#writing outside your experience

[moonlit--wonders]

Don’t think about how Darrel almost certainly had to be the one to ID his parents’ bodies. Don’t think about how he had wait with bated breath for them to pull back the sheet, hoping and praying they had the wrong family but knowing deep down that his parents were gone. Don’t think about how his last look at his parents was of their mangled and charred bodies, almost unrecognizable and yet achingly familiar. Don’t think about how the first thing Darrel did as Soda and Pony’s guardian was refuse to let them look, no matter how much they asked. He couldn’t stand for that to be the way they remembered their parents. Don’t think about how he sees their bodies in his dreams, and no matter how much time passes, he can’t get rid of the image. It’ll haunt him forever.

[rowanthestrange]

A thing I think should be included with Ruby’s abandonment/attachment issues when we’re writing her, is that she was a foster sibling to a lot of kids. Like a lot of kids. She has effectively lost so many siblings and playmates and even babies/very young children she’s essentially had a hand in raising. Her entire life has been loving and losing. And for foster kids getting adopted or reunited with their parents under better circumstances, she will basically have been unable to grieve that properly because it’s a good thing they’re gone and they’re supposed to celebrate it. She’s clearly very loving and caring even after a whole life of that, even though each time they leave a piece of her goes with them.

No shit she’s going to end up with some attachment issues. Especially if she considers herself the lucky one, survivor’s guilt, Carla adopted her and none of the others, who have probably expressed that sentiment to her directly and asked why, in the hopes they could stay forever too, or just jealousy - what made you so special?

Foster children/youths in the UK also have to choose themselves to stay in-touch. Foster carers cannot directly contact the child once they have left their care. A “clean slate” approach is preferred. So if the child doesn’t request to get into contact — and sometimes aren’t told they would have to or are discouraged from doing so — that means losing contact immediately and for good. Does that remind you of anything? Sometimes it also happens very quickly - it is far from unheard of for a foster sibling to go to school in the morning and find out the child they’ve been living with for months has gone when they come back in the evening. Even with warning it could still often be only days. I think you could argue 73 Yards has more to do with Ruby’s experience as a foster sibling than being an adoptee.

And of course the continuous loss of loved ones mirrors the Doctor’s experience with their companions fairly often. Another thing that quietly binds them that most other people couldn’t understand.

[godsholyhat]

Let's talk about Henry's accent. (Fair warning: I'm not a linguist, these are just my thoughts.)

Henry has a proper English country accent, and to my ear is from somewhere in the Midlands, though not as far west as Birmingham. There's a lot of classism associated with accents in Britain: people often 'smooth' out their accents so as to fit in — a study in 2022 found 46% of adult respondents had been mocked or singled out for their accents in social situations. Henry's accent belongs to someone who is rural and working class, exactly as it should be. But to my knowledge, it's not often you get a protagonist with a rural or working class accent, such as Eggsy in Kingsman, — and when you do (such as Tommy Shelby in Peaky Blinders), it's often associated with criminality, a bias that exists in real life too. It would have been easy for KCD to have a Henry with a more generic accent (think Geralt in the Netflix Witcher), but instead we get him speaking in an accent that reflects his upbringing and class, and it's fantastic.

[doodlejoltik]

my favourite writing device is having an un-Rei-liable narrator

[an-ruraiocht]

the issue with this culaeg dynamic is that i think it would make compelling fic and there aren't many people i would trust to write it so if i wanted it i would need to write it. but i don't like writing from cú chulainn's point of view and i know myself well enough to know there's only one perspective i could write a dynamic like that from and it wouldn't be láeg's.

[epickiya722]

I haven't even read the ending and I won't have a full opinion on it until the actual chapter comes out, but from I have seen about "loose ends"... I could imagine that Gege actually wanted to explore more but there are certain reasons that kind of halted that. Similarly, like with MHA's ending.

(I'm sorry but I'm not deciding on just leaks on whether a chapter is good or bad.)

It just feels odd to me. I don't know, it just does.

I think about the overall scheduling and that Gege can't and can do certain things because he does work with other people he has answer to. I wouldn't be surprised if after this, Gege comes out with a statement saying there was a lot he wanted to continue to explore but couldn't due to reasons. There's also Gege's health to consider.

Whether the ending got fumbled or not, again, I don't know. I'm not here defending Gege or making excuses, but putting insight and why the ending possibly became what it is.

Hell, just last year people were upset because how some of the episodes of the anime looked but then it's turns out how the workers literally had to crunch for time and apologized (which I think was just so sad to do because the animation and pacing was fine for me and I know that has to be hard to do with little time to perfect it but some of you couldn't relate but I digress) as if they are actually to blame when they're just employees.

Maybe it is just me but it just seems odd to me.

And I know some people are upset about Gojo. If you are, I'm not holding it against you. I like him, too and yeah, I'm shedding a tear or two.

However, how this fandom acts now compared to before is such major whiplash for me.

Some of you want to throw around "Gege hates Gojo" so much but Gege is the same creator who gave the audience Gojo and a story to understand and yet a lot of people still mischaracterize him and only see him as "a hot character" or "the powerhouse that should come back because how dare he be happy in the afterlife" or "the blue eyed twink".

Actually, I find that some of you probably hate canon Gojo more than Gege supposedly does because of all these different versions that the fandom have conjured up.

The most Gojo did deserve is a funeral after he died and I get being upset if he didn't get that in the story, I would be upset for sure.

But given how much I have seen the fandom act when it comes to Satoru Gojo's character, I'm taking a lot of opinions on "Gege mistreated Gojo's character", the ending and everything else with a very teeny grain of salt. Yeah, be "critical" all you want but it just seems for anything nowadays that's all people want to do without considering other factors.

You can still hate or like something and acknowledge other things that play into why that something is the way it is.

[pumpkinrootbeer]

Aang being a shitty dad is fine, but it's the way tlok makes Aang a shitty I have a problem with. You're telling me a guy who's entire culture was whipped out and whole family was massacred wasn't overjoyed at the possibility of sharing his culture with his entire family?

Would Aang have given more attention to Tenzin? Probably, them being the only airbenders would have almost certainly fostered a complex dynamic between the two— even to the extent that it would damage the father/son relationship. I think it's also worth pointing out that Aang was raised in a culture without the nuclear family dynamic we see him participarting in with Katara and their kids, and it's not out of the realm of possibility that Aang would fall short of the expectations and responibilities being a typical father figure brings especially when he himself never experienced that dynamic. Especially, especially compounded with the task of rebuilding a struggling world and maintaining peace.

However, do I think he would neglect to show his kids his culture? Their culture? No. Certainly not the extent he did, and especially not when we see how excited he is to share it with his friends in the show. Why wouldn't he be excited to share it with his kids? With all his kids? How the writers of The Legend of Korra make him a bad dad is a complex series of failures not the least of which stem from racism, the unwillingness to even attempt an understanding of multicultural families, TLOK originally being a 12 episode miniseries that then got greenlit for another season and was suddenly taxed with building upon a world that was never intended to exist beyond its original scope, and a fundamental misunderstanding of Aang as a character.

tldr: see

[moonilit]

sometimes reading Kory’s talk about love and how her culture normalizes poly relationships and love is separate from marriage as in yeah sometimes you marry for politics but doesn’t mean you ‘love’ that other person or they you and thats OK is so weird because, you don’t even need to go to space for that?? Its already somewhere on earth??

[tovaicas]

tl;dr so much of estinien after hw is just a constant joke that overtakes actual nuanced content with him and I’ve had it

[good-beanswrites]

🎬: About Es being a past prisoner and the secret 11th prisoner in your AU. But advance apologies if I'm overstepping into your AU!

I had this idea from a story that pretty much did the same thing. Going off there are novels/manga on Milgram and there being another Es and their own prisoners running another Milgram (but differently) I imagine this Milgram projects has been going on for a while, and our Es was from a previous project who might have gotten the worst verdict (or the most spared out of everyone), and was given this final task as a warden for the next group of prisoners. This is why they so readily agreed and had their memories wiped for this Milgram project instead of being weary on a shady project on judging an almost crime, they've already been through this.

(BTW is it bad and worrying for one of our ten fav prisoners to be the next Es if this is legit...)

Anyway, that's why Es is in Milgram in your AU, I guess? And the lore drop that Kotoko picks up on them being the 11th prisoner, I can imagine her also talking to Kazui since he's a policeman to see if she could cross out any theories on who Es is (Did they look familiar. Possible missing child. Any cases to do with an almost crime by a child other than the 10 of them here). Kazui knows Kotoko wants to investigate, but reminds her that, like in their prison while the trial is on, the facilities they're in have high security too. They do have the freedom to move about, but still limited.

If they're trying to investigate Es, maybe Fuuta, Kotoko and Mikoto can try to do the hacking on the comp Mikoto's allowed to use to Photoshop some shots for the MVs and photos (Fuuta and Kotoko seem to be able to search up info they need I think...). Yuno, Mahiru and Muu can work on charming the staff to see if they can spill more deets on Milgram. Not sure how much the group can gather, but oh boy fun times in Milgram can turn into another sort of stress in this AU...

No worries!! Like I said before, this whole au has been a fun collaborative project, so there's no overstepping :) I am sorry I won't be writing a lot on the ending until we get more info, but that's just the perfectionist in me who doesn't want to be proven wrong 😅 Still, I love tossing around and digging into ending scenarios, I really love this!

Because that would make a lot of sense why they're so willing to subject themself to the whole experiment! They remember how tough their experience was, and are confident they can care for the new set of prisoners while doing their job. I'm imagining they get the opportunity to return as guard, and get to have a nice talk with their own guard first. Once they fully understand what it's like, they're know they can handle it and sign up. It adds a bit of drama, too, since they must have been really young committing their crime in order to complete a years-long experiment prior to this one. They would have been like 10? Oof. (Now I wanna see their three trial songs 👀)

And like you said, that also brings up the question of the new warden. Though I think it's based on verdict results, I can just picture Jackalope keeping an eye on everyone during filming. He studyies their interactions and personalities, keeping his own set of notes on who would make a good successor. (I'm not going to go through every character but there are pros to any choice, it's very fun picturing them all taking the job.) Haha, on the other hand, maybe the reason Kotoko keeps bringing up her role as Es' partner/bringer of justice is because she did discover the truth. She drops as many hints as possible so she can be chosen next 😅

Ooh, I love her working with Kazui on an investigation! The fact that eh may know details on recent crimes (and almost-crimes) is super fun to work with. He's the last person who's going to spill a secret, so the group could go several trials without realizing Kazui had actually heard all about their situation this whole time.

(Getting sidetrack for a sec, I'm suddenly realizing that he and Kotoko may have heard things about the crimes in canon, too. They're a bit unclear about how much time passed between the murders and arriving to Milgram, so maybe he heard some things. I don't know how well-connected Tokyo police departments are, but Yuno, Fuuta, Muu, and Shidou are all nearby. There's definitely a chance he caught word of the vigilante nearby, and she heard about the odd policeman's suicide. Both of them could have heard about the tragic housefire, the disgraced doctor, or horrible schoolgirl murder nearby.)

Anyway, I like that idea of Kazui wracking his brain for any similar cases. Though, if he had, Milgram may have had the foresight to wipe parts of his memory, too. Maybe he does end up using his call to reach out to Hinako and have her look into it from the outside. Sadly, Kotoko seems the type to sacrifice her personal call to reach out to a connection who can help as well. I'll have to think about how closely Jackalope monitors those calls, hm.

I'm going crazy over prisoner investigation team !! Kotoko and Fuuta had the online knowledge to find some good info, and Mikoto and Kazui seem like they'd have a huge network of people they can ask for info and favors from. Haha, I'm torn whether Mahiru would have flirting down to a science or if she'd refuse to do it since it wasn't real love 😂 Still, she's very good at reading people and could definitely help the others charm and bribe their way into some restricted areas. Amane and Haruka can also charm with their innocence/cuteness (though I'm not sure Amane would). Shidou seems very organized, he'd have a plan and backup plan and backup-backup plan ready, no matter what happens. I think it's even funnier, then if Milgram had run several experiments prior. Jackalope would think this was just another runthrough, and for the first time the ten subjects decided to organize together and Cause Problems.

I think there's a beautiful irony in a story featuring ten prisoners planning a jailbreak to save the prison guard...

[asvidema]

i have this feeling that if we do get a wedding dlc (biggest proof i have of it outside of dialogues is the fact that jitka got her own portrait in the codex alongside the other characters) we'll get to find out that hans was wrong, and jitka is actually one of the fairest maidens of the realm

[fishing-ball-z]

graaaa being weird in public sorry (on my own blog) teehee

[yesyourstalker]

Neta: *sigh*....... .......

Ikkan: nervous?

Neta:......a little bit yeah.....

Ikkan: *hehehe*...... Don't be nervous, you have nothing to be nervous about I'll be right here.... And after this I'll be here forever

Neta: till death do us part

Ikkan: till death do us part...(Peck).... Fix your tie....and ..... perfect.....now.......let's get married

[wedding music]

officiant: Good evening everyone, friends family we are guided here today to celebrate life's greatest moments and to cherish the words which shall unite Neta Verns

Neta: *smiling*.....*sniff*.......hehe

Officiant: and Ikkan Kane

Ikkan: *smiling*.....*sigh*.....

Officiant: you would like to exchange your vows

Neta: I'd like to go..............*sigh*...... ikkan.... I always look back and remember the first time we first met.

Ikkan: heheh

Neta: you were very standoffish and quiet heh You're also a little bit mean just a little bit

Ikkan: heheh

Neta: If something told me that that really wasn't you. I'm so happy My hunch was right. Ikkan You're kind, You're soft-spoken, you're so patient ....*crying*... I'm sorry........ Getting to see you everyday. Your smile, hearing your laugh and listening to you speak ....*sniff*...about your interest. Your passionate rants about Arpeggio and crescendo I still don't know what that means but I love hearing you say it....

Ikkan: ehhehehehe

Neta: that's the smile I like to see.... I love you Ikkan you're my best friend and I am truly grateful I'm going to live the rest of my life with you I-

[Alright he's been in there long enough. Pull him up]

Neta: what!?......... what!?..... what's happening!!....*cough*.....….*cough*.....what the fuck!!... what's going on?!

Octoling Superior: alright Verns you've been in the pit long enough. Time to get back to training. All chargers are outside doing target practice. Take your weapon and go out with the rest of them.

Neta: what?

Octoling Superior: go outside and do tragic practice. Your punishment is over go

Neta: but-but-but I was getting married! *huff* Where's my husband?! My store?! I had a store and my family.....*huff*..*huff*.... Cirrina......my daughter ......what happened to my crab cakes?!!.*huff*.......

Octoling soldier: *hehe* what's he talking about?

Octoling Superior: I've heard if you stay in the ink pit long enough without interaction the brain starts to hallucinate and starts making things up......to keep it self sane. He'll be fine.

Neta:*huff*huff**huff**sobbing**huff**huff**huff**huffhuffhuffhufff......AAAAAAAAAAAAAaaaaah-HA!!.. what?…..huh?..................*huff*.........................*huff*...................*huff*............*huff*.........*huff*.......*huff*........ where is it? Where is it?... here.....*huff*...[squeeze]

Plushie recording: Hi! Demersal the grounding fish! I'm going to ask a few questions ok?... can you name 3 you can see?

Neta:... my dresser......*huff*...my bed....my bass

Recording:.............good job!.....can you tell 3 things you can feel?

Neta:...my bed sheets....my clothes....*huff*....cold floor.....

Recording:..........okay!!....can you tell me where you are?

Neta:......*sigh*....my apartment

Recording:...............good job! Do you know what time it is? The short hand is the hour and the long hand is the minute!

Neta: I know that.... it's...6:47a.m.

Recording:.............. wow! Now can tell me about yourself how old are you!

Neta: ......................35.......

Recording: .........wow! wow!you're so big!

Neta: fuckyou

Recording:what's your name?

Neta: Neta

Recording:.........that's a nice name! We're almost done let's count back to 10 together! Ready?!10,9,8,7,6,5,4,3,2,1

Neta 10,9,8,7,6,5,4,3,2,1......uggghh

Recording: you're doing so well let's take a deep breath ok? Breath in.....

Neta: [inhale]

Recording: now Breath out

Neta: [exhale]

Recording: you are safe.... I'm so proud of you! It's ok to feel overwhelmed sometimes. I know it can be really hard.. just Remember your grounding technique and don't forget to self-sooth!...stay safe hehe bye bye

Neta: you're lucky Behi gifted you to me...if it wasn't for him you would've been sold decades ago.........[chuck] ..............[inhale] [exhale]................ nibbles come here......Did I scare you off the bed?....*kiss*.. . I'm sorry..............hm?...

Mahi:*sleeping*....

Neta: heheh...*huff*...fish still here?.......heh makes sense...

_______________________________________________

Mahi: *yawn*..........ummm....uggg....... Neta you need to get a better couch this one sucks.....oh....

Neta: no.... I don't want you to come home... Not for something as dumb as a nightmare ..hehe....I'm fine.I know..i know I know babe I get that... You shouldn't have to drop everything for me..... I know you don't mind it but I do.... I hate that.... yeah I understand........ yeah........ yeah............................. You're right.......................*sigh*....no......I still don't want you to come home..... Can you at least stay on the phone with me for a while?....... Pancakes... I think I buried some hehehehe.....*sigh*... No.... it looks fine. A little dark in the middle..... It should be fine... You cook better than I do..... What are you doing?..... Why are you milking them by hand I thought you had a machine for that........ Oh she's scared of it? awwww poor manatee......... An hour? it takes an hour to get a full bucket of milk?....... Okay that's fair. They are big...I-(gasp).... Mahi!..[inhale exhale]........ How long have you been sitting there

Mahi: couple minutes..... Can I have a pancake

Neta:. .................... Yeah, I'm fine. No, it's just my employee, yeah fish still here......... I'll call you when I get to work..... I love you too...bye................... How many pancakes do you want?

_______________________________________________

Mahi: *eating*......

Neta:*eating*.......

Mahi: *eating*.... pancakes are good

Neta: *eating* thank you

Mahi: how do to make them shape like little octopuses

Neta:...Cirrina bought cookie cutter sets years ago. sometimes use them for molds for pancakes..... I use it for eggs too...*sniff*...........*sigh*............ I have to get ready for work.....[stretch].......[POP]...mmmmm......fuck not today knee...ssssss

Mahi:...*eating*....you know you really should try investing in a knee brace I think my friend has a couple of them I can see if she can give you one

Neta: that's nice........

Mahi: so I know you have to go to work and everything in a couple minutes. Would it be too much to ask to drive me to campus I got to go to the library and do some studying

Neta: Alright..... We'll leave 15 minutes... Do you have clothes to get dressed in?

Mahi: no

Neta: we can just find something in the drawer.....

Mahi: can I borrow these jeans?

Neta: Yeah sure. I don't think they don't fit you tho

Mahi: they fit me just fine I just need to cut the pants legs

Neta: *sigh*. . You know you might as well just take the rest of my old clothes. I'm never going to fit em again anyway

Mahi: really?

Neta: yeah really I insist I really don't care. You can have them

Mahi: are you sure?....

Neta: you know what I'll just give them to my daughter she doesn't listen to 'Cyrus in the cyclones' but I think she'll like the Cool vintage look of it

Mahi: no gimme! Don't give it to her! She'll just ruin it and turn it into a jagged uneven crop top! _______________________________________________

Ikkan: I finished milking tulip

Koi-koi: That's good hun. We'll have it pasteurized tomorrow. Just keep it in the fridge in the shed

Ikkan: alright

Cirrina: I'm going out..

Koi-koi: and where do you think you're going?

Cirrina: I need to go into the city The ferry leaves in an hour

Koi-koi: I don't think so. You haven't finished your chores you were supposed to refill the Manatee feed today and You're supposed to mix up the compost in the back.

Cirrina: I know I'll get to when I get back

Koi-koi: noooo... You will do it now. Young lady, I'm not like your father or your grandfather when I say do something you do it now. You can take the next ferry

Cirrina: but I-

Koi-koi: no buts young lady

Cirrina: I'm meeting someone

Koi-koi: meeting who Exactly?

Cirrina:.............a friend

Koi-koi: ....a friend? What friend?

Cirrina: (blush)......he's a boy

Koi-koi: a boy?.....

Cirrina: ... yeah....

Koi-koi: where is he taking you?

Cirrina: a museum, around town

Koi-ko:........ A museum?........................................,........ Be home by 9:00......... Here get yourself some food maybe a souvenir.

Cirrina: you're cool grandma....

Koi-koi: uh-huh whatever...... When you get home you'll do the chores that you were supposed to do and..... You wash the dishes

Cirrina: alright

_______________________________________________

Baja: did you see the commercial mom?

Baja's mom: I saw the commercial... I am so proud of you sweetheart You're going to be on TV how exciting

Baja: I know ... I still can't believe it

Baja's mom: this is going to open up so many opportunities. The benefits will be nice. You have a nice paycheck and a lot of money, make sure you save some of it. You're going to make so many new friends!!

Baja: yeah hehe I hope I do...

Baja's mom: I know you have problems making friends.

Baja: mmmmm

Baja's mom: You're a sweet boy you really are

Baja: thank mom

Baja mom: you know this might be the perfect time for you to find someone

Baja: fine who?

Baja's mom: A partner! Ohhhhhh I'm so happy for you honey. You can go on dates. You can meet new people. You'll be married in no time?

Baja: uhhhhh I guess....... I'm going to be really honest Mom. I don't really think I want to do that right now

Baja's mom: Well I don't want to rush you but it's good to start... You know your brother is already married and your sister is on her fifth kid...

Baja: Mom

Hine (Baja's mom): I know. I know I shouldn't compare my kids but let me just finish. Your siblings are no older than you and they've already have their lives set up and I don't want you to fall behind

Baja:Mom, I'm not falling behind. I-I just...ugh....... I'm just....... I'm just not good at dating and seeing people

Hine: What on Earth do you mean baby?! you're not good at dating? Honey, you're the most talkative and social person in the family! How could you think you're not good at dating? You're a real catch

Baja:.........

Hine: What about that fella you told me about? I looked him up, I didn't really like the images I saw .. what about him? I thought you liked him?

Baja: We broke up

Hine: you broke up?....*sigh*...... So you're single?........ So what are you just......... Are you just sleeping around?

Baja: (blush)..NO! I'M NOT

Hine:Sweetie, don't be embarrassed. A lot of young adults have casual sex ...I'm just saying you know eventually you need to settle down and-

Baja:I'm not.. I'm not..... I'm not having sex. I never had it

Hine:....…Well that's ok. Personally I waited to get married to-

Sibling: HA! VIRGIN!

Hine: Maui! What did I tell you about eavesdropping! Go!.............*sigh*....... Sweetheart..... I don't want to put pressure on you sweetie...... I just don't want you to be alone we're not good when we're alone... I want you to have a family

Baja: I'm not alone. I have a family. I have you and my siblings..........and Desmond I guess

Hine: we can't live forever honey you're going to need to find someone eventually.

Baja:................... alright..... I'll try to find someone...

Hine: I know you'll find someone there's someone out there for everyone including you sweetie....

Baja: ........ yeah.....l love you.... bye

Hine: I love you too

Baja:.....................danm

Hitch: we're filming in 15!

_______________________________________________

Bayou: this painting is a. Self-portrait of Joyce Veair she was our firat prime minister

Cirrina: wow... she's gorgeous she painted this herself

Bayou: Yes... She has so many paintings around the world. She even has one in Museum d'Alfonsino

Cirrina: really...... She's very talented.

Bayou: not only that, she was very intelligent and very outspoken....

Cirrina: what's this one

Bayou: this is a sculpture made entirely out of urchin spines it was made by tosh monui. Every month he'd shed his old spines. He would collect them and Stick them in a ball of wax until the ball was completely covered in spineies. After he'd take the rest to make a body, he would call them mace men because they look like maces with a body. He soon started to model them after cave drawings of primitive urchin

Cirrina: that's amazing....oh what's this one. This one is beautiful

Bayou: this one is called 'home'

Cirrina: it's a beautiful landscape....who is by?....... This piece was painted by One of the top students in krillarney School of arts and it's one of the youngest to be presented in This museum she has won several awards and has several nominations. We are privileged to have her in a museum This piece is called home by Bayou Ster..............wow same name as you

Bayou:.........ehehehehehe Cirrina. That's me this is my work.

Cirrina: oh..hehehe I'm stupid........ It's really nice. You're really talented....

Bayou: thank you.... This is one of my favorite paintings I used an old picture of my nan's old home.

Cirrina: I love the texture and the hills and trees. It's even in the river.... Do you have more paintings here?

Bayou: I have this big painting over here. This one took me a whole month to finish this one..... I rode the fairy everyday just to get the perfect reference for crashing waves

Cirrina: wow .. . it's amazing

Bayou: it's almost 6 do you want to get something to eat. We can go to Mrs Cuddles to get some fried cod and hush puppies

Mrs Cuddles: Harold, bring these pines to table 7!...

Bayou: hi Mrs Cuddles!

Mrs Cuddles: Bayou how are you darling, Cirrina! Ohhhh... You two hungry? Let me get you something Harold, drop two more cod in the fryer!!..... You to relax. I'll get you ladies some sodas while you wait

Bayou: thank you!

Cirrina: thanks............................................. So you're probably going to think I'm really dumb but for the past 3 days I thought you were a guy

Bayou:.............hehehehe Did you?.must be the tentacle cut huh?

Cirrina: hehehe... yeah...hehehe... I'm sorry.....

Bayou: If I'm being real here I don't identify with anything in particular...if you see me as a guy I don't mind it

Cirrina: if you don't identify as that I don't want to

Bayou: I see myself as everything and nothing, masculine and feminine and anything in-between. I really don't mind Cirrina

Cirrina: All right if you put it that way hehehe

Mrs Cuddles: here you go! Fresh cod and a large bag of hush puppies for the road!

Cirrina: thanks how much do I owe you?

Mrs Cuddles: nonsense it's on the house. Kiddies eat for free here. Once you reach the age to drink you have to pay

Cirrina: thanks Mrs Cuddles!....

_______________________________________________

Neta: *humming*...(Pat)..*humming*....(Pat)......

Ona:.........

Candi: *snoring*........*snoring*.......

Tv

Baja:What is music at midnight? Well as the names in the title says we're going to be talking about music and it's going to be airing during midnight.

Announcer: music at midnight a new late night talk show! Premieres tonight only on O.E.T!

Neta:.....*sigh*....... ikkan would love this show. .........me and him cuddling watching TV at midnight. Under a blanket surrounded by pillows...................... I miss him....

Ona: [baby noises]

Neta: yeah? You would like the show too Ona?

Bowie: what are you watching?

Neta: Bowie go back to bed. It's past your bedtime, go back upstairs with your mom

Bowie: but she snores too loud!

Neta: Bowie.. .... okay

Bowie: what's in this room?

Neta: noooo that's my daughter's room you can't go in there....let's sit down on the couch..... come on........(click).....why don't we watch 'Ollie? ...you like Ollie

Bowie: alright

Tv

[Music]........Mom!..[music].......Dad!.........[music].......Leo!......[music]...........OLLIE!

Bowie: hehe

Neta: you need to lay down. try to get some sleep before your dad picks you up. You start preschool soon, you need a proper sleep schedule.

Bowie: okay

Ona: [fussy baby noises]

Neta: you need to sleep too young lady ......

Ona [crying]

Neta: someone is hungry..... Come on baby girl. Let's get you something to eat and fresh dia-(gasp).....*sigh*..... I need to put a bell on you

Mahi: I need to finish my homework I won't be annoying I promise.

Neta: where's Baja should he be at home with you?

Mahi: He's at work... They're doing a test stream or something or whatever

Ona: [crying]

Neta:.......*sigh*... Alright ........ I have some left overs in the fridge if you want anything.... Can you watch Bowie? Just make sure he's sleeping or watching TV as long as he's quiet.....

Mahi: ......(typing) alright

Neta: come on Ona....

_______________________________________________

Cirrina: ..... that was pretty good

Bayou: Yes I go there every other Sunday....

Cirrina: I leave on Sunday.... Maybe I can get another one before I leave....... Is that a music store?

Bayou: The old music store? Ye.....you play an instrument?

Cirrina: I play the cello .... It's nothing impressive really..... Second chair trying to get first chair in high school

Bayou: wow I'd like to see you play

Cirrina: no...nooo I-I couldn't .... You were going to take me to the cafe

Bayou: come on... Let's go inside....... We have plenty of time

Cirrina: ehhhhhh ok..... ...

Bayou: excuse me do you have a Cello we can try out?

Employees: sure.....hol up...let meh jest.......unlock.....here ya are..... .

Bayou: here you go Cirrina

Cirrina: [playing Bach: Cello Suite No. 1]

Bayou: [clap]...[clap] ...wow brains and beauty

Cirrina: (blush)..........you don't mean that

Bayou: I do .... You really talented

Cirrina: hehehe.............

Bayou:................

Cirrina: It's getting dark. I need to go home.

Bayou: Yeah why don't I take you to the cafe and get something to go and I can walk you to the ferry....{takes hand}

Cirrina: I'd like that.

_______________________________________________

Candi: mmmmmmm.....*yawn*........*huff*........(Squeak).....hm?

Plushie

Recording: I believe in you and your strength to keep fighting

Candi: Demersal?....... Do they still give these out?.....(Squeeze)

Recording: sometimes bad things happen and they're out of our control. It wasn't your fault

Candi: Cod I hated this thing ........ alright where are my kids? .... I'm well rested and ready to go........hey Neta..(toss)...

Neta:...ow......... hey........(Pat).......(Pat)......(Pat)

Bowie: *sleeping*..........

Candi: thanks for watching the kids. Donn had to go back to work today...*yawn*...... just needed a break..

Neta: no problem

Candi: how's Ona doing?

Ona:*sleeping*.......

Neta: she's fine......

Candi: .. That's good.. .... why do you still have this thing?

Neta: it was a gift... I got it when I was a kid...I just can't give it away

Candi:............

Neta: What! Ok what did you do with yours?

Candi: I ripped out the voice box and gave it to Bowie. He then threw up on it so I threw it away. Kids...

Neta: yeah... I had an old blanket I used to wrap her in. One blowout later and it was in the trash

Candi: hehehehe... Don't you just love being a parent sometimes?

Neta: heheheh.... Don't tell her I told you that she would kill me.. hehehdhe

Mahi:.......guys

Candi: hi mahi..........

Mahi: hey

Candi: ....... Donn's outside I got to get going.... Neta do you mind?

Neta: *scooping up Bowie*....yeeep let's go.....

_______________________________________________

Cirrina: I really enjoyed this.. I had fun.

Bayou: I had fun too Cirrina. I really like you

Cirrina: I like you too ..........................

Bayou:...............

Cirrina:...........

Bayou:..........*leaning in*............[kiss].....

Cirrina: [kiss]........ Hehehe

Bayou: hehehehehe

Cirrina: (blush)..... I- I need to go....uh

Bayou: I'll text you.......[peck]

Cirrina: bye......

_______________________________________________

Neta: alright!! Drive safe!!!!.....*sigh*......... mahi go home.

Mahi: I just got here! And I'm not being annoying. Please can I stay just one more night please

Neta: No, I didn't sleep well last night and I just had to babysit two kids. Let me have my peace. You've been staying here for a week. You practically live here. I need to clean up, I need to do the dishes and vacuum the floor, laundry .. I need to clean out nibbles's box. I need to make this place look like I wasn't wallowing in my own loneliness. All right

Mahi: you can do that when I'm here. It's not going to bother you

Neta: mahi goooooo home.....

Mahi: please can I say one more night please? I won't complain about the couch

Neta: no..... good bye

Mahi: but my apartment is quiet. You complain about wallowing in your loneliness. What about me you don't think I'm wallowing

Neta: get a pet or something ... (SLAM)

Mahi: (bang).....(bang)...... Where do I get a pet

Neta:AAAAAAAAAHHHH........*sigh*.. . . You can stay. This is your last night here. Tomorrow I will take you to the pet store after work pick out whatever you want and leave me alone..

Mahi: thanks Neta!

_______________________________________________

@fish-at-fish-fish-resort mahi go home

[lightblueminecraftorchid]

I’ve noticed something interesting and so I’m going to write it down to reference later.

Roommate is driving to parents’ house w borrowed kayak; needs help holding kayak in place while they strap it onto their car.

They have to leave ASAP; their family is expecting them by a certain time

Raining very hard outside. Not good for sensory.

Hold kayak in place. Get soaking wet. Can’t move or leave or stim bc kayak will fall. Feel overstimulated.

Finish holding kayak. Watch roommate finish strapping it-

Immediately feel like somebody shoved me underwater. Everything feels muted and fuzzy. My body awareness turns distant.

I am able to recognize this as dissociation and try to ground myself. It kinda works. I can at least move and think somewhat.

Get inside, change into dry clothes.

Dissociation ramps up quickly. Struggle to hold conversation w/ roommate. They go to make a phone call. Body feels distant and heavy. Moving my eyes feels like work; I end up staring at a door handle for multiple minutes, causing optical illusions exacerbated by visual snow.

Clock back in at some point; I think we had a conversation about wisdom teeth before they left.

Body is back and operational. I’m still off-balance from how quickly that happened.

[daz4i]

I'm gonna let you in on a badly kept secret. most of my dazai analysis is truly just me projecting. but being decent enough at bullshitting to make it sound convincing so ppl usually end up agreeing with my takes

[heartbeatbookclub]

It's 2 am as I start this, and I feel the need to put pen to paper on this thought, so to speak, because it's something I think about with relative frequency.

This is going to be more of a personal musing on my experience with Doki Doki Literature Club, and why it had such an impact on me when I first played it, as opposed to any more concrete analysis, so I guess you can keep reading if you want to know more about me as a person and my overall personal relationship to it.

Something I think about often in reference to DDLC is its status simultaneously as a satire on visual novels and all of the tropes therein, as well as a love letter to that genre, explicitly. It's very readily apparent if you've played a good few "weeb" visual novels that it very much fits that bill. I think my first experience with it makes it especially funny in that respect.

To give context, I first experienced Doki Doki Literature Club like a month or two after it came out, in a Skype call (shows how old I am) with 2 or 3 of my friends. During this period of my life, me and this small group of friends spent lots and lots of time just hanging out in Skype calls like this, doing whatever we pleased, spending time well into the next morning just enjoying each other's presence and seeing what fun shenanigans we could get into on the internet.

One frequent passtime of ours was playing visual novels. Not just any visual novels, no; we went looking for the most low effort, mediocre, low hanging fruit of visual novels we could download for free. The goal wasn't to enjoy a good story, the goal was to find something amusingly bad, whether in cliched, awkward, lazy writing, or in sheer absurdity. I still do this sometimes, though it's admittedly with a different thought in mind now.

I don't think this perception we had of visual novels, being that they're typically sloppy, cringe-inducing messes is necessarily uncommon even now, but it was especially common back then. It was "weeb shit", simple as, but even deeper than your typical weeb shit. The perception was something like watching High School DxD unironically; it's just weird.

And I don't really think the perception of visual novels being that way is necessarily inaccurate; there is a very low bar to entry to actually creating a visual novel just by the nature of the medium, so really, anyone with enough passion for a project and time on their hands can make one. As a consequence, there are a few egregiously bad visual novels, there are a few really excellent visual novels, but there are a great many just sort of okay, somewhat mediocre visual novels, and lots of visual novels created with not so honorable goals in mind.

And one thing we really enjoyed was just exploring what existed in the depths of unpopular visual novels slipping through the cracks of what people saw. For most of it, we were making fun of it, but there were a lot of points where we found stories which were mediocre, but ended up really enjoying our experience with it. I think an important thing to understand with that lower barrier to entry is that it enables people who really are passionate about telling a story to tell a story that has a lot of heart, and you can see all of that heart as a diamond within the rough of the actual construction. Even in VNs with more polish, typically there are still cracks right around the edges, where you can see just a little bit of the humanity that goes into it. It's sort of magical.

And Doki Doki Literature Club was an odd edge case, which successfully played with all of my perceptions of it. DDLC is probably the only game whose story is reliant on a plot twist where I actually went in completely blind. By all appearances, it was a silly little visual novel made with no sense of irony, and I spent a great deal of time laughing at its contents, completely unaware that they were in on the joke.

And my perception of it being this way I feel like colored a lot of what happened next when I looked into it. I forget exactly when our playthrough ended--we didn't make it to any of the deeper stuff, I watched a Let's Play for that--and I forget how the whole series of events following that went, but somehow or another, I learned of some of the true nature. Namely I saw what happened to Sayori.

It reminded me of Corpse Party, when I actually thought about it.

I'm not going to go deep in depth on all of my thoughts about Corpse Party nor any of its history, but to be frank, Corpse Party reeeally sits in that realm of "mediocre, but lots of heart" to me. I don't really think Corpse Party is very good, particularly elaborating on a lot of the lore, but I really enjoyed it when I first experienced it, and it's still something I occasionally like looking back over. It's deliciously dark, and is extremely effective at creating an oppressive atmosphere out of what's ostensibly a collection of happy warm anime character tropes with little serious personality outside them.

So when I say that Sayori's death reminded me of Corpse Party, I mean that the way it paired playing the happy warm visual novel setting straight with extremely grim subject matter was done well.

Really, there were only a few other examples of this kind of media I could think of that really effectively utilized the exact kind of gut punch that DDLC did. Everything about the way the game framed itself around it, up until the final plot twist, really did feel like they were just elements of a visual novel playing themselves out. Sayo-nara really sets that tone for me--it still gives me chills sometimes when I hear it, because it sounds perfectly like what a "Bad Ending" theme for that kind of ending would likely sound like. It plays itself remarkably well into creating the setting, it really effectively feels like it is a normal visual novel falling apart at the seams.

I think that, more than anything, is why DDLC made such an impact on me when I first experienced it (which is remarkably different than the kind of mark it leaves on me now), it played so effectively with a genre I was so familiar with, and simultaneously played "mediocre visual novel with lots of heart" straight while also completely knocking "deep and terrifying existential horror" out of the park.

It's hard to truly describe, but there's just so much that feels so right about DDLC just being as it is. There's such a unique quality to the way it's written, to the way it's constructed, that goes down to its bones. It feels like that exact brand of junk food media you go to visual novels for. You don't necessarily want to think too deeply about the characters, or the setting of the story, or any of the deeper themes surrounding it; you just want to experience a nice story with some anime girls.

And then it yanks the rug out from under you, and makes you think it's junk food media with a side of deep and disturbing horror.

And then it yanks the second rug out from under that one, making you realize it's something much, much deeper.

I think something else it really appealed to, to me, was just that sense of being on the edge of the world which most indie games of that sort always give me. There are a shitload of examples I could give for this, but this sense I'm describing is the opposite of the sense which games like Undertale give me. Undertale's world feels lived in, it feels like it exists in a much, much wider concept of a great, sprawling world where billions of people live.

DDLC feels like you and the 4 girls in it are the only people in the universe. There are all of these environments you inhabit which ostensibly have other people who pass through them, live in them, there are implications of people, but inside this world, there's only you.

I think it just appeals to my desire to be transported to a complete other world for a little while. A limited space, where only things important to this experience exist, for this pure feeling of emotional catharsis. And that's something a lot of these sorts of simple visual novels appeal to; the goal isn't necessarily to tell some deeper story, it's just to present beats as they happen. DDLC takes that, and plays with it, both in a textual sense, as though these fictional characters exist and are somehow aware they're fictional, and in a meta sense, by directly playing around with your expectations and the way the entire thing is framed.

Or something like that.

Fun fact 1: Doki Doki Literature Club (specifically Sayo-Nara, still one of the few songs I can play entirely by memory) is what got me to start learning piano. I taught myself to play, and started mostly with the DDLC soundtrack (Which is very simple to play by ear, by the way, it's pretty much entirely C major.)

Fun fact 2: What initially inspired this thought was this video, which really reminded me of other visual novels we/I played that would utilize this particular style of music.