pov your ex held your collection of thrifted spoons hostage for over a year (not entirely his fault, they got mixed up in his things during a move and you did not realize it, though he did adamantly deny that he had them) and reached out to your roommate on instagram nine months post break up after being thoroughly blocked for several months just to ask if you were still roommates and then to very cryptically reveal that he had in fact found the spoons (among other, mystery items that he did not reveal and you also have no idea what they are) in his car that he had not driven for a year cause he decided to make the worst financial decision of his life and buy a tesla and then tried to coordinate a meet up to drop off said spoons and mystery items which you did not want but you do want your spoons so you told him to either mail it or show up to your place of work when you were not scheduled only for him to entirely miss the point and still try to see you, then you reveal that you do not want to see him so he finally says that he will put on his big boy pants and mail it (though him actually mailing it is entirely unlikely) and also aparently hes gotten a perm since the last time you saw him and it looks terrible
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we ready for junicorn 2024? can never find prompt lists so i made my own
junicorn prompt list text id. day one, shard. day two, angelic. day three, butterfly. day four, nature. day five, industrial. day six, glow. day seven, planetary. day eight, insect. day nine, lantern. day ten, skeletal. day eleven, floral. day twelve, autumnal. day thirteen, gloomy. day fourteen, sword. day fifteen, night. day sixteen, icicle. day seventeen, gossamer. day eighteen, fungus. day nineteen, ghost. day twenty, spear. day twenty one, fairy. day twenty two, oceanic. day twenty three, spring. day twenty four, magician. day twenty five, tapestry. day twenty six, glass. day twenty seven, candle. day twenty eight, gemstone. day twenty nine, patchwork. day thirty, heraldic. end junicorn prompt list text id.
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Mini s2 blackhands fic-ish thing below the cut
"Fuck," Ed tugs at the rope, then at his belled collar. "Shit. Okay. Not ideal, but-"
The wind gusts; the rope pulls, and his collar gets tugged with it.
He's more or less alone on deck. Everyone else is busy with other chores (not a bad thing, despite being wrecked to shit, the ship's starting to look pretty good), far enough away they can't hear him gag and choke when the rope tugs again.
It's his fault, for not minding the end of the rope as he tied it on to the rest of the rigging, for not making sure it couldn't whip up and get caught under the just loose enough edge of his collar-
A gloved hand lands on the rope, pulling downwards to relieve the tension and let him breathe again.
He makes careful eye contact with Izzy, letting their eyes meet for only a moment. "You don't have to help me."
"No," Izzy sighs. He's slightly off-balance, leaning more with the movement of the ship to stay upright, but how much of that is his adjusting to moving on his new prosthetic versus the result of the rum and whiskey bottles he's been polishing off is uncertain. "I don't."
"They'd tell you not to."
"They might," Izzy shrugs, as he lifts his other hand, and saws through the rope with his knife.
The rope slips away from them, and Ed can finally take good, deep breaths again.
With the tense rope gone to hang onto, Izzy stumbles and trips forward.
He doesn't even have to think about catching him. He just does.
They pause there. Ed helping to hold Izzy up as he gets his balance back. Izzy, holding on to him tightly, but his eyes only on the collar.
"No more rigging work for you," Izzy finally says as he adjusts to stand beside Ed, only partially leaning on him. "Not until that's off. I don't want that happening to you again. If anyone else has anything to say about it-"
"I tell them it came from the orders of the first mate," Ed interrupts gently. "Um. Thank you, for this-"
He hasn't fully let go of Izzy, yet. Nor has Izzy pulled away any further. He's steady now, but Ed's hand still holds at his waist.
Not the first time he's let his hands linger there, after all. It's still, after everything, a comfortable spot for them to be.
"Don't thank me," Izzy sighs, a deep, aching, tired sign. "Just stay alive. For the sake of the Captain."
'And you too?' is what he wants to ask Izzy. But he doesn't.
He forces himself to let go of Izzy, adjusts the collar to be slightly tighter while he watches, and nods. "I can do that. I think. Gonna try, at least."
"All any of us can do," Izzy says. "No more rigging."
"No more rigging," Ed agrees, and watches him walk away towards the Captain's quarters.
He still cares. He shouldn't still care. Ed wants to pull Izzy back and beg him to explain it, how in the fuck does he still care about him after all of this?
But the words strangle themselves in his throat, and there's railing to be painted, easier than trying to force the words out.
Ed kneels to look for the paint brush and small box of paint that's been getting tossed about the deck with each wave, and tries not to shudder when the bell on his collar jingles.
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i discovered a new carbon leaf song i hadn't encountered before, and after listening to it on repeat for possibly 2 hours while doing data entry (don't ask... i have a madness to my method) i am so deeply compelled by whatever is going on in "girl and her horse." there is evidence that they put more than 5 seconds into thinking abt the details of equestrianism and its relation to the metaphor, as evidenced by "sometimes you find/ you can't cross the line on the course" (in showjumping, circling before a jump and thus crossing your own path counts as a refusal) but also we have racing going on with "you were done before/ the gun at the starting gate"? also "best in show" is not a thing in either of these contexts? this is the fever dream combination of what my friends thought i did on weekends. anyway we end with the assertion that "every girl in this world has a horse" so i think my literalism may be hampering me here and i need to call it a day
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