. As a Ghoul, he leaves a trail of radiation, that follows him wherever he goes. He wasn't particularly aware, that a Pip-Boy could pick up on it, but he wasn't surprised either.
 The sound makes you freeze in your spot. Slowly, you scan the area, your hand extended towards the darkening outline of the surrounding trees. As your hand passes by the place Cooper has chosen as his hiding spot, the meter grows louder. 
Jumping to your feet, you raise the blasted thing in front of you, your other hand tugging at the waistband of your skirt, freeing your trusted kitchen knife. As if to double-check, you put your hand somewhere to the back, listening to the quiet cracking noise. 
You can't fully confirm your suspicions on time, as Cooper springs to action. 
A thick line of rope falls over your shoulders, and before you have the chance to react, the loop around you tightens. Your entire body is tugged with surprising force in the direction of the treeline. Loosing your footing, you collapse onto the damp forest floor, chin scraping in the process. The yelp of shock tearing out of your throat, rings through the surrounding area, before you literally, eat dirt. The force of the impact wrenches the knife from your hand, as it bends at an uncomfortable angle. The weapon lands somewhere in the grass, the blade reflecting the flames.
Wiggling like a worm, trying to free yourself from the bounds, you notice a pair of well-worn shoes entering your vision. They cross the remaining distance, stopping just short of your head. Knees crack as your attacker squats down, before taking your hair into a hard grip and lifting your head from the dirt. 
Your face twists in pain, neck craning uncomfortably, and with an overwhelming feeling of finality, your eyes land onto the face of a ghoul. The Ghoul. He turns his head slightly to the side with the meanes of grins, before letting go of your hair, your head falling back into the dirt. 
- Oh, motherfucker - you groan, pulling your legs up, and attempting to get up.
- Stay down - the Ghoul's voice is rough and biting, and sudden pressure on your back pins you to the ground. - Do you know how fuckin' stupid it is, to light a fire in the wilderness? Any unsightly character could pick you off in seconds. 
Spitting out stray clumps of earth and grass from your mouth, you scoff at his scolding tone.
- Thankfully, there are no unsightly characters here, huh? 
- Oh, I wouldn't say that, sweetheart. - the bounty hunter tugs the toe of his shoe under your side, and kicks up, turning your body.
You roll onto your back, throwing a nasty look at the Ghoul, as he secures the loop of his lasso. His eyes reflect the light in the most haunting of ways, and you squirm under his gaze, which drags itself across your body, stopping briefly at the tips of your breasts, peaking from under your shirt. Swallowing thickly, your muscles relax, in hopes of loosening the rope. It barely gives, but your limbs recover some wiggle room. 
Cooper blinks, his head jerking to the side, and only as he brings his hand up, do you register the gun in his hand. Making sure you can see it, he turns towards your messenger bag, grabbing it from the ground where you left it. 
He sits down, somewhere outside your field of vision, and you risk pulling yourself up into a sitting position. He doesn't seem to mind it now, too busy with rummaging through your belongings. Finally, he pulls out a vial of amber liquid, watching it swirl in the flickering light of the bonfire. 
- Now - Cooper starts, as he grabs the inhaler from his pocket, inserting the vial into it - Why would a backwoods healer have something like this on 'er?
Rolling your shoulders ever so slightly, the rope slides further down your arms, and you regard the Ghoul with a venomous rendition of a "are you fucking dumb?" look. Which he doesn't appreciate. His hands tremble, as he closes his mouth over the inhaler, taking a long hit, draining the entire vial. You try very hard, not to notice the low moan flowing out of him, as the drug enters his system. Or the way his eyes flutter blissfully for just a second. 
- You never know, who might be needing help... - you mutter, wincing at the biting pain in your limbs.
- Well ain't that considerate of you - he coughs into his gloved hand, before sighing deeply, his head reclining back against the plane's exterior, his eyes closed.
From where you're sitting, he looks weirdly handsome. Rugged and very much Ghoul-like, but handsome nonetheless. The skin of his neck is pulled taunt, and in the flickering light of a dying bonfire, you can see a myriad of scars, littering any surface of his skin that's visible. Still, there were other matters at hand, that needed your attention, and you try to shift in your seat as quietly as possible, slowly but surely sliding the rope down your body. 
- Next time you try to run away, I'll shoot you - your efforts are stilled by his warning tone, and by the way he waves his gun at you, you know he'll make good on this promise.
- Thought you needed me in good condition.
To that, he finally throws you a look from under his cowboy hat. 
- Good... - he confirms, his other hand slowly shortening the length of the rope connecting the both of you - Ain't the same as mint. 
The loop suddenly digs further into your flesh, and you grunt at the uncomfortable feeling of the rough rope scratching at your exposed upper arms. 
Unfortunately, he's right. During your time as the local healer, you've done many questionable things to ensure the well-being of the town. One of those things, was dealing with organ harvesters. You've only bought a limb or a finger, every once in a while, as if that was some consolation for your darkened soul. Those moments quickly taught you, that something being good was most certainly not the same as ideal. Or mint, as your captor has supplied. 
- You a Vault-Dweller? - the Ghoul finally asks, breaking the small spell of silence between you.
The question doesn't surprise you, and you lift the Pip-Boy as far up, as the lasso allows you. Which isn't a lot. 
- Nah - the flames dance on your suddenly melancholic expression, and Cooper drinks it all up, curiosity spiking with each new information - My mother was. She ran away from her Vault when she was a teenager and joined the Brotherhood soon after. 
- The Brotherhood doesn't recruit women - Cooper turns his body towards you, fishing for lies like a shark sniffing for blood. 
- Oh, it doesn't? - your lips pull back into a teasing smile, which perhaps isn't the smartest thing to do, but entertainment is scarce in the Wastelands, and you're determined to have some fun - She posed as a man for years, picked up a job as a medic.
Cooper hums to himself, inviting you to elaborate with an inclination of his head. 
- There, she met my father - you continue, looking over at the last glowing embers of the bonfire - They were discovered, court martialed for treason. They escaped together and had me somewhere along the way.
Your Pip-Boy still cracks, the radiation emanating from the Ghoul making the Geiger meter go haywire. With soft eyes, your hand traces the outline of the screen, watching the way green light dances on your fingers. 
- The forbidden love of the Wasteland - you sigh into the silence - Sounds like a title of some romance novel, no?
- Or a bad porno - Cooper grumbles, rolling his eyes.
- What's a porno?
His head snaps towards you in record speed, a myriad of emotions running through his mangled expression. It settles on deep annoyance, when he notices the sly smirk on your lips, and you have to bite the inside of your cheek to stop yourself from laughing. 
- Gotcha - your attempt at finger guns is pathetic at best.
- Oh, you think you're a fucking comedian, huh? - the bounty hunter asks, a slight amused tint to his words, which you consider to be a small victory.
- That's why they put a bounty on me - you giggle - I'm too damned funny. 
- Shut it.
The sudden change in his tone catches you off guard, and you cock an eyebrow at him, confused. The Ghoul looks much more tense than seconds ago, his hand tightening around his gun. One of his legs kicks up a pile of dirt, smothering the dying embers of the bonfire, as he leans forward, seemingly ready to jump. 
- Had I known you were such a buzz kill...-
You're not allowed to finish, as the Ghoul basically throws himself in your direction. Your yelp is cut short with a piece of flimsy cloth being shoved into your mouth. A series of muffled sounds, vaguely resembling "is this my robe?" escape you, and the Ghoul pushed against your head, until you fall back down onto the ground. 
His body is hot against yours, as he covers you entirely with his weight. It's quite difficult to breathe through the makeshift gag and the overwhelming scent of blood, gunpowder, and the sickly sweet undertone of rot. As well as the unfamiliar feeling of having someone so close. You were a hermit after all. 
- I said, shut the fuck up - he whispers harshly into your ear, and you shiver underneath him, as his chest rises and falls against your back. 
Then, a sound somewhere close to the forest line makes your head whip in its direction. Cracking of twigs and heavy footsteps, coming closer and closer with clear determination. 
- Healer? - your entire body stiffens, as a familiar voice rings out through the trees. - Are you alright, Healer?
Benny. The same Benny, which led this damned bounty hunter right to your doorstep is currently making his merry way towards the both of you. Your eyes follow the way the Ghoul's thumb loads the pistol with a click of finality, and suddenly new energy floods your system.
- Stop fucking moving - Cooper grounds down on his teeth, as you attempt to free yourself from both his grip, and the lasso's.
Images of Benny, bloodied and dead, flash through your mind, and despite your lack of any sympathy towards the man, you don't want to see it. So, you start to move again, violently shaking under the Ghoul, forcing the lasso to slide from your body. Your hips jerk from the ground, bucking into him like a wild animal, and somewhere behind your ear, you can hear him suck in a sharp breath. Which you have no time to dwell upon. Your tongue fights against the fabric of your robe, and after a second you're able to spit it out.
- Don't shoot him - you plead feverishly, hands gripping the Ghoul's forearm - I'll talk to him, he'll leave. Just don't shoot him, please.
Cooper looks down at you, his eyes hard on your face, as he watches out for any signs of deceit. Then, he presses his lips into a thin line.
- Make it quick, or I'll pop his head clean off his shoulders. - southern accent floods every syllable, and were you not fighting to save a life (again), you would've blushed.
- Yes, thank you. I'll be quick. Thank you. - words spill out of you like a broken faucet, whispered into the space between your bodies, as the bounty hunter tugs off the loop of his lasso. 
You take a moment to steady yourself, as he drags you up with him, hand twisted into the front of your shirt. Still a little stunned, you allow him to manoeuvre you, turning your body in his grasp, until your back is pressed flush against his front. 
Strong arm sneaks over your shoulders, hand clasping around the column of your throat, while the other one waits just outside of your vision. The barrel of the gun rests between your shoulder and your neck, and the coolness of the metal causes a myriad of goosebumps to erupt across your skin. 
- I'm here Benny - you call out, praying to anything that would listen, that your plan would work - Come out, slowly. 
To his credit, Benny has always been quite good at following directions. There weren't many attributes about him either way, a bit dim in the head, a bit too heroic. 
And definitely a bit too quick to pull out a gun.
Which is what he does as soon as he sees your peculiar situation. The Ghoul drums his fingers against your pulse point, and Benny approaches, a simple shotgun in front of him.
- What the hell...?
- Benny, I need you to listen to me - your voice sounds way too panicked, and you swallow hard to fake some illusion of control over this situation - I need you to turn around, and leave.
- But, there's a Ghoul with a gun behind you, Healer.
You nearly jump out of your skin, when you feel the hot breath of your unwanted companion on the back of your neck. You can almost imagine his chapped lips, so close to your skin.
- Time's a tickin', sweetheart - he whispers, and your blood runs cold in your veins. 
- He's a - you swallow, mouth going dry in an instant - He's my friend. Who's getting very anxious with the trigger, Benny, so please, just go home. 
Deep down inside you know there is no scenario, where the farmer leaves alive. He signed his death warrant the moment he stepped out of the shadows, yet for some unknown reason, that just makes you fight against the odds harder. Call it dumb optimism, perhaps you're possessed by your mother's spirit. Or perhaps the chems have finally scrambled your brains for good. 
- He's not looking very friendly - Benny's gun sways slightly, as he tries to keep it raised, muscles evidently straining against the weight - He's the guy that shot Pete.
Oh for fucks sake, your whole body starts shaking at this point, heart thrumming in your chest like a moth batting against a lampshade. You can feel the Ghoul smirk against the skin of your shoulder, and tears prick at the corners of your eyes. His thumb presses slightly into your pulse, feeling it run rampant against his finger. 
- Please - somehow you hope the desperation in your voice will be enough - Please, leave. Benny, please.
Benny looks between you and the Ghoul peaking over your trembling form. You can see his brain working overtime, scrunched eyebrows, smacking of the lips. You're only praying it's working in the right direction. Then, some idea flashes across his expression, and you know in the hollow of your stomach, that this is his end.
- If I save you, will you marry me? - he asks, looking at you with the utmost hopeful expression.
- ...what?
Confusion doesn't even fully register in your mind, as the deafening sound of a gun being fired nearly blows up your eardrums. At first you're not sure, what you're looking at. Where there used to be Benny, now there's a carcass, mangled and bloody. It's hard to figure out, where individual parts of his body are, some bones sticking out from the chunky mush. A spray of red falls onto your face like a morning mist, and the scent of iron and gunpowder is stunning your senses. 
You can't move. Eyes glued to what once used to Benny, you don't even notice, as the Ghoul removes himself from you, placing the lasso over your head and around your body. The loop is secured tightly, and the bounty hunter tugs on it a couple of times, just to test its durability. Then, lazily, he picks up your messenger bag, swinging it over his shoulder. 
- The first time he came to me for help, he tried to domesticate a rad roach - you mutter absentmindedly, not caring if your unwanted companion is hearing you - Wanted it to help with the farm work. I had to stitch half his left side. 
- Stupid life deserves a stupid death.
- You're a fucking monster - you spit out, the feeling of Benny's blood on your lips almost making you gag.
Apparently, the Ghoul takes offense to that, because almost instantly, he's in front of you, his hand gripping your throat, and pushing you hard against the metal plating of the destroyed plane. Stars erupt behind your eyelids, as your head knocks hard into the wall, pain barely registering under the confusion.
- I have been more than accommodating to you, little princess - the Ghoul snarls in your direction, but all you can focus on, is his other hand, grabbing your bruised chin - I've entertained your little medical escapade, I let you negotiate with that dimwit over there.
The warmth of his body suffocates you stronger than any hand around your throat. You can't decide on the color of his eyes, as they seem to shift between amber and green, and completely black. Your mouth opens just a smidge, as you try to defend yourself in any way, but before you can speak, the Ghoul shoves two gloved fingers into your mouth, silencing you in an instant. 
- I could be so much worse, darlin', and I don't think you would like that - his voice lowers itself barely above a whisper, and he watches your expression shift under his grip.
You can't help it, really, the way your body reacts to this rough manhandling. It's not like you could predict being pinned to a wall by a stranger would make your thighs press together. Cooper looks down. He smiles like a cat, that's just found the fattest of mice, when his eyes drag back up to your face. 
- Or perhaps you would - his knee presses against the middle of your thighs, just short of forcing them apart, and you gasp around his fingers.
As if nothing has happened, he pulls away, so suddenly, you nearly fall over. His gloved hand glistens with your saliva, and gracefully, he wipes it clean on your shirt. Blushed, panting, and very angry at this turn of events, you stare daggers at him, as he tugs at the lasso, forcing you to start moving.  
- What is your name? - you demand, blood running hot and defiant in your veins. 
Cooper stares for just a moment too long. The way you seem to bristle in rage, even though that farmer truly was stupid, and you know it too. He likes the way your eyes harden, the way your jaw sets, when you realize this is no longer fun and games. When you recognize, how dangerous he can be, how mean and ruthless. He'd be a fool not to admit it,  it makes him feel powerful, revered. 
And the undertone of humiliation running through the length of your spine is just such a delicious addition. Almost better than chems. Almost more addicting.
Lips tugging back into a nasty smirk, he appraises you with his gaze, surprised when your resolve seems to harden even more. 
- You, Healer - your title sounds wrong coming from his thin lips, worse than any other time you've heard it - Can call me "sir".
Something akin to disgust runs through your expression, and you turn away with a grumble. 
- Fat fucking chance.
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vixenfoxpup · 25 days
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I need more dca fics to read, not just because they're all so cool and special and unique-
I want to collect their y/n's in my pocket, and bring back the y/nverse. All of them in a lil pocket dimension (the dca stay in their respective stories, this place is reserved for the self inserts and side characters/family to interact. The boys can have their own pocket dimension)
The y/ns live on the same street or apartment complex, being bunched into groups that are roomies
For example. Bamsara's Solar Lunacy y/n, Paper-Lilypie's CCRT y/n, and bones-of-a-rabbit's staffbot y/n. SB is there so CCRT can perform routine maintenance, plus CCRT can be a but messy, plus they could help clean up after ccrt's kids. SL is where, you may ask? Their room has been vacant for some time, but CCRT and SB keep it clean and regularly dusted, out of respect. They don't know if or when their friend will return, but they'll be welcome at any time.
Naffeclipse's y/ns share a suite, probably.
spadillelicious's LDR y/n could stay with saltciphblr's lovebug au y/n
Again, I need to read more to get a better feel of the different wonderful y/n's
This probably won't be uploaded, maybe someday, but this is mostly self indulgence that my brain has been blasting on repeat all day
Into the y/nverse, I raise you from the depths
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whumpacabra · 6 months
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Writing Accessibility PSA
Please avoid using long strings of characters as line breaks in your writing - these are not screen reader/TTS friendly!
Every ‘°’ will be read as ‘degree’ - can you imagine how long it takes to read out a string of 25? Let alone more complicated combinations of characters (eg. imagine listening to TTS read out ~*~ |°| ~*~ multiple times per line break)?
A good rule of thumb is to stick with short, 2-3 character line breaks (eg. I don’t find — or *** too egregious to listen to). Your readers can tell there’s been a scene change whether you use two or twenty em-dashes, but if you use twenty, some of us might have to listen for 30 seconds to read the next scene. If you’re more concerned about aesthetics, you can insert an image of your aesthetically pleasing line break with alt text simply reading ‘line break’ for accessibility.
Don’t feel bad if this is something you’ve never thought about before - now you know better and can make your writing more accessible moving forward!
I would like to invite any other screenreader users to add their own thoughts or preferences to this post. We’re not a monolith and there’s a variety to how different softwares interact with repeating character strings and images with alt text, so there’s bound to be some conflicting opinions on what I’ve suggested above. Let’s try to make the stories we share accessible for everyone :]
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lineffability · 10 months
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"Crowley."
Crowley froze, every atom of his body coming to a complete standstill. Aziraphale had appeared out of nowhere, just like that, and he felt like a fly in a spider's web, like he had just run against a glass door that he could not have seen. Oh, this was cruel. He did not turn around.
"Don't even use doors anymore?" He tried to keep his voice level, cold, unaffected. He failed considerably, but the message got across anyways.
"I'm sorry," Aziraphale said, immediately flinching at the words. The first time they were seeing each other again, after-- after that, and his first words were I'm sorry and he was apologizing for not using a door? Aziraphale felt like swearing, but could not. "I thought you wouldn't open if I-- well. I thought this was easier. Like a bandaid."
"Well, you were right. I wouldn't have." Steel was creeping into Crowley's voice, steel around his heart. With a forcing of limbs, he spun around, his gaze piercing through the armor of his sunglasses. Facing him.
"I need your help" Aziraphale said.
"What," Crowley said. He had possibly never put as much meaning into a single word. The glass door turned into a Great Wall. Aziraphale understood. But he was willing to climb.
The angel (oh, a true angel now, wasn't he--not his angel) fumbled, talking with his hands before his mouth even opened. Talking with his eyes, too, but they got lost in translation. Repelled by a black mirror.
"I know this is untoward. I know it's-- But Crowley, I don't have a lot of time."
"Nothing lasts forever, yeah," Crowley spat, hating himself the second the words left his lips. Unnecessary cruelty. Demonic, huh? Worse yet, Aziraphale accepted the verbal lashing. Don't forgive me, Crowley thought.
Crowley looked at him. He was still wearing his suit, there was tartan in it, but it had become polished, the worn edges returned to pristine, boring perfection. He looked prim. Proper. Perhaps this hurt most of all.
"Why are you here?"
Aziraphale glanced upwards. Then he looked intently at Crowley. I don't have much time. Right. He couldn't speak freely, Crowley realized. Of course he couldn't. This was exactly what he had been afraid of, what he had known would happen. His angel in chains. (Yet here he was. Here he was.)
"They don't know I'm here," Aziraphale mumbled, gesticulating weakly between them and Up. "I guess I can divert their attention now, for a bit. Comes with the new powers"--he shrugged helplessly--"but not for long. Crowley, do you know about-- about the-- what they're--"
"Armageddon 2.0? Sure."
There was an undecipherable look in Aziraphale's eyes. "Why didn't you-- well. It's not just. I mean it kind of is--it's. More than that. Crowley, I need you to do something for me."
"No."
"This is important." (This isn't about us.)
"I don't care." (There is no us anymore.)
"You do! You always have."
"Oh not this again," Crowley hissed. "You were an angel once. You can be forgiven. Shut up."
"That's not what I meant."
With two long, angry strides, Crowley closed the space between them. Menace, anger, hurt-- "Then what did you mean?" He spat the words. Like a weapon. (Then why was it a question?)
Aziraphale's face crumbled. He stood his ground nonetheless, not backing away. The angel's anger was less spiky, but it rose to meet Crowley's. It made his next words hit like bricks. "I mean that you love. I mean that you, Crowley, are the best person I know. I mean that I love you."
The words dropped like a lead balloon.
There was utter silence between them.
Why were they so close?
Why were his sunglasses so dark? Aziraphale saw only his own reflection. He couldn't bear that, and dropped his gaze. Oh, worse. There was his mouth, mere inches away.
Aziraphale looked at Crowley's lips, really really looked, and there was nothing more, now that he knew about the feeling of Crowley's lips and of his heart, there was nothing more he wanted to do than to kiss him. But he couldn't, he couldn't. Not like this. He needed the next time (he had to believe in a next time, in a time with Crowley, again)--the next time they kissed he needed it to be good and happy and an affirmation. He couldn't bear it otherwise. He would break entirely. He was sure of it.
But still, still-- Crowley was so close. He could smell nothing but him. Think of nothing but him. That weakness again, that soft spot inside him he had never known how to hold down. And with it, Want reared its greedy head. Aziraphal leaned in ever so slightly, felt their noses touch-- and then used all his strength to move away, to pull back. It was not the right time. Not yet.
He looked past Crowley, who might have as well turned to a pillar of salt. Crowley, whose face was a mask he couldn't let slip. The air flickered between them.
There were tears in his eyes when he finally forced his gaze towards Crowley's face, a silent plead to not misunderstand. Please, please. But he couldn't expect that of him. He was pulling away again. But not because he wanted to. No, there was nothing he wanted more than to pull closer. There was nothing more he wanted than to talk to him, to truly talk, to explain and apologize and make amends, but he was bound by Duty and Rules and Watching Eyes more than he ever had been.
This was his rebellion: he lifted a hand, the ghost of a touch, fingertips against cheekbone. The memory of holding on. Of never wanting to let go. Crowley flinched without moving, a shiver of his lips. Aziraphale let his hand drop, briefly, to Crowley's chest, holding it over his human heart. It was beating just like his.
This was his successful magic trick, when it counted: he drew away, leaving a crack in Crowley's steel-clad heart, and a note in his chest pocket.
"I'm sorry. I need to go."
"Of course you do."
"Oh, Crowley. I--" But he did not finish the sentence, knew there was no proper way how. So he said, quietly, softly, "Trust me, please."
And he did. Crowley hated it, hated it so much, but he did, he did trust him despite it all. But it did not erase the hurt. The festering wound. Now what was he supposed to do with that?
With one last pointed look, Aziraphale vanished.
Crowley was alone.
His defenses lay shattered at his feet, and he slowly gathered them back up. He did not mend the cracks. (That's where the light had gotten in.) He cleared his throat. Tried to banish from his mind the look in Aziraphale's eyes, the memory of his lips and of his tears.
And failed considerably.
I love you.
(Touched his cheek, and then his chest, and faltered.)
[this fic is now also on ao3 and being continued there]
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kiaxet · 9 months
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HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH
Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?
~~~~~~~
Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.
He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-
And he snaps back upright. No. Not until he can confirm Leo is okay.
Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-
He jumps and whips around as a thud sounds behind him. "What the-"
Leo is on the floor.
Well, that answers the question as to whether his twin is awake.
For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-
"Leo!"
He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"
He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.
This almost didn't happen.
"-stupid, stupid selfless idiot!"
Donnie almost couldn't save him.
"Grrhh-"
Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-
"Do you have any idea how close you were to having nothing left to save?"
And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-
Oh for fuck's sake.
"Hey. Are you even listening?"
Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"
And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.
He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"
And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"
For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-
And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-
Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-
But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.
It's Leo. It's Leo-
And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.
He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?
Oh.
"I'm sorry I..uh…"
He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?
…yeah, it's all of the above.
He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.
It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.
And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.
~~~~~~~
Donnie is yelling at him.
Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.
Donnie is yelling at him, because Donnie is here to yell at him.
And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.
It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-
-he is, right? This isn't just a dying hallucination on Leo's part, right?
(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)
He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"
The Krang show you what you want to see.
The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-
And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-
But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-
"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-
And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.
And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-
And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-
And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-
It's something the Krang could never imitate.
This is real. This is all real-
He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.
And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.
It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.
His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.
Donnie had mentioned his stupid jokes, right?
"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"
"What?" Oh, Donnie is not going to see this coming. Excellent.
"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.
"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-
Remember what happened last time Donnie fell asleep next to you.
He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.
But he's alive, and healthy, and sleeping. He's okay. And Leo-
Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.
Okay. Take stock. Assess. Figure out a plan from there.
He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.
Well.
Uh.
"What the fuck," Leo whispers to the room at large, as though the walls could answer.
~~~~~~~
(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)
(What the fuck, indeed.)
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kedreeva · 5 months
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Okay if you haven't yet, and you have Netflix/Paramount+, consider giving "School Spirits" a chance.
It looks like a silly little cheesy teenage ghosts show, I put it on for background noise, and then got totally engrossed in the mystery. It's VERY well written, very well filmed, the mystery was GREAT and the payoff at the end is also great.
One of the things majorly lacking in shows I've recently tried to watch is that they try to do a twist/reveal at the end that comes out of nowhere. They don't want you to guess what they're doing. This show doesn't do that. This show wants you to guess. They give you seven different mysteries and enough clues to guess (most of) what is going on, so that when you get the final puzzle piece to any given mystery, it feels GREAT.
The story premise is this: a teenager in hs wakes up as a ghost in the hs, and doesn't remember how she died, and with the help of the other ghosts, tries to solve the mystery of her own death.
Simple premise. BEAUTIFULLY executed. Not all of the questions that arise get answered, but the main one (what she doesn't remember) gets solved by the end of the season, leaving the "why/how and what comes next" to be carried to the next season. It does a cliffhanger RIGHT. But now I desperately want to see the second season (which I believe has been approved, so it's a matter of waiting).
So pretty please, if you're looking for something to do and a great, engaging lil mystery to watch, consider! School Spirits!!
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