#xenogenesis

[young-astro]

PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here

Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn

[nellasbookplanet]

Book recs: black science fiction

As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.

Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

Lagoon by Nnedi Okorafor

Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.

Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes

Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.

The Scourge Between Stars by Ness Brown

Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.

Midnight Robber by Nalo Hopkinson*

Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.

Rosewater (The Wormwood trilogy) by Tade Thompson

In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.

Do You Dream of Terra-Two? by Temi Oh

Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.

The Best of All Possible Worlds by Karen Lord

After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.

Mirage (Mirage duology) by Somaiya Daud

Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Where It Rains in Color by Denise Crittendon

The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.

Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden

Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*

In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.

Parable of the Sower (Earthseed duology) by Octavia E. Butler*

In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.

Binti (Binti trilogy) by Nnedi Okorafor

Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.

War Girls (War Girls duology) by Tochi Onyebuchi

In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.

The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson

Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!

The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*

In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.

The Women Could Fly by Megan Giddings*

In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

The Summer Prince by Alaya Dawn Johnson*

Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.

The Blood Trials (The Blood Gifted duology) by N.E. Davenport

After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.

Babel-17 by Samuel R. Delany

1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.

Pet (Pet duology) by Akwaeke Emezi

Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.

Bonus AKA I haven’t read these yet but they seem really cool

Lion's Blood by Steven Barnes

Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.

The Sound of Stars by Alechia Dow

Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.

Womb City by Tlotlo Tsamaase

Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.

Orleans by Sherri L. Smith

Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

The Splinter in the Sky by Kemi Ashing-Giwa

Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole

[eleanor-arroway]

Octavia E. Butler's lost works

"There's much more to her career than the dozen or so books we know; out of the spirit of brutal perfectionism that drove her, she held a lot of interesting and worthy work back. I've talked a lot about the treasures of the Huntington in these pages: the unpublished Blindsight, "Evening" [1] and Paraclete; the many Tricksters; the alternative Xenogenesis, the lost short stories and essays and sequels and interviews and plays. This material should not be left only to the small number of scholars who are able to make their way to the Huntington; much of it can see, and deserves to see, publication. These are not discarded scraps or abandonded, embarrassing mistakes; it's just more.

Butler's incredible productivity, coupled with her intense self-criticism, self-censorship, and perfectionism, has conspired to create a vast intertextual hidden archive of alternative versions and lost tales that will, I hope, reinvigorate the study of her work as more scholars are able to get to the Huntington and as more of it trickles out in published form."

From Gerry Canavan's biography of Octavia E. Butler in the Modern Masters of Science Fiction series

[jargalo]

Class assignment to create a representation of the Oankali aliens from Octavia Butler's Dawn. It's a very interesting book, I'd recommend it.

[haveyoureadthisscifibook]

vote YES if you have finished the entire book.

vote NO if you have not finished the entire book.

(faq · submit a book)

[rjalker]

people really need to stop recommending books based purely on the fact that they're "Queer representation" of some kind.

Not only does it do a disservice to the story itself, because I guarentee you the author wanted their story to be remembered for more than having "x characters" and nothing more...

...but if you're going around blithely reccomending tons of random strangers read something like the Xenogenesis trilogy by Octavia E. Butler based purely on the fact that some of the characters use it/its pronouns...

that's.

I'm sorry but that is just so negligent. That's the only word I can think to describe it. Xenogenesis is an adult science fiction story meant to be read by adults who are ready to have an incredibly serious conversation about slavery, eugenics, rape, genocide, and how consent literally cannot exist when you are a slave, and what that means for you and everyone around you.

It's not a fun casual adventure story anyone and everyone should be picking up without knowing what they're getting into. You have no idea how many people you're casually recommending this series to are victims of rape who are going to be triggered by scenes in this series, and you're not giving them any warning!

It's already bad enough for people to be flattening stories down into whether or not they have "X characters" but to not warn people about genuinely triggering content in the books you're flattening this way?? Why would you do that?

Please don't fucking do that. If you know a series deals with triggering topics then you need to warn people about that any time you recommend people read it. The Xenogenesis series requires trigger warnings for rape at the very least, and a whole lot more on top of that too, but that's the bare minimum.

Stop recommending people read things just because "characters use x pronouns in it" or "it has nonbinary characters" or "it has a lesbian in it" without any relevant warnings about triggering content it also contains.

At least the person who did this did specify that the it/its users in Xenogenesis are all aliens, but like, that's the least of things people need to be aware of before reading this trilogy.

Reccommend media by actually summarizing it. There's almost always an official summary you can find somewhere. Warn people about any topics that might be triggering that the content contains.

And, since I see this happen the most: for the love of fuck do not lie to people about Queer characters being in a series, or refuse to explain to people that the Queer characters that do exist are just the same old stereotypes we've all seen a million times, with nothing to balance them out and make them actually progressive.

That is going to accomplish nothing except alienating people who've been tricked into reading something that's not actually what they were told it was. You are not going to get anyone to enjoy a series by betraying them by lying about nonexistant or at best shallow, stereotypical, bioessentialist 'representation'.

The Animorphs does not have a single canon Queer character.

The Murderbot Diaries is just the exact same nonbinary robot stereotype that was old in the 90s, with no important human nonbinary characters at all despite there being seven whole books at this point. There are exactly 2 human characters who use neopronouns, but they're the epitome of "token characters". They appear for a combined total of maybe 10 pages, have no importance to the plot, and get shoved offscreen as quickly as possible, never to be seen again. All of the robots use it/its pronouns because they don't have genitals and Martha Wells is transmisic and loves biological essentliasm, and still very clearly equates sex with gender with pronouns. Despite the protagonist using it/its pronouns, no one ever asks anyone else for their pronouns, everyone just magically knows, because, again, biological essentialism. Also known as the exact opposite of representation for trans people.

The Xenogenesis trilogy does not have a single canon Queer character in it. All of the characters who use it/its pronouns are part of the third reproductive sex for the alien species.

Start recommending series based on what the plot is actually about, or what good things they have going for them, not just because they have characters who use XYZ pronouns or are the literal stereotype of a nonbinary robot.

[chthonic-cassandra]

Having a lot of thoughts about Xenogenesis. [discussion of sexual violence and coercion below]

Yesterday I reread all of Dawn and almost all of Adulthood Rites; I stopped almost at the very end and I think that was enough. I remember Imago very well (I accidentally read it before the others and then I wrote yuletide fic for it) and so don't feel the need to revisit it at the moment.

Dawn remains very strong, stronger perhaps in reread when you know where it's going and can watch for the nuances. I don't think the others in the series work as well, and Adulthood Rites in particular I think isn't structured very effectively as a novel. I also think there are things that get lost in the shift into the pov of the human-Oankali construct characters.

The interest in impossible choices, in attachment to your captor, in what I like to call concubine problems (Lilith taking off her clothes and lying down on the battlefield with the enemy!) is so sharp and nuanced in the first book. I think it's weirdly easy to miss this - the thread in which the humans' discomfort with the Oankali is based in prejudice against what is different, and in homophobia, is a tricky misdirection. But Butler is fundamentally interested in consent and the impossibility of consent.

The Oankali are supposed to be appealing (I think this is effective especially with Nikanj, whose appeal for Lilith is I think very well drawn), and in them the book does this queasy and fascinating thing in attempting to construct a moral framework that does not center around autonomy. But Dawn at least never loses the horror of that, alongside the fantasized erotics of a partner who knows your desires better than you know them yourself.

Butler cheats in this by putting Lilith in several impossible double bonds, one of which is the inescapability of sexual violence in the plot. The first human man Lilith meets tries to rape her; the other surviving humans almost instantly turn to it as a tool. This is so marked when the scene where Lilith interrupts the attempted rape within the human group is placed in the text almost exactly up against Nikanj forcing Joseph into ooloi-facilitated sexual contact for the first time, which I had not recalled as vividly as it struck me this reread. The time skips means that we don't see Lilith's first sexual experiences with Nikanj and its mates; we see her once it is already an accustomed part of her life. But we see Joseph saying no; we see Nikanj telling him that his body was saying yes, that it knows better than he does. And then, right at the end of the novel, we see it enacting this ultimate violation of impregnating Lilith without her consent, because it sees that she is 'ready.'

But there's the double bind, right, first because if, in this world, rape is inescapable, then what Nikanj and the other ooloi offer/force might be the better alternative. It's a violation of consent in which one is cared about, in which one has attachment and safety. Dawn as a text is clear-sighted about those tradeoffs. I think Adulthood Rites loses the thread somewhat, partly in Butler's increasing focus on genetic inheritance as the site of preservation, violation, and transformation, which does something else that I do not personally find as emotionally compelling. I think there would be ways of telling the stories of the second two books which would land better for me; in some ways it feels like Butler flinched away from some of the horror there. A lot still to think about.

[grumpyoldsnake]

Finished reading Dawn by Octavia E. Butler! This book didn’t amaze me or anything, but it was interesting enough that I’ll probably read the next one just to see where Butler is going with all this. I liked the worldbuilding. The prose didn't stand out to me. The themes… left me with mixed feelings, and are a big part of why I want to see what conclusions Butler is going to draw by the end of this before forming any solid opinions. No specific spoilers, but allusions to the premise and its impacts. . The book's reputation It's a shame that this book has such a reputation for being disturbing; I feel like almost every time I've seen it mentioned people will say they had to walk away from parts of it. Not that it isn't disturbing, it absolutely is, but having seen all of those comments I went in so guarded that I think I failed to connect emotionally. As far as disturbing themes go… unless you have a specific trigger or squick about sexual coercion such that you find it more disturbing than other types of coercion and violence, to me this felt about on par with books like Lord of the Flies, The Freeze-Frame Revolution, and Mirror Dance. Maybe more unrelenting about things; the unpleasantness taking up a greater portion of the book. (…By which I mean all of it. Beginning to end. :'D) . Themes about consent I’ve seen the themes of captivity-as-rescue, consent, helplessness, unwilling-sympathy-for-captors, and manipulation explored in ways that were more compelling to me before. But I also recognize that this is only the first book in the series. I did appreciate that Butler mostly treated the lack of meaningful choice and lack of consensual human connection as the points of real horror, and as the root cause of most human-on-human violence. . Themes about genetics I had… very mixed feelings about the our-children-won't-be-humans angsting. Again, the lack of consent was the major moral issue to me; the concept of having involuntary children at all is the horror to me. The genetic panic, on the other hand… I don't know. In the context of the story, sure, it'd be the end of the human race. And that's fine as a thought experiment, even if I don't find it particularly compelling on a personal level. (I think the only way I would find it compelling is if the thought went one step further: "And our children are going to go on to carry out this same cruel process on some other species…") But it kind of falls apart if you try to make any kind of connection back to the real world with it, because the closest comparisons I can see are to fear and hatred of disability and interracial children, and on both fronts: oof. But that may well be what Butler is intending to explore! So… again. I'm curious to see what her conclusions will be, if I manage to get through any of the rest of the series.

[999nigga]

y'all....they don't just impregnate you they convince you that you want to be impregnated by them by getting you addicted to their presence through nuerological stimulation and impregnate you when the idea of it starts to repulse you less and then when you get mad about it they say you wanted it and because you were becoming more ambivalent towards the idea anyway and you cant escape the alien ship either and youre forced to just resign yourself to alien maternity

[clarafordahwin]

Having a hard time articulating this. But I think one of the reasons I love Octavia Butler's work so much is that, as much as her work is about systems of power, she first empowers her protagonists before she disempowers them. She let's the reader be freed from seeing most realistic depictions of abuse, and then sets up a fantastical form of power to explore the themes in. This makes her books simultaneously disturbing and empowering.

Thinking specifically about Wild Seed and Dawn. Lilith has protection from physical and sexual assault. Cool! Now to deal with an alien race that has a complex plan to coerce humans into breeding with them. Anyanwu is powerful enough that no mortal man can harm her. Cool! Now here is an immortal man that can track her wherever she is.

[phenakistoskope]

i raced through dawn. two hundred and seventy five pages in three hours flat. i have work in another three. it was another one about the colonial encounter, but this time, octavia butler held the violence in place, specifically the violence of a politics of life. it's almost as if a close reading of history might draw the viscerality of colonialism out into the light.

[deviousdayz]

Octavia Butler said the oankali were butt ugly but I’m afraid I would definitely get down with an ooloi 🙏🏾❤️

[nellasbookplanet]

Book recs: Queer science fiction, part 1

There is a lot of queer sf out there, and I read a lot of sf. When I started working on this list, I quickly realized it was impossible to include all that I've read and enjoyed in one single rec post. Thus, this is the first of so far three queer sci-fi book rec posts.

A note: queer here does not necessarily mean "guarantee of an f/f or m/m ship with a happy ending", but rather simply a significant presence of queerness. Some of the books feature no romance but has a same gender attracted/trans/a-spectrum lead, or features an m/f relationship with bisexual, trans or aro/ace characters, or simply features a world-building which is heavily queer inclusive in ways that don't always compare to our own ideas of sexuality and gender. I have however disqualified works where the only queer presence is along the lines of "gay best friend" or a blink and you'll miss it confirmation that never comes up again.

Previous book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, many worlds: portal fantasies, many worlds: alternate timelines, robots and artificial intelligences, post- and transhumanism, alien intelligences

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

The Light Brigade by Kameron Hurley*

Dietz is a soldier in the war between Earth and Mars - to travel to the battle front, she and her fellow soldiers are broken down into light to be able to quickly travel across space. But something keeps going wrong with Dietz's travels; her memories don't match up with the mission briefs, as she experiences time itself turning in on itself. Is she going mad? Or are the things she's learning skipping through time the truth - and the war that's stealing her life the lie? A mindfuck of a book that's scathing in its critique of fascism and war. Features a sapphic lead but no romance.

A Psalm for the Wild-Built (Monk and Robot duology) by Becky Chambers

Novella. Long ago, robots, upon gaining sentience, simply laid down their work and walked into the wilderness. Long after, a tea monk looking for purpose follows after them into the wilds, where they come across one of the robots seeking its own sort of answers. While not plotless, this story focuses more on character and vibes over plot. Also has a nonbinary main character and features conversations on gender between human and robot.

Meet Me In Another Life by Catriona Silvey*

Thora and Santi are strangers, brought together by a coincidence and torn apart just as abruptly when tragedy strikes. But this is neither the first nor the last time they meet - again and again they encounter each other, as friends, lovers, enemies, family, every time recognizing in each other a familiarity no one else carries. But with every new life, a mysterious danger grows ever closer, forcing them to find out the truth of their connection. This is a puzzle-box of a story that goes some entirely unexpected places in a very wild ride, featuring a bisexual co-lead.

The Archive Undying (The Downworld Sequence) by Emma Mieko Candon

In a world where AI gods sometimes lose their minds and take entire populations down with them, Sunai was the only survivor when his god went down. In the 17 years since, he has wandered on his own, unable to either die or age, drowning his sorrows in drink and men. But his attempts to flee his past comes to a stop as he is forced back into the struggle between man and machine. Featuring some pretty wild world building and narrative techniques, this book will definitely confuse you, but it is worth the experience.

The Paradox Hotel by Rob Hart

January Cole works security at the Paradox Hotel, last stop for tourists heading for the timeport, which allows them to travel to and witness any moment in time. But years of proximity to the timeport has left its damage on January, making her unstuck in time, letting her relive memories of her dead lover even as her sanity slips away bit by bit. As she starts witnessing proof of a horrible crime in the hotel that no one else can see, January must race against her own mind, a killer, and time itself to solve it before it's too late.

A Fractured Infinity by Nathan Tavares

Hayes Figueiredo is a struggling film-maker who wants to finish his documentary, whose life gets turned upside down when handsome physicist Yusuf Hassan enters his life, claiming an alternate version of him is a great inventor who’s sent a mysterious device to their universe. As Hayes gets drawn deeper into the conspiracy - and his feelings for Yusuf intensify - he has to decide just how far he’s prepared to go to win the life and the love he wants. Featuring a very gay and very morally dubious lead, this is a creative and strange read.

Bridge by Lauren Beukes

When she was little, Bridge and her mother Jo used to play a game - one where they traveled to other worlds, inhabiting the bodies of their other selves. Now Jo is dead, and as Bridge is cleaning out her apartment she finds a strange device: a dreamworm, the very thing that supposedly makes inter-dimensional travel possible. Suddenly faced with the possibility that multiverse travel is real, Bridge is struck by a different question: could her mother still be alive? Scifi spiced with a healthy dose of body horror and some absolutely wild twists, Bridge also features a bisexual lead (however this is a blink and you’ll miss it moment) and a nonbinary co-narrator.

The Long Way to a Small, Angry Planet (Wayfarers series) by Becky Chambers

Rosemary Harper just got a job on the motley crew of the Wayfarer, a spaceship that works with tunneling new wormholes through space. With a past she wants to leave behind, Rosemary is happy to travel the far reaches of the universe with the chaotic crew, but when they land the job of a life time, things suddenly get a lot more dangerous. A bit of a tumblr classic in its day, this is a cozy space opera with an episodic feel and vividly realized characters and cultures. While pretty light on romance and focusing found family, there is a main f/f relationship.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship's leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship's sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Ninefox Gambit (The Machineries of Empire trilogy) by Yoon Ha Lee*

Military space opera where belief and culture shape the laws of reality, causing all kinds of atrocities as empires do everything in their power to force as many people as possible to conform to their way of life to strengthen their technology and weapons. It’s also very queer, with gay, lesbian and trans major characters, albeit little to no romance.

The Left Hand of Darkness (Hainish Cycle) by Ursula K. Le Guin

1969 classic. Genly Ai is an emissary sent to the planet of Winter, meant to help facilitate Winter's inclusion in a growing intergalactic civilization. But he's unprepared for Winter's citizens, who spend much of their time genderless or switching between genders, making for a culture wildly different from that Genly is used to.

Too Like the Lightning (Terra Ignota series) by Ada Palmer*

Centuries in the future, humanity has deliberatly engineered society to be as utopian as possible, politically, socially, sexually, religiously. Written in an enlightenment style and featuring questions of human nature and whether it’s possible to change it, and what price we’re prepared to pay for peace, this book is simultaneously very heavy and very funny, and written in a very unique style. While still human, the society presented often feels starkly alien.

The Stars Are Legion by Kameron Hurley

This book fucked me up when I read it. It’s weird, it’s gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable. Had I to categorize it I would call it grimdark military sf. It’s an experience but not necessarily a pleasant one.

The Luminous Dead by Caitlin Starling*

Possibly one of the most unsettling books I’ve ever read, and definitely the most claustrophobic. Gyre, a caver on an alien planet, ventures into the dark and dangerous underground, guided only by a woman who has no compunctions on using and manipulating Gyre as she sees fit to obtain her secretive goals down in the caves.

Escaping Exodus (Escaping Exodus series) by Nicky Drayden

While my feelings on Escaping Exodus were mixed, it cannot be denied that the dynamic between the two leads and the way they go from childhood best friends to enemies on different sides of a class and power struggle is very delicious. It also features some really cool worldbuilding of living, alien generation spaceships and the human culture that has developed inside them.

The Doors of Eden by Adrian Tchaikovsky*

The Doors of Eden is something of an experiment in speculative biology, featuring versions of Earth in which various different species were the one to rise to sentience, from dinosaurs to neanderthals. Now, something is threatening the existence of all timelines, dragging multiple different people and species into the struggle, among those a pair of cryptid hunting girlfriends and a transgender scientist.

Ascension by Jacqueline Koyanagi

Ascension follows Alana Quick, an expert Sky Surgeon who stows away on a spaceship in hopes of landing herself a job. But the ship and its crew are in deeper waters than she expected, facing threats emerging from a whole other universe, all of them searching for the same person: Alana’s spiritually enlightened sister. Undeniably a bit of an odd read, Ascension is also very creative and features polyamorous lesbian relationship.

Contagion (Contagion duology) by Erin Bowman*

Young adult. After receiving an SOS, a small crew is sent on a standard search-and-rescue mission. But what they find are not survivors awaiting help, but an abandoned site, full of dead bodies and crawling with something... monstrous. No romance, but features one sapphic co-lead and one who can easily be read as demisexual (however this doesn't show up until book two, which has more romance).

A Memory Called Empire (Texicalaan duology) by Arkady Martine

Mahit Dzmare is an ambassador sent to the center of the multi-system Teixcalaanli Empire, where she discovers that her predecessor has died. Trying to protect her home, an independent mining station, from being taken over by the empire, Mahit struggles to find out the truth of her predecessor's death while carrying the voice of his ghost in her head, guiding her as best he can. Light on the romance but does feature a sapphic relationship.

The Outside (The Outside trilogy) by Ada Hoffman*

AKA the book the put me in an existenial crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired scifi where reality is warped and artifical gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by post-human cybernetic ‘angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart. Sapphic main character.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Queer in the sense that the Oankali doesn't follow human ideas of gender and relationships, which is mirrored in their romantic relationships with humans. It is, however, pretty dark, with examinations of agency and consent, so enter with caution.

Remnant by Kate Genet

One day, Cass wakes up and finds everyone else is gone. Not dead, just gone, leaving her in a world which nature starts taking back with a dangerous, unnatural speed. But as she tries to survive this new normal, Cass realizes she may not be alone after all - but who else is out there, and are they a threat?

The Scorpion Rules (Prisoners of Peace duology) by Erin Bow*

Young Adult. Featuring a dystopian future in which an AI forcibly keeps world peace by holding the children of world leaders hostage. If anyone attempts to start a war, their child will be executed. Greta is one of these children, kept in a school with others like her. But things start to change one day when a new, less obedient hostage arrives. A unique, slowburn take on the YA dystopian craze, also featuring a bisexual love triangle.

Iron Widow (Iron Widow series) by Xiran Jay Zhao

Young adult. Zetian is a citizen of Huaxia, where mecha aliens are constantly trying to breach the Great Wall. To keep them at bay, couples of men and women pilot so called Chrysalises, giant transforming robots. But the pilots are not equal - the women almost always die, sucked dry by their co-pilots. When Zetian sets herself up to become a concubine-pilot, she does so with the plan to assassinate the male pilot who caused her sister's death. Features a polyamorous main relationship.

Bonus AKA I haven't read these yet but they seem really cool:

Survival Instincts by May Dawney

Lynn Tanner has been surviving the post-apocalypse alone with only her dog for a long time, trusting no one. But when she's forced to travel the dangerous remains of New York City alongside another woman, her priorities are challenged. Is staying alone really the best way to stay alive?

These Burning Stars by Bethany Jacobs

When con-artist Jun Ironway gets her hands on possible proof of the powerful Nightfoot family, controllers of interplanetary travel, committing genocide, she has in her hands a chance of taking them and their monopoly down. But the family and their allies won't go down easily, and sends two brutal clerics to stop her.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

[pg13judaskiss]

We called our need for contact with others and our need for mates hunger. The word had not been chosen frivolously. One who could hunger could starve.

Imago by Octavia Butler (1989)

[benedictusantonius]

[2024|018] Adulthood Rights (1988) written by Octavia E. Butler

[rjalker]

I know people who don't actually know anything about media anaylsis don't want to hear this, but framing is, in fact, a thing, and it is, in fact, a key feature of storytelling. How something is framed does in fact drastically change its meaning. It is not just about whether X thing is in the story. It's about how it's framed. It's about how it's handled.

Is your science fiction story actually framing slavery as horrific and something that no one should be subjected to? Or is it only a bad thing when it happens to the protagonist? Does the story frame murdering and torturing a slave to death as horrific and unforgivable, or is it just there to show how cool and badass your heroes are because slavery and torture are only bad when it's happening to a protagonist? Should slaves always have the chance to fight for their freedom, or is slave rebellions too much of a cliche for you to write about?