#which isn't studying.

[discoknack]

Dying of boredom rn

[uncanny-tranny]

What I think is so important to learning how to truly appreciate life is learning how to appreciate the creatures and things we've categorized as "disgusting" or "gross."

When I learned to appreciate wasps, I realized how much they just... don't really care about anything, and they're not trying to be an asshole because they're uniquely cruel. If they have any wants, it is to live. Why would I punish that when I also want to live?

This isn't to say you need to fall in love with the creepy crawlies that stalk this world or to love what you cannot, but to recognize that in their arrangement of atoms, they are trying to persevere, and in the end... aren't we all?

[arthursfuckinghat]

I wonder when Javier is going to offhandedly mention how the gang has been pronouncing his last name wrong the entire time he's been with them

[presidentofthelipglossclub]

i have come up with a new, extremely self indulgent AU for tfrb:

basically what happens is each individual character in tfp accidentally finds out about the rescue bots, whether it's through a ground bridge mishap, an intel scouting mission, even a situation where they get rescued.

this starts out with mostly autobots, because i assume griffin rock is either in autobot territory or a neutral/unclaimed area (or it's off the grid and nobody knows about it) (i think the last one is the funniest), but the decepticons also learn about them eventually.

now. here's where the funny/self indulgent part begins. none of them know anyone else knows. the autobots AND decepticons all assume they're the only one who knows about these bots, and that the team has been trying to live a normal, calm life away from the war.

team prime doesn't know optimus and bumblebee already know, and the decepticons don't know that these guys have connections to the war. and of course, the rescue bots always manage to worm their way into every. single. bot's. spark. all of them individually grow to care about the rescue bots, and independently decide to keep them secret. nobody wants their new friends to get hurt!

anyways shenanigans of course ensue because it's very hard to keep a previously extinct group a secret from all of your friends, and since everybody knows but doesn't know everybody knows it becomes a lot of ridiculous sneaking around and badly lying to everyone.

the rescue bots are SUPER confused by all these bots who keep showing up, but they pretty much just assume that someone spilled their secret and everyone after are all showing up to meet them. eventually i think they would start to figure everything out, but they don't fully comprehend that everyone has been trying to hide them from each other until some big reveal happens.

the way this pans out is probably the end of the war honestly, because again; no one wants these guys to get hurt, physically or emotionally, and if that means having a ceasefire so be it.

[apk02]

All fic writers writing Sirius and James needing help from Lupin for passing exams and making the charmed mirrors and every other achievement S & J did should just tag their fics as OOC and be done with it.

Sirius and James were incredibly intelligent and accomplished individuals and this shit of wrong tagging and ooc characters is getting really annoying now.

[knownoshamc]

question: how does the "...losing several of our men, by the way" "mm kinda their job. they're pirates" exchange & Ed's face to Izzy being an angry little due and resigning, translates to izzy was manipulating Ed and he always had the upper hand? cause to me they seem like that old married couple, with the wife complaining about how she does everything around the house & takes care of the kids and the husband doesn't seem to give a fuck, right until she says she's leaving him

[hizerain]

i'm not really on here anymore, or any virtual platform for that matter. The past few months have been tumultous and I have changed, fundamentally, intensely, a deliberate effort to rebuild and reshape the clay of the earth.

I've reached a greater level of mathematical maturity through ego reduction, I've found an undocumented life to be better, for me. Above all, I've decided the self is a network, it's always moving. Who I am cannot be reduced, it cannot be simplified, it is what I do and what I do is all encompasing and ever changing.

[dropthedemiurge]

The second end credits. The metaphors. The afterlife. The sea meaning. The CHANGE OF PLAYERS!!!

Everything. This show has ruined me.

After being exhausted with bad finale endings in so many Thai Series last year, this short but mighty Korean BL called "Love for Love's Sake" just came and destroyed me in a few days.

The writing is just incredible. The themes are realistic and make you think about life. The production is very well-thougtful (come on! So many details are to be pointed out in decorations, dialogues and everything!). The acting is very natural and characters are refreshing and addicting.

I have so many feelings. SO MANY.

Damn, 2024 started so strong for me.

I'm gonna go drown myself in the corner and maybe get to my own happy afterlife

Okay, no, I gotta gather myself and write other several posts about hidden details in each episode. Haaa.

Anyway, 10/10 would recommend to watch for every BL lover or just Kdrama viewer.

How am I supposed to return to work, I have no idea but I'll try. Feel free to rant about this show with me in replies, reblogs or asks %))

Who the hell directed and wrote this show. I'm gonna go and pour some hearts on them.

[crispyjenkins]

(AC wip) The Savage Price of Piety

it's desmond's deathday and i wrote like. 9,000 more words to this wip (first two parts here) last week and i want to brag about it, so happy deathday you wet bastard (mostly gen but with a surprise rarepair, time travel/reincarnation, found family, william miles’ a+ parenting, accidental subterfuge, desmond goes by miles mostly, inspired by study of flight by @esamastation but with a twist!, only somewhat historically accurate swears by which i mean probably not at all but leonardo had some Opinions alright) have some (three) chronological but scattered bits of scenes

  “Oh,” Claudia says as soon as she opens the door, seeing Ezio’s rather wretched expression, “you’ve figured it out, then.”

  “You could have told me,” he growls, following her into the entryway and closing the door behind himself. 

  Claudia scoffs, spinning on heel to lead the way further into the building for the kitchens. “I had one conversation with the boy, brother, I was hardly sure of it myself. Wait,” she halts and points a finger at him accusingly, “how did you figure it out?”

  Ezio, quite graciously he thinks, ignores the subtle insult to his intelligence. Sighing, he pushes back his hood before their mother sees him with it on indoors, and runs a hand over his beard. “I had Leonardo visit.”

  Claudia’s face slackens, before twisting into a rage that has Ezio stepping away warily.

  But she punches the wall instead of her brother, a shouted “Gods damn it!” echoing in the narrow space. Then she spins on her heel and hollers further into the residential part of the bordello, “Mother! We forgot about Leonardo!”

  Horrified by his sister and concerned for his mother’s current mental state, Ezio reaches out to put a hand on Claudia’s arm, but he doesn’t get the chance before Maria de' Auditore is shouting right back, “God damn it!”

  Grumbling, Claudia stomps down the hall and leaves a very confused Ezio hurrying to follow; she ignores all his pleas for explanation until she’s stomped into the kitchen, where their mother is pouring two very large glasses of wine, with very little water to cut down the potency. She passes one to Claudia silently, and then they both drink, though luckily they aren’t attempting to down it all at once.

  “I can’t believe we forgot the Maestro,” their mother mutters to herself as she comes over to kiss Ezio on both cheeks, before shoving the still mostly-full glass into his hands.

  “Forgot him for what?” Ezio wants to know, clutching the glass like a mother clutches a babe.

  “To test if Miles really is an Auditore.” It’s said so flippantly, like it doesn’t affect Claudia at all, but she also collapses into one of two chairs at the little tea table under the largest window. Their mother takes the other, massaging her forehead and looking like she’s grieving their family all over again.

  It occurs to Ezio, as he moves to stand next to the table, that she probably is.

--

“It’s all up to you now, Seventeen.”

  Desmond opens his eyes to the dark of the dormitory, faint moonlight cutting over the floor between his bed and Nino’s, and he can’t bring himself to move — even to roll off his arm that is very much still asleep. 

  Clay still haunts him.

  Five hundred fucking years, and his current twenty-four besides, and that fucker still won’t leave him alone. If Desmond were not so familiar with what an actual Bleed feels like, he’d almost think Clay is stuck in his brain the same way as his ancestors. Thank fuck he stopped Bleeding Ezio’s memories and feelings, while still retaining much of the training.

  Fuck, time travel is so weird.

  Or, reincarnation? He’s not sure of much, but he’s sure he was dead, he’s sure he burned, and he’s sure that though his 15th century mother had affectionately called him [redacted], his name is Desmond Miles.

  Or just Miles, he supposes. Sue him, he panicked when Adele first approached him, and the best aliases are ones you know you’ll respond to, right? If only he’d have had the forethought to divorce himself from his... future family’s surname.

  It sounds different enough with an Italian accent that it hasn’t caused any problems, yet. Like making him flinch. Or snapping that he hasn’t been a Miles since he was sixteen.

  Granted, he still has no idea what he would go by instead. Altaïr and Conner would feel weird, while Sef or Darim are just a bit on the nose, and does he look like an Edward? Malik, maybe. His grandmother here, now, is actually from the Levant, so his skin is certainly dark enough that people wouldn’t be surprised by the name.

Except that feels almost akin to naming himself Leonardo.

--

  So instead, Leonardo spends every spare moment with his best friend, sometimes to brainstorm, sometimes to simply be there for him. It’s during one of these visits, he and Ezio once again observing the youngest assassins in the training ring, that he hears Miles laugh for the first time, and it’s as if ice water has been poured directly into his veins.

  Oh fuck. Oh Saints, oh Holy Father, oh fuck.

  “Leonardo?” Ezio asks quietly, head tilted towards him in concern, but Leonardo ignores him to stumble for the bannister to lean over it and stare down at Miles learning a little jig from Tullio, laughing all the while.

  He had only heard it once, truth be told, and it had been Salaí that had caused it, but even three years later, Leonardo remembers the laugh of Rodrigo Borgia’s sinister little shadow.

  Below, Miles doesn’t stop smiling, but his golden brown gaze yanks up towards Leonardo as if knowing his thoughts are about him. His eyes narrow, then widen slightly in realisation, and then he winces and looks away, which is all the confirmation Leonardo needs.

  Turning around, Leonardo grabs a confused Ezio by the arm and drags him from the training room, ignoring his protests until they find the nearest empty room.

  “Leonardo, what—?”

  “Romulus.”

-

[fluxedbuds]

villain arc cancelled, friend was nice to me

small bonus:

they r friends your honor

[deservedgrace]

it's almost funny how quickly xtians will pivot from "god's word is clear, all you need to do is read the bible, god's word is openly available to everyone" to "actually you need to read it in this specific way with these three pieces of cultural context you couldn't have possibly known without prior research and a history and biblical studies phd to understand this" when you point out anything even slightly unsavory or that something doesn't make sense. so which is it? is the bible clear and easily accessible to anyone who picks it up, or do you need a doctorate to begin to even possibly understand it?

[raveartts]

[foreverchangingfandomsao3]

Chapters: 1/1 Fandom: Star Wars - All Media Types, Star Wars: The Clone Wars (2008) - All Media Types Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: CC-2224 | Cody/Obi-Wan Kenobi Characters: CC-2224 | Cody, Obi-Wan Kenobi, Bail Organa Additional Tags: Fluff, butterfly kisses, Obi-Wan Kenobi is a giant nerd, Flowers, Good Friend Bail Organa, POV CC-2224 | Cody, Shy Obi-Wan Kenobi Series: Part 2 of Codywan First Kiss Bingo Summary:

Cody discovers two things; that his General is very knowledgeable about flowers and insects, and what a butterfly kiss is!

My fill for "butterfly kiss" in Codywan First Kiss Bingo @codywanfirstkissbingo​

Bingo card below!

[thelivingautomaton]

alright, since the Remedy brainworms got me I've been replaying Control, got to the AWE expansion last night and picking up on all the echoes/foreshadowing for Alan Wake 2 is making me go utterly bonkers, but like. has anyone picked up on or talked about how in all of Alan's Hotline messages to Jesse, when he's writing about her POV, he exclusively calls her 'Faden'

like, maybe it didn't poke my brain the first time I played it since he does the same thing when talking about Hartman, but coming from AW2 it's pretty jarring as a stylistic oddity...almost like there's a reason (in-universe and/or out-of-universe) that he doesn't call her 'Jesse'...almost like there's only one Faden in his story...

and given how in AW2 we also get some (quasi-) clarification regarding the limits of Alan's ability to "make stuff up" vs alter and rewrite "real-world" events that he sees in clairvoyant flashes...given the Night Springs screenplay pages you can find in AWE that parallels the FBC and the events of Control (i.e. a Director and a Scientist opening a portal to another dimension, finding an eldritch Entity, the Director trying to take its power for himself and then getting taken over before shooting himself)...given how literally all of the "dreams" Dylan tells Jesse about are descriptions/viewings of stuff that takes place on one level of reality or another ("I was the director and you were an intern"; "we were in a game, and it was a fucking boring game but you couldn't stop playing it"; Mister Door, and "a world with a writer writing about a cop, and another world where the writer was real"; a "musical" about Jesse), except, seemingly, the dream about "Jesse Dylan Faden"...

guys. are you picking up what I'm putting down here. guys. GUYS

[prussianmemes]

you should kill yourself if you spend 12 minutes sorting around your notes on your desk, making sure they look messy but also the prettiest ones are on top, posing your textbook open and having the most "academia" looking web page or lecture slides on your laptop screen before taking a picture and posting it on your social media story while quietly scrolling through songs to put with it.

[pinacoladamatata]

eating my popcorn watching all this drama go down irt the larian discord server