#yes that is a reference to buried ghosts and bitter truths
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milfcodeddean · 4 years ago
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Memento Moratus Sum
Emma Haunts the Necklace- The Fic <3
Starts more post/concepty and becomes a fic bc I did not plan on this it was stream of consciousness!  I have not seen all of the later seasons and it was hard to keep track of what plot points to mention even of all the seasons I have seen!
AO3
Emma dies and Dean keeps her necklace to have something to remember her by, partly out of grief for what could have been partly as an act of emotional self flagellation. He wears it under his shirt, a secret, just like any thoughts he has about his dead daughter. 
Emma is a ghost because she didn’t do enough to be a monster and earn her place in purgatory but she isn’t human enough for heaven and she’s anchored to the necklace.
She follows Dean around silently, quickly learning enough about ghosts to know if she reveals herself too soon or ever really then Dean is going to burn the necklace.
During season seven Dean is haunted by two ghosts, Bobby, who is actively reaching out for him, and Emma, who is a silent observer. I think Emma hides from Bobby, he’s a hunter and she doesn’t want him to tell Dean about her, OR Bobby sees her before she knows ghosts can see other ghosts and they talk and he pities her but agrees to not let Dean know
Dean is wearing the necklace when he goes to purgatory. Emma is still a ghost here but it’s different, and she’s been watching this man for months now, he’s her world now. She keeps some of the monsters away, she makes him wake up when there are threats at night, she watches him befriend a monster and burns with pain at the knowledge that maybe she could have had that. Maybe she didn’t need to kill him, maybe he would have loved her not just as a dead hypothetical but as her.
Dean comes out of purgatory with an extra extra passenger. She watches with a sense of smugness as he rages at Sam, she pretends he’s also mad over her. She doesn’t like Sam’s attitude towards Benny either. She gets to see her great grandfather and she sees him die. She talks to his ghost, he calls her granddaughter (forgetting the great) even after learning she’s an amazon, before he gets reaped.
There’s an empty room in the bunker she pretends is hers. She moves objects in there, never quite decorating, but practicing telekinesis where Dean won’t see it and making up a fantasy of a life she could have had. She still never minds being tethered to Dean, especially now as he doesn’t sleep around and spends less time in bars where she’s left uncomfortably watching. She likes going to the grocery store, she likes watching him cook, maybe a few times she’s kept a pot from boiling over or a bag from falling. She’s learning to live from watching Dean, he doesn’t know it, but he’s teaching her life skills. She doesn’t know the names for the dishes he teaches her to make or the parts of cars or guns but she etches the motions he makes into her mind. She likes Charlie, she wishes she could meet her, and she likes larping. She imagines herself as an Amazon warrior of antiquity, armored in bronze.
She tried to wake Dean and Charlie out of their djinn dream but nothing worked, she tried to fight the djinn to no avail either. When Dean and Charlie hugged she wished she could be in their embrace too.
She’s glad it’s Bobby’s ghost they use for the trial, she’s so glad she never revealed herself.
Sam is slowly growing on her, she doesn’t love him but he means enough to Dean that she would try to stop him from dying.
She knows about Gadreel. She hides harder now, afraid too of the new angel in the bunker. Castiel she likes, Castiel she watched in purgatory and she watched beat her father bloody in the crypt and she understood brain washing and the control of authorities. She almost reveals herself and her knowledge of Gadreel when Dean kicks Cas out of the bunker, but her hesitation lasts too long.
She’s tethered to Dean so she isn’t there when Kevin dies. Kevin had been another one she enjoyed observing, she envied him his mother in so many ways, Linda had been everything Lydia hadn’t been. When Kevin dies he’s haunting the bunker too. It’s almost like having a friend. He pities her, but she’ll take anything, he’s sort of her age in some ways and she teaches him how to be a ghost.
Crowley almost gives her away. He knows she’s there, but he saves her presence as a bargaining chip against Dean, a surprise tidbit to bring up later.
The father of murder can see her too. Cain keeps his eyes on her father most of the time, but the spark in his eyes and smirk when he sees her and her bloody pink shirt cut straight through her.
Her father dies. She wants to run to him, to fling her arms around him and greet him with her bloody lips and stained shirt and tell him she forgives him and she loves him and she’s sorry he’s dead but can she at least spend some of eternity with him and she wants to teach him to be a ghost and she wants to tell him so many things she’s noticed. But Crowley does something that locks her voice and powers and keeps her from the room.
Demon dean leaves the bunker with Emma’s necklace ripped off and dropped beside a bedstead.
Sam picks up the necklace. Emma hates him touching it but it’s all she can hope that he doesn’t destroy it. She doesn’t know if he recognizes it, but he doesn’t throw it away, and brings it out to show Castiel as evidence for Dean’s absence. Castiel names it as Amazon gold, recognizes it as Dean’s, but does not know it’s origin. Emma has to hear her story from her murderer’s lips. She almost shows herself, but she’s afraid Sam will cast the necklace into a fire. If they could do that to Bobby, they’ll do it to her. But she doesn’t feel like a vengeful uncontrolled spirit, perhaps it’s the Amazon magic, but she feels calmer than she ever was during her days of life.
Her necklace stays in the bunker, she watches demon Dean from a distance at first, she tries to comfort him strapped to the chair but he calls her a hallucination and lets something between a sob and a laugh out before turning away. She tries, she wipes his brow, she begs him to become human again or to die, she tries to keep the devil’s trap intact. Still she is called a hallucination. It’s almost nice to be important enough that he’d hallucinate her.
When Dean, normal human dean, is back, he fixes the necklace with pliers and holds it staring at it in his hands. He’s alone in his room. Emma gently puts her hands over his where they are clasped around her anchor to him. She doesn’t know if he can feel her. Her name comes from his mouth in a breathy whisper, wet and rough, a word unused to being spoken. He bends over himself, weeping with the necklace pressed to his mouth. Emma weeps as well. He would not weep if he did not love her, but he is a hunter and she has to chose between this silent spectatorship where she can pretend she is living in rooms beside him, or the knowledge that if he knew she was haunting him, he would burn the necklace to send her on.
She doesn’t know if there’s another afterlife for failed amazons, and from what she understands of Heaven, hers would be something pathetic like the day she met Dean before she died, or an eternity as a ghost watching him weep.
She hates watching Dean with Amara those few days. She hates the burning wretched envy risking corrupting her as he holds a baby girl that isn’t her. She hates that Amara loves Dean. And she hates even more that Amara brings back Mary instead of her.
She never realized that she wanted to be brought back and resurrected so badly and that it was even an option until she watches Dean reunite with Mary.
Dean mentions her to Mary- almost - he says he had a kid, and the cut off gesture to the necklace means her. Emma stopped minding that Dean never spoke about her. She didn’t want him to talk about her with Sam, and she quickly realized he didn’t talk about his grief with anyone. But he did wear her necklace, and sometimes he took it out from under his shirt and rubbed his thumb over the metal and she would pretend it was his thumb stroking the back of her hand. Dean didn’t talk about her and she didn’t need him to. But now he had, and with his mother. And he implied he had thought about what he would want for her, that he wouldn’t want his life of violence and moving for her.
Emma likes Mary as a warrior woman, but can’t help but understand Dean’s pain when she leaves. She understands being the surprise child older than a parent wants too much.
She tried to help Dean as she always has, but the British Men of Letters terrify her. She knows they would either keep her to study or destroy her and she can’t trust anyone to keep her secret from their spying.
Later it seems the world collapses again. Cas dies. Angels don’t have ghosts, she can never meet him. And Kelly has eyes only for her son until she is reaped. Emma wishes she could comfort Dean or that she could truly leave him to his grief. She turns away as he ties Castiel’s body with yellow curtains. She stands beside him watching the pyre.
She doesn’t understand Dean’s attitude towards Jack. She’s watched jealously how Dean interacts with Krissy, with Claire, with the orphan boys at the home, and she has her fantasy of how Dean would have treated her had she lived. The jealous part of her doesn’t want Dean to like Jack, but most of her wants Dean to go back to acting like how she expected him to, she wants the man she could pretend was being her father. And she watches Jack enough to be afraid of their similarities. To see herself in him. And if Dean hates him, would he have hated her. Does he only wear her necklace because she’s dead.
She watches silently when Dean finally breaks, confronted, and tells Sam that he sees her in Jack. She hears how he loves her. She watches Sam realize the enormity of his crime and apologize. She accepts the apology, even if it wasn’t meant for her ears. Dean doesn’t see her, but she sits beside him on the opposite side of Sam on that floor.
Something has changed.
Sometimes, it seems like Dean is glimpsing her out of the corner of his eye. He stares at the steamy bathroom mirror while he’s shaving, right at the red smear on the pink of her shirt. He nicks himself, swears, and swipes a hand through the steam, through her image. He does double takes in the rear view mirror, glancing twice at the backseat where she sits, pretending she’s part of his road trips.
Jack brings back Castiel. Jack has powers beyond what Emma could have imagined. And Jack is both nice and not fully indoctrinated into hunting ways. Emma also likes Jack, she understands so much about him, and she likes the shows he watches, she likes the way he’s nice, and in her elaborate fantasy of what if she was alive, she decides he’s her brother.
It’s hard to find a time when Jack is alone but near enough to Dean and the anchoring necklace that she can talk to him, but it happens.
Emma focuses everything she has into appearing, a heavy grounding feeling she hasn’t felt since Dean was a chained demon. The words catch in her throat, unpracticed at speaking, but she blurts out to Jack that she’s his sister, the words spilling fast, that she’s Dean’s dead daughter, she doesn’t tell him that Sam killed her, she’s seen Sam with him, their closeness she can’t decide if she envies or not. She tells him she’s an Amazon, how she’s dead but anchored, how she doesn’t have a heaven or purgatory or hell, how she wants to come back. She tells him that she likes his shows and she tells him she loves Dean and Castiel and she finds things she likes about Sam. He doesn’t look at her with pity. He looks at her with a bright spark to his eyes.
But he doesn’t resurrect her. At least not right away. Apparently he’s been too recently warned off from the idea of asking for forgiveness rather than permission. He thinks she should reveal herself to Dean first, before they decide. Emma hates the idea, she spent all of these years afraid of Dean destroying her anchor, and now she’s afraid of his rejection, what if he resents her watching him all the time, what if he blames her for not doing more. What if he wants her gone instead of brought back.
The Amazons,in their scant days of raising her, taught her to be brave.
Jack asks the family to stay after dinner.
Emma takes a deep breath, more for the instinctive motion than for a need for air, and materializes.
There’s a beat of silence and then a mess of noises. Dean drops a mug, Sam’s chair skids, everyone one is talking at once.
Emma can’t find words to say to Dean, she wants to stare at him as she always does, but she can’t bear to see rejection on his face. She waits and Jack opens his mouth to introduce her but then her name comes from Dean’s lips. It’s like that dark night where they wept in his bedroom again. She has called him many variants of father in her mind in several languages, but it is the most childish “daddy” that slips out.
No one else in the room matters, he looks at her, meeting her eyes instead of the gorey wound, and she gets eye contact without having to pretend she is what’s in his sight line.
He doesn’t ask if she’s a ghost or if she’s dead or any of the silly civilian questions. He only manages “how” before fumbling for the necklace, and she nods confirmation. She wonders if he’s planning on burning it.
He asks how long and suddenly words spill forth, she tells him she’s been here the whole time, watching, she says she sorry about Bobby and Kevin and Charlie and Kelly and Cas and Benny she tells him the ones she helped with being a ghost, she tells him about watching the others move on, she says she’s sorry she couldn’t do more when he was a demon and something in his expression breaks, she says she’s sorry she never showed herself.
He holds up a hand, stopping her before she apologizes again, and says he remembers her when he was a demon, that he had thought she was a hallucination, she nods and cries anew.
She wants to tell him that she’s watched him and loves him and even if it’s embarrassing she wants to say she’s pretended to be alive with him, and she wants most of all to ask if he loves her, to hear it said to her face.
Instead he asks weakly why she’s here now.
She says she wanted to come clean about haunting him, says she’s thought about it for years and was scared he would burn the necklace, says she’s learned about ghosts from him and she’s never felt vengeful, she doesn’t feel corrupted, and maybe it’s because she’s a monster. His face twitches at that word.
Jack interrupts, changing the air in the room and suddenly both she and Dean remember their audience. Sam’s eyes are wet and he looks something close to afraid. Emma hopes the look on Castiel’s face is softness for her too and not just Jack.
Jack offers to bring her back, tells Dean that they didn’t want to do it behind his back. Emma turns invisible again out of the sick swoosh of anxiety that overwhelms her. She barely hears through her ringing ears that Dean desperately agrees and says yes, fumbling to take the necklace off and pass it to Jack.
She’s going to have to wait a few days. Jack is going to bring her back where her body is, and that’s more than 24 hours of driving away, and Dean wants to be there.
It’s a weird car ride, they know she’s there, and she sits between Castiel and Jack in the back of the Impala. They had her pick a set of Jack’s clothes to replace her bloody shirt, they have food and water for her. Emma doesn’t have a name for the emotions she’s feeling and they’re almost overwhelming.
They don’t have to dig her up to bring her back, Jack’s powers allow for that at least, and Emma is glad, she’s watched Dean dig up enough graves to imagine what she’ll look like.
Then Jack’s eyes glow bright gold.
It’s like what she imagines being born feels like. Overwhelming and dark and bright and both blissful and painful. And then she is gasping with real lungs and the sunlight is bright in her eyes and she can feel the textures of her clothing and the grass.
And then arms and hands are on her, Dean is pulling her to her feet and into his embrace in one motion.
She’s never been hugged by him, and it’s better than her jealous imaginings when he held others. She never wants to let go, she feels safe and warm and loved and his hand is on her hair and she can smell him and feel his heartbeat.
He finally lets go and steps back to look at her, keeping a hand on her shoulder and cupping her cheek with the other. There are streaks of tears matching her own on his face. His hands leave only to be replaced by Jack.
Jack’s hug is different but enthusiastic, there are no tears, he is beaming, part proud, part delighted, she can’t help but smile back. He calls her sister and she accepts him as brother.
Castiel does not embrace her, but his greeting his warm and his eyes match his smile. He clasps her hand between his and Emma’s heart swells.
She knows Sam doesn’t know how to look at her or how to talk to her. She doesn’t know what she wants from him either. She knows hes sorry, she’s heard it from his own lips, not to her, but to the only other person to whom it would matter. She smiles hesitantly at him, instead of glaring, and waves.
Then she slips her hand back into Dean’s and lets him pull her into another hug. She feels light and giddy and afraid this is all a dream. If she died and this is heaven then she would accept that too.
But it’s real, she changes out of her bloody shirt and into a blue one of Jack’s, she drinks water for the first time in years and eats fruit snacks from a packet pulled from Castiel’s trench-coat pocket, and a cereal bar.
A few hours later they stop at a nicer diner than Emma usually sees them eat at, and Dean tells the hostess it’s his daughter’s birthday and Emma gets to order foods she’s been curiously watching people eat for years off the menu. The restaurant gives her cake.
Emma’s cheeks hurt from smiling, and Dean’s eyes have not lost their cheerful crinkle and Jack is beaming and even Sam and Castiel look endlessly pleased.
Later there will be harder talks, about the things she’s witnessed, later she’ll talk about haunting their steps, about the years of questions built up, later she’ll realize she doesn’t remember how to sleep and Dean will sit and try to stroke her hair and talk softly and it’s nice but not enough. Later it will be Castiel who explains how to become human, how to adjust to having a body, how to sleep and how to tell if you like a food or not. Later she will argue with Dean about her usefulness on hunts and he will tell her how scared he is of her dying again. Later Mary will come back and die. Later Jack will die and a demon will wear his corpse and she will hate and fear it, later God will tell her she is an interloper in his story.
But for now Emma has a family and a piece of cake and a table of smiles.
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tarithenurse · 5 years ago
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Nightingale - 14
Pairing: Hatake Kakashi &/x Fem!OC Contents: References to fighting, killing, non-con, and general trauma. Nothing graphic. A/N: Well...it’s gonna get dark for a while but at least it’s a longer than usual chapter. As usual, ASK or REBLOG for tag!
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Ch. 14
For once, Kakashi is at a loss on how to explain all of this to the Hokage but for the moment, the elderly man merely nods to Anko who leaves again and then he goes to sit down, facing the bound woman. He may look old with wrinkled skin and liver spots, white hair, and a gait that only hints as the strength he still possesses...but the eyes are clear and observant as they study Mei.
"You must truly be dangerous, miss," he concludes, "if Kakashi has decided to incapacitate you like this."
There's a question hidden in there, Kakashi knows, and he recognizes the slight tug of a smile on the girl's lips that proves she hears it too. "It was not my idea, to be honest." Now the questions aren't even given sound. "This is -... Certain -..." pausing again, he feels the pressure to formulate a coherent sentence. "The proper explanation is a bit convoluted but the gist of it is that M-this woman only is willing to reveal her identity under these conditions. I do not, at the present, have any reasons to suspect that she is or has been intending any harm."
Somewhere under the wide rim of the hat, the Hokage lifts an eyebrow in surprise. "You know each other?"
"...partially..."
More brows arch at the unsatisfying answer, forcing Kakashi to begin his version of the events preceding this odd presentation. He has to start over early on to accommodate the arrival of the two elders, Anko, and a few other jƍnins (including some of his former ANBU colleagues) but at least no one interrupts or asks questions until he has finished and even then it's clear they are deferring to the Hokage to take the lead.
"Your name is Mei?"
"No, Hokage-sama." Knew it. "My name's Minami Uguisu...although, I've not been allowed to use my family's name for many years."
The sadness the white-haired jƍnin has noticed before is present again even if she bows her head to hide most behind a waterfall of blue hair. He hates it. Hates that he's standing with a rope tied around her neck while she's passively kneeling. He has to suppress the urge to crouch next to the mysterious woman and protect her from whatever is haunting her...but he has already broken protocol by refraining from reporting it the moment he first realized something was going on.
"Not permitted...by whom?"
There's a breathless moment of anticipation in the room before she returns the Hokage's gaze calmly. "Orochimaru."
Yeah, I'm in trouble. Around them, people have drawn weapons and switched into battle stances as if the bound woman suddenly could break free of the bonds – the way she’s tied, she can’t use her hands to sign nor does she have wriggle room to get to her feet – but every ninja await the orders of the Hokage who hasn’t moved at all.
“You haven’t come here on his orders...?” the old man wonders rhetorically. “Perhaps this will all make more sense if you start at the beginning, Minami Uguisu.”
Any shinobi in the village is willing to lay down their lives if the Hokage sees it necessary to protect their home and the civilian citizens. This time, they only slowly disarm and sit in a circle around the stranger, and Kakashi who still is holding on to the noose.
“Mei...Uguisu...?” He knew she was hiding something but nothing has prepared him for this.
She doesn’t turn her face to look at him. “I grew up in a tiny village...a cluster of homes, really, at the end of a valley to the north somewhere. A handful or two of smaller families who would help each other out to the point where we were more or less self-providing. Some of the men worked further up the valley at the quarry, but in our end...it was quiet. I knew nothing but peace until I was...12...I think.” Uguisu’s voice is steady, void of intonations just like her body is unnaturally still. “I remember waking up in the night and the light coming from outside was red from fire -” she swallows -“the smoke itched my nose. The screams...the screams cutting off quicker than they were supposed to, and I rushed to find my parents and my mother...she grabbed me, dragged me to the kitchen where she shoved me into a cabinet and told me to stay hidden no matter what.”
Kakashi can feel his breath shortening at the anticipation of the horrors to come because what else could possibly await? He hates himself for holding the rope tied around this blue-haired girl’s throat even if he now understands why she had insisted he would find them necessary once she explained. Orochimaru...she joined him?
“I tried to block out the sound of my father yelling and my mother’s cry. Hands covering my ears, head between my knees. I had just started over again, whispering the lullaby my mother always sang, when I was found.” A shudder ripples through ex-Mei. “He was...kind. Caring. The man with the pale face explained...he and his people had chased away the bad guys and I was safe again. He’d take care of me.” Bitterness laces each word, encouraging Kakashi to cling to the hope that maybe his gut feeling hasn’t failed him. “Orochimaru. He took me away, promising that someone stayed behind to tend to the injured and bury the dead...and I believed him. All he wanted at first was for me to sing sometimes. We rarely stayed at the same place to begin with,” a dry laugh escapes her, “well, he would often not even be there at all...however when he was, he would spend time training me. Orochimaru Sensei...he even helped me develop my jutsu – a task that grew easier when we eventually settled down and the ranks of followers started to grow.”
Looking to the Hokage, there’s nothing Kakashi can see that betrays the leader’s thoughts. Does he already know? For his own sake, though, the jƍnin needs a bit more information that just that.
“How old were you then?” he demands.
“I’m not certain but around 16.”
Maybe ten years ago. Relapsing into silence, the room awaits the continuation of the story.
“Eventually, my protector and teacher didn’t leave the new home as often. He would spar with me or have me train with other talented ninjas. Mostly, though...he kept me somewhat isolated. Not as if I was a prisoner, but rather...a prized possession. Someone or something important. Orochimaru had explained long ago that there was a hidden war brewing – one of the pieces of evidence was the attack on my childhood home – and so I was not surprised that he wanted to keep me safe from both physical danger as well as the tactical meetings. Still...sometimes he needed my kekkei genkai to get the truth from prisoners of war or to ensure the full co-operation of someone.”
“He was not capable of that himself?” the Hokage interrupts for the first time.
The slightest of shrugs unsettles the waterfall of hair. “Not the way I could. Any prisoner would wish to obey my demands as soon as I spoke to them.”
The noose! The rope prickles under Kakashi’s fingertips. If at any point she tries to do that... All it would take would be a sharp tug and no air would escape her lungs. Uguisu has, the jƍnin realizes, truly given herself over to the mercy of Konohagakure by preparing the exploitation of her weaknesses. Glancing to his friends, he can see they have reached the same conclusion although he has no doubt they are considering it a bluff meant to lower their guards. This kekkei...is she using it? Unsure how it would work, Kakashi considers repelling it but sees others are already trying with no other result than confused glances towards the bound woman.
“One day, I overheard a conversation not meant for my ears...” Uguisu pauses to release the clench of her jaw. “Some of the men who had been with Orochi’ since before he found me were drinking and talking, boasting of past victories, bragging about people they had killed. In summary...that included the people in my home village. All of them.” This time, the careful inhalations and exhalations aren’t enough to stop the bound woman from clenching every muscle. “There had only been one force...Orochimaru had come, ordered the slaughter, and only demanded for me to survive. I didn’t want to believe what I heard...I tried to push it away even if later events suddenly made sense and that evening, at dinner, he must have sensed I was upset so he asked what bothered me...”
“You told him,” Anko guesses. Her eyes are big, betraying the ghosts haunting her own past.
“Yes. And he didn’t deny it.” For a moment, the girl leans her head back as if a weight has fallen from her and she finally can stretch. “Even told me it was because he’d heard of me and my skill...you don’t get to be the one negotiating at the bigger town’s market at a young age without rumours spreading.” Uguisu laughs dryly at the memory.
Sighing deeply, the Hokage asks that water is brought to the prisoner before returning his attention to her. “Intending to use you jutsu to establish his power and force his will upon anyone refusing to accept him as their leader.” He receives a nod. “If he had treated you as the prisoner you were, then he might not have ensured your co-operation...however, if he could form a bond with you, you would feel indebted to help him...and maybe even be his most devoted follower.”
“It might have worked if he had gotten to me at a younger age,” she agrees, “if I couldn’t remember much of my past. Instead, everything he had build crumbled at the revelation and I tried to leave.”
Anko growls. “You can’t make me believe he let you.”
“Of course not. I tried to fight my way out, unsuccessfully, while he idly toyed with me. Amused by my tries because I still had much to learn. He stopped playing when I tried to use my kekkei genkai...”
Years have passed since, but Kakashi can see the effect it has on Uguisu still: head low, body tensed in a futile attempt to become smaller than she is. The ropes strain around her limbs and prevent her from curling up with the knees to the chest, and he knows it must be painful but releasing her at this point in time is not an option. Instead, he has to watch in silence while she regains control of her breathing.
“He...he always experimented,” she resumes, “he had found a way to resist my voice so I couldn’t stop him when rage overtook him and he attacked. He...” her voice croaks, but she pushes on, “he sou-ought to break me. To -...he was vicious! Wanted -... Relentless, try-trying to destroy my...my...everything. Soul. M-mind. Body. And he bit me...”
The chill rolling down Kakashi’s spine settles in his guts as a roiling urge to vomit. A flashing memory of this girl sitting on his bed, hugging his pillow, smiling...until he joked that he wouldn’t bite. That’s why you ran. Glancing at Anko, he sees a similar, pained realization: Orochimaru’s bite leaves a Curse Mark.
“His...taint...” Uguisu’s voice is a broken whisper, “everywhere. He -...it -...what he did...” she has to pause to let out a quaking whimper, “the pain was o-one thing but he...” Everyone can hear the gulp of the dry swallow. “It took weeks to recover. Often he’d...refresh the wounds. But he was pleased because I did not fight anymore. He’d make me use my skill on larger groups of people and it would trigger...it’s like he’d be in my mind and body all over and it would burn.”
The silence is deafening. Listening to the foreigner’s tale, no one doubts a word she’s saying and many have lost the stoic faces of elite ninjas. Even the Hokage is averting his gaze, face hidden in the shadow of the hat.
“Hrm...” the old man clears his throat. “Perhaps we should continue this at a la-”
“No.” Finally lifting her face, Uguisu stares at him. “There’s not much left, Hokage-sama, allow me to finish.”
He nods slowly. However, as he returns to the passive position of someone who listens, he catches Kakashi’s eyes and within the gaze lies an unspoken message for the jƍnin to decipher. One of pity for the girl, of a demand matching the instinctive urge the man who brought the stranger to this room already feels. I understand, the answering nod promises, her scars are deeper than even the Mark. Bile threatens to rise in his throat. Before him, kneeling on the floor, is a woman who has decided to trust in him and Konohagakure despite betrayal, violence, mind games, and rape.
“I began to test my limits despite the circumstances. I waited...played the role of the defeated.” The smile on Uguisu’s lips doesn’t reach her eyes. “Then finally he left on some mission and I grabbed my chance. I managed to get away and although I ran blindly at first, something eventually carried me to a valley I recognized and the ruins of my old home. No one had been buried...l-later, as I knelt by their graves, I swore an oath to oppose Orochimaru with all that I am. I remembered hearing the name of this place as the subject of his hate and my goal became clear.”
The white-haired jƍnin is impressed by the woman’s tenacity to reach the end of the tale in her current condition: shaking, ropes digging into her flesh, tears dripping onto the floor and her lap. Somehow, though, she still manages to make her raw voice heard in the entire room.
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thenighttrain · 5 years ago
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folklore first listen
pls feel free to ignore this, i just wanted to record my screaming on my blog so that i can refer back to it and laugh at myself someday x
The 1
THE PIANO OMG I LOVE IT AND I LOVE THE BEAT I looooove THIS SONG IT’S SO NOSTALGIC WHO THE FUCK IS IT ABOUT OH MY OGD IM SCREAMING also the swearing I’m living
 ok seriously who is this about I am losing my mind. This is so bittersweet I’m ?!!!!!!!!!!!! I REALLY LOVE THIS
CARDIGAN
I ALSO LOVE THIS WHAT ITS’ SO NOSTALGIC and the music video is so pretty wit the green and she looks like an actual forest nymph with the piano and the water and it’s all incredible. YOU DREW STARS AROUND MY SCARS BUT NOW I’M BLEEDING???????? BITCH. THE LYRICS IN THIS ARE FUCKING INCREDIBLE WHAT THE ACTUAL FUCK OH MY DISJFASLDFNSADF OH MY GDO I knew you’d linger like a tattoo kiss??????? MAAM?
The last great American dynasty
SO INTRIGUING HOW SHE WROTE THIS??? WHAT IS IT ABOUT? IDK BUT I LOVE IT
Exile
BON IVERRRRRR I LOVE THE WAY HIS VOICE SOUNDS IN THIS AND THE CHORUS IS HAUNTINGLY BEAUTIFUL and the background vocals
 omg. This album his the most unique thing she’s ever written I????? I LOVE HOW HER VOICE SOUNDS N THE CHORUS. ‘You were my crown now I’m in exile seeing you out’? YOU KNOW LIKE I CAN IMAGINE THESE SONGS AS THE SOUNDTRACK TO SO MANY OF MY FAVOURITE FANTASY BOOKS IM LOSING MY MIND. ALSO OH MY GOD BON IVERS VOICE AT THE END HOLY FUCK!!!! THIS IS SO GOOD THIS IS ONE OF HER BEST DUETS IM LOSING MY SHIT this song is incredible I am in LOVE
My tears ricochet
TRACK 5 TRACK 5 TRACK 5 AHH I LOVE HOW DEEP HER VOICE GOES AND THE BACKGROUND VOCALS OMG. Oh my god the chorus I am in love, I love her voice sounds so raw on this album, we haven’t heard that in years IF I’M DEAD TO YOU WHY ARE YOU AT THE WAKE CURSING MY NAME?? OMG. This is fully giving me like fae woodland imagery I just love it, the vibes of it all!  AS YOU BURY ME? OH MY GOD IS SHE A GHOST IM SCREAMING I LOVE THIS PERSPECTIVE. HOLY FUCK HOLY FUCK THE BRIDGE!!!!!!!! THE LINES ABOUT SCREAMING. THE BRIDGE IS UNBELIEVABLE AND THE WAY IT JUST FADES OUT I?
Mirrorball
Omg I love the vocal effects! This is full indie pop vibes I AM DIGGING IT. OH MY GOD THE CHORUS BROOO OK I OFFICIALLY LOVE THIS SONG IT’S EXACTLY THE KIND OF MUSIC I LIKE LISTENING TO. ‘Drunk as they watch my shadow, edges glisten’ oh wow the lyrics in this album are fucking otherworldly. Oh fuck this is  agood bridge. I really cannot wait for all the analysis of this album by smarter people because I am not understanding BUT I AM LOVING IT. ALSO IDK WHAT A MIRRORBALL IS BUT I LOVE IT ANYWAY. How does she know such fancy words, I want her brain
Seven
‘I ht my peak at seven’ ok but same? HEYY SHE MENTIONED MOON AND SATURN I AM LIVINGGGGG. It’s so soft and wistful, those are the vibes of this album so far and I am really LOVING IT. PLEASE PICTURE ME IN THE WEEDS BEFORE I LEARNED CIVILITIY I USED TO SCREAM FEROCIOUSLY ANY TIME I WANTED?? IM YELLING I LOVEEEEE THESE LYRICS OH MY GOODNESS
August
ONCE AGAIN I LOVE THE VOCAL EFFECTS, I LOVE THE WAY HER VOICE SOUNDS.  Omg the chorus is catchy! I love the way she sings ‘I can see’! OK THSI SONG IS ONE OF MY FAVOURITES I MEAN JUST LISTEN TO IT? I HAVE BEEN IN A STATE OF SHOCK SINCE LAST NIGHT BUT THIS IS MAGICAL ETHEREAL GROUNDBREAKING NEVER BEFORE SEEN INCREDIBLE PERFECT. OHH GOD THE BRIDGE IS COMNIG UP- YES IT’S AJFDSNAFKJSDFAF SHE WROTE THIS SONG IITS’ SO GOOD MISDFN JASDNFLJK SO MUCH FOR SUMMER LOVE AND SAYING US CAUSE U WERENT MINE TO LOSE!!!!! OH MY GOD!!!!!!!!!!!!!!! TAYLOR!!!!!!!!!!!!!!!!!!!!!!!!!!!!! This is one fo her best songs ever EVER OMG AND THE BACKING VOCALS AT THE END AHH AND THE BEAT DROP TAYLOR WHAT THE FUCK YOU’VE OUTDONE YOURSELF A G A I N ??? IM NEVER GONNA RECOVER FROM THIS FUCK
This is me trying
Firstly, this song title is such a mood, especially this year. The beat in this song s so good - THIS SICK BEAT. AHH THERE IS THS COOL INSTRUMENT IS IT A VIOLIN IDK BUT I LOVE IT OMG. ‘THEY TOLD ME ALL OF MY CAGES WERE MENTAL SO I GOT WASTED LIKE ALL MY POTENTIAL AND MY WORDS SHOOT TO KILL WHEN I’M BAD I HAVE A LOT OF REGRETS ABOUT THAT II WAS SO AHEAD OF THE CURVE THAT THE CURVE BECAME A SPHERE I FELL BEHIND ON MY CLASS LATE UNTIL I ENDED UP HERE POURING OUT MY HEART TO A STRANGER BUT I DIDNT POUR THE WHISKEY! Oh god the ‘AT LEAST IM TRYING’ MAAAAM. THAT LAST VERSE FUCK FUCK FUF ASJDO FUCK THE BUILD UP. Listen I don’t know what the fuck this song is about but I do know that I love it I ADORE IT I FEEL LIKE EVERY SONG IS BETTER THAN THE LAST WHAT THE FUCK
Illicit affairs
I’m so intrigued by the title of this song! I LOVE the guitar in this song omg it’s so soft and wistful? IT DIES A MIIIILLIOON LITTLE TIMES


.. I love the little falsettos, that you picked out just for HIM! Take the words for what they are, a dwindling mercurial HIGH a drug that only worked the first few hundred times AND THAT’S THE THING ABOUT ILLICIT AFFAIRS AND CLANDESTINE MEETINGS AND STOLEN STARES they show their truth one single time BUT THEY LIE AND THEY LIE AND THEY LIE A MIILION LITTLE TIMES. LOOK AT THIS IDIOTIC FOOL THAT YOU MADE ME YOU TAUGHT ME A SECRET LANGUAGE I CAN’T SPEAK WITH ANYONE ELSE and you know damn well for you I would ruin myself a million little times. Holy fuck I have 0 words this is. Unbelievable it’s sunning I LOVE the bridge? I?
Invisible string
Oh lord I am not ready for this one. I love the way she sings the pre chorus! Were the CLUUUES I didn’t see—ee-ee. Omg this song is actually so cute. CHAINS AROUND MY DEMONS? WOOL TO BRAVE THE SEASONS? HOW THE FUCK DID SHE WRITE THIS IT’S SO GOOD IM SPEECHLESS also I LOVE the strings in this song, I love the production of this entire album tbh. It’s so chill and stripped back and it makes you focus on her vocals which sound soooo good.
Mad woman
TAYLOR SAID FUCK TAYLOR SAID FUCK TAYLOR SAID FUCK IM LIVINNGGGGG. ANYYWAY I LOOOVE THIS IM DIGGING ITTT I LOVE THE CHORUS EEEEK. the second verse omg I love the anger, the bitterness, you can HEAR it in her voice! It’s obvious that wanting me dead has already brought you two together??? EEK THE BRIDGE a spinster? What a shame she went mad
 YOU MADE HER LIKE THAT OMG BITCH
Epiphany
Omg the intro build up - I love it. This sounds like a church choir? Is this about a soldier in war? What? It reminds me of Dunkirk or something omg. This is again so haunting, very slow and the piano only adds to the somber tone
Betty
WHO? IS? BETTY??????? Oh hey this is a gentle intro with this instrument that sounds familiar but idk what it is but I love it. I love the melody in this omg!  SHE SAID FUCK AGAIN SHE SAID FUCK AGAI NOGAS JDFHLDSDKFLD TAYLORRRRRR WOULD YOU TELL ME TO GO FUCK MYSELF??? IM ONLY 17 I DON’T KNOW ANYTHING BUT I KNNOW MISS YOU! BITCH!!!!!!!! This is about like a lost first love! Anyway I really looove how her voice sounds in this and the melody
. I DREAMT OF YOU ALL SUMMER LONG OMG THE BRIDGE IS INCREDIBLE!!!!! Omg awww the only thing I wanna do is make it up to you so I showed up at your party?? AHH THE KEY CHANGE INI THE LAST CHORUS EEEEKKKKKK OMGGGGG WILL IT PATCH YOUR BROKEN WINGS I’M ONLY 17 IDK ANYTHING BUT I KNOW I MISS YOU OMG THE REFERENCE TO A CARDIGAN AGAIN!!!!!!!! AND THE STREETLIGHT! IM YELLING I LOVE THE PARALLELS AND THE MOTIFS and you can just hear the childish innocence int his song, I love it
Peace
This intro is SO COOL AND I AM VIBING HARD TO IT, I LOVE THE GUITAR IN THE BACKGROUND? Ok oh god I really like this one. The devil’s in the details but you got a friend in me I— THIS CHORUS IS AMAZING I ADORE IT. Omg this might be one of my favourites. Holy fuck I cannot get over how good the lyrics in this album are!!!!!!! I TALK SHIT WITH MY FRIENDS IT’S LIKE I’M WASTING YOUR HONOUR! Sit with you in the TRENCHES? Omg! WHAT IS THIS ABOUT I AM YELLING!!!!!!!!! ‘Clowns to the west’ oh hey that’s me. EEK THE SOFT KEYBOARD IN THE BACKGROUND - YES!!!!!!!!!!!!!!!
Hoax
Last song? Ma’am I am not ready!!!!!!!!! THE PIANO IN THIS OMG. The chorus
.. it’s beautiful


.. YOUR FAITHLESS LOVE’S THE ONLY HOAX I BELIEVE IN OH MY GODDDD. I’m yelling I love this so much. I loooove the angst of the chorus, the resignation that this is the one love she wants, even if it’s faithless!  ‘You know I left a part of me back in New York’
 THE LOUIS TOMLINSON PARALLEL DAFJKHASFKADS (I know you left a part of you in New York). ‘What you didd was just as hard’ omg what did he doooo?? MY KINGDOM COME UNDONE AHHHHH YOU HAVE BEATEN MY HEART! WHY IS THIS SONG SO BITTERSWEET IM ???????
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mittensmorgul · 6 years ago
Text
i obviously did not think this through
So the other day I thought it would be fun to make up my own Essential Rewatch List leading up to 15.01, and boy howdy was I ever wrong! This post is the result of that. Instead of a conveniently streamlined list of important episodes for meta and character development highlights, instead have this 15k word probably-useless behemoth...
I debated not even posting this on tumblr because it’s just so massive. But heck this was a lot of work so here it is.
For reference purposes, I refer a lot to my rewatch notes, but mostly in later seasons. If you’d rather just go to the beginning of my tag for the most recent rewatch, 1.01 is the last post on this page, and then you can just continue chronologically from there:
https://mittensmorgul.tumblr.com/tagged/s14+hellatus+rewatch/chrono/page/3
If you want to read more about a specific episode, every singe episode is filed on my blog with the episode tag. For example, all posts about 1.01 are tagged like this:
https://mittensmorgul.tumblr.com/tagged/spn-1.01
To find a different episode, just plug in the correct episode number and voila.
If you’d prefer to skip an episode but don’t fully recall it and just want a quick refresher, every episode is linked on this page of the superwiki. Those links will serve you up a tidy synopsis as well as link you to the transcripts for every episode (linked at the bottom of each episode page):
http://www.supernaturalwiki.com/Category:Episodes
I started out making reasonable, logical entries for every episode, and then... kinda went off the rails toward the end... apologies for how chaotic this might read. Most of it was typed off the top of my head, and I haven’t edited it so apologies for any errors. Under a cut because FIFTEEN. THOUSAND. WORDS.
Good luck.
1.01 Pilot Obviously this episode sets up everything that comes after, and gives us a platform from which to understand exactly how the show’s mythology will eventually evolve. It also establishes a baseline for understanding Sam and Dean and their personal character evolutions and family dynamics. Probably essential viewing in any rewatch...
1.02 Wendigo Like so many early episodes, we learn more about Dean and Sam, and the missing father they’re searching for. And here we get “Saving people, hunting things, the family business” that becomes the motto of the Winchesters.
1.03 Dead in the Water
Sam is shocked to learn that Dean’s good with kids, and how Dean was traumatized as a 4-year-old. Like, dude, he practically raised you, Sam
 makes sense he’s good with kids...
1.04 Phantom Traveler Specky the Wonderdemon, who was terrifyingly beyond their pay grade at the time. Kinda hilarious in retrospect
 (also first use of Dean’s homemade EMF meter)
1.05 Bloody Mary Aah, Sam is keeping secrets from Dean (about his psychic powers and that he’d foreseen Jess’s death), and we learn ghosts can be attached to items that must be destroyed to banish the ghost.
1.06 Skin ooh Dean, take off that shirt yes
 no
 wait
 stop
 you can stop with the shirt you don’t
 no please put your skin back on
 (no, seriously, we learn A LOT about Dean from the shapeshifter, and so does Sam
 There’s a heck of a lot Dean keeps buried. Also a reminder that shifter episodes tend to involve these sorts of buried secret things for Dean. Also Dean’s first “legal death” even if not actual death)
1.07 Hook Man Another ghost attached to an object, Sam’s first flirtation with anyone after Jess’s death, and Dean’s proficiency and innovation in hunting techniques continues to surprise Sam-- with the first use of salt shells for a shotgun.
1.08 Bugs Oh look more first season talking of their different experiences and memories of childhood and especially their very different relationships with John. If you can ignore the bug-related portions of the episode. Also I think still the only time in canon Sam and Dean have used umbrellas.
1.09 Home
Well if you absolutely need an in-depth exploration of the Winchester Family Dynamic as it stood in s1, this is a good baseline episode. Mary’s guilt expressed by her ghost in the house where she died, more exploration of Sam’s psychic powers, and we first see John on screen in the “present day.” Sam also learns it was Dean who carried him out of the house when he was a baby, and uses the exact same line John told Dean in this episode (take your brother outside as fast as you can and don’t look back)
1.10 Asylum So much of s1 was Dean getting orders from John and
 following them. We get an interesting glimpse inside Sam’s head (having heard some of Dean’s dark secrets in 1.06) and via ghost interference Sam says some pretty bitter things to Dean (and would’ve shot him if Dean had been dumb enough to hand him a loaded gun. lucky Dean’s smarter than that). But now we have their baseline issues laid out on the table for us.
1.11 Scarecrow Sam is sick of taking orders from John and decides to go find John on his own rather than following another order. He meets Meg hitchhiking, and she tries to lure him in. Luckily Sam realizes Dean is in trouble and goes back to save him. They decide to stick together again. Of course.
1.12 Faith Here we go
 the first moment the show realized it had the potential to be something bigger than a MotW horror/fantasy road trip. Dean’s first brush with capital-D Death (in this case, a reaper). The first time in canon anyone suggests that Dean was “chosen by the Lord” for a greater purpose.
1.13 Route 666 Racist Ghost Truck. But also the first time we learn an important difference between Dean and Sam. Sam hid everything about his life from Jess (a woman he was planning to propose to), but Dean fell in love with Cassie over a matter of weeks and told the whole truth to
 and she dumped him for it because she thought he was lying to her. That heartbreak goes a long way toward the cavalier attitude Dean puts on toward relationships in general in the early seasons. Tell them the truth and they’ll leave you for it, but he won’t live the lie that Sam was perfectly happy to...
1.14 Nightmare Aah, more of Sam’s powers (darkest timeline edition with Max), and Sam credits John for being a better father
 until he sees Dean’s reaction to that comment
 and we get that Dean stood between Sam and John’s
 lack of parenting skills >.>
1.15 The Benders “Plain old people are often worse than monsters”
1.16 Shadow The return of Meg, who is Up To No Good messing around with scarier demons than good old Specky was. We finally have John in the picture, but he deems it too dangerous for them to stick together, blaming their vulnerability on their care for each other, and just PFFFFFFT how often has the show kicked this notion to the curb? Give it a few more episodes
 Sam also expresses his desire to finally get their revenge so he can leave hunting for good and go back to his “normal life.” Dean is crushed and upset by this revelation.
1.17 Hell House Aah, the prank war :’), and the idiot ghostfacers :’). It’s a tulpa.
1.18 Something Wicked Well if you need your heart ripped out with Dean Feels, you’re in the right place. Sam learns even more about Dean’s struggles as a kid under John’s orders, and what “failure” to obey meant to Dean-- that it once almost cost Sam his life. Sam gets a better idea of the burden of guilt and the weight of responsibility that Dean has carried for far, far too long. And Dean gets a bit of closure, finally killing the shtriga.
1.19 Provenance Sam gets to unburden himself a bit from Jess’s death and make a real connection with a wonderful woman who gets a real peek into the reality of their lives and the supernatural. Still, he walks away, and completely loses touch with her for like
 7 years...
1.20 Dead Man's Blood Sam and Dean are sick of blindly following orders, and sick of wild goose chases. And they demand answers from John. We learn about vampires for the first time, and are finally introduced to The Colt, which will take on so much significance over the seasons that it’s RIDICULOUS. A weapon Mary heard bedtime stories about as a child, now become real to be used to get their revenge on the demon who killed her? Which will resurface again and again to either become their hope or destroy their hope
 so much baggage attached to a single gun.
1.21 Salvation So much plotting, but the demons get their way and get the Winchesters separated and set up. Sam fails to shoot the demon with the Colt and John is captured.
1.22 Devil's Trap As the title suggests, this is where we learn about the Devil’s Trap. And see the “single step” exorcism performed (not the two-step Specky exorcism from 1.04). Dean rejects John’s orders and “wastes” a bullet from the Colt to save Sam’s life. But it’s still all a trap, because the demon is possessing John. Dean realizes it when John is NOT FURIOUS that he “wasted” that bullet. It nearly kills Dean, and Sam refuses to kill John in order to kill the demon. The demon escapes, the Winchesters have one bullet left in the Colt, and then they’re run over by a demon-possessed semi trucker.
2.01 In My Time of Dying Dean’s second brush with Death (again, reapers). He learns a lot while mostly dead that unfortunately he won’t remember for a long time (until 4.15, to be precise) about reapers and their powers (manipulating reality, etc.). Sam is desperate to save Dean, and John trades his life (and the Colt) to the Demon for Dean’s life, lays one HELL of a burden on Dean-- either save Sam, or you’ll have to kill him. No further details, just that horrific fact which Dean will try to shield Sam from as long as he can, which will (as per usual) probably only make things worse when they eventually come out. Dying wishes on this show SUCK DONKEYS. Remember that when we get to 5.22...
2.02 Everybody Loves a Clown Spoiler alert: nobody actually loves a clown, especially not Sam. But heck Dean driving the soccer mom minivan is priceless. And we’re introduced to Ellen, Jo, and Ash at the Roadhouse. Sam and Dean are like
 whoa there are actual hunter gathering places? And begin to uncover just how sheltered and weird their lives have been, even for hunters.
2.03 Bloodlust like 1.15, “sometimes people are the worst monsters,” with a generous side helping of “sometimes monsters aren’t actually monsters.” Dean gets to question a lot of what he was taught his whole life by John, via the proxy of Gordon Walker and his hate-on for vampires. But Dean realizes there’s a limit to killing everything not-human
 the beginning of the era of “killing what deserves to be killed and not just anyone will do”
2.04 Children Shouldn't Play with Dead Things Zombie. Considering Jack’s longtime fascination with zombies, and how 14.20 ended
 possibly relevant thematically on several levels
 Girl resurrected by a dude for love (she didn’t love him in life
 but was basically a “soulless person” as a zombie, as we will come to understand in later seasons). It’s a terrible idea to try and bring back the dead
 >.> But this is all wrapped up in grief and how Sam and Dean each deal with grief in their own ways, and how they don’t really understand how the other is processing John’s death. In the MotW language of the show, zombies are about grief for the past and an inability to express it or move past it. They’re just emotional baggage (like shapeshifter eps reveal hidden truths and vampires are about revenge)
2.05 Simon Said More special children affected by the demon exhibit psychic powers
 Sam is unsettled by the mind control, but unlike Dean he’s immune to it
 He’s scared he’s gonna turn “evil” (and this is the first hint he gets that Dean might feel the same, based on the horrific dying promise John extracted from him that we still haven’t heard, and which we’re reminded is clearly weighing on Dean anyway)
2.06 No Exit Aah, Jo. They hunt the ghost of HH Holmes with her and learn some terrible things about their father’s history-- that he probably played a part in Jo’s father’s death. We also learn Dean sleeps real funny in chairs...ow it just looks so dang painful :’D (but they do comeuppance real well on the ghost
)
2.07 The Usual Suspects I love this just for the structure of the episode, showing us Hunting with Sam and Dean 101-- how to avoid arrest and imprisonment edition. This just gives us so much insight into how well they work together as a team, and the degree to which they’ve developed code words and references and how they are able to craft seamless backstories in the event a hunt goes south. It’s just
 delightful.
2.08 Crossroad Blues The introduction of Crossroads Demons. And the first confirmation to Dean that John did indeed sell his soul for Dean’s life. Uncomfy revelation. The demon offers Dean a deal
 his father resurrected and ten years to enjoy his company before Dean’s soul would end up in Hell instead. Dean declines. But their arsenal of weapons against demons (and the newly-introduced Hellhounds) grows to include goofer dust.
2.09 Croatoan Aah, a terrible time was had by all
 the demons are scheming, creating demonic viruses and testing Sam’s immunity to them. But of course Dean and Sam don’t know that
 Dean’s comment as they leave town: “I'm already starting to feel like this is the one that got away.” And ends on a cliffhanger of Dean about to tell Sam what John told him in 2.01.
2.10 Hunted Sam is enraged Dean would keep that from him, and wants to seek out more Special Children to learn what they can, but Dean wants to hide out and bide their time for safety’s sake. And maybe it’s just because I was in my 30’s when I first watched this show, but Sam pulls what I still think of as one of his signature childish moves and runs away in the night. But down that path lies revenge against the demon, so of course Sam runs into vampire-adjacent Gordon Walker. We learn more about how the Winchesters work together, the secret code word “funkytown,” and that sometimes they actually get the authorities to work in their favor. They’re good at manipulating the system...
2.11 Playthings Ghosts, Hoodoo that wasn’t to cause harm, but to protect against the ghost. Sam gets spectacularly drunk and makes Dean promise to actually kill him if he goes bad. Yikes. We also have the “why does everybody think we’re gay,” and Sam’s reply of “you’re kinda trying too hard to be butch” that Dean
 doesn’t have a response to. Sam gets to SAVE somebody (he puts a gold star in his book as proof he’s not turning evil yet)
2.12 Nightshifter This is one I recommend actually watching
 another shapeshifter (not a mandroid), so uncomfortable truths time. Sam lies thinking he’s protecting someone from danger, but it just drives Ron into even WORSE danger (and gets him killed). Everything about this hunt goes sideways, except they do actually kill the shifter, but now they’ve got the FBI on their tails. This is Winchesters Scrambling In A Tight Spot nirvana.
2.13 Houses of the Holy The first hint that the show
 could possibly someday include angels, but they’re still on the BS list by the end of this episode. We learn more about Sam’s belief in God, Dean’s utter disdain for the idea of God, and the fact that Mary had believed in angels. Dean witnesses something he can’t explain, and Sam points in Dean’s direction when asking, “That’s Michael, right?”
2.14 Born Under a Bad Sign From holy to Hell
 Sam is possessed by Meg, who leads Dean on a wild goose chase and does some pretty horrific stuff with Sam’s body. >.> They learn about the antipossession charms from Bobby (and probably get the tattoos shortly after this). Dean still refuses to kill Sam even when he begs (though we learn it was Meg testing or goading all of them).
2.15 Tall Tales We’re introduced to the Trickster (who’s even tricking them about his actual identity). Sam and Dean are completely bamboozled until Bobby shows up and points them to what’s really going on. There’s a lot of fun stuff about Sam and Dean’s relationship and how they see themselves and each other in here, though. And of course we know who the trickster actually is, which makes this all so much more interesting in retrospect
 bit of comeuppance and lessons learned.
2.16 Roadkill An interesting take on a ghost MotW episode, where one of the ghosts doesn’t realize she’s dead, and how Sam and Dean work with her to save them all.
2.17 Heart Sam’s first actual sort-of-relationship with a woman. Who happens to be a werewolf
 oops. There’s a lot of Sam Pain in this one, and Dean feeling like he’s failed in protecting Sam, yet again. But we are introduced to werewolves, which take on the monster meta shorthand of exposing or understanding their own inner monstrousness.
2.18 Hollywood Babylon And it’s Dean’s turn to have a little fling, where their concept of a “vacation” is “deal with mysterious haunting and death on a movie set.” And like in 1.12, this all comes about because some dingdong thinks he can do whatever he want. ALSO! The true monster of the week here
 IS A WRITER. A writer who is furious that his story was trashed, and produced into something unrecognizable as his actual writing. I think this one might be HIGHLY relevant to 14.20, just for that. For the deadly tantrum of a writer who didn’t get his way. (plus the brilliance of Dean going from complete noob to the best PA in the history of Hollywood in like
 a day
 he’s just that good :’D)
2.19 Folsom Prison Blues In doing a favor for their father’s marine corps buddy (so the ghost of John hangs all over this one), they deliberately get themselves arrested and put in jail. Dean fits in there just as well as he did as a PA. He’s
 really just that good at acting. Now I have Green Onions stuck in my head and I want a milkshake. And a donut.
2.20 What Is and What Should Never Be DJINN. aka the monster meta signal of deep personal introspection. What we learn about Dean in this episode is just heartbreaking. What he would wish for (Mary alive, Sam happily at Stanford Law School engaged to Jess) and the consequences he’s willing to endure for that to be a reality (his own life’s work negated, where everyone assumes he’s a drunk and a thief and a loser). 
2.21 All Hell Breaks Loose: Part One Dean just wanted pie. Instead Sam gets taken by demons. We finally find out what the demon wanted with him (sort of). Sam plays in the Demon Hunger Games, and loses at the last moment
 (Dean gets to feel what it’s like to have a psychic vision, and hates it)
2.22 All Hell Breaks Loose: Part Two Dean sells his soul to resurrect Sam for the bargain price of one year before he’ll be dragged to Hell. Well learn about Samuel Colt’s Hellgate, which can ironically be unlocked with the Magic Kill Anything Gun (the Colt). In retrospect, this was just the beginning of the larger narrative arc of the Apocalypse, where Azazel released Lilith (along with a lot of other demons) to get that party started now that they had their hooks in Dean’s soul, but hey, at least Azazel won’t live to see it all happen (Dean finally shoots him with that last Colt bullet, rendering the gun useless but at least it did what they needed it to, with an assist from John’s ghost).
3.01 The Magnificent Seven The Seven Deadly Sins, the introduction of Ruby and her Magical Demon Killing Knife. Dean tells Sam he can’t be saved because if he breaks his deal, Sam would die.
3.02 The Kids Are Alright We meet Lisa (who Dean had a fling with years earlier) on Dean’s “relive his greatest hits before he goes to Hell denial roadtrip.” And Dean thinks he has a son for a hot minute (he does not, but he likes the kid anyway). Weirdness with them will ensue until they finally get to move on with their lives in s6. >.> But we’re introduced to our first fairie-adjacent creatures: Changelings. And Sam learns Ruby is actually a demon...
3.03 Bad Day at Black Rock Sam lost his shoe. We learn about curse boxes, Sam and Dean learn that John kept a secret storage unit full of weird and possibly dangerous stuff. But also some relics from their childhood-- Sam’s soccer trophy, Dean’s first sawed-off shotgun. And if that isn’t shorthand for the fact they had very different childhoods, I don’t know what is. Anyway, we meet Bela, and are entertained by good luck going bad
 kinda the theme of s3?
3.04 Sin City more demons, we learn more about bigger plans they had for Sam, and Dean comes THIS CLOSE to actually considering letting a demon go
 but Ruby helped Bobby make the Colt work again, and Sam kills both demons.
3.05 Bedtime Stories A pseudo-ghost of a girl trapped in a coma acts out fairy tales as a cry for help. Dean doesn’t want to kiss a frog. The pie is poisoned and Dean has to fight the big bad wolf
 I swear that all makes perfect meta sense.
3.06 Red Sky at Morning Bela again. And like the ghost they’re hunting, we learn she got her revenge against a family member. The first use of the name “Castiel” in the spell to summon the ghost’s brother’s ghost so they could splish-splosh each other out of existence. That’s
 all you really need to know.
3.07 Fresh Blood Gordon Walker, vampires, and vengeance. Taken to an extreme. Dean basically throws himself into danger because what does he have to lose if he’s already destined for Hell? But he’s beginning to crack, and Sam’s getting pretty desperate to get Dean to admit he’s scared and do something to save himself. Gordon’s desire for revenge gets him captured by a vamp and turned
 and Sam ends up beheading him with razor wire. Yikes
 so much for that revenge, eh?
3.08 A Very Supernatural Christmas Yuletide fun and eggnog. Pagan gods they end up killing with a Christmas tree. But they do reach a personal emotional plateau with Dean’s whole “half a year to live” clock ticking down.
3.09 Malleus Maleficarum Witches. Ruby. And a demon who knows Ruby leading a coven of suburban housewives who believe they’re just doing something harmless and not slowly selling their souls to said demon. Ruby saves Dean’s life, earning his reluctant gratitude for the time being, but not exactly his trust. This is the first we learn of Lilith, the demon apparently leading all the rest of them. Dean also learns that demons are just human souls that have been tortured in hell, and that’s what awaits him after he dies.
3.10 Dream a Little Dream of Me VERY IMPORTANT EPISODE. African Dream Root, which mimics the sort of djinn-dream experience. Dean has to literally confront his demon self. For the first time he admits he didn’t deserve any of this, any of what John put him through. And he admits to Sam that he is scared of going to Hell. Oh, and Bela steals the Colt, aka the only weapon they have against Lilith.
3.11 Mystery Spot If 3.10 was about Dean’s internal trauma, 3.11 is about Sam’s. The trickster puts him through a time loop forcing him to relive endless Tuesdays, and Dean dies each time and he wakes up again. The power to do this is just
 insane. Just when they think they’re out, Dean apparently dies “for real,” and it drives Sam on a six month long rather terrifying revenge mission. Only to finally come face to face with the trickster again after having proven the horrific lengths he’s willing to go to in order to save Dean. Also a very, very important episode. Trapped eternally in someone else’s looping story and forced to act it all out endlessly? Yeah. That’s not 14.20 at all >.>
3.12 Jus in Bello very nearly the series finale. They work with Ruby after FBI agent Henriksen discovers they weren’t lying about the supernatural and they exorcise him from demon possession. Dean gives him The Talk about what’s real, and refuses to sacrifice someone to perform Ruby’s spell that would supposedly save them all and kill all the demons. Everyone lives
 for a little while, at least. At least Sam and Dean are marked among the dead, so they won’t have to worry about law enforcement chasing them for a while, but Ruby holds this over them (in addition to losing the Colt, if they’d just listened to her everyone would still be alive
 in theory
 she’s really good at this manipulation thing!)
3.13 Ghostfacers And interesting perspective to see what Sam and Dean would look like uncensored and unbound from the traditional episode format, and through the eyes of other people.
3.14 Long-Distance Call Crocotta. Dean is lured in by John’s voice over the phone, believing it might be a ghost situation, and that John may have a way to save him from Hell. It’s all just a trap that leaves Dean feeling even more hopeless, knowing he can’t expect John (or anyone else) to save him from this. 
3.15 Time Is on My Side Sam gets desperate, and we have another mention of zombies
 which if you’ll recall, signals grief and desperation and an inability to let go of the past. Which kinda defines Sam’s state right now. Dean tracks down Bela to retrieve the Colt (but it’s long gone, and Bela’s about to be dragged off by hellhounds herself). Sam tracks down Doc Benton hoping to get him to share his secret for immortality as a last desperate attempt to save Dean. But Dean doesn’t want to live like that, killing other people for their organs as his would wear out, just to keep himself out of Hell. And honestly good for him because ugh.
3.16 No Rest for the Wicked Dean’s seeing through the veil, able to see demons’ true faces, and the hellhounds that are on their way. They steal Ruby’s knife and go after Lilith, and fail completely. Dean’s dragged to Hell, and Sam’s immune to Lilith’s powers.
4.01 Lazarus Rising CAS GRIPPED DEAN TIGHT AND RAISED HIM FROM PERDITION. Honestly if you don’t know the meta import of this episode, this list ain’t gonna help you.
4.02 Are You There, God? It's Me, Dean Winchester We really learn about the Apocalypse, the seals breaking that will eventually free Lucifer. Supposedly the angels want to stop them from breaking
 and Dean and Cas have their first real conversation about all of this. And this is the episode my tag for God comes from, “If you say mysterious ways, so help me I will kick your ass.” Dean’s already set himself up with Cas to defy God.
4.03 In the Beginning Angels can send you back in time! Dean sees Mary and John’s relationship, the death of Mary’s parents, and the fact Dean talked John into buying the Impala AND now feels responsible for having lured Azazel to Mary in the first place
 he witnesses the deal she makes to bring John back that would effectively shape the entire narrative on both sides of this episode. The things we do for love
 Cas told Dean to stop it, and in the end tells him he never could’ve stopped any of it. It is what it is. It’s the first instance of Dean getting this glimpse at the bigger picture, and taking away his OWN lesson from it rather than the one he was supposed to learn
 
4.04 Metamorphosis Dean finds out about Sam working with Ruby to exorcise demons with his psychic powers. And the inevitability of falling victim to those psychic powers plays out in the MotW, the rougarou who gives into his hunger. Sam promises to give up using his powers lest that happen to him.
4.05 Monster Movie A straightforward, black and white case. A shapeshifter (so buried truths), but this one becomes Hollywood movie monsters trying to give the monsters a happy ending
 essentially trying to rewrite his own story. Sound familiar? Dean gets the girl, at least. I love this episode.
4.06 Yellow Fever Dean vs his own fear, compounded by the fear of a ghost who infects him with ghost sickness, inflicting his own suffering on Dean. This was Dabb’s first episode, and as such, is definitely worth watching for the themes, and what Dean is truly afraid of-- i.e. of going back to Hell and being tortured by Lilith, of Sam being a yellow-eyed demon. The rest is just awkwardly fun watching Dean squirm.
4.07 It's the Great Pumpkin, Sam Winchester Sam breaks his promise not to use his powers when Samhain rises. We meet another angel- Uriel- who isn’t as fond of humanity as Cas. Sam meets Cas, too. But this is truly the episode where Cas begins to differentiate himself and show his doubts in Heaven’s orders. He warns Dean that bigger tests are coming, but he doesn’t know what they will be yet. This is still the true foundation stone of Cas’s entire personal character arc for the entire series, when he went from maybe-three-episodes-then-dead interesting side character to 11-years-and-counting truly a Winchester.
4.08 Wishful Thinking I love this episode
 you can’t just wish for what you want without consequences. This was like primer-level Cosmic Consequences stuff.
4.09 I Know What You Did Last Summer Dean learns what Sam was up to while he was in Hell being tortured by Alastair (conveniently the antagonist in this episode), why he trusts Ruby now, and voluntarily works with Ruby to save Anna-- a woman who hears angels talking. This is effectively continued in:
4.10 Heaven and Hell Where Anna remembers that she’d been an angel who fell from Heaven by choice, removing her grace to experience life as a human. Which
 is kinda important a concept to know exists
 >.> Heaven (and Cas) judge her harshly for that choice, and yet
 there’s just too much just go read my rewatch notes from this episode at the very least.
4.11 Family Remains They think it’s a ghost but it’s not a ghost. All you need to know is this is the episode they wrote on a dare to see if they could write an episode that the network would refuse to air ever again. They were actively trying to write the worst possible episode they could imagine, and this is the result.
4.12 Criss Angel Is a Douchebag
Sam had a thing for stage magic as a kid, but now he runs around with a demon. The concept of “will we be in this life until we die or it kills us” and “what would life even look like to us if we were actually to grow old” is batted around for possibly the first time. 
4.13 After School Special
From contemplating retirement to flashbacks to high school. Another look at Sam and Dean and who they are as people, and how their very different childhoods shaped them into who they are now.
4.14 Sex and Violence Dean’s Siren was a dude. (oh, and the director of this episode? whose last episode was 6.15? is directing 15.03, so maybe worth a peek...)
4.15 Death Takes a Holiday Dean vs Death again. The return of Tessa the reaper from 2.01, and Dean finally remembers. They save Tessa, save a seal, and capture Alastair, but discover they’ve been manipulated into doing it by Cas/Heaven. Heaven loves its manipulations
 Pamela the psychic warns Sam that what he’s doing, despite his intentions, is not good. He ignores that advice. At the very least read my rewatch notes for this one. >.>
4.16 On the Head of a Pin There is absolutely too much going on in this episode to sum up in this post. Read my rewatch notes, read the superwiki, watch the episode. This one is huge, for Dean and for Cas.
4.17 It's a Terrible Life Heaven’s Grand Manipulator, Zachariah. Or he thinks he’s pretty grand
 he’s really not all that good at his job
4.18 The Monster at the End of This Book CHUCK. The inevitability of destiny, or at least his attempt to write that version. In this episode, all of Chuck’s plans go according to plan
 until Dean drags him back into the story and forces a different ending. (and we learn Sam’s demon blood drinking is so distasteful to Chuck he didn’t even include it in his books) Remind you of anything? Like, oh, 4.22, or 5.22, or 11.23, or 14.20? Yes, this episode is the key to everything.
4.19 Jump the Shark Since Adam will reportedly be back in s15, watch this one and understand Dabb’s exact intention in creating the character in the first place-- literally as a decoy who never existed with any narrative weight of his own, as a ghoul (a creature that feeds on the dead and takes their shape). I wrote about this one recently, so I won’t waste space repeating myself here.
4.20 The Rapture CAAAAAAAASSSSSS. He gets dragged back to heaven for disobedience, and is tortured back into obedience. Obviously this one is huge for Cas as a character, and for Dean’s relationship with him. But they both learn about why Sam’s powers were getting stronger, and are not pleased...
4.21 When the Levee Breaks Sam’s detoxing from demon blood until Cas lets him escape. Cas rounds up Anna and has her sent back to Heaven for her own round of torture/reprogramming. And Dean and Sam have her Big Falling Out that drives Sam to do the horrific
 however good his intentions are, what he’s doing is still bad.
4.22 Lucifer Rising The grand manipulation is unveiled. Dean talks an angel into rebelling from Heaven to stop the apocalypse, but they’re still not in time to stop Sam from breaking the world. Chuck
 is less than fully helpful, despite Cas literally volunteering his own life to protect Chuck. Pretty sure this is a critical episode for rewatching. Chuck’s mostly pleased his story is going to plan.
5.01 Sympathy for the Devil Ugh, no we do not have sympathy for the devil on this blog. Chuck recruits his biggest fan to deliver cryptic messages to Sam and Dean. Dean learns he’s Michael’s true vessel, destined to be his tuxedo for the apocalypse. Cas returns without having a clue how he’s even alive. And it’s all Chuck’s doing
 even if we don’t know that yet.
5.02 Good God, Y'All
The apocalypse is in full swing, and the Horsemen are coming out to play. In this case, War manipulating people into destroying each other. Cas sets out on his mission to find God and convince him to help stop this mess. We learn Dean’s amulet had the power to find God all this time, and they’d never known it until now. Convenient!
5.03 Free to Be You and Me Just watch it already, you know you want to. Defines Dean and Cas’s relationship for years to come, though. Plus Sam learns he’s Lucifer’s destined vessel. I’m sure that will all go fine
 
5.04 The End I know most people will disagree with me on this, but the only useful meta takeaway from this episode is the same as one from 4.17: Dean doesn’t learn the lessons he’s “supposed to.” He makes his own lessons. There is literally zero other relevant information to take from this episode, aside from it being Cas who saves him from it. Watch if you enjoy it
 but literally nothing about it is any more real than the djinn dream in 2.20 or the dreamroot dream in 3.10, and it’s all been rendered irrelevant by later canon anyway. Especially by 14.20 and that moment Dean refused to play Chuck’s game anymore.
5.05 Fallen Idols More John baggage disguised as an old god. Worth watching just to hear poor Consuela the housekeeper wail about Abraham Lincoln killing Mr. Hill, and Sam being attacked by Ghandi.
5.06 I Believe the Children Are Our Future Dabb’s second gag on the fandom
 the antichrist. Dean admitting Cas is his friend. :’)
5.07 The Curious Case of Dean Winchester Dean gets to be an old man for a day.
5.08 Changing Channels Just watch this one, read about it, whatever. Refresh yourself on it. The trickster is unmasked as the Archangel Gabriel, and he’s attempting his own ploy to force Sam and Dean to “play their roles.” They convince him they’re not gonna do that, but to break out of the endless loop of literal television shows he’s forcing them to act out for his own entertainment (and sort of to teach them that lesson), they’ve got to do more than just refuse to play their roles, they’ve got to best him at the game. Kinda like they’re probably gonna have to do with Chuck in s15. 
5.09 The Real Ghostbusters Oh, speaking of Chuck
 here have a Supernatural fan convention, and a key piece of information on what actually happened to the Colt after Bela stole it. But most importantly, Dean gets to yell about how much he doesn’t appreciate the story of Supernatural.
5.10 Abandon All Hope
 They find the Colt, and Crowley, and discover it never would’ve worked against Lucifer anyway, and then promptly lose the Colt again. Lucifer gets to stare down Cas and Cas doesn’t blink, Meg’s hellhounds kill Jo and Ellen, and really everything’s kinda bleak. Lucifer raises and binds Death.
5.11 Sam, Interrupted WRAITH, aka a monster that uses mind altering venom to “cook” her victims to perfection, so like a djinn and other mind-altering, perception-altering creatures, when they sneak up on you unawares, things get
 complicated. Massive insight into the essential character of Sam and Dean.
5.12 Swap Meat Body Swap. That one time Sam was actually Gary.
5.13 The Song Remains the Same More time travel, Sam’s second resurrection, we finally meet Michael face to (Young John Winchester’s) face. Mikey seems pretty confident in his “destiny.” Dean’s second warning to Young Mary about her death is wiped from her mind. Contemplation of Cosmic Consequences: it’s better never to be born if it means stopping the Apcoalypse-- clarified in 12.23-present that
 nope, definitely worse. “Team Free Will” coined. Watch this one. It’s the stage on which all the s12-present Family Dynamics will be set.
5.14 My Bloody Valentine We learn Heaven set up John and Mary, that they couldn’t stand one another before Cupids intervened and made them “the perfect couple.” I’ve written a lot about the effect the Horseman Famine had on all of them-- especially Dean and Cas, with the reminder that s5 was the season of “lol nope” to the category of beings attempting to manipulate all of them, including the Horsemen. Important just for all of that (and Edlund’s confirmation that Cas’s cravings were actually his own, and that my read that he was being a shifty liar blaming it on Jimmy was correct-- Cas does have his own human cravings, going all the way back to this point, that he was ashamed of, or terrified of, or both...) As well as Sam’s struggle against demon blood addiction, and his fear of and gradual acceptance and internalization of his own powers)
5.15 Dead Men Don't Wear Plaid ZOMBIES. ZOMBIE PIE. JODY MILLS. As I’ve said above, zombies are grief and unresolved baggage from the past, and in this episode, the denial was so strong even the normies in town were willing to accept the return of their dead loved ones, clinging to them until they “turned” and devoured them
 the Mary parallels, Karen’s talk with Dean about what we do for the people we love
 this one’s important.
5.16 Dark Side of the Moon Dabb, and our first look at the structure of Heaven, and how human souls see the place. Probably one of THE most misunderstood episodes in the entire series. Please see everything I’ve ever written about it for reference. FINALLY they toss out the toxic, worthless samulet. (which we literally learn in 11.20 that chuck “switched off” and INTENTIONALLY rendered worthless, because it suited his plotline and amused him). Still think this is vital to understanding Dabb Era overall.
5.17 99 Problems We see what it looks like when Dean gives up, loses hope, and is about to do Stupid Thingsℱ. Cas too. Probably useful just for that.
5.18 Point of No Return We finally see Cas really let loose on Dean, and admit what he gave up because he believed in Dean. Because Dean asked him to. Dean nearly gives in to destiny, but because of Cas, because of Sam, he fights through it. Zachariah and his manipulations end (getting stabbed in the face tends to end that sort of thing). Also the irritating return of Adam only to be the meatsuit for Michael when Dean refuses. (and we learn the truth about Adam-- that everything ghoul!Adam told them had been a straight-up manipulation, and Adam only ever cared about his mom. by the time he learns the truth, it’s too late for him, the gullible idiot vs the power of propaganda)
5.19 Hammer of the Gods The return of Gabriel, aka Loki, and a ton of other pagan gods Lucifer will slaughter. Interesting in light of Gabriel’s return in s13, and because of the mirror of Chuck in each of his archangels. And the Winchesters win another angel to TFW.
5.20 The Devil You Know Crowley’s good at manipulation, but again proves himself to be
 mostly trustworthy (as long as they’re all working toward the same end). And re: manipulation, Sam gets a glimpse of just how thoroughly his entire life has been manipulated by demonic forces, which
 relevant to the revelations of 14.20 vs Sam’s persistent faith in God despite everything.
5.21 Two Minutes to Midnight Cas is effectively human. Bobby sells his soul for Death’s location, and Pestilence falls to teamwork. Cas learns the value of a shotgun. Dean has pizza with Death, who WANTS him to succeed at locking Lucifer back up and explains exactly how to go about doing it. Sam thinks he can overpower Lucifer if he gives in and says yes.
5.22 Swan Song Sam was not totally wrong in 5.21. Cas resurrects Bobby, and explodes and is resurrected (again!) himself. Sam drags two (2) archangels into the cage and is promptly pulled out (only missing one critical bit
). Dean
 actually tries to live up to at least one of Sam’s dying wishes, and it basically ruins his life for the next year. Chuck is a smug, self-satisfied bastard who pats himself on the back for a story well-told before flapping off and proceeding to write variations on his original fic using his favorite characters. >.>
6.01 Exile on Main St. All I can hear is Dean’s heartbreak and anger that Sam had been “alive” for a year and forbade anyone from telling Dean that he wasn’t actually suffering tortures in Hell all that time. If ever there was a YIKES moment on the show, this is it for me. This one’s probably good to watch just for the setup of soulless!sam and s6 in general.
6.02 Two and a Half Men Dean’s even good with monster babies. And after a year of unsettled living with Lisa, he’s more duty bound to protect them than he is wanting to stay because he’s actually happy there. Sam is a creepy hunting machine.
6.03 The Third Man CAS! But heck he’s acting shifty, but so’s Sam, and Dean’s feeling even more alone now. The introduction of the concept of Angel Marks on souls, the Profound Bond, and biblical weapons. And the war in Heaven, and the seasonal antagonist stepping up into Michael’s shoes: Raphael.
6.04 Weekend at Bobby's BALLS. Woodchippers trump everything. We discover that burning a demon’s human bones will perma-kill them, and learn a bit of Crowley’s backstory.
6.05 Live Free or Twihard Dean becomes a vampire for a hot minute. We learn there is a vampire cure that works as long as they haven’t had human blood yet. And we learn something really, really is wrong with Sam...
6.06 You Can't Handle the Truth Dean is now 100% positive that something is horrifically wrong with Sam, and is distraught that nobody else seemed to know it for a YEAR.
6.07 Family Matters Cas figures out what’s wrong with Sam and promptly becomes even shadier around the Winchesters. We meet the Alpha Vampire. And vampire eps are about revenge, right? There is a LOT of shady going on here.
6.08 All Dogs Go to Heaven weird dog episode that I always forget exists between rewatches.
6.09 Clap Your Hands If You Believe
 hands down the best soulless!Sam episode. You fight those fairies! I’m still waiting for another fairie episode where Dean can still see them and nobody else can :’D. Just watching Sam try to logic his way into being more human is educational about the struggle to be human in general.
6.10 Caged Heat Family betrayal, Sam and Dean nearly get fed to ghouls, Cas would rather be with them then fighting his war in Heaven. Angel blades can kill hellhounds. They finally entrap meg into working with them instead of always trying to kill them >.>
6.11 Appointment in Samarra I think this is still in my top five favorite episodes ever, and one I think everyone needs to rewatch. Dean and Death episodes usually are. And in this one, Dean IS effectively Death for 24 hours. But there is a LOT in this episode, from Death “testing” Dean on multiple levels-- forcing him to make choices AND process the consequences of his actions and how it affects other people
 this is a big one for the cosmology of the SPN universe and Dean specifically. Even in Dabb era.
6.12 Like a Virgin Dragons are a thing. Eve pops over from Purgatory.
6.13 Unforgiven Sam’s soul/hell flashbacks start when he goes poking at the wall, but he keeps poking anyway. Giant spider people. Eurgh. But unfortunately the whole “web of lies unraveling” thing kinda fits.
6.14 Mannequin 3: The Reckoning The haunted kidney episode. But Dean finally breaks it off with Lisa (again
 >.>)
6.15 The French Mistake We actually learn something about the angel wars
 sort of. We also learn AU’s are actually real. (this was also the last episode the director of 15.03 directed, so probably worth watching if they’re bringing him back after all these years
)
6.16 ...And Then There Were None Monster Possession is apparently a thing now. The last of the Campbell hunters die (that was a quick trip through the family dynamics there >.>). The main takeaway here is from Rufus’ funeral: Life’s short, and it’s not worth carrying guilt and regret (takes them a really REALLY long time to actually internalize it with each other, but at least they got the spirit)
6.17 My Heart Will Go On Cas just lying to their faces, creating an alternate timeline just to generate souls as a power source (the specific number of 50k souls comes up, and will come up again in 6.20, as the number of souls Crowley “loaned” Cas at the beginning of the war in Heaven, with the suspicion that Cas was attempting to “buy his way out of their deal”, but the plan fails and he’s forced to put everything back
 but he does ensure Sam and Dean both remember the entire experience, but we get an idea of the extent of the power angels can actually wield.
6.18 Frontierland Dabb has referenced this one several times during his era, but again, the history of the Colt is involved, a Phoenix, and Dean in a cowboy hat. We learn even the other angels think Cas is up to something super shady. But it’s their first real moment of hope.
6.19 Mommy Dearest Eve uses Mary’s face to torment Dean, we learn Crowley is not dead, and Cas
 has been doing shady things with him. Cas is again effectively human for an episode.
6.20 The Man Who Would Be King Well this is where everything both falls apart and comes together. This episode makes sense of the entire rest of s6, as painful and sad as it is. If you only watch one episode from s6, it should probably be this one.
6.21 Let It Bleed Dean’s worst fear comes true, and people he cares about but leaves behind for their own protection are used against him. Not just by bad guys, but by Cas. Ouch. Still incredulous that Dean did recognize HP Lovecraft, or even make a Metallica reference at the mention of “Call of Cthulhu.”
6.22 The Man Who Knew Too Much Sam putting himself back together. Cas tearing things apart.
7.01 Meet the New Boss That one episode where it looks like Cas will be the unwitting bad guy and s7 will be about saving him, until it’s really really not. That whole exchange between Dean and Cas about forgiveness and finding some way to make it up to him, though
 that’s what will carry us through the bleak middle of s7 and generate the grief arc for Dean in the meantime.
7.02 Hello, Cruel World It looks like Cas is really, truly gone, and all Dean has of him is his trenchcoat. And we’re stuck cleaning up his oozy black mess for the next 15 episodes before getting him back again. Sam’s Hallucifering all over the place and finds a connection to reality through squeezing the scar on his hand, which will become a symbol in show for reconnecting with reality for him for years to come.
7.03 The Girl Next Door Sam thinks pie and cake are the same. In their own respective messed up mental states, Sam thinks Amy is worth saving, Dean doesn’t trust that and kills her. Let the guilt ensue.
7.04 Defending Your Life A good setup of Sam and Dean’s issues for s7.
7.05 Shut Up, Dr. Phil I can’t believe they melted Tula’s painting. But it takes a couple of bickering witches for them to finally get a hold on the Leviathan, so that’s something.
7.06 Slash Fiction Aah, going back to the beginning as a trap for Sam and Dean-- the Leviathan using the Supernatural books to lay a trail case by case from Sam leaving Stanford (Crowley will do the same in 8.22, and the end of 14.20 gave a lot of people the impression there will be a similar progression in s15
 but honestly that’s really only sustainable for a single episode, but this may be relevant for like
 15.01-02). Also, Dean finds it satisfying to behead himself (or the leviathan version of himself)
 so yikes.
7.07 The Mentalists I love this one just for the Dean feels. He’s really hurting.
7.08 Season Seven, Time for a Wedding! Sam’s love-spelled. Mind control is always a terrible thing. Demons trying to game the system and cash in on deals ahead of schedule. So that’s a thing.
7.09 How to Win Friends and Influence Monsters I love this one. Poor Dean. This is the first time he’s actually felt good in like
 ever. Too bad it’s from monster goo.
7.10 Death's Door Bobby :’( And Dean essentially falls apart.
7.11 Adventures in Babysitting Vetala. Which only Dean knew hunt in pairs, so hunter after hunter had been falling victim to them, including Sam. Meanwhile Dean finally got a decent nap.
7.12 Time After Time Dean gets booped back to the 1940’s to hunt with Eliot Ness. Still, they defeat Chronos, yet another god whose prophecy will be tossed aside by the Winchesters.
7.13 The Slice Girls Dean accidentally has a monsterbabby, Sam kills her. Amazons.
7.14 Plucky Pennywhistle's Magical Menagerie Just watch it. This is the only episode in the entire series that just
 is purely good and fun. Sam has to confront his fear of clowns, Dean faces a villain who was blamed for his brother’s death when he was just a kid and his parents should’ve been doing their jobs instead. I mean...
7.15 Repo Man The guy who was trying to lure back “his demon” exorcised during the Apocalypse era, by continuing his murder spree. Sam loses to Hallucifer by acknowledging his existence as separate from Sam’s own subconscious. There’s
 a lot in this episode. At least read my rewatch notes.
7.16 Out with the Old Sam eventually succumbs to his Hallucifering, Dean nearly succumbs to a pair of toe shoes. Peter Yankit of Johnson Lane nearly succumbs to a cursed porn magazine. Cursed objects are fun.
7.17 The Born-Again Identity CAAAAASSSSS! He’s back, even if he doesn’t remember who he is. Dean tries to break it to him slowly, but instead unburdens a lot of his personal hurt over Cas’s actions to the oblivious “Emmanuel,” And Cas tells Dean his feelings are completely understandable. This is setting up the entire rest of Cas’s arc, probably through the end of the series. This is what motivates him, his need to repent. And He gets a start by taking on Sam’s trauma, healing Sam.
7.18 Party On, Garth An alcohol spirit enacting personal revenge, and despite all evidence, Sam continues to doubt Dean’s theory that Bobby is somehow still around. Dean’s season-long grief-drinking becomes a punchline, and Dean’s literally the only sober one in the final fight scene.
7.19 Of Grave Importance Yep, Bobby is a ghost, been there all along. Also, ghosts can sort of
 cannibalize each other? For their power? whatever, moving on.
7.20 The Girl with the Dungeons and Dragons Tattoo CHARLIE.
7.21 Reading Is Fundamental KEVIN. But also CAS! Is awake but not quite himself and in full denial mode, like he was awakened against his will before he was done cooking >.>. we learn a bit more about prophets as we see Kevin awakened to serve the Leviathan Tablet.
7.22 There Will Be Blood more manipulation, and the Alpha Vampire is back, so we get a double whammy of manipulation/deceit AND revenge. The alpha vampire cooperates with the Winchesters. So does Crowley.
7.23 Survival of the Fittest Cas doesn’t want to fight, but in the end he steps up. They get the Leviathan, Dean and Cas are beamed to Purgatory, and Sam’s left alone and pulls a Sam. He runs away from reality.
8.01 We Need to Talk About Kevin Dean comes back from Purgatory without Cas, but with a vampire friend
 so s8 is about Dean making pals with revenge. This will fuel his arc for a good long while to come until he can finally make his peace with it. It affects his interactions with Sam for most of the first half of the season
 because while Dean was fighting for his life, Sam was
 pretending to be a normal guy and ignoring everything else. Including Kevin.
8.02 What's Up, Tiger Mommy? The push to do something drives them to seek out the Demon Tablet with the promise of closing the gates of Hell forever at Kevin’s suggestion. Plutus, the God of Greed is the baddie in this one, if that’s any sort of meta statement on their overall plan to take this particular course of action
 the narrative basically condemned their plot before the season even started. Hubris, ahoy. But we also find out why Cas ran away in Purgatory-- to protect Dean. And why he wanted to stay-- guilt and penance.
8.03 Heartache Oh, a case where a curse is passed on to others after death? And the original death didn’t actually end the curse as intended? Nice.
8.04 Bitten I love episodes were we see Sam and Dean through other people’s eyes. And this one, an episode where we learn new things about werewolves (remember: an examination of inner monstrousness).
8.05 Blood Brother I’d point out the agony of Winchester Secret Keeping being toxic, but since we’re largely out past that by the end of s14
 *shrug emoji*. Dean helps his vampire friend get revenge against the vampires who killed him. Double revenge! And Sam
 does not like Benny. But we know exactly why DEAN does
 he literally saved Cas’s life in Purgatory, despite repeatedly wanting to leave Cas behind. He saved Cas for Dean.
8.06 Southern Comfort Garth again, and his serenity is basically there to point out how toxic Sam and Dean are by comparison. The spectre that possesses Dean to leech off his vengefulness has zero effect on Garth. But Dean gets out his feelings of anger that Sam never looked for him in Purgatory, so that’s on the table to provide drama for years to come.
8.07 A Little Slice of Kevin CAS IS BACK AGAIN! But he has no idea how he got here (he’s been mind controlled by Heaven again, and is desperately trying to make amends, but is literally blocked from doing so at every turn, which is a tidy mirror for what Chuck’s done to the entire story since
 forever
 so this is probably a must-watch episode, or at least read my notes on it.
8.08 Hunteri Heroici This one’s fun, until it’s owie, and then sad. Magical powers don’t save the day, they only end up hurting people. Cas desperately wants to make amends, but he is afraid to face what he’s done. Instead, he just gets manipulated even harder. At least read my notes for this one, too.
8.09 Citizen Fang Oh, manipulation moves directly to the Winchester brothers, no heavenly interference required. Vampires again, but this time Dean again sides with Benny, but against Sam
 who again refuses to hear the truth and pulls another Sam. He forgot the lesson that sometimes it’s not the monsters being monstrous, and it’s important to kill the RIGHT monster, not just the convenient one.
8.10 Torn and Frayed Just like the episode sounds
 Cas goes to Dean for help,  and then brings Sam onboard and asks them to stow their crap. By the end of the episode, Sam and Dean will have resigned themselves to being on their own again because Cas is
 something is not right with him...
8.11 LARP and the Real Girl CHARLIE! Fairies! Dean does one (1) fun thing for his birthday. But this is about using a book to manipulate events to suit the Bad Guy’s whims. Sound familiar?
8.12 As Time Goes By Sam and Dean meet their grandfather, fill in a huge gaping hole from their past, and discover their legacy, the Men of Letters, and the Bunker that will become their home.
8.13 Everybody Hates Hitler Yep. It’s true! Nazi necromancers, and another new ally in Aaron. They settle in to the bunker.
8.14 Trial and Error They take their first steps toward closing the gates of Hell, killing a Hellhound. I wrote about this one recently, so go read that. :’D
8.15 Man's Best Friend with Benefits another weird dog episode
8.16 Remember the Titans Prometheus, Artemis, and Zeus. Curses passed down through families to fall on innocent children. And Zeus is delighted because it causes even more suffering.
8.17 Goodbye Stranger oh the agony. We see what it took for Heaven to control Cas, and what it took for Dean to break through to him, only to fall to yet another mind whammy by the angel tablet. Of course Dean takes this personally, abandoned again. Definitely watch this one. Read the notes. All that.
8.18 Freaks and Geeks In case anyone missed the point, we have manipulation and vampires. And Dean reminding everyone that finding the truth is important (let’s not be so bloodthirsty that just anyone will do).
8.19 Taxi Driver The second trial, the horror that Bobby’s wrongfully been in Hell all this time, and Sam is stranded in Purgatory until Benny shows up to escort him to the portal. Sam finally gets why Dean’s loyalty to Benny never wavered. He was literally willing to die for Dean. This guilt will carry Sam into the third trial eventually but for now...
8.20 Pac-Man Fever Let’s look at Dean’s guilt/fear. That he’s failed to protect Sam and won’t be able to save him from the trials. Fear is a terrible thing. But we have djinn AND dreamroot, so all the false realities.
8.21 The Great Escapist This is still among my favorite episodes, but Cas finally begins fighting for himself, and we uncover the extent of Heaven’s duplicity, and meet Metatron, aka Chuck Lite. Definitely watch or at least read.
8.22 Clip Show Aah, I mentioned this one back in 7.06. This is Crowley’s turn to use the boys’ history against them, but instead of manipulating them, they trap him (at the beginning of 8.23, after whoopsie accidentally freeing Abaddon because of Crowley’s manipulation distracting them from their job
) We learn that “curing a demon” is a thing.
8.23 Sacrifice Cas is so embittered by his experiences with heaven that he refuses to believe Metatron is lying, and thus falls victim to the worst manipulation yet. Sam’s dying from the trials, Cas is human, and angels fall. (and also some of the worst, most toxic relationship stuff between Sam and Dean, which contributes to all of that, along with their hubris to think this was a good idea in the first place
 I mean it’s literally what the big bad of s9 did to Heaven so why were they trying to do the same to Hell again?)
9.01 I Think I'm Gonna Like It Here Cas is human, confused, and alone. The big bad is basically Diet Chuck, and Dean is manipulated into doing a Terrible Thing to save Sam that will strain their relationship for the rest of the season. (Don’t worry, Sam will return the favor in s10 >.>) Buckle in for a season all about manipulation by more powerful cosmic forces but with all new levels of guilt over having caused these problems in the first place!
9.02 Devil May Care Abaddon makes a play for the role of big bad, but will ultimately lose the title to Metatron.
9.03 I'm No Angel The Worst Possible Take on Human Cas. Mostly I ignore this episode.
9.04 Slumber Party Oz. Dorothy. Wicked Witch of the West. Sam’s angel possession gets a bit tricky
 Direct mind control instead of the manipulative sneaky kind we usually see. and CHARLIE. The Winchesters lives are directly compared to Dorothy Baum’s, where her “fictionalized” version didn’t even come close to describing the horror of her lived reality. (also that one line swap incident that still pisses me off
 and pissed Robbie Thompson off enough to write a whole SCENE in 11.04 they couldn’t screw around with like that
 “god helps those who help themselves”)
9.05 Dog Dean Afternoon oh look another weird dog episode
9.06 Heaven Can't Wait the Best Possible Take on Human Cas. Well, while Dean’s still being held hostage against telling the truth to him about the angel possessing Sam
 and not being able to just bring Cas back home with him. :’)
9.07 Bad Boys Sam learns another major lesson about just how much Dean was manipulated into lying to him his whole life, and another look at what Dean has given up over the years to protect Sam. The origin of my “the story became the story” tag. 
9.08 Rock and a Hard Place Breaking vows is frowned upon. Vesta. And Dean tries to tell Sam about the angel possessing him, but he’s prevented from doing so. And he’s really beginning to realize just how bad a decision this may have been...
9.09 Holy Terror Cas is back in town. He can’t stand by when he might be able to help, but again Gadreel (because now we know that’s the angel possessing Sam) refuses. Gadreel is lured in by Metatron, and things for Sam go from bad to worse. Cas steals another angel’s grace because he had no choice. And Gadreel kills Kevin and runs off. All of a sudden, Dean’s alone.
9.10 Road Trip Just when Dean can finally tell the truth to Cas, Cas isn’t human anymore. They literally never got to actually just BE. Crowley poughkeepsie’s Sam into kicking Gadreel out. Abaddon is becoming more of a problem. Probably at least read the notes on this one. At the end, it’s Dean that “pulls the Sam” and runs away. Which is interesting because they’re essentially gonna swap narrative roles for like
 the next season and a half. Buckle up. Things get rocky >.>
9.11 First Born And definitely watch this one. Cas and Sam bonding hour, while Dean goes off with Crowley and is manipulated into taking on the Mark of Cain so he’ll be able to kill Abaddon for Crowley
 (and for everyone else, but mainly for Crowley).
9.12 Sharp Teeth Sometimes family can be a werewolf pack. And Garth is now part of one of those, but there’s still zero monstrousness in Garth. As Dean’s beginning to wonder if he should regret taking the Mark (just as Cas wondered if he should regret cannibalizing grace
 which he said made him barbaric)
9.13 The Purge A genuinely altruistically intentioned monster, or at least one who attempted to use her monstrousness for good. But her blind spot was her brother, out there just devouring whatever he wanted and not wanting to play by the rules of society or worrying about staying hidden and safe. Plus, DONNA. Even if she doesn’t get to play a big part in the monster hunting.
9.14 Captives We learn more horrors about the s6 angel war from Bart, and pushing Cas toward siding more and more with humanity and against all the heaven nonsense (until he’s manipulated back in DIRECTLY by Metatron and his magic typewriter
 but that’s four episodes in the future yet). Linda Tran gets a bit of revenge for being held prisoner for half a year anyway...
9.15 thinman ghostfacers, back to face their own ghosts. If you like getting hit in the face with anvils...
9.16 Blade Runners Crowley’s addicted to humanity. Dean finds his own addiction in the First Blade. And we get our first glimpse of the darker side of the MoL.
9.17 Mother's Little Helper Misha directed it, and it’s got one of the most beautiful scenes in the whole series (Sam freeing the stolen souls, but Dean drinking and playing pool ain’t half bad either). Soullessness, which Sam handles on his own, and learns the truth of how Abaddon infiltrated the MoL.
9.18 Meta Fiction A MUST WATCH. Writers lie. Read my posts. What makes a story? Seriously, Metatron is just Chuck with training wheels.
9.19 Alex Annie Alexis Ann Vampires. More revenge. This time for stolen childhood and lost family. Plus Jody, and the first seed that would become Wayward. Dean is also beginning to succumb to the Mark’s darker urges.
9.20 Bloodlines Dabb’s idea of a joke, I’m pretty sure. 
9.21 King of the Damned Well, Abaddon’s dead, at least. Time trave wtf’ery. Dean is
 not okay...
9.22 Stairway to Heaven Sam and Cas pop culture road trip. The level of Metatron’s manipulation becomes horrifically apparent. And Cas gives up his army because he refuses to kill Dean. (also Dean really loses it at the end
)
9.23 Do You Believe in Miracles? Crowley reveals the truth about what the Mark is doing to Dean, and we see the final truth when Dean wakes up as a demon.
10.01 Black Demon Dean Part 1. Bad karaoke and random murder. Cas is languishing because of stolen grace, and Sam is off the rails interrogating demons for Dean’s location.
10.02 Reichenbach Demon Dean Part 2. Cas struggles to teach Hannah about humanity, Sam struggles to find Dean.
10.03 Soul Survivor Demon Dean the conclusion. Cas hugs the demon outta Dean. Er
 that’s what happened, pretty sure. But he’s still got the Mark.
10.04 Paper Moon More fun with Werewolves: Siblings edition. While Dean struggles to come to terms with his own literal inner monster...
10.05 Fan Fiction Just watch it. And read my rewatch notes for it. I mean, it’s about rewriting the story. And Chuck shows up at the end and gives it a “Not bad.” Probably kinda relevant.
10.06 Ask Jeeves Supernatural: Clue edition. With a shapeshifter that Bobby had known about for decades. Buried secret things again.
10.07 Girls, Girls, Girls Our first real introduction to Rowena. :’) She’s not a friend in this one...Hannah finally gets a taste of humanity through her vessel’s grief and pain, and decides that it’s wrong for her to remain in her vessel. She returns to Heaven, and Cas is left to ponder how he affected Jimmy’s family (since Jimmy’s long dead now) by his possession.
10.08 Hibbing 911 DONNA AND JODY. Donna gets “the talk,” in a vampire case, and finally gets to prove her mettle as a hunter.
10.09 The Things We Left Behind Cas has found Claire Novak, and does what he can to help her. She’s been taken in and manipulated by an unsavory character, who Dean kills in a fit of mark-induced violence (granted he was surrounded by dudes who wanted him dead, but it was still upsetting and mirrored his nightmare from the opening scene). The burger date. (go ahead and watch it)
10.10 The Hunter Games More Claire drama, but this time she stops it. The Longing Retcon. Cas uses emoticons. And Dean nearly kills Metatron while demanding he tell him how to cure the Mark. Things are getting kinda desperate on that end
 All Metatron says is “the river ends at the source”
10.11 There's No Place Like Home OZ. CHARLIE. At least read my watch notes. I’ve been banging on about this episode since it aired. But at the very least read the last round of watch notes. Possibly relevant again because of how it was relevant to Chuck and Amara in 11.23 (yes, this is basically how Dean saved the universe).
10.12 About a Boy Dean gets zapped into a 14-year-old version of himself by a witch. Plus: the mark disappeared for a few days, probably giving him a mini-vacation from enduring it and refreshing his control a bit.
10.13 Halt & Catch Fire ghosts in the machines
 plus a John reference that is reinforced when a clip from this episode is reused in the horror movie trailer in 14.04 (so skim my rewatch notes for that if you’re still following along for that sort of thing
 post 14.13
 *shrug emoji*)
10.14 The Executioner's Song Watch it. Read the notes. This is a big one. Free will-wise.
10.15 The Things They Carried Khan worm: homoerotic sweat lodge edition.
10.16 Paint It Black Worth it just for Dean’s confessional scene. At least read my rewatch notes.
10.17 Inside Man We learn some interesting things about Heaven, Cas gets Bobby’s help to break in and talk to Metatron, they sneak him out, steal his grace, and have their leverage over the one person who might know how to cure Dean AND get Cas what’s left of his own grace back
 Meanwhile Rowena tries to kill Dean, and he has a heart to heart with Crowley about what Family really means. Definitely watch, or at least read my notes. A lot happens in this one.
10.18 Book of the Damned CHARLIE. And the wtf’ery of the Styne family begins >.> Sam has a good chat with Charlie about his own life. Metatron leads Cas to another book containing his grace and then escapes with the demon tablet. Family dinner. At least skim my notes on this one. (basically anything with metatron is probably relevant to Chuck stuff
)
10.19 The Werther Project Watch this one. I just wrote notes on it. The beginnings of an interesting relationship between Sam and Rowena (yes that started in 10.18, but this is where it gains weight in Sam’s own subconscious). Dean confronts himself in his own vision about the burden he’s laid on Cas (to kill him if he goes off the rails again). There’s a lot of emotional baggage in this one, too. But seroiusly-- watch this one for the Sam and Rowena stuff, because Rowena
 isn’t even really there
 
10.20 Angel Heart Claire, and Cas’s finally laying to rest his baggage associated with the Novak family. Dean and Claire finally bonding. Dean and Cas went to the Hot Topical.
10.21 Dark Dynasty w. t. f. (if you want to be pissed off, give it a watch)
10.22 The Prisoner If you just want the comforting revenge portion of the program, just watch this one instead. Or if you can’t bear to, at least read my notes on it.
10.23 Brother's Keeper Whoopsie, Dean kills Death. Whoopsie, Sam doesn’t stop everyone else from executing the spell to cure the mark. Whoopsie, that releases the Darkness. Also for people who don’t “see Samwitch,” uh
 please note that this is a major inciting incident in Sam and Rowena’s relationship-- she’s being held prisoner to complete this spell, and literally kills the only person she ever loved for it, on Sam’s order
 (technically
), which will fuel the ongoing antagonism of early s11. Their relationship isn’t fluffy. It’s built on this mutual pain.
11.01 Out of the Darkness, Into the Fire Amara. I think a lot of s11 is gonna be relevant thematically to s15, but...
11.02 Form and Void I think a better focus of “what is relevant thematically” will be found by looking at Dabb’s episodes and influence over this season
 I’d start a rewatch with this one, and the introduction of Billie, who will become Dabb’s in-show avatar as he takes over the reins.
11.03 The Bad Seed Rowena finally undoes the spell she’d cast on Cas. but they’re all traumatized. Please at least read my notes on this one, too.
11.04 Baby This episode sets the new tone for Sam and Dean’s relationship going forward. They are more open with one another, and the main drama isn’t them hiding things that eventually blow up in their faces like it had been in the past. There’s still elements of that, but things never really go back to the toxicity of s9 and s10 after this. Ghoulpire.
11.05 Thin Lizzie Fake haunting at Lizzie Borden’s house, Amara eats souls.
11.06 Our Little World Cas is clearly struggling with PTSD, hiding in the bunker until he spots Metatron by chance and finally gets upset enough to go after him. Dean’s first confrontation with Amara outside of his Darknado Vision, and she
 tosses him aside like a used tissue. Sam’s still having visions of the Cage and still thinks the visions are coming from God
 >.> 
11.07 Plush Donna! And haunted masks! Foreshadowing that Sam’s about to confront Lucifer in the cage-- creepy clown in the elevator.
11.08 Just My Imagination Sam’s childhood imaginary friend was actually real.
11.09 O Brother Where Art Thou? Dean is yoinked from a park by Amara to have a chat about how they’re destined to become one and all that creepy nonsense, while Sam decides to go directly to Hell to talk with Lucifer and doesn’t wait for Dean. Granted, Rowena has been manipulated with lies from Lucifer in this scheme
 but she’s about to learn how bad a decision that was. Dean does get to see just how casually Amara can destroy angels, though
 which will become relevant it...
11.10 The Devil in the Details Where Dean tells Cas to run if Amara isn’t actually dead
 but Cas is convinced he’s useless by the end of the episode and says yes to Lucifer. Owwwwww. At least read my notes on this one. They’re from last week...
11.11 Into the Mystic We meet Eileen, and I just wrote notes about this episode a few days ago. Banshee, which feeds on broken hearts, Dean’s told he’s pining for someone, and is concerned that Cas doesn’t seem himself
 >.> He’s also asked if he wants to know the secret to a long and happy life
 “Follow your heart” (and he confesses his powerlessness in Amara’s presence to Casifer) https://mittensmorgul.tumblr.com/post/186891847375/1111-into-the-mystic-heck-ive-written-a-lot
11.12 Don't You Forget About Me Wayward! Family learning what it means to be family. Vampires-- so the element of revenge, but this time it’s the vamps seeking revenge on a human. 
11.13 Love Hurts Quareen. A monster that basically feeds on obsession, toxic “love.” For Dean, that manifests as Amara trying to rip out his heart. I mean
 this is the episode he confesses to Sam that he can’t control himself in Amara’s presence, and Sam reassures him it’s not his fault. And he explicitly says it’s not love. It’s horrifying to him, because this episode, this monster, had nothing to do with love, but with possession and control.
11.14 The Vessel What a wonderfully apt and layered title. Thus begins Dean’s s11 “pining for Cas” arc, where his entire focus shifts to Cas after unburdening his Amara issues onto Sam in 11.13. I also consider this episode to fall definitively into Dabb Era. Probably goes for episodes back to 11.10, but this is where that shift is truly evident to me. Definitely watch this one, read my notes, etc. etc.
11.15 Beyond the Mat https://mittensmorgul.tumblr.com/post/186962895400/1115-beyond-the-mat-jerry-wanek-directed (just read my notes, this is a Dabb co-writing credit episode)
11.16 Safe House Maybe I should just start copying my rewatch notes here for every episode
 https://mittensmorgul.tumblr.com/post/186963627365/1116-safe-house-more-blasts-from-the-past-in-a 
11.17 Red Meat You should just watch this one, and remember this episode isn’t glorifying the codependency between Sam and Dean, it’s shattering it
 It’s werewolves, after all (inner monstrousness brought to light) and read some of my past notes on it.
11.18 Hell's Angel The first half of the episode is just a lot of talking, but hooboy.. Rowena is back from the dead and we learn more of why she seeks out power-- self-preservation. Worth watching just for the second half, the failed Poughkeepsie scene, Dean’s heartbreak and fear for Cas, and Amara’s shock that with Cas standing between them, she doesn’t seem to have any affect over Dean at all
 
11.19 The Chitters For a MotW episode, I think this really captures on a meta level what Dabb intends for the whole series. It’s worth watching for itself, but have my notes as to why: https://mittensmorgul.tumblr.com/post/184690946610/weve-finally-hit-1119-on-the-tnt-loop-this
11.20 Don't Call Me Shurley Chuck, and Metatron. I think everyone really needs to watch this one, just to remember how absolutely shady Chuck was. Basically from here right through the end of s11, if you pay attention to these episodes, nothing about 14.20 is the least bit shocking...
11.21 All in the Family Just like 11.20...
11.22 We Happy Few Just like 11.20 and 21
11.23 Alpha and Omega Do we not all think s14 is gonna end on a similar thematic note? Minus all the cliffhangery stuff?
12.01 Keep Calm and Carry On I can picture Dabb rubbing his hands together preparing to run the narrative in loops ad infinitum until he gets word they’ve got one season left to wrap it up. Worth it for the Dean and Mary and Cas. :’)
12.02 Mamma Mia https://mittensmorgul.tumblr.com/post/184126233100/cass-flashback-to-his-time-hunting-with-mary-as (written recently
)
12.03 The Foundry The companion notes to the link in the last episode: https://mittensmorgul.tumblr.com/post/187007192830/1203-the-foundry-yes-ive-already-written 
12.04 American Nightmare If you haven’t noticed, I’m just pasting rewatch notes links now
 >.> https://mittensmorgul.tumblr.com/post/184740345285/im-watching-1207-on-the-tnt-loop-and-yeah 
12.05 The One You've Been Waiting For See the link at 12.04 (Dean also killed Hitler)
12.06 Celebrating the Life of Asa Fox see the link at 12.04 (Also Billie is in this one, so of course I think it’s important to the ongoing Dabb Era narrative)
12.07 Rock Never Dies see the link at 12.04 (Lucifer’s nihilism laid bare, no different from Michael’s in s14)
12.08 LOTUS The episode that brought us Jack. Well, eventually
  I’m putting these notes here, even though they also cover 12.09: https://mittensmorgul.tumblr.com/post/184761652205/so-the-tnt-loop-has-continued-into-s12-and-after 
12.09 First Blood (see above, plus Billie, plus Cas laying it out on the table what he will do because he loves the Winchesters... he does a lot of pining for Dean)
12.10 Lily Sunder Has Some Regrets Nephilim, Lily Sunder, Human souls as angelic power sources, the deceptions of heaven (and love versus obsession again). https://mittensmorgul.tumblr.com/post/184762915965/last-ep-on-the-tnt-loop-today-1210-reminders 
12.11 Regarding Dean Watch this one, 100%. But also have my whole tag for this episode
 I haven’t actually made rewatch notes for it recently, apparently? Which is a shame, because we have Sam working with Rowena, Dean riding Larry BEFORE losing his memories to a curse. There’s a lot of excellent character stuff in this one, for all of them.
12.12 Stuck in the Middle (With You) Watch this one. Cas is family. He loves them. This is the point I became frustrated with myself because there’s a huge gap in my hellatus rewatch notes that I thought I covered and apparently
 did not
 I don’t have recent notes to point you toward for convenience...
12.13 Family Feud Rowena gets her revenge on Crowley for making her kill Oskar in 10.23. Too much time travel wtf to even bother mentioning anything else.
12.14 The Raid The lengths Sam will go to to have any sort of relationship with Mary
 including lying to and manipulating Dean. Vampires
 and the Colt, and Sam finally kills the Alpha Vampire.
12.15 Somewhere Between Heaven and Hell between the Crowley and Lucifer drama, Sam kills the Alpha Hellhound (essentially). A lot of other deceptions and lies come to light though, and Cas disappears off to Heaven and from just one call, Dean’s already concerned about him. https://mittensmorgul.tumblr.com/post/184853801830/still-on-s12-in-the-tnt-loop-and-heck-s12-looks
12.16 Ladies Drink Free (covered in the notes linked in 12.15) Werewolves, and an actual werewolf cure.
12.17 The British Invasion (covered in the 12.17 post) Eileen is back for her last real episode.
12.18 The Memory Remains https://mittensmorgul.tumblr.com/post/184854556715/that-last-scene-of-1218-where-sam-and-dean-are 
12.19 The Future https://mittensmorgul.tumblr.com/post/184875554515/i-find-it-endlessly-fascinating-that-i-can-rewatch (this post covers
 most of the rest of s12 and loads of s13)
12.20 Twigs & Twine & Tasha Banes (see the link in 12.19)
12.21 There's Something About Mary Mary is being stripped of her will. And Free Will has been what this show has been about
 forever. And what will be recontextualized in the wake of 14.20.
12.22 Who We Are And here’s where Mary’s will is restored to her.
12.23 All Along the Watchtower The proof of the spiral narrative. But also the point writing this post that I’ve determined this is all probably neither useful nor interesting to anyone other than myself, and I lose the ability to simply discuss these episodes individually anymore. From here on out, it becomes a weird blur of everything. This post is already over 14,000 words long and I still have 43 more entries to make, and I have no idea how to convey the meta import or Character Development highlights from this point forward. I don’t even know how to eliminate most of these from a watch list of essential character and meta points. So I’m just gonna
 wing it
 
13.01 Lost and Found Watch this one for the soul-crushing agony, and our intro to the Nougat.
13.02 The Rising Son Jack is nearly manipulated by the Kentucky Fried Demon
13.03 Patience Our second Wraith. Watch it for, if nothing else, Dean shouting down Sam about Cas.
13.04 The Big Empty TFW in group therapy with a shapeshifter. Cas vs the Empty, defending his life with a statement that he wants to live, but
 again he is unclear on his mission going forward.
13.05 Advanced Thanatology Must watch for Billie, for Dean’s complete loss of hope, and Sam’s inability to “fix him” with things that worked in the past.
13.06 Tombstone Yeehaw! Cas is Dean’s big win.
13.07 War of the Worlds Michael has been effectively “playing God” in the AU. The first rumors that Rowena is actually alive after 12.23, and Cas is captured by Asmodeus, who manipulates the Winchesters into thinking Cas is still at liberty
 That’s probably all you need to know. >.>
13.08 The Scorpion and the Frog https://mittensmorgul.tumblr.com/post/184946657745/so-im-still-out-ahead-of-the-tnt-loop-but-i (this also covers 13.15)
13.09 The Bad Place Wayward!
13.10 Wayward Sisters Wayward again!
13.11 Breakdown Donna! Wayward part 3! And the reminder (via Vampires) that not everyone who has a brush with the Supernatural will feel compelled to pick up a life of hunting.
13.12 Various & Sundry Villains Zombie! (which makes it relevant to Jack stuff even indirectly) Rowena! And Sam giving Rowena what she needed to protect herself, which honestly is what she’s been seeking since her introduction in s10. Sam. Just handed it to her. Let that sink in. Maybe watch the episode. It’s fun, anyway.
13.13 Devil's Bargain Heaven sucks. The bits about Sister Jo describing the feeling of weakened grace allowing her to feel a little bit human is relevant to our interests, though. 
13.14 Good Intentions Watch this one. It sets up Cas’s special power to strip memories from a human mind, and the results of that. And Dean’s wishy-washiness about just telling Cas he’s wanted, not just needed.
13.15 A Most Holy Man (see 13.08)
13.16 Scoobynatural Dude
 it’s scoobynatural. just watch it because you want to.
13.17 The Thing this post covers 13.17-13.20, for convenience’s sake: https://mittensmorgul.tumblr.com/post/184996231285/so-ive-watched-four-more-episodes-since-my-last 
13.18 Bring 'em Back Alive (see above)
13.19 Funeralia Billie and Rowena, Sam’s “destiny” to kill Rowena, and Castiel’s forgiveness by Naomi in Heaven as she explains how badly heaven is broken and shows him to the door, knowing he won’t stay. This is a must watch.
13.20 Unfinished Business Revenge doesn’t fix anything.
13.21 Beat the Devil https://mittensmorgul.tumblr.com/post/185000752455/still-watching-s13-and-1321-is-owie-but-im 
13.22 Exodus (see 13.21) https://mittensmorgul.tumblr.com/post/185000920730/dean-in-1322-so-close-to-ready-to-letting-all 
13.23 Let the Good Times Roll (see 13.21) But I have a list for this episode
 maybe just read my tag starting with the posts I made on May 19, 2019
 https://mittensmorgul.tumblr.com/post/185002926095/1323-vs-1420-lets-start-with-1323-jack-tell and https://mittensmorgul.tumblr.com/post/185003462010/1323-was-so-ridiculous-i-mean-dean-basically 
14.01 Stranger in a Strange Land At this point, I think everything is at least tangentially relevant
 I mean look at this nonsense: https://mittensmorgul.tumblr.com/post/185004920575/on-to-s14-and-one-of-dabbs-big-pet-themes-for
14.02 Gods and Monsters https://mittensmorgul.tumblr.com/post/185014835950/aah-only-18-more-episodes-to-go-and-48-hours-to
14.03 The Scar https://mittensmorgul.tumblr.com/post/185016627975/aah-1403-power-doesnt-fix-anything-dean-is 
14.04 Mint Condition https://mittensmorgul.tumblr.com/post/185018115175/im-gonna-lump-1404-and-1405-together-here-for 
14.05 Nightmare Logic (covered in the post linked for 14.04)
14.06 Optimism https://mittensmorgul.tumblr.com/post/185030339610/1406-jack-im-already-writing-isnt-that and https://mittensmorgul.tumblr.com/post/185030940270/jack-vs-zombies 
14.07 Unhuman Nature (see that first post in 14.06)
14.08 Byzantium https://mittensmorgul.tumblr.com/post/185042798280/omg-wait-literally-in-1408-while-theyre-all 
14.09 The Spear https://mittensmorgul.tumblr.com/post/185043896890/haaaaa-1409-and-michaels-speech-at-the-end 
14.10 Nihilism Not rewatch notes, but a post made after the episode aired: https://mittensmorgul.tumblr.com/post/182171684160/were-working-on-the-power-of-love
14.11 Damaged Goods https://mittensmorgul.tumblr.com/post/185047861195/the-boxes-of-1411-omfg-a-demon-trapped-in-a-box 
14.12 Prophet and Loss https://mittensmorgul.tumblr.com/post/185048948905/aah-1412-tony-you-cant-you-cant-do-this 
14.13 Lebanon https://mittensmorgul.tumblr.com/post/185050918250/ive-been-holding-off-starting-1413-because-i 
14.14 Ouroboros aka the point where I firmly believe they were 100% sure s15 would be the final season, and began actively setting up the endgame. (I mean I think they knew well before this, but this was where the turn happened narratively) https://mittensmorgul.tumblr.com/post/185052705595/i-wrote-a-little-about-1414-earlier-today-in 
14.15 Peace of Mind WHEEE! My delightful personal vendetta against Chip, the MotW, the direct Chuck parallel who even called himself a god, and who manipulated everyone else around him to make HIMSELF happy
 like seriously, major definitely must rewatch. https://mittensmorgul.tumblr.com/post/185074234960/mittensmorgul-once-again-in-1415-cas-is (I wrote so much about this episode it’s ridiculous)
14.16 Don't Go in the Woods https://mittensmorgul.tumblr.com/post/185056380525/so-i-started-watching-1416-intending-to-write 
14.17 Game Night (see 14.16)
14.18 Absence https://mittensmorgul.tumblr.com/post/185065385445/1418-and-1419-both-will-require-additional 
14.19 Jack in the Box (see 14.18) 
14.20 Moriah Writers lie. I think this is now officially my favorite episode of the series
 
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marjaystuff · 6 years ago
Text
Elise Cooper’s Interview with David R Gillham
Annelies by David R. Gillham has Anne Frank surviving the Holocaust. As the “what if” comes true, the book presents a story of hope, survival, trauma and redemption. But it is also a reminder of what was lost during the Holocaust: how many of those lives taken away had such promise. Gillham gives Anne Frank’s life back to her, a life brutally cut short by the Nazi monsters.
Gillham skillfully transforms Anne from a bright-eyed girl with dreams and ambitions to a bitter, angry teenager who suffers from survivor’s guilt and PTSD. The author should be applauded as he realistically portrays what many Holocaust survivors suffered.  Because of enduring the atrocities and emotional/physical pain readers see Anne with a haunted tone that has different ideals. She is not the same person as she was when writing in her diary prior to, during, and immediately following the time her family and others were hiding in the space above her father’s workplace. In reading inserts from her diary at the beginning of each chapter people see an optimistic young girl who never gave up hope despite the cruel, unexplainable hatred and danger that threatened her daily.
But after being betrayed the family and their friends were found by the Nazi Gestapo Amsterdam branch.  First sent to a concentration camp in Holland with her sister and mother, she was then transferred to the Auschwitz death camp and ended up in the Bergen-Belsen concentration camp in Germany. These scenes show how Anne and her family endured the packed train to the concentration camps, and the despicable conditions of dirt and disease throughout them. It is where the alternate history begins. Unlike the reality where Anne dies of Typhus she is rescued and reunited with her father Otto in Amsterdam. Now seventeen she grows from a person filled with frustration, rage, anger, and guilt to someone who finally understands she must live her life and honor the dead by using her diary to teach the world about her experiences. Although her father at first would not let go, he eventually allows her to move to America where the last pages show her with a happy ending, one the real-life Anne Frank never had, as she replies to readers notes about her best-selling book, The Secret Annex.
In reading portions of the real-life diary, people understand how Anne had hope amid the darkness of humanity. This novel transports readers as they take Anne’s journey with her to the hiding place, the concentration camps, and as she struggles to survive the aftermath of the Holocaust. Gillham should be given a shout-out for taking on this risky project, but he did it successfully with sensitivity and humility.
Elise Cooper:  Why take such a harrowing undertaking, writing this alternate-history?
David Gillham: In writing this story, I was constantly aware that Anne Frank was a real person who wrote one of the most defining books of the twentieth century. I understand she is an icon and have tremendous respect for her legacy.   I had Anne survive the Holocaust to give her the life she was cheated of.  Through telling the story of one girl, I hope to tell the story of all the “Annes,” showing the lost potential of the millions who perished.  Anne Frank’s legacy is one of hope and I want to show what we are missing in our world today, because of their loss.
EC:  How did you get the idea to write a novel where Anne Frank survives?
DG:  It started thirty years ago after reading Philip Roth’s novel, The Ghost Writer.  In it Roth’s protagonist, Nathan Zuckerman, imagines that a young European woman in her twenties, is actually Anne Frank. Nathan quickly realizes that it is his imagination at work.  But this book inspired me to read Anne’s diary where I became thunderstruck by her insight, perception, humor, and brilliance as a writer. I thought about writing a novel where she survives.  After numerous attempts, about 6.5 years ago the story finally emerges with Anne surviving the camps, returning to Amsterdam, and being reunited with her dad, Otto.
EC:  What about truth versus fiction?
DG:  Everything that happens up until she survives is based on reality.  I read many Holocaust histories, biographies of Anne Frank and her father, and transcripts of interviews with people who knew her.  I visited in Amsterdam the old Jewish Quarter, the Resistance Museum, the former Diamond District, the bookshop where she might have bought the diary, her and her sister’s school, the former Gestapo headquarters, the Frank family apartment, and the Anne Frank house. I based her experience in the concentration camps on survivor accounts and those who had contact with Anne and Margot in those places.  For example, the scene in which Anne meets her friend Hanneli at the barbed wire fence in Bergen-Belsen is based on an actual meeting.  
EC:  What about the characters in this story?
DG: Those in Anne’s family, and those in hiding with them are based on the real people. Miep, Bep, Kugler, Kleimann, and Jan are all based on the Dutch individuals who supported the Frank family in hiding.  The important characters entirely fictionalized are the Dutch boy, Raaf, the bookshop proprietor, Mr. Nussbaum, and Anne’s stepmother, Dassah. It is also true that two uncles of Anne did emigrate to America in the 1930s, while the Frank family went to the Netherlands.  
EC:  What about the diary?
DG:  The day the family and friends were arrested by the Nazi security the diary went into hiding.  The Sergeant in charge was looking for something to hold the valuables he could steal and took her father’s briefcase where the diary was stored. He dumped it on the floor.  It remained there until Miep finds the papers all over the floor and sticks them in a drawer, awaiting Anne’s return. Even after Otto returns she remains silent, hoping Anne will come back.  But when it becomes clear Anne is dead she gives the diary to Otto.  
EC:  You made Anne’s sister her “ghostly” alter-ego?
DG:  I wanted to explore how people recover from trauma.  She lost her sister and mother and wonders why she survived and they did not.  Anne brought Margot home in her mind to cope with what happened. Margot is sometimes scolding, critical, wise, but is also a reminder of the past. Remember at the beginning of the novel, she tells Anne she will never leave her, and never does.  
EC:  How would you describe Anne before capture?
DG:  Vivacious, precocious, demanding, high energy, charming, fun, a dreamer who could be self-centered. She loved to be the center of attention, a chatter-box, and what you saw is what you get.
EC:  How would you describe Anne after the Holocaust?
DG:  All the before was still there, but buried under the fear, anger, and trauma. She is angry, guilty, and feels betrayed by everyone including her protectors, and feels like a dislocated soul. Anne is lonely and rebellious.  
EC:  Anne and her dad are at odds?
DG:  They had two different approaches to redemption and trauma.  Otto refuses to dwell in the tragedies of the past and looks to a better future. He tells Anne in my book quote, “What is the point of having survived? What is the point of living if we are to be poisoned by our own sorrow?” He refers to their motto of work, love, courage, and hope. He feels that those loved ones who died can be kept alive with love in the survivor’s hearts. But Anne refuses to relinquish these tragedies and faces them with anger and guilt.  She believes the guilty deserve punishment and the dead deserve justice.  I drew a book quote from survivors who wondered where was God at Bergen-Belsen?  Anne feels, “The only thing God has given us is death. God has given us the gas chambers.  God has given us the crematoria.  Those are God’s gifts to us and this:” She then exposes her forearm with the number A-25063.
EC:  The book and diary show that Anne had a strained relationship with her mother?
DG:  Yes, especially when they were in hiding.  Otto actually edited the diary where Anne was unfairly cruel to her mother, but remember she was a teenager.  Witnesses reported after they were arrested and sent to the camps the two sisters and their mother were inseparable, and the conflict with her mother vanished.  I hope I get this across in the book, especially in the scene in Bergen-Belsen.
EC:  It is inconceivable to me that at the end of the war the Germans were still cruel.  I guess a leopard does not shed its skin?
DG:  I also had a hard time understanding the psychopathic attitude of the Nazis. At the beginning of Anne’s diary, she refers to the German language as uncivilized. Even at the end of the war they still tried to murder as many Jews as possible.  They tried to hide it by blowing up the crematoriums.  It is hard to get into the mindset of the Nazis.  For example, the Commandant of Bergen-Belsen at the end of the war agreed to turn over the camp to the British.  The SS staff and he were continuing to do their duties and expected to be treated as soldiers after capture.  They were actually shocked when the Commandant was immediately arrested.
EC:  You also have a scene where returning Jews were required to pay unpaid taxes?
DG:  True.  In Holland those returning from concentration camps faced a tax bill.  I am not aware that anyone said they would let it slide.
EC: What about those in Holland deporting Jewish refugees back to Germany after the war?
DG:  Also true.  A scene in the book has Anne being told that those in Holland, by denouncing the Nuremberg racial laws, have converted all German-born Jews back into German citizens-thereby branding them ‘enemy nationals,’ that are subject to deportation back to Germany.  It was not specifically directed to German Jews, but I think in 1946 there were about fifteen German Jews deported to the people that brutalized them. Anne’s character at the end of the war has no sympathy for the Germans.
EC:  What about the betrayals?
DG: I put forth the many theories because there is no smoking gun.  The only character who overtly declares her belief concerning the identity of the betrayer is Bep who feels it was her sister Nelli, a Nazi collaborator, who betrayed the Franks to the Germans. A story told to me by someone who knew Miep, another family friend: They asked her if she knew and she answered ‘can you keep a secret.  Well so can I.’
EC:  What do you want readers to get out of the book?
DG:  Anne is a representation of the Holocaust.  Six million is but a number, but in reading her diary we see a tragedy.  In this book, I hope people will see that Anne is someone we can identify with on an emotional level.  She is a very skilled writer as evidenced by her last entry in August 1944.  The message of the book, and maybe what Anne Frank tried to tell us is that hope can survive even in the face of destruction, despair, and brutality.
THANK YOU!!
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