#wigstock: the movie

[schlock-luster-video]

On April 11, 1969, The Conqueror Worm debuted in West Germany.

Here's some new Vincent Price art!

[howardhawkshollywoodannex]

Lady Bunny in Wigstock (1995). Film critic Caryn James wrote in the New York Times "Wigstock, the event and the movie, is good-natured, campy fun."

[pashterlengkap]

She has one thing to say: RuPaul works the mall like it’s 1993

RuPaul’s Drag Race is sprinting to the end of Season 15 in 8-inch Louboutin platform heels, as Mother herself prepares to crown “America’s next drag superstar.” The big finish airs on April 15 on MTV. Prepare for sequins. As part of the show’s new network launch — after years with LOGO and then VH-1 — MTV unearthed and shared a 1990’s New York time capsule featuring the then-newly anointed Queen of Drag interviewed by MTV News reporter Alison Stewart. --- Related Stories Music Premiere: Queer-fronted synth-pop band Ghost Love’s latest single “Iconic” The band share some of the influences that have shaped their musical DNA. --- The pair go shopping. RuPaul towers over Stewart as the two roll into an unidentified Tri-State area mall, with the diminutive journalist bundled up in a hot pink wool jacket and skirt against below-freezing temps outside, while Ru is all legs in red hot pants and cinched tight up top in a low-cut white silk bodice. “You better shop!” she announces at their arrival. The year is 1993, just after RuPaul broke out with her dance club anthem Supermodel (You Better Work). She couldn’t have been hotter. And neither could drag. By the end of the Reagan/Bush era, years of protest demanding government accountability over the AIDS crisis inspired the LGBTQ+ community to greater visibility, and drag went public like never before. Wigstock exploded every summer on New York’s Lower East Side, featuring drag legends like Lady Bunny, Jackie Beat, and Lypsinka. Deee-Lite, the B-52’s, Madonna’s Erotica, and house music were the soundtrack at clubs, along with RuPaul’s hymn to work, looks, more work and models (“Linda! Naomi! Christy! Cindy!”). In Harlem, Paris was burning. Like a 6’5″ and Black Horatio Alger, the Queen of Drag shares the same “up from your bootstraps” message in Supermodel that she’s hawking today. “You better work!” she advises her soon-to-be subjects, “‘Cause everything looks good on you!” In the back of a white stretch limo, Stewart asks Ru about her pre-shopping look. “It’s Uptown,” says the drag star, draped in a faux-fur leopard coat, with a bottle-blonde up-do. In fact, Ru was working the signature hairstyle of then recently-divorced Ivana Trump, found on so many New York tabloid covers in the early ’90s after her split with the future president. “Sort of Uptown call girl,” she says laughing. A hypnotizing pair of white earrings add a stylish nod to Wigstock, where Ru would perform the next summer and be immortalized in Wigstock: The Movie. “More than just what I’m wearing, it’s actually more of an attitude,” RuPaul opines. “It’s like, ‘You’re all welcome to party, come on in.'” She adds: “Everybody is a drag queen. I mean you’re born naked, and the rest is drag.” “In fact, every pop star is. Madonna, Garth Brooks, Flavor Flav. Everybody is in drag.” Stewart asks Ru if Middle America is ready for her. “You know what? America is ready for me, and they kind of have to be ready for me. I mean, what I am is, I’m a result of a change that’s happening. If they don’t get me, the change is still gonna happen, with or without me.” “I have one thing to say!” she teases a crowd of teens at a Sam Goody record store, as she buys a cassette tape of her hit single. At the food court, the Mother of all drag queens imparts a message familiar to her future drag children. “Learn how to love yourself, no matter what. And once you do love yourself, you don’t have to be putting nobody else down.” “Everybody say love!” Stewart asks the future Drag Race creator and star, “What’s your next big challenge?” “My next big challenge,” shouts a wild-eyed Ru, like a drag oracle, “is world domination!“ The Drag Race Grand Finale tapes live at the Theatre at the Ace Hotel in Los Angeles. Get tickets if you can. http://dlvr.it/SlWKsM

[rasheednewsonauthor]

Footnote 68 in “My Government Means To Kill Me” is about the forerunner to RuPaul’s Drag Race: Wigstock.

(For more, check out the documentaries: “Wigstock: The Movie” and “Wig”)

[fuckingfreud]

Wigstock: The Movie, 1995

[01sentencereviews]

“new to me” : june 2018

muriel’s wedding (1994, p.j. hogan)

timeless – live in concert (2001, barbra streisand + don mischer + kenny ortega)

wigstock: the movie (1995, barry shils)

this is not a film (2011, mojtaba mirtahmasb + jafar panahi)

the little girl who sold the sun (1999, djibril diop mambéty)

honorable mentions:

asparagus (1979, suzan pitt)

behind every good man (1966, nikolai ursin)

the guilt trip (2012, anne fletcher)

japanese story (2003, sue brooks) 

lamb (2015, yared zeleke)

munchausen (2013, ari aster)

my name is barbra (1965, joe layton + dwight hemion)

pompeii (2014. paul w.s. anderson) 

a star is born (1937, william a. wellman)

a star is born (1976, frank pierson)

the stepford wives (2004, frank oz) 

the strange thing about the johnsons (2011, ari aster) 

sunshine (2007, danny boyle) 

thief (1981, michael mann) 

new releases:

bao (domee shi)

the dreamed path (angela schanelec)

fail to appear (antoine bourges)*

hereditary (ari aster)

incredibles 2 (brad bird)

killing eve, season 1 [jon east + damon thomas + harry bradbeer + phoebe waller-bridge (creator)]*

leave no trace (debra granik)*

a kid like jake (silas howard)

“no angel” (charli xcx)*

readings:

maya binyam, "spell-check nation (2017)" (the new inquiry)

alexander chee, "the autobiography of my novel" (the sewanee review)*

caden mark gardner, "water & power: why paul schrader's first reformed is such a great upstate new york film" (daffy duck in hollywood)*

owen gleiberman, "david lynch: the conservative heart of a radical" (variety)

rosanna greenstreet, "isabelle huppert: 'my guiltiest pleasure? imagining myself as a safistic, manipulative murderer'" (the guardian)*

eric allen hatch, "why i am hopeful: programmer eric allen hatch on the future of arthouse programming" (filmmaker magazine)*

adrian piper, "reality check" (artforum)

jessica pressler, "maybe she had so much money she just lost track of it" (the cut)

masha tupitsyn, "when we were here: the 1990s in film (2013)" (the white review)*

alissa wilkinson, "paul schrader on first reformed: 'this is a troubling film about a troubled person'" (vox)

damon wise, "david lynch refuses to explain twin peaks: the return: 'ideas came, and this is what they presented'" (deadline)

*must watch/read/listen

[donnahinkleystaceytroy]

[aquaarising]

watching wigstock the movie and getting my life

[outweek30]

TOM RUBNITZ, video artist and painter extraordinaire, arrived in New York in 1978 and immediately began painting the town. He became the historian for the famed Pyramid Club, and was responsible for such irresponsibile masterpieces as WIGSTOCK, THE MOVIE, and MADE FOR TV starring Ann Magnuson. One of his more recent creations is the fabulous public service announcement for AmFAR's ART AGAINST AIDS project, an 80s version of the Sgt Pepper's album cover featuring the B-52s, Nam June Paik, Beverly Johnson, David Byrne, Dianne Brill, Quentin Crisp, Allen Ginsburg, Kenny Scharf, Nile Rodgers and Adele Lutz, to name a fabulous few.

Rubnitz's current projects include a continuing series of movie trailers with whacky titles like The Fairies and Wake Up, Smell The Sanka and Get Your Act Together, Cause I've Got My Own Show To Do. Look for them at trailer parks near you.

— Erich Conrad, “Hot Shot,” OutWeek Magazine No. 6, July 31, 1989, p. 68. Photo by David LaChappelle.

[schlock-luster-video]

On June 9, 1995, Wigstock: The Movie debuted in the United States.

[itwasanangryinch]

3...2...1... Happy New Year!!

For the first (?) time, I’m actually going to make and complete a New Years meme, because fuck it, I had a good year. I’m also going to put much shorter answers for last year since I had wanted to do this then, but then... didn’t.

Favourite new (to me) band: Against Me!     5 favourite songs:

The Ocean

White Crosses

True Trans Soul Rebel

I Was a Teenage Anarchist

Norse Truth

I’ve known about Against Me! since lead singer Laura Jane Grace since she came out as trans in 2012 with her Rolling Stone profile, but I hadn’t heard any of their songs until a couple of years ago. This year was the first year I really got into her music (both here and with The Devouring Mothers) after reading her biography Tranny while on vacation in Melbourne.

Runner up: Miss Guy and the Toilet Boys, seen for the first time at Wigstock 2.Ho

2017′s answer: Ataru Nakamura, the very, very talented trans performer who played Yitzhak to JCM’s Hedwig in Japan (and because of the staging, also played Hedwig for the non-singing part of the script.)

Favourite new (to me) city: Melbourne, Australia.

If you had asked me last year, my answer would have been Tokyo, Japan and this year’s is my favourite for much the same reasons: Melbourne is very easy to get around, very fun to walk around, and I got to see the wonderful John Cameron Mitchell perform there.

Melbourne is absolutely beautiful with so many shops to explore and a free (within the few square blocks I mostly kept to) public transport system.

Runner up: Sydney, Australia. Very similar to Melbourne and might have been the favourite if I had been able to stay there longer, but.... schedules.

2017′s answer: Toyko, Japan. For the reasons listed above. I could actually see myself moving to Tokyo at some point. Not right now, but possibly eventually.

Favourite concert: John Cameron Mitchell: The Origin of Love, Brisbane

This year I have seen this concert seven times in addition to one very abridged show in Portland, Oregon to go along with a double header of Hedwig and How to Talk to Girls at Parties.

On this particular date, the band gelled really well; John was in a great mood, great energy; the crowd was incredible..... Everything just... Worked. (Even tho this was the concert I had the least amount of interaction with John afterwards, lol.)

Definitely looking forward to seeing where John takes the performances for his upcoming stateside tour and at a later, yet to be announced, time in Japan.

Runner ups: (aside from the rest of the OoL tour), Rocky Horror with Mason Alexander Park, Taboo 15 (with Mason), Alice Cooper, and Wigstock 2.Ho where I finally got to see NPH performing as Hedwig.

2017′s answer: Hedwig and the Angry Inch: October 14th, evening. Tokyo, Japan.

In my estimation, this was the best of all of the Hedwig concerts. By this point, everyone had performed this in front of an audience twice before and the show from beginning to end gelled really well. Again, there was an incredible energy between the band and the two lead performers and the audiences for all of the Japan shows were great. From beginning to end, this one was the best.

From about the Tommy monologue til the end, the final Tokyo show (Oct. 15th) was the best because there was this crackling, alive, angry energy that had an almost dangerous feeling to Exquisite Corpse and was the only show (surprisingly!!) where I cried at the delivery of my favourite line “Then love the front of me.” On that show, with the exception of Exquisite Corpse, I cried from that line til John started the encore song, ‘The End of Love’ and I had only stopped there because I had completely forgotten he was doing an encore song.

Favourite movie: Black Panther

I’ve been waiting literal years for this movie to be made and there was not one thing to be disappointed in in its final rendering in my opinion. I realize that unlike a large portion of the audience, this movie was very much not reflective of my experiences and at no point would I claim to be represented by it as anything other than a nerd and a comic book fan.

Being a fan of the Black Panther for years has meant having tone deaf comic lines, sidelined animated stories, and much less content, merch, and even cartoon adaptation than some of his paler counterparts. So to see a film that was technically and narratively perfect being rendered so beautifully and taking the box office for many, many weeks was a wonderful way to start this year.

Runners up: Deadpool 2, Bad Samaratian, and does How to Talk to Girls at Parties even count for this year if I saw it last year in Japan??

2017′s answer: a strong tie between Transpotting 2 and HtTtGaP. T2 because it was so much better than I could have ever hoped it to be. It married themes and footage from the first film perfectly to the characters’ lives 20 years on. It gave me hope for an eventual Hedwig sequel in terms of quality because based on interviews, they share a similar tone in terms of ageing characters. Plus Danny Boyle’s cinematography was truly beautiful with the use of shadows, call-backs, foreshadowing.... A true equal to the most iconic of Scottish films.

HtTtGaP because well.... John Cameron Mitchell’s direction mixed with an alien invasion set against punk rock and the Queen’s jubilee? How could I not love it? To me, it’s a strong second to Hedwig in terms of quality and netted my absolute favourite review via the BBC (‘This is one of the worst films ever made’, trust me Beeb reviewer, if that were true, cinema would be a far more enjoyable art form.)

Favourite vacation: Australia

Long story short: I met my favourite actor five times. It’s very rare in this life that you can actually tell an artist who influenced your life in a very meaningful way just how much their art and they as a person mean to you. This year, after seeing JCM perform live eight times and on video, no lie, thousands of times, I had the chance to actually do this. And unlike how I was worried about for the past three years, I wasn’t actually nervous to talk to him at all. Part of that is that he is a very easy person to feel at ease with, very comforting presence.... And part of it was that during the first Australian show I went to where I’m dressed as the very first Squeezebox Hedwig, John lay on top of me as part of the final number. How could I be scared to talk to him after that introduction??

Runners up: going to see Taboo 15 in New York with my best friend and touring the David Bowie Is exhibit at the Brooklyn Museum (March), going to see Wigstock with Risa. Technically, I ditched work to be able to go, but.... 10/10, I would do it again. I saw a lot of amazing performers for the first time, had a chance to chat with Mason again, and saw the tour de force that is Neil Patrick Harris as Hedwig and Lena Hall as Yitzhak.

Hopefully next year, the Hedwig section will be able to be longer. (Or maybe Yitz will perform by himself. Or multiple Hedwigs. Or just the entire Hedwig script delivered at the end of a seven hour drag festival pre-show.)

2017′s answer: Hedwig in Japan. Not only did I get to meet my friend @miyacantdecide for the first time in person, I was able to see the wonder that is JCM as Hedwig live. Even when he’s not delivering the script, his presence as Hedwig is truly something else. And having seen him perform as himself (but in a version of her makeup) this year, I can honestly say that She has a completely different stage presence to Him and how incredible of an actor to be able to deliver such radically different interpretations of the same material and songs??

Outside of Hedwig, I can honestly say that I came back from Japan a changed person. Better in so many ways than I was a year previous. Almost completely made whole again after past traumas (and completed a year later on a different trip.)

2017′s runner up: seeing RENT 20 live. I had a blast hanging out with my mother most of the days and the RENT 20 cast? Holy shit. What talents. Cried from ‘I’ll Cover You (Reprise)’ til the end of ‘Finale B’. Just goes to show: it doesn’t matter if the show’s set in December and it’s hot As Fuck outside if you have a talented cast bundled up in sweaters for 75% of the script.

Favourite album: Golden by Kylie

Not only does pop’s most talented princess talk about her recent breakup with Joshua Sause (sp?), there’s themes of her ageing as this year our princess turned 50. While I agree with reviewers that this isn’t her best musically or vocally, I find myself replaying this one over and over on my stereo and headphones more than almost any other album this year. Favourite song: a toss up between Shelby ‘68 and Low Blow.

2017′s answer: Pollinator by Blondie. It had been two years since the release of 2014′s Ghost of Download, but unlike Ghost’s offerings that went largely unnoticed by me at the time, every single from Pollinator got me more and more hyped not only because of the excellent music evident on songs such as Fun, Long Time, and Doom or Destiny, but collaborations with artists such as Raja (on the video for Fun) and Joan Jett (the aforementioned Doom or Destiny), the honey-thick entrancing song Fragments, and the wonderful Love Line.

This year has been weirder, queerer, and more wonderful than any year yet on record. I’ve been to a number of technically-but-not-really drag shows, revisited some of my favourite artists in concert, met two of my favourite Hedwigs, and saw four total Heds perform.... I’ve read and learned more about the queer experience that not only deepened my understanding of my larger community, but of my own experiences and how they fit within the community. I’ve become more confident being out to coworkers and customers at my job....

I had the pleasure of meeting two of my close friends @hedwig-in-a-jukebox and @fdelopera in person (with plans to meet up again early-2019) as well as making some new friends.

Here’s to an even better 2019! Onwards and upwards.

[howardhawkshollywoodannex]

John Epperson as Lypsinka in Wigstock (1995). Lyp was born in Halzlehurst, Mississippi, and has 13 acting credits from Vampire's Kiss (1988) to a 2018 tv movie. This is his second honorable mention, after Kinsey.

His other notable credits include a George Michael video, Angels in America, Another Gay Movie, and Black Swan.

[thotyssey]

On Point With: Heklina

Few can brag true legendary drag status on the American West Coast more than Iceland-born Heklina (named, fittingly, after a volcano). Her brilliantly batshit, camp-comedic performances combined with her creation of the long-running, multi-queen showcase Trannyshack (later revamped as Mother) have been essential in defining what San Francisco drag is today. Thotyssey is  honored to chat with this drag empress about her legacy, the glory days of San Francisco and New York drag, the nightclub she now runs, the state of comedy today, and her upcoming performance in the Wigstock revival!

Thotyssey: Heklina, hello! Thank you for talking to us today! So, you are one of San Francisco's most prominent queens and are likely the authority: is SF the city with the most perfect drag weather?

Heklina: Having just come back from Reykjavik, Iceland, I would say THAT is the best drag weather--unless it rains of course. But yes, San Francisco is great... the only exception would be the five days a year where it’s unbearably hot and NOWHERE is air-conditioned.

So you were just back in Iceland?

I performed there for Pride! I did a show with Detox, and Bjork came backstage to say hi.

I was just wondering if you were a Bjork fan.

I absolutely love Bjork--she is an utter genius, and I can’t count how many Bjork tributes we have done at Trannyshack, and now Mother (my new Saturday night drag showcase, if 4 years is new).

Trannyshack / Mother is the a long-running drag showcase you created in San Francisco with a very loose format; it broke in a lot of great drag talent over the years. Do you have any single memory of a performance or an occurrence during its run that really stands out for you today? Gosh there was so much. Very early on, there was a performer named Runrig who did a performance where he popped Jiffy popcorn off of a hotplate on his head. Immediately after his performance, he had to be rushed to the hospital with third degree burns on his scalp.

People did everything at Trannyshack! Injected themselves, pissed on each other, blew things up, drenched themselves in blood, pulled American flags out of their assholes. Someone almost burned the place down one night lighting an entire Christmas tree on fire.

Today's Brooklyn drag seems to be similar to how SF drag is often described: showcasing lots of queens filling the stage in one night doing one number each--maybe two--as opposed to a single queen doing an hour-plus show like in Manhattan. And the style of drag (Brooklyn and SF) is more non-traditional and outlandish. Why do you think drag evolved this way in San Francisco? I am going to do something I do not normally do (really) and toot my own horn. SF has this drag show format largely because of Trannyshack. I look around me, and just about every drag show I see in San Francisco now uses the Trannyshack “template,” i.e. a wacky themed show that changes every week.

The style of drag in SF I can’t take credit for--it was a style that heavily influenced me when I first moved here. Punk rock, DIY, no rules. I went into starting Trannyshack with these influences, which made it what it became: a venue where it didn’t matter who you were off-stage, it only mattered what you did on-stage.

The NYC format of one queen performing for an hour didn’t used to be like that. There used to be really interesting shows at places like the Pyramid, etc. That shows how old I am, I guess. The New York City I loved no longer exists... but then again, neither does San Francisco, in many ways.

You and That Other SF Drag Force of Nature, Peaches Christ, work together quite a bit, with these elaborate staged parodies and tributes of classic TV and movies. Are you two Judys at the point now where you can basically finish each other’s sentences?

Yes, and we are performing together at Wigstock this weekend! We are very dear, old friends, but I really don’t see her that much these days.  She’s been in Provincetown since June, then she’s coming back in October to SF to get ready for her Haunted House Extravaganza here. Our next big project together is the Queens Overboard drag cruise in February, with Jinkx Monsoon.

Speaking of old friends, I just re-watched you and Sharon Needles compete in WOW's Bestie$ for Ca$h. You knew her a lot better then she knew you!

Haha, the truth is we are not besties! We are friends, but we both happened to be shooting Hey Qween at a different studio that day, and I suggested she come with me to World of Wonder to do “Besties”, since my original choice (Mario Diaz) had to cancel last minute!

You're currently the proprietor of The Oasis, a SF cabaret nightclub where Mother now resides. What other kind of shows happen there, and how has becoming a venue owner changed your perspective of drag, if at all?

ALL kinds of shows happen there...  it’s hard to explain it all. Owning a business has, of course, changed my opinion of how expensive it is to run a business in San Francisco! Drag, not so much...  except as I get older I continue to want to do tribute nights to Siouxsie Sioux, Deborah Harry, Bowie, etc. at my Saturday night show Mother. But there’s just no audience for it anymore. Speaking generally, the audience for those artists is too old. If I do a Gaga or Kylie tribute it’s packed, so I’ve had to adapt if I want to remain in business.

With all this showrunning and venue-operating going on, do you get to actually perform as often as you’d like these days?

No, not really. A huge chunk of my time is spent at home, booking the club out and producing--I need an assistant!

Time for some current events! Bianca Del Rio recently got some flak for making a "rape joke.” Should some topics be off limits in drag humor, or have audiences just become too uptight?

I personally think NO topic should be off limits. It’s dangerous to say you can make fun of this, but not that thing over there.

To me personally, the best part of humor is to take the topic that is sad, or tragic, or taboo, and poke at it with a stick and take the power out of it. Some of the times, I have laughed the hardest is when people have made jokes that were so offensive I couldn’t believe it--Joan Rivers comes to mind--nothing to her was off limits, and she had a brilliant attitude that shocking humor levels the playing ground... there are no sacred cows.

And YES, people are way too uptight. There are literally people who wake up every day and scroll Facebook to decide what they should be outraged about, LOOKING for something to be offended by. Ultimately, what has gotten lost with the rise of social media is objectivity. It shouldn’t be what is being said, but who is saying it, and how.

But this is MY opinion, and I have a very dark sense of humor--it’s helped me through a lot of shit.

So you're coming to NYC this Labor Day Weekend for the surprise revival of Wigstock, the classic drag festival that first gave drag artists more mainstream exposure in the pre-Drag Race years! Have you ever performed in any earlier editions of the festival?

No, the last time I was at Wigstock was 2001. I attended with Peaches Christ, but we just had backstage passes, we weren’t performing. This was a week or so before 9/11--and those were the days before cell phones, when you would take film to be developed. So right after 9/11, I picked up my photos at the corner camera store in the Castro. There were all these photos with me and Joey Arias, Jackie Beat, etc. with the Twin Towers behind us--very bittersweet.

Wigstock will group you and Peaches with New York legend queens like Wigstock creator Lady Bunny and Sherry Vine. Do you have any other NYC queens you admire?

Who said I admire any of those cunts? Just kidding--as a baby drag queen I had a huge amount of respect for the NYC queens (Sherry, Joey, Bunny, Candis, Formika). I still do!

This new Wigstock should be one for the history books! Do you know what you're gonna perform?

Peaches and I are going to come out and reprise our comedy bit from last year’s Drag Queens of Comedy tour... hopefully we will be funny this time!

No doubt about that! Last question: What's your best advice for a baby queen coming up today?

Be yourself tonight--skip the Youtube makeup tutorials and find out who YOU are.  Drag is about self-expression, please remember that.

Thank you, Heklina!

Heklina is a San Francisco-based queen and owner of that city’s venue The Oasis--follow her social media (Facebook, Instagram, Twitter, YouTube, her website) for more info on her SF gigs, and check Thotyssey’s calendar for any upcoming NYC appearances.

On Point Archives

[lillygoodmansstuff]

watching: wigstock

i’ve been doing quite a lot of research into drag culture, and i came across this movie/documentary of wigstock festival. wigstock was an anual drag festival held in new york city. the movie included a lot of drags well known names, including rupaul. it was such a fascinating watch, and gave me a lot of insight into how drag has developed.

[jlundenberger]

It's worth staying up late for this #TCMUnderground 1990's double feature! WITHOUT YOU, I'M NOTHING (1990), 2:00 AM & WIGSTOCK: THE MOVIE (1995), 3:45 AM. Or the DVR will do. #TCM #stayuplate #dragqueens https://www.instagram.com/p/CTXL7UUgYUi/?utm_medium=tumblr

[fotzepolitic]

June 2021 movies of the month

Kyojin to gangu / Giants and Toys (1958)

Hands Across The Table (1935)

Minnie and Moskowitz (1971)

Transylvania 6-5000

An American Werewolf In London

Shōjo Kakumei Utena Aduresensu Mokushiroku / Adolescence of Utena (1999)

Terror Train (1980)

Event Horizon

Slumber Party Massacre II

All Small Bodies (2018)

Crystal Lake (2016)

Celebration (2007)

Bara no Sōretsu / Funeral Parade of Roses

Pink Flamingos

120 battements par minute (2017)

Rebecca (1997)

Clash By Night (1952)

Secret Ceremony (1968)

Phantom of the Paradise

Bay of Blood (1971)

The Witch Who Came From The Sea (1976)

False Positive (2021)

Wigstock: The Movie

Le petit poucet (2001)

Shaft (1971)

Shaft's Big Score

Gohatto (1999)