#yeah that would be reaction too

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[crezz-star]

Why Luffy is highly attached to Zoro and why Zoro is highly attached to Luffy, and why the straw hats is aware of this and accepts it.

(some rare rambles of Mine. This is based on my own character studies and observations. COPY PASTED FROM MY X [twitter] )

-------

👒

Firstly, we have to look at how Luffy grew up.

Luffy was given to Dadan by Garp, told her to take care of him. While Dadan introduced Luffy

to Ace and Ace at first was not very... Friendly. And I will not sugarcoat it, Ace did not care about Luffy as first and went through dangerous places that could have killed Luffy, and Ace again, shows how he did not care if that happened. Yet, just like with Shanks, Luffy was doing his best for Ace to accept him and let him join him.

It was always Luffy who was making an effort chasing after people he admires and began to care for, but was always getting denied.

And so being left alone.

Yes, Ace did accept him but not after Ace mentioned, along with Sabo that they should kill him first.

Luffy, being so young back then, and impressionable even, now have it engraved in his mind that if he isn't useful, he will never be accepted by anyone or anywhere.

And so, its become a fear in Luffy deep down, a fear he would push far back in his mind. But would reflect in his actions when he grows up and finds his crew. Luffy is afraid to be useless and abandoned by people he shows interest and care for. Which is why he gets possessive of what is his. That when anyone shows desire to leave, he gets upset and emotional and... angry. That he doesn't want anyone to leave, doesn't allow anyone to leave. And if they still do leave. It deals a blow to his emotional and mental state. He becomes irrational to the point that to bring the person back, he will let himself be walked on like a doormat.

That's where Zoro comes in.

Luffy first heard Zoro's name and immediately felt intrigued. And when he finally met Zoro, who was in obvious predicament, Luffy was hooked especially knowing that Zoro was a good person, and decided that ah. He wanted this man to be in his crew. So being the typical Luffy to do all he can to gain favor towards people he shows clear interest in, he tells Zoro, if I bring back your swords, you WILL join my crew. Because in his mind, if he's useful, people would accept him then! He was sure of it. Since that's how it was with him growing up.

Zoro would find this odd. Even calling Luffy the son of a demon because of how messed up his thinking is. But I think this would be the start of Zoro's observation of Luffy and how Luffy would need someone to correct him in his thinking and actions later on.

So Zoro joins Luffy not just because he freed him and gave his swords back, but because of the strength Luffy showed. One that Zoro acknowledged and respected.

Luffy gaining his first mate would then start to make Luffy be unconsciously more aware of how his crew acts and he would notice how Zoro, unlike everyone else in his life, got his back the most

Zoro chooses to follow him of his own accord. And this would get even more evident when: Nami, betrays Luffy and Zoro told him they should just let her be. Luffy insisted of course, but it shows Zoro's protectiveness of his captain. Sanji favoring Nami and making it almost seem that his reason of joining was her, (this was cleared up later in the crew barrel vows of course), still Zoro did not like him any better as he still thinks Sanji would most likely value women more than their captain.

Usopp leaving the crew and even challenging Luffy for a duel to be captain, which is a huge disrespect to Luffy. Yet Luffy was about to accept him with open arms again as if nothing happened. That's why Zoro stepped in to keep him in check.

This was one of the important moments

Luffy sees how Zoro really truly have his back. Zoro always returning to his side no matter how many times they got separated throughout their adventures. Zoro taking care of his crew, that of which Luffy all recruited himself (Zoro did not trust them all too easily), and now, + 

Zoro giving Luffy a hard life lesson to be a good captain.

Zoro really was looking out for him. So much. Sticking by him all these times no matter how many times his Life got put to danger.

That's why when Zoro mentioned if he fails as a captain, it will be him who will leave, Luffy would panic at the thought and was enough to make Luffy listen and stop desperately chasing after a crew who disrespected him.

Not Zoro. He doesn't want Zoro of all people to leave him.

So Luffy listens. Reflects. Learns how to be a better captain.

but I think one of the most important moment Luffy saw how Zoro will never leave him , like everyone else he cared for in his life did, was when Zoro made his vow to him in Baratie.

That's when he knew, Zoro will not betray him. Will never leave him. That's when he knew, he can trust Zoro with his life and his future crew. He knew Zoro would keep everyone safe.

Luffy felt like he doesn't have to chase after Zoro so terribly desperately the way he did with Shanks or Ace. For the first time in his life, someone CHOSE to stay by his side. Vowed to stay by his side.

It made Luffy happy. Glad. Acknowledged. For some it would seem like the vow was someone serving Luffy. But in Luffy's mind, Zoro made that vow, not because of a master and servant thing, it was because they would be partners, equals in chasing after their dreams. Someone Luffy can face the world with. Give and take.

And this is why Luffy is so attached to Zoro. Because he knows Zoro will never leave him. Zoro will never betray him like what the others did (even if they had their own reasons). Because Zoro chose to be by his side. To be his anchor. His voice of reason when he's washed over with irrational emotions. Why he listens to Zoro the most, becoming silent to listen close to every word that Zoro would say.

Zoro takes care of him and the crew and family Luffy had built.

Zoro stayed and choose to keep staying and returning to him, and because of this, because of Zoro, Luffy learned that he doesn't have to chase after anyone again. That if people wants to stay, they would. That if people wants to stay, they should be the one to ask Luffy. To tell him. To beg him. Because Zoro knows and sees that Luffy is a person worth following and being loyal to.

---

⚔

Now on to why Zoro is attached to Luffy.

I would be lying when I deny the idea of Zoro seeing some parts of Kuina's personality with Luffy.

Kuina did her best to get stronger and prove herself as a great swordsman despite being female, because Kuina believes that, just because she's female, she was weak. Unless she works hard, but still she still have such thoughts buried in the back of her mind. This is why she desperately pushes herself so much. To make people acknowledge her for her own skills and efforts, because she's afraid to be disregarded, left behind. To be not be taken seriously. To be useless.

Who else have this unspoken desperation to be acknowledged and fear of being useless?

Luffy.

Zoro most likely saw the similar personality traits, and seeing how Kuina is important to Zoro, how their shared dream is what pushes him forward, it may have helped him to somewhat lower his guard, even a bit slightly, towards this funny rubber boy.

Humoring him by joining his crew. And eventually, Zoro being able to see the strength Luffy has, and if there's anything that would gain Zoro's favor and respect? It's strength and heart.

Reason why despite seeing him as his enemy, Zoro respects Mihawk, and even the opponents he had hard time defeating.

And towards Luffy, Zoro sees that endless pool of potential And power.

Making him accept Luffy more and more, not just as his captain or the person he dedicates his loyalty to, but as his equal. Just like he did once with Kuina.

He saw her not just as his goal, but also as his equal.

Zoro's treatment and view of Luffy as a simple naïve pirate became something more and was solidified when he saw how Luffy truly valued his dreams at Baratie. How Luffy took it very seriously even knowing that Zoro might die. Zoro took that as full serious acknowledgement and felt that Luffy DID respect him. That Luffy was serious after all.

The way Luffy stopped Johnny and Yosaku from interfering in Zoro's fight Gained tons respect from Zoro. Because that dream of his, isn't just his. It was Kuina's too, and Zoro felt as if through that, Luffy respected Kuina's dream too, Why Zoro was thankful to Luffy. That's why Zoro began to follow Luffy. Because he knows, if anyone can help him accomplish his dream, a dream he shares with his old childhood friend, If anyone can help him reach his goal, it would be Luffy. His dream is safe with him.

Along the way, Zoro would also see how Luffy is reckless. That his kind - and at certain times naive - heart was also going to be his downfall, that's why Zoro keeps Luffy in check, at first Zoro was doing all of his caring for Luffy as means to reach his goal, but spending time with him and understanding him, Zoro saw something more about Luffy, saw his potential quality for greatness and Zoro wants to.. NEEDS to see it.

The way Luffy carries burdens of others and liberates them.

It's something Zoro finds not just as something respectful, but something he admires.

With Luffy by his side, everything and anything feels possible.

That's why as early on as Alabasta, Zoro had already developed a desire to make Luffy's dream, one of his own, his new dream. But still prefer to keep quiet about it when someone asks.

Zoro's attachment to Luffy started as something reminding him of a long passed friend, but as time passed, began to see and understand Luffy more, seeing him as a person/captain worth following, and as well as his most trusted best friend.

Which is why Zoro will do everything he can to help Luffy. Protect what's his and what he built. Help Luffy in reaching his goal, crowning him as king of the pirates, by making Luffy's dream part of his, and is also now his priority as well.

Now on to why the straw hats accepts this.

They all have their own mistakes and majority of the crew, Nami, Usopp, Sanji and Robin, all 'betrayed' Luffy. I say that with a quotation because they all had their reasons. I'm well aware they really didn't do it wholeheartedly and they were just.... In a certain predicament or internal turmoil

They know how Zoro would do everything he could to protect Luffy. How amongst all the older og crew, Zoro was the ONLY one who never even dared to betray Luffy at all. Not even having thoughts about it. That Zoro was EXTREMELY loyal and protective of their captain. Making Luffy favor Zoro the most even if he doesn't notice it himself.

They can see how Zoro and Luffy once at each other's side, can be immersed in their own little world. How when they fight, the silent looks they give one was enough for each other to know what they were planning.

The crew sees this and accepts this. Because deep inside, they have their own guilts. Except perhaps for Franky , Brook and Jinbei but those three are the mature types to already accept that what level of bond that Zoro and Luffy has, None of them can EVER have nor break.

Thus the whole strawhats understands this.

Understands that Zoro and Luffy is inseparable. Is attached at the hip and that's okay. Because they have their whole faith in them, as captain and vice captain. They trust them with their life. Especially with how Luffy gave them a home and Zoro protecting them.

How both Zoro and Luffy would agree to save them

Strawhats is their family and Zoro and Luffy are the protectors of the family

Luffy, the savior and liberator.

Zoro the guardian and protector 

[theaceace]

imagining a world in which Simon agreed to go with Edwin and try to escape hell, imagining Simon developing an immediate and very inadvisable crush on the cute guy that just threw a grenade at a demon and Edwin's reaction to that, imagining the reaction of Charles Overprotective Rowland when he finds out that the guy Edwin insists on dragging along with them is one of the guys that sacrificed him to a demon in the first place, imagining the Night Nurse's face when three dead boys pop back through the door instead of two

[joethehoeee]

Rise of titans actually made me laugh for so stupid reasons and I wanted to share this with you.

It's insane honestly.

THE PURE LOOK OF HORROR IN STRICKLER'S FACE WHEN JIM FALLS TO HIS DEATH AND THEN-

Barb is like 😯

Mrs. Lake, your son is falling to a cruel and unimaginably painful death and THAT is your reaction? Even you won't be able to fix him up after that, even if you are a good doctor.

Strickler looks so desprately fearful as if it is the worst thing he could ever imagine (it may be) and Barb is like "oh, well, surprised he made it this far"

GIRL THAT’S YOUR SON!!!!! YOUR S-O-N!!!

Where did the worried mother from 3 damn seasons go? Why is she not here.

And before you ask, this is not just an unconventional screenshot, it's the whole shot. (as far as I remember, tbh I refuse to rewatch it more than once)

Like real talk, this is so funny to me.

The difference is insane...(I should stop using that word...but I don't know anything else)

Walter could be used for memes tbh.

I BEG YOU ALL. Make memes as much as you can. Unrelated or related to trollhunters. That would be so funny !!! We need to take over the fandom!

[valgeristik]

let him fish in peace, he earned it....

Vetted Gaza Evacuation Fundraiser List

E-sims donation

[wario-speedwagon]

The Blackjack Essay I thought up at like 3am because Blackjack is a great character if you really think about it hard enough

I had some Blackjack Thoughts yesterday night (cuz I woke up in the middle of the night and I always soothe myself back to sleep by brainrotting over characters or made up scenarios). Cuz yknow, okay:

So Blackjack is the soul, and he's a soul that was blackened by regret yeah? And not just that, but he takes the form of a his childhood dog rather than of himself (which is interesting, more on that later). I think we can agree that, while we never get to know in meaningful detail what the living Jack Kennedy was TRULY like, soulless Corpse!Jack is probably closer to his original living self in personality than the Blackjack we saw at the end of DSAF 3 True Ending, or rather, in most of what we see of Blackjack's coded/capitalized lines (more on that later too). Corpse!Jack is more chill (in a feral way of course) in that he moves on from things like grudges or regrets, which in the good routes manifests in him being able to keep going despite how emotionally hard it should be to e.g. leave his family once and for all, or to forgive his sister's murderer in favor of seeing the good in him. It's not a perfectly moral aspect, as there are things he probably should be hung up on (cough cough Dave), and Blackjack sure is. (We love some moral greyness in this household.) And then of course, in the evil route, it manifests in Corpse!Jack having a very easy time befriending and emulating his siblings' murderers and even killing his siblings himself. Obviously Blackjack could never conceive of acting in any of these ways, and he definitely lets evil Jack know.

So. I am of the headcanon that, all the trauma of Jack's death and the events leading up to it, all of his regrets from it, Blackjack took it all with him, leaving Corpse!Jack with little to none of it left. For better or for worse, Corpse!Jack does not carry the same emotional baggage from his personal tragedy that Blackjack is completely lost in. And then my point about Blackjack taking on the form of a dog instead of himself... and him not really acting like his old self compared to at least TrueRoute!Jack. At least most of the time, as we'll see soon. Because in the True Routes, Dee and eventually Peter are able to recognize True!Jack as their old brother pretty easily even despite the circumstances, but Blackjack? He's unrecognizable to all of them except eventually Corpse!Jack himself. According to her, Blackjack warned Dee about Evil!Jack's true nature in DSAF 2 (when you're doing a route with her as Legacy!Jack), and she didn't realize who he was, she only saw a Shadow Doggo; and of course at the end of DSAF 3, even after revealing who Blackjack is, Peter and Dee sure don't treat Blackjack like their dear old brother the way they regard Corpse!Jack. He's just a stranger to them now, and of course he is, because he's little like how he used to be in life, how Corpse!Jack still is in life. And after a faux eternity of being a Shadow Doggo operating behind the scenes with every opportunity to reveal himself, I'm of the opinion that he wants it to be this way, that he be forgotten in his failures while someone else takes his old role for him and does it well.

And it's because he is so steeped in his hatred born from his regret, that it completely warped his way of thinking to focus on revenge against Henry, or also his hyperfocus on Evil!Jack's wrongdoings. But while that's what most people see him for in his entirety (in both canon and fandom), as it's the front he nearly always puts on, people often forget one really important scene from him that may be the only glimpse of his more authentic self, one that isn't steeped in regret or any emotions stemming from it based on it. Do you remember the little speech Blackjack gives to Corpse!Jack after the True ending in DSAF 2 after the Happiest Day? He talks about him being "proud of us" (hinting at his and Corpse!Jack's link), but then ponders the possibility of redemption and decides, if it is possible, then he is glad that Corpse!Jack has been redeemed. So still excluding himself from that redemption despite just prior finding solace in what Corpse!Jack has done on both their behalf. It's like he sees Corpse!Jack more as himself than, yknow, himself (and you can imagine that this same truth probably also leads to why he despises Evil!Jack so much). And all of this must be very good for his self-esteem /s

Very notably, this one scene is the only dialogue of his that is not Caps locked or coded, and a recurring theme among souls is that caps locked dialogue is always steeped in more powerful (often but not exclusively negative) emotions, while regular lowercase text seems to show much more human authenticity. We see it in Jacob before vs. after he calms down and comes to terms with his death, we see it in Dee always being lowercase, as she seems to always be her honest self, we even see it in Fredbear, as he is always grandly talking in all caps as the powerful entity he is except in his promise with Jack's corpse where he is entirely lowercase and talks much more sincerely like a real person to him out of honest humility. So anyway, this one scene with Blackjack in my opinion is the only scene we really get to see Jack's real personality shine through in him, a personality we see much more readily in Corpse!Jack.

And now to finally return to my point about Blackjack taking on the form of a dog instead of as himself. So lets combine all these previous points: 1) He is blackened by Regret; 2) He is in a nearly constant state of negative/powerful emotions stemming from his regret as indicated by all his his caps/code text; 3) he is still capable, if rarely, of showing his more human personality; 4) Dee and Peter seem to much more readily recognize Corpse!Jack as their brother than Blackjack; 5) Blackjack is proud of True!Jack's good actions in DSAF 2 and implies that only he (but not himself) is deserving of redemption; (and heck, let's also throw in) 6) the fact that he chooses not to hide in an unrecognizable form and seems to estrange himself from his siblings to let Corpse!Jack fulfill his role as Jack for them in his place

What I'm getting at (finally) is that I think Trauma Fucked Him Up™; I think it completely fucked up his self-esteem replacing it with deep-rooted self-hatred and shame. It might be that he simply cannot bear to resemble himself, not after all he's done (leaving his sister's party to bury their dog and drink away his sorrows, which left her to die, lowkey (highkey?) betraying both of his siblings' trust, and then failing in his attempt to right his mistakes by dying instead and making things worse, at least from Blackjack's POV who didn't have any sort of promise to turn his death into a chance at redemption).

Except, he can hopefully make his death into some sort of chance for redemption thanks to his powers born from sheer regret-fuelled hatred by trapping and seemingly torturing Henry. At least, this is how he chooses to cope with all of his feelings in a way that feels productive. But of course, they don't solve the root of his regret, or the root of his low self-worth, as he is really just indulging in and marinating in his negative emotions for a theoretical eternity. And during all this, he is also watching over Corpse!Jack in all of his parallel timelines, seeing both the best and worst versions of himself (literally). He sees his neutral/evil route selves indulging in the worst vices imaginable without care, and he must see himself in them anyway, because Corpse!Jack did inherit his vices after all, naturally including his drinking problem for a start, except now he's actually acting on them much more freely without a soul to restrain him either. He is forced to see the worst of himself played out in reality, and he's the one who feels shame for them. (Now Corpse!Jack also experiences things like self-hate and regret for his actions, but again, he seems to move on from these feelings fairly easily, coping with them instead with a "no fucks left to give" attitude, the kind of attitude someone who knows he doesn't have a future would have. A soul does not have that luxury.)

Meanwhile, though, Blackjack is also forced to see the best of himself in True!Jack; the Jack that actually worked his ass off to right his, or rather their mistakes. And also the Jack to actually be present in their siblings' lives as their brother Jack, the one that actually acts like their brother Jack, like his old self, while Blackjack seems to have either forgotten how or lost interest in doing so. It's easy to forget because DSAF is fiction, but experiencing something like what Jack has experienced is gonna leave severe trauma, and severe trauma is gonna change you pretty fundamentally whether you like it or not. Except being soulless, based on his actions and reactions, Corpse!Jack seems to have escaped much of this trauma while Blackjack is practically characterized by it. I wouldn't say Corpse!Jack is entirely unaffected by any trauma by any means (even Evil!Jack loses his shit when seeing Dee's scarf), but again, he sure seems to move on from it by shoving his negative feelings aside for later or even outright ignoring them, while Blackjack copes by feeling them and acting on them all the time. They both cope with the same issues in completely opposite unhealthy extremes.

So while Corpse!Jack is seemingly not affected enough by what happened, Blackjack is unrecognizable to himself, to anyone who could recognize him (including even Corpse!Jack himself, as Corpse!Jack doesn't realize who Blackjack is till the very end), so Blackjack takes more comfort taking on a form that isn't himself. (Instead, he takes on the form of the only family he got to send off with closure, the only family member whose death doesn't inspire some sort of Regret, hm?) He even doesn't take on his own name, preferring Blackjack over just Jack. Despite holding some contempt toward him, he still allows Corpse!Jack to keep their original name.

And he clearly does have mixed feelings toward Corpse!Jack, even toward True!Jack, as he is "proud" of him at the end of True DSAF 2, but then also spiteful toward him in True DSAF 3, and honestly that's pretty understandable, as True!Jack has done the work and reaped the rewards for redeeming himself and getting to be family with Dee and Peter again, essentially living as Jack for him, but Blackjack, despite his uninvolvement in reality or the Flipside where his family are, he is the one who faces the trauma and emotional burden of what happened to him, and it's not like Blackjack hasn't done anything either (even if what he did was misguided and ultimately harmful). It would be hard not to hold some contempt for a version of you that can move on so easily from your worst regrets and who can get to live your life where you left off for you in your name. And he's happy, and he deserves to be happy, and you aren't, and you don't deserve to be. You don't even deserve to be yourself, you've decided without realizing, because he's doing it much better than you ever could anymore anyway. He's the one who can actually save them all, he's the one who's worthy of redemption, but you? You're the only one who can make Henry face what he deserves, and by god you're gonna do it even if it costs your entire self, it's not like it's worth much anymore.

All of this is to say, yeah, Blackjack's character is perhaps a little disappointing in DSAF 3 due to lack of time to explore it after the reveal, but combined with his character in DSAF 2, he is a much more interesting and 3-dimensional character to explore than people realize. And also I think I might have ADHD. Might.

[thewingedwolf]

chelsie cam cedric & t’kor were all outside on and around the hammock (this was yesterday afternoon ish). lisa is sitting out there but obviously nowhere near them. angela looks annoyed, comes into the living room and whispers to quinn “come into the kitchen and look outside” and leaves. he goes, clearly sees the four of them, and then sits down in the kitchen and doesn’t say anything.

later in the night him, kimo, joseph, and t’kor are all talking in the hot tub and they’re talking about how angela is spiraling again, and kimo says he noticed angela glaring into the backyard. quinn perks up immediately, kinda pats t’kor’s knee to get her attention and says angela saw her & ccc hanging out and was like “that’s the group!” like, that’s who’s running the house, and he’s like “and then i saw fucking t’kor and i was like that’s my girl!” and joseph points out that if that’s ~the group~ than the ~the group~ is specifically not targeting & trying to save angela here and quinn agrees and says she’s spiraling again.

this morning, t’kor warned warned cedric about it too. idk if anything will come of it (maybe ccc will start being a lil more covert) but. ya know. it’s very good that quinn told t’kor immediately and also that kimo specifically saw angela glaring outside.

[dotpyenji]

🩷 happy Valentine's Problematic Rabbit day

[rapha-reads]

IWTV rewatch

(book to show, show to book, the meta continues)

Season 1 episode 3 [Is My Very Nature That Of The Devil]

- Louis: *tries to read*

Lestat: *bla bla bla*

Louis: "if you don't shut up and leave me with my books I'm going to start a social commentary and ethics conversation"

Lestat: "... Never mind. Let's go hunt."

Louis in that white suit is daaamn fine.

Oooh, so the conversation about only eating the "evil" ones starts there. Louis munching on that cat kills me every time.

- Oh, hello Antoinette. Love that we go from 19th century violinist Antoine to 20th century music hall singer Antoinette. Very nice change.

[Louis] "'This ain't your kind of music.'

[Lestat] 'You can pretend you're a vegetarian. I can pretend the fool.'" - part of me thinks that Louis meant by that "this is Black music, a Black folk band, and you're still a white boy, even vampire that you are".

Lestat schooling everyone about music, sassing everyone and playing the piano divinily, absolutely delicious. And then Louis' absolutely fond little smile, even when he's arguing with Lestat, he just loves him so.

- Ah! [Daniel] "Yeah, you know, I gotta say, it's not so much the minute details, Louis, rather the total rewrite that's giving me pause here." - that's the part. That's the crux of it. That's the character development of Louis who's done rejecting the depth of his feelings for Lestat and the role he's played in his own tragedy, regardless of Lestat's abuse, and ready to accept it and talk about it.

Love Louis' face relistening to his 1973's words versus 2022. The face of a man going "ah shit, I really was messed up back then".

- [Daniel] "'Fuck the 'Wolverine Blues'. Ken Burns can choke on the footnotes. It's the abused-abuser psychological relationship I'm talking about.'

[Louis] 'I do not consider myself abused.'

[Daniel] 'I mean, usually when you're a little too close to it, the abused still loves the abuser, but you flipped it completely on its head.'

[Louis] 'I'm not a victim.'

[Daniel] '50 years later, you talk like he was your soulmate, like you were locked in some fucked up gothic romance. Why?'"

First: Daniel's a petty bitch and he's getting to the bottom of this business whether Louis works with him or not. And Louis is equally petty and bitchy, answering Daniel by reading part of his own memoir and mocking him.

Secondly: well, yeah, it is a gothic romance, that's the genre. But it is a Contemporary Gothic romance. Contemporary Gothic expands on Classic Gothic. I wrote an essay about Contemporary Gothic using the movie Only Lovers Left Alive last year, I need to translate it from Spanish to English so I can share it. But I feel like I could reuse part of this essay to talk about IWTV book (inscribed in Classic Gothic) versus IWTV show (tending towards Contemporary Gothic). One more essay idea to develop later. Let's table this.

Thirdly: my little Loustat shipper heart is very happy.

And fourth: hey, Danny boy. Remember that conversation in a dozen of sessions because that will come in handy to explain a looooooot of things... Devil's Minion fans gleefully cackling in the background. And Armand isn't even in this scene. Talk about irony. And foreshadowing.

[Louis] "'This is the odyssey of recollection.' The tapes are an admitted performance. This is the premise of our interview. Half a century later, allow me my odyssey. [Daniel throws the tapes in the trash] Now who's performing?"

Louis being heartfelt but still hiding beneath his veneer - you know when he starts to be honest, or as genuine as he can at this point, when he starts to drop the accent. I swear I'm going to stop raving about Jacob's voice work at some point, but it's such an important part of the character, of who Louis is and how the audience can understand Louis, that it deserves an entire essay of its own.

And then Louis sasses Daniel and sets the tapes on fire, because that's not a performance at all, that. Pot meet kettle.

- [Louis] "Rigged to burn, Daniel" - foreshadowing...

- [Louis] "I barely had the energy to hold a book. My libido was not what it'd been. I understood the indulgence. I let it happen." - why are you such a liar, Louis. Stop fucking lying, Louis.

On a serious note, Louis' eating disorder emerging from his identity crisis, the clash of his religious upbringing with his new reality colliding with his lifelong depression... Who made that guy so relatable. But notice how there's a slight part of Louis' new diet here that's in direct reaction to Lestat's refusal to hear him and talk to him. They each punish each other for their perceived failings by acting in the way that'll hurt the other the most, even if that way hurts them too. Louis by letting himself starve and losing his energy when that's all Lestat wants him to do, Lestat by having several affairs and flaunting them, even when he explicitly says "I do everything for Louis". By the way, that little throwaway line? Lestat being genuine and fully honest about his feelings and motivations but playing it as a joke. If Louis had been hearing he'd have caught it and maaaybe we could have avoided some of the drama. Maybe.

- Oh, the whole Antoinette seduction scene is fascinating. Notice how Lestat barely looks at her? He only has eyes for Louis. And Louis cannot stand his gaze, he has to retreat. Says he understands, but then leaves in a huff. Disasters.

[Louis] "'So you didn't kill her.'

[Lestat] 'No. She has talents.'

[Louis] 'Aren't I enough?'" - excuse me while I go scream.

[Lestat] "We're communicating so much better now." - baby, no. That ain't communication. You two are still talking two different languages.

[Lestat] "Of course. Of course. Of course. As long as you come home to me." - that's way too many "of course", 'Stat. Maybe add a couple dozen more to reeeeally make your point that you're not bothered AT ALL by the idea of Louis seeing other people. Hypocrite...

- Welcome to WW1. Business, racism, capitalism, and the fantastic Miss Bricks. Can't wait for Tom Anderson to get eaten, that guy rubs me off the wrong way. Gotta love that Louis' standing up for himself. Aaaaand hello Jonah. Oop, Lestat's already staring and going insane with jealousy. Meanwhile Louis doesn't even remember he's got nieces. Looots of little crucial hits in this scene, between the poker game, WW1 come a-knocking, Loustat's fuckery and Louis' getting further and further away from his human family.

- [Jonah] "'Ain't aged a day since I seen you last.'

[Louis] 'That's the moonlight lyin' is all.'" - hi, Nicholas Sparks called, he says that line belongs in The Notebook and he's claiming copyright for it.

[Jonah] "'And most of why I signed up is I kept hearing something about something they call 'European sensibilities'. They care less what you look like or who you're lookin' at.'

[Louis] 'Yeah, I got someone.'

[Jonah] 'I figured as much. No ring on your finger?'

[Louis] 'Not a woman.'

[Jonah] 'Well, what's he like?'

[Louis] 'He's... a lot. It's not perfect. But we kind of have this agreement.'"

Yeah, believe me, racism and homophobia are very alive in Europe too. Though... The roaring twenties are right around the corner and that's a decade I would have loved to experience in Paris.

Hey, look! Louis has come around about his sexuality, is that the first time he comes out willingly and peacefully? Yey, progress. Also I love that he has explicit permission from Lestat to have his own affairs, but he feels uncomfortable about at it at first. But still goes for it 'cause you know. Gotta show Lestat he ain't bothered. Should have fed first tho, stupid. Also, Lestat overhearing Louis calling him "a lot" and "not perfect" > direct parallel to Claudia hearing Louis calling her a "burden" to Armand in s2. Louis is so good at being casually cruel to and about those he loves.

[Louis] "'Good fit, this uniform.'

[Jonah] 'Well, it's the moonlight.'" - sorry, Nicholas Sparks on line 3 again, he said that moonlight line is actually too sappy for even The Notebook. Said we can keep it, he doesn't want to pay our dentist note.

- Daniel Hart's music is fantastic.

- Ah, Lestat's jealousy crisis. Aw, the domesticity. Ooh, wait, love how the memory changes. You can see Louis struggling to remember which memory is accurate.

- Arf, Louis being rejected from his own family house and then breaking down the door. Mamaw du Lac, Mother of the Decade, everyone. Poor baby. The curse of the vampire. Downward spiral getting worse. And then coming home and seeing Lestat entertain the regiment? And then the news about the Azalea. Nervous breakdown about to happen. Oh, Lestat flexing his powers. Love that. Notice the blood trail coming from his ear? It appears again when he saves Louis during the trial. He's not without his limits. Regarding his powers or his feelings.

[Lestat] "I heard your hearts dancing" - so first of all, awards for Sam, when? Secondly, brb, need to sob a little. And third, Nicholas Sparks on the line again, wants to know if the writer of these lines is available to come work with him.

[Lestat] "'This is not a life!'

[Louis] 'That's' cause you took my life! I got nothing! I lost everything! I lost my brother. I lost my family. 'Bout to lose the last fucking thing I care about.'" - where are the awards for Jacob and Sam for heaven's saaaaaaaake. Also, love how the music briefly stops between 'everything' and 'brother'.

- [Louis] "When your mother sees the Devil in your eyes, it's a hard assessment to abandon. Am I from the Devil? Is my very nature that of the Devil? I had hedged against the question, but now it completely overwhelmed me." - Lestat and Armand had that conversation a century earlier...

[Daniel] "Take a Black man in America, make him a vampire, fuck with that vampire, and see what comes of it." - thanks for the social commentary, Danny, don't even need to do it myself. Now eat those assholes, Lou.

- [Louis] "You said I'm arrogant? Maybe I am arrogant! [...] I'm a vampire." - okay, can I soliloque about Louis please? Have I said he's my favourite of the entire books lately? As someone who has been called pretentious more than once just because I know my own value and refuse to play stupid, that part, yeah, that part gets to me. Louis finally knows who he is and refuses to pretend he's less just to please others. And as a lesson that I've finally embraced this year especially too, I like that. I like that a lot.

Oops. Louis just started a civil war in New Orleans. Fun. Like Lestat says, it's not on Louis tho. He merely "provided them the excuse".

[Louis] "And that's why you and me ain't never gon' work. That's why you're always gonna be alone." - oooh man, that was harsh. And only half deserved. And cruel in that typical Louis way. Also, wrong. But you're gonna have to wait another century for that. Oof, Lestat's face as Louis leaves, the crumbling, the desperation oozing out of his entire soul, heart and mind...

- "I ran from the Quarter that night, ran to where the violence spread most wild. I stumbled through the streets like an irrational child who had tested his strength on the small bird and now asked 'can I make it whole again?' - Can I help you? Please let me help you. - Their faces ran past me like snow in a terrible wind, unaware that it was I who had brought this retribution. It was I who should pay for this sin. And then... [Help me!] one of those inconceivable moments where who you were before and who you would be forever after is marked in time. [Help!] A rooming house, now a fire trap. I could not save the Azalea. I could not save Storyville. I could not save the aunt on the wrong side of the wall, but I could save her. My light. My Claudia. My redemption."

... Brb, need to scream in a pillow. Oooof. What a tirade. Louis, Saint Louis, Saint Louis, bearing the weight of the cross on his shoulders... Selflessness being selfishness, trying to help to try to alleviate his own pain and guilt. Doing good things out of a need to feel useful or at peace with your own conscience is not a bad thing, you're still helping whatever your motives, but when it starts making you unable to see the people you're trying to help as people, and starts making you see them as tools to relieve your tortured soul and conscience, are your good actions still good? Or the pavement on the road to a very dark place? Guess we'll let Claudia tell us her opinion.

episode 1 | episode 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7

[fusionsprunt]

Hunter what the FUCK-

.

[game-on-comics]

question for elisa and lucía -

how are you guys champions at your own sports yet cant even play each others sports?

[psqqa]

babe, could you phrase this literally any other way??

[youjustwaitsunshine]

i love you historical epics with prefaces and footnotes i love you bilingual historical epics with side by side verses i love you historical context i love you endless appendices i love you explanation for the historical text that makes up half the book

[basofy]

ive never talked about their dynamic but this is one of the many thoughts i have about them

[hydrachea]

Canon Stellaron Hunters high school AU fresh from our very own Trailblazer's mind.

(Bonus: Dr. Edward said you can only dream about criminals if there's a little footnote in the bottom right corner of your dream at every moment reminding viewers that crime is bad and criminals are bad also.)

[spookythesillyfella]

" sigh ... "