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#yes it was bothering me that much
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seefasterdraws · 1 year
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hug! that! captain!
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frostedpuffs · 1 year
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every time someone makes a point to say that "Marinette doesn't wear makeup, she isn't like other girls" I want to SIGH because not only does Marinette Actually Wear Makeup in canon, it is exhausting that it is 2023 and people are still doing the "not like other girls" thing
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eternalchemy · 11 months
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today i am thinking about ronan lynch always referring to adam as Adam in his thoughts and his monologue but using Parrish when talking to him or about him out loud. something about the illusion of distance, the pretence of detachment he clings onto in public.
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mothwingwritings · 4 months
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I don't know if this has been done before (so if it has I apologize) and it may be a dead meme, but I have to preoccupy myself when I have downtime at work somehow and what better way then to make stupid period memes while I am ON my period??? :D
Ren:
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Lawrence:
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Strade:
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Celia:
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Derek:
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Mason:
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Fox:
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headfullofdolls · 1 year
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All 13 released and upcoming g3 Draculaura dolls as of August 2023
Draculaura dolls with split dye hair:
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Just 4.
Most recently Skulltimate Secrets s1. And one of them is just a budget version of the first one.
When will Draculaura's split dye return from the war 😔
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gingermintpepper · 25 days
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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sunlitriddle · 2 months
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On That Day, Five Years Ago
This is based on OG more than anything, using updated Remake visuals. But, since I haven't finished Rebirth, any spoilers are from the original game. I have no idea what shenanigans they have for the climax of part 2 and all of part 3.
I always loved Mideel and finding out the True Flashback of what actually happened in Nibel. This moment, where Cloud is Just a Guy filled with a righteous fury, he has the strength to wield the Buster Sword, avenge his hometown (including everyone who didn't think much of him) and kill* Sephiroth.
I wanted to contrast just how weak Cloud is, how average, how utterly human; and how heavy the Buster Sword is... and duty, and honor, and sacrifice, and all the other meanings it's accumulated through time. And somehow, he has the strength to wield it.
I also wanted to give a twisted, holy vibe to the Nibel Reactor, with bundled wires hung like a vaulted ceiling leading to the altar and the sarcophagus of a false god.
*death doesn't seem to inconvenience him much, let's be real.
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il-predestinato · 10 months
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Charles’ radio message about Max had such “yeah, he’s a pain in the ass, but he’s mine” old married couple energy.
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ryuubff · 8 months
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when your first impression on the carpenter's hot son goes wrong just yell "plot twist!" and move on ✩
yeah no jia didn't really give seb a good impression upon first meeting eachother ... it took sebastian a good while to warm up to them because of this (ill draw it... evnetually)
this is based off my gameplay when first encountering sebastian 😭😭 i didnt know you need 2 hearts w a villager to enter ur room (he wasn't there atp) and when i tried to leave he was blocking the way so i just stood there... until he had the "..." speech bubble and ran past me it was SO EMBARRASSING
this is their current impressions of eachother! maybe when i post more comics i'll update it !!
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close ups below the cut as always sorry for a super duper long post LOL
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face cards......
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this is so can we pretend airplanes in the night sky are shooting stars i could really use a wish right now wish right now wish right now
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fae-morrigan · 2 months
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Y'know, I see a lot of people argue that like, Jay is ugly. Why does Jon like him? And I've made it clear I disagree, because, like, cmon:
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That is OBJECTIVELY a handsome man, and I'm a lesbian, lmao.
But like. If he was. ... So?
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I actually think it's pretty cool that DC was like, yeah, Superman fell in love with a guy who cuts his own hair with dull scissors and dresses like oscar the grouch. He's a little weird to look at, maybe he's not the most conventionally attractive dude, but SUPERMAN found him wonderful and wanted to kiss him on the mouth.
That's... great? Like that's great. There's no universe where that reading of the text isn't awesome and empowering. Queer love should transcend looks and social status, and a huge part of queerness is finding beauty in the 'odd', anyways.
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aeonmnei · 1 month
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— “i love you,” you croon, grinning widely as you look up at hajime. his mouth is twisted into that upside-down, half-disgusted, half-amused smile, his eyebrows furrowed. “you’re so handsome.”
hajime has to look away, taking a deep breath, then shoves the laundry basket at you. “saying ‘i love you’ and complimenting me will not get you out of doing chores,” he tells you firmly, but there’s a hint of laughter in it. 
you frown, giving him a dramatic huff as you take the basket. “fine. i won’t say ‘i love you’ or compliment you, then,” you reply seriously, not meaning a single word. 
hajime freezes, looking down at you, his eyebrows furrowed slightly. “now i know you don’t mean that, angel,” he says, his voice low. 
he’s just standing there, looking at you a bit worriedly, and you can’t keep the haughty look on your face any longer. you burst into laughter. “no, baby, i don’t,” you manage to say through fits of giggles. “i don’t mean it at all.”
hajime purses his lips, glancing away as he tries not to smile. “that’s what i thought,” he says finally, leaning down to press a kiss between your eyebrows, his hand resting lightly on the back of your neck. “so say it to me again.”
“okay, okay. i love you,” you say, still giggling as he gives you another kiss, this time on your cheek. “you’re the handsomest man in the world.”
you can feel him smiling into the kiss he places on the corner of your mouth, his thumb stroking behind your ear. “and i know you didn’t think i was joking. i saw the look on your face, haji,” you tease.
he rolls his eyes, giving you one last peck on the lips before gently patting the nape of your neck and standing up straight. “whatever,” he mumbles, taking the laundry basket back and bumping your hip as he walks away. “i love you, too.”
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nataliescatorccio · 8 months
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it just makes me so sad that gifmakers will pour hours upon hours into crafting a gifset, overanalyzing every colouring and blending and typography decision to create pure art, which is so unique and creative, and the most the majority of users on this site can be bothered to do in response is hit the like button
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projectiondepartment · 2 months
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had the privilege of seeing this very strange (truthfully average but incredibly compelling) film at a festival last month and then absolutely blasted through the novel 2 weeks ago so i present to you: notes on shame in confidenza
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aro-arttorneys · 7 months
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Babey I’m cooking
Currently designing a bunch of designs for a Very VERY specific crossover that appeals to like 3 people including me. The storyline is practically the same as Super Paper Mario, with some changes regarding character dynamic and cause -> effect events.
I am having a LOT of fun drawing these! I'm nearly done with the rest of the main cast. Might do a masterpost or just a Big Ramble about this AU/Crossover at some point teehee
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srirachaz · 1 year
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ateez: we’re gonna fuck shit up and disrespect authority because we’re dystopian revolutionaries
xikers: we’re gonna fuck shit up and disrespect authority because we’re mischievous teenagers
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