How do you think Velvet flirts with Coco?
This is one of the funniest asks I ever got and im glad cause this is just gold. Like how does the Bun™️ woo her stupid bozo??
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I have my biased takes on what Coco and Velvet are like as characters, but to start off I wanna focus on what Vel brings to the table.
I think a lot of people have moe’d her down to a nervous/scaredy bunny girl and…that’s not her at all. She’s a real multilayered character who can and will kick your ass flat. She’s also…
- very very attentive to people
- excellent at memorizing things she sees and hears, and quickly at that
- very emotionally in tune with people, herself included
- insanely kind and helpful
- honest about her feelings and will voice her thoughts when ready
Also she’s a bunny like come on. Is baby. It’s impossible to not find her likable.
I can go on forever, but I think these are enough likable traits to work with.
Time to shift. Now we focus on what I think Coco likes in a person:
- Hot girls
- Complexity
- Someone true to their nature
- Some sense of honor
- Someone striving to learn and to better themselves
Hopefully it’s not lost here, but there’s some compatibility don’t you think? Velvet’s got some of those traits that Coco likes.
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So where’s the flirting? It’s coming I swear, I just needed the background info to help support the answers.
Bun bun flirts two ways: intentionally and unintentionally. The latter is usually what’s happening most often.
Her intentional flirting is what you would expect. Some cheeky words, being a playful tease in her actions like when she flashed her camera in After the Fall. I think she would 1000% take advantage of her physique and incredibly vast skillsets. She is totally totally showing off during training and sparring. Coco might hide her gaze under her glasses but that dumb bitch is so easy. So so easy…
Now her unintentional flirting is basically that Velvet is just doing her thing. She’s comfortable and loved by her team. With them she’s able to be herself and have fun, and that’s what coco loves most. Seeing Velvet thrive and not feel like she has to hide herself away from the world, and with it comes moments and actions that make Coco, much to her surprise, fall for Velvet.
I guess simply put, Velvet flirts by being her cheeky self around Coco, and her leader falls for her every time.
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I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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Let’s talk about Laudna, cuz lbr this witch is in trouble!
When Fearne used the harness on the shard, Laudna couldn’t even watch. The next time that the group pulls it out, no one in the group even takes into consideration that Laudna is in the same room, Orym uses it, and it results directly in her sucking out the Willmaster’s soul. The very next day, Laudna puts the harness on herself, and uses it to absorb a magical item, and not one person in the group spoke up to say, ‘hey wait, that’s maybe not such a great idea…’
Like honestly, it feels like Laudna had more social interaction with the boat and the rope that she animated herself with a spell that only lasted for one minute, than she has had with all the members of her party combined, over the last forty-eight hours in-game. Her girlfriend has been shamelessly flirting with a bombshell of a druid, who she’s intimately sharing magic with, and is connected to with an actual visible red tether. And the only member of the group who seems to have noticed is the annoying fucking robot that’s whispering in her ear, “Are you jealous? Are you jealous? Are you jealous?” Worst therapist ever btw—honestly, that would make me wanna rip someone’s soul out too.
So, it’s really no wonder when Imogen and Laudna go to bed without speaking, that Laudna reaches out to Delilah for advice and comfort. The whole group knows that Laudna is an insecure fucking mess. They know about her recurring issues of her self-loathing and self-worth. And they know that she’s hyper-sensitive to feelings of betrayal. Like, the whole group has admitted that any one of them could be a ticking time bomb, but imho, Laudna right now is a ticking time bomb, that is just intermittently beeping, and it seems like they’re all just pretending they don’t hear it.
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Replaying phantom hourglass and I really don’t think it’s fair to characterize Linebeck as a coward. Like yeah he doesn’t want to go into the dungeons or the temple of the ocean king, but the temple of the ocean king sucks the life out of you, you see skeletons and spirits of people who died in there. He actually did go in there by himself and got trapped. Another thing to keep in mind is that he’s a normal person, he doesn’t fight and he prefers the laid back lifestyle. Now he does want treasure and that gets him motivated, but that treasure is also in a life threatening ghost ship that takes victims here and there. It makes sense that he’s nervous about that.
Another thing to keep in mind is that when you do fight monsters and bosses in the sea, he’s not scared at all. He tells you that there’s an enemy, he cheers you on, and even when you die he just kinda accepts his fate. He’s a competent and capable man on the sea, and you know that he knows what he’s doing. Also, as soon as you see the ghost ship after you get the second sea chart, he tells you to go straight ahead, to chase it down. Again, he’s motivated by Treasure, but he doesn’t hesitate to chase after the ghost ship.
Maybe as an adult he should go and help Link who is just a kid, but keep in mind that this is a video game and you don’t want your hand to be held the entire time playing. His role only seems to be sailing you around anyways, not traveling by your side like Ciela (I’d imagine it’d be different for a full grown man to be following you around, cuz most Zelda companions hide away while you’re playing)
Anyways, Linebeck is cowardly at times, but I wouldn’t characterize him as a coward. A greedy pathetic scoundrel, yeah, but not really a coward.
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I’m probably a little late to the party (heh) but there’s something I’ve noticed concerning color theory and Max, and Max in general
When she is introduced to us as MADMAX, her situation with Billy makes her feel lonely and angry. She’s wearing red clothes (with a white stripe!) and her hair is down (letting her rage roam free).
In here, she’s clearly annoyed. She’s just left Billy’s car, Mr. Clarke made her stand before the class and named her Maxine when she just wanted to melt into the background and get over her first day at an unfamiliar school, still not thrilled about having to move from California.
Still, she’s zipped down, since those people didn’t do anything especially hurtful towards her and maybe she’s a little hopeful about them.
When she’s mad after an interaction with Billy she’s wearing red:
Darker red! She’s at school where she won’t have to deal with Billy for a while. She’s cooling like lava but there’s still one streak of the anger in the back of her head.
When the boys approach her, her zip-up sweatshirt is unzipped to show some of the color underneath. She’s happy! She will not let her guard down completely but she won’t hiss at them immediately! Still, she’s ready for disappointment and snapping right back to being fully red.
Yellow is not a lighter shade of red, but it’s definitely close on the color wheel. Closer to white, too! She is showing she’s not only mad, there also is softness inside her! It’s still a shade connected to red (anger) but yellow by itself is more of a happiness color. She wants to make friends but is still scared because of the new environment and Billy.
In the car with Billy (the scene where he wants to run over the party), the entire scene is shot in a way that’s barely letting us see her clothes. It’s mostly covered by hair, too, but we can see it’s still at least a little unzipped as there’s a bit of the yellow collar visible.
In the scene, she’s defending Hawkins saying, that it’s not that bad and that she can’t see any cows (yellow). She’s scared of Billy, so she’s trying to cover up her sympathy towards Hawkins and towards the boys (with red and her hair, Billy saw her get out of the car with the sweatshirt zipped up and hair down, now she’s covering her softness with what is familiar to Billy, so that he doesn’t see anything has changed, notice that softness and hurt her. That’s exactly what she does when she says she doesn’t know the boys trying to protect them from getting ran over).
Yellow! Fully yellow :) She’s happy to be shown weird pollywog-like creatures with the rest of the Party!
Right after Will gets possessed, her question as to what “true sight” means gets brushed off by all of the boys. She’s hurt and feels excluded, but her hurt makes her angry again. Next time we see her, she’s all red again.
“Party members only! This is non-negotiable.”
“I thought you guys wanted me in your Party!”
At the arcade! She’s already acclimated to Hawkins, and the arcade is her favorite place.
Alright, I’m getting tired and my third eye is slowly closing, so I’m going to wrap this up quickly, since I think I presented what the gist of the idea is.
In season 3, yellow, patterns, colors! She is now fully a member of the party! She has friends, she knows the secrets, El is back. This is the happiest she’s been.
Clothes are important in both of the girl’s characters! (El changes from murky colors to vivid patterns when she finds herself and there’s a post about El shedding layers of blue in season 4. I’d link it but can’t find it, I’m sorry!) There being a scene like this, with them fooling around with their clothes is basically the peak of happiness :)
Here Max gets really worried because of Billy. She’s feeling a bit guilty ‘cause that’s her step-brother that’s sowing chaos and hurting her friends. El is straining herself. The situation is looking BAD. Blue!
Beginning of season 4
Blue - she’s grieving and feeling guilty, Black coat - she’s hiding herself in a shell. She’s not particularly hiding her grief but she can close off at any moment.
(Btw Lucas is also wearing a blue shirt with some coats. I’d say he is sad because Max dumped him and doesn’t want to tell him things but the coats have a couple of colors because he’s hiding away his nerdiness in order to be cool :)
Now, the overcoat is blue with yellow elements - Max is being honest about her grief. She’s targeted by Vecna, the Hawkins gang knows she is SAD. It’s her last day, she can unfurl. The sweatshirt is unzipped and showing red and white underneath, the same colors we’ve seen her wear when we first met her. The girl that slammed the door of Billy’s car. The one that was scared of him. That girl is still inside Max.
Sometimes, she’s wearing this. Grief covered up with brownish-reddish... Red. She’s going back to her previous self, she is talking to Lucas again and he SEES her... But to get that shade of red you go more towards black on the color wheel. She’s not that vivid, fiery red anymore. There are bits of that girl deep inside her, but she’s too tired to make it her entire self. She’s tired.
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keep seeing that classic "god doesnt make mistakes" argument being used against trans folks and. ignoring the fact that not everyone follows the same god(s), ignoring the fact thst not everyone follows ANY god...
what if god just. made us to be trans?
there are people who say that they were put in the wrong body by mistake, yea, and those feelings are valid! im not here to police how people feel about their own gender, sex, and personal journeys. but for me, personally... if there is a god who designs us all with our bodies, minds, personalities, essences in mind, then.. i wasnt made this way by mistake, and that includes me being trans.
why would an omniscient being that is the beginning and end of everything, make a mistake? why would we assume someone who doesn't fit our own ideals is claiming that God, or whoever, is in the wrong? Why are we, as humans, so arrogant as to believe that it wasn't humans, instead, that made the mistake, in creating the labels and assigning attributes that are barely surface level?
if a God made me, then i was made to be trans. He made me navigate the world as a little girl, so that I could grow up to be a better man. If he didn't want me to transition, or to have the words to explain my gender, he wouldn't have given us the ability to do so. he wouldnt have given humans the knowledge necessary to question it, to perform surgeries and create hormones and have words to describe our lived experiences.
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