hurt/comfort blurb based off an ask @missmeinyourbones received :3
gojo x gn!sorcerer!reader, he's ridiculous, lovesick and dramatic in the one but that's how we like him here so. enjoy!!
“where is our couch?”
gojo looks up at you from his phone, grinning at you gently with the small smile that he always wears; one you’ve come to adore over the years. this time, however, it does nothing but irritate you because there is a large, vacant space in the living room that has ‘gojo satoru’ written all over it.
“what do you mean?” he asks but the lilt in his tone tells you everything you need to know.
that one, gojo has everything to do with your missing couch. two, you have fallen for his bait, successfully tricked into talking to him because three hours ago, you refused to acknowledge his existence after a heated argument that ended with you promising to sleep on the couch. yet after one harmless trip to the supermarket, you come back to discover that your bed for the night was missing.
and you know him well enough to know that his giddiness stems from the fact that you’re finally giving him the attention he’s been craving for the past few hours.
“where. is. our. couch?” you reaffirm, emphasising each word so they can get through his thick skull.
“is it not in the living room?”
he sounds almost delighted at this peculiar interaction, seeming proud of himself as his eyes shine with mirth. they bravely look into your frustrated and irritated ones.
“i am in no mood to bicker, gojo,” you begin, “either you tell me where our couch has gone or i kick you out.”
the sorcerer pouts from where he sits on the bed, curling into a ball as he stares up at you. the sight would’ve been more comical if you weren’t so mad. “that’s not very nice.”
“you don’t deserve nice,” you mutter, turning on your heels to walk away before gojo can melt you with those honeyed words of his. from the bedroom, you hear fumbling and rustling, followed by footsteps.
instead of paying gojo any mind, you go to the kitchen counter where you left the many bags of groceries you bought.
he rests his elbows on the kitchen island, subliminally begging for an ounce of your attention whilst you sort through the bags. “would you like some help?”
you give him a brief side-eye before resuming. his pout worsens.
“if i tell you what happened to our couch, will you promise to sleep on the bed tonight?” pleads the white-haired, “with me?”
you sigh, “yes.”
“i warped it somewhere.”
“what?” you almost drop the carton of eggs in your hold. “what do you mean ‘somewhere’?”
“somewhere in jujutsu tech, i’m not really sure.” he cringes at the glare you shoot him. “i was gonna get it back if you agreed!”
that was your last straw. running a hand down your face, you don’t see the way that your lover stares at you with hope from the corner of your eye.
“for goodness’ sake, why did you warp our couch?” you quiz.
“because you were going to sleep there,” he murmurs, “and i didn’t know how else to change your mind.”
“you’re twenty-three, gojo. you should know a thing or two about how to reconcile properly by now.”
his pout worsens at the use of his family name. “i am a man in love, y/n, do you know what they say about men in love?”
before you can even think of a snarky remark, realisation hits you like an anvil. whenever gojo uses his teleportation technique it always… leaves… something behind.
rushing over to the carpet that used to be under the couch, you almost have a heart attack when you lift it up and see the scorched marks that occur as a byproduct. the white-haired leans against the kitchen island innocently, whistling.
“and what are you planning on doing about this?” you shriek. you try to remain calm, really, but it’s hard to do so because gojo has an affinity for driving you to the brink of insanity.
“i will get someone to fix it, i promise!”
“and will they not be suspicious that there are marks in our floor?”
“a little bribery never hurt nobody, and i have a lot of money to bribe someone successfully. plus, i have connections in the jujutsu world!”
you drop the carpet, giving up. “i’m calling shoko to crash at hers for the night-”
“-then i’ll warp her house.”
“can you even do that? a couch is pretty impressive already.”
“so you think i’m impressive?”
“gojo.”
“i don’t know if i can teleport a house but i’m always willing to try.”
you hate him, you decide. “even if you could warp a house, you shouldn’t, because shoko will kick your ass.”
“but you’ll protect me, won’t you?”
you say nothing, merely glancing at your boyfriend before reaching for your phone in your pockets. however, before you could even unlock the device, gojo is beside you, crouched down to your level. he maintains a respectable distance, one that does not invade your personal space whilst fulfilling his need to be close to you.
“are you actually leaving?” he whispers brokenly, completely changing the atmosphere as his eyes begin to shine with tears that threaten to spill.
your words are lodged in your throat at the pitiful sight. whilst some part of your brain curses you for giving in so easily, the other part that loves gojo (who are you kidding, all of you loves him) begins to feel a little bad.
he continues, reaching for your hand to play with your fingers, “please don’t leave. i’m sorry for what i said when we were arguing. i love you,” he pauses for a second before adding as an afterthought: “a lot.”
gojo’s apology, although a little awkward and rushed, is nothing short of endearing, successfully quelling the waves of frustration and anger you’ve been feeling for the past few hours. although the hurt has not completely faded, it’s a little less suffocating to be around him now.
his life is far from normal, you understand that, and you realised that it would be something you had to deal with when you started dating him in your last year at jujutsu tech. but you fell for gojo because of his sporadicity. life may have not been the same ever since, but in a world where all you are gifted is targets on your back in exchange for keeping lives safe, his love is a refreshing oasis for you to return to when all is said and done.
even though he expresses it through unconventional ways, such as teleporting your couch because he was heartbroken at the prospect of being away from you, you think it’s a fair trade.
as a way of accepting his apology, you open your arms for him and the white-haired doesn’t even let a second pass by before he’s crashing into you.
it’s comforting, the way he holds onto you like you’ll slip from his grasp otherwise. “i’ll go get our couch back soon,” he mutters into you, squeezing your waist a little tighter.
“we’re having a moment, gojo, please don’t mention the couch or i’ll be angry again.”
“sorry,” the white-haired raises his head to look at you, “can i at least get nickname privileges back?”
“you’re ridiculous,” you huff, “no.”
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Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.
Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.
And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.
Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).
(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).
Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?
Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.
And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?
Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.
Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.
Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.
Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.
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TLDR
Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful.
I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB.
I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.
"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--"
Stop. Repeat what you just said.
"Bill is 1000 year old triangle--"
Repeat that last word to me.
"....triangle?"
TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO!
And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~
Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on?
...Cause apparently it's mine.
First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.
"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter!
I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends.
And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting.
You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real.
I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar.
If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.
And just to vent some other things that i keep seeing that are frustrating:
You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.
And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.'
Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers.
You know? The TOXIC Old Man Yaoi!
You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay.
And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them.
But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.
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