#would like to note this is written by

[inksplit]

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

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[peridots-pixiwolf]

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

[thesunisatangerine]

against all odds (to wait for you is all i can do) – part four

alexia putellas x photojournalist!reader

warnings: explicit sexual content

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 4.3k

It didn’t stop after the first and it sure didn’t stop after the third, either. 

Depending on her schedule, you saw Alexia once or twice at most a week; most of the time it was on the night after a Barcelona match and by the next morning, she’d be gone before you even woke up. But you’d noticed her visits had been increasing in frequency lately, not to mention that sometimes she’d still be in bed when you awakened. The first time you found her still asleep beside you, you were dumbfounded, thinking it was a dream image of her in front of you. And what amazed you even further was that it kept happening.

It wasn’t an unpleasant development. In fact, it was something you gratefully welcomed. And it wasn’t just that, either. Sometimes when Alexia came over, you didn’t even have sex you just… talked: about her training and her health, her teammates’ shenanigans–and hers, of course–her family and bits of her personal life. Meanwhile you told her about places you explored and showed her photos of where you’d been. Then she’d tell you about places you could check out, food to try, and even went ahead and promised to take you to some of the places herself when she had the opportunity.

These times were rare, sure, but you found yourself enjoying her company more and more to the point you noticed yourself craving for it–found yourself missing her presence despite your constant back-and-forth messages. And still you didn’t ask where this was going for fear of ruining whatever the two of you had; you were content and you just simply wanted to watch this unfold as it was. And anyway, it wasn’t like you weren’t used to fleeting relationships, situationships–whatever you’d like to call it–because who was to say this wouldn’t end up like your previous dalliances–ending before it could ever truly begin? Despite you hoping otherwise, a large part of you already convinced yourself that this wouldn’t be anything different: just another highlight to your getaway vacation that you’d look fondly back on a few years down the line.

You had a month left in Barcelona, maybe an additional few weeks depending on the client. What could possibly go wrong?

———

A knock took your attention from your work to the door. You looked at the time–it was early evening on a Saturday and you weren’t expecting anyone. Perhaps you just imagined it? But then it came again not a minute later. You were reluctant to open it seeing as it was already dark but a ping from your phone that signalled a message from Alexia asking if you were home had you flying to the door. 

Upon opening it, you found Alexia there with Nala resting in the crook of her arm, phone in hand, and a paper bag in the other. 

“Took you long enough.” Alexia said playfully, all cool and confident but then her brows quirked upwards almost sheepishly as she said in a more tamed tone, “is this a bad time? I didn’t mean to disturb you.”

You smiled at her consideration before you ushered her in. “No, no! It’s fine, really! Come on in. Sorry, I just wasn’t comfortable opening the door when it’s dark without knowing who it was.”

“Ah, it’s my bad. I should’ve let you know before dropping by.” She bent down and let Nala loose before she untied her shoes and left them by the door. Nala bounded to the living charged with curiosity, nose to the ground, tail wagging as she carefully examined the new space. 

Alexia regarded her dog with an amused expression before she looked back at you. “I meant to bring this over after the game tomorrow but I saw the lights as I drove past so… here I am, I guess.”

You reassured her again as you locked the door behind her and you watched as she made her way to the kitchen. As you passed through the archway to the kitchen room, Alexia already situated herself by the counter taking out glass canisters from the paper bag she brought. When she took the lids off, a delicious aroma instantly filled the air, enticing your senses.

“What do you have there?” You asked as you leaned on the opposite side of the counter.

Alexia smiled at the eagerness in your tone and pride shone in her eyes as she spoke, “only the best fideuà and esqueixada in the world. Made special by my mother, of course.”

You peered into the containers and the sight made your mouth water instantly. As if it remembered that you hadn’t had any food yet, your stomach grumbled obnoxiously. Alexia definitely heard it because she fixed you with an amused smile and at that, your cheeks warmed so you tried to divert her attention. “You know what would put this all together?” 

“What?”

“Wine or champagne. Wait–are you allowed to drink?”

“I’m allowed since I’m still not qualified to play yet.” Her visage became somber for a moment–it fleeted so quickly you almost didn’t catch it–before the light in them returned again. “If you have it, white wine is the best complement for this.”

You hummed and tapped your chin, turning to make your way to the cellar. “I’ll have a look. I’m sure Derek has some wine stored in here somewhere.”

You’d mumbled the last part but it seemed Alexia’d caught it because she asked, “who’s Derek?”

Something odd in her tone stopped you and made you look back at her. Her face was unreadable, almost too neutral. She didn’t think Derek was your boyfriend, did she?

“Oh, Derek’s my brother. He hasn’t been here for a while but he owns this house.”

“Ah, I see,” Alexia cleared her throat, looking away and you could just see a hint of redness in her cheeks. “Well, I’ll lay out the plates. I suppose they’re just in...?”

“The bottom drawer to your right and the utensils are in the upper one.” You instructed as you continued towards the cellar.

“Oh, yeah, I see,” came Alexia’s muffled response. 

When you returned with the bottle of white wine, you found that Alexia managed to locate the glasswares by herself and were drying them with a tea towel. There was only one set of plate and utensils laid out though so you fixed her with a confused look.

“You’re not going to eat?”

Alexia shook her head. “I already had my fill with my family earlier. I’ll take the drink, though.”

“That’s nice that you visited your family today. How are they?” You sat at one of the high chairs by the counter, popped the wine open and poured each of you a glass. You noticed that Alexia’d heated up the fideuà for you from the steam that rose from its container which strengthened its aroma and made it all the more enticing. Alexia remained opposite you but she was close enough with her leaning forward on her elbows, her glass of wine in hand.

She sipped her wine and told you they were well, described little snippets of what’s been happening in her family life. She even told you about a prank she recently played on her sister, one that nearly made you choke on your wine. 

You listened as she talked, liking the way her brows quirked and her shoulders move as she spoke, how each gesture became more pronounced the more passionate or interested she was on a subject. You asked questions and engaged with the conversation every now and again as you savoured the rich taste of the pasta and the freshness of the salad. You’d never had anything like it and you told her as much. In response, she said she’d give the compliment to her mother when she saw her next which made your cheeks warm up again. Once you finished, you tidied up and though you insisted she didn’t have to, Alexia helped you wash up anyway. 

Afterwards, the both of you ended up in the living room with your glasses of wine. She gestured at your laptop on the couch with her glass.

“Work?”

“Yeah. Just double checking if I missed anything important and preparing for the match tomorrow.” You sat on the couch and put the laptop on your lap. Alexia opted to sit on the carpet, legs stretched and crossed, back leaned back against the couch, her head just beside your legs as Nala settled by her side.

She turned her head, looking up at you. “Can I see?”

You turned your laptop so she could see better. You flicked through the photos you were sorting through, explaining to her every now and then the thought process behind each shot. On some photos, Alexia asked you to pause so she could soak them in.

“These are great. You have a great eye.” Alexia complimented with an appraising nod as you got to the end. You thanked her as you pulled back. Then a question came to mind.

“Do you ever get used to it? The cameras, I mean.”

A pause.

“I’m not and I don’t think I ever will. I’m more comfortable with it now but if it’s possible to avoid, I’d do it. I know it’s a part of football and god knows how much more exposure women’s football needs,” Alexia released a heavy sigh, “but sometimes it just gets too much, you know? I mean, I really should be grateful, right? To have gotten to this point? But the media side of it is… not without its own set of miseries.” 

There was an inflection in her tone upon her admittance–guilt. You gently carded your fingers through her hair, Alexia leaned into your touch in response, and you replied just as softly, “it must’ve been difficult. It still is and for you, especially. And I don’t know if anyone’s told you lately but you have to know: you’ve given so much of yourself already. It’s not a sin to want a little peace, Alexia, and it doesn’t make you ungrateful for wanting it, it just makes you human.” 

Alexia took a deep breathe before she rested her temple against your knee. Then you heard her whisper, “thank you.”

A silence fell upon the both of you after that but it wasn’t an uncomfortable one. She remained that way for the majority of the night, head against your knee as she watched a game of football on the TV. 

By the time you finished up your work, it was already late evening and Alexia’d dozed off beside you. You felt bad as you gently woke her up and groggy hazel eyes found yours when you did. The sight made your heart ache from how much Alexia looked younger and more at peace this way, and you told her to wash up so she could stay the night.

And she did.

Now, your cheek felt warm against her chest despite the slight dampness of her borrowed shirt from her hair. Her skin smelt faintly of the soap you were using and with her arm around your waist, you fell asleep content, lulled to a deep slumber by the steady rhythm of her heart.

———

“Hey, please don’t wear that, it’s dirty,” came Alexia’s reprimand from behind you.

You glanced at her reflection in the mirror: Alexia was propped up on the pillows against the headboard, an arm behind her head, nude except for the bundle of sheets that covered one of her thighs, the marks you’d left on her neck and chest last night and this morning generously displayed for you to behold. 

She was nothing short of glorious, you thought, looking relaxed and content like this. 

You turned your attention back to your own reflection: Alexia’s Barcelona jersey draped over your smaller frame and fell just partway down your bare thighs. It felt comfortable against your skin and the fact that it smelt just like Alexia made it feel all the more special.

When you looked at her reflection again, you found her with an affectionate smile, eyes lidded and brows inflected slightly upwards, and suddenly the attention warmed your cheeks.

“But you only wore it for a shoot, right?”

“I mean, yeah, but you know what I mean.”

You hummed, “do you need it?”

“No, I have spares,” she replied before she raised an eyebrow. “Why?”

“That means I have time to wash it before I give it back since you insists that it’s dirty.” You said drily as you turned away from the mirror and padded your way to the bed, crawling on the sheets on your knees once you got there.

As soon as you got close enough, Alexia’s hands were immediately on you, guiding you to straddle her lap before she embraced you fully, resting her chin between the valley of your breasts as she looked up at you. You carded your fingers through her hair to see those fair, hazel eyes that never failed to make you shiver.

“I didn’t say you have to hurry. Plus… I kinda like seeing my number on you.” And then she was kissing your neck and you felt one of her hand creeping its way down to cup your ass. You gasped when you felt the heat of her fingers brushing against your core and you buried your own in her hair as she traced a path from your throat to your ear with her tongue, nipping at your lobe when she got there.

“Fuck… Alexia…” You moaned, “you’re insatiable.”

She kissed your shoulder and then she whispered, “only for you.”

———

Something flashed from the corner of your eye followed immediately by a string of whispered curses and a familiar whirring sound. You put your thumb over the line you were just reading so you wouldn’t lose your place before you looked over your bare shoulder to the corner of the room you knew Alexia was who you found, as expected, holding one of your Polaroid cameras. 

She was only wearing a pair of grey sweats which left her torso bare and–like all the time you saw her nude–you couldn’t help but appreciate the soft curves of her breasts and the carved muscles of her stomach. When she met your gaze, she smiled almost sheepishly at you not dissimilar to a child being caught stealing cookies from the jar.

You raised a playful eyebrow at her but instead of answering, she placed her eye over the viewfinder, aimed the camera at you, then pressed the shutter again.

The film came out with a whir and Alexia immediately tucked it into the pocket of her sweats. She then began to make her way towards you and at every other step, she’d stop to take a photo of you, carefully manoeuvring the camera to get the right angle as she did so. It was an endearing sight, really, and it was one that filled your chest full of warmth. 

Eventually, she ended up on you, turning you over on your back as she straddled your waist, leaving you at the mercy of Alexia and her camera. From this position, you couldn’t help but feel extremely vulnerable and exposed not because of your bareness, but because you knew with the way your chest surged with warmth from how Alexia gazed down at you with a satisfied grin, the dimple on her cheek showing as her tongue peeked out between her teeth at the corner of her mouth, seemingly focused on getting the right shot, that this was a woman who had the power to completely and utterly unravel you. 

As a photographer, you were well acquainted with how cameras had the capacity to capture the essence of a moment–to display in raw details the emotions of its subject and freeze them in time, readying them for the dissection and scrutiny of the viewer. You wondered then what Alexia would see written in the shadow, the light, and the colours in the photos she just took of you once she looked at them, and the thought both elated and frightened you. 

Alexia brushed away hair from your temple but as she was about to pull away, you put yours atop of hers and turned your cheek into her palm, looking directly at her behind the camera. You heard her breath catch and then she stuttered out a breath, and the flash barely registered in your mind because you were too focused on the strength and the warmth of Alexia’s hand as you pressed butterfly kisses on the inside of her palm. 

The next thing you knew, the camera was abandoned completely and you couldn’t help the laugh that bubbled out from your throat when you finally felt Alexia’s lips on yours.

———

Alexia sat on one of the high chairs in the kitchen room, hair damp, a game of football on the mounted TV that was left forgotten in place of… something that you couldn’t quite see from this distance. Alexia’s shoulders were hunched over in concentration and you didn’t have the heart to interrupt whatever she was doing so you leaned on the archway, content with just observing her do her work.

“Are you just gonna stand there or would you care to join me?” You rolled your eyes and you didn’t fight the smile that graced your lips. So much for being sneaky–the fact that Alexia was an accomplished footballer who had crazy spatial awareness occasionally slipped your mind.

“Okay, Gwen Stacy, calm down.” Alexia looked over her shoulder then and stuck her tongue out at you, grinning. “How did you even know I was here?”

“Your reflection on the microwave.” She gestured to it with her chin and sure enough from this angle you were instantly visible especially with the white shirt you had on. The dark glossy surface almost made you look like a ghost.

Standing on your toes, you draped yourself over her broad back, arms wrapping loosely around her neck as you peered down. “So, what are we working on?”

“This.” 

A bracelet made of a dark-blue and red string that looped into itself with a singular, small gold diamond-shaped charm right in the middle, a vertical bar at the two corner points of the long edge of the diamond, dangled between Alexia’s fingers. She took your right hand and placed it in your palm so you could look at it: the bracelet was simple but it’s delicate nature made it all the more beautiful and elegant.

“Oh, wow, this is so pretty.” 

“It’s for you.” At that you looked at her, half-afraid that she’d feel the way your heart raced at her words against her back. 

You were so busy trying to find the right thing to say that you didn’t realise that she took the bracelet back until you felt the warmth of her fingers on your palm as she turned your hand over. You watched her as she wrapped it around your wrist, securing the tie. You turned your right wrist over and looked at the delicate bracelet, and something in your heart soared at the small gift. The fact that Alexia made it herself made it all the more special to you.

“Thank you, Alexia. I love it.”

“You’re welcome.”

That night while you were sufficiently warm nestled by Alexia’s side, naked except for the sheets, your head on her chest, a realisation hit you.

“It represents FC Barcelona, isn’t it?”

Alexia hummed in answer, the rumble from the sound a pleasant sensation on your cheek. Then she held your wrist in the space between her thumb and index finger, the width of her palm supporting your hand as she turned your hand just so so the gold of the diamond could catch the light.

“And what else?”

At that, you looked at the bracelet intently. The two bars: one and one–Alexia’s number. So she really was serious when she said she liked seeing her number on you.

You let out a small laugh, then you nuzzled her jaw as you spoke, “you little sneak.”

———

Minding her bad knee, you flipped the both of you over with a strength that even surprised yourself and with how Alexia’s brows raised high, you supposed it took her off guard, too. You settled your weight on her stomach and you bit your lip when you felt her abs tense against your core, and the desire in you blazed into a raging inferno that threatened to burn you inside out.

She grabbed your ass in both hands with a firm grip, making you gasp when her hold made you grind against her stomach, her eyes smouldering as she looked up at you. 

That look was your last straw; you couldn’t stop fighting your desire anymore so you let it swallow you whole. You fell forward, bracing your weight against your elbows as you craned your neck to kiss Alexia, rough and desperate, her lower lip between your teeth. The action rewarded you with a low moan, a delicious sound that shot heat straight down to your core.

“Just what do you think you’re doing?” Alexia gasped out between your relentless kisses.

“I like being on top,” was your simple answer whispered hotly against her ear, nipping gently at the soft skin there–teasing. 

Then it was your turn to gasp. 

Her fingers dug delightfully into your flesh, kneading your ass roughly before easing them apart with equal force. The harsh treatment caught you by surprise and the effect of it even more unexpected as you immediately melted against her, moaning her name helplessly against the crook of her neck. 

She knew just how to make a mess of you.

“Hmm, do you?” She asked coyly and then proceeded in a deliciously low voice that oozed seduction, smugness, and sex. “Too bad I’m still in control.”

“Fuck.” Your body answered for you in a full-body shiver. Her words turned you on to the brink of falling and you found no purchase as you slipped from the ledge.

It should be embarrassing how you could come without Alexia even fucking you, and it should scare you that she had this much power over your body but in this moment, when her hands were everywhere but your pussy and her filthy words were whispered hotly in your ear, you could care less. So you fell apart, shaking and weak, as you sank on top of Alexia’s firm and soft body, her name barely coherent from the sobs that came out of your lips. Euphoria lit every nerve in your body as you came, the fabric of your underwear latched deliciously on your pussy like a second skin and you were sure that you’d made a mess on Alexia’s bare stomach.

You only realised Alexia had stopped her teasing ministrations until you heard her thick voice through the haze of the afterglow which you barely caught.

“You came.”

It wasn’t a question, really, but you let out a small affirmative moan because what else could you do? You were mush–the intensity of your orgasm caught you off guard and left you floundering that no thoughts formed in your mind, just pure bliss and ecstacy. But as the veil of euphoria began to lift, embarrassment bled into the edges of your consciousness and with it the instinct to apologise. The words were poised at the tip of your tongue when Alexia moaned.

“Fuck, that’s so hot,” she breathed out and when you found the strength to lift your head to look at her, her eyes were lidded, pupils blown so wide they were almost all black.

And then she was pulling you in for a kiss, and then the wet heat of her tongue traced the edge of your ear, and she was nipping at your jaw while she dragged her palms from your ass to the side of your ribs. Your skin burnt at her touch and you could do nothing but surrender, to moan and whimper as your heat blazed anew despite having just been swept away.

“But this time, you’re going to come with my fingers in you.”

She didn’t even let the words sink in. Instead she wasted no time to slip her hand between your bodies and to push aside the fabric of your ruined underwear. Usually, Alexia liked to tease you and ease her fingers in you slowly as she sought as much reaction from you as she could, but the slick she found there must had been enough to satisfy her because she pushed two fingers in as soon as she found you. The thickness of her fingers slid in easily and you nearly screamed her name from the pleasure. 

She was relentless in her endeavour to make her words true with the way she gripped your hip steady with her free hand so you didn’t stray too far from her touch when you moved to meet her thrusts, the pace at which she worked her fingers in you left you lightheaded the same way her teeth on your neck worked to drive you insane.

“Alexia, Alexia, Alexia–” You chanted her name like a holy litany, burying your face into her hair that was now slightly damp with sweat and breathed her in: her scent of sun and freshly cut grass, of faint wintergreen, and an essence that was uniquely hers. The moment left you full with something heavy and warm, something that spoke of and hoped for forever, and clarity washed over you: this wasn’t like one of your previous dalliances anymore because you wanted more with her.

The realisation hit you hard, the gravity of it left your mind in a momentary stasis that when you came back to yourself, the shock of your orgasm knocked the breath from your lungs and you felt yourself being pulled by the tide. So strong was it that you could do nothing but pray the flood wouldn’t take you–that Alexia wouldn’t let you drown.

[maaxverstappen]

help me hold onto you | T | 6/12

f1driver!max and streamer!charles

The man– Charles, Max assumes– sounds French. He loves that. He should be used to a French accent, he was forced to converse with Pierre often enough, but it sounds different coming from Charles. More melodic. Almost similar to someone he used to know once. “And that made me think,” Charles says, voice bellowing from Max’s speakers. “That it was stupid that we didn't have carrots before. Like, come on, it's a farming game.” Max has no fucking idea what the hell he is on about.

or: Max is lonely and finds Charles streaming on Twitch.

based on this prompt sent to @f1prompts

[disastergenius]

maybe this is a hot take but i do wonder if the initial gnarlrock incident, following argument, and (imo) anticlimactic and almost complete brushing off of that conflict occurring between Imogen and Laudna had actually led to a real conversation about Delilah/her influence and Imogen and Laudna's relationship in general (pre-established romance) would have made discussing Delilah later in the campaign easier

[crybaby-bkg]

Bakugou has always taken care of you, even before you started dating him. when you were mere friends and still learning each other, he remembered all the small things about you. he always seemed to pack the medicine you preferred when you weren’t feeling good. always had a plethora of your fav snacks on his person somehow, like he was just waiting for you to mention wanting it.

he acts put off by it every time, with his scoffing and eye rolling and huffing. but you see the way his eyes narrow when someone beats him to the punch, when you reject his offer of medicine or food. early on you notice, that he just likes to care for you, look after you, be there when you don’t even realize you need someone.

he’s there when you get high for the first time—all worrywart and frustrated sighs when you keep slurring after an hour. he’s there for you, to help lay you down somewhere safe and ward off those with bad intentions. he’s there when you get broken up with—ready to email that fuckers job and let them know how they fucked you over. but he still holds you tenderly with every sob your shaking body heaves. he’s there when you get drunk—handing you waters and letting you pull him in to dance and sing off key.

and when you finally get together, it’s like you don’t even have to learn anything about the other. its likes you’ve been together for a hundred lifetimes, like your quirks have been ingrained into his everyday routine, like you’re the freckle on the lower left corner of his right hand. he falls into you, and you into him, easier than breathing. he just has a knack for caring—and learning and loving—about those he loves.

[batsplat]

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

[rutilation]

This opening is replete with symbolism. 

Flower language has been a recent fascination of mine.

Do you want to make my new hyperfixation your problem? If so, then let's take a deep dive into the first opening before the new one airs tomorrow.

Before I start, here are a couple of things to keep in mind.

While the use of flower language in this show mostly lines up with Japanese hanakotoba, there are still a number of flowers here that hold particular significance within Chinese culture, and thus have additional meanings that don't line up with those from Japan.  I’ll be mentioning them alongside the Japanese meanings where I deem it relevant.

The following will contain light spoilers of content from the novels/manga which has not been animated at the time of writing. I'll try to be vague and sparing with it, but there are a few flowers I can't discuss without them.

Past the title card, the opening begins with eight blooming flowers dancing through the frame in rapid succession.  These represent the storylines covered by the first cour of the anime in order of appearance, and each can be found in the episode(s) they signify.  From the top:

Rhododendron: This plant is all over the first two episodes, so I'm going to cover its appearances before delving into its meaning. In episode one, there are two shots of the buds of this plant, one as Lihua gives birth, and then again as the doctor examines her baby. They're finally shown in full bloom as one of her ladies disregards the branch Maomao used to warn of the toxic makeup. In the following episode, Gyokuyou has seemingly taken a liking to the flower that saved her daughter's life, and a few clusters can be seen in a vase during several shots before Maomao uses them as an example of a seemingly innocuous plant that could cause accidental poisoning, and indeed, if you look closely at the background during the scene with the soldiers, you can see what appear to be rhododendron shrubs. There are actually quite a few different possible meanings for the many granular varieties of Rhododendrons/azaleas.  Luckily, the characters said the name of the plant out loud for me: shakunage.  So, this is Rhododendron subg. Hymenanthes.  In hanakotoba it means dignity and majesty, but also, on account of its poison, danger and caution. Those last two meanings clearly line up with its ominous usage in these first episodes, growing and maturing as the babies grew sicker. But in addition to their function as a warning of danger, I think there's a case to be made that they also represent Gyokuyou herself. As I stated earlier, she starts keeping them after the first episode, and Hongniang later starts growing the closely-related azaleas in the jade pavilion as well. As for how its meanings apply to her, Gyokuyou is regal, magnanimous, and never loses her composure (unless it's at Jinshi's expense lol,) but she's also described by Gaoshun as shrewd and cautious, being unwilling to hire any lady she doesn't absolutely trust, and constantly gleaning information to send back to her family. These all fit with the dual meanings of rhododendron. In Chinese culture, rhododendrons and azaleas represent womanhood and passion, as well as home and a desire for homecoming.

Cotton rose: A type of hibiscus, this represents Fuyou, decorating both her person and her chambers in episode 3.  It means 'delicate beauty' and 'graceful lover.' I think these are referring to both her skill in dancing, as well as her affectation of frailty and neuroticism. As far as I could dig up, its unique tendency to change color based on the time of day doesn't have particular bearing on its meaning in either Chinese or Japanese culture, but the story itself uses it as a metaphor for Fuyou hiding her passion, will, and cunning behind a wallflower exterior.

Balloon flower:  In hanakotoba, it represents undying love, sincerity, and grace. These grow in the crystal pavilion, adorn the iconography of Lihua's furniture, and likely inform her blue and violet color scheme. Its last two descriptors gesture towards Lihua's style and personality. She's elegant and staid, but she also takes everything quite seriously, and wears her heart on her sleeve. As for the undying love element, I see that as alluding to her love for her son, her agony at his passing, and her hopes of reclaiming that love again through having another child.

Violet: This one actually tripped me up for the longest time.  The flowers in the opening looked like hostas to me, but no matter how closely I looked at the backgrounds in this show, I couldn’t find anything along those lines.  Eventually though, I caught on that these must be the violets from episode five, even if they’re a different color from those shown in the episode.  And also droopier.  Anyway, violets mean humility, sincerity, and ‘a little bit of happiness.’  In the episode proper, they are crushed underfoot as Maomao narrates about the lengths she had to go to keep herself safe while growing up in the red-light district, illustrating how even the modest aspirations of an ordinary peasant are in perpetual danger in such a cutthroat environment.

Chinese aster: Daisies and asters are my least favorite flowers to identify.  They all look the same.  As such, I’m a little less confident about this one, but I think it’s a Chinese aster.  The leaves and buds look similar, and the context in which it appears in episode six suits its meaning.  As Lishu’s ladies disparage her so-called pickiness, a shot of this flower opens the episode.  While the Chinese aster’s meaning changes based on color, white in particular means ‘please believe me.’ I think that speaks for itself

Toad lily:  This appears twice during episode eight, where Maomao gets drawn into the mystery of an attempted murder during her vacation.  Toad lilies symbolize hidden thoughts and intentions, alluding both to the possible conspiracy on the part of the women of the brothel, and to the fact that Maomao will never really know the truth of the incident, having to content herself with speculation.

Sacred bamboo: This one is easy to miss, because while the plant is in full bloom in the opening, it’s laden with berries in the show proper.  This is Nandina, a.k.a. the sacred bamboo, a mainstay of autumn and winter floral arrangements in both China and Japan.  It’s considered auspicious, symbolizing a reversal of ill fortune into prosperity--the precise opposite of how it’s presented in episode nine of the show.  There, Maomao fiddles with the plant as she contemplates all the instances she’s seen of good fortune being struck down by tragedy, and the prospect of that same sword of Damocles falling upon her head as well, a harbinger of eucatasrophe being used to symbolize straight catastrophe.  Also worth noting is the fact that the plant is very poisonous, so much so that it has a reputation for killing any birds which try to eat its berries; I think that bit of trivia might be the inspiration behind the decision to ironically invert its lucky image.  In addition to its central appearance in episode nine, it can also be seen in Lishu’s chambers in episode ten, mixed in among the vases of white camellias.

Japanese azalea: These mean passion and steadfastness, alluding, in my view, to Fengming’s devotion towards Ah-duo.  Fun fact: did you know that honey made from toxic azaleas, termed ‘mad honey,’ is sometimes manufactured on purpose?  It’s not super legal in most of the world, but apparently it can be used as a psychedelic.

After this, we see a panning shot of seven flowers, with the top four representing the high-ranking concubines, and the bottom three representing the high-ranking courtesans. While the first set of flowers grew from buds and flew across the screen, this set consists of still images. If I were to hazard a guess as to why, I'd say that it's because those previous flowers were conveying the movement of emergent stories, while these upcoming flowers portray the relatively static personality traits of individual characters. I'm going to tackle these in reverse order, as the first three flowers to appear are somewhat tricky to talk about.

Peony: This flower represents Gyokuyou, and in addition to appearing in her non-diegetic floral backgrounds, it also decorates the tapestries of the jade pavilion. In Chinese culture, peonies are one of, if not the most, important flowers. They represent feminine beauty, pride, honor, renown, wealth, prosperity, high-status, opulence, and a nobility of spirit. They are considered to be the king of flowers, and were historically only permitted to be grown by nobility. All of these superlatives are likely alluding towards Gyokuyou's status as the emperor's favorite consort, with the best shot at becoming empress.

Balloon flower: See above.

Lily-of-the-valley: This means purity, chastity, humility, and 'happiness will come again.' While the first three all seem to fit Lishu on their face, I find myself curious about the fourth meaning. I'm only partway through the third novel, but if this indicates that, at some point in the future, Lishu finally catches a break, then I'll certainly be happy to see it.

Dendrobium: In China, orchids in general are associated with elegance, refinement, and good taste, which fits with Maomao's description of the garnet pavilion as being beautiful in a minimalist sort of way. They also represent the virtues of an ideal gentleman-scholar: integrity, humility, temperance, and nobility. Furthermore, they are considered emblematic of spring; it, along with bamboo, chrysanthemum, and plum blossom, represent the four seasons. Returning to Japanese symbolism, the flower associated with Ah-duo seems to specifically be Dendrobium nobile. Nobile in particular means 'honest and to-the-point' in hanakotoba, likely alluding to Ah-duo's candid personality, and the fact that she is on casual terms with the emperor.

Regarding the final three flowers, the show itself doesn't explicitly tie any one of them to a particular courtesan--their flowers only appear as a group in episode twelve. But, by contemplating their meanings, and with some help from the characters' wiki pages, we can make some educated guesses.

Yulan Magnolia: This one, I'm guessing, represents Joka. On one hand, I'm kind of dumping her with this because the other two flowers just seem to fit the other two courtesans better, but its attributes nonetheless seem to accord what we know of her character--which admittedly isn't very much. In hanakotoba the yulan magnolia means nobility, sublimity and a love of nature. In China, its pretty similar: purity, nobility, dignity. It's also worth noting that they're commonly planted around Buddhist temples in China, and have been for many centuries, granting them an air of spiritual profundity. Joka is said to be aloof and cold, which is part of her appeal as a courtesan. While chrysanthemums and plum blossoms have a warmer aspect to their meanings, the loftiness of magnolia hews more closely to her characterization. Then there's the matter of her name, which is apparently a stage name. It translates to 'Lady Ka' (or 'Hua,' if you want to go with the Mandarin pronunciation.) Now, the 'ka' in her name is written as 華, and in the story, that character is only permitted to be used by the emperor and his family. So, for her to use it, even as a stage name, is a pretty bold pretense to nobility.

Chrysanthemum: In Japan, chrysanthemums are associated with nobility and the imperial family. In China, they are associated with longevity, endurance, and vitality, on account of their long-lasting blooms that persist late into autumn. I think this is most likely to be Pairin's flower. She's one of the few courtesans who's in her line of work because she wants to be, and is flourishing in an environment where others are desperate and debt-ridden. That covers 'vitality,' and Lihaku can attest to her endurance, if you know what I mean... Moving on, its mentioned in the novels that she's actually in her thirties, but still looks quite young, again harkening to the chrysanthemum's persistence.

As far as symbolism is concerned, chrysanthemums do seem to fit her character better than magnolias. But, something that gives me pause is her name, which means 'white bell,' on account of yulan magnolias being white and having a bell-like shape. I still think it's most likely that the chrysanthemum, and not the magnolia, belongs to her, but it was too notable a coincidence to not at least mention.

Plum Blossom: We can safely assume this one refers to Meimei, as her name is written with the character for plum. As plum trees are among the earliest to bloom each year, and will even bloom while snow still covers their branches, both China and Japan associate them with resilience, hope, inner-strength, and renewal. We don't know much about Meimei either, but my impression of her is that she seems to be the nicest and most even-keeled of Maomao's sisters.

Following this parade of showy flowers, we finally glimpse the emblem of our protagonist, Oxalis corniculata, the creeping wood sorrel, downcast and huddled amidst the underbrush of a forest. Whereas the other flowers we've seen thus far are primarily ornamental (even if some are also edible/medicinal,) wood sorrel is herbaceous and weedy, and is unlikely to grace any vases, wreaths, or arrangements. If it were spotted in a noble's garden, it would likely be uprooted, but to the peasant who finds it growing in a ditch, it's a tasty snack.

In hanakotoba, wood sorrel means joy, 'shining heart,' and 'a mother's love.' All three descriptors, I believe, are relevant to Maomao's character. Despite her flat affect, Maomao has a strong passion and sense of joie de vivre driving her through life. Those further along in either the novels or the manga will recognize 'a mother's love' as (somewhat ironically) gesturing towards her complicated relationship with her mother. As for 'shining heart,' I think that will become apparent as we go further through the opening.

But, before we do that, I'd like to take a moment to examine the moments when wood sorrel appears in the show itself. Thus far, by my recollection, it has appeared in episodes one, three, and twelve. The opening shot of the first episode is of a wood sorrel, informing the viewer in no uncertain terms that this is Maomao's flower, (in case the opening was too subtle.) In the third episode, several wood sorrels dot the field where Fuyou sits with her lover, symbolizing how Maomao has aided and protected them. In episode twelve, a single wood sorrel is tucked inside a lavish bouquet of her sister's flowers, a visual gag paralleling them fussing and fawning over her.

Returning to the opening, Maomao is shown contemplating a subtle glow in her closed hands while a reflected, sunlit version of herself glances back at her. Then, as all the previous flowers fall away, as Maomao casts the light up into the air, its glow illuminating her face, the wood sorrel finally stands upright, and blooms in full.

Now is a good time to mention a relevant characteristic of creeping wood sorrel: it only blooms in direct sunlight. When crowded by other plants, it curls in on itself, closing both its flower and leaves. This serves as a clear metaphor for Maomao's personality; under most circumstances, she seeks to be invisible and unobtrusive, but when she's in her element, she commands attention and respect.

Following this, we have her magical girl-esque transformation sequence, with her outstretched hands forming the shape of a blooming flower as she dances through a whirl of yellow wood sorrel petals. She then bows down in imitation of the flower, taking the light back into her chest (there's that shining heart I mentioned earlier,) as she dissolves into the stoic, unassuming version of herself once more, closing out the opening. (Jinshi who?)

I'd like to end this analysis with an observation. While the real wood sorrel exists at the perpetual mercy of outside forces, Maomao is not merely reacting to a light source that exists beyond her control. The light exists within her, and she chooses when it will shine down for all to see, and when she will hide it away in the depths of her heart. To those who've gotten this far, thank you so much for reading.

[batarangsoundsdumb]

i actually think that batman has prescription lenses in his cowl that slide down at the push of a button whenever he has to read ransom notes

[pyro-les]

I have a pretty cool idea for a Regina x reader story and I really wanna write it but I've also never written a fanfic before so idk.

Would anyone take the gamble and read it if I wrote it?

[johnandrasjaqobis]

god i love play it by ear so much, i love the insane talent used to be Silly, i love a plotline devolving into a focus on gay bears and Mano yelling "now THAT'S fucking representation!" i love when their harmonies clash for a second before getting hastily fixed and the attempts at guessing what the other person is about to sing and it's just SO GOOD

[silusvesuius]

unleashing the same hellscape i did on my notes app here it's my nelvas thinking dump i wrote just for fun and to keep track of what i view them as up 2 this point. Might change my mind on it later on it has a lot of things written in brackets for no reason . it's like ~2500 words long which isn't much but i think i said everything i've had in my mind for now read it for fun if you like to have fun leik me :) And talvas :) And nelothxP

retyping what i said in the tags of those last text posts and rearranging those thoughts a bit: in my train of thought that's been going steady since early 2024 i'm almost certain that neloth might see talvas as the epitome of being morally Clean (before that changes because of neloth's influence over him) and generally pure as a person. pure not used in the Pervert way; neloth is just a veeery big fan of talvas having absolutely no backbone and being very docile when it comes to him. which is r expected traits 4 someone if they find themselves under neloth's thumb as an apprentice, but it being written that he isn't at all catty and defiant to his face is cute. all talvas manages to do is shit talk neloth to others and pray neloth doesn't find out he meant the things he said but also can’t help feeling bad about it, even though neloth doesn't and wouldn't care, if he found out. neloth is happy with being an obnoxious & disgusting person. truly.. him growing obsessed with talvas' docile and innocent nature doesn't necessarily have to add up to him wanting to Taint or Ruin him (and if it happens ((it does)) it's not done on purpose, neloth can't hold that much control and power of his actions in that specific department). he encounters difficulties when he realizes he actually wants that Elven Twink.. it's too far gone to fix anything after he's tampered with talvas' patience and stability, and even then he can't be honest with talvas about anything, because he still wants to hold a great deal of power over him (neloth essentials for survival).

Might be the type to just want talvas to magically(haha) think it's okay that his wizard master desires him and expect that energy right back without talvas actually acknowledging it because it'd make neloth feel insanely cringy and embarrassed.. humiliated.. EVEN. but that's just in a deep deep dark corner of his mind, he isn't stupid. when trying to gain 'access' to his apprentice ("*His* apprentice" is also kinda funny way of viewing his mind too. just cause talvas is working as an apprentice under him neloth probably already feels a concerning sense of ownership over him that makes him feel very good) he can't even make the signs of interest be apparent to talvas because he's insanely inept at being Soft and honest for obvious reasons. he can tell what possibly could make talvas warm up to him even after he treats him like shit for eons but there's no way he's bringing himself to do it (change is embarrassing, especially in their formal dynamic, and especially at his age). so it's a half-assed attempt (actually he's trying his hardest🙄) to try and make talvas be (at least) less afraid of him. not that talvas has any other place that we know of that he "Belongs" to, he just sticks with neloth regardless of anything. neloth watching him as he sleeps ensues . Guys what do i do to make my apprentice let me hit because all of the eye contact i do with him while gripping his arm or petting his knee isn't helping. 

if we were to go back to how that spark is ignited in neloth swamp of a heart, brain… idk, it has to be when he realizes talvas' capability of forgiveness and 'Sucking it up' instead of lashing out at neloth after .. anything, but perhaps physical abuse in particular. neloth a 100% has absolutely no problem putting his hands on anyone, especially someone he sees so often, such as talvas. not that talvas really annoys him (his clear and voiced obedience pleases neloth as anyone can tell), but he just doesn't see it as too much of a big deal. the physical mistreatment that happens once in a blue moon isn't intense enough to scare off talvas for sure anyways. neloth is a bitch so all he can so is smack him at the back of the head (talvas finds it very normal) and slap him if he's feeling festive (something talvas finds kinda extreme but not that it happens often. he sometimes feels like he deserves it, or that neloth is warranted to do as he pleases. he tosses around it being justified or pitying himself, though). May be possible that neloth would realize he Like Likes talvas once he slaps him, mayhaps, for the first time, but talvas' immediate reaction to being treated like that is just sadness mixed with feeling shame for tearing up/crying in front of someone he respects *bishoujo sparkles sfx*. talvas is a delicate soul so he can't hold warranted emotions like that for long, and even tho it's expected of him to be making eye contact w/ neloth in a setting like that, he wouldn't be able 2 bring himself to do it because looking at neloth would make him wanna burst out in tears like a weeeee baby. Booo hooo.. talvas is the 19th century (4th era) damsel that runs out of the ball in tears after no young cavalier invited her to dance. watch this bleed into the most awkward and silent week of neloth's entire life because talvas doesn't even really feel like speaking to him or looking at him, but neloth doesn't wanna brute force the usual respectful etiquette out of him cus he thinks that's just gonna make talvas hurl himself down on some rough rocks at the seashore. Good thing talvas is very spineless and forgiving (especially in relation to neloth… i mean.. who r YOU to not forgive him) so that might just last a day or two. the hurt always stays tho. neloth this is why talvas doesn't wanna smash you.. you might've made some conclusions about what elven twink you like but talvas is just even more scared of you now. was your Pervert awakening worth it. and even if we do backflips and jump thru the point where everything is too far gone for either of them to go back, dude is still too afraid to make out with his apprentice. Deserve. but why though because talvas wouldn't refuse. for what reason? we may never know

^^^ this makes me feel like i love seeing characters i reaaaalllly love (elenwen and talvas in this case) as enigmas in situations where they're confronted with something so ""Intimate"". elenwen's stance on this is final tho cause she's a grown ass woman and there's no way you could reshape her brain. ulfric left her mind plane in SHAMBLES. talvas has more right (in the literal sense) to be erratic or inconsistent with his actions. maybe he likes to be desired. Also i strongly believe that talvas has probably never been in love (for any reason rly but it's mostly him not having actual time for it + not seeing it as something that is important to him at that point in his life)… i want neloth to be his first experience with Love so that it ruin his view on it forever. can't get myself to say he'd be in love with neloth at any point though. From his standpoint it really should feel empowering and 'nice' that neloth wants him in many ways (ew).. cause that's a man with status.. power.. ability to do anything rly . talvas is in no condition to be playing mind games with him or anything tho so don't get that idea. he's not strong enough of a person to be Tricking anyone or to be Playing with anyone's feelings. neloth would be immune to that, too. neloth can just kinda tell talvas is too good and … UNTAINTED. talvas wants to see the best in everyone. too bad he genuinely detests you, neloth.. so: he doesn't actually love neloth but wouldn't be happy to see his tombstone either. SO (PART TWO): if you time it right he wouldn't be against getting Freakkkkyyyy with you okay?but no promises

even if @ some point talvas develops indistinct feelings towards neloth cause of neloth's own incessant weird-mild advances it wouldn't have to mean he just likes old men permanently now. actually it kinda does. i can sorta feel it rearranging his braincells and making him unable to normally interact with people in his age range. he probably already had a hard time talking to others in hopes of developing a friendship just cause he's timid but after neloth's nonstop abuse and Accidental romance mind games he morphs into a whole new type of guy. it's hard to notice at first but he'd probably just start to leech off of neloth's prissy and unbearable personality in a natural course of things + neloth is the only person he sees and talks to on the regular pretty much. < this can just be reworded as just the cycle of abuse and whatnot. if he notices an opening in the abilities and Smarts of another person, especially someone his age/younger, he will automatically see them as umm…stupid. and also insult your abilities to your face if he snaps. he strikes me as the type to be afraid to say what he really thinks (another consequence of being glued to neloth all the time when all talvas does is act like he totally respects anything he says) and gets scared if anything slips out his mouth but is proud in letting the "Truth" be known because he already figured out you're a lesser being than him. he's just cloning neloth's verbal abuse braincells though he would never put his hands on someone. his desire to be mean and see himself as superior stems from neloth always disparaging him obviously.. talvas 4 that reason is very self conscious of his abilities and doesn't rly think he's all that useful or talented. his self doubt then would play into how he doesn't know when to believe what others are saying to and about him.. i wanna imagine that talvas is very oblivious to neloth's weirdo status just cause he partly doesn't even want that thought to cross his mind. i bet everyone but him sees it and finds it gross😕 but nobody in the vicinity is strong enough to tell neloth that he should be ashamed LMFAO. if you would try and even hint to talvas that it's happening he'd never take you seriously and just get mad. he's protective of neloth's image more than neloth himself is; not that people knowing neloth has abnormal sodomistic inclinations toward his apprentice would make his public image worse than it already is (everyone already thinks he's weird so it's not shocking at all) but talvas still wouldn't wanna hear it cause he thinks it's just false. maybe he's just ashamed that he's being brought into the whole thing. also because he doesn't wanna face the reality EJI23JRIO32KJ Well talvas when neloth makes an actual move on you don't say that we didn't warn you.. we're all waiting till neloth's status as an obvious apprentice-pervert becomes obvious to you

even if he's willingly ignorant of the fact he still thinks of the 'accusations' a lot when he feels like it. and unknowingly begins feeling even more uncomfortable in neloth's presence. heart starts beating faster and everything. neloth could come up to him meters away and talvas would still cover his mouth in realization and be like "i knew it… the DB told me but i didn't wanna believe it …..😦 so you really do like young men … and you're in love with me ..😨" *Neloth wakes up from this fever dream drenched in sweat* < neloth doesn't want (obvi) talvas to react that way at any point because he himself would just get scared so they'd just be staring at each other wide eyed. but talvas jumping into his advances isn't what he wants either (that'll also scare him). neloth is still relying on talvas' politeness to let him do as he pleases. but it is impossible for talvas to let it slide without questioning anything regardless so🤷‍♀️ take your few Ls and move on. neloth just wants talvas to sit on his lap. wants to spoonfeed him soup. he's so romantic. he also wants to(sniper on rooftop blows my head to bits). neloth is actually a pretty touchy feely person when he's feeling Frisky (=deranged about talvas). I'm certain his favorite part of talvas' body is his legs. talvas has beautiful young man skipping leg day legs. so nothing special at all but neloth wants to touch them lol.. let your master wizard squeeze your calves and he might just be occupied enough like a kid playing with a fidget toy to not abuse you verbally for 3 seconds. as i said befoar neloth is unpleasant with his touch because he doesn't know how to be soft + doesn't even want it to necessarily feel very 'rewarding' as to not pamper talvas. petting talvas kinda turns into a nervous habit for himself and an instrument of some sort of Reassurance 4 talvas when he wants him to know he’s not mad, for example. non-vebal confirmation. talvas still finds it weird but thinks it’s a charm point too. neloth wouldn't even be against touching him familiarly in front of others but only in a "older male figure" ways ex. touching his knee or putting his hand at the back of his neck (talvas sees it as some sort of disciplinary tactic though). physical touch that matches neloth's age and is enough for it to be seen as not necessarily romantic / overtly weird. 

there'ssssss no saving talvas after such a powerful person gets his hands on him. any will to leave would leave HIM either out of fear or out of attachment and neloth wouldn't just let him go (Alive at least) since he knows the things he knows. if talvas were to escape i'm a Truther of him not feeling in place and wanting to go back cause it's the stability that he's used to. but tbh if he encounters neloth on accident anywhere he's gonna start running. I was drinking tea while writing this and started choking on it i just nearly died writing this are youhappy. anyways, nelvas is a never-ending abusive relationship that doesn’t even have High highs, all it has is low lows. neloth always mistreats talvas for any reason but is never genuinely kind from the heart or out of remorse. .. hmm……yeah. I forgot to type this back out from my posts tags > talvas might just start viewing neloth as fuck crazy and demented after he Finally notices at least one molecular sign of gay attention from him . like ‘Oh wow Master Neloth obviously doesn’t get any female attention or anything cus he’s a sick fuck why does he have to search for it from me Can varona take the hit for me 🥺 *sees her dead body being dragged by the DB* hmm i guess not well i’ll figure something out i guess’ (he doesn’t) also the dialogue talvas has with varona after he steals neloth’s book trying to conjure some bs up will always be so cute to me he’s so defensive and afraid of neloth finding out. Him trying to decipher neloth’s handwriting is cute TOO ik their 19th century love letters to each other would go crazy and make sense to anyone but each other but i’m not gonna talk about 19th century girl talvas x neloth rn it’s too much . what ever. i think i’m done thank you i should just go back to drawing them as grecian pottery red figures or smthj Fun stats for you 4 getting to the end: times the word ‘abuse’ is used: 6

[p1x1x]

[horse-head-farms]

okay since this is now on my mind

curious what other people think. pick based on whatever metric you want - most logical sense, most fun, one you’d want to see. we must decide as a community

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.