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#which means they’ve known each other for 15 years and been together over a decade… 💥
heartshapedskittles · 11 months
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season five (current season) akira and nameless s/i would be together for over a decade… I'm feeling so normal
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The Van der Linde Gang - Jobs in a Modern AU
I’ve been really inspired to write about this lately and I’d love to hear your takes! These are the occupations that I think each gang member would have in a modern AU. Some were more challenging than others, but hopefully you guys can see where I’m coming from with each! 
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Arthur: Film location scout. His natural eye for photography and framing makes Arthur the perfect member of a pre-production team. His no-bullshit approach to everything means he keeps to deadlines, although he’s known to go wandering off into the wilderness for unknown amounts of time. He enjoys the lone working side of his job and finding exactly the right spots that would make the film come to life. He doesn’t always like the films once they’re finished (in fact he’s often bought cinema tickets and walked out half way through, grumbling that it wasn’t worth the popcorn) but he can’t deny the excited buzz he gets every time he gets hired. In his early years as an assistant he met Bertie Mason, a nervous but talented photography intern. Despite an ill-advised hookup after a week joined at the hip they have remained close friends and still go out on shoots together. 
John: landscape gardener. John? Flowers? Yes, alright, I found it hard to believe too. But look, it’s not about the flowers, even if he does get misty-eyed at the sight of a sunflower in the early morning light. It’s about the challenge, the outdoors, and solving problems. After all the renovations he did to his house and garden (some more successful than others) John found how much satisfaction he got from digging and reshaping and planting. Don’t get me wrong, he’s often without a shirt, even in the colder months, much to the delight of some and the horror of others. He always makes friends with the household pets and is wonderful with the kids, always dropping his task to throw a frisbee around for a bit or cheekily accept an ice cold glass of lemonade from their mothers. Whenever he drives past one of his projects he feels himself glowing with pride - “I did that!”. 
Dutch: philosophy lecturer. As always, late with Starbucks. Will he actually grade your essay? Will it mysteriously disappear? Keeps you on your toes, doesn’t it? Sitting precariously on the very edge of his desk, leather jacket hanging off his shoulders and losing his balance every 15 minutes, Dr Van der Linde is nothing short of a wonder. For the love of all that is holy, do not get him started on Kant. Kant has no place here. You want to talk about your precious Kant? Get your butt down to Dr O’Driscoll’s class, he has plenty to say about Kant. Perhaps a little too fond of Socrates. Plato who? Completely illegible handwriting and definitely sleeping with several members of the faculty. But somehow his students always walk away with excellent grades. At the end of each term Dutch takes everyone out to a local bar for drinks, insists on buying tequila which no one really fancies at 11am. Claims to ride a motorcycle called The Count which no one has actually seen. Impossible to hate, and he writes everyone great references for their summer internships. 
Hosea: social worker. In a crisis, there’s no one better to knock on your door. Hosea has seen it all and he’ll see it all again, but that doesn’t stop him from treating every single case he gets with the upmost respect and care. His no-nonsense approach to his work means he gets things done, but he never sacrifices his compassion. He mostly works with teenagers and has a way of being able to connect to each individual without coming across as patronising. He’s been in the field for over two decades and is an invaluable mentor for any newcomers, always willing to share a word or two of advice or be a shoulder to cry on. 
Javier: guitar teacher and music therapist. During his worst years, Javier’s guitar was his lifeline. And he wants to help others find their lifeline, too. He works on a freelance basis, mainly going into mental health hospitals, schools and prisons. He runs workshops focusing on guitar playing, but brings other instruments (mainly percussion) to try too. He’s a gentle teacher, always with a joke in his back pocket for when you need it most. He has nicknames for everyone and remembers everything they’ve ever told him. He’s patient and never lets anyone feel bad for making a mistake. Javier also runs an after-school guitar club at the local middle school alongside playing his own music at gigs whenever he can. No, he doesn’t reply to DMs no matter how thirsty they are. 
Sadie: self-defense instructor. After surviving an attack several years ago, Sadie used her ferocity to get her qualification in self-defense to teach other women how to fight back should they need to. Her husband Jake helps out in her classes, happily allowing himself to be thrown around and slammed onto the mat as many times as required. Her students are terrified of her in the best and nicest way. Sadie also volunteers at a women’s refuge, providing emergency care and taking phone calls. 
Charles: environmental campaign manager. Charles has always been drawn to charities and started doing voluntary work for Greenpeace when he was at university, securing an internship with them in Canada which led to a full time job. Whilst Charles mainly hosts meetings and organises events, he also works closely with elementary schools and runs workshops with outdoor activities, crafts and music. Last week they made bird feeders! It was awesome. He’s also a keen activist and regularly meets up with Javier to go to protests and community events, most recently for BLM. 
Micah: motorcycle mechanic. Micah is massively invested in motorcycle culture and treats his beloved bike better than his own mother, if he still spoke to her. Although he pretends not to care, fixing bikes is his greatest passion and almost looks...happy when he’s doing it? Maybe? He likes knowing more than the people who stop by his shop and makes sure they know it. Occasionally he leaves his number on a scrap of paper inside women’s handbags when they’re not looking but for some reason none of them call. Like it or not, he’s incredibly skilled and will have your motorcycle singing a tune if that’s what you want. Euphemism? Of course not. 
Abigail: nurse. She was so shy when she realised she wanted to pursue nursing - would people laugh at her? Was she too impatient, too nagging, too shrill? Her dyslexia always put her off going into further education and she was always discouraged by her parents. But with lots of encouragement from Hosea (who helped her to fill out her applications and other forms) and her friends, Abigail went to university in her 30′s to get her degree. She graduated top of her class and now works full time in her local hospital, based mostly in the emergency room. From drunken brawlers to tearful children and grumpy old men with lumbago, Abigail has learnt to keep her cool and to have faith in her own ability. 
Molly: holistic therapist and masseuse. It took years to get that bastard of a philosopher out of her head (and out of her bed - damn those happy hour drinks “for old times’ sake”), but she’s finally free. Molly radiates a kindness that few took to the time to see, and she wanted to take strength from her past struggles to help others who may need someone to listen, just as she did. Molly took a bunch of online courses in various holistic therapies, including aromatherapy and massage, as this was something she had always been interested in. She runs a tiny clinic on a quiet street, the rooms filled with sunshine and the scent of geraniums. She also has a quite popular ASMR YouTube channel, Emerald Eyes ASMR, which she shyly admits just reached 500k subscribers. Her most popular video, ‘Irish Girl Helps You Fall Asleep (soft spoken, tapping, mouth sounds)’ just reached over a million hits. 
Kieran: veterinarian specialising in equine care. Much like Abigail, Kieran didn’t like the idea of going back into education. He’d had a rough time of it as a teenager, dropping out of high school early and working a string of menial jobs for the next decade. They paid his rent, but he still felt poor. His favourite job, however, was working at a stable. The horses made him feel calm and he found that he could read them better than most people. He went to the library and read as much as he could about them. From there, he got himself an apprenticeship which paved the way for him to earn his degree in veterinary science. He smiled so hard in his graduation photo his eyes disappeared into his cheeks. He travels all over the local countryside, visiting farms and ranches to care for the horses. His confidence picked up after the first few blunders, and little by little he’s saving up to buy his own ranch one day. 
Lenny: political science student. You know that kid who always looks amazing, even in 9am lectures? Yeah, that’s not Lenny, but he’s sat just behind. See him? Yep, the one rubbing sleep from his eyes as he pushes through the effects of another all-nighter. It’s not due to procrastination, but from perfectionism. He spends hour agonising over references, appendixes and even titles. One time he was so tired he signed his work “Ynnel”. He’s completely in love with his course and relishes every class he takes. Oh, he’s taking Dutch’s ‘History of Western Philosophy’ module by the way. Sitting in the front row, middle seat, directly in front of Dutch, his eyes glinting wickedly. Poor Dutch. Lenny has a counterpoint for absolutely everything and can barely stifle his laughter as Dutch gets more and more flustered. He’s been dating Jenny Kirk, an English Lit student, for the past few months and it’s going well. So well in fact, that he might stop hiding his Doctor Who merchandise every time she comes to his dorm room. 
Tilly: business student. Tilly started university at the same time as Lenny and they still always go to the library together, rolling their eyes at each other over their morning peppermint lattes. Tilly is at the forefront of any and all on-campus activism. Think of Sam from Dear White People - that’s our Tilly. She wears her Ravenclaw scarf all autumn and winter long and posts scathing Instagram stories about the cafeteria food. But she’s powerfully kind and very ambitious, taking on a part time job tutoring kids with dyslexia in their reading and writing. 
Susan: midwife. Think having a baby is scary? Try crossing Nurse Grimshaw. She’s here now, and that baby is coming out of you one way or another. She’ll hold your hand through thick and thin but if you dare say “I can’t do it” one more time she’ll unleash hell. Susan will make sure everyone has a job to do. Partner just standing there like a lemon? Not on her watch. She’s harsh but kind to her trainees and will always offer a cup of coffee and a shoulder to cry on, but there’s a time and place for slacking and it’s not on her labour ward. 
Trelawny: talent agent. Our Josiah is cunning, infuriatingly charismatic and with an eye for the best of the best - what else could he do so effortlessly? He’ll wrangle you a 10 second role as a latrine cleaner in a non-profit film and he’ll still make you feel like the next DiCaprio. You’re a diamond, don’t you know? Of course you could nab Elphaba, we’ll worry about the singing later. How do you feel about cat food commercials? No no, it’s not pornography, it really is cat food this time - he double checked. On top of this, he knows everyone in the business. No, really. He can’t move 3 feet down Broadway without someone booming his name. The tone of said boom depends, of course, but who hasn’t been caught with his bottom out in that director’s wife’s en-suite? 
Sean: outdoor activity centre instructor. You mean you can actually get paid to swim in lakes, ride ziplines through the forest and eat roasted marshmallows?! Sean couldn’t believe his ears. But it was true, and he’s living his best life. He may be on his penultimate warning for unruly behaviour, but he knows he could never really get fired. How could they? Everyone loves him. And to his credit, he’s a fantastic instructor, especially with kids. Everything from canoeing to caving, wild swimming to climbing, Sean has mastered it all and he always makes it fun. No one is allowed to feel left out or silly for not being able to do something. Sean has a way of making everyone feel included, even if you can only make it up the first few rungs of the ladder. Hey, that’s still off the ground! He once knew this feller Bill who cried because a moth flew into his face. You’re doing fine. 
Mary-Beth: librarian and YA author. Sweet Mary-Beth, how could she be anywhere else but surrounded by books? She adores her job at her small, local library and is always looking for ways to make it even better. She often gets tangled up in the stories she reads whilst organising shelves, but it’s quiet enough most days that she’s rarely caught. She loves helping people find their books or recommending her favourites. She also runs the toddler storytime groups and a writing club for older kids. Of course, she’s also writing her own books. The first of her ‘Valentine Mysteries’ books made a modest profit and she’s excited to write more about the adventures of Leslie Dupont. 
Karen: actress. Realising that she had a knack for accents and even after an especially successful high school lead role as Roxy Hart, Karen didn’t really acknowledge her would-be passion for acting for a long time. But she used her talents to get herself and her friends into X-rated films, dive bars and successfully pull off dozens of prank calls. It wasn’t until one of her friends was going to an open-call audition for a short film and wanted someone to go with her that Karen had her epithany. She was cast on the spot, much to the dismay of her friend. Since then, she’s been in a handful of arthouse films, a commercial here and there, and recently enjoyed a short run as Hermia in A Midsummer Night’s Dream at a small theatre downtown. Does she want fame and fortune? Honestly, she hasn’t really thought about it. Right now, she’s just enjoying the ride. And the phone numbers left for her at front of house from many admirers. 
Strauss: financial loan adviser. Oh boy, perhaps you saw this one coming. Then again, maybe not. Old Leopold isn’t quite the two-pronged-tongued eldritch horror people often mistake him for. In fact, he actually advises people against loan sharks. He had his fair share of debts y’see and he genuinely doesn’t want anyone else to go through the same thing. He’s not exactly sweet and cuddly, but he might let you have a free pen if you call by his office. I mean, technically they’re not free but...never mind, just take it. 
Bill: plumber. It was purely accidental that Bill bashed his way into his career. No, really. His sink was blocked and after an hour of poking and prodding the pipes he started hitting the poor thing with a spanner out of pure frustration, cursing all the way. To his shock, it worked, and he suddenly had running water again. What shocked him more is that he realised he wanted to know how. So, he bought a book. And he read the book. And one thing led to another, and now he’s the proud owner of Williamson Plumbing Inc. The money is very good, but for Bill that’s not it. You have to understand that for him, it’s the act itself of fixing something that brings Bill immense satisfaction. And Bill isn’t used to knowing more about something - anything - than those around him. For the first time perhaps in his life, he can sit down, solve a problem, and know that he’s done a good job. 
Swanson: AA group leader. After getting completely sober almost a decade ago and staying that way, Orville wanted to give something back to the people who had helped him out so greatly. Becoming a volunteer to help those who were trapped where he was seemed like the only path, and it felt so right. Orville is there in meetings, making coffee, handing out donuts and training new volunteers. If anyone wants to talk about their faith he’s all ears, but he never pushes it as a cure-all in any situation. Orville’s sobriety has also meant that he’s learnt to make the most phenomenal mocktails. 
Pearson: grocery shop manager and cooking teacher. Simon has his small grocery shop on the edge of town which has a wide range of regular customers. But he wanted to do more, so he set up a small class to teach fellow veterans how to cook. His wife helps out, and they grow the ingredients together in their garden and down at the allotment. It’s just an therapeutic for him as it is for his students, as he’s only just realising how much he wants to talk about his time in the navy. 
Uncle: unknown. For the longest time, everyone thought Uncle worked at one of the worst dive bars in town, as whenever they stumbled in for a nightcap he was there, behind the bar, happy as a pig in shit. Turns out that he just started going there one night and no one could get him to leave. And so every evening he’ll appear like a phantom, sit himself in the half-broken chair behind the bar (clearly labelled “not for customer use”), order the cheapest beer on the menu and sit there until midnight. No one can understand how he gets the means to live as he ragingly denies receiving any government handouts despite his lumbago. Claims to be a veteran but hasn’t fought in any wars anyone has heard of. 
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gallavictorious · 4 years
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Fic: Foreign Country
For fuck’s sake... So I got an ask in response to this comment, wherein the lovely nonnie suggested that Ian and Mickey’s reaction to the Kash and Grab would be a reverse sort of situation, with that place holding very happy memories in spite of being a site of trauma (because Kash shot Mickey there). I’m paraphrasing here, obviously... And I spent over a week trying to write the fic that this ask (unintentionally) inspired and now when I posted it Tumblr was messing with the ‘Read more’ so I, stupid and/or tired bastard that I am, deleted the thing to repost it but of course that means the ask is gone aaaaand yeah. I AM SO SORRY NONNIE! :( Hope this one finds you all the same.
Anyway, here’s my resonse:
Ah, yes. Yes! Nonnie, I applaud your dedication to sparking joy and thank you for sharing this delightful reflection! <3 And, uh, it got me thinking about the Kash and Grab and its role as the site of so much that went down with Ian and Mickey in the early years, and yeah, now there’s a ficlet. It involves a trip down memory lane, some angst, some fluff, and a rather startling number of I love you:s. It’s also the reason why it took me so damned long to get back to you… Sorry about that!
Did you ask me to write this? No. Does it stay completely true to your observation rather than carelessly running with it? Also no, but with slightly more regret.  
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Never returning had not been a conscious choice. Neither was going back.
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Chicago, on a Thursday afternoon in early October, and the air is unusually crisp when Ian steps out from the ambulance station. He's been working the early shift and now he pauses on the sidewalk and turns his face towards the sun, considering. No one's expecting him for another few hours, and it's a fine day: maybe he needn't rush home. Maybe he could walk for a bit.
It's an idea. He's feeling restless, though not the sort of restless that heralds the on-set of a manic episode (or so he thinks, but he makes a mental note to keep an eye out for other signs, and maybe mention it to Mickey). But yeah. He could walk for a bit, then maybe find a station for the L when he tires.
So he walks. Walks and walks and doesn’t tire, and eventually he finds himself on a familiar street and outside a familiar store and he realizes with a start that he hasn't been here in years. Hadn't even known the store was still open, but the sign on the door proudly proclaims it so, and above it the name remains the same, white letters on red: Kash and Grab.
Huh. Without making a conscious decision to, he's stopped walking and is just standing there, staring at the store. The sight of it brings a strange jumble of emotions, and the quietly jarring mingle of familiarty and distance that comes from returning to a place where once you did belong, but belong no longer.
The last time he stood here was the day before he ran off to join the Army, leaving Linda with nothing more than a short message on her phone. That’s more than what his family got, so he hopes she wasn’t too upset. He never asked; never came back; never really thought back – until now.
He hesitates for a moment, then walks up to the door and steps inside. He’s running low on smokes anyway.
It's the smell that hits him first. It hasn't changed, and brings him back to the days when it would cling to his clothes and follow him home, a not unpleasant but distinctive whiff of frozen food and sweet spices.
The interior hasn't changed much either. There’s a kid behind the counter that looks to be in his early teens, and Ian wonders if it’s one of Kash’s sons, if Linda's still running the store. He could ask, but who knows what Linda's told her kids about the teenager who fucked their closeted father before he ran off?
He glances at the boy again – and yeah, he could be Kash's, there's something about the eyes and the chin – and wonders if he ever looked that young when he manned the register. Wonders if that's what he looked like to Mickey, when he'd come into the store to just take whatever the hell he wanted, wether it was chips or, later, Ian's fucking breath away.
Ian Gallagher. You messed with the wrong girl.
And just like that, it's like no time's passed, and he's 15 and 16 and 17 again; he's doing it with Kash and he thinks he loves him; he excels at ROTC and dreams of Westpoint; his mother is alive and he doesn’t yet know that Frank isn’t his father at all – it hardly matters anyhow, because Fiona is there, as she has always been there, as he still thinks she will always be.
She got out and good for her. If she'd stayed here, she'd never been free of her role as sister-mother – never free to be Fiona. And as for him... he'd mourned the army dream when it died, but knows now that it was an uninformed dream, one he would not have cared to live even if  given the opportunity.
Glancing at the counter where he used to open his trigonomy textbook he feels no regret, though perhaps a twinge of sadness for the loss of that optimistic, determined kid, who had not had an easy life by any means, but who had yet to take any real blows, any blows that truly mattered. Those had come later (had come in this very store, some of them) and standing here, where he'd spent so much time as a child and none as a man, he feels something of that kid returning. Remembers the weight of the hundreth can put on a shelf; feels the ghost of a (too) easy smile on his lips; sees himself as he moves between the backroom and counter and fridge.
And everywhere he looks, there is Mickey. Mickey, in a dirty coat or a security west, angry and rough and funny and sometimes with the briefest flash of something softer, sweeter. He is stealing and scaring of thieving kids and restocking the shelves and plotting to murder Frank and moaning as Ian pushes into him.
He is on the floor, too, cursing Kash but otherwise strangely unaffected by having been shot. Ian thinks he might have been more scared and upset than Mickey. It strikes him now as a moment of innocence lost; your lover shot by a jealous ex, a real gun and real blood and what if Kash had had better aim? This was a thing that happened in the world, and if that could happen – anything could.
It strikes him, too, as a turning point: Mickey going away could easily have spelled the end of their intense but brief affair. For all they knew each other's bodies they hadn't really know each other back then, and while Ian had been crushing hard he had not yet loved Mickey. Perhaps they might both have moved on, found other lives and loves. Perhaps that had still been possible, then.
Or perhaps not. It was the first time they were separated and the first time they found their way back to one another, but not the last. It's a dance of coming together and coming apart and coming together, again and again, and they've traced its steps for close to a decade, never once stopping, not truly.
Because even in the absences, Mickey had been, is; there, always, in the stretches of time when he was locked up in juvie; in the eager hours of wating for him to show up at the store; in the exact distance between them at any given time.
Ian can still feel the jolt, like a punch to his gut, like electricity, of looking up from stacking oranges and finding blue eyes staring straight into his.
He remembers the last time they were in here together, when him and his siblings had been taken away by the CPS and Mickey invited him to crash at his place. He remembers his giddy delight at the question, his excitement at the realization that Mickey wanted to spend time with him. He had been so nervous, and looking back, knowing what he now knows, he thinks that Mickey might have been fucking terrified, but there'd been such ease to that evening and night; such familiarty and tenderness. And oh, the sex had been fantastic.
He tries to remember only this, not what came after with the morning light and a door suddenly slammed open –
Mickey had never returned to the store after that, and a few months later Ian had left for the army. Not really for the army, though; what he'd been moving towards had not been nearly as important as what he was moving away from.
Stings, still, that memory; but less than it once did, and as he strolls down the aisles, noting where the pickled cucumber jars have been replaced with tins of tuna and where the small bottles of cheap olive oil still remain, he is surprised to find himself... okay. For a long time, so much of his past had been a painful, tangled thing he did his best to forget, and even after he made his peace with it, he made a point of looking forward rather than back. Now he thinks that maybe, if you're happy with where you ended up, the hardships of the road which led you there are easier to bear.
Doesn't make everything that happened right; just... yeah. Easier to bear.
He buys a pack of cigarettes. The kid behind the counter is eyeing him suspiciously, but Ian thinks that has more to do with him walking around the store and staring at random things rather than with the boy recognizing him from some lurid tale of Linda's. Ian almost asks him to say hello to her from him, but nah. Let old dogs lie.
Outside, twilight is coming on, and there's a slight chill to the air now that the sun is sinking. Ian lights a cigarette and sucks the smoke deep into his lungs. This, too, is familiar, and for a moment he feels unthethered, unsure of when he is, who he is.
Without really thinking about it, he picks up his phone. Mickey's still working but can't be too busy because he answers on the second signal: “Hey.”
“Hey,” Ian says, and then he doesn't say anything else for long enough that Mickey asks him if he fucking wanted something or he's just being a creepy ass phone stalker.
It makes Ian smile. Grounds him. “I love you,” he says.
A beat. “You called me at fucking work to tell me that?” And Ian knows that the gruff disbelief is partially an attempt to cover Mickey's surprised delight at the proclamation.
“Yeah, I guess I did,” he says. Waits for a moment, but Mickey is silent. “You gonna say it back?”
“You fucking serious?”
“Kinda need to hear it.” Because he gets to say that; gets to ask for that. They're not kids not anymore and they don't need to hide. They’re fucking married.
That is real. That is now.
“Jesus Christ, Ian.” But then Mickey, as Ian knew he would, relents. “I love you,” he says, and Ian doesn't know if he's already alone or if he just doesn't care who overhears him, because he doesn't lower his voice or take the time to move somewhere more private.
A brief silence as neither of them speak, but simply rest in the warmth of the words, the truth of them.
Then: “Are you okay?” There's a trace of real worry in Mickey's voice now, and there's a part of Ian's that immediately annoyed because he hates that people worry about him so easily – but a larger part of him has made his peace with it; knows and accepts the reason for it; loves that Mickey loves him enough to worry.
So he offers a brief smile, even though Mickey cannot see it. Hopes it translates into his voice.  “Yeah. Yeah, I'm fine, I promise, it's just... I'll tell you when you get home, okay?”
“Okay.” And maybe Mickey isn't convinced but he takes Ian's word for it. Trust. That's another thing they've been doing better with. “I'll see you in maybe an hour then? I get off at five.”
”Yeah, I'll see you then.” And, because he can, because it's true: ”I love you.”
“Yeah, yeah, you fucking said that already.” A brief pause, then quietly: “I love you, too.”
They hang up. Throwing one last look at Kash and Grab before he walks off, Ian is pleased to realize that he feels nothing but a vague sense of affection for the place. Some things withered and was left here, sure, youthful dreams and ambitions and most of his naivite – but the best thing about it he kept, and Ian will see him soon and hold him soon, and this time he will neither leave nor let him go. Their new dance will move to a different beat.
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sir-silly · 4 years
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The Last War fan review
So, our beloved show has ended. And while I wish things would have gone differently, I did cry with relief when Clarke looked over and saw everyone already waiting for her.
Anyway, I wanted to share some of my thoughts on the finale.
1) Going right into the title sequence kind of shocked me. It wasn’t that big of a deal, but I was just immediately like “oh.” It was a bitch-slap in the face that they left a gap in the credits for Bob Morley. Why you gotta do us like that?
2) Murphy screaming “come on” while they used the defibrillator on Emori was heartbreaking. And his little whispered encouragements were so freaking cute.
3) Clarke rampage? Yes, please! I love me a badass woman. However, unlimited ammo is a sin in writing. The moment Octavia picked up the sword was a big “oh yes.”
4) Did Cadogan not care about his son like at all? Lmao. Why is he so hung up on Callie and not his other kid (who I can’t even remember the name of). I don’t care if they explain in the prequel, that’s still a shitty parent choosing favorites. Along with his wife, like, was she not his greatest love? It was Callie? Kinda fucked up.
5) Why the fuck could Jordan figure out it was a test and not a war in 5 seconds when the Disciples were studying that shit for decades? I know he’s Monty’s son, but he’s not a genius or anything.
6) Thoughts on the test: I think Cadogan would have failed and the human race would be destroyed. Why bother asking questions if you already know all the answers?
7) Why wasn’t Gaia in the finale like at all?? Like, what the fuck. She was hunting??? For what?? That really annoyed me because I’ve grown to really like her and there was no point in her not being involved in the last episode. They seriously couldn’t have thrown her in there? Like, come on! Even Niylah was there! (not saying that I don’t like her, it’s just that Gaia has felt far more important to the story than her).
8) I do think that Jasper and Hope are cute together, and I know they spent the majority of their lives either alone or only with their parents, but GOD I can’t stand how awkward they are. Also, I know ya’ll have feelings for each other and shit, but is now really the time to be making out?? Why do people think that’s okay in literally the worst situations? I know it’s a show, but come on.
9) And how the fuck did Jordan throw and catch that sword? He’s a child who’s never fought a day in his life. Unless they suddenly want to tell me that Harper and Monty were secret ninjas and taught him all their tricks, I don’t believe that.
10) I’m being pissy and bringing up things from the past, but I don’t care. Why the fuck couldn’t Harper and Monty gone into cryo? I know they were happy and shit, but I’M NOT. How the fuck did it take so long for him to get into the files for Sanctum? His ass has done that shit a thousand times before in about two minutes and suddenly it takes him 80 years? Bullshit.
11) I’m still being pissy, but how the fuck does Jordan know what a magician is? “For my first trick, I will make an army appear.” Bruh, no. Monty wouldn’t have known what a magician was either. If they weren’t being taught what a Navy Seal was, there’s no way they knew what magicians were. Calling bullshit on that one as well.
12) I was pretty surprised that the Disciples didn’t start firing on Wonkru immediately. Like, this is the war they’ve been gearing up for forever and they don’t attack as soon as possible? Also, where the fuck did Wonkru get their war paint? Do they just constantly have it on their person? Or did their asses literally spend time making their paint before going to Bardo?
13) I fucking love Miller and Jackson. They’re freaking adorable. Murphy’s flat “I am glad you are safe” was so fucking funny. Also, saving Emori in one scene just to kill her in the next is bullshit. They should have just killed her the first time and done the same thing anyway. Murphy screaming at Jackson to do something and sobbing was heartbreaking. Fantastic acting on Richard Harmon’s part.
14)  Octavia putting on Lincoln’s same warpaint again was once again, so sad. I miss that man. He was too good for his own good. And while I do think that her and Levitt are very cute together, I’ll always prefer her with Lincoln. But I think that he would be really happy that she has found someone new to love.
15) Apparently whatever Echo “did” to Levitt was so forgettable that I don’t even know what she’s talking about. Bad writing. I shouldn’t forget that in just a few weeks, I should remember as soon as I see the two of them in the same room.
16) Lexa. Just all of it. There were some suspicions that she would show up for the last episode, but I didn’t really believe them because I didn’t understand how she would be integrated. I’m glad that they did bring her back, but I’m also not. It was amazing to see her back by Clarke in all of her armor and glory, but knowing it wasn’t actually Lexa was just a punch in the face. It wasn’t her mind, so it’s almost like they didn’t bring her back anyway. I honestly would have preferred if they used someone else for her Judge, because that just really didn’t do it for me. Their hug was sweet, but it didn’t even count as her returning. I personally think that her Judge should have been Bellamy or Madi instead, as they both certainly could fill the role of “the subject’s greatest teacher or the source of their greatest failure...it can be their greatest love.” This is just my preference. Believe me, I know how much Lexa meant to Clarke, but as a fan, bringing our favorite Heda back in that way wasn’t the best way to do it. As a writer, it makes sense, but it doesn’t as a fan. The writers can’t just think of what is the best storytelling, they have to think of what those watching will think.
17) I’m confused about the mindspace? Why did Clarke wake up in her solitary room with her memories painted all over the walls, but Emori woke up in the castle with a view of the desert? Why wouldn’t it have been her and Murphy’s cave? Is there a reason it was the bedroom and not the cave?
18) I know this isn’t canon in any sense, but could you imagine if Murphy and Emori fought over John’s body and she won, and then suddenly woke up with a penis? How fucking funny would that be? Just had to throw that out there.
19) Can I just again reiterate how fucking cute Miller and Jackson are?
20) I’m curious about the location of the test. Why did Cadogan’s take place on a pier, while Raven’s happened on the Ark? If it was their favorite place, wouldn’t Raven’s have been actually out in space? Like during a spacewalk? I’m confused about that.
21) I knew that Raven was somehow going to be involved in the test just because of the trailers we got for the final episode. My two guesses for who the judge would be were Finn and Abby. Though I am happy that we got to see Abby again, I would be curious to see if the scene would have played out any differently if it had been Finn.
22) Where was the full line that was given in the trailer? Because that was amazing. “We’re selfish, and we’re violent, and we have destroyed too much, but we survived.” I loved that line far more than what we got instead, which was simply, “Have we made mistakes? Yes. Clarke, me, all of us, but we were just trying to survive.” I definitely would have chosen the former over the latter. Poor choice on the editors’ parts.
23) How the fuck did Octavia and Echo go out to the field and get Levitt with Echo only being shot once? With all the bullets, the three of them should have been torn apart, I don’t care how much Indra could cover Octavia. Calling bullshit on that as well.
24) Bringing this up kind of late because I’m giving my reviews as I’m rewatching the episode, but what they had Eliza do was really fucked up. Her and Bob suffered a miscarriage during the filming of season seven, so the scene of her holding Madi and crying “my baby” is like 10 times more heartbreaking. If they made her film that after having a miscarriage mere days, weeks or few months before, that’s really, really messed up.
25) They really played-up Sheidheda’s bringing back of “jus drein jus daun” in the trailer. In reality, it was far less intense. I would have preferred what I had been expecting, which was him coming to help convince Wonkru that they would be able to win. However, I am super glad that he is dead and Indra finally got to kill him. I love how that bigass gun just turns people into mist lol.
26) The beginning of Octavia’s speech was literally like “what the FUCK guys” and it was hilarious. And I swear to god if I hear her say “we are Wonkru” or “you are Wonkru” another time, I’m gonna scream. I know it was legit the last episode but I’m sick of it by now lol. When Indra was like “I hope you know what you’re doing,” Octavia’s face was just like “omg me too” and it was really funny.
27) Bellamy. His situation was a whole problem itself. He deserved a hell of a lot better and wHY DID HE CUT HIS HAIR I LIKED IT THE LONG WAY. Anyway, you can bet your ass I’ll be writing a different ending where he didn’t die because FUCK THAT. When I do, I’ll be sure to share it.
28) I’m fucking confused about Murphy and Emori both transcending. Because, what the fuck. Emori died. The dead don’t transcend. Her mind wasn’t even in her body, it was in Murphy’s. So how the fuck did she end up alive and in her own body again. I’m glad she’s alive, but I just don’t understand. It would have made way more sense to have either not had her die in the first place, or to have Murphy, Miller, and Jackson keep pumping her heart so she technically “lived” anyway like Echo.
29) If Madi had decided not to transcend, would she still have been paralyzed? I mean, I would assume not because Levitt and Hope’s gunshots were healed, as was Emori, but I’m curious. Also, wouldn’t Raven’s leg have been fixed? Because if they only fix recent wounds and not old ones, that’s stupid.
30) On the point of Madi deciding not to transcend, why did she? Why didn’t so many other people choose not to? Like, not one Eligius prisoner or person from Sanctum chose to live? No one else from Wonkru? Why didn’t anyone else other than the main cast and guest stars not transcend? I totally understand the Disciples transcending, but seriously, nobody else wanted to live? That’s really weird. Madi and her friends really couldn’t have chosen to live on Earth with Clarke and the others? I just think it’s really unrealistic that not one single person outside of the group chose not to transcend.
31) I was really surprised that Murphy and Emori chose not to transcend, because as the Judge said, they would eventually die and not join them in the infinite. It shocked me due to their fear of dying and wanting to be immortal, but I’m really proud of them.
32) I’m disappointed that those who don’t transcend can’t have children. There were suspicions that Emori might have been pregnant (which were never confirmed), but the idea of her and Murphy having a kid together was adorable. They’d have their teeny tiny families with those two, Hope and Jordan, and Octavia and Levitt.
33) This isn’t as much me pointing out a problem as me wondering, what was Clarke going to say to the Judge when she turned around? What else did she have to say or ask? Was it about Madi? Or maybe Lexa? Or just transcending in general?
34) It’s pretty shitty that some of our questions went unanswered due to the fact that there will be a prequel. On the other hand, I live for lore, so I’m just glad that they eventually will be answered. But still, that doesn’t excuse shitty writing.
35) I want to see a stupid edit of Picasso taking the test where the Judge is Madi.
I think we all know that season seven was really not what we wanted it to be. We’ve been really disappointed by the writers and unfortunately, this is what we got out of it. I believe they really could have done a better job, but I am at least glad that everyone ended up together.
The writing was lacking. Too many questions were left unanswered, I don’t care if you’re making a sequel or not. Plot holes. It really could have been a good season if it was done better.
My ranking of the seasons is as follows: 3, 2, 4, 1, 6, 5, 7. Seasons 4 and 1 are kind of interchangeable for me in spots three and four, as are 6 and 5 in the two spots behind them, whatever the order may be.
But I still love the show. I love the characters, their development, and many things about it. It has been quite the journey and I am glad to have been a fan of the show.
May we meet again.
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maxplayz240 · 3 years
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Relationships
Hello dear readers, today we will talk about one of the most essentials things in a human's life known as 'Relationships'. So let's start.
WHAT ARE RELATIONSHIPS?:
Humans are social creatures and for an example you can see that more humans live where more population is there. Meaning humans tend to live with other humans because they socialize with each other. Big urban centers are where many people live together in communities. And more people are likely to move into these urban centers so that they can socialize with others. That is why urban centers have more population than rural areas.
And if we ask what are relationships? Then the answer would come, an intimate relationship is an interpersonal relationship that involves physical or emotional intimacy. Although an intimate relationship is commonly a sexual relationship, it may also be a non-sexual relationship involving family, friends, or acquaintances. And simpler definition is, a relationship is the way in which two or more people or things are connected, or the state of being connected through emotional intimacy.
IMPORTANCE OF RELATIONSHIPS:
Emotions are a lot to take in so we as humans share it with others so that we do not get entangled in our own minds full of emotions. Depression, anxiety, etc, are states when we get a little entangled by the emotions of our own mind. If you know too much of these states can result in death because so many hormones and chemicals are dangerous when overdosed.
Humans keep making relationships with others to share their emotions but just like anything, there are some stages of relationships. Let's take a look at it.
STAGES OF RELATIONSHIPS:
There are four stages of relationships according to scientists. The four stages are :-
The Euphoric Stage.
The Early Attachment Stage.
The Crisis Stage.
The Deep Attachment Stage.
Now we talk about every single stage with it's duration.
THE EUPHORIC STAGE:
For the past several decades, Helen Fisher, Ph.D., neuroscientist and Senior Research Fellow at the Kinsey Institute, and Lucy Brown, Ph.D., Clinical Professor in Neurology at Einstein College of Medicine in New York, have been studying the brain activity of people in love, from the early to the later stages.
Brown explains that, "In the early part of a relationship—the falling in love stage—the other person is the center of your life. You forgive everything in these early stages. The other person has faults, and you see them, but it doesn’t matter. Maybe they leave their dirty dishes in the sink, but they make you laugh at least daily, so it’s okay. Good things outweigh the negative here."
One of the most significant findings in the brain mapping studies (which was determined to be a key factor in relationship success) involves what Brown refers to as the suspension of negative judgment.
“In this early stage, many people show a decrease in activity in the prefrontal cortex, which is the part of the brain that has to do with the negative judgment of people.”
In other words, the longer a couple can maintain suspension of negative judgment toward each other, the better chances they have of relationship success.
When they followed up with participants, the researchers found that the couples who had stayed together for three years or more had the most decreased activity in this part of the brain.
How Long Will It Last?
How long does the romantic phase last? Studies have estimated the euphoric stage can last anywhere from six months to two years. Although a small portion of the population (approximately 15% to 30%) say they are still in love and that it still feels like the first six months—even after 10 or 15 years later.
Brown explains, "We don't know why this is. I don't necessarily think it's because they have found their soulmates. I think it's the person. Some people have an easier time rekindling the earlier stages. Not to say the rest of us can't."
For the general population, the intoxication of new love will eventually morph into the next stage: early attachment.
THE EARLY ATTACHMENT STAGE:
In the previous stage of euphoric love, unconscious factors like attraction and the activation of the reward system take over. In Fisher and Brown’s studies, the brain scans of couples in the early stages of love showed high levels of dopamine, the chemical that activates the reward system by triggering an intense rush of pleasure.
The study's authors wrote that these high levels of dopamine have the same effect on the brain as taking cocaine.
In this next stage, the more evolved part of the brain begins to take over, including the ventral pallidum (the region of the brain linked with feelings of attachment, and the attachment hormones, vasopressin, and oxytocin—sometimes referred to as “the love hormone”).
You know when you’ve reached the early attachment stage when, according to Brown, “You can sleep! You’re not thinking about [your partner] 24 hours a day. It’s easier to do other things in your life.”
Couples had been married for at least one year described love differently. “It’s richer, deeper, it’s knowing them better," says Brown. “Memories have been integrated—both positive and negative—you’ve gone through some difficulties, and you’ve developed a strong attachment.”
THE CRISIS STAGE:
The third stage is often the make or break point for relationships. What happens at this stage is crucial to what comes next. Brown refers to this as the "seven-year or five-year itch.
“Almost every relationship has a drift apart phase,” says Brown. “Either you will keep drifting, or you will come back together. You need a crisis to get through and to be able to talk about it together—you’ve both grown and changed.”
For some couples, having children will either solidify the relationship or cause enough stress to make the relationship fall apart.
If a couple can overcome a crisis successfully, they will then move on to the next stage: deep attachment.
THE DEEP ATTACHMENT STAGE:
The deep attachment stage is the calm after the storm. By this point, a couple knows each other well, they've been through the inevitable ups and downs, they know that they can deal with crises, and they've likely made a plan for handling future crises.
When describing this stage of relationships, the term that Brown reiterates is “calm.” “When couples have been together for many years. It’s just very very calm. And it’s secure.”
The deep attachment stage can last a long time. If you’re lucky, it can last a lifetime.
KEEP IT GOING:
How can we keep love going? According to researchers, one of the most effective ways of keeping the spark alive is novelty. Studies that have followed couples for years have found that doing new, exciting, and challenging activities together have huge benefits for relationships.
Dr. Art Aron, one of Fisher and Brown’s chief collaborators, and his wife, Dr. Elaine Aron developed the “Self Expansion Model” that offers insight into the early stages of love and partly explains why the first few months of a new relationship feels so intoxicating.
“When you enter into a relationship, you literally increase who you are. You take on and share in your partner’s perspective on the world in addition to your own, their social status, their resources. The benefits of new and challenging experiences together are enormous. And they last."
Suspension of judgment, rekindling of the early stages and maintaining novelty, just maybe the keys to cracking the code of lasting love.
THE END:
Here our post about relationships end. Thank you for reading the whole post. It is really beautiful when you are in relationship with someone even if it's a family or friend. Just like how we are in a relationship, you are my reader and I am your author. The next post might be about love so be tuned, we will meet soon. I am your author Max and this is my blog TheTheroicalMax.
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popculturebuffet · 4 years
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Loud House Reviews: The Purrfect Gig
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The Sam/Luna trilogy comes to an end here, as we get to the most recent of their now annual episodes, each so far produced and aired toward the end of the season. That being said like last season Sam had at least one apperance before this as I saw her in the thumbnail to “Deep Cuts”, the OTHER Lunacentric episode this season. And while it sounded bad to me at first looking into it.. no. The writers, for the most part, gave almost every kid two episodes a piece, and last season gave each 3, so to the writers credit they TRY to ballance out who gets episodes.  
The exceptions are Lincoln, who has around 5 that don’t also feature the girls as a whole, and 2 of those are with Lana, Lori who has 4, 2 of them shared and justifed as she’s possibly leaving for College next season and thus her episodes outside of one focus ont hat, and Lana and Lola: Lana has 3, and Lola has 2, and both have one together. And really even with those imballances it’s really impressive the show juggles 14 leads, with the parents themselves getting 2 this year too, along with Clyde, not counting his ones with Lincoln. | And that’s WITH the baffling decision this season to have the first 5 episodes be “With THe Cassagrandes”, i.e. 5 episodes of the Casagrandes that are counted as loud house episode that weren’t produced over at the sister show for some reason. And I have nothing against the Cassagrandes, what i’ve seen it’s not a bad show: I already have gone on about how much I love bobby, and I also love CJ and new comer Sam. I love the fact it has plenty of representation and a diffrent kind of big family, I love the theme song and I love the fact Melissa Joan Heart is on it because she’s terrific and spent the last decade really not picking her roles well. She was the lead in Holiday in Handcuffs, aka the movie where she kidnaps Mario Lopez and holds him at gunpoint to pretend to be her fiance until he gets Stockholm syndrome for really flimsy reasons. But I dont’ feel i’ts fair to the show to wedge it into another show’s spot: The Cassagrande-Santiago clan has shown up in 2 half hour loud houses and 2 15 minute eps. The kids watching KNOW these characters, and reception of the loudest mission was positive enough to get a spinoff made. You don’t need to spend a huge amount of another show’s episode order to promote a show kids will likely watch because it has characters from a show that airs all the time and is uber popular and has a similar humor style, and fans of the Loud House will at least try becuase they like the mothership and have known was coming for years now. This show HAD an audience going in. I watched both American Dad and the Clevland Show because it was from the same crew as family guy which I liked at the time. Granted American Dad had a decent stretch and Clevland Show .. had David LYnch as a recurring cast member I guess? Seriously david, this and not gravity falls? The point is it feels insulting that they felt the need to try and promote the show more, and all they did was take up episodes of the loud house and confuse children, and possibly turn viewers off a show they would’ve watched anyways. And if your wondering why I took such a massive detour it’s simple: Other than noticing the fact they’ve been specifically making sure each sibling gets more than one spotlight episode, shared or not, and this dumb decision.. Season 4 isn’t THAT much diffrent than Season 3. It carries on plots started there  (Lori heading towards college, Luann and Luna’s relationship), but otherwise it’s basically just more shipping and shenanigans. But really. .that’s far from a bad thing, as I consider season 3 a highwater mark for the show, and it introduced a lot of neat new elements (Lynn’s Table, Stella, Leni having a job) that are still prevelant in season 4. It’s not bad and it’s even more understandable given that next season, every character is growing a year (thank you press releases), meaning they have tons of new plots to explore, and large status quo shifts with Lincoln going to middle school, which out of the four schools shown is so far the most underdeveloped and will need development, and Lori possibly moving out of the house and going to college, among many other things that have me chomping at the bit for next season. But that’s probably a few months away so for now, it’s time to get back on focus and with everything else out of the way, the actual review of this episode starts under the cut. 
We open with Luna sitting in bed sighing when her poster of Mick Swagger starts talking to her. Whatever she’s smoking I could really use some. Depression is a bitch. Anyways, her drug induced hallucination of her hero starts talking to her. I haven’t really talked about Mick yet since the show uses him sporadically but he’s exactly what you’d expect; The show’s version of Rolling Stones front man Mick Jagger, only slightly younger.. maybe. I dunno. Maybe he’s been around since the 60′s and is just a timelord. Or a groovy robot. Or has a dorian grey thing going on. We haven’t really gotten into Dino Spimoni situation yet where Luna helps her idol and has to help him reunite with a partner or convince him to stop faking his death. Just a reminder that Hey Arnold is great and that if you think it’s odd his crooner dean martin based idol got talked out of faking his death by a 12 year old, keep in mind he also tracked down the daughter his vitamise neighbor gave up so she could go to america and have a better life, helped convince his neighbors not divorce, and had to save his pig from being eaten in a revolutionary war reinactment. Hey Arnold was far weirder than I remembered and i’m here for it.  Anyways, Hallucination Mick asks if Luna is coming to his concert this weekend, and she HOPES so she just dosen’t have the money for  VIP pass to meet the actual version and do drugs with the actual mick swagger for a change. He says you never know when opportunity will come a knockin and it does in the form of the McBrides! Clyde’s dad’s Howard, the skinny one voiced by national treasure Micheal McDonald and Wayne Brady whose also great.. and i’m not just saying that because i’ve seen this. Don’t be absurddddd....
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Howard and Harold are Clyde’s dads... and while Clarence and Steven Universe beat them to having Gay parents in a children’s cartoon, their still the first interacial gay couple in a children’s cartoon, and on a nicktoon period, and even if they weren’t either of those it’d still be fucking great. Anyways the two are nice characters, while i haven’t seen EVERY ep with them their a loving couple, nice parents, and treat the loud kids as their own.. granted that goes too far in one episode, but still, thems good people.  Anyway Howards having a panic attack, respect, and as his husband calms him down, we find out why: the mcbrides are going to pick up nana for the annual family reunion, and their catsitter cancled. Hence Howard’s freakout and Harold worrying about the 20 pounds of amish potato salad in the trunk. So naturally their hoping someone can watch their cats, Cleopawtra and Nefurtiti for the day, and them going to the louds makes sense, both for the obvious of the Louds being their closest friends in the neighborhood, and the not so obvious of a previous episode I haven’t seen having established the older kids as the best babysitters in royal woods, meaning that in addition to knowing them they have skill and this likely isn’t the first time. Luna, not thinking about herself, admits Lori went to hit the golf course early and Leni is at work, a nice way to explaning why it’s Luna that gets the job: She was there and it was implied by the fact she was getting high and talking to her hallucination that Luann isn’t, so most of the other options they’d have without some reservations are gone with no contrivance necessary.  Anyways Luna’s Drug Fueld hallucination,  points out money can be exchanged for goods and services, such as VIP passes, and also mentions sam already has hers. Either Luna’s forgot or her hallucination can use her phone. Either is probable, and is backed up by Hallucination Sam, before both start playing their guitars and Luna air guitars with them. I”m unsuprsied by all of this. She offers and the McBrides take her up on it immeditley. I do like that it avoids the “I don’t know if your up to this” cliche that always happens in these types of scenarios, the McBrides have no reason not to trust her, so they just.. do. Hell Harold only sets out one rule: don’t invite anyone over.. and it’s not even because he dosen’t trust Luna to have anyone over or anything like that, he just knows the cats get anxious with a crowd, though their therapist is working with them on that. And of course the two rich men with a single child have a cat therapist. I would too if I were rich. Harold and Clyde throw and unconcious Howard into the car and their off, they’ll be back at 6. And TOTALLY won’t be home hours early for hyjinks. Totally.  Luna arrives to find a massive binder on feline care. Someone went to the Amy Santiago school of binders. It says to feed the cats at 10 sharp.. and it’s 10:02. Luna tries feeding them but the cats instead attack her in a full on psycotic rage and dump food all over her, so dinners on her. 
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Anyways, Luna then tries walking the cats which goes as well as you’d expect.. not because she had to put harneses on cats and expect them to do anything at a certain time, but because they pull hard. I can relate to that with my dog.. not my cat. He just goes wherever he wants because he’s old and kind of an asshole.  Anyways, with the cats now messy from running over a guy with a cake, because of course, Luna looks up what to do next which is.. give.. them a bath. 
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Who.. who does that. I know their messy, but use a rag or something. No animal likes being bathed but cats, esepcially one who this episodes shows aren’t declawed (And rightfully so but still), do not LIKE being bathed. Granted they wouldn’t like being cleaned off with a rag or something either, but it still feels less cruel to both them and any prospective babysitter to just hold one down and wipe it off then find the other and repeat. Look witht he walking thing I can see why someone would, in their case because their probably too skittish to let their cats wonder around, and in some cases because said cat is young. But this.. this even for a comedy contrivance is stupid. It’s not the worst uninetional cat abuse i’ve seen in media, Elmyra exists and the mother of the lead of get fuzzy tried putting her cat on a vegetarian diet, which Rob, said lead and a staunch vegetarian himself, not only found concerning but gave said cat the money for takeout.. keep in mind in this strip cats can talk and walk upright. Also I miss when Get Fuzzy was both daily and good. So Luna naturally ends up in the bathtub, soaked and depressed and not sure what to do when her friendly neighborhood sign that the drugs haven’t worn off yet comes by and tells her to shape up if she wants to go to the show with Sam. This gives Luna a great idea. LIke a Zack MOrris great idea it involves breaking the rules.. unlike a Zack Morris idea, it dosen’t involve sexual harassment or a zany scheme. She decides to call Sam, since she’s apparently great with cats and given we saw how she was with chickens last time, not a real stretch. She also pops Mick’s bubble which.. hurts him.. somehow. I dunno.  Anyway cut to Sam arriving. She arrived fast because she was picking a new character up from his gamer’s club meeting: Her brother Simon, who’d been mentioned in side materials but makes his first apperance here. I like him, he has a neat design and i’ts nice to give sam a family life of her own, and he’s a nice if glued to his not-nintendo switch kid. Frankly I hope he and LIncoln meet at some point. I mean he has an opening in his friend group starting next season there’s no way Rusty passes 5th grade. And even if he somehow does, it’s not like adding another member is too much of a stretch given, once they got past courting her, the rest of his group warmly welcomed stella in and it’d be an intresting dynamic having his sister’s girlfriend’s brother in the group. Also if your wondering if i’ll ever stop finding ways to bash rusty in these reviews even when he’s entirely absent..
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Anyways, Luna slams the door in the kids face, which he takes in stride , and explains the situation, and after fred fliintstonning him is taken off the table, go with “Sneak him past the cats”. It works because cats never look up at the backs of a gay teenage couple sneaking a small child inside. Luna decides to leave Simon in the entertainment room while she and Sam watch the cats and he finds Clyde’s VR gear and asks to try it on, with Luna reluctantly agreeing as long as he’s careful.. which as far as we see.. yeah he entirely is. The Sharpe’s are good people. 
Cue a montage! Sam helps luna scrub the cats, with brushes as they should’ve done minute one, put them through spa type pampering which is also a call back to the first time we saw the McBride’s house in the series, take selfies, and then sing the cats to sleep, in a really sweet and really well sung lullaby, notable for being the first time Sam’s sung on the show and Allyson Stoner, who I haven’t mentioned but should’ve before this shame on me, does a terrific job and has done a terrific job as Sam in general. Luna thianks her for the help, Sam says no sweat they get to see the show together, and Sam ducks out... before realizing she forgot something. Her wallet... no wait she has that.. OH SHIT HER BROTHER. And before she can get him DOUBLE OH SHIT THE MCBRIDES ARE BACK.  Harold is grumbling about the potato salad... apparenlty Aunt Brenda brought some and wasn’t supposed to. I do like how both McBride dads have their own quirks:While Harold IS the more rational one, he can slip up just like anyone can. Luna prepares to leave.. only to realize oh shit her girlfriend’s brothers in the house still. Her not all complex scheme! She fakes having left something behind to get him out, and once sam calls comes up with a plan: Sneak Simon around back. Sam sneaks around with the bush she ducked into, and we get one of my faviorite tropes: A scooby doo doors sequence! Also the dads speak in unison. Dawww. We also get an adorable bit of Sam gesturing for Luna to hand her the boy. I couldn’t find a gif of it sadly, and I would’ve credited it, but I did find 50 tons of creepy Sam X LIncoln fanart. Just.. why. Why exactly. Why do you do this to me tumblr. And to be clear I have ZERO issue with shipping a character whose sexuality isn’t fully confirmed as just gay in canon with a male character, Bi and Pan representation is important. It’s why I get annoyed at the people who throw a hissy fit any time Della Duck is shipped with Launchpad. Here though I do because it feels like this ship is ENTIRELY a troll, especially since LIncoln has 80 other options, not at all including the icky incest ones, and that I cut and dry have every problem with, and is being done soley to annoy people who ship sam and Luna and are finally enjoying some gay/bi representation on children’s television. If this is a troll then kindly 
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Thank you John. So anyways Sam does grab the boy and nearly gets him out the door.. only for the mcbrides to run into their bisexual catsitter shoving a small chubby child out their kitchen window only to have a lesbian fall out into their kitchen. Naturally Howard faints again and Harold is displeased... probably because his husband fainted again.. and you know the shenangians in his kitchen. The only time shenanigans are allowed in that kitchen are when Clyde is sleeping at a friends house for the night and only on the table dammit. They got reinforced oak for a reason.  We cut to the boys playing, which is a nice touch: Clyde being a nice kid dosen’t mind sharing, Simon has similar intrests, and the only time we’ve seen him be eh on sharing is letting Lincoln borrow his new console.. and he not only felt BAD for not wanting him to borrow it and having to try and get it back, but he only did so because the Loud house is insanley chaotic and understandbly he wasn’t sure it’d get back to him safetly. His dad’s rasied him well, he’s a good boy once he got past his ‘Stalking his friends older sister” phase and got into his “anything besides that “ phase.  Luna comes clean to the McBrides and.. Harold appricates the honesty. And both are impressed with how well they took them, with Sam and Luna giving each other credit. So instead of getting upset, especially since Luna was both honest and only called in Sam for help and Simon was an unexpected guest and they both did a fantastic job, they offer to split the money instead. Sam, in a really sweet gesture, then gives Luna her half with no hesitation or prompting from her girlfriend, Luna gives her a cheek smooch and they hug. Then Luna acciently wakes the cats, and we end on the girls singing the cats, Simon and the McBrides all to sleep. Also Luna’s hallucination is alsleep.. those drugs wore off hours ago after all.  Final Thoughts:  A really fantastic setup. Once again the show shows it’s slowly gained talent for taking stock plots (in this case a babysitting episode) and making them actually intresting, mostly by having the characters behave reasonably. While it didn’t really expand Sam’s character, it didn’t really need to , the previous ep with her having fleshed her out as a sweet, kind girl with a talent for animals, and Simon is a wonderful addition to the series massive cast of side characters that , unlike some additions , will hopefully show up again. Seriously half the reason I bitch about Rusty is that the show is great at making charcters, and improving them after a few bumpy episodes as seen with Clyde, Lori and Luann, but yet still uses him and dosen’t make him any funnier, while I can name handfuls of characters who either need more apperances (Girl Jordan) Or haven’t shown up again at all (Carol Pingery, Rocky, Maggie). And that’s not even all of them obviously, but my point stands. But given he’s the brother of one of the main characters girlfriend and would fit in with the main character well, I have a feeling we’ll see simon again at some point.  I also really liked seeing the McBrides, mostly because I haven’t seen many of their episodes, and found them to be delightful, helped by having wonderful va’s behind them as standard for the show and great chemsitry and it was a nice bonus to have the shows two main gay couples interact, without it feeling at all forced, and neither did Sam’s inclusion. And while we haven’t gotten a full on kiss with Sam and Luna, which really they should, CN beat them again on that, the cheek kiss and hug was still very sweet, as is the episode really. It’s funny, heartwarming, and really enjoyable. While itd osen’t have as much emotional weight as the last two eps, I like that it didn’t: For once the conflict was low key but understandable and now Sam and Luna are a full couple, they can just do cute couple shit and get into wacky shenanigans like any other couple on this show without any angst attached. It’s really nice. It also shows that no, a couple being together isn’t boring fuck off will they or won’t they, but i’ve ranted enough about stuff unrelated to this episode. I really liked it and hope to come back to these two someday.  For now as I sign off Pride Month is far from over... as next up I have multiple things planned, but one of the biggest is a FIVE PART series on Red Action and Enid from OK KO. Yes FIVE. All 3 of their romantic eps, and Red’s first two for proper context both for the finale, which uses both episodes as part of the plot, and for a proper view of her character arc and to ease readers into the series better. So be there for that, and a donald duck birthday celebration, and until then, later days! 
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ycllowshocs · 4 years
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SHIP. ELISE AND REEVES.
uncamaleon said:
The whole shebang for the otp meme for Reeves 😘
[ MUN. This is my not surprised face :P ]
ALSO. Random note about Elise I realized I need to say after completing this and realizing she seems extremely shy and like she is a homebody which is weird for someone working in house sales; she’s not. Elise is great at her job. She can smooze and compliment people into buying a house and make that sale with the best of them. Be glad she isn’t in a competitive field. She’d hand you your ass. But in her personal life she is a bit more quiet and reserved. She can get really shy in a relationship because it is so deeply personal and it is hard for her to open up. ( She is very scared about getting hurt. ) Random people are easy for her. She can be polite to that poor lost guy trying to find the closest supermarket or the old lady that doesn’t know where something is in the book store. If it is people connected to an important relationship though she can get a bit shy. Like meeting someone’s family or best friends. Her high school reunion. It takes you back there. And with a developing relationship it takes her a bit to relax fully.
OTP Ask Meme
1. Who wakes up first?
Elise. She has a lot of early morning appointments for work. Also she is currently the only one of them that has an actual 9-5 style job. The only times Reeves beats her might be on weekends or if he never did fully get to sleep.
2. Who wants to stay in bed just a little longer?
Both. But Reeves is normally the one found trying [ and able ] to talk Elise into it. Though she is a pretty good persuader too ;)
3. Who takes longer getting ready?
They are both pretty equal. Reeves has his rock god musician look to uphold and Elise has her fashionable looks. It would probably end up being Elise. Because women’s clothing are not made to go on easily. And women are expected to do so much more to look presentable.
4. When they can’t sleep, what do they do?
Reeves goes into another room and works on music normally. ( Sometimes he might just watch Elise sleep for a bit. ) 
Elise slips out of the bedroom to watch tv quietly maybe on her ipad or on the tv so she doesn’t risk waking him up. Occasionally she’ll read that book she’s been trying to get through. ( With work and life she doesn’t get a lot of down time to actually be able to dedicate attention to a good book fully. She doesn’t read a lot at night because she doesn’t want to fall asleep and miss something important. )
If we’re talking the both of them, they normally will just lay there and talk quietly until one of them drifts off, fingers brushing patterns on each other’s skin and carding through each other’s hair.
5. Who falls asleep while watching a movie?
It kind of depends. They alternate depending on the day of the week. Either way whoever stays up longer covers the other with a blanket and cuddles up to join them or if the movie is over they’ll gently wake the other to help them walk ( or carry ) them into the bedroom. There are a lot of couch cuddles. These two are bad at sleep.
6. Who falls asleep last, watching the other with a small affectionate smile?
Reeves likes to claim he does more but Elise often goes in and out of sleep so she’ll wake back up and then spend the next little while just watching him and thinking how lucky she is that he wanted her.  They both do it though. The romantic saps.
7. Who comes up with the cheesy pick-up lines?
Reeves. He likes to use them to make Elise laugh.
8. Who gets extremely competitive playing Mario Kart?
Reeves. Elise doesn’t really play. She’s bad at controller games. She didn’t have a gaming system other than a Gameboy growing up.
9. Who accidentally pushes a door instead of pulling?
Reeves. He’s often on the phone with his agent or busily replying to an email or text and he gets distracted. Elise laughs at him when he does it. ( Before of course making sure he’s alright and kissing his forehead or nose where he smacked it. )
10. Who sets the other’s ringtone to something loud and obnoxious behind their back
Elise likes to set his ringtone to one of his own songs for amusement.
11. Who rearranges the bookshelf/DVD shelf in alphabetical order?
Elise. It’s one of her coping mechanism. If she’s anxious she’ll go on a cleaning spree and reorganize the apartment/house.
12. Who does the hands-over-the-eyes “Guess Who” thing?
Reeves. Because he is adorable.
13. Who points out a dog when they see one?
Both. They love animals. Don’t get them started on the animals they got to play with when on vacation in Australia....
14. Who’s prone to road rage?
Elise. She’s good about it but it is definitely there. She doesn’t scream but there are some very colorful words dripping out of her mouth under her breath. Reeves doesn’t drive all that much and is pretty relaxed anyways.
15. Who’s prone to wearing socks indoor (or to sleep)?
Elise does love a good set of comfy fluffy socks. Especially on rainy days. If it is cold she’ll wear them instead of slippers but normally she’ll take them off to sleep. A lot of times at night Elise runs hot so if she leaves them on she’ll get a little too toasty. 
16. Who reminds the other to put on sunscreen before going to the beach (or pool)?
Elise. She doesn’t forget to put it on because she has been pretty pale her whole life and burns very easily. There is not going to be a repeat of that summer after 6th grade...
17. Who carries all the important documents while traveling?
Reeves. He has actual pockets unlike most of female clothing. :/ They are both good at staying organized though. Two heads are always checking off docs when they travel.
18. Who gets the window seat?
Elise. She doesn’t get to travel quite as much as he does so it is an adventure. Also, this way Elise doesn’t have to deal with a stranger next to her. Reeves is more of a people person in all situations.
19. Who puts their cold hands/feet on the other?
Reeves. Elise if she does it is completely by accident. Reeves loves to get a squeaked reaction out of Elise and laughs. Though she does like his cold hands. Feet though. Not her favorite.
20. What do they argue about the most?
Though Reeves never really shows it, he is human and does get tired and frustrated at times. It bothers him that Elise hides in herself so much. That she doesn’t really show her actual self at all. I mean look at her apartment. It looks more like a show home when he starts seeing her than like she lives there.
Sometimes it feels like she doesn’t even really know herself. There are times when she just hides from him and he is just so frustrated that she won’t just be herself. And when they start dating it is something that she becomes aware of. She’s just so used to being disconnected to a certain extent. And it drives him crazy. He wants to know this woman he has been thinking about for a decade. This woman that he spent years going to school with and fell in love with her little quirks. He got to see a little bit of her at the reunion but at times it feels like he hasn’t learned much more than that night. He wants to know her likes and dislikes. He wants to know what makes her laugh and what makes her cry. And a lot of times she’ll just be neutral about something and it isn’t really even on a conscious level most of the time.
So it is frustrating. But.
They have made a rule never to go to bed angry. And always kiss each other goodnight.
And she really is working on it. Slowly but surly she is getting to know herself better along with Reeves. She has also been bad about doing things for herself before they were together. Most of the time she just lived for work and didn’t do much for herself.
21. Who’s clumsier?
Reeves. Thankfully never with his guitar.
22. Who texts more often?
Reeves. He sends little messages at random to let Elise know he is thinking of her; especially when he is out of town. She does too sometimes but she’s often on her actual phone for work or else has her phone on silent if she is with clients.
23. Who is better with kids?
More often Reeves since he is around his friends kids a little more now that he comes back to visit to see Elise. Kids tend to like both of them though. Elise is just fine holding a baby while people are busy. Her pretty calm energy ( when not surrounded by strangers or forced into the center of attention ) radiates with them. She’s good with calming crying babies. Reeves is the good one at keeping them entertained. They do well as a team.
She has been known to entertain a baby while parents go to explore a room more during a house showing.
24. Who’s the better cook?
Reeves. His food has more flavor. Elise likes flavor and hates the boring recipes from her childhood. There are not many recipes saved from her side of the family. They both like to pick up interesting spices they find at random to experiment with. They both like spicy food.
25. Who mistakes salt for sugar?
Reeves early in the morning for his coffee. He isn’t awake, okay? Stop laughing at him.
26. Who puts the fork in the microwave?
Thankfully no one has forgotten metal in the microwave but there has been a plastic fork at 4am before. Neither will admit who it was.
27. Who cooks at 2 in the morning?
Reeves. He likes to be productive. Though Elise has been known to bake brownies on a whim.
28. Who lets the microwave play the loud beeping sound at 1 a.m.?
Elise. Completely by accident. She’ll be in her own little world in the kitchen getting lost in her thoughts. Most of the time she tries to catch it because she doesn’t want her insomnia to bother Reeves but sometimes subconsciously she’ll let it ring out.
29. Who licks the spoon when they’re baking brownies?
They both do. Rebellious kids at heart. Salmonella who? Never met ‘em.  It’s chocolate. Of course they sample.
30. Who likes doing the dishes?
If they are both home and they’ve had dinner sometimes they’ll do them together. Reeves will do them if she has some extra work to catch up on. Because he is a sweetheart and knows how much a small gesture means to her. And cleaning isn’t just ‘for women folk’.
31. Who has bigger cravings? What are they?
Reeves gets cravings when on the road. Normally it’s for the little greasy hole in the wall place they like to get breakfast after a drunken night.
Elise likes dark chocolate Reeses.
32. Who remembers what the other one always orders at a restaurant?
Reeves. Again, small gestures. He knows her love language.
33. How do they eat ice cream? What’s their favorite flavors?
Well.. they know their mothers would frown at them and tell them to get a bowl, but a lot of times they buy little personal ice screams like Ben & Jerry’s or something and will sit on the couch with their own little pint in hand. ( There are a lot of dueling spoons as they normally like to also steal from each other. ) IF they do buy a normal sized container of ice cream they’ll use a bowl because those containers sweat a lot and then start sagging. 
Elise really likes that new line of Haagan Dazs spirits collection lately. She really likes the Irish Cream and the Bourbon sometimes makes her feel really grown up in a silly way. But normally she just gets something with a lot of chocolate. Possibly with brownie or nuts.
Reeves is good with simple classics like Rocky Road ( which if it doesn’t have coconut in the formula, because some heathens do, Elise will definitely try and steal ), peanut butter cup, and cookie dough.
34. Do they go on dates? What are they like?
They do go on a lot of simple ones like out to a bar or concert. It’s kind of his scene and she is fine with the relaxed atmosphere. Even just going out for some pizza and a movie is a good time for them. There is always something going on nearby. Sometimes it’s just an adventure down to one of the boardwalks for a few hours. ( yes, they, and by they I mean Elise’s park passes with a guest. She’s bought them for years. Before they were together she would sometimes like to just wander around and have a nice day to herself. Personal days are important. Her ex with the previous marriages wasn’t really a entertainment park person... ) 
35. What do they smell when they smell amortentia?
What equates out to Reeves aftershave, cologne, with a small tinge of his sweet sweat after a gig.
36. Which one is the secret snuggler?
If we are talking secret, I guess Elise??? Because everyone knows within 2 seconds of meeting Reeves he is a snuggler.
37. Which one offers their jacket to the other when they complain they feel cold?
Reeves. Elise is more likely to suffer in silence because she knew she should have brought a better coat even if the forecast said it would be fine. But Reeves can tell and will insist.
38. Who reaches for the other one’s hand while driving?
Reeves. He’s all about that touch. Elise is getting better at just doing it.
39. Who leaves little notes in the other one’s lunch? (Bonus: What does it say?)
Well.. Elise is the only one that might pack a lunch so I guess Reeves? if he is being a house husband for the week?? It isn’t really a thing that happens often. It’s more little text messages here and there. Cute notes are left in on bathroom mirror or on the night stands if the other has to leave while the other is sleeping. But packed lunches aren’t super a thing generally
40. Who is the most affectionate?
Reeves. Hands down. But that doesn’t mean Elise isn’t in her own way. And she is learning to be more physical in daily life.
41. Who is the big spoon/little spoon?
Normally Elise is the little spoon. But if Reeves has been gone a long time or is having a bad day/upset about something ( generally not Elise related; family, friends, career related ) she’ll turn over and curl up behind him with her arms wrapped around him and her head buried into his back. Kisses planted gently on his spine. She knows when he needs some extra comfort.
42. What is their favorite feature of their partner?
 Reeves on Elise: lips ( she does this thing where she bites her lip and it kills him ) and eyes ( he is able to understand a lot from her eyes when she just can’t get the words out ) Also her smile can make him melt.
Elise on Reeves: his confidence and sense of humor ( he is easy to her to talk to and can get her to relax and want to talk. I guess she should also add in his musical compositions with the reunion being her case and point. ) Physically it is his ass and his occasional flirtation with scruff. And of course his eyes/smile. She can also read a lot from him.
43. What is the first thing that changes when they realize they have feelings for the other?
Well first off, Elise finally breaks it off with her ‘serious’ but really not that serious MANFRIEND. She knows deep down that he was mostly just a safety net/security blanket. She did care for him but nothing was ever going to come of it and she was too scared to even think about wanting more.
Reeves definitely starts visiting his hometown ( and friends ) more often as they start to work on a relationship finally.
44. What are their nicknames for each other?
Elise mostly just calls him Reeves. She has been known to call out a ‘babe’ ‘handsome’ ‘good looking’ just nonchalantly in greeting. Babe is probably her most popular one for him. Every once in a while she might let drop an endearment in Spanish ( especially if they have been with his family or listening to a lot of Spanish music [ she’s a pretty big Juanes fan ] which they do a lot when having Mexican. )
Reeves on the other hand is all about the nicknames. Babe/baby, sweetie, El, beautiful/bonita, mi amor, mi corozon. He uses a lot. Elise finds them really sweet and they make her smile. ( And thank GOD he stays away from things like ‘honey bunny’ or ‘pookie’ or anything related to food. Definitely not their style. )
There are times they call each other by their last names as a call back to high school.
45. Who worries the most? Over what?
Elise. Over everything. She has pretty bad anxiety. Though Reeves definitely worries over Elise possibly trying to run away in the beginning. ( Though he knows it isn’t because she doesn’t feel for him. She’s just scared and not sure how to handle a fully healthy relationship. ) He knows that she needs reassurances and is worried that with his traveling she might be left with her thoughts too long and talk her out of this thing they have been circling for over a decade.
46. Who initiates kisses?
Reeves normally. Elise does start doing it more but that is more often in the comfort of their own space than in public. 
47. Who says I love you first? How did it happen?
Reeves, obviously. He had it all planned out. It was going to be all romantic and a Big Moment(tm). But he’s talking to her and watching as she does dishes and he just blurts it out without a thought. The look on his face after when he realizes what he’d done is priceless and draws an ‘awww’ from her as she takes in his upset face at having spoiled his plans. She just pulls him over and wraps her arms around the back of his neck, trying not to get soap suds on him and looking up at him affectionately, sprinkling little kisses on his lips as she tries to comfort him. But just. The look.  It's like comforting an upset baby. They were trying to walk on their own and got two steps before doing something silly and falling over and she just walks over and draws him to her as he sulks saying 'aww' sweetly and giving a sweet kiss as her heart overflows with affection at his adorably upset face.
48. Who tells their friends/family about their relationship first?
Reeves. Elise is a pretty private person and doesn’t have too many close friends or talk about things like feelings with her parents really. Reeves does wait until he and Elise have had time to kind of talk at least a little bit about their situation before he spills it to their old high school classmates like Jake or Scott or even Sam.
49. What do they do when they’re away from each other?
Facetime. Lots of texting and phone calls. A lot of times Reeves will call after a gig to check and see if she has actually gone to sleep or she’ll call him if she is up late and knows he probably just got off stage. 
They also will watch Netflix together if they’ve been marathoning something.
50. Who gets overwhelmed by small acts of kindness?
Elise. Even if it is just something as simple as Reeves surprising her with her favorite take out at work because he knows she probably skipped lunch or setting up a relaxing bath for her when she gets home from a long day or just letting her have some space to herself sometimes
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chasingshhadows · 5 years
Text
on michael & maria
Yup, Imma talk about it.
I’m unfortunately well aware of the ~discourse~ on this particular topic, but I have Opinions and Feelings so I’m gonna share them. In this post, I’m gonna follow their relationship from the beginning of the show through episode 1.11 (Champagne Supernova). (The events of 1.13 are a topic that I’ll be addressing separately and a bit more in-depth.)
I am in what appears to be a minority of Malex Roswell fans that thinks the show did a really great job of setting up and seeing through the relationship with Michael and Maria, both in the ways it became physical and the ways it became emotional.
Before I begin, I want to emphasize something about this relationship that seems to bother a lot of people or maybe just go unnoticed: Much of the development between these two, while absolutely present, is not overt and oft times isn’t even on-screen. I get why and how this bothers people because it’s understandable to want to see character development on-screen and not have to infer it from context or subtext, or have to rely on people like me to do the work of going through the season and finding it. Plus, that means it likely falls through the cracks for most casual viewers who don’t take the time to process and analyze the meanings behind what they’re seeing. I get that, and understand that it’s frustrating.
That said, I’m here to play with everything the show has given us, and that includes the subtleties of the Michael & Maria dynamic. I’m a master extrapolator ok.
And just a ~warning~ to the shippers reading this: This post is about Michael & Maria and their relationship and how it builds and grows. This is not an extended diss post on Maria or Miluca, so if that’s what you’re looking for, this post is not for you. That said, I would be remiss in not acknowledging to any Miluca fans reading this that I am a hardcore Malex shipper and can’t guarantee that my bias in that way doesn’t leak through. Just - you’ve been warned.
Also to clarify - when I use the word “relationship,” I do not mean Relationship like, couple. I mean, any two people that interact with each other have a relationship with each other.
TL;DR: Michael and Maria were and are far closer as friends than most people seem to believe before they became involved. The journey of them hooking up, catching feelings, and coming together is marked by progressively stronger signs of affection and attraction. The development is there, if you care to look for it.
And now that my thesis is clear, let me show my work.
Anyway. Let’s start at the beginning.
We learn right as Michael is introduced that he spends a lot of time at the Wild Pony, and that getting arrested for getting drunk and getting into fights there is a common occurrence for him. As Maria runs this bar, this means the two of them spend a lot of time together, likely at odds considering she’s probably the one calling the cops.
The first interaction they have as characters isn’t an interaction at all, and seems to contradict the last assumption, at least in one way. Because Maria sees Alex looking at Guerin and the first thing she says about it?
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She acknowledges he’s “rifraff” but then immediately says she thinks he’s hot. And then at Alex’s dubious look, she tries to justify. Which means that’s something she’s noticed, and the “sex in a truck” is something she’s thought about. And she and Alex have an easy enough relationship even after a decade spent mostly apart that she feels comfortable bringing that up. She’s gossiping about cute boys with her long lost best friend and Guerin is the cute boy on her mind right now.
This, my friends, is what we in the biz like to call foreshadowing.
Now, something that is entirely not stated but is at least tangentially hinted at: Michael is a punchy drunk that intentionally picks fights at the Wild Pony. Now, who do we know who appears to also spend a lot of time at the Wild Pony and are also walking “Hit Me” signs? That’s right, Racist Wyatt & Racist Hank. I’m not saying it happens every night or even every week, but I have to imagine at least a few times over the years, Michael decided to take out his dramatic cowboy angst on the two racist assholes spouting off in the corner. And regardless of her distaste for the violence and her annoyance at needing to call the cops again, I have to imagine that Maria at least noticed that Michael is throwing punches for the right reasons sometimes. (and again, none of this is explicitly stated, but all of the pieces are laid out and it doesn’t take a casual viewer to put them together).
We first see them actually interact at the bar during the blackout and it is hella flirtatious; they’re both smirking, leaning forward, teasing. It’s playful.
More than that though, it speaks to a deeply ingrained familiarity, friendliness, and banter. Michael swipes a bottle from behind the bar - an expensive bottle, apparently - as if that’s just a normal thing for him to do. And Maria doesn’t even try to stop him - sure, she Hey!’s him, but her only objection is, “that’s a health code violation” as she goes about cleaning up the bar and collecting glasses.
Again, I know this is subtle, but it says so much about their relationship before this moment. That Maria lets him grab the bottle. That he hears that he’s caught and just…. continues opening the bottle while making a teasing comment about her power-outage decorations. That she just watches as he takes a drink straight from the bottle. The soft, teasing “Didn’t I ban you for life?”
This isn’t behavior she would allow from just any customer and especially not one who we’re led to believe is a Problem Customer. And their conversation about his tab and such indicates they aren’t like, best friends or anything, but they’re on familiar enough territory that they can joke and tease and steal liquor like it’s habit, like it’s just how they are.
And remember - they both grew up in this town. They’ve probably known each since they were 11 (when Michael was sent back to Roswell) but definitely knew each other in high school. I doubt they ever hung out or even really interacted all that much but they have that awkward “I know too much about you because we’ve been sharing space for 15 years” thing going on.
And now Maria has watched him make a valiant attempt to drink himself to death for half a dozen years and bury his sorrows in anyone that’ll have him. She’s smart, she’s learned her lesson with Chad, she doesn’t just want to be another notch in Guerin’s bedpost.
But, he’s cute and he’s safe, so she flirts.
I mean look at this:
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Like fuck, she’s practically purring.
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Michael is clearly on board with that mood. This is sexy, this is him fully ready to hear exactly what he can do for Maria, this is his mind in the gutter.
He makes a joke - in a super sultry voice, mind you - about being her least favorite customer, to which she laughs while passing him glasses for the tequila (yes, it’s mezcal, I know) he stole.
This is all very friendly, y’all. And that doesn’t mean they’re the braid-each-other’s-hair, tell-me-all-your-deepest-secrets type of friends, but they are friends. Not best friends, but casual friends. Almost a coworkerly-type of teasing affection. They’re two people wholly comfortable with the other, they’re fond of each other. They tease each other but there’s never any bite - it’s playful and fun and easy. They sit on opposite sides of that bar at least several times a week and yeah, Maria has to call the cops when shit gets rowdy, but that doesn’t mean she doesn’t appreciate Guerin’s personality and presence, or that he doesn’t enjoy the teasing banter with the hottie behind the bar that he knows he has no chance with.
From there, Isobel steals the floor, and Maria is annoyed and not taking shit. She makes a crack about Michael’s drinking, and Isobel makes her move.
And then Maria sees something I’m sure she’s seen before when he’s with Isobel but is still at odds with the Guerin in her mind - she sees Michael being soft, tender, and concerned.
And this prompts Maria, for what I believe is the only time in the first season, to call him Michael.
Jump to the day when both Isobel and Mimi go into institutions. Maria has reached her limit. She’s strung out, she’s had to fall back on her last resort because nothing else has worked and she’s feeling like a failure; she’s feeling lost because her mom has been her rock her entire life. And Michael is actually in a similar place. He’s been trying to protect Isobel, his own rock, from herself for so long, he’s let that destroy himself, his hope, his future, and now she’s put herself in the hands of people he vehemently distrusts because he failed.
So, they’re both here to drown their sorrows at the bottom of a bottle. And again, let’s talk about the fact that Michael gets an entirely different treatment than any other customer that might walk through that door. Because what she sees in that mirror? It’s a kindred spirit. It’s a broken man who’s been crumbling on a stool in her bar for years and who looks just like she feels: like he’s just a step away from shattering.
And this is also Michael Guerin, with whom she shares an easy camaraderie, who she knows can be soft. So, she lets him stay.
One drink. No talking.
She passes him the bottle and he sighs in relief because Maria is giving him exactly what he needs right now. To not be alone with his thoughts. To lose himself a little bit in a haze, to let the alcohol blur the self-hatred swirling in his mind.
And Maria, Maria doesn’t wanna crack. She doesn’t want to fall apart, because she can’t, because it’s her job to hold it together - for her mom, for her friends, for this town. She’s supposed to be the fun, happy friend, the bartender, the good time.
She’s not allowed to break.
But she knows if she opens her mouth, she will. So when Guerin starts to thank her, she shuts him right down.
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Notice that she calls him Guer? Not Guerin. Not even Michael. But Guer. That’s soft, that’s familiar. That’s a nickname, and it rolls off her tongue like that’s normal. Like she’s used it before.
It’s these things, y’all, the little things that truly show us the depth of this relationship. I’ve seen said more times than I can count that Michael and Maria’s connection, their friendship, him “knowing her”, her feelings - that they all came out of nowhere. That these two went 10 years without liking each other or being attracted to each other and ~one day~ it all just changed. And that’s just not true. This thing between them, it’s been there, simmering, slowly building. The signs are there if you know what you’re looking for, if you know what it looks like before two people that know each other fall into bed, before they catch feelings.
And y’all, these two? Are a veritable construction zone of signs.
What happens next is pivotal to this relationship. Because Maria was right, opening her mouth was a catalyst and she starts to crack, and then loses it completely.
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And this, this is new for Michael. Maria never cracks, never cries. She’s a firecracker and a half, fierce and strong, she commands the room, and never shows weakness. It takes him a moment to catch up to what he’s seeing and then-
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This is so soft. He lets out a comforting “hey” as he wraps his arm around her shoulder and pulls her close, holds her tight. Tries to give her the stability she’s clearly lacking, lets her lean on him for support.
He’s there for her. He doesn’t ask questions. He doesn’t try to tell her it’s ok. Doesn’t cross any boundaries. He’s just there, just present, and lets her take what she needs from him in that moment.
This, again, proves the depth of their bond. Their friendship. Maria wouldn’t let any deadbeat from the bar touch her like that, especially not in a moment of weakness. And Michael wouldn’t offer unconditional comfort to anyone either - he’s not cruel by any means, but few people rank high enough to deserve his kindness. But here, Maria not only lets Michael hold her, she leans in, grabs at his jacket, settles in close.
She trusts him, and he cares for her.
And you can see even as he holds her, he’s still confused. He’s still not entirely sure what’s happening, but he pulls her closer anyway. Because she needs it.
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This a turning point in their relationship. This is the moment they go from banter friends to comfort friends. The moment their friendship deepens from something fun to something warm. Something real.
A few weeks later, they’ve both come off their respective cliffs. Maria has come to him for help. And as we learn at the end of the episode, there’s an emotional attachment to her request. This sign is special, this sign specifically is important to her - and she’s trusting Guerin to fix it.
Now we know that “no once can fix a car as fast as” Michael, and that Isobel, at least, has a habit of calling him to fix things for her, but what this tells us is that Michael also likely has a reputation around town as a fixer, as a handy man. Enough, at least, for Maria to know Michael can fix this. And between his reputation and her experiences with him, she knows him to be dependable and reliable enough to do this for her.
They’ve fallen back into their banter because it’s easy and it’s not heavy. Because they’re still Maria and Guerin even after a moment of tenderness. Because this is natural to them.
Now, Michael says something that apparently confuses people. Because Max says, “Dude, tell me you’re not sleeping with Maria,” and Michael immediately shoots back with, “Never!” And to some, I suppose, this feels incongruous with his behavior in the next episode. And all I really have to say to that is if I truly “never” slept with any of the people I’ve said I would “never” sleep with, my List would be like…. half as long.
Anyway, Michael brings the sign to the bar later that same day. Which is significant because - remember what else is going on that day. Isobel nearly died. He’s been running all over town with Liz and worrying about losing his sister - the single most important person in his life - and still, he made time to fix Maria’s sign.
He and Max left the junkyard right after Maria dropped it off, and we saw him at the hospital, then chasing down Liz, then taking Liz to his bunker, then to the cave, then he ran back to get Isobel from the hospital.
Which means after Isobel went into the pod, Michael went back to the junkyard to fix Maria’s sign. Just as much because she needed it as because he needed it. He needed to do it, needed to not fail someone he cared about that day. Needed to have something to show to himself that he could fix things, to prove to himself he could fix Isobel.
And when he drops it off, Maria notes how fast it was, having no idea just how fast because she doesn’t know everything that happened that day. He reiterates that he could have made her a new sign, but what he means is that he wants her to know that he would have, for her. Max once said that Michael has never done anything for anyone, while we all know that that line was a flaming pile of bullshit, it’s true that Michael isn’t someone to offer his help to just anyone; he’s picky about the people deserving of his effort and he’s letting Maria know she’s one of them.
And she softens. She opens up. Explains the real reason she needs this sign. Let’s Michael see a glimpse of something she hid from her own best friend.
It gets heavy for a moment, which is a territory they’re still figuring out how to navigate. Maria “hmms” at Michael’s “beacon” comment and he aptly puts together that that’s all she wants to say on the matter. He redirects them into more familiar territory with a teasing joke to break the tension and Maria follows him there with a, “Jerk” and a poorly disguised smirk.
It’s comfortable. Easy.
Six weeks pass before we see them together again, though it’s certainly not the first time they’ve interacted, judging by the fact that Michael has racked up another bar tab.
Maria greets him coolly - whether that’s because of her mood re: her mother, or because Alex is there and Alex has already expressed discomfort at being around Guerin (see: human trio reunion scene) is unclear, but she does greet him. Even if she’s a bit prickly, he still warrants her attention just by walking in the door.
And this may be some of my own projection, but it also speaks a little to me of Maria starting to catch on - subconsciously, at least - that she might have feelings for Michael. After my own experiences with the Chads of the world, I tend to react defensively around people I start to fall for, including being actively cool around them. It’s not pulling pigtails, not quite, but more I’m-terrified-of-you-finding-out-I-have-feelings-and-rejecting-me-so-I’ll-be-extra-unfriendly-so-you-think-I-don’t-like-you.
Michael is flirting - stung, from Alex’s rejection, and trying to get lost in a distraction - but Maria lets it slide right off her.
When we see them again in Texas, it’s awkward, but not because of them. Max and Liz are seeing each other for what appears to be the first time since her declaration that they are not meant to be, after having promised to save the life of the woman who killed her sister because she can’t stand to see Max hurt. So. It’s awkward.
Michael recognizes this immediately - having spent significant time with Liz who I’m sure pointedly refused to talk about Max, and at least some time around Max even before the 4+ hour drive in which he was fully back on his broody bullshit - so he tries to cut the tension by teasing flirtily with Maria. Because that’s a thing he can do. Something that’s natural and fun for them.
Maria teases right back, likely having seen at least some of Liz’s side of this, and makes her subtle exit, knowing full well Michael would join her and leave the two lovebirds to their awkward hello.
Note that when Michael goes into the tent to have his hand healed, he goes in with Maria. Not Max, whose idea it was. But his friend, Maria. Which means they spent the long wait in that line together. She clearly needs proof - or disproof - of Arizona’s powers as much as Max, but we all know what Michael’s hand means to him, and that he was willing to have Maria there while discussing it, potentially having it healed says, again, so much about their friendship.
Arizona talks about Michael reopening the wound in his mind and he looks to Maria for reassurance. And Maria gives that to him, freely and warmly. Organically. And you can see how much that little act helps him, that he’s able to continue forward knowing she’s there.
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And when Arizona essentially blows them off, Maria - who is here, remember, to find a way to heal her own ailing mother - offers Michael the comforting shoulder rub, the defensive “Come on [let’s get out of here]”.
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When Maria is upset, following Arizona’s reveal as a fraud, it’s Michael, not Liz, her best friend, that follows her. For all that Michael wanted to go in guns blazing and confront her before, he’s ready to walk away when he sees that Maria is upset.
And no, Michael is not the arbiter of friendship, but he’s pretty sure it has something to do with supporting someone when they’re upset. He doesn’t know, as Liz does, that Maria does not need that, so this is his way of trying. Maria is important enough for Michael to try.
And thus gets us to my favorite scene of the Michael/Maria saga.
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She says with a teasing smile on her face. She says with a fond glance at Guerin.
And his wink says he knows and he’s playing along.
When she gets up, Michael is concerned. Asking Liz if she’s going to follow her. “Don’t you think she needs a girlfriend or whatever?” Because Michael wants to make sure Maria is being taken care of.
And then.
And then.
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I just. Cannot get over. This look. This is awe, this is wonder, this is heat. This is Michael for the first time seeing Maria, seeing just how strong and fierce and powerful and beautiful she really is. This is The Moment that Michael stops thinking of Maria as a fun, flirty friend, and starts seeing her as something more. As someone he might be able to really fall for. As someone who maybe, just might, be able to fill the void left behind by Alex.
And so he just stares. He cannot take his eyes off from her y’all. The whole rest of this scene is Michael just fixated on the marvel that is Maria DeLuca. He’s watching her the entire time Liz asks Max to dance. Watching her sing upon that stage. Hell, Liz has to grab his face to get him to look away and still his eyes find her again.
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And Maria, for all her teasing and banter, is the one to make the first move. She extends her hand to Michael, beckons him forward and:
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Imma just let that speak for itself.
She doesn’t just do it once those, she reaches for him again, just gently touching him, making contact. And it’s not just comforting contact like Michael did when she cried, or when Maria touched him in the tent. It’s not even really friendly.
No, it’s decidedly sensual. Sexy. She’s touching him in ways that are meant to illicit a reaction.
And it’s a reaction she gets, when Michael follows her from the bar.
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Look at that smile. She’s teasing him, but you can see she’s happy that he’s chosen to be there, out there, with her. This is the face of a woman who’s just drunk and high enough to forget her reasons to stay away, and is just letting herself be giddy that the person she likes is here with her. She’s not thinking about her worry of being another one of Michael’s one night stands, not thinking about not letting herself get attached for fear of being hurt (spoiler alert: she was already attached).
That’s the thing, with humans. We’re really really good at lying to ourselves when we’re afraid. We’re experts at denying the existence of something that scares us, and convincing ourselves that we’re safe. Maria has convinced herself she feels nothing for Michael because admitting those feelings, even to herself, when she feels certain he doesn’t feel the same way, would be devastating. So she refuses to acknowledge it, pretends it’s not even there.
And that’s why we see such a drastic change in her behavior from night to morning. Why she was all smiles and wiles and flirtation when she was drunk, high, and looking for a distraction, but was cold and in full denial mode when she was sober and facing down the reality of the door she’d opened. Her subconscious is trying to preemptively protect her from the pain and she’s projecting her anger at herself onto Michael.
Exacerbated, I’m sure, by the fact that by the time they actually kissed, and slept together, neither of them were that drunk. We see them wander off together with a joint before Max and Liz leave the bar, and we don’t see them together again until after Liz and Max have found a hotel, gotten into bed, each tossed and turned long enough to get back out of bed, get dressed, head out to the park and talk, and then go back to bed. So I’d say it’s been at least a couple hours since their last drinks that things heat up.
So Maria doesn’t even have the excuse for herself that she was wasted because she wasn’t. Neither of them were. She let herself give into her feelings and attraction in a moment of weakness and the only one she’ll have to blame when it bites her in the ass is herself.
Even if Maria is refusing to allow herself to believe she has feelings, there is still a gut feeling that what she did was a mistake, was going to get her hurt. The mind can be interesting in that way, warning you of danger without allowing you to see what that danger is.
Michael is in a different place here. He’s upset, but in an entirely different and far more silent way than Maria. Alex broke his heart, again, just yesterday. He had to watch Alex walk away from him and for the first time, it truly felt final. Alex said it was over, full stop. I don’t think Michael had ever before thought about moving on from Alex, not really. He was always just waiting.
“Where I stand, nothing’s changed.”
But now Alex walked away and it looks like this time, he really isn’t coming back. And for the first time Mchael has to consider what his life might look like without Alex in it, and suddenly here Maria is, being the actual walking definition of charm and grace. She’s someone he knows, whom he knows to be good. She’s gorgeous and kind and beautiful and fierce. And he’s seeing for the first time just how strong she is, how courageous.
He’s mesmerized.
And he’s paying attention. To all of Maria’s little touches and smiles. To the way she seems to want exactly what he wants. Which is why he’s so unaffected by her protests and denials the next morning. Because this is Maria, his friend. He teases and pokes fun because they’re friends and he can. And because, as everyone in Roswell knows, Michael is an expert at navigating the awkward morning after, so he eases her panic about people finding out, and then teases some more.
Michael’s in a great mood. The sun is shining, there’s a gorgeous woman lying next to him, and maybe for the first time that he can remember, he’s not thinking about Alex. Or Isobel. Or anything that hurts.
That doesn’t last though. Alex shows up, reignites every emotion Michael has ever felt for him, and leaves Michael more certain than ever that he’ll never get to have Alex the way he wants him. (I have another meta on this coming, I promise). And so he’s hurt and alone again.
And he has Maria’s necklace.
So he decides to give it his best shot. He brings her the necklace, laying on a casual desire. Keeping it cool while still making clear what he wants.
And I’ve already talked about what happened with Maria and Alex between the ride home and Michael showing up, but the important take-aways here are:
Maria did not truly accept her feelings for Michael until she heard herself lie about them to Alex
Maria does not know Alex and Michael’s history beyond “they kissed once as teenagers” and “Alex still loves him”
Maria never wants to see that look of pain on Alex’s face again
And Alex knowing about them sleeping together also tells Maria that Michael, within hours of promising not to do so, told him. So she���s understandably pissy about that.
She cuts right to the chase when Michael starts to flirt.
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And Michael’s face is… wounded.
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Because he came to Maria to forget about Alex. He came to Maria because he likes her, and because he wanted to see if that spark he felt could light a fire, could turn into something real. He’s exploring, for the first time, the potential of really falling for someone who isn’t Alex.
And that’s what it is, at this point: potential.
But Maria says no, so he does with Maria the exact same thing he did when rejected by Alex - he deflects. Pretends he doesn’t know what she’s talking about. “Why do you keep saying it can’t happen again, I got it the first time. That’s not why I’m here at all!” (narrator voice: it was, in fact, exactly why he was there).
And both of their faces when Michael walks away tell us this isn’t want they want.
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This scene is a little bit devastating. Seeing Maria refuse herself something she wants. Seeing Michael once again turned away due to something outside his control.
But he takes the hint and leaves. He’d made an attempt and was shut down, and he wasn’t going to push it.
It appears they don’t see each other again until the morning of the Gala, when Maria straight up pretends she doesn’t see him.
And Michael calls her on it, because it’s bullshit and he knows it. They were friends before they slept together and he’ll be damned if he’s gonna let that get in the way of what appears to be his only human connection aside from Alex.
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Maybe it’s me, but this line was delivered with exactly the right amounts of relief and disappointment. Relief that she won’t have to endure seeing Michael in a tux. Disappointment that she won’t get to see Michael in a tux. It’s a Mood.
Michael makes a joke because that’s what they do. Maria said no, but he wants to ease them back into their friendly camaraderie. He doesn’t want to lose his friendship with Maria.
But Maria can’t do what she and Michael do. Because what she and Michael do is why she fell for him. So she can’t let them go back to being banter friends across the bar, not yet anyway. She needs time and she needs space so she can get over him.
Not to mention: Maria doesn’t know. Period. Maria doesn’t know Michael’s feelings for her might be genuine. Maria doesn’t know that Alex and Michael’s history is fraught and traumatic and painful. Maria doesn’t know that Michael and Alex were seeing each other over the summer. Maria doesn’t know that their history doesn’t start and end with that kiss in the museum. She doesn’t know that Michael still has feelings for Alex. And while Maria knows Alex is in love with Michael, she doesn’t know he’s made any effort to show that to Michael.
And she doesn’t want to hurt Alex. He’s always been there for her and she wants to protect him. To protect herself.
So she makes a jab about the museum - it was intentional insofar as she meant to drive the wedge of Alex further between them, but again, she does not know what else happened after Michael kissed Alex at the museum. She isn’t trying to hurt Michael here, she’s trying to build a wall.
When Michael says “It’s over. It’s been over,” she has no reason not to believe him.
And Michael isn’t saying that because he’s trying to come on to her again. He’s saying that because he can see that Maria feels guilty and he’s trying to assuage that. “You didn’t do anything wrong.”
The look Maria gives Michael here. The glance to his lips. She is gone on this man already. She wants him. She wants to believe him. She wants to be allowed to give in to him.
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But she’s not. So she throws up more spikes and walks away.
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This moment makes a whole lot more sense if you remember that, as far as we know, Michael has only ever given even a single shit about two humans in his entire life: Alex and Maria. We know what Alex is and was to him, the narrative makes it absolutely clear that Michael has been in love with Alex for a decade and has essentially been idling, just like Max, for Alex to come back. He sees their love as cosmic.
And we know what Maria is to him. She’s his friend. Someone who gets him, at least the little stuff. The light stuff. His sense of humor, his penchant for drowning his sorrows in substances, his compassion and his dependability.
Someone threatening that friendship? The one and only truly painless thing he’s ever found on this forsaken planet? Not a smart person.
Michael and Max make it to the Gala and that protective streak flares again. Because he was right. And Maria is innocent and now she’s vulnerable, and he’ll be damned if he’s gonna let anything happen to her.
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This is him continuing to not push boundaries, even when she can’t hear him. She said they can’t continue whatever it was they started, but they were friends before that and he wants to go back to that. Go back to fun.
Not to mention that he is visibly worried in a way we have only seen him express before for Isobel and Alex.
He sits there, holding her, letting his presence be known as a comfort, stroking her hair.
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So that when she wakes, she knows immediately that she is not alone. That she is safe and being looked after.
And at the first sign that she may not want him there? He immediately offers to leave, and not only leave, but find someone else she trusts to look after her so that she still won’t be alone.
“You gotta stop showing up for me like this, Guerin.” is what she says, but what she means is “you have to stop reminding me why I fell for you. Stop making it so hard for me to get over you just by being you.”
(And also just a reminder here that Maria is still under the influence of an inhibition-lowering drug. That means it makes her do and say things she would not normally allow herself to do/say. She’d never have admitted these feelings to Michael had she been sober, or under the influence of an intoxicant she’s used to, but this is not that. This is literally a date-rape drug and anyone who has anything shitty to say about Maria in this scene can Fite Me.)
And when Maria says that she never wants him to leave?
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Riley put it best: “That is not the face of a man whose feelings have just been reciprocated. That is the face of a man whose life just got very complicated.”
His lips barely twitch towards a smile but he can’t even hold it. He knows he’s supposed to be happy, but he can’t feel it. He wanted to believe that he could want this, that his feelings for Maria could drown out the way he feels about Alex, but like with Maria not realizing her feelings until she heard herself lie, I don’t believe Michael truly recognized his lack of feelings until he heard Maria admit the depth of hers.
I think Michael absolutely, 100%, no doubt cares deeply for Maria. I believe he is unquestionably attracted to her. I think she makes him happy and feel light because she’s not bogged down in the trauma that marks his life, and because she, by her own admission, actively tries to be the Fun Friend.
And I think Michael wants to have feelings for Maria. Because he believes he can’t have Alex and continuing to dwell on that will only continue to hurt him. He wants to move on, and Maria is literally walking perfection. There is no reason Michael shouldn’t absolutely return every bit of her feelings and then some.
But he doesn’t. He can’t. His heart belongs to another.
Now we don���t see the end of the night for Michael and Maria, but we do know that he takes her home. How do we know this? Because there’s no way a man who emphatically threatened to explode anyone who came near her while she was drugged would let her go home alone. Not a chance in hell. I doubt they talked at all, but he made sure she made it home safely.
And that, as far as we know, is the last time that they see each other before the finale, before Michael shows up wrecked and broken and needing to feel something, anything, that doesn’t hurt.
I’ll be diving into his, Maria’s, and Alex’s headspaces, and then taking a look at the dynamic as a whole, but none of what happens in the finale makes any kind of sense if you don’t fully recognize everything that came before it. What lead to it. It was a perfect storm of emotion and heartbreak, and this is just one cloud.
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03/17/2020 DAB Transcript
Numbers 26:1-51, Luke 2:36-52, Psalms 60:1-12, Proverbs 11:15
Today is the 17th day of March, welcome to the Daily Audio Bible. I’m Brian and what a joy it is to be here with you today as we come in and out of whatever is going on and just situate ourselves around the Global Campfire. And I…I just love that image, our…our faces in the firelight and we’re just intently listening to God's words speak into our lives in this little oasis that we have before reentering our day in the world outside that…that it can be crushing but we come here and we become strong and we center ourselves in God's word and we know that we’re not alone and that changes the atmosphere of the day. And, so, what a joy…what a joy to be here to take the next step forward in the Scriptures. And, so, let's do that. We’ll pick up where we left off yesterday. Numbers chapter 26 verses 1 through 51.
Commentary:
Okay. So, in the gospel of Luke today there is a pretty huge contextual piece for us to understand as we continue our journey through the Gospels and walk alongside Jesus for the first months of this year. And, so, today we have this…well we are given the awareness that Jesus family is a devout family and that He is grown in body and Spirit, but they have an annual pilgrimage to Jerusalem for Passover. And we’ve mentioned it before, that's a 90 mile walk one way. So, 180 miles on foot or cart. That's a pretty good-sized journey and the terrain of the journey isn’t the best either. So, we get these little clues, like this is part of the rhythm of Jesus life. He's accustomed to going to Jerusalem. It’s not a foreign place to him. So, it's not going to be a foreign place to Him later in His ministry. He knows what's up there. But the back story that's apparent in this story gives us a lot of clues about how Jesus was perceived. So, for starters when He was born and He was brought to the temple for the sacrifice according to the law of Moses, there were prophetic voices there, respected ones. An older woman who’d spent over 80 years worshipping God in the temple, she would've been known, she would've been respected. So, her words would've been heard by the common people coming in and out that that would've mattered. And the old man, Simeon, same thing. So, there's like this buzz around this child from the get-go. But now in today's story Jesus is grown to be 12 years old and they’re making their annual pilgrimage to Jerusalem for the Passover and He stays behind when his family leaves. And they would've traveled is…traveled as kind of caravans for safety and just community. It's a long ways. So, Mary and Joseph don't figure out Jesus missing until they've already gone one of the days that journey. Now they can’t find Jesus and they gotta take another day to get back and search for Him. And, so, they’re gonna be traveling back to Nazareth on their own. And they frantically search the holy city. And this is not like a little village. This is big city. You can only imagine…you can only imagine what that would feel like as a parent, but in the end they do find Jesus and Jesus is in the temple and Jesus is with the religious leaders. He’s with the scribes and the Pharisees. He’s with the priests and they are amazed at Him. That’s very fascinating because two decades later, they're all going to turn on Him and have Him killed. But let's not just think that Jesus appeared in a vacuum of the Galilee and did ministry and that part of the region among the common people, a place known for its zealotry. Today we see Jesus at 12 years old before the religious leaders and their amazed by Him. He's already on the radar. So, when He does get older and does begin His ministry, we see often the Scriptures telling us that religious leaders from Jerusalem take that 90-mile trip up to the Galilee to find out what's going on with this guy. And some of them would remember that this is that little kid that stayed back here to talk to us. So, it's…it's…it's interesting to kind of look into these stories and understand that there’s this back story to the way that Jesus came onto the scene and did His ministry.
Prayer:
Jesus, we thank You for that. We thank…because knowing You and having the benefit of the Scriptures to allow us to observe You and look at You as You did Your ministry on this earth giving us an example for what our lives cam and must look like, we are grateful. And anything that helps us to understand story better is helpful. So, we thank You for that and we invite Your Holy Spirit to plant the words that we’ve read today from the Scriptures into our hearts, minds and lives, that they may yield fruit for Your kingdom. And we ask this in the name of Jesus, our precious Savior. Amen.
Commentary:
Okay, so I don't know if you noticed or not but there's this nasty virus going around. And I started paying maybe closer attention to it as we were preparing to depart for the pilgrimage to Israel a few weeks ago. So, I remember landing on the big plane in London and boarding another big plane for Rome. And Italy had seven cases of this virus at the time. And then we moved through there to Tel Aviv and began our journey in like a week later. Italy was beginning to go into lockdown. And then we moved through our pilgrimage and just kind of counted the days and we were all feeling fine. We’re like, “we’re in the clear. This is fine” and we moved through our Israel pilgrimage and then got back home safely and lots of places, including Israel started to lockdown. And then things started to escalate some in the United States and now there's all kinds of measures to kind of keep us sequestered from each other, so we don't pass this around. This is working out pretty well for like people like my son Ezekiel who’s been back…we’ve been back from Israel for a couple weeks, he's been to school for two days because schools been closed and he can't practically turn television without hearing that the latest update. And I'm not one to usually comment on world or political or the…whether related or these kinds of events and there’s a couple reasons for that. The first reason would be who cares what I have to say about world events? Who am I? Why does it matter what I think? There are so many people who are so smart and have so much to say and there is no shortage of…of ways to find out what people are saying about things. And, so, I just, you know, why add to the noise? I mean, it’s not my…it’s not my role to comment on everything that's going on and add a Bible verse to it. Secondly, back when the Daily Audio Bible was just getting going and had kinda become this podcasting phenomenon I got a piece of advice that always, always, always has stuck with me and that is fly above it all with what you do. Let the Bible speak for itself. And I’ve tried really, really hard over all of the years to do that, to create this space that we are in right now. Like we are around this Global Campfire. This is a place that we go to every day and it…it's a space that we have created collectively but individually in our hearts, and it is beyond the reach of all the things that are going on around us. It's a place where we just come and exhale and allow God's word to wash into our lives and we leave this place refreshed and able. At least that is the intention. And, so, you know, I thought this morning about 15 years, this, seven days a week, when hasn't there been some sort of crisis somewhere? When hasn't there been some sort of election? When hasn't there been some sort of political maneuvering? When hasn't there been things to fight about, or debate about? When have there not been things to be afraid of? I mean everything from a previous scares about infectious diseases to the rise of ISIS, we’ve moved through all these things together day by day by day. So, I wouldn't normally have any words about coronavirus. It’s just that at this point it's affecting the world and this is an opportune time for us to practice what we've been exploring all year long, eyes to see, ears to hear, because at this point this virus is causing all of our governments to in one way or another invite us to isolate ourselves so that this can go away, which is causing a ripple effect of disruption in small or large ways, and it begins…like you can feel the tension of it, the unknown of it. Like for most of us we’re like…we don't understand. There’s this is very very big reaction. All this news is a very very big thing that…and I feel fine, but we also see a little fraying things in society like, you don't…a run on the grocery store to get cases of toilet paper. And if we have eyes to see and ears to hear we can see the sobering reality of how fragile all of our societies, and even we ourselves really are and how much we actually are in this together whether we like it or not. And what I’d like to say is, as we move through the Bible and many of us here have moved through it several times, what we see is that the Bible is full of stories of disruption, whether created by man or whether it was just a thing that happened. It's full of the stories of disruption and what people do with it? And what the Bible tells us is that at every crossroads, wisdom is there at every turning point. Wisdom is there. So, I don't have any advice on whether or not you should have several cases of paper towel. I don't have any advice on how to kill the virus, or how long we should stay away from each other or what practices we can use to avoid these things. There is plenty of really good advice out there for these things. But what I would like to point out, at least spiritually is this is disruptive, whether it's in a small way or whether it's in a big way. This is disruptive. Normally, our course of action in times of disruption is to try to bulldoze it away. Make it go away as quick as possible so that we can return to the status quo. And what I want to suggest here is that we don't do that. That we embrace the disruption and invite wisdom, invite the Holy Spirit to come into this disruption because it's a time, it’s an opportunity all over the world to read think some the things. And man, we are in this season called Lent. What…what…I was gonna asay what better time…there is no good time for infectious disease to be racing around the world…and yet, because this is happening, because it is disrupting things and we’re all shaken in some way, this is an opportune time to invite God into it. What needs to change? Not just to make this go away. What needs to change within us that we have this opportunity to see now because we've got a glimpse of our fragility? What needs to change so that we might live healthy in body, in mind, in spirit. I hate disruption in life in general always. It's…I never welcome it. Who does? But I've learned over these years, God is there in those disruptions. He is there when we get shaken loose of something and He uses these times to right our course. So, like I said a number of times this isn’t normally what I would talk about but I see the disruption and I see it happening globally and if we would awaken, if we would revive, if we would have eyes to see then we will see the kingdom and we will see that God is inviting us forward through this and that this disruption is an opportunity for some things to get shifted, to get rearranged, to be re-prioritized before it all goes away because when it does go all away we’ll forget that it even happened. And yet, this is an opportunity to invite God.
Prayer:
Father, even though we just prayed, we’re coming to You again about this and we do intercede. We do intercede. Lord have mercy on the earth, have mercy on the people of the earth, have mercy on Your children. And yet, we acknowledge that we have a preconceived notion about what that's supposed to look like. And what we’re doing here is embracing the disruption that is happening, inviting Your Holy Spirit into our lives. What are You saying through this? Now that things, the status quo has been disrupted, what are You saying? How do You want to move us around? How You want to shape us in this? Infection…infectious disease can certainly spread from one person to another, but so can Your kingdom. Show us how to infect the world with light and life and good news and healing and hope and courage. And in this time of disruption may it spread like wildfire to all the ends of the earth, to all the lives that are affected either directly or indirectly. Show us how to be light in the darkness, even as You continue to transform us from within. This is our prayer God. Make us aware of Your Holy Spirit's movements in the world and in our lives and families. Come Jesus we pray. Nothing is off limits to You. We are open. Change us through this we pray in Your mighty name. Amen.
Song:
Life is Beautiful - The Afters
Through the window I see you waiting You are smiling 'Cause I'm coming Your eyes are a story An ocean of memories Pictures of faces and places
And all of the things That make us feel like we have it all All of the times That make us realize We have it all We have it all
Life is beautiful Life is beautiful
Living and dying Laughing or crying If we have the whole world or have nothing I know there are long nights
But we'll make it With every sunrise comes a new light And all of the things That make us feel like we have it all
All of the times That make us realize We have it all We have it all
Life is beautiful Life is beautiful Life is beautiful
A father's love A wedding dance New Year's dreams A toast with friends A soldier coming home from war The faith, the hope of so much more
A brand new life, a mother's prayer Shooting stars, ocean air A lover's kiss, and hard goodbyes Fireworks, Christmas lights
These are things that make us feel alive These are the times that make us realize Life is beautiful Life is beautiful
These are things that make us feel alive
Life is beautiful
These are the times that make us realize
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meepmorpperaltiago · 5 years
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Intertwined, part 2
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Aka an extension of the pop star AU that I’ve been way too obsessed with for way too long! You don’t need to have read the other fic set in this ‘verse to understand this fic, it’s a standalone thing. Thanks so much to @397bartonstreet and @jake-and-ames for all your help with this fic! 
He sees that she’s shaking a little as she leaves. He takes her hand, runs his fingers over her rings.
He says softly “You don’t have to do this”.
“I know”, she says in response. “But it’ll be good to get everything out there”.
He nods. “Ok, as long as you’re sure”, he says, kissing the top of her head.
“I love you”
“I love you too”
 When I meet Amy Santiago in a four-star Brooklyn hotel, she’s a far cry from both the fresh faced, bright eyed 15-year old I first spoke to at the ’98 Popfest and the troubled megastar whose life was crumbling around her around a decade ago. There’s a new wisdom in her eyes, but there’s also a sense of calm and stability that’s clearly come about since her darkest days. 
She’s surprisingly humble compared to most people with her level of fame, handing me a coffee before we even sit down and then momentarily panicking when she considers that I might’ve preferred tea.
But she’s also unsurprisingly guarded, responding to my casual question of if she lives close to this area with an almost sarcastic glare. It’s a look that says “come on, you know my life, why would you ask me that?”.
In hindsight it was a pretty stupid thing to say. From the time when she first burst onto the scene to become the biggest selling teenage artist ever in only 2 years, the amount of scrutiny into her life so suddenly and so young must’ve been overwhelming.
“It was a really crazy time and for a while it was incredible”, she says with a hint of nostalgia in her voice, “but it was so so overwhelming and I never had any time to just breathe, y’know?”
When I ask tentatively if that was the real root of her later troubles, she silently nods.
 “I have a confession to make”, he says with a smile, as if a joke is forming on his lips. She grins back at him, inviting him to say whatever it is he’s thinking.
“You were my first ever concert”
“No way”, she says, her hand flying to her mouth dramatically as her grin grows to match his.
“Yeah way - don’t tell Gina I told you this but she was obsessed with you, we went to your shows in matching T shirts, we had different ones for each album”
“Awww, babe that’s so cute”
 For the next seven years it seemed like the undisputed Princess of Pop could do no wrong as she brought out three more critically lauded and record-breaking albums and sold out corresponding tours within minutes. Rather than dropping off like many of her contemporaries, she also grew as an artist, transitioning from cutesy bubble-gum pop of her debut album Amy and follow up Dulce into the more grown up sounding, R n B infused dance pop of Fascination and then into the pop punk and guitar sounds of My Lullaby and Our Song.
But from what she says, things weren’t so perfect behind the scenes.
“I was lonely; I didn’t get to just be a normal kid, I didn’t have any real friends, I didn’t feel like I could trust or turn to anyone. And my whole life other than my music was controlled by my management and even then every song I wrote had to be vetted. And over time I started to get really depressed”
She sighs then, looking down, as if preparing herself for the next topic of conversation.
“And”, she says slowly, “that’s when the drinking and the drugs started. That was my medicine”
 “Ames, are you sure you’re ok?”, he asks as they sit in Shaws.
“Yeah”, she says, looking away from him. But he knows her too well.
“Do you wanna just go home and watch a movie? I’m sure everyone will get it”
She smiles then, takes his hand and they leave together. The warmth of his hand in hers doesn’t take away or fix her demons, but the love she feels for him does drown them out on nights like this.
 “I kept it under control for a while and no one knew. But then as it got worse, it started to get to the tabloids. And then Vegas happened”
She was of course referring to the infamous incident that triggered the start of her fall from grace in 2008. The crazy vacation and a drunken fling leading to a marriage that was officially annulled within 24 hours was what turned the previous buzz of press around her constantly into a storm. The man, a failed musician named Constantine Kane, selling his story to every paper he could find for a very tidy sum also didn’t help.                    
“I guess that was the point where they figured out how lucrative it was when I messed up”, she comments, a sarcastic tone thinly veiling wounds that are clearly still present.
“After that, they were everywhere”
 He doesn’t understand why they’ve suddenly stopped. Why Amy is looking around so nervously. Until he sees and hears them. There are 2 cars, both with different photographers speeding up behind them. His heart drops at the fear in Amy’s eyes as they race away.
She brushes it off, but later, when they’re back in his apartment, he can tell there’s something on her mind.
“Ames, are you ok?”, he asks, wanting to make whatever’s upset her better. She sighs and then says:
“I think we need to talk about what happened today. Things like that are scary, but they’re something I’ve gotten used to, I’ve been in that world for a really long time. But being with me… it means you’ll probably have to deal with shit like that too… and that’s not fair on you. Are you sure you want that? Because you could just walk away from all this now and you’d be fine-”
“Amy”, he interrupts, taking her hand. “I’d deal with all of that every day for like 100 years if it means I get to be with you. This is special. And I’m not giving up on us just because of some shitty papparazos.”
She smiles and laughs a little at that and kisses him and he’s never been so sure of anything in his life. He knows in that moment that he’ll be with her no matter what.
 After we bring up Vegas and the press intrusion that followed, strangely enough she seems to zone out for a second and smile a little, as if she’s fondly remembering something. Then she comes back from whatever she was thinking of and we move on with the conversation.
Not wanting to upset her too much, I let her drive the conversation on the rest of her breakdown – the increasing stories of her crazy parties, the infamous incident where she hit a photographer with her car after he jumped in front, the lawsuit that followed in spite of the man being completely unscathed, her fines for drink driving and the crazy braids that started to appear in her hair. Then the climax of it all, for want of a more appropriate term: when she barricaded herself in her bedroom for over 24 hours in the lead up to the Grammys, where she was eventually forced to perform after her management broke down the door. She snuck out of the awards show afterwards and eventually collapsed from alcohol poisoning. I can tell that she’s holding back tears when she answers my next question: what happened?
“It just felt like everything was spiralling so far out of control and it just kept getting crazier and crazier and as things got worse, all I did was drink more and do more of whatever substances I could find. And in the end, all I could do was shut myself off, by shutting myself in. And it happened so long ago, I shouldn’t still be crying over it…”  
I try to comfort her as best I can and ask her if she wants to continue the interview or scrap the whole thing.
“No, this is a story I need to get out. If I keep it all in and internalise it and never talk about it, it’ll be even worse.”, she responds, wiping the tears off her face. In the face of everything she’s been through, she has a remarkable strength.
What happened after that is something she’s kept pretty under wraps, but she tells me now, after taking a few minutes out.
“After I got out of hospital, I quit everything, I left my record label and went straight to rehab. Then, I wanted a fresh start, so I moved to New York and started therapy, which is where I met my husband.” She smiles as soon as she mentions him, looking down at her wedding and engagement rings. Although not many details of him or their relationship are public knowledge, other than the fact that he’s a cop from Brooklyn, he’s been assumed to be the subject of some of her most well-known love songs since she came back to music.
 “So, what are you in for?”, he asks jokingly. “Sorry, I use humour as a defence mechanism, it’s kind of my thing”.
“It’s ok,”, she says with a smile. “For me, it’s a heck of a lot of childhood issues, mostly typical child star stuff”
“Samsies!”, he responds, “Except my childhood issues aren’t to do with being famous and I’m also here ‘cause I got framed and went to jail, I’m a cop, it’s a whole thing – but almost samsies”
They hi five at that and both smile. The therapist calls him in and before he leaves, he turns around.
“Hey, I’ll see you later, right?”
“Sure”, she responds.
 “After we met in therapy, we started hanging out a lot and after about a month we started dating and eventually we got married. I honestly don’t know where I’d be without him. When I was at my lowest point, he was there to make everything better, and I’ve never felt happier or safer than I do with him”
“I’d also been writing music the whole time and eventually I set up Brooklyn Records, so I could release new music on my own terms and support new artists. I still have struggles – things like addiction and depression don’t’ just go away. But I’m ok now and as I’ve already said, I have an amazing family to support me now”
When I comment on the success of both her label and the five new albums she’s released since her comeback in 2011, she smiles fondly. It seems clear that in spite of all the bumps in the road and how much time has passed since her debut, I’m talking to a pop star still very much in her prime.
 “How was everything?”, he asks when she gets home.
“It was great”, she says as she hugs him.
“Did you mention me?”, he says jokingly.
“Actually, I did”
He looks at her softly, before turning serious with genuine concern. “Aww, babe – but seriously, are you ok?”
“Yeah. I’ve never been better”, she responds. And she truly means it.  
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subharryempire · 5 years
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Hello! We hope you enjoy this mpreg Harry fic rec that includes over 60+ fics. Please remember to give authors comments and kudos for their amazing work. Happy reading!
1. seeing blind by [ Justalittlebitlonely ] (2k)
A couple of years ago, Harry had been sure he was going to end his life mateless and alone, because no one would mate a Blind omega. Besides, he knew he wasn’t a typical omega. He was too tall, voice too deep, limbs too big and gangly. Maybe as an alpha he could have a chance to find someone, but as an omega , no alpha would want to mate him. But life had proven him wrong.
2. The Nearness of You by [ theweightofmywords ] (2k)
Harry and Louis' baby is due any moment. Harry just wants pretty toenails, and Louis just wants to help. 
3. Piece by Piece by [ @sadaveniren ] (3k)
He rubbed his hand over his lower stomach and closed his eyes. Louis was going to lose his fucking mind.
(aka Harry tells Louis he's pregnant and it goes as expected)
4. Baby, You're My Only Reason by [ FallingLikeThis ] (3k)
Louis worries about becoming a father.His pregnant husband, Harry, eases his worries without even realizing he's doing it.
5. Louis Baby, Hurry Down The Chimney Tonight by [ lgbtwinks ] (4k)
Harry looked so beautiful next to the fireplace playing with Danny on the rug. The dim light from the fireplace softly enhanced his jawline and pretty cheekbones. Harry looked like a proper mum playing with the kids.
In which Louis and Harry celebrate Christmas with their four kids and all Louis wants is to get laid.
6. I hate to Love you by [ brainwaves, Thingssicant ] (5k)
Louis froze in place, eyes widening and heart dropping to his stomach. There’s no way he heard that right.
“Poor boy lost this opportunity over a bit of fun with some boy. But that just means good news for you, captain!” the coach continued enthusiastically, expecting Louis to respond in kind but Louis was barely processing his words.
“I-I’m sorry, what did you say before? He’s pregnant? As in having a baby?”
“Not sure pregnant can mean anything else, son, but yes,”
Or, Harry and Louis are co Captains with a love/hate relationship.
7. Short Steps, Deep Breaths (Everything Is Alright) by [ Sugartitstyles ] (5k)
"Harry are you okay?” Harry shook his head sighing softly. “I’ve been getting sick a lot lately. Anything can trigger my vomiting it seems.” Cher giggled and nodded. “What’s so funny?” “Nothing really, just reminds me when I had David. The morning sickness for your first child is terrible. I don’t remember Gemma suffering that bad while we were in school though. Must of skipped her lucky.” Harry just sat quietly in shock. “Cher, I love you and all but you are talking nonsense. There is no way I can get pregnant.” “You never know Harry, stranger things have happened.”
Or the one where Harry ends up pregnant on the night of his collage graduation after riding louis.
8. A Hand to Hold and a Hand Held by [ @londonfoginacup ] (5k)
When Harry goes to the One Direction concert one year with his sister, he doesn’t expect to go home with the amazing Louis Tomlinson himself.
But then, he really doesn’t expect that night to have an impact on the rest of his life either.
9. Right Here Waiting by [ @chloehl10 ] (5k)
Louis and Harry are expecting a baby. Harry's heavily pregnant and nesting madly, determined to make their home ready for their baby.
10. Take My Medicine by [ @sadaveniren ] (5k)
Louis came over to Harry’s side of the bed and gave him a hello kiss. Kissing Harry always felt like coming home. From their first kiss at fourteen and sixteen he’d known that there would be no one else for him. And now, decades later, he still knew that was true.
----
AKA a sequel to Answer All Your Wishes featuring fluff, filth, and more fluff
11. Wear A Necklace Of Hope (Side By Side With Me) by [  sweaterpawstyles ] (5k)
"Lou," Harry's voice was high-pitched and small. He was so small. Everything about him seemed so fragile and Louis was terrified he would break him. He knew it was too late though. Louis couldn't break him because Harry was already broken. Or
A Hunger Games AU about Louis and Harry's life as victors in District 4
12. Forever and Always by [ tomlinbum ] (6k)
“I want a lot of kids,” Harry slurs. He's sitting on Louis's dick right now, riding Louis slowly and at his own pace.
“Okay, baby,” Louis says, petting his hip.
Harry pouts. “I mean it – I want, want so many baby Tommos running around the house, wrecking havoc just like their Daddy.”
Or the one where Harry meets the love of his life at 16. This follows the years following their meet.
13. Zero Means Nothing When I'm With You by [ WhiteClifford ] (6k)
Louis doesn't know what he's looking for until he finds it.
Harry just knows he may defy his gender norms, with his height and clumsiness, but that doesn't mean he doesn't want litters of pups running around while he does domestic things all day long.
In other words, boy meets boy and no one can stop pining.
14. honey and i by [ itiswhatitisbutterfly ] (6k)
AU very loosely based on Marley and Me, Louis takes his friends advice and buys Harry a puppy to quell his desires to start a family. However the puppy turns them into a family with out them really knowing.
15. To Carry Love by [ @dimpled-halo ] (7k)
During One Direction’s hiatus, Harry becomes unexpectedly pregnant, and Louis does his best at becoming the most supportive husband he can be.
16. Oh Baby, It's You by [ leedsbracelet ] (7k)
Harry wants a baby, and he intends on having one.
17. I heard this life is overrated, But I hope that it gets better as we go by [ louisnuggets ] (7k)
"Harry this is not something we're going to argue about. I decided to do it. It's a sure thing." Harry remembered his words. The sure look in Louis eyes, the way he balled his fists, the way he talked. His Alpha voice coming through. Everything. How could he ever forget? It was one of the worst days of his life. After Harry's heat, which included five days of a lot of orgasms and even more cum, Louis and Harry had been laying in bed. Louis' knot slowly loosening in Harry. Harry's back against Louis' chest. Harry was sated and happy until Louis threw the bomb. "Baby I have to leave again. Longer this time. I know you don't like this but this is really important for my career." Some may think, what's so horrible about that? But Harry knew what that meant. It meant Louis would leave.
18. Baby, Honey by [ @chloehl10 ] (7k)
Harry's been talking about sex and babies on stage too much for Louis' liking, so he decides to give him what he wants...
Or the one with the aftermath of Harry's Detroit concert...
19. The King's Omega by [ HunterMay18 ] (8k)
An omega with a really dark past becomes the King's new love interest.
20. yes, you make my life worthwhile by [ tomorrows ] (9k)
Harry whispers to him that this feels like every dream he’s had for the last three years and Louis kisses his temple, behind his ear, across his cheeks and by the edge of his jaw. He runs the back of his finger across Winnie’s sleep-warm cheeks and sighs, the weight of the world finally off his shoulder.
Louis' a pediatrician, Harry's a preschooler teacher, and they're having a baby.
21. Still believe in magic, oh yes I do by [ lookingforparadise ] (9k)
Harry and Louis are the greatest power couple in town. Louis plays football. Harry is pregnant.
22. Another Constellation to Trace by [ @screwstyles ] (11k)
Mpreg AU: Louis and Harry bet on who can keep Harry's pregnancy a secret for longer. Neither of them is particularly good at it, and it doesn't help that their soulmate tattoos make it even harder.
23. As young as we are by [ quitefinishedlove ] (11k)
A familiar pair of worn out Vans suddenly stops, catching onto Harry’s peripheral vision that he had to snap his head back just to face the person.
And there stood Harry’s ‘Baby Daddy’. God, he already hates that term.
(or, Louis and Harry are still in high school; Louis is mister Popular and Harry is the innocent kid that no one notices or really likes. They occasionally hook up in secret, but it supposedly doesn't mean anything. But then Harry, of course, ends up getting pregnant.)
24. To the Moon by [ @chelsea-frew ] (11k)
University students Harry and Louis have an arrangement--they are friends with benefits. When Harry accidentally becomes pregnant, however, they need to redefine their relationship. Do they want to keep things the way they are, or are they ready for something more?
25. Commitments by [ @chelsea-frew ] (11k)
An AU loosely based on the movie 27 Dresses. Harry is a fan of weddings, and Louis writes about weddings. They have sex, create a baby, then meet. Can they straighten themselves out after doing things completely out of order?
26. to change how you see and what you believe by [ jaerie ] (12k)
Harry and Louis are best friends who just happen to fall into bed with each other sometimes, it's not a big deal. After a drunken night of discussing their kinks, they wake up naked together. They don't remember what happened, but they've done it before and they'll probably do it again, but five months later, a surprise changes everything.
or an I didn't know I was pregnant au
27. Leap of Fate by [ @happilylouie ] (12k)
After one too many failed dates, Harry decides he’s had enough. He is going to start a family on his own, everything falls into place as Harry finds the perfect donor. But when Harry realizes who the donor actually is it hits him like a curveball. He wants Louis Tomlinson to be involved in his baby’s life, but first he has to figure out a way to date him.
28. shut your mind off (and let your heart hear me) by [ BeHappily ] (13k)
Harry wants Louis for a while, Louis wants Harry forever, but emotions and a little human get in their way.
Or, an AU where Louis is a single father to cute twins, Harry is a ballet dancer who doesn't want any relationship, and they foolishly become friends with benefits, but maybe it wasn't so bad after all.
29. you fit me better than my favorite sweater by [ brightbluelou ] (13k)
Harry didn’t mean to fall in love with his best friend, and he definitely didn’t mean to get pregnant. Despite that, it’s probably still the best thing that’s ever happened to him. And after that, well. It just kept getting better.
30. Brand New Life by @chelsea-frew (13k)
Harry Styles is one of nineteen children and has been sheltered all his life. After his best friend Niall Horan introduces him to the joy that is the three-man band known as One Direction, Harry is hooked. When Niall gets them tickets to a One Direction concert, Harry gets more than just a good time dancing to great music.
31. So Long I’ve Been Waiting by [ @flamboyantommo ] (13k)
the one where Harry and Louis are having their first baby, and keeping it a secret until the end of the first trimester is a lot harder than they thought it would be.
32. Answer All Your Wishes by [ @sadaveniren ] (13k)
Harry and Louis met when Harry was thirteen and as first impressions go theirs was memorable enough to start a life long romance.
AKA a Tom Fletcher/Giovanna Fletcher AU where Louis is part of One Direction, Harry is the love of his life who blogs, and they have many, many children.
33. there's something in the water by [ curlyfries ] (13k)
Harry and Louis met when Harry was in the middle of a rough patch after he injured himself during a tennis competition. After a night that Harry can't forget, he's met with a little surprise a couple of months later. It's a bit of a shock, especially considering how he got there, but he's determined to see it through. He's all prepared to do it all alone too, but running into Louis again might change the game.
Cue dates, happiness and cuddles, but Harry can't get the fact that he needs to tell Louis out of his mind. He's got his fingers crossed that it all works out.
34. Made From Love by [ @chloehl10 ] (14k)
It's almost Christmas, and amongst the preparations, Louis' realised something about his husband Harry.
Harry, however, seems to be oblivious.
Louis' determined to open Harry's eyes and make him realise the real magic that's happening this Christmas...
35. The Sunshine Stays by [ @becomeawendybird ] (15k)
It’s three years after One Direction got back together, and Harry and Louis have just come off a world tour. They’re enjoying a much more relaxed schedule the second time around, allowing themselves to bask in married life. Until, one day, Louis surprises Harry on vacation, and there are some surprising consequences.
36. On His Way Home by [ @stnbutterflies ] (16k)
Or the one where Harry is set up on a blind date with his sister’s best friend’s brother
37. I'll Be Your Light by [ mightaswellll ] (17k)
Harry Styles always had a crush on his sister's best friend Louis Tomlinson. Moving in with them should be a good way to get over it, right?
38. If the Surface Begs You Home by [ @becomeawendybird ] (17k)
Harry is a mermaid from the underwater kingdom of Mercadia who is a little too fascinated by life above the surface. He's kicked out of his home after he winds up pregnant, and has to figure out how to make his way in the world. Louis is the darling of the small neighbouring seaside village who came home after university to take over their local library, and can't seem to stay away from the mysterious pregnant mermaid his friends introduce him to.
39. the sweetest devotion by [ itiswhatitisbutterfly ] (18k)
Harry loved Louis at 18 when he couldn’t afford to take him on a date, at 21 when he spent all his time trying to make it and now he adores every part of him as he professionally lives his dream every single day. And he will love him no matter how long trying for a baby will take them and every day after.
40. we come in line by [ starsinoureyes ] (19k)
Harry decides to have a baby on his own, Louis doesn't agree it's a good idea but lets him do it anyway. It took seven years and Harry getting artificially inseminated for them to find each other. Louis has a secret he didn't tell Harry and it might affect their family. Also featuring: a pre-pregnancy party, fertility clinics and pregnancy scares.
-based on the movie The Switch (2010)
41. Magic Everywhere We Go by [ @casuallyhl ] (19k)
Fifteen years after first meeting Louis at a mutual friend’s birthday party, Harry is just as in love with his husband as he was on their wedding day. And with the birth of each new child, Harry seems to have only grown to love him more.
And now Harry is spending four days at the happiest place on earth with all of his favorite people – his mum and stepdad, his four beautiful children, and his perfect husband.
Life couldn’t get any better than this.
Or, Harry and Louis go on holiday with their family to Disney World.
42. wrapped in light, in life, in love by [ tomorrows ] (19k)
It should be embarrassing — it is a bit embarrassing, actually, because he can feel Lila watching over him like a hawk, but Louis’ got a palm on his thigh and there’s a cherry red lollipop in his hand and Harry feels so bloody dizzy with butterflies. He brings the lollipop to his mouth and sure enough, the sweet cherry flavor feels more therapeutic than anything, like it’s made from warm hugs and naps by the fireplace. He’s too busy falling in love all over again to be embarrassed.
“S’good, innit?”
Harry nods his head. He feels like a child, but it’s okay because Louis is there and he’s staring right at him, blue eyes consumed by Harry before him. Being at the center of Louis’ attention is just as overwhelming as Harry remembers it being fifteen years ago.
Of all the things to happen while taking care of his niece for a month, falling in love with his boyhood crush all over again is probably the highlight of Harry’s autumn.
Well. That, and getting pregnant.
43. Second Time's the Charm by [ @chelsea-frew ] (21k)
The first time Louis sees the new barista at his favourite coffee shop, he falls head over heels. The first time he takes the barista, Harry, home, they end up making something a little bit more than conversation. Suddenly, it seems to Louis that Harry is keeping secrets. He is. Two life-changing secrets. When Harry lets Louis in on these secrets, Louis needs to decide whether to let them change his life--or not.
44. Weigh Us Down (We're In Love) (23k)
Harry’s eyes widen slightly at that. “We’re friends?”
Louis nods eagerly, smiling even wider. “Of course we are! You’re like, my first ever friend here. We just moved in, you see. Did I already tell you about that? Anyway! Maybe you can stay for dinner and I can show you my toys?”
Harry smiles. “You’ll let me play with you?”
Louis nods again, excited. “Of course!” He looks thoughtful for a moment, and then he’s slipping off the couch and crouching in front of Harry. “Oh, and Mum always kisses my wounds after she fixes them up. It makes me feel loads better all the time, so.” He leans forward and puckers his lips, pressing them over the bandage on Harry’s knee.
(harry and louis first meet when they’re eight and ten. this is their story throughout the years.)
45. there's a love and it grows (there's a life that we share) by [ felixandtae ] (23k)
“Yeah, we made a cute baby,” Louis said, tucking Harry’s hair behind his ear. “I’m so glad I met you.”
Harry said sheepishly, "I’m so glad I went to that party. Even if I don’t remember much of it, our baby is like a little match maker. I can’t believe I have a baby with a guy I’ve been crushing on for so long.”
“Oh, so long? And how long was this crush?” Louis teased, smirking as he saw Harry’s cheeks flush red.
Or where Harry and Louis are strangers (not really) who had a one night stand at a party and end up having a baby together.
46. Seven is Heaven by [ @chelsea-frew ] (25k)
Louis and Harry find themselves unexpectedly (but very happily) adding to their family. 
47. Somewhere In Between Who I Used to Be and Who I'll Be Tomorrow by [ ShapeOfLou ] (27k)
After landing his dream job of being a TV host, Harry Styles thinks he has it all, a nice job, luxury cars, designer clothes, and a stable relationship with a man he loves. That is, until he makes the drunken mistake of going home with the cute bartender which results in an unexpected pregnancy. With a baby on the way, Harry has to balance his work life with deciding how he wants to spend the rest of his life: with the man he's been with for years or the father of his child.
48. A Perfect Reason by [ @chelsea-frew ] (29k)
During a visit to a charity he'd like to support, Prince Louis--next in line to the throne of the United Kingdom--meets Harry, the man of his dreams. Trouble is, Louis is not out, and the law says his heirs can only be born of a woman. Louis is determined not to let that stop his pursuit of Harry. His determination doubles when Harry accidentally becomes pregnant. He and Harry will have their little family--and change the monarchy while they're at it.
49. here comes the sun by [ tomorrows ] (30k)
“Everything’s going to be fine,” Louis promises, his pink, chapped lips moving slowly in the cold. It matches the beanie on his head—pink, because they found out this morning that they’re having a girl and that’s just.
Harry’s going to be a dad. To a little girl. Five months from now he’ll be holding her in his arms, and she’ll be so lovely and small.
They’re going to have a spring baby and she’s probably going to have Louis’ eyes. What a blessing that would be. Harry crosses his fingers on the hand inside his pocket, hoping that she does. He’ll love her either way—blue or green or even brown eyes, it doesn’t matter—but he’d really like them to be blue, he thinks.
[Harry is a pediatric specialist, Louis is a neurosurgeon. All they want is a baby.]
50. Something Just Like This by [ kiwikero ] (31k)
Newspaper intern Harry Styles can't believe his luck when he goes from fetching coffee for his boss to writing about London's own superheroes, One Direction. Even better, he gets to spend time with the unfairly handsome Freefall, also known as Louis Tomlinson. Louis, who is way out of Harry's league and far too busy for a proper relationship—so how on earth is Harry supposed to tell him they're expecting?
51. Little Wonder by [ @sweariwouldnt ] (33k)
A mistake, or perhaps a well-thought out fluke of fate, results in Harry and Louis welcoming their first child. This is how it all goes down.
52. Destinies Miracle by [ whathappenedinwellington ] (33k)
Harry and Louis have been married for 22 years and are the proud parents of 4 beautiful children. At the age of 47, Harry unexpectedly falls pregnant-- an extremely rare occurrence given his age. The family of 6 are faced with challenges and decisions once unimaginable as Harry carries the baby to full term despite all odds against him.
53. Baby, What A Big Surprise by [ @icanhazzlou ] (33k)
Or, the one where shy, quiet Harry has no idea he’s a carrier, and a one night stand with the most popular boy in school shows him just how wrong he was.
Featuring Lottie as Harry’s best friend, Niall as her boyfriend, and, of course, Louis as the popular boy with a soft spot for his little sister’s quirky friend.
54. Party of Five by [ @chelsea-frew ] (34k)
Six years after their twin girls were born, Harry and Louis find themselves expecting another bundle of joy! Ups, downs, excitement, and worry follow the news as the family of four prepares to get just a little bit bigger.
55. love is so good when the love is young by [ drunkonyou ] (38k)
Louis falls for his pregnant best friend who has a bit of baggage. They make it work though.
56. We Got The World Shaking by [ FutureMrsHaroldStyles ] (39k)
Suddenly Louis is taking Harry’s hand in his own and turns to his sister. “I’m taking him to my room. Don’t worry I’m going to take care of him. Now go and enjoy your party, little sis!” And with that Louis leads Harry to the elevator. The thoughts in Harry’s head are going wild but they all come down to Fuck am I really gonna spend my heat with Louis Tomlinson?
Or the one where Harry goes into heat at his best friend Lottie's birthday party and her big brother helps him out.
57. Fallen Far From the Tree by [ @sadaveniren ] (41k)
Harry and Louis go through the ups and ups of pregnancy.
58. everywhere (i wanna be with you) by [ itiswhatitisbutterfly ] (42k)
Harry and Louis meet because they have terrible friends, they fall in love because something feels right in a world of uncertainty and shifting grounds. Louis is an actor and Harry is a model at the top of his game, the best things in life are the most unexpected ones and the things that hit you when you are least expecting it.
Featuring winter in London, nights in Paris, early mornings in New York, burning heat in Monte Carlo and an enduring love spent transcending four corners of the globe.
59. I'll Be Here Waiting on Forever by [ sweaterpawstyles ] (46k)
Harry made Louis feel like he was walking on air. He was beautiful in every way and it constantly amazed Louis. His eyes could melt Louis' heart at a single glance, his soft hands made Louis' heart race with a simple touch, and the words from his cherry red lips were so captivating that Louis held onto everything he said. There was a constant buzz in Louis' veins when Harry gave him that look, the look that spoke more than words ever could. It was a soft fond that Louis fell in love with so easily. Too easily.
Louis was in love with the boy he could never have and show off to the world. Or A Romeo and Juliet AU where Louis is an alpha prince who falls in love with Harry, an omega prince from the neighboring kingdom
60. Temporary Fix by [ HazzaMyLou ] (49k)
Harry's been hurt too many times before and doesn't want to fall in love. Louis doesn't believe in love and doesn't want to settle down. But a chance meeting, a drunken night, and a pregnancy test might change their plans.
61. Hideaway. by [ arrowtomyheart ] (52k)
Harry is in a borderline abusive relationship which ends after the news that Harry's pregnant. He is homeless for the night and travels 3 hours on the train to turn up at his best friend's Liam's house unexpectedly for somewhere to stay. He meets Louis, Liam's flatmate, and they discover that they have more in common that anyone would expect. They fall in love.
62. In Any Universe by [ @chelsea-frew ] (55k)
Harry and Louis are happy. Yes, they are closeted, but they love each other and love their jobs as members of One Direction. Their happiness is shattered when they are in a car accident and Louis wakes up having forgotten the last five years of his life. He doesn't remember being on The X-Factor, being a part of One Direction or, most devastating, Harry. Estranged from the love of his life when Louis retreats to what he does remember, Harry discovers that he's pregnant. What will he do if Louis doesn't recover his memory, and he's faced with being a single parent? What will he do without Louis?
63. Smokescreen by [ Arvernii ] (57k)
Louis rules the school; guys want to be him, girls want to do him. He's the coolest guy in school and if you don't agree with him, his crew will make you change your mind. Spending most of his afternoons smoking cigarettes while on the back of his motorcycle, Louis has it all: popularity, money, fear and respect. However his bad-boy image is just a smokescreen, when a new out and proud gay student named Harry suddenly shows up, everything is immediately thrown into chaos.
What is the price of love?
64. Two + Two = Four by [ @chelsea-frew ] (58k)
In the middle of the Where We Are Tour, Harry and Louis find themselves feeling a little amorous after attending Louis' mum's wedding. After indulging in some unprotected sex on an L.A. beach, Harry ends up pregnant, expecting twins just weeks after the end of their On the Road Again Tour.
Not only do the boys find themselves facing the daunting prospect of becoming parents at the height of their fame--not to mention during a worldwide stadium tour--but the boys are still closeted. Their lives are about to change, but though the changes are stressful, and the road is just a bit rough, they can't wait to welcome their twins into the world.
65. Baby We Could Be Enough by [ @chloehl10 ] (74k)
Harry Styles has always wanted a family, but his boyfriend doesn’t. When an unexpected pregnancy leaves Harry feeling alone and terrified, he feels he has no choice but to give up his baby. He finds a family with the adoptive parents, and maybe something more. ~ Louis Tomlinson and his wife, Jess, have been trying for a baby for years. Their hasty marriage after they first got pregnant has only led to a series of miscarriages that have put a strain on their already precarious relationship. When they meet a young man desperate for a home and someone to raise his child, Louis realizes that he may have been moving in the wrong direction all along.
66. One Night Stands by [ benniejets ] (77k)
Harry was always great at making decisions; he never did anything too risky and he never really did anything stupid. He played by all the rules, which led to him living a quiet life. However, one night when he decides to go out with a few friends and have some drinks and randomly hooks up with a man, his specifically planned out life goes to shit.
67. Half A Heart by [ Larry_Darling0124 ] (198k)
Scarlet Marie Styles. Louis didn't know about her. Harry kept her a secret. Scarlet knows he left. * Eight years ago Harry Styles gave birth to a beautiful baby girl named Scarlet Marie. Now, at the age of 26, he doesn't expect to run into the only man he ever loved. The man that left him when he needed him most. * Eight years ago Louis Tomlinson made the biggest mistake of his life. Now, at the age of 27, that same mistake just got a whole lot bigger.
68. A Little Love by [ felixandtae ] (220k)
Harry and Louis are best friends, and when Harry's boyfriend breaks up with him, he's instantly depressed. Louis hated seeing him this way, so one thing leads to another and they wind up sleeping together, which causes a lot of problems.
Or, where Harry gets heartbroken, so Louis tries showing him love, but a bump is in the road. Literally.
224 notes · View notes
strawberrygiorno · 6 years
Note
Moving on to Ritsu! Anything you wanna share about him is very welcome! Now to weirdly especific questions. How is his relationship with Mob? And Reigen? And the other kids? Could he always bend well? Because he grew up in the swt, is his bending style different from other firebenders? Can/will he be able to bend lightning? How was growing up in the south pole for him, considering they have the six months night/sm day cycle(Is he especially weak on winter?). How is his journey with Mob?
ritsuuuu my boy!!
under a cut again!! lots of stuff to say about this kid
i’m gonna answer these out of order, since i think ritsu’s bending needs to be addressed first
Ritsu was not always a good bender. In fact, he couldn’t bend at all until he was 15.
Or at least he didn’t think he could.
The thing is, he grew up in the southern water tribe. Benders from the water tribe bend water. He couldn’t bend water, no matter how hard he tried, so he believed that he was a nonbender for the first decade and a half of his life.
He really did try hard, too. He studied all of the forms and katas, practiced them all the time in the hopes that perhaps he just wasn’t doing something right, but nothing worked. He had to settle for using a spear for a weapon for several years, something he turned out to be very good at.
He doesn’t realize that he can bend fire until sometime just before shou officially joins their group.
Shou’s actually the one to help him discover his firebending. There were subtle clues that ritsu was a firebender that no one picked up on, such as the way that campfires tended to act around him, which shou noticed and prompted him to act.
One night, shou led ritsu out into the woods near their campsite for a little “adventure” (this was not uncommon - even before joining team avatar shou would abduct ritsu in the night to help him run personal jobs, so ritsu doesn’t think anything of it).
Once they’re a decent distance away from camp, shou tells ritsu that he can help him become a bender, and of course ritsu is interested in that. On top of his already existing complex, teru’s been picking on him for being a nonbender, and showing him up would be pretty great.
Shou tells ritsu that there’s a special ritual that he has to do first, though, and of course he gets ritsu to go through the entire humiliating thing (this is 100% shou talking out of his ass).
After that, shou challenges ritsu to use his bending, be creative, and starts trying to fight him, and it’s during this little skirmish that ritsu panics and is finally pushed to bending fire and surprising himself.
Very soon after all this, before ritsu can even tell everyone else, ritsu reaches his breaking point with everyone and kinda runs off by himself for a while, eventually leading to him getting manipulated into helping this dude (shinji) play vigilante in a nearby earth kingdom town that’s had all the earthbenders taken out of it by claw. He ends up getting captured and held by claw for a bit before he breaks himself out (with a little help from shou) and rejoins team avatar.
(this ask isn’t about shou, but that’s when shou joins the team officially)
Ritsu’s firebending is very unique to him: he started bending before they met tsubomi, so they had no firebending teacher available for either him or mob, meaning ritsu had to teach himself.
Only what did ritsu happen to know a lot about?
Waterbending.
Ritsu applies a lot of theories, methods, forms, everything about waterbending to his firebending, and it works! He’s able to progress to being a decent bender pretty quickly. As a result of his methods, his firebending style resembles a traditional waterbending style, to the point where he has a lot of trouble learning new “proper” firebending techniques from tsubomi later on.
He probably won’t ever learn how to bend lightning. However, he would easily be able to learn to redirect it, since that technique comes from waterbending (he may even be able to pull it off almost instinctively, though we haven’t put them in a situation where lightning was an issue).
As for the dark south pole winters, yeah ritsu gets kind of weak and more prone to illness during that time of the year, more so than average, but no one had an explanation for why since no one knew he was a firebender.
By the way, as an explanation for what a firebender is doing in the south pole in the first place - ritsu and mob’s dad was a sailor from the fire nation who settled in the south, but since their parents died when they were little, and no one thought to tell them, neither of them knew.
And to start addressing relationships, his relationship to his brother is similar to canon. They were close as kids, but got closed off to one another after the accident with mob going into the avatar state. Ritsu still has his complex where he’s afraid and jealous of his brother and tries his best to keep him from getting upset.
There’s a similar confrontation related to that, too, between the time when he and shinji were being terrible and when he was taken by claw. Their relationship starts off tense, but they manage to grow closer and open up again.
With reigen, ritsu doesn’t trust him. At all. And he’s actually kind of mad that mob let him come with, but ritsu is outnumbered two to one on that front, so reigen stays. Ritsu is antagonistic towards him for a very long time, and never really stops making fun of him when given the chance. They do, however, start to bond, and reigen has some definite moments of being a dad to him and it’s all really great.
Ritsu and shou get along really well, of course. They met because ritsu got tangled up in some of shou’s plans to mess with some branches of claw that were stationed near where team avatar had been staying one night, and since then shou’s been occasionally taking him out on more missions since ritsu proves to be pretty useful, and ritsu agrees to keep doing it because he finds it to be a nice outlet and actually kind of fun, plus shou is a good dude.
Ritsu is a big part of the reason shou got to join team avatar - it was through his advocacy that the team was willing to accept him. Reigen and teru were skeptical, but since ritsu trusted him, mob was willing to trust him, and mob had already let two people join their group against ritsu’s will, so…
Ritsu also hits it off with momozou pretty well too. He was suspicious at first because momo had been spending a lot of time with mob and sometimes mob came back seeming upset (this had to do with something momo did on accident while leading mob around the temple - it absolutely 100% wasn’t his fault and mob has no hard feelings, but we’ll talk about that later), but after talking to momo for awhile it was clear that he meant well and really wasn’t a bad guy. He’s also a great partner for making fun of teru.
Tsubomi is also someone that ritsu gets along with really well. Ritsu was a popular and well respected kid back at the south pole and well known for being a pretty strong and one of the better hunters in the village, so he can kind of relate to what she’s dealing with. They also bond over their shared element and teach each other tricks and techniques that they’ve figured out (she’s particularly interested in his style of bending).
And teru… ritsu’s relationship with teru is probably my favorite in the whole au if i’m honest. It can be described as basically enemies to friends to family, and it’s great. Well. The start isn’t so great.
Teru kind of tried to kill him.
but it’s okay now.
When they first met teru, teru was kind of leading a gang and doing some really shady unethical stuff (which was kind of talked about here, and which we’ll elaborate some more on later), which of course mob tried to put a stop to, which led to teru feeling threatened and bloodbending them both and it was a mess.
So, needless to say, ritsu doesn’t fucking trust this guy, but he’s forced to put up with him because he ends up joining their group (TEMPORARILY, ritsu keeps reminding them) so that they can help bring him back to the north pole where he came from.
After this there’s lots of little moments - ritsu helping teru get on wolf caribou’s good side (she didn’t like teru At All and his skills with animals are lacking), that one time they went out for supplies and somehow made it back with nothing but a single, probably stolen mango (they might have paid for it… they’re not sure) - and by the time they’re approaching the north they’ve grown attached (although ritsu would never admit it, then).
From there their whole relationship has its ups and downs. Both have their moments of being insensitive. They have a big fight at the north pole (combination of ritsu being more distant and mean since he’s in denial about how he’s going to miss teru and some more stuff that… wait for it… we’ll talk about later), and another one before ritsu temporarily leaves team avatar (that stuff about teru constantly picking on him and being condescending towards him), but they go through a lot of things together and come out at the end of it all as practically brothers, and it’s just. Extremely good. I love them.
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formlesscopycat · 6 years
Note
1--50 because I always like learning more bout you guys :PPPPP for xxx, maybe your favorite fic? Or Distance of the Falling Sun :D
Thanks for making me answer all the asks, I really enjoyed doing this, a jog down the memory lane is always beautiful. Also, this gives me a chance to make up for misunderstanding RuRu’s prior request (so sorry, babe).
1) How old were you when youfirst started writing fanfiction?
I started writing headcanonsin my native language when I was 12; I posted my first fic when I was 15.
2) What fandoms do you writefor and do you have a particular favourite if you write for more than one?
I’ve written for FinalFantasy VIII (Seinoa, Seifistis), Slam Dunk (SenRu), Lovely Complex (OtaRisa),Kimi no Todoke (Kazehaya/Kuronama) and Wallflower (SunaKyo). I’m currentlywriting for the love of AoKise (Kuroko no Basuke).
3) Do you prefer writing OC’sor reader inserts? Explain your answer.
I prefer OCs. I find readerinserts kinda weird.
4) What is your favouritegenre to write for?
Romantic comedies.
5) If you had to choose afavourite out of all of your multi chaptered stories, which would it be andwhy?
Love is a Scheme (forWallflower fandom) is my fave multi-chapter that I’ve written. One is becauseI’ve managed to finish writing it and two, it has all my favorite elements:denial of feelings, enemies to lovers, love confessions, meddling friends. Ihad so much fun writing that story and readers have loved it, too.
6) If you had to delete oneof your stories and never speak of it again, which would it be and why?
Perhaps that lame attempt ata songfic I wrote for Final Fantasy VIII fandom, ugh. No particular plot andinfused with bad grammar. But no matter how much I cringed at my earlierstories, I can’t bring myself to delete them because I still come back to thesefics sometimes if just to see how much I’ve grown as a writer over the years.
7) When is your preferredtime to write?
Daytime.
8) Where do you take yourinspiration from?
Poetry, quotes, metaphors,old songs. Also, from personal experience, sometimes.
9) Inyour [Distance of the Falling Sun] fic, what’s your favourite scene that youwrote?
Two.
The two of them are idiots in love, this, Kise is sure. He lifts hishead and meets Aomine’s face with a smile. Happiness sweeps across Aomine’sfeatures too, as he thumbs softly on the skin under Kise’s eyes, wiping awayhis tears.
“If only you told me sooner,” Aomine tells him with a smirk, theirfaces only inches away from each other.
“Excuse me, but you should’ve said something too.” Kise shoots back.
“Are we bickering again?”
“We’re not.”
(My fave scene because itfeels authentic AoKise, dorkos snapping at each other right after confession>.
10) Inyour [DotFS] fic, why did you decide to end it like that? Did you have analternative ending in mind?
There’s supposed to be a“Zero”, because the prompt is actually, “write a story with a countdown from 10to 0″. I tried to push for it but my sentences refuse to work out so I ended itat one.
11) Have you ever amended astory due to criticisms you’ve received after posting it?
I haven’t.
12) Who is your favouritecharacter to write for? Why?
Currently, it’s Aomine.Ironically, I don’t like him at first but now, I’m totally captivated by thischild, my heart is his. I think he has the best character development in KnB,with that gripping heart-wrenching backstory. I find it easy to write his tendencies and basicways. He’s flawless but at the same time, flawed in so many ways. If I peeloff his layers, I always find wonderful gems. I like going through the heads of flawed characters.
13) Who is your leastfavourite character to write for? Why?
Um, none.
14) Howdid you come up with the title for the [Distance of the Falling Sun]? - You canask about multiple stories.
I wanted to play with metaphors,heh. ‘Distance’ because Kise is chasing after Aomine, always yearning forAomine’s affections and he thinks Aomine is beyond his reach. ‘Falling Sun’because this is really about Kise, ‘burning’ with unrequited feelings.
15) If you write OC’s, how doyou decide on their names?
I take the names of myfavorite characters from other fandoms. For example, in my fic, Where YouBelong, Kise’s father is named ‘Takenaga’, he’s actually from the anime,Wallflower. Aomine’s mom will be named ‘Sayuri’, from Memoirs of a Geisha. Ialso employ the help of Google, to see if the meanings behind the names Ichoose will actually fit my OC.
16) Howdid you come up with the idea for [DotFS]?
I chanced on the prompt onTumblr and immediately, the angst muse overwhelmed me. Also, this doujin. Ijumped on the ‘unrequited love’ theme because it’s something that I personallyexperienced. With this fic, it’s structure first before the plot instead ofvice-versa and that came as a big challenge, I never thought I’d write it down.I only have the shaky idea for ten, three and one but how to fill in the rest,I don’t even know. Months after, the muse have shown mercy.
17) Post a line from a WIPthat you’re working on.
Waiting–he’s done enough of it to endure through its pain, a furnacerefining his patience like silver into flame.
(From ‘Worth the Wait’, anattempt at RinHaru, Idek.)
18) Do you have any abandonedWIP’s? What made you abandon them?
I’ve two. One is an AoKise. Ijust felt like there’s something lacking with the plot and I tried to think ofways to patch things up but sadly, nothing ever seemed to work. It upsets metoo, that I suddenly lost the interest to finish it because I’ve already hit6,000+ words.
19) Are there any storiesthat you’ve written that you’d really love to do a sequel to?
I want to do a sequel for IHear You through these Walls, the Kise side of the story, what he thinks of hiscute neighbor next door and what really happened between him and Haizaki.
Worst Birthday Ever – theAomine and friends part as they plan for Kise’s birthday. While WBE has lightangst, The Making of the Best Birthday Ever will be full of bickering idiots.And a little Aominecchi guiltrip (because of the phone call) will be explored in the sequel.
Rest is for the Weak – Aominecaught the flu because of the kiss. He puts the blame on Kise and  demands for Kise to care for him, too. It’smostly Aho having the time of his life, supremely enjoying Kise’sattention.  
20) Are there any storiesthat you wished you’d ended differently?
In that first fic I’vewritten, the MCs used to be lovers. They had a shot at being together again butin the end, they chose differently and still went their separate ways. I wishthey’ve been together.
21) Tell me about anotherwriter(s) who you admire? What is it about them that you admire?
There are so many but I’ll gowith these writers whose stories I always come back to, again and again:
Ashbear (FFVIII, Squinoa) –Writes with superior plot and superior characterization. She’s my childhoodfanfic hero. A decade later, I still find myself re-reading her stories, and onsome occasions, I still leave a comment, a plea, hoping she’ll finish‘Somewhere in Between’.  
Aki Midori (Slam Dunk, SenRu)– I always go back to her deathfics like a deranged masochist. Her storieseffin hurts like hell but so, so addictive.
For KnB, there are too manybut I’m all for these amazecakes authors:
Beautiful Thief (AoKise) – Iowe it to her fics which nurtured and nourished the AoKise monster in me duringits infancy.
DigimonDestined (AoKise) –she weaves beautiful imagery with her words, I’m weak for her rich descriptionsthat put me right into the heart of the situation and into the big mood.
dawnstruck (AoKise) – shewrites with short sentences but her writing style has this magical allure to itthat drives all the feels home.
Himi (KagaKise) – writes withlovely, complicated and realistic emotions that are eye-opening and gutwrenching.
22) Do you have a story thatyou look back on and cringe when you reread it?
The first two fics I’vewritten. It’s a wonder how readers have endured and managed to leave some nicewords.
23) Do you prefer listeningto music when you’re writing or do you need silence?
Hush, I need Silence.
24) How do you feel aboutwriting smutty scenes?
I haven’t tried, heh, andjust thinking about it makes me uncomfortable primarily because I can’t bringto words something that I have very little knowledge and experience of. I maytry to do some research but I don’t think it’ll come as authentic if my heart’snot really into it. I can insinuate love making but to go into the territories ofexplicit, I’ll have to pass ;D Even as a reader, I shy away from E-ratedstories. When I make rare exceptions, I skip the smut or I don’t dwell too longon these parts of the story. I’m pretty much contented with my ships being allkissy-kissy and touchy-feely when they get physical.
25) Have you ever criedwhilst writing a story?
Yes, because I can’t describea scene that’s just so vivid in my head. I see my words and shat, I want toshoot myself.
26) Which part of your [DotFS]fic was the hardest to write?
Eight, Seven, Four. At four,dammit, I’m almost done! Something has to be written, something has to work.Luckily, four walls of the empty room, heh.
27) Do you make a generaloutline for your stories or do you just go with the flow?
I make a general outline, Ineed to see the full picture before I get myself invested in a plot. I workwith tunnel vision, slowly from the ground up. There has to be a working title,too, before I get past 500 words.
28) What is something youwished you’d known before you started posting fanfiction?
That consistency in verbtenses matter.
29) Do you have a story thatyou feel doesn’t get as much love as you’d like?
I would want all of mystories to get so much love heh, but setting aside my weaknesses as a writer, I’vealways been drawn to small, semi-active or defunct fandoms so my expectationsaren’t really that high…As long as I’m getting some, I’ve been happy with thelove I get.
30) In contrast to 29 isthere a story which gets lots of love which you kinda eye roll at?
I’ve breached lewd levels withMy Favorite Costume but then, I’m glad it got nice loving from readers.
31) Send me a ficrecommendation and I’ll post it for my followers to see! (The asker is to sendthe rec not the answerer)
I’ve never been happier, thatyou enjoyed DotFS. You want angst and Teiko!Aokise, I’m stoked when the ideahit me, I can finally gift you a fic that you might actually like.
32) Are any of yourcharacters based on real people?
Some scenes are loosely basedon first hand experiences.
33) What’s the biggestcompliment you’ve gotten?
“Your storytelling is impeccablysubtle; you show but don’t tell. As I was reading, I could see everything in mymind as if I was there with the characters and living through them. The littleshock at the end was bloody brilliant.”
This comment is quite memorable andimportant to me because it’s for the first-ever angsty-fangsty story I’vewritten way back when (for Final Fantasy VIII fandom (my first love)), withonly 600 words. I was young, had just started writing and simply doing it because I deeply love the characters. This comment made me so happy years ago,and had sparked a bigger desire in my young-once heart to put my ideas intowords and throw ‘em all out there for people to see.
34) What’s the harshestcriticism you’ve gotten?
The reader said that she was terriblydisappointed with the ending I had. She said she followed the story with highhopes but the ending just, meh.
Well, I was young, it’s formy first fanfic and I’ve written all chapters of it before I posted so I’m notreally that open to changes and suggestions. But looking back, yes, reader wasdefinitely right, the ending sucked.
35) Do you share your storyideas with anyone else or do you keep them close to your chest?
Close to my chest. I’m notreally that confident with the things in my head, I mostly feel I’m getting judged when I share my ideas.
36) Can you give us a spoilerfor one of your WIP’s?
In Where You Belong, therewill be a scene where they celebrate Kise’s birthday and everyone but Aho gothim a gift.
37) What’s the funniest storyyou’ve written?
Maybe, Rest is for the Weak?You said Aomine was strangely acting like a mother hen in that one.
38) If you could collab withany other writer on here, who would it be? (Perhaps this question will inspiresome collabs!) If you’re shy, don’t tag the blog, just name it.
I’d love to work with any ofthe friendos in the AoKise~ discord.
39) Do you prefer first,second or third person?
Third person. I like tellingstories through the bird’s eye view, it gives me a lot of control.
40) Do people know you writefanfiction?
For sure, my mom will disownme if she finds out about the things I write. Only two people in real life knewthat I do fanfics. I told one friend during high school and a cousin who is somuch into anime accidentally found out.
41) What’s your favouriteminor character you’ve written?
Ranmaru (Wallflower) in Loveis a Scheme. With his charms, he successfully made his friend jealous out ofhis wits which resulted into an awkward confession.
42) Song fic - What made youdecide to use the song xxx for xxx.
I only wrote 1 songfic forthe heck of it. The song was very popular at that time
43) Has anyone ever guessedthe plot twist of one of your fics before you posted it?
I haven’t encountered suchcomments from my readers..
44) What is the last line youwrote?
Can’t you see how he looks atour Ryou-chan like he’s looking at fireworks?
45) What spurs you on duringthe writing process?
Thinking I’m getting closerto fluffy, lovey-dovey scenes gets me going. The fluff scenes are my ‘checkpoint’,my pit-stop for every leg of the writing journey.
46) Ireally loved your [Distance of the Falling Sun] fic. If you were ever to do asequel, what do you think might happen in it?
Hey, thank you for the love!If there will be a sequel, it will be a countdown beginning from 1 to 10, set10 years into the future, in Aomine’s POV as he recalls the ups and downs, thejoys and pains of his beautiful relationship with Kise.
47) Here’s afic title – [The man who never lied (or morelike, what would a story inspired by that song be about? :D)]. Whatwould this story be about? (from Ruru’s ask too)
Mmm. Ok, first, I love Maroon 5 and ADAM LEVINE! I’ll write an AoKiserunning along these lines: What Kise would give up for Aomine to achieve hisdreams… What Aomine would give up just to keep Kise’s love. Or, Aomine is tornbetween choosing to follow his dreams of becoming an NBA player or keeping thelove of his life. On the premise that he can’t have both because real life islike that… you can’t be thoroughly happy XD
(Because I’ve read a lot ofstories wherein Ao gets to be NBA star and gets Kise too. Not that I don’tthink he deserves all the joys of this life, but I want to explore this Ao whogets to give up his dreams for Kise. Ofc, I’ll make him choose love overdreams, heh.)
48) What’s your favouritetrope to write?
Enemies to lovers.
49) Can you remember thefirst fic you read? What was it about?
Yes, I do. Its title is Giftof Love (FFVIII fandom). It’s inspired by O’Henry’s The Gift of the Magi. Lotsof angst and fluff in the end.
50)If you could write only angst, fluff or smut for the rest of your writing life,which would it be and why?
Angst. I love writing journeys that explorethe depths of human emotions and I think there’s no better way than angst tobring me there. But with happy endings. Always with happy endings. Because thatis the whole point of my shipping, to see my children struggle in the midst ofthe storm, turbulent waters raging all around, and see them dock safe and soundto happy couple-land.
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your-art-is-gay · 6 years
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Characters in the Academy
Main Characters
Kieran Starke
-Main character
-17 years old
-Grew up in his hometown of Alderward, Oklahoma. Has never lived anywhere else.
-Works a part-time job at an ice cream shop during the summers.
-Very observant. Idolizes Sherlock Holmes. Potentially wants to be a forensic anthropologist when he grows up.
-All in all a fairly normal guy, save for the fact that he grew up with magic powers. He doesn’t seem to have them currently, and regards them as his deepest secret. Not even his best friend knows about them.
-Is fully aware partway through the plot that he is, in fact, the main character of a YA novel and hates it. He’s 100% done with the tropey bullshit I put him through.
-Gemini
Nick Darling
-15 years old
-Yes, I named a character after myself. It has an explanation in canon, I promise.
-Basically kickstarts the plot.
-Shapeshifter with a few extra perks.
-Overdramatic, like, always.
-Constantly breaking the fourth wall very casually.
-Genderfluid, which is why I’ll usually use they/them pronouns when referring to Nick outside of the story.
-Kind of the comic relief, but hiding a looot of traumatic shit behind their cheery exterior.
-Taurus
Chase Darling
-15 years old
-Nick’s twin brother and strongest emotional support.
-Pretty quiet and in the background most of the time. Disappears without warning.
-Isn’t a shapeshifter, but has the occasional vision instead. Also he’s mortegi, which basically means he’s related to the god of death and can talk to the dead and stuff.
-He and Nick actually have different fathers… It’s actually possible, if really rare. (Long story short, the mother has to sleep with two different men within the same 48-hour ovulation period and there’s a very slim chance that two eggs will be fertilized by the two different guys and….yeah.)
-Kind of the voice of reason in the group?
-He’s painfully under-developed at this point and I’ve really got to fix that, but I’m going to be spending more time on his character in-story in the second book.
-Taurus
Paris Oubrey
-16 years old
-the son of Headmistress
-Very neat and studious. Likes things just so.
-Brilliant pianist, though he’ll get flustered if you tell him so.
-Somewhat wry.
-Has a…troubled relationship with his sister.
-Since he has fae blood, iron burns him. He has a lot of scars from ugly encounters with the acursed metal.
-Sweet disaster gay.
-Aquarius.
Jackie D’Leon
-19 years old
-Secular witch
-Generally just pretty chill
-Local potions dealer
-Honestly, probably a pothead
-From New York, I guess
-Dating a hot vampyre girl
-Apparently the only main character I didn’t figure out a birthday for…. What the fuck, past me?
Atalanta Oubrey
-Paris’s twin sister.
-Not quite as nice as she seems.
-Kind of a bitch, actually.
-Very much a Slytherin type of character. Clever and sly.
-The character I hate the most in personality, but whom I love to write probably the most. I’m a sucker for sly characters.
-Capricorn.
Extra Characters
Nate Ashland
-18 years old
-Kieran’s best friend from Alderward. They’ve known each other since grade school.
-goes by Ash.
-In fact I don’t think I’ve ever mentioned his full name in the story. Whoops?
-Has three older brothers who don’t make appearances in the story but are frankly hilarious. One of whom is pretty much a manwhore crazy party animal and Ash frequently has to take care of him.
-Classic rock buff. Listens to literally nothing else.
-Probably the straightest character in the entire book, to be honest.
-Once he auditioned for the high school's production of Hamlet as the part of Ophelia. Long story short, he tied up his hoodie like a straightjacket and ran about like a fool singing Warrant's Cherry Pie until the drama teacher literally left the auditorium. Needless to say, he didn’t get the part.
-He’s just fucking hilarious. It’s a shame that he isn’t in most of the story.
Liz Starke
-Kieran’s mother.
-Loves to garden.
-Very sweet lady. Cares a lot about Kieran and treats Ash as her own son, especially since his mother is kind of shite.
-Very protective. Will throw down if someone messes with her boys.
-Was born in Alderward. Raised Kieran in her childhood home.
Aleksander Starke
-Kieran’s father.
-He and Liz were highschool sweethearts who got married just out of school.
-Went missing when Kieran was two years old, presumed dead.
-Family’s from the UK, but he’s half Cherokee and half German.
-Spoke German fluently.
-Has a pretty bad rep in the magi community for reasons I’m not going to spoil.
Emera Oubrey
-Headmistress of Evershade Academy. Took over the position from her mother. (The position has been in the family for decades.)
-Mother of Atalanta and Paris.
-Also a very neat and structured person.
-Cares deeply about her students’ well being.
-Was friends with Aleksander and Liz back when they all attended the Academy together.
Mr. Wren
-Owner of Kieran’s favourite bookstore.
-Wise, old, mentor-type guy. Kinda like Yoda but he talks normally and isn’t a stubby, green, alien chinchilla.
-More than he seems…
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dailydaveeddiggs · 6 years
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Today, thanks to “Hamilton,” Diggs, 35, may be the more established half of the “Blindspotting” duo, but that wasn’t the case when he moved back to Oakland after earning his theater degree from Brown. Though four years younger, Casal had already made a name for himself on the Bay Area spoken-word scene, from which he was plucked to appear on HBO’s “Def Poetry.”
Casal had set up a recording studio with the aim of finding other musicians to collaborate with, reaching out to Diggs on the strength of a demo CD the rapper had recorded in his college dorm room. The friendship took hold almost immediately: That first night, they created a few songs, which led to albums, live performances (with a group they dubbed the Getback) and countless sketches and online videos.
“Rafael was the most famous person I knew,” Diggs recalls. “He had really tapped into the YouTube audience pretty early.”
Casal’s videos caught the attention of Jess Calder (then Jess Wu). The young producer, partnered in Snoot with her husband, Keith Calder, had seen a couple of his spoken-word performances and was struck by both Casal’s charisma and the fact that he appeared to be a natural-born storyteller.
“In my mind, anyone who can tell a great story can definitely translate that to film,” explains the producer, who contacted Casal and proposed they meet for coffee. She asked if he’d ever thought about writing a screenplay.
“I’d thought about theater a lot, [but at that age] you’re trying to get $5 for something at McDonald’s. A movie is millions of dollars away,” says Casal. But he was definitely intrigued, and began fleshing out a character that was loosely autobiographical. Things started to click about a year and a half later, when the Snoot duo asked Casal to perform at a screening of their documentary “Thunder Soul” at a January 2009 presidential inauguration event in Washington, D.C. Casal couldn’t make it but suggested they book Diggs in his place.
“Daveed came and did like 15 minutes of freestyle at the event and kind of blew our minds,” recalls Keith Calder. “We were immediately like, ‘Rafael, the movie’s gotta be about the two of you!’”
And from that moment forward, “Blindspotting” became the story of two friends of different races forced to consider the world from one another’s viewpoints, all set against the rapidly changing Bay Area backdrop.
Casal hails from Berkeley, the city directly north of Diggs’ Oakland. But they both attended Berkeley High School and later split a four-bedroom house with two other friends for $1,200. “I can’t even imagine what that place would cost now,” Casal says.
Gentrification, fueled by the tech boom, has transformed the neighborhoods they once knew. “Seventh Street is just a BART station and a post office now, but in the ’30s and ’40s, that was one of the jazz and blues centers of the world,” Diggs says. The last of the local music venues, Esther’s Orbit Room (where Diggs’ brother had been a bartender), finally shut down in 2010. His mother and father (also born in Oakland) both had to move, priced out by the newcomers.
Though not a musical in the conventional sense, “Blindspotting” was born out of a desire to translate spoken-word poetry into cinema. “There are versions where it was damn near a poem the whole time,” Diggs says.
From 2009 onward, he and Casal worked on the script together, huddling over the same laptop since they had only a single licensed copy of Final Draft between them.
“We were trying to find a recipe for a world where verse could exist without it feeling like there’s a deliberate shift every time it goes into a number,” Casal explains. “The Bay Area is known for slang and for turn of phrase. It’s the evolution of pimp culture, so heightened language is already very prevalent in the way people relate to each other.”
For the next several years, Diggs and Casal spent their time driving up and down Interstate 5 between the Bay Area and Los Angeles, parking out front of wherever Snoot headquarters happened to be at the time and sleeping in their car if needed. They wrote draft after draft of “Blindspotting,” pitching the changes to the Calders while using Snoot’s facilities to work on music videos and other projects.
“I’ve always felt like our offices were a place where they should feel safe to create art,” says Jess Calder.
Before Diggs and Casal could complete a shooting version of the script, they were pulled away by other professional opportunities. Casal went off to teach verse-driven theater at the University of Wisconsin-Madison for three years. And, for Diggs, “Hamilton” happened.
“The thing about this business is you never know if something’s a break,” says Diggs. “I met Lin-Manuel Miranda because of a clerical error.” Diggs showed up for the same substitute teaching job as one of Miranda’s friends, Anthony Veneziale, who was also a rapper. They hit it off, and Veneziale invited Diggs to freestyle with his group, of which Miranda was a member. Later, when it came time to do an early reading of “Hamilton,” Miranda remembered Diggs and his rapid-fire delivery. “I was invited because I have this particular skill set that allows me to learn a lot of things very quickly,” recalls Diggs, who had just five days to memorize the show’s most demanding part. “I assumed they would replace me because they had plenty of Broadway performers to choose from.”
Except that Miranda didn’t replace Diggs, who spent nearly a year and a half with the production. “Before leaving ‘Hamilton,’ I made this comment to one of my agents,” Diggs recalls. “I was ready to go, but scared that I wouldn’t make any money again, and he said, ‘Don’t worry about that,’ and promptly booked my life with all these things.”
The day after his last “Hamilton” performance in mid-2016, Diggs found himself shooting the movie “Wonder,” starring Julia Roberts. The following week, he began working on ABC’s “Black-ish.” That was swiftly followed by a recurring role on “Unbreakable Kimmy Schmidt,” which had to be juggled amid a long-planned national tour with his experimental rap group, Clipping.
Into the midst of this whirlwind came the moment for which Diggs and Casal had long been waiting. Last March, the Snoot producers told them they had the greenlight to make “Blindspotting,” provided the duo could get their script in shape to shoot in June.
“What if I move to L.A. in two days and I write it for a month?” Casal recalls asking — and that’s exactly what he did, undertaking a page-one overhaul while Diggs’ fledgling screen career kept him busy.
“I was on airplanes every other day,” says Diggs, “so really the only through line were these midnight phone calls from Rafael to talk about this thing we’d been talking about for a decade.”
Excited about the prospect of finally making the movie, Diggs kept a rare 25-day window open in June for the shoot. Casal managed to get the rewrite done in four weeks. Reaching out to another old friend, they brought in director López Estrada, who immediately began pre-production.
The project’s Oakland focus attracted some production talent whom the producers normally couldn’t afford, including DP Robby Baumgartner, who had worked in the lighting department for Spike Lee, Paul Thomas Anderson and Alejandro González Iñárritu, and who brought the lighting crew from “Moonlight” aboard.
“We suddenly had this amazing team of people from the Bay Area,” says Diggs. “Doing something with your friends at a high level, that’s a dream.”
After production wrapped, Snoot submitted a rough cut to Sundance, which recommended the music-driven film for a Dolby Family Sound Fellowship. “Blindspotting” is one of two 2018 Sundance selections to have earned the generous post-production grant, making it possible for the filmmakers to upgrade their mix in time for its festival debut. (Past recipients of the grant include “Mudbound” and “Beasts of the Southern Wild.”)
Thanks to the grant, Diggs, Casal and other members of the production team — including López Estrada and the Calders — spent late December camped out on the Paramount Pictures lot on the same Technicolor stage where Michael Bay mixes his “Transformers” films.
On the same day of Variety’s visit, Diggs and Casal wrote a short piece of original music to replace a few seconds of temp score. Since they came up with the cue themselves, that means they can later expand it into a full-blown song for the soundtrack.
It’s the kind of on-the-fly challenge that has fueled the duo’s creative partnership for more than a decade — though “Blindspotting” is the first time they’ve been able to combine their writing, performance and musical talents to such a degree.
“As an artist, the only thing you ever want to do is something that requires every part of yourself,” Diggs says. “And it is so rare when that happens.” (x)
LOVE the insight as to how this all came together.
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midweekupdate · 3 years
Text
12/30/15
I’m worried about my mother.
I never thought I would say that.
She’s always been so sure. Even though there are days that I can’t handle her and days when I can’t understand what the hell goes through her head, she has always been opinionated and confident and loud. This was the quietest and most uncomfortable Christmas since my father caught my sister fooling around with the neighbour’s son under the Christmas tree.
We burnt the tree skirt.
Unfortunately this visit was not as entertaining for me.
My parents showed up at 9pm on Christmas Eve, dropped their coats in the front doorway and went to bed. I’m not exaggerating that much. My mother didn’t stick around long enough to greet Jason in the kitchen and the only exchange I had with my father was to ask if the bathroom was clean enough for him to use. The two of them were in the bedroom with the door closed within ten minutes of arriving.
I was up at 6 the next morning to start preparing lunch – James and I agreed to eat in the afternoon so we could spend as much time with my sister – and my mother was already sitting there drinking coffee. So I asked her: where’s my sister?
“Oh, I assumed you were picking her up this morning.”
What the fuck, mom?
I wasn’t in the mood to argue, I just wanted to see my sister, so I hopped in the car and drive for three hours on Christmas Day to pick up my sister from prison. Meanwhile, I left my husband and brother to fend for themselves as my parents woke up and invaded my home. I made it up to them later. I don’t think Jason has really forgiven me.
After I filled out all the paperwork, I got to see my sister. For the first time in forever I got to hug my sister. I’ve missed her. I wish she hadn’t been released. It hit me hard: seeing her again, getting to talk with her without a piece of metal between us. Having to let her go at the end of the day was rough.
It didn’t help that my mother was distractingly uncharacteristic.
We talked all the way back home and caught up on our lives for the last few months. I apologized for Sandra but assured her that her killer was brought to a slow and painful justice. Back home, the boys were very respectful and very efficient, preparing Christmas dinner/lunch for six, ignoring my mother’s scathing remarks.
James was kind enough to text me bits of their conversation as it was happening. Everything from: “don’t peel the potatoes that way” to “so what is it that you exactly do” to – my personal favourite – “you seem like a nice man, why did you marry my daughter?”
I don’t know what his response was to that but my sister’s response was something about being great in the sack and “oh my god, mom, they’ve been married for seven years, why are you asking these questions now?” I realized that this was the first time my husband and my mother have been alone together.
I’ve been very careful about keeping those two apart for fear that one of them will say something they can’t take back. My money was on my mother but who knew it’d be James?
James didn’t respond after that last text so I didn’t know what to expect when we walked into the house. It was intensely silent. I feared for someone’s life. But they were all there, safe and sound, setting the table and cleaning the kitchen like a normal functioning family. Mother and James refused to speak to each other all throughout dinner – which was delicious; my boys did a fantastic job. Jason spent a lot of dinner asking my sister questions and answering hers.
Without Sandra’s influence, I think he was curious about his mother and her life. All he’s known about her since he was twelve is what I’ve told him and what his grandmother has tried to tell him. I don’t think he ever knew what to believe. I haven’t seen my sister smile that much in decades, I swear. Being with Jason really…it brought a lightness to her that I think she needed.
My father was silent throughout dinner. James assured me that he did his obligatory walk-through inspection of the house and made a list of the areas that needed to be tended to. Most of it was in the basement and laundry room – I just haven’t had a chance to meticulously clean so I couldn’t blame him for putting it on the list. He didn’t put the kid’s rooms on the list and I was so grateful.
Normally he’ll do a sweep of the upper floors and remind Jason to make his bed every day and tell Sandra that she needs to keep her desk tidy. But he didn’t this year. I haven’t touched Sandra’s room. I think I said I was going to but I haven’t been able to. I’ll have to eventually – I  can’t leave it there forever but maybe not right now.
When my father is silent, I don’t worry; it’s my mother that concerns me. I know that she had James had some sort of fallout but I don’t know what it was over. Whatever happened, it must have been big to make her ignore both her daughters at once. That’s rare indeed. So really the only sound at the dinner table was the back and forth between Jason and my sister.
My parents left immediately after dinner. They didn’t stay to clean up or talk to their daughters or spend time with their grandson. They grabbed their coats and left.
It was the fastest, quietest dinner I have ever spent with my parents.
I left Jason and my sister alone while James and I cleaned up. I didn’t mind, I knew that she’d be out of our lives by the end of the day. She had been granted 24 hour leave that technically started the night of Christmas Eve so I had to drive her back after only a few hours with us. Thanks to my parents I got an afternoon with my sister and nothing more.
I asked James what happened between him and my mother and he said it was a personal matter and doesn’t bear repeating. I called bullshit but it’s now been almost a week and he still won’t tell me and my father won’t return my calls. I hate not knowing things that affect my family. That’s a dangerous thing.
Christmas itself was fine. We hung Sandra’s stocking and lit a candle for her. It felt right.
When she was little, she hated Christmas. She hated waking up early – her brother loved it – she hated the mess that wrapping paper left behind. But she loved her brother and that was always enough. I don’t think she ever believed in Santa. My sister and I tried to get her to believe for her brother’s sake but I don’t think it worked. She kept it a secret from Jason, though and that was really nice.
As she got older, she started to get into the spirit of the holiday more. She started humming Christmas carols around the house but would never admit it. She always found these incredibly personal gifts for her friends and family. I didn’t think it’d be this hard: spending the holidays without her. It’s a lot more draining than I expected.
I don’t know what else to say after that.
The holidays are going by so quickly and then it’ll be 2016. A whole new year. A lot of opportunity.
I don’t want to make any new year’s resolutions, I’m just going to break them. But that doesn’t mean I can’t work harder and be better. This is an excuse to start off the next month on a positive note.
I need a drink.
As always, dear readers,
Stay Safe
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