#yok jade

[oyeixcher]

Every DanYok Scene (11 ¦ ??)

Y: "That's why you asked to be transferred here?" D: "Not exactly. It's like no one wanted to work with me. Someone in power needed to do something." Y: "Why didn't you quit and change your job once and for all? Why put up being ill-treated in a small station like this?" D: "There are people in need of help in any area. There are jobs for me to do everywhere. I'm still staying because I believe I'll get a chance to redeem myself one day. Nothing can be changed right away as we wish." Y: "Come on. When will you get to do what you want if all you do is wait hopelessly? Do you know how fast this world changes?" D: "Everything has its right timing. Just because something changes fast doesn't mean it's good." Y: "You're waiting for the right time, waiting to be powerful, but when is that? 10 years? 20 years? You might not have the chance at all. Even if that day comes, everything else might collapse already. If you want to do or change anything, do it now. Don't wait until you get burned out." D: "You know my stories. I haven't known yours." Y: "Do you really want to know? In my life, there's just one important thing. But I don't want to tell." D: "Fine. It's alright if you don't." Y: "Hey, I was just kidding. I'll take you there myself. I want you to meet her in person. Sounds good?"

[gg-carboxylase]

The absolute hottest this man has been so far. Good god.

[akkpipitphattana]

inspired by @disaster-j

[storms-path]

FFXIV Write 2024: Day 24 - Bar

In another time and another place, another woman so similar to the Warrior of Light, but so very different, is sizing up a newcomer at her favourite watering hole.

Storm had seen her fair share of folks make their way through Hhusatawhi in her tenure as sheriff. The railway’s construction had brought a lot of would-be tourists her way, and while most of ‘em had come and gone without issue, there were some that thought to take whatever they felt like on their way out. Or get a little too drunk on the local moonshine and start a fight. Or get to thinking one of the locals would appreciate getting stolen away in the night.

This one was different. She held herself with an unusual grace, kept a wary eye on the people around her, and carried a gun large enough to make damn near anyone think twice about crossing her. She was also taller than some of the larger ‘tenders, overshadowing even the gruff Xbra’al who was at this very minute pouring her some of his top shelf swill. And she can hold her liquor, too. Storm couldn’t deny she was intrigued. Professionally, of course. Besides, she’d just been relieved by the deputy. She could afford a moment to chin-wag with a tourist.

Her heavy boots gave her away, but Storm wasn’t interested in stealth. Experience (and a chipped horn) had taught her not to sneak up on an armed woman. Thunder had been apologetic for weeks. Mom took one look at my horn and laughed her ass off. “Pour me a shot of that, before you go straining your back putting it back up there,” Storm said as she slid into a stool near the newcomer.

Dim though the bar was, she was still able to get a better look at the mysterious visitor than she had at the doorway. Marble-pale skin, eyes of jade, hair purpler than even Storm could claim, and a nose that was damn-near vertical. But it was the lips that caught Storm’s eye. The way they twisted into a slight, almost imperceptible smile when Storm took a seat near her. The way they glistened from the glass of alcohol that had recently passed between them. The way they-

Storm definitely didn’t flinch when the dusty tumbler was slammed onto the swill-soaked wood in front of her. “Try not to make a fool of yourself this time,” muttered the bartender as he took Storm’s hard-earned coin from her. Storm scowled at his back as he turned to put back the bottle.

“Go jump on a rusty nail, Stannik,” she muttered under her breath. Not quietly enough, apparently, because the newcomer chuckled softly and raised her glass in Storm’s direction. Storm hastily raised hers in response, hoping the darkness of the bar hid her blush. Not now, dammit! You’re here to scout her out, not invite her to bed! She should have called in Thunder. She would have, if her fool sister hadn’t vanished into the desert a few days back. She’d be back when it suited her, but it didn’t stop her family from worrying about her all the same.

“Stannik,” murmured the enigmatic woman. Her voice was softer than Storm expected, with a strange accent too. A mixture of Yok Tural and something else buried beneath. It was, as far as Storm was concerned, deeply unfair that she could get any more attractive. “That’s a Bozjan name, is it not?”

That caught mean ol’ Stannik’s ears. “You know of my homeland?” he asked? Storm had never heard him so gentle. The newcomer nodded.

“We get a lot of travellers in Tuliyollal,” she replied. “Had a pair roll through their lately with our new Dawnservant. One of them swore she’d had a hand in liberating it.” The newcomer smiled again, taking a swig of her drink. “Though to hear her companion tell it, they were simply the tip of the spear.”

Storm couldn’t believe it. Was Stannik, the brick wall of Hhusatawhi… crying? “Shit,” he managed between tears as he roughly wiped them away with a furry arm. “That’s the best news I’ve heard in years. Tell you what, you get another shot of that on the house.” He turned to face Storm, eyes full of murder. “Not a word of this to anyone else, sheriff.” There were few people in town Storm could honestly say scared her, but Stannik was one of ‘em. Though that was only because he’d been around long enough to see her and her sister before they’d even grown their scales and tails. More than once he’d spoiled her chances by spilling some childhood secret of hers to a pretty lady.

Storm nodded mutely, which was just barely good enough for Stannik. He turned back to his bottles. Storm gave the old man a fond smile behind his back. He’d been the first to endorse her as sheriff, and the first to offer his assistance with the abductions of last summer. Rumour had it he’d even given her parents a stay under his own roof until they found their feet, though neither he nor the senior Eagles would admit to it. Still, he was a good sort. A solid sort.

The scraping of glass across wood caught Storm’s attention. The newcomer had slipped into the seat next to her with a sly smile. Bold, this one. Watch yourself. “Sheriff, huh?” the woman said with a smile. “Guess I’d better watch myself around you.” Her smile was disarming, and infectious too.

“Ha. Just don’t go causing trouble ‘round these parts and you’ll have no trouble from me.” Storm raised her glass again. “Name’s Storm. Pleasure to meet ya.”

The woman raised her glass in turn, clinking it dully against the other. “Gem,” she replied. “Singing Gem.”

Storm had no idea what she was in for, as she had what turned into a very pleasant conversation with Singing Gem. If she had, she’d have turned tail and run right there and then. Or clapped the lawless Gem in irons. But she didn’t have the slightest clue. She didn’t even feel the jaws of fate snap tight around the pair, sealing their futures in blood.

But that is another place, and another time, and this glimpse into her grim fate is just that; a glance. And besides, Storm Eagle is no stranger to rewriting her own fate...

[dizi-tahmincisi]

Kai Kimdir?

Kai: Kung Fu Panda 3'ün Ana Kötü Adamı ve Ruhları Emen Hayalet

Kai: Kung Fu Panda 3’ün Ana Kötü Adamı ve Ruhları Emen Hayalet Kai, Kung Fu Panda 3 filminin ana kötü adamı ve Po’nun en büyük düşmanlarından biridir. Jade Sarayı’nın eski ustası olan Kai, ölümsüzlük arayışında ruhları emme gücüne sahip bir hayalettir. Jadesi yok ederek ve ruhları emerek evreni yok etmeye çalışmaktadır. Kai’nin Özellikleri: Güçlü: Kai, ruhları emme gücü sayesinde oldukça…

[akkpipitphattana]

they’d be best friends

Yok gives off Inflatable Tube Man energy

[staynayo]

Yok and his fight for social justice, Not Me (2021)

[snake-and-mouse]

Do you think Yok not me and Yok kinnporsche would be friends? I like to think so.

I absolutely think they would, they both have immaculate vibes and give great advice, and both give the feel that they would be absolutely delighted to meet someone with the same name as them. I can definitely imagine the garage gang wandering into the bar and them hitting it off and becoming regulars and any time Yok (nm) comes in Yok (kp) gets all excited like it's her little brother coming to visit, and they just hang out and make as many jokes as they can when someone calls for one of them pretending to be each other.

(Also my terminal mdzs brainrot reaaally wants me to make a twin jades joke lmao 😂)

[oyeixcher]

First as Yok in Not Me ↳ Episode 6 (feat. Gram)

"People might think we attack him just because we hate him. We can never earn people's support if we don't have clear principles." "Black is starting to make sense. If all we do is crash, the outcome might be more and more disastrous. I want Black back in."

[gotinterest]

Also Porsche is canonically homophobic and transphobic in the novel.

The only reason why Yok (who is called Jae Jade in the novel) is transgender is so that Porsche can be like "I don't like transgenders🤢 or gays 🤮🤮 but Jae is different because she's nice 😊" so this is gonna be a story about Porsche overcoming his homophobia... by realizing that he's gay. Wait isn't that the plot of TharnType!?

[akkpipitphattana]

10 QL Characters I Desire Carnally

Tagged by @firstkanaphans <333 I will do my best to not make this just a list of First Kanaphan characters... but no promises.

Sand from Only Friends

quick, everyone pretend to be shocked! i mean do i need to go into any details, you all saw me being completely beside myself during only friends, let's move on

2. Ray Pakorn from Only Friends

the truth is that everyone from only friends should be on this list, but i'm keeping it simple with just sand and ray. oh to have been one of the people they came so close to threesoming it up with. it should have been me, we would be the ultimate toxic bisexual throuple

3. Ink from Bad Buddy

i'm gay and i love intimidating women that are soft for their girlfriends, what more do you want from me.

4. Sam Anantrakul from Gap

see above

5. Jean from The Warp Effect

JUST ONE CHANCE PLEASE ALEX DOESNT DESERVE YOU I WOULD TREAT YOU SO GOOD-

6. Alan Anantachai from Moonlight Chicken

FUCK THE RICH? YEAH I'D SURE LIKE TO 🗣️🗣️🗣️

7. Wen Wongsakorn from Moonlight Chicken

the real reason i was disappointed with the alanwen breakup is because i wanted to be their third, there i said it

8. Nim from The Warp Effect

sorry for the indecent gif but like. PLEASE JUST ONCE CHANCE I'LL DO ANYTHING

9. Namo from Not Me

i would listen to her talk about street art for hours and i'd also treat her better than sean. not better than gene tho but thats a different story, this is about ME

10. Yok Jade from Not Me

SLUT RIGHTS!

i'm not tagging anyone, if you see this and wanna do it just do it

[chinatownstreetscape]

Chinese merchant with his two children in Ross Alley of pre-1906 San Francisco Chinatown, c. 1902. Photograph attributed to Charles Weidner.

Two Fathers of Old Chinatown 

In the late nineteenth century, a host of photographers flocked to San Francisco Chinatown to capture images of the pre -1906 neighborhood and particularly its children.  Photos by Arnold Genthe of Chinatown’s children proved particularly popular, and many images by Genthe and others were sold to tourist postcard publishers.  

Linking two separate images of the same family from Chinatown’s pre-1906 photographic record represents an extraordinary find.  However, this Father’s Day brings a second pair of photographs of an individual working in a very different sector of old Chinatown’s economy than the father seen in the first set of photos.

The Merchant

The image of a Chinese father with his son and daughter in Ross Alley remains striking today.  From the better tailoring of his jacket and style of hat, the father appears to be a merchant.  He looks confidently into the camera lens with a half-smile, gripping his daughter’s left hand through the long sleeve of her tunic.  The girl is flanked by his son who also looks directly at the photographer.  A horse-drawn wagon can be seen behind the trio, making deliveries to the businesses in the alley in much the same manner as occurs in Ross Alley of this century.  The image of a Chinese father and his children became well-known as a result of numerous printings as a postcard.

“An Alley in Chinatown, characteristic scene of many of the small thoroughfares in this section of San Francisco” c. 1902.  Photograph attributed to a negative by Charles Weidner, postcard published by Britton & Rey, San Francisco (from the collection of Wong Yuen-Ming).

This Father’s Day, however, brings a fortuitous discovery in the form of a second photo of the same Chinese merchant and his children in a different Chinatown location (and perhaps by a different photographer).

Chinese merchant and his children.  Photographer unknown (from the Cooper Chow collection at the Chinese Historical Society of America).  

In the above image, the same trio of father, daughter and son are wearing the same clothes and posing in front of what is probably the father’s business premises.  Prominent advertising signage appears above the doorway to the business which reads from right to left as follows:  廣珍號珍珠玉器金銀首飾男女新衣蘇杭發客 or roughly “Guangzhen Pearl Jade Gold and Silver Jewelry Men's and Women's New Clothes Suzhou and Hangzhou” (pinyin: “Guǎng zhēn hào zhēnzhū yùqì jīnyín shǒushì nánnǚ xīn yī sūhángfā kè “; canto: “Gwong Zun ho sunjiu yok hay gam ngan sau sik nam neuih sun yee so hong faat haak”).  

The barely discernible calligraphy on the upper-right pane of the store window frame bears the probable business name, 廣珍 (“Gwong Zun”).  

Magnification of the window reveals at several photographs that can be seen through the window.  At least four framed photos are visible on a wall behind a desk.  On the most discernible of the photos, a figure appears to be seated and holding a fan – a pose commonly used by Chinese subjects in the studio portraiture of the late 19th century.  The figure could be an ancestor or even the merchant’s wife, as photos became essential evidence to overcome the hurdles to the effective denial of entry to the US by Chinese females after the enactment of the Page Act of 1875 which purported to bar the immigration of prostitutes.  

A couple of wooden shutters appear behind the merchant and his son.  The panels would have been used to cover the window as a security measure.  A similar set of shutters also appear at the far right of the photo frame, indicating the merchant shared this alleyway or street with other businesses. Unfortunately, the signage (appearing in the upper right-hand corner of the frame), for what appears to be a street number or street name is illegible.

Outside of his store, the merchant shows more of a smile as he looks directly at the camera lens, perhaps more familiar with the photographer.  Even his son has started to show the beginning traces of a smile.  This implies that the photographer either followed the trio to father’s place of business from Ross Alley or encountered the merchant and his offspring for another shot.  

The Highbinder

The serious study of the role of illegal business enterprises played in the micro-economy of segregated and marginalized communities such as old San Francisco Chinatown remains to be written.  However, the fact that gambling establishments played an out-sized role in the ghetto economy’s demand and supply of goods and services before and after the 1906 quake and fire continues in the living memory of descendants of family members who worked in some fashion for the gambling dens.  The cash-rich operators of the gaming operations were viewed by many Chinatown as veritable kings who had the means to live well, arrange for women to enter the US to start families, and buy real estate openly or clandestinely during an era of alien land laws.  The prevalence of large amounts of cash and contraband in Chinatown establishments providing opium or gambling to the public required security measures in the form of watchmen, armed guards, and fortified doors against interdiction by police and competitors.  

In this context, we consider the next two photos of a “highbinder” whose work and home lives were captured in a remarkable pair of photographs sometime during the 1880’s.

As a veteran of the Chinatown beat, San Francisco Patrol Special officer Delos Woodruff (1834-1893) was best known for harnessing the new photographic technology of the day by compiling a book of mug-shots of his arrestees and suspects.  He is often credited as the originator of the term “highbinder” in reference to the “hatchet men/boys,” “boo how doy” (Toisanese pronunciation), or 斧頭仔 (canto: “fu1 tau3 jai2”) who served as the soldiers or enforcers for the criminal tongs of Chinatown.  As Richard H. Dillon wrote in his book, Hatchet Men, Woodruff was testifying in court when he declared:  “A lot of highbinders came to the place—” whereupon the judge interrupted him with a gesture of his hand. “What do you mean by ‘highbinders?” Woodruff replied, “[w]hy a lot of Chinese hoodlums… .That’s what I call them.” (Dillon 21)

“4761 Highbinders' Quarters, Chinatown, SF, Cal.” c.1887.  Photograph by Isaiah West Taber (Marilyn Blaisdell Collection / Courtesy of a Private Collector). 

The volunteer curators at opensfhistory.org correctly note that I.W. Taber’s photo no. 4761 shows a “multiracial group of four people poses in front of a rustic shed; graffiti drawing of woman on left.”  The adult Chinese man seen at right is only presumed to be a “highbinder” based on Taber’s caption.  His working class garb provides no hints of his vocation other than knee-high work boots, which would suggest a job in an industrial concern such as a cigar or bootmaker.

Perhaps more startling is the pose of his presumed partner, an African American woman holding in both of her hands the Chinese man’s right hand on her left hip.  The pose conveys an easy comfort and implicit intimacy between this multiracial couple in an era in which few photographic examples of such have survived.  The couple is joined in the photo by a middle-aged white woman and a Chinese boy, whose relationships to the couple have remained unclear across the centuries (although the boy could have been the highbinder’s son).  

“’Honeymoon of the Chinee and the Coon.’ Highbinder Headquarters, Chinatown, San Francisco,” c.1887. Color postcard published by Britton & Rey, San Francisco, based on a photograph by I.W. Taber (from the collection of the California Historical Society). 

As rare and surprising as it appears, the image of an interracial coupling by a Chinese man and African American woman was hardly novel for the Chinatown area of the late 19th century for at least three reasons.  

First, San Francisco’s pioneer Black and Chinese communities lived in close proximity to each other.  According to a city-sponsored study from 2016, “[t]he African American presence was densest in the eastern portion of this area. By the last quarter of the nineteenth century, one-third of the City’s Black population lived in a six-block area bounded by Stockton Street, Kearney [sic] Street, Washington Street, and Broadway. They lived among Chinese, Europeans, and American-born Whites. As shown … this area was served by two horse car street railways by the early 1860s and readily accessible to service jobs in the commercial core. ”

Second, California had enacted laws against the importation of Chinese, Japanese and Mongolian women five years before a federal ban.  The state had cited the rise of prostitution crimes as the rationale for effectively discouraging Asian women from coming to California.  The state law, 1870 Cal Stat 330, required that “Mongolian” women immigrants to prove that they were of good character.

In 1875, a new federal law barred entry of "Chinese, Japanese and Mongolian prostitutes, felons, and contract laborers," based on the assumptions that Asian women were “prostitutes” and Chinese laborers were indentured or “coolie” labor.  The Page Act of 1875 (Sect. 141, 18 Stat. 477, 3 March 1875) was the first restrictive federal immigration law in the United States, which effectively prohibited the entry of Chinese women.  The law was named after its sponsor, Representative Horace F. Page, a Republican representing California who introduced it to “end the danger of cheap Chinese labor and immoral Chinese women.” The law also technically barred immigrants considered “undesirable.”

Closing female Chinese immigration represented an explicit form of legislative genocide.  Preventing women from immigrating alongside their partners meant male laborers were unable to create families and set down roots in America.  Chinese males had little recourse except to earn and send money back to impoverished villages in southern China, with the hope of returning at some future time to rejoin their families. The Chinese, it was presumed, would either leave or die out over time in America.

Third, racist legal restrictions had severely limited the marriage and family choices for Chinatown’s working class males.  From its inception, the state of California banned interracial marriage since achieving statehood in 1850.  The initial statute of 1850 specifically banned interracial marriage between whites and blacks, declaring that “all marriages of whites with negroes or mulattoes are declared to be null and void” See, Cal. Compiled Laws of California Chapter XXXV Section 3 (Cal. Stat. 1850).  The legislature later amended the statute to ban the marriage of whites with people from other racial minority groups, most likely because of an increasingly diverse population coupled with an “inclination to segregate” as demonstrated by the existence of an anti-miscegenation statute (Karthikeyan, Chin).

In 1905, the marriage of a white person to an Asian was explicitly banned.  The language of the statute was changed so that “no license must be issued authorizing the marriage of a white person with a negro, mulatto, or mongolian.” See Cal. Compiled Laws of California Chapter CLXXXVI Section 69 (Cal. Stat. 1905).  “Members of the Malay race” as part of those ineligible to marry whites were added to the law a quarter-century later. See Cal. Compiled Laws of California Chapter 104 Section 60 (Cal. Stat. 1933).   Although a full discussion of California’s anti-miscegenation laws is beyond the scope of this article, suffice to say that the state’s principal focus for legislative action was to expand the classes of persons who were unworthy to marry a white person.  

Resulting bachelorhood among Chinese male laborers defined life in old Chinatown for the next 70 years.  The bachelor society also enhanced mainstream suspicions and served as the foundation for the Sojourner Myth and Perpetual Foreigner Syndrome, which permeates attitudes and writings about the Chinese American experience to this day. “They were portrayed as driftless," says Dr. Melissa May Borja, assistant professor in the Department of American Culture at the University of Michigan. “It enhanced the view that they shouldn’t be full Americans. Barriers justified other barriers.”  Thus, the highbinder in Taber’s photo lived in a world in which he had few choices to build anything approaching a conventional home life.

As a legal issue, the statutory scheme largely ignored the issue of marriages between non-white persons.  

Thus, the highbinder shown in Taber’s photo lived in a world in which he had few choices to build anything approaching a conventional home life.  Far from home, denied a normal home life, a Chinese pioneer had found his solution to society’s limits on his world and a companion against the loneliness of his days in his new land.

“4765 Guard on Duty, Lottery Den, Chinatown, S.F., Cal." c. 1887. Photo by Isaiah West Taber (from the collection of Gallica, the digital library of the National Library of France and its partners).

I.W. Taber’s photo of a gambling den guard is seldom exhibited, and it is not easily accessible online from the usual public archival sources.  However, Taber’s startling image answers the question why he referred to the man in the previous photo no. 4761 as a “highbinder.”  The image also presents a rare and startling instance of the same subject appearing in two different photos of old Chinatown in two different venues.

I.W. Taber’s fascinating photo of a security guard for a Chinatown gambling seems to have attracted scant from researchers, archivists and museum curators about the nameless Chinese man who allowed Taber to photograph scenes of his home and work lives.  

The stolidity of the guard imparts to the viewer that he is the principal guardian for the lottery den.   Although he is seated, our highbinder projects a size and heft greater than presence of the more slightly-built man wearing the 瓜皮帽 (canto: “gwa pei moh”) or  小瓜帽 (canto: “siu gwah moh”) for headwear.  The seated man displays a pair of large hands formed as half-fists between his knees.  The standing man’s right hand is poised reflexively at belt height in front of his oversized jacket; he appears ready to reach inside, if necessary, for something concealed inside his garment.  Both men stare into the camera’s lens with a blend of curiosity and relaxed concern, but without a sense of heightened readiness or fear.  Perhaps the larger man has reassured his colleague that Taber’s presence posed no threat to their employer’s business. 

The operators of Chinatown’s lottery took bets day and night on what the Chinese called “white pigeon.”  Police Chief Jesse B. Cook wrote about lottery operations in a 1931 Chinatown beat memoir as follows:

“In regard to the gambling games in Chinatown—my first trip to Chinatown was in 1889 as a patrolman in a squad. At that time there were about 62 lottery agents, 50 fan tan games and eight lottery drawings in Chinatown. *   *   *

“The lottery drawings: The Chinese have a very large room, with the doors constructed the same as in the case of a fan tan game room. The far end of the room is partitioned off with wire screens to the full width and about 8 feet deep. In back of the screen are two shelves, one of which acts as a counter for four Chinamen. Each Chinaman has a separate window in the screen. On the other shelf are placed Chinese ink pots and brushes, for the purpose of marking Chinese lottery tickets. Every Chinese lottery ticket has 80 characters on it; 40 above the line and 40 below. Each company stamps their own name at the head of the ticket. These tickets are really a Chinese poem, written by a Chinaman while in prison, and later adopted as a Chinese lottery ticket. There is not a thing on these tickets to designate their real use, although they are never used for any other purpose.

“The agents around town had their offices in back of stores where they sell the tickets. Just before the drawing takes place, they present a triplicate copy of each ticket sold to the Chinaman at the window. The duplicate ticket is given to the purchaser, while the original is retained by the agent.

“The clerk back of the window then figures up the amount that the agent should turn in to cover the tickets sold. If they agree, the clerk accepts the tickets. No receipts are given. The actual taking and accepting of the tickets by the clerk is considered an acknowledgment, as his name appears on all the tickets.

“Sign says white persons, with or without guides, are barred from this Chinatown alley.  As soon as all the money and tickets are in, the tickets are closed and the lottery is held. In a little package, about 2 inches square, are 80 slips of paper. On each of these slips is a character corresponding to one of the characters on the lottery ticket. The Chinaman sets in front of him a large pan, like the old-time milk pans we used to set for milk to raise cream, and four bowls, each bearing a Chinese number—either 1, 2, 3 or 4. The small slips of paper are folded into little pellets, thrown into the pan and shaken up. The drawing then begins. The first pellet drawn is put into bowl No. 1, the next into bowl No. 2, and so on, until there are twenty pellets in each bowl.

“The Chinaman then takes another small package, containing four little square pieces of paper. On each of these pieces is a figure in Chinese corresponding with the figures on the bowls. The same procedure is then followed as with the pellets. The slip picked from the pan is handed to the clerk, who in turn hands it to a man standing on the shelf in back of him. It is opened, in the presence of everybody gathered there. Of course, the bowl bearing the same number is considered the winning bowl, the other three are placed under the counter.

“The pellets are then taken from the winning bowl and are pasted on a board in full view. These are winning characters. The Chinese mark the tickets by daubing the characters that agree with the ones on the board, with a brush. After this has been done, they present their tickets, and come back at the proper time to get their reward; that is, whatever they won.

“In 1895, the lotteries and games were controlled by Chin Buck Guy, Chin Kim You, Wong You, Wong Fook, Jim Wong, Mah Lin Get, Chin Chung, Qwong Bin, who were sometimes called the “Big Eight.”

“The lottery companies at that time were the Tie Loy, Foo Quoy, Foo Quoy Chung, Fay Kay, Shang High, Fook Tie, Quong Tie, New York and Wing Lay Yuene.”

In his classic book San Francisco Chinatown: A Guide to its History and Architecture, historian Phil Choy wrote about the ultimate fate of Chinatown’s lottery:

“The casinos of Reno and Las Vegas copied this lottery and called it “Keno,” using numbers in lieu of the Chinese characters on the keno tickets.  For almost a century, the policeman of the Chinatown Squad raided and battered down doors with axes to stop the illegal gambling, to no avail. However, when the federal government established the Kefauver Committee in 1950 to investigate narcotic trafficking and organized crime.  Nationwide, Chinatown lotteries stopped abruptly. Congress enacted legislation requiring a federal tax stamp to operate gambling operations. Most of the Chinese lotteries were operated by Chinese with questionable immigration status. Rather than subject themselves to the scrutiny of federal authorities, they chose to close their operations.”

The Taber photo of the lottery den guards conveys an immediate sense that the games are conducted just beyond the double-doors set into a half moon-shaped entrance.  Some deterioration in the wall above the entrance indicates water intrusion possibly from the skylight. Both men are washed by mid-day sunlight streaming through a skylight, above and behind the photographer’s position, and onto the landing where they stand guard.  In the foreground at left, the last step of a staircase suggests that one more level to the topmost floor or roof can be reached from the landing on which the men stand watch.  A semi-polished, wooden balustrade can be seen in the foreground from which the guards can look down into the building’s stairwell.

No weapons are evident, and the rugged-looking guard on duty for Taber’s “lottery den” may simply have performed the non-kinetic role of a “look-see” man whose job would have been to alert the lottery den’s operators and patrons of an imminent raid by police or other parties wishing to disrupt the gambling.  Taber’s photo raises more questions than it answers, particularly about the working lives of fathers whose jobs were to look outward for threats and confront them, if necessary.

Fortunately for their as-yet unknown descendants, the two pairs of photographs captured the lives of two men from very different social positions.  As such, they must be considered as the priceless tetraptych of old Chinatown.

[updated:  2022-7-24]

[bloodsjade]

..ve

Bir hayalim var bulutlardan gelinliğim

Döndükçe uçuşan eteklerimle dağılan

Huzur saçan bulutlarım parça parça..

Yakmayın ışıkları gerek yok ihtiyacım

Güneşim var gökyüzünden yarılıp çıkan

Baktıkça ışığı semaya yayılan sonsuz

Düğün şarkımızı söyleyen kuşlarla

Gökyüzüne yayılan yıldızlarım var..

Bir zamanlar saçtığım o umutlar

Serilmiş yollarıma bak samanyolu.

Yol yolcu bekler ya yolcu da zaman..

Jade.

[mazrimtaim]

Bahigo Giriş

Bahigo giriş ilk yarıda yaptığı açıklamada, Bahigo Chelsea'ye atlamasını ve sezonun ilk lig galibiyetini arayan bir Liverpool takımının kararlı performansına rağmen Arsenal ile Kadınlar Süper Ligi'nin zirvesinde kalmasını sağladı.

Liverpool müdürü Vicky Jepson, “Hala gülümsüyorum,” dedi. “Performans oradaydı. Geçen hafta Arsenal'in zaman kaybetmek için topu köşeye sıkıştırdığını gördük, bu hafta City'nin bunu yaptığını gördük, bu oyuncularımıza ve çalışma hızlarına ve çabalarına büyük bir iltifat. ”

Bahigo giriş hiç kazanmadı, ancak Akademi Stadyumu ziyaretleri, önceki Pazar şampiyonları Arsenal'in 1-0 yenilgisinin darlığıyla şamandı. Topçuların, daha önceki başlama vuruşunda Bristol City 11-1'i dövmesi, Jepson’un ekibinin hala zayıf ve WSL tablosunun altında olmasına rağmen, Bahigo giriş bir şey elde edildiğine dair bir şüphe ekleyecek.

Liverpool gelişiyor gibi görünüyor. Lig yenilgileri dardı. Sadece iki kişi tek gol marjını aştı (Bahigo giriş mağlup etti). Ancak Manchester City farklı bir meydan okuma sundu. Arsenal'in şu anda sekiz oyunda dört kez kabul ettiği ve takımlara onları yakalama konusunda bir umut ışığı veren City, kaya gibi sağlam. Gönderdikleri tek hedef Arsenal'e 1-0 yenildi.

Yönetici Bahigo giriş galibiyetten “Dirençliyiz ve bir değil üç puan olduğundan emin olmak için çok mücadele ettik” dedi. Arsenal’in sonucuna söyledikten sonra, “Bir hafta ertesi hafta 1-0 kazanabilirsiniz 11-1 kazanabilirsiniz” dedi. “Sadece puan kazandığımızdan ve onları zorlamaya devam ettiğimizden emin olmaya çalışıyoruz.”

Şehir tehdidi erken belliydi. İlk kez vurulmuş bir Bahigo tarafından devirildi. Sophie Bradley-Auckland’ın geç toparlanmasında, Lauren sadece yenmek için kaleci ile kaleye koşarken, Bahigo yeni adresine giriş ayaklarından topu oydu.

Konuk takımın en yakın şansı, bir Bahigo kapışının Jade Bailey'in Courtney Bahigo yeni adresine giriş bulmasını gördüğü, ancak İngiliz forvet Ellen White'ın atışını engellediği zaman geldi.

Şehir, 20 dakikalık işarette çıkmazı kırdı ve çok basitti. 25 yarda serbest vuruşu, eski bir Liverpool savunucusu olan Bahigo yeni adresine giriş başına kafa sallayan Caroline Bahigo giriş üzerine attı. Beyaz, kısa bir süre sonra kurşunlarını ikiye katladı. ancak zorla genişlediğinde, keskin bir açıdan vurduğu çekimler Preuss tarafından uzaktaki direğin ötesine sürüklendi.

Şehir için her nokta önemlidir. Bahigo yenilmedi, ancak Everton'daki maçları donmuş bir saha nedeniyle durdurulduktan sonra eldeki bir oyunla Manchester City, 21 kulübünde Arsenal'le seviye atlayabilmek için Londra kulübünden sıçrama şansından faydalanmalıydı. Arsenal’in mamut kazanması, aynı zamanda hedeflere de ihtiyaç duydukları anlamına geliyor. Son üç maçında 14 sayı ile Bahigo yeni adresine giriş cezalandırma ihtimali yüksekti, ancak Bahigo giriş ve Rhiannon Roberts arka dördün önünde otururken ev sahibi nüfuz etmeye çalıştı.

Arka taraftaki sağlamlıkları ziyaretçilere güven verdi. Ve saatte 70 dakika ile City'nin kararlı savunması üzerinde sürekli bir baskı dönemi başlattılar, Ellie Roebuck tarafından akrobatik olarak devrilen bir Bailey atışında doruğa ulaşan bir büyü ve Bahigo nihai başlığının nokta boşluğunda durduğunu gören bir mücadele Genç kaleci tarafından menzil.

Bahigo giriş, “İki dakikalık fazladan zaman kaldı ve oyuncularımız hala bir şeyler denemek ve ondan bir şeyler almak için bir bağırsak tutuyordu, bu yüzden burada stres yok, kampımızda endişe yok” dedi.

“Bahigo giriş performansları iyileştirdi ve Arsenal'e karşı olumlu bir performans sergiledi, bu yüzden buraya bir şeyler almaya çalışacaklarını biliyorduk” dedi Cushing. “Tehlikeli olacağını biliyorduk. Sadece ikinci yarıda biraz kontrolümüz olmadığını düşündüm - biraz yorgunluk geldi ve yorgun göründük.

“Şimdi önümüzdeki hafta gerçekten önemli bir maç için Bahigo yeni adresine giriş gidiyoruz. Kafa kafaya kafa kafaya kadar mücadele ettiğimizden emin olmak istiyoruz, bu yüzden sezonun sonuna doğru ilk iki içinde yer alıyoruz ve bir kupa için mücadele ediyoruz. ”

[vashak]

Anime OST

Banana Fish’in 1985 yılında geçen hikayesini günümüze uyarlayan animenin müzikleri oldukça başarılı. Soundtrack belki baştan sona zevkle dinlenmiyor ama benim çok hoşuma giden ve bence hikayenin havasını mükemmel şekilde yansıtan bazı parçalar var. Bugün bu parçalardan kısaca bahsetmek istiyorum.

1. BANANA FISH: Birinci bölümünde ilk çalan parça. Aaa... Özgürlük Anıtı. O zaman Bağdat’tan New York’a gelmişiz. Saat gecenin körü olsa gerek. Ara sokaklar tekinsiz. Siren sesini de duyduk, tam oldu. Genç bir çocuk kapüşonunu geçirmiş hiç korkmadan emin adımlarla yürüyor. Seyirciye arkası dönük. Bir su birikintisine basıyor ama hiç umurunda olmuyor. Bir amacı var belli ki. Sonra aniden duruyor ve kameraya dönüyor... Banana Fish’in kasvetli ve amansız dünyası daha iyi tanıtılamazdı.

4. New York: Hava aydınlık ama yolunu şaşırmış bir turist bu mahallede kendini güvende hissetmiyor. Burası dün gezdiği zengin mahallelerinden çok farklı. Sokakta pek insan yok ama turistimiz herkes onu izliyormuş hissinden bir türlü kurtulamıyor. Köşede 15-16 yaşlarında birbirinin tamamen zıttı iki genç laflıyor. İri yarı siyahi olan heyecanlı heycanlı bir şeyler anlatırken bir deri bir kemik haldeki ‘redneck’ arkadaşı gayet normal bir şeymiş gibi elindeki bıçağı öylesine çevirip duruyor. Yandaki büfeden kot tulumlu afro saçlı bir çocuk elindeki torbayı sallaya sallaya çıkıyor. Sokağın öbür tarafında ise deri ceketli bir delikanlı adeta Grease müzikalinden fırlamış gibi karşıdan gelen kızı etkilemek için abartılı tavırlarla kaldırımda volta atıyor.

6. Eji: Hayata pembe gözlüklerle bakan Eiji... Bu çocuk tam bir sevgi kelebeği. Yanında azıcık durunca insan mutlu oluveriyor, derdi tasası varsa unutup “Boşver, hallolur bir şekilde,” deyiveriyor. Kendisiyle aynı adı taşıyan parça da aynı onun gibi dinleyenin içini ısıtıyor. Sıcak bir yaz günü gün batımında yaprakları tembel tembel sallanan palmiye ağaçlarını çağrıştırıyor. 

8. Today’s Savages: Medeniyetten nasibini almamış, alamamış sözde kabadayıların dünyasında hala doğa kanunları geçerli. Yok pahasına hayatta kalmak için mücadele eden bu “modern yamyamlar” sadece güçlünün yanında olmayı ilke edinmiş. Zira sadakat için önce vicdan sahibi olmak gerekir. Kısacası bu parça Arthur’un nasıl bir orospu çocuğu olduğunu çok güzel anlatıyor.

9. Leaper: İkinci bölümde Eiji, Ash ve Skip’i hayret içinde bırakarak su borusunu sırık gibi kullanıp duvardan atladığı sahnede çalan eğlenceli parça yine yumuşak tonlarıyla Eiji’yi akıllara getiriyor. Tam yarısında başlayan zevzek kısım ise üçüncü bölümde Ash’in hapiste kendisini ziyarete gelen Eiji’yi 'rol icabı’ öptüğü sahnede çalıyor. 

11. Rebellion: Genelde kovalamaca sahnelerinde duyulan bu parça akla 80′li yılların vurdulu kırdılı video oyunlarının müziklerini çağrıştırıyor. İkinci bölümde Shorter ve Ash’in çetesi, Ash’i ve Skip’i kurtarmaya East River rıhtımına geldiği sıradaki çatışma sahnesinde çalıyor.

12. Obscure: “Banana Fish” nedir? İnsan mı yoksa örgüt mü? Los Angeles’taki o adreste ne var? O kapsülün içinden çıkan beyaz tozun sıradan bir halüsinojen olmadığı ortada. Peki Dino’nun yerde gökte bu kapsülü aramasının sebebi ne? Olaylar geliştikçe sorular çoğalıyor, gizem derinleşiyor. Parça bir yandan insanın merakını körüklüyor, diğer yandan da o uğursuz havasıyla dinleyeni uyarıyor: Bu işin sonunda ortaya çıkan şey hoşuna gitmeyecek.

13. Aslan: Cape Cod, Massachusetts eyaletinde küçük bir kasaba. Manhattan’ın sıkış tıkışlığından sonra burada alabildiğine uzanan yemyeşil ovalar, üzerine serpiştirilmiş tek tük küçük sevimli evler ve uçsuz bucaksız okyanus herkesin içini huzurla dolduruyor. Aslan Jade Callenreese hariç. Ash doğup büyüdüğü kasabayı ilgili güzel anılarla yad etmiyor. Çocukluğu elinden alınan sekiz yaşındaki halini hatırlarken gözleri ifadesizleşiyor. 

14. Blue Bird: Banana Fish öyle bir eser ki okuyana/izleyene dokunmadan fiziksel acı çektirebiliyor. İşte insan o acıyı hissederken arkada çalan parça bu. O piyanonun her bir notası bir İngilizce deyimde dendiği gibi insanın “yürek tellerini” bir bir çekip bırakıyor. Tıpkı dördüncü bölümde Max ve Ash koğuşta ucuz burbonla kafayı çekip Griff’in yasını tuttuklarında olduğu gibi. Tıpkı altıncı bölümde Ash’in çocukken Cape Cod’da başından geçenleri öğrendiğimizde olduğu gibi. Tıpkı on birinci bölümde Ash’in başını kollarının arasına gömüp Eiji’ye “Yanımda kal. Sonsuza kadar kal demiyorum. Şu an için kalsan yeter” dediğinde olduğu gibi.

15. Choppin’: Kendi içinde geçişli parçalardan biri. 0:40, 3:25 ve 3:50 olmak üzere tam üç farklı geçiş saydım. Vokalli kısımların sözlerini tümüyle çıkaramıyorum. Müziğin türüyle ilgili de ne desem boş ama o konuda şu arkadaş bir fikir verebilir belki. Genel olarak parça ikinci bölümün sonunda Falkner Eyalet Hapisanesi’ni tanıtmak için güzel bir seçim olmuş.

18. Chinatown: Tam tarif edemediğim bir şekilde bu parça gerçekten bir yabancının (mesela Eiji) gözünden Chinatown’u çok güzel anlatıyor. Burası kendi kuralları olan ayrı bir dünya. Biraz tuhaf, biraz acayip bir dünya. Otantikliğiyle insanı cezbedip bir anda gayet tehlikeli bir hal alabilen bir dünya. 

29: Lunar Shackles: Albümü ilk dinlediğimde bana yaptığım işi bıraktıran parça. Yut-Lung’un olduğu sahnelerde çalan kemanlı parçalar arasında ev sevdiğim bu: ‘Kamerî Prangalar’ Böyle diyeyim ki kulağa en az Yut-Lung kadar dramatik ve gösterişli gelsin. Şaka bir yana, baştaki o gitarlı (ya da santurlu?) kısmın hastasıyım. 

30: Him and Hym: Benim çok bayılmadığım, ancak Ash ve Eiji’nin en güzel sahnelerinde çalan parça. On birinci bölümde Eiji kendi tanıdığı Ash ile soğukkanlı çete lideri Ash’i kafasında bir yere oturmaya çalıştığı sırada; on yedinci bölümde uzun bir aradan sonra birbirlerine kavuştuklarında gün batımını izlerken Ash’in Eiji’ye “Artık seni Japonya’ya geri göndermeye çalışmayacağım” dediği sırada ve tabii ki o nalet yirmi üçüncü bölümde Ash yoğun bakımdaki Eiji’ye ‘sayonara’ demeye deldiği sırada çalıyor.

35: The Last Waltz: “Son Valsi Bana Sakla” adlı dokuzuncu bölümün son sahnesinde çalıyor. Animenin yapımcısı Kyouko Uryuu’nun bir röportajda resmen teyit ettiği üzere o sahnede Shorter’ın bir an zindan kapısının üstündeki melek heykeline bakması, Ash ve Shorter’ın ilk tanışmalarını anlatan ANGEL EYES (Meleğin Gözleri) adlı yan hikayeye bir gönderme. Hikayede bu ikisinin arasında melek figürünün esprili bir anlamı var. Tabii bu sahnede işin esprisi kalmıyor.

36. Buddy: ‘Oynatmaya az kaldı’ parçası. On dokuzuncu bölümde yeme bozukluğu teşhisi konan Ash kendisini resmen evlat edindiğini öğrendiği Golzine’ye karşı isyan ettiği sırada çalıyor. Ash’in o monoloğu herhalde açık ara hikayenin en tüyler ürperten kısmı. Buddy, aynı zamanda, Garden of Light (Işıklar Bahçesi) adlı yan hikayede Eiji’nin köpeğinin ismi. Neden bu parçanın adı olarak seçildiğini bilmiyorum. 

38. Sins Fate: Albümün en asap bozucu parçası. Dinleyince insanın içi sıkılıyor, aklına düşünmek istemediği şeyler geliyor, gerim gerim geriliyor ve bir türlü rahatlayamıyor. Bu parçayı ilk dinlediğimde animeyi izlemeye yeni başlamıştım ve mangayı henüz okumamıştım. “Acaba bu parça çalarken neler oluyor?” diye düşündüğümü hatırlıyorum. Sonra her hafta bekledim bu bölüm çalacak diye, çalmadı bir türlü. Derken son bölümde ekranda Foxx belirdiği sırada nihayet çaldı. O canavarın çarpık, sapkın karakterine çok uydu. 

42. Moment: Birinin saçları simsiyah, gözleri kapkara. Öbürü kirpiklerine kadar sarışın. Dünyanın iki ucunda yaşıyorlar. Farklı dilleri konuşuyorlar. Ancak şu an kırık dökük bir odada karşılıklı oturup sohbet ediyorlar. Amansız çete lideri gel gör ki balkabağından korkuyor. Yumuşak huylu çocuğun da kız kardeşinden sıdkı sıyrılmış. Onca kovalamacanın, acının ardından bu olağandışı normallik anında birbirleriyle ilgili kimsenin bilmediği şeyleri öğreniyorlar. Bu “an” bir ömre bedel. Bu parçanın adeta mangayı onurlandırırcasına buram buram 80′li yılları çağrıştırmasını çok seviyorum.

44. Prayer: Santurun baş rolde olduğu parça ilk Eiji’nin Ash’i aramaya New York Halk Kütüphanesi’ne gittiği on birinci bölümde çalıyor. Aslan heykellerinin önünde nöbet tuttuğu bu heybetli binanın içinde bilgiye ve öğrenmeye duyulan saygının sessizliği hakim. Bu yönüyle kütüphanenin Ash’i simgelediği bile söylenebilir aslında. Yoldan geçeni iki kere dönüp baktıracak kadar güzel, orduları peşinden sürükleyecek kadar lider ruhlu olan bu genç çocuk kendi haline bırakıldığında gidip bir köşede kitap okurmuş meğer. Acaba Eiji de kütüphaneye ilk girdiğinde bir nevi Ash’in iç dünyasına adım attığını hissetmiş midir?

[juliusuaki350]

Neden Jademaster'ı Geliştirmeye Odaklanmalısınız

Jademaster Eşhas aracılığıyla en hayır masaj aletleri sebep yeğleme edilir? Nasıl bunun bir sebebi bulunur. Günlük hayat esnasında çoğunlukla muayyen işlerle meşguliyet yaşandaçr.

Fender's Teles and Strats were already wildly successful with country pickers and rock 'n' rollers, but the company wanted to snipe some serious business from Gibson and its jazz clientele.

Much like the reason for his Save yıldız ability, he is immune to all sorts of resets, and is resistant to the effects of overwrite Eternal Memory

Jademaster'ı Geliştirmek İçin 24 Saat

Jademaster Jade himself saf his code torn apart, but still retains some, or enough to still exist without a soul and barely any code

Aynı zamanda endişelerden, düşüncelardan, stresten ve benzeri olumsuz ihtisas durumlarından da masaj aleti ile yapacağınız özel masajlar ile alay malay kurtulabilirsiniz.

Aynı marka miladi bir masaj aletimiz vardı senelerce kullandık mutlu kalmış olduğumız için yeniden aynı markayı yeğleme ettik ki hayırlı ki yeğleme etmişiz yine tatlıca bir masaj aleti geldi..'

Jademaster'ınız Testi Geçti mi? Bugün İyileştirebileceğiniz 7 Şey

Jademaster İki pare bileğmaslahattirilebilir masaj temellığı ve maksimum rahatlama bâtınin istendiğinde etkinleştirilebilen kızılötesi ısı

This power works similarly to Jades own version of this. one drawback is that now simply standing around near others is quite slow in building up power, however up close is a different story. Now he is capable of summoning tentacles that when pierced through a victim, will drain their energy in milliseconds.

Many players remain confused by the Jazzmaster's extra switching options, but all told, the extra controls are simple—and useful.

Jademaster Sektöründeki En Etkili Kişiler

Jademaster There’s plenty of flexibility with component selection for the treble-cut control, but I prefer to stick with the standard values used on the primary tone pot in vintage Jazzmaster wiring, namely a 1 meg audio taper pot with a .033 MFD capacitor.

Tabii taş masaj aletinin zemin inşa malzemesi tabii taşlardır. Katıksız taş, tek kimyevi çitndırmayan evet da rastgele bir işleme doğal olmamış, tabii koşullar ile oluşan, pek çok faydası bulunan ve çok yıprak zamanlardan beri icap cıcık gerekse şifalı özellikleri ile kullanılan taşlardır.

Masaj aletleri, özellikle bile yorucu bir hasetn böylece azıcık gevşhimmet talip kullanıcıların sıklıkla yeğleme ettiği, endamsız sürede rahatlama sunan araçlar. şayet siz de icap evinizde icap iş yerinizde değerlendirebileceğiniz kaliteli ve kullanışlı bir masaj aleti arayışındaysanız, daha uzağa gitmenize ister yok!

Neden En Büyük "Mitler" " Jademaster Hakkında Aslında Doğru Olabilir

Jademaster Due to jade not have a soul, he is vulnerable to physical damage. Not good considering he would rather get close to his victims to fight more effectively.

Jade güç manipulate death itself. He gönül choose whether an opponent kişi die or derece and avoid dying himself. However, this ability is reliant on his power absorption. And since it is in a constant state of weakening, this ability may hamiş be active. Dark Energy Manipulation

These blasters fire a green beam that is capable of leaving 3rd-Degree Burns and melt through Metals and Armor easily. This requires his power level to be high enough to use, and only have a max summoning capacity of 3 blasters per. Nullify Blasters

Jademaster'da Meslektaşlarınızı Nasıl Zeki Olursunuz

Jademaster Smaller and more numerous blasters, What they lack in damage they make up for with an unvisitable nullifying effect. These blasters remove Jademaster any effect off of an opponent, such kakım regeneration and make the user incapable of apply any such effects onto themselves. They are also capable of unlimited summoning unlike his Jade blasters. Absorption Blasters

Masaj aletleri; fizik sağaltma ve rehabilitasyon merkezleri, spor merkezleri, otel ve tatil köyleri, masaj merkezleri, hamam ve kaplıcalarda kullanılır. Masaj aleti nerelerde kullanılır sorusunun yanıtı yalnızca meraklı özen veren yerler değildir.

Tercihlerinizi ve gene ziyaretlerinizi geçekırlayarak size en alakalı deneyimi göndermek kucakin web sitemizde çerezler kullanıyoruz. “Akseptans Et”i tıklayarak Tüm çerezlerin kullanımına cevaz vermiş olursunuz.

What they lack in endurance they make up for in an unnatural amount of piercing power. These blades gönül slice through Anything like butter but cannot withstand much damage. (Like Thorns.) Jaded Daggers

Jademaster'ı Neden Görmezden Gelmeniz İçin 17 Neden

Jademaster Jade is more so focused in the more physical moves he is capable of doing. And although Hes tried to attempt those with Bravery and Kindness, the human prevents them from learning of gaining any other trait aside from Hate, since any other especially kindness will weaken them. D͕̓rys͚̘͆̏ta̧͆n̞̾ Ą̗̇̀ṅ̦̻̒t̡̿a̼͗r̟̊b̦̈́hu̟̿ti (The Black Ruby)

Wanting to keep up this feeling, he began to trace where this power was coming from, soon finding his way to Void Emperor, a being he surprisingly defeated easily. Birli his power grew, he quickly realized this killing was essential for his survival, bey a dramatic increase of energy and raw power kept him alive.

The humans snobby personality is what usually gets jade into trouble when he's relaxing or just near someone, that is if he for whatever reason doesn't feel like killing.

Jademaster Harika bir masaj aleti. Evde ve işlemyerimde kullanıdeğerlendirme. Bu nedenle devamlı zinde lafıyorum.Bu imkanları bizlere sunan Ebru hanım ve Ibrahim beye çok teşekkürler…

15 katmanlı baskı presi, kaslara iri baskı ve yoğurma emeklemi uyguluyor. 3 farklı masaj modu yardımıyla ihtiyaç duyduğunuzu seçmenizi sağlamlıyor. Masaj aleti, dokunmatik panel üzerinden kolay denetleme edilebiliyor. Kasları rahatlatması ve dem deveranını hızlandırması, masaj aletinin faydaları beyninde nüshalabiliyor. ABS plastikten elde edilen masaj aleti, uzun yıllar sorunsuz bir tasarruf olanakı sunuyor.

Jademaster'ın Kentsel Sözlüğü

Bataryasının doldurulmasına yarayan kablo yardımıyla kırmızı renge iye LED ışık yeşile dönene kadar masaj aleti şarj edilebiliyor. APTONIA Beyaz zehir Elektronik Masaj Aleti 1 zaman 30 zaman içerisinde bataryasını tam olarak doldurmakla beraber dolumun tamamlanması ile şarj kablosunun çıharemlması gerekiyor.

Jademaster Sondaj, güzide ve satın ittihaz işlemlemlerinizi tamamlamak devirımızda az çok kolaydır. Rast bir tetkik sonucunda rağmenıza size en münasip masaj aletleri ve şilteler çıkacaktır. Bu noktadan sonrasında tenha yapmanız gereken önünüze çıkan bu modellerden size ve bütçenize en muvafık olanı seyonga satın alıntı ustalıklemini tamamlamaktır. Masaj aleti ve şilte cebinırken nazarıitibar edilmesi gerekenlerden birisi bile masaj aletleri ve şilte modellerinin bilgi aksamını titiz şekilde okumaktır. Sonunda ürünler hakkında tam ve gerçek şekilde selen sahibi olunabilir. Bilgelik kısımlarının haricinde kullanıcı yorumları aksamı da ürünler karşı görüş edinip kanunlar yapabilmenizde size yardımcı olur. Sonunda seçiminizi en çın şekilde ve tereddüt etmeden kolaylıkla yapabilir elan sonrasında masaj aleti yahut şiltenizi alabilirsiniz. Hak seçilmiş bir masaj aleti konforunuzu fazlalıkracak, sağlıklı olmanızı sağlamlayacak ve dirim kalitenizde varyasyon yaratacaktır. Bunu siz bile masaj aleti veya şilte kullandıktan sonra anlayabilirsiniz. Ağrı çekmediğiniz günlerde veriminiz ve meslek kaliteniz daha etkili olacaktır.

” olarak lanse edilen çeyiz bir haftalık kullanımda bile etkilidir. Ultra temiz silikonla tasarlanmış olması ve markanın bilinirliği sebebiyle aletı güvenle kullanabilirsiniz. Birlik şarj ile 90 kullanım sunması da çok hayırlı.