Just curious since it's been a while since the last time but will you be writing any fic for characters or properties that are not your own in the near future?
You can just call it fanfic! :D :D
I'd like to, but I frankly haven't been hugely into any fandoms for a couple of years. Or the fandoms I've really gotten into have pretty much no fanfiction attached (and hell, I've even written some fics for those), and the fandom experience is very different to how it used to be.
But honestly even outside of the fandom experience changing, I just haven't loved a show or anything enough to want to fic for it more than anything else. I really really miss writing fanfiction, but there's been nothing that's really captured my attention for more than a few weeks, and that's not enough to sustain like, writing a longfic like I used to. Some of that is probably the fact that TV etc. is now released all at once instead of week by week a lot of the time. But some of it is also just that...like, while I enjoy a lot of things, I don't feel like ficcing for it.
I came close with Arcane, but the pairing I like had almost no fics (and only like two short porny fics - nothing wrong with that!) and I get, frankly, tired of writing rarepairs. And again, I didn't actually love Arcane, I thought it was very pretty, I disliked a lot of the characters, and it's hard to kind of rev yourself up for one side pairing in that situation.
Likewise I am still curious about writing an old Bull/Cullen fic idea, but it's very old, the fandom is very quiet, it's still a rarepair, and it's hard to commit two years of my life to something I might end up abandoning.
I really miss being deep deep into a fandom, frankly. It's not like I stopped watching TV or movies, or stopped playing video games. But nothing's really spoken to me. Television has either become more excessively grimdark, or more wholesome, and none of it really has what used to hook me in, in the past. It's actually something I've kind of been grieving. Even these days I struggle to find fanfiction written recently that I really love compared to older fics in my bookmarks. It's like... it all has disclaimers for antis, or caveats, or it's weirdly wholesome and pure (fine if you like it, but don't advertise it as whump/angst/hurt/comfort/darkfic), or it's excessively dark to the point of just being a tragedy, etc.
I know there are still really good fandom spaces. If I was still in Mo Dao Zu Shi fandom things might be different, but I felt edged out of that fandom by The Untamed folks kind of taking it over and not separate-tagging their fics, which was just a 'oh I have ideas! Oh...actually never mind' experience.
But yeah I'm just... I mean it sucks. I love writing fanfiction, but the last thing I wrote was last year and it wasn't very long. I thought about returning to the Hades fandom, but again, I just didn't have a very...intense fandom experience, the kind of thing that really revs you up and excites you to write fanfiction! Fandom without community is lonely, and while I don't go as deep into fandoms as others, I still...like some of it?
This is a very navel gazing way of saying 'something will have to change in the media landscape, or in the world around me, or maybe even in me' to make fanfic a 'near' possibility. I have no actual plans to commit to any fanfic in the future, I'm just more excited about things like Underline the Black, which honestly has ALL the tropes I love in fandom, and struggle to find (same with a lot of the other things I write). I consider a lot of my original writing to be an homage to fandom and the fanfiction serial style, but yeah in terms of the literal fanfic, damn, I really miss being hooked on a TV show or a movie or a game and the pandemic has kind of killed that part of me, and so has the shenanigans of antis changing the general fandom climate (if you're putting in disclaimers in your fics just for the sake of antis please fucking stop), and the way TV releases now, and the empty sense of endlessness re: Marvel movies and shows, and just...I don't know.
It's sad and I hate it and I wish it wasn't that way, but it has been this way for a lot of the pandemic and I don't know if/when it will come back. I hope it does. I miss it so much. Meeting new people through writing fanfiction was one of my favourite things, I have friends from different fandoms still, and just... *sighs*
Oof. I'm very sad now. Tl;dr - No, I don't have any plans to write fanfiction in the near future, and it sucks.
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Has Tim ever put Dick on a pedestal?
100% yes! This is basically Tim's backstory IMO. Prior to meeting Dick in Lonely Place of Dying, Tim's a kid who's got a distant, idealized, made-for-TV vision of Dick and Bruce - mostly Dick - and he sets out on a quest based entirely around that misperception.
Aaaand then he immediately crashes headfirst into reality, because the Dick Grayson and Bruce Wayne he remembers from his childhood memories and daydreams are like this:
But it turns out that the actual real-life human people are a bit more, uh, cranky than Tim's glossy vision - things are tense and neither of them are super-happy to meet Tim:
And Tim has to rethink a bunch of his mistaken deductions as it slowly dawns on him that - far from being a plucky team - Dick and Bruce are actually not getting along at all:
And so Tim has to realize his whole plan of "Dick has to be Robin again!!! That will fix everything!!! :)))))" was actually wrong, and based on a misunderstanding of Bruce and Dick's relationship. And having realized he was wrong, he immediately sets about trying to figure out what he’s failed to understand in the most intrusive way possible—by asking lots of nosy questions!
Actually-meeting-Dick is basically the end of Tim’s super-idealized vision of Dick. It's not a vision that can survive contact with an actual human being who's snapping at you. And kid!Tim is (I love him but) extremely pushy and annoying, and Dick's a prickly young adult who is not above getting annoyed, which means Dick snaps at him pretty regularly.
But Tim does continue to admire him.
So for their various interactions after Lonely Place of Dying, IMO "does Tim have Dick on a pedestal" is kind of a judgment call based on your assessment of Dick's relative strengths/virtues. What's unambiguous: Tim has a consistently higher opinion of Dick than Dick does of Dick, and they argue about it a lot.
I had way too many thoughts about this, so below the cut:
Comics where Dick and Tim have conversations along the lines of Dick: "I suck and I'm failing at everything." Tim: "That's not true!! Actually you're great and you're succeeding at the thing you think you're failing at!!"
So who's right - Dick or Tim?
Dick and Tim's high opinions/expectations of each other: the plusses and minuses
Comic examples
Here are a couple different variations on Tim thinking that Dick is great (often when Dick's less sure):
in Showcase, Tim thinks that Dick’s a way better teammate than Azrael, even as Dick’s thinking himself as a failure who let the Titans down;
in Prodigal, Dick tells Tim a story about confronting Two-Face which to Dick symbolizes a moment of great failure and which Tim insists was a no-win situation where Dick did the best he could;
also in Prodigal, Dick’s despairing over how badly he thinks their encounter with Killer Croc went and meanwhile Tim thinks it went fine (after all, Dick listened to him and called an ambulance instead of beating up Croc!), and Tim tells Dick to lighten up and Dick talks about how he’s a failure;
in Nightwing 6, Dick thinks he’s doing badly in Blüdhaven and he’s self-conscious about it and paranoid about what Tim might tell Bruce, and Tim insists that the fact that Dick’s being targeted means he’s succeeding and getting close instead of failing, and Dick retorts that this won’t be comforting if he winds up dead because getting close just isn’t good enough;
also in Nightwing 6, Tim thinks Dick was a better Robin than Tim is, and Dick thinks he wasn’t that great and that Tim’s better;
post-Last Laugh, Tim’s insistent that Dick's being too hard on himself about attacking the Joker whereas Dick's really haunted by the experience and confides that it feels like he's discovered a terrible dark side of himself;
way later in Nightwing 110, Tim’s seeking Dick out and Dick’s trying to avoid him because he thinks he’s a bad person who’d be bad for Tim;
in BW: Murderer, Tim doesn’t trust Bruce absolutely, but in Red Robin, he does trust Dick absolutely (or at least, more than Tim trusts himself);
etc. etc. etc.
Who's right: Dick or Tim?
So, is Tim being too easy on Dick and looking at him with rose-colored glasses, and Dick’s harsher view of himself is the correct one; or is Dick a perfectionist who’s being too hard on himself, and Tim’s the one who’s actually seeing Dick’s strengths more clearly?
I don’t think the comics really commit one way or another! These are moments of multiple-perspectives, where we notice that Tim has one attitude and Dick has another attitude and that tells us things about the characters, not moments that are meant to resolve to a simplistic “one person is Right and one person is Wrong.” I think often you could argue that they're both right? So, like, if you wanted to take the approach of, "Tim's idolizing him but he's not actually as great as Tim thinks," I don't think the comics precisely contradict that interpretation.
... THAT SAID, look, I am a Dick Grayson fan at heart, and I tend to lean toward “Dick’s being too hard on himself.”
Tim’s not oblivious to Dick’s flaws—he immediately figures out, for example, that Dick’s gonna attack the Joker, and rushes off to stop him; he just isn’t as judgmental about this moment as Dick is, and he doesn’t think it makes Dick an awful person forever. The point is (Tim says later, practical-minded) that it was made right, and Dick shouldn’t beat himself up about it. In Prodigal, Tim’s not unaware that their fight with Croc went badly; he’s just focused on how Dick’s morals and teamwork-centric attitude feel right to him in a way that Azrael’s didn’t, and look, Tim didn’t get shot even though he got shot at, and isn’t that the important thing? Tim gets caught in the same ambush that Dick does in Nightwing 6; he just takes the glass-half-full attitude toward it while Dick takes the glass-half-empty attitude. And so on.
Tim admires Dick, looks up to him, trusts him, interprets his flaws generously, and doesn’t think he’s a failure. And... this isn't quite in the comics, but it doesn't contradict them: I like to imagine Dick feeling like he's on a pedestal, and feeling kinda uncomfortable with Tim's admiration when he's forced to realize it exists, and feeling like he doesn't deserve it, and sometimes subconsciously braced for the other shoe to drop, convinced that Tim can't possibly really think this forever, that he's deluded somehow, and that eventually Tim will realize who Dick really is and get disillusioned and leave.
And I tend to think of Dick having this problem a bit with everyone in his life who thinks highly of him, but especially with Tim, because he doesn't feel like Tim's ever needed him or that he's done anything worth Tim's admiration. I feel like Dick - despite some insecurities - does know his own worth as a team leader, and he knows he was a good partner to Bruce, and he understands when he's helping people who are clearly floundering, like Damian and Rose. But all he's ever done for Tim is...hang out, and be nice. And he doesn't think Tim ever needed fixing or saving, and he vastly underestimates both the value of his own friendship in general and how much it's meant to Tim in particular. Not all the time, because later in their relationship when they've known each other for years I do think Dick does feel a bit more secure in that friendship and entitled to make demands based on it (and vice versa, for Tim). But I do imagine Dick periodically feeling like Tim lets him off the hook too easily, and thinks more highly of him than he should, and alternating between being grateful for it and uncomfortable with it.
But I would argue that Dick does deserve Tim’s admiration!
Look, Dick's not a perfect person - no one is. He does screw up sometimes, and sometimes he's petty or jealous, and sometimes his temper gets the better of him. But he is pretty great! He's brave and thoughtful and kind and generous and caring. He takes his own grief and his own suffering and devotes himself to helping other people. And Tim sees that. Tim watches an orphaned kid crying on stage, and has nightmares about it - and later recognizes the hero in him. Tim stops Dick from beating the Joker to death, and he holds Dick back from strangling Hugo Strange, and he talks Dick down from two separate panic attacks, and he listens to Dick monologue about his various perceived failures, and he gets yelled at a lot when Dick's annoyed with him, and his takeaway from all of that is that he believes in Dick, and trusts Dick, and thinks he's a hero.
You could see that as Tim having him on a pedestal and refusing to acknowledge the ugly reality. But I tend to see it as Tim understanding that Dick's flaws and occasional missteps don't define who he is - the fact that Dick's human doesn't make him any less of a hero. Tim can see the hero that Dick can't always see in himself.
Dick and Tim have really high opinions of each other... for better or worse
Tim's not alone in having a high opinion of Dick - Dick thinks Tim's pretty great, too! Dick repeatedly compares himself to Tim and finds himself wanting, whether he's thinking that Tim's a better partner for Bruce, or having a fear toxin nightmare where Tim's a rival who's beating him out of a job, or deciding that Tim would never have let Blockbuster die (and that he'll be better off if Dick avoids him), or musing that Tim would be a better Batman. Dick calls Tim his equal and closest ally in Red Robin; Tim thinks Dick is "the best" in his origin story and basically never changes his mind.
I think nowadays we're sometimes pretty highly-attuned to the way that high expectations can be bad or oppressive, and... I have mixed feelings about this? On the one hand, it isn't untrue! Dick and Tim's mutual high opinions of each other, and correspondingly high expectations, are not an unmixed blessing! They 100% cause problems! Dick and Tim think highly of each other, and expect a lot from each other, and sometimes they're pushy or abrupt or demanding when they could stand to be more sensitive. And the iffy side of high expectations is something I find interesting, and I do think it's solidly canon-based - you see aspects of this in several of their comic conflicts - LPoD, Graduation Day, BftC, RR, etc.
But at the same time, it's complicated! I don't think you can fully untangle the higher expectations from "they rely on each other and have a lot of faith in each other." Love and trust are different things, and Dick and Tim care a whole lot about being trusted, not just about being loved.
I also think it's important that their belief in each other is often a gift rather than an inevitability: Dick and Tim choose to see each other in positive ways. Something they both do is after they have a conflict, they'll apply on a retrospective very positive gloss to whatever just happened. So e.g. Dick starts Resurrection mad at Tim, and ends it by declaring, "I let you make the choice... because I knew you'd make the right one." Tim spends most of Red Robin 1-12 mad at Dick, and ends it by declaring that he knew Dick would catch him because Dick's always there for him. And in both cases, we-the-readers are aware that they knew no such thing! But to me, that doesn't make these declarations meaningless - it makes them more meaningful. Their faith in each other is sometimes genuinely felt, and sometimes it's something they stubbornly brute-force into existence because they want to give that gift to each other.
And I mean... Tim did make the right choice. Dick was there when it really counted. Just because it isn't the whole truth doesn't mean it's not a truth.
Now, does this positivity also put some pressure on them? Absolutely! They're both people who are very upset by failure, so they tend to reassure each other by insisting that there was no failure, could never be failure, failure is impossible, even when they know perfectly well that's not true. They praise each other's skills as a love language, when what they mean is I love you no matter what. They talk about other people's needs but don't always acknowledge each other's. And it'd probably be healthier if they said instead, "Even if you'd made the wrong choice, it'd be okay, because it's okay to make the wrong choice sometimes," or "Even if you're not always there for me, that's okay, because no one can be there for someone else all the time."
And they do not say that, because Dick and Tim are relatively well-adjusted by Batfamily standards but that is a very low bar, and at the end of the day they're still deeply messed-up perfectionists who deal with their emotional problems by punching crime in the face.
But look, they're trying. And isn't that the important thing? <3
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fontaine and furina having this theatrical motif around them has always felt intentional. the way furina was characterised in the first two patches almost being the personification of the ostentacious nature of european, and more precisely, the french monarchy has always come across as aforethought. the same way furina was presented as not having her nation's sympathy and indulging in her own pleasures is very akin to marie antoinette, as we all probably know (and this makes even more sense now knowing she has a similar fate of being sentenced to death by the guillotine, which we can almost infer is also related to treason by acting against the security of the "french state" or genshin's version of it: fontaine). now, to make my point i want to quote a few characters and expand a little on what i have interpreted of them.
let's start with lyney who is introduced and has a bit of a monologue on magic in the teaser for fontaine.
"the essence of magic is getting people to believe a lie. and the most important part of this is what people see."
lyney tells us, the viewer, the interpretation of a lie depends enterily on what you see and how you see it. doesn't this resonate perfectly with the title for fontaine's last archon quest and the theme that was presented to us all the way back to toy teyvat's teaser narrated by dainsleif, "masquerade of the guilty"?
"people don't realize how much they expect their eyes to tell them the truth. but it's not real it's all a show. and every part of the show is carefully controlled. controlled how? by choosing the right time, the right place and the right people."
i pointed out how lyney talks to us as the viewers because i think we're very quick to exclude ourselves from being seen as a character. it's easy to infer that a major plan is taking place thinking of one character (or a group of characters) fooling the others. but i always thought it was curious the way these things and the emphasis on being part of a play was pointed to us (you and me, if that makes sense) like we were going to be the ones fed a lie so that the curtain could fall eventually at the end. you know what's curious about this specific lyney quote? how the camera pans to clorinde and neuvillette as we heard the words "the right people". specially after seeing the trailer for the last part of the archon quest, having neuvillette aknowledge he now knows his role and hearing furina say at the end she hopes he enjoyed his part in the play ties perfectly with this.
"but keep your eyes peeled, and you might be able to turns thing to your advantage."
weather you think of yourself as the viewer or not, this phrase feels like a presage for what the future might look like.
after lyney's monologue, arlecchino chimes in and the conversation stirs a little.
"in a nutshell, magic is what you see with your own two eyes. very fun, but it's not enough."
she seems to be indicating that having a trick inst enough, that making people believe the lie is what makes the show. this trick has to be so perfect and believable that it's impossible to see through which she then compliments with:
"let me make something clear. you think of yourselves as magicians. but when you're on the stage, you're first and foremost actors. good actors hone their craft to mesmerize the whole crowd."
arlecchino makes a distinction between magicians and actors and, this way, the narrative of being part of a play is introduced once again. which makes me think of her hand creeping out from behind furina in one of the posters for the next update. so it has me wondering what her part of the play may be. seeing arlecchino characterised as a wolf in sheep's clothing and someone who would betray the tsaritsa in a heartbeat almost makes me wish for that to be the case. but i also wonder if she is doing something in exchange for the hydro gnosis. theories apart, she's definitely weaving her threads in there somehow.
i could skip the next part since we already know the furina we meet is but a superficial layer of who furina actually is and her role as the hydro archon. but the way she is introduced in the fontaine teaser really ties with everything mentioned in this post, making it clear she's the main character in the play.
"ugh boring! why do I even bother? when are we going to finally see a real twist for once?"
she's described by dainsleif in the teyvat teaser as someone who "lives for the spectacle of the courtroom" as we all have seen through the first patches. it also correlates to the whole theme of justice as entertainment which many people have expanded upon. she asks to see "a real twist" and who better to do that if not the queen of flamboyance herself?
i wanted to point all of this out because, since the beginning, i think it's been obvious furina as a character was always implied to have people change their view on her. not only by other characters but also us, who are part of this big play by following fontaine's story. this was highlighted by the sheer difference in the way traveller is treated or used in fontaine compared to other regions, having other characters play the big important moments as if we were side characters (loss of protagonism), and the ammount of control we are given over (our influence in court and our role as a lawyer, for example). this change in opinion furina was fated to have has always beem hinted to be triggered by some sort of sacrifice. being so influenced by marie antoinette, having furina turn into a scapegoat or a martyr and getting people's respect after death (either real or metaphorical) feels to fit the narrative. this is why players not liking furina has never really bothered me. i believe furina was not characterised - when she was introduced to us - to be liked, quite the opposite. it was faux, a way to manipulate our own perception and opinion on her. i think part of our "role" was to be tricked, much like what we are hinted at throughout the narrative.
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