#young jane tennant

[littlesolo]

[gryfflepuffinthetardis]

Drunk in Love — Campbell Bain x Reader

Sweet Jane Masterlist

Summary: Campbell calls Y/N drunk so she can pick him up from his station’s night out at the bar.

Warnings: Drunk Campbell; Drunk Campbell is clingy, Reader is mentioned to be much shorter than Campbell who is roughly six feet tall (I am personally five foot two); Reader is implied to not be Scottish but it can be interpreted by being from a different part of Scotland (I am personally American)

Note: I'm not crazy about the Beyonce song, it doesn't really fit, but if you had any other suggestions of songs about intoxication and love...

(Post-Asylum; May be connected to “Sweet Jane” or read alone)

"They were utterly intoxicated by each other."

"Even drunk, I am caught off guard by the way I remain intoxicated by you."

"Be drunk with love, for love is all that exists."

1994 *Six months after the events of “Takin’ Over the Asylum”

It was two in the morning when the phone rang about six months after Campbell got the Scotland Radio job. 

“Ahhhg.” She groaned, blindly and lazily feeling around for her phone, knocking some things over, and answered her phone, “Hello.”

“Heeeeeey! Baby!” Came Campbell’s voice, clearly drunk. “Oh, I love you so much. Also, I’m super drunk with Eddie and them from work. Did I tell you I helped Eddie get a job at the station!?”

“Yes, Cam. I did. I was there when you did it." Y/n said.

“Twice a week.” He laughed, “But I’m just so sloshed! I can’t drive and neither can Eddie. Francine’s picking him up. Can you pick me up!? Pleeeeeeeeaaaaaase…” He kept that high pitched tone up until she said yes which she was going to anyways.

“Okay, yes. I will, just stop whining in that tone.” She said, “Let me get ready to leave first.”

“Love you!” Campbell sang and then he started singing Goin’ Out of My Head before Y/N hung up.

She groaned and rolled out of the bed.

--

When she arrived at the station, everyone else was gone except Campbell who was singing, drunkenly, I Want Your Cray-Cray at a high-pitched singing voice dressed in one of his hoodies just as his girlfriend was.

“I want your cray-cray!”

"Hey, radio star." Y/N said, walking up to her intoxicated boyfriend.

"Baby! My love! My world! My universe!" He laughed, getting up and throwing his arms around her neck, with him being so much taller than her, he nearly knocked her over but she managed to get a firm footing before that happened.

"Why are you sitting out here? It's way too cold."

"It's too hot in there." He said and tried to take another swig of alcohol.

"No. No, Campbell." She said, wrestling the bottle from his boyfriend who was whining now like a baby. "Come on, let's get you home."

"You first. I'm loving the view." He flirted, looking her up and down shamelessly, as he brought his hands to her waist, running his fingertips gently on her skin, below the hoodie. "You know how much I love seeing you in my clothes, especially my hoodies."

"Campbell, you're drunk." She sighed.

"And I did exactly what you told me to. I called you."

"Yes, I did. And you did so well." She cooed, her hand cupping his cheek and he nuzzled into it, proud of himself. "now come on. Let's go home." 

She pulled him towards her car and helped him into the passenger's seat before moving to the driver's seat. 

Campbell dozed off on Y/N's shoulder during the ride before she woke him up.

"No..." He whined so she turned the car inside light on and he groaned, "Ahhhhhg."

"Come on, party animal. Let's get you ready for bed." She said.

Campbell tried to be on his best behavior while drunk but he felt anyone else would've just dropped him on the couch... but not Y/N, not his Y/N. 

She sat him on the edge of the tub in the bathroom. 

"How many drinks did you have?" She asked 

"I don't know." He mumbled without opening his mouth.

She brought a breathalyzer to him and held the nozzle to his mouth, "Open." He opened his mouth. "Breathe." He breathed. The breathalyzer beeped and read... ".16... so you had like seven drinks?"

"Sounds 'bout right." He slurred, nodding.

"Campbell, that's too high." She scolded and he pouted like a little puppy. She placed her hand on his forehead, he leaned his head back, looking at her with an alcohol-glazed lovey look, and then she felt his cheek and once again he nuzzled into her hand. "You don't seem cold or clammy, your skin doesn't seem to be any paler than usual. You're breathing is quick. So, you don't have alcohol poisoning..." She took him by the hands and pulled him to his feet, "let's brush your teeth, your breath stinks."

"I think a kiss from you is enough. Because you're so sweet." He flirted, leaning in for a kiss.

She leaned away from the kiss, making him pout and give her his puppy-dog eyes. "And you're so cheesy." She brushed his teeth for him and then told him to stay still in the middle of the bathroom while she got him some pajamas, slightly worried he might topple over and hit his head on the sink or bathtub. She got him a Radio Scotland t-shirt as he usually slept in a tee and his boxers. She brought the t-shirt as he started to shed his hoodie and unbuckle his belt.

She blushed, "Uh, Camps, here." She muttered, handing him the t-shirt, avoiding looking at him but he didn't take it and she looked at him as he had planned and he pulled his shirt over his head and smirked, raising his eyebrows in a teasing manner.

"Campbell!" She said, sternly.

"Alright. I was just jokin'. I'll be out in a minute." He said with a drunken giggle in his Scottish accent and she left.

A minute later, he called, "Help."

She opened the bathroom door to find him just barely keeping himself from tripping due to his jeans at the floor now, pooled at his feet and him still being very drunk, and trying to put his head through a sleeve. "I'm stuck." She could hear the pout in his voice.

Y/N smiled, gently and she walked over to him, "stay still." She advised him.

"Never." He mumbled with a hint of a childish whine.

She eased him to stillness before fixing the t-shirt so his head went through the head hole and helped him navigate his arms through the sleeves.

"Aye, my hero." He smirked and she leaned up, gently kissing him and he never refused a kiss from her.

She was a goddess from Scottish or Celtic mythology in his eyes. She was the Baobhan Sith, the female vampire who seduced men with her beauty and he would gladly give her his blood if she asked. She was Mórrigan, the Irish-Celtic warrior-queen goddess. She was Cliodna, the Scottish-Celtic goddess of beauty, love, and passion. He worshipped her with his every being.

"Okay, superstar, time for bed." She giggled.

"Will you stay?" He asked, forgetting whose house this was.

"Well, this is my house. So..."

"I like to wake up, looking at you." He mused before flopping face-first on the bed.

Y/n rolled her eyes and pushed him on his side of the bed.

Y/N turned off the lights and climbed into bed. A few minutes went by before Campbell said, loudly, right in her ear, "WAIT!?" He startled her with the volume of his voice, making her jump and pull away from him, and he lowered it, "Sorry." She reached next to her and turned on the sidetable lamp. "What were you doing when I called you?"

"Sleeping..." She said, hesitantly.

His eyes turned back into puppy-dog eyes of sadness.

"Oh, I'm so sorry, love." He apologized, he cupped the back of Y/N's head. "I must've been pretty annoying all night."

"No, you weren't." She reassured him, puncturing each sentence with a kiss. A sure-fire way to keep his drunk self entertained--also a sure-fire way to keep his sober self enterained. "I'd get up in the middle of the night to come and get you as much as you need. I love you."

He smiled and kissed her before bringing her in so she could rest her head on his arm and he stretched the turn off the light and the two fell asleep to a morning of him whining about his hangover.

[rebeccasteventaylor]

So why does Donna matter so much to me? To so many of us?

All the companions - old and new - had been young and they kind of knew they were brilliant. They had self-confidence and they knew their place was by the Doctor.

Donna was a middle aged woman who thought she was worthless. She spent her life thinking that her life meant nothing, she meant nothing.

Doctor Who has been running for 60 years. There are a lot of middle-aged women in this fandom who felt the same way. But no-one saw us in the fandom because middle-aged women are often - invisible.

But here’s Donna, just like us. And she does take the chance to travel with the Doctor and she is brilliant. She grows and learns and she becomes his best friend (he hasn’t called anyone that since Sarah Jane). She has a wonderful life and she finally knows she is wonderful.

And then it all goes. It’s not even that she loses the Doctor. She loses everything. She misses everything. She has no idea that she matters. She feels worthless again.

It broke us. And I remember sitting on a train on my way to see David Tennant in Hamlet and hearing a lot of women talking about Donna’s end and how it broke them. They had finally felt that with Donna, they had a place in the Doctor’s world too, and now they were told - they don’t.

But now - you could see Donna, once she had her memories back, once she knew what she had done, suddenly know once again that she is brilliant. That she is the Doctor’s best friend, that he loves her, that she matters. It all came back and it got given back to us too.

That’s why Donna matters. For all those middle-aged fans out there who think they don’t matter, no-one like the Doctor could care about them, they have no place by the Doctor’s side. Once again - we’re being shown we are brilliant and matter and are loved.

[ninemelodies]

The David Tennant Filmography Checklist

Including his most popular works (list made by @literatemisfit )(check what you've watched!)

Dramarama (1988) ☑️ Rab. C. Nesbitt (1993) ☑️ Takin' Over the Asylum (1994) ☑️ The Tales of Para Handy (1995) ☑️ The Bill (1995) ☑️ Duck Patrol (1998) ☑️ L.A. Without a Map (1998) ☑️ The Last September (1999) ☑️ Love in the 21st Century (1999)☑️

The Mrs Bradley Mysteries (2000) ☑️ Being Considered (2000) ☑️ (just his part) Randall & Hopkirk (Deceased) (2000) ☑️ High Stakes (2001) ☑️ People Like Us (2001) ☑️ Foyle's War (2002) ☑️ Nine 1/2 Minutes (2002) ☑️ Bright Young Things (2003) ☑️ He Knew He Was Right (2004) Blackpool (2004) Casanova (2005) ☑️ The Quatermass Experiment (2005) Harry Potter and the Goblet of Fire (2005) ☑️ Secret Smile (2005) The Chatterley Affair (2006) Recovery (2007) Learners (2007) Extras (2007) Einstein and Eddington (2008) Glorious 39 (2009) The Sarah Jane Adventures (2009) Doctor Who (2005-2023) ☑️ St. Trinian's 2 (2009) The Catherine Tate Show (2007-2009) Hamlet (2009) ☑️

How to Train Your Dragon (2010) ☑️ Single Father (2010) United (2011) The Decoy Bride (2011) Fright Night (2011) ☑️ This is Jinsy (2011) Much Ado About Nothing (2011) ☑️ True Love (2012) Nativity 2: Danger in the Manger (2012) Spies of Warsaw (2013) The Politician's Husband (2013) The Escape Artist (2013) Richard II (2013) The Five(ish) Doctors Reboot (2013) Broadchurch (2013-2017) ☑️ What We Did on Our Holiday (2014) Gracepoint (2014) Teenage Mutant Ninja Turtles (2015-2016) Jessica Jones (2015-2019) Family Guy (2016) Mad to Be Normal (2017) DuckTales (2017-2021) You, Me, and Him (2017) Bad Samaritan (2018) ☑️ Hang Ups (2018) Mary Queen of Scots (2018) There She Goes (2018-2023) Camping (2018) Criminal: UK (2019) Good Omens (2019-2023) ☑️

Deadwater Fell (2020) Des (2020) Screening (2020) Staged (2020-2023) ☑️ Around the World in 80 Days (2021) ☑️ The Legend of Vox Machina (2022) Meet the Richardsons (2022) The Sandman (2022) ☑️ Inside Man (2022) ☑️ Litvinenko (2022) Good (2023)

[voguefashion]

Edward Enninful's British Vogue (December 2017-March 2024)

December 2017: Adwoa Aboah by Steven Meisel

January 2018: Taylor Swift by Mert & Marcus

February 2018: Margot Robbie & Nicole Kidman by Juergen Teller

March 2018: Gigi Hadid & Bella Hadid by Steven Meisel

April 2018: Gugu Mbatha-Raw by Mikael Jansson

May 2018: Vittoria Ceretti, Halima Aden, Adut Akech, Faretta Radic, Paloma Elsesser, Radhika Nair, Yoon Young Bae, Fran Summers & Selena Forrest by Craig McDean

June 2018: Cara Delevinge by Steven Meisel

July 2018: Ariana Grande by Craig McDean

August 2018: Oprah Winfrey by Mert & Marcus

September 2018: Rihanna by Nick Knight

October 2018: The Beckham's by Mikael Jansson

November 2018: Fran Summers by Inez and Vinoodh

December 2018: Stella Tennant, Adut Akech, Primrose Archer & Saffron Vadher by Steven Meisel

January 2019: Dua Lipa by Nadine Ijewere

February 2019: Emma Stone by Craig McDean

March 2019: Naomi Campbell by Steven Meisel

April 2019: Naomi Scott by Nick Knight

May 2019: Kate Moss by Mikael Jansson, Jamie Hawkesworth & Inez & Vinoodh

June 2019: Madonna by Mert & Marcus

July 2019: Zoë Kravitz by Steven Meisel

August 2019: Karlie Kloss by Steven Meisel

September 2019: Adut Akech, Gemma Chan, Greta Thunberg, Jameela Jamil, Chimamanda Ngozi Adichie, Adwoa Aboah, Jacinda Ardern, Francesca Hayward, Ramla Ali, Christy Turlington, Salma Hayek, Sinéad Burke, Jane Fonda, Laverne Cox & Yara Shahidi by Peter Lindbergh

October 2019: Kaia Gerber by Steven Meisel

November 2019: Jourdan Dunn by Nick Knight

December 2019: Emma Watson by Alasdair McLellan

January 2020: Taylor Swift by Craig McDean

February 2020: Lupita Nyong’o by Steven Meisel

March 2020: Irina Shayk by Mert & Marcus

April 2020: Jodie Comer by Steven Meisel

May 2020: Rihanna by Steven Klein

June 2020: Judi Dench by Nick Knight

July 2020: Rachel Millar, Narguis Horsford & Anisa Omar by Jamie Hawkesworth

August 2020: Reset by Mert Alas, Lubaina Himi, Alasdair McDean, Craig McDean, Nadine Ijewere, Nick Knight, David Hockney, David Bailey, Martin Parr, Marcus Piggot, Jamie Hawkesworth, Tim Walker, Juergen Teller & David Sims

September 2020: Marcus Rashford & Adwoa Aboah by Misan Harriman

October 2020: Emma Corrin by Charlotte Wales

November 2020: Serena Williams by Zoë Ghertner

December 2020: Beyoncé by Kennedi Carter

January 2021: Kate Moss by Mert & Marcus

February 2021: Dua Lipa by Emma Summerton

March 2021: Angelina Jolie by Craig McDean

April 2021: Janaye Furman, Precious Lee, Mona Tougaard & Achenrin Madit by Steven Meisel

May 2021: Thandiwe Newton by Mikael Jansson

June 2021: Billie Eilish by Craig McDean

July 2021: Malala Yousafzai by Nick Knight

August 2021: Margot Robbie by Lachlan Bailey

September 2021: Gemma Chan by Hanna Moon

October 2021: Zendaya by Craig McDean

November 2021: Adele by Steven Meisel

December 2021: Lady Gaga by Steven Meisel

January 2022: Kristen McMenamy by Steven Meisel

February 2022: Amar Akway, Majesty Amare, Akon Changkou, Nyagua Ruea, Abény Nhial, Maty Fall, Janet Jumbo, Adut Akech & Anok Yai by Rafael Pavarotti

March 2022: Naomi Campbell by Steven Meisel

April 2022: Anya Taylor-Joy by Craig McDean & Queen Elizabeth ll by Antony Armstrong-Jones

May 2022: Lila Moss by Steven Meisel

June 2022: Gisele Bündchen by Steven Meisel

July 2022: Beyoncé by Rafael Pavarotti

August 2022: Cara Delevingne, Cynthia Erivo, Ariana DeBose, Jordan Barrett & Munroe Bergdorf by Mert & Marcus

September 2022: Linda Evangelista by Steven Meisel

October 2022: Timothée Chalamet by Steven Meisel

November 2022: Her Majesty Queen Elizabeth II Tribute

December 2022: Simone Ashley, Senna Miller, Yasmin Finney & Elizabeth Debicki by Scot Trindle

January 2023: Iman by Nadine Ijewere

February 2023: Priyanka Chopra Jonas by Zoë Ghertner

March 2023: Rihanna, A$AP Rocky & son by Inez & Vinoodh

April 2023: Jill Kortleve, Precious Lee & Paloma Elsesser by Inez & Vinoodh

May 2023: Sinéad Burke, Selma Blair, Aaron Rose Philip, Justina Miles & Ellie Goldstein by Adama Jalloh

June 2023: Miley Cyrus by Steven Meisel

July 2023: Miriam Margolyes, Janelle Monae & Rina Sawayama by Tim Walker

August 2023: Maya Jama by Steven Meisel

September 2023: Linda Evangelista, Naomi Campbell, Cindy Crawford & Christy Turlington by Rafael Pavarotti

October 2023: Lily Gladstone & Leonardo DiCaprio by Craig McDean

November 2023: Emily Ratajokwski, Adwoa Aboah , Irina Shayk, Adut Akech, Karen Elson & Mona Tougaard by Sean Thomas

December 2023: Kate Moss,Lila Moss, Olivia Colman, Jodie Comer, Stormzy, Little Simz & Tilda Swinton by Tim Walker

January 2024: Emma Watson, Tolu Coker, Priya Ahluwalia Torishéju Dumi & Amber Valletta by Charlote Wales

February 2024: Julia Roberts by Lachlan Bailey

March 2024: Karen Elson, Irina Shayk, Laverne Cox, Anya Taylor-Joy, Serena Williams, Rina Sawayama, Karlie Kloss, Jourdan Dunn, Amber Valletta, Precious Lee, Cindy Crawford, Jodie Comer, Gemma Chan, Adut Akech, Vittoria Ceretti, Gugu Mbatha-Raw, Cara Delevingne, Jane Fonda, Gigi Hadid, Linda Evangelista, Adwoa Aboah, Miley Cyrus, Paloma Elsesser, Iman, Victoria Beckham, Ariana DeBose, Jameela Jamil, Oprah Winfrey, Salma Hayek, Christy Turlington, Selma Blair, Maya Jama, Anok Yai, Kate Moss, Kaia Gerber, Cynthia Erivo, Naomi Campbell, Simone Ashley, Dua Lip & Lila Moss by Steven Meisel

[quanticowrites]

Surf (Kate Whistler x Reader)

•• First Whistler fic! For anon, I hope you enjoy! ••

“Ow! God damn it!”

“If you’d stop moving, this would be less painful!”

“You’re putting too much pressure! It’s going to start bleeding again!”

“I’m certified in this shit, (y/n).” She said, tightening the bandage some more around your waist. “I know what I’m doing.” You winced. Well, you had no one to blame but yourself for getting shot. You’d hesitated because the shooter was so young. Kate leaned back on her knees and sighed. “You never should have been there in the first place.”

“I was doing just fine until-!” You stopped and took a sharp intake of breath through your teeth. Yelling did not help the pain that blossomed from your torso. “Fuck.”

“Don't strain yourself.” She stated, getting off the bed and helping you get leaned up against some pillows at the headboard. “Tennant knew I would object to this. That's why she was sure to get you out there before I could say anything.” She paused as if she wanted you to say something. Maybe tell her she was wrong. Unfortunately…she wasn't. Jane knew how Kate would feel about you going into deep cover, so she rushed you out of the building as fast as possible before Kate’s FBI team could catch wind of her plan. There was a new chain of dry cleaners popping up on the island, but it was a front for a drug ring trying to establish itself here. Jane wanted to nip it in the bud before it could get out of control. So, she put you on the inside. You'd been under for two weeks before this incident. Meaning you had two weeks of Kate ranting to go before she got over it. “Are you going to object?” She asked, crossing her arms. You scoffed.

“No, I'm not. I agreed with Tennant’s decision.” You saw her jaw clench. She wasn't happy about this new revelation.

“You what?”

“I chose to go undercover.”

“Why would you do that?” You blinked. She hadn't been informed of that part?

“Kate, I'm more than capable of taking care of myself. I've been with NCIS just as long as you've been with the FBI.”

“It's not that-.” She huffed. “I just…you couldn't find two minutes to tell me about it?”

“Not really.” You start, already not liking the answer you had to give. “With helping Ernie make the fake background and social media to Tennant running me out of there…my mind was scrambling.” Kate sighed again. But this one seemed more understanding. If that made sense. She gently sat on the other side of the bed. Doing her best not to jostle you.

“FBI Agents go dark in the field all the time.” She started to fidget with her fingers. Picking at her nails and peeling the nail polish off in chunks. “I'm used to that at work. But…I never thought that might happen with you.” She laughed. “I don't know why, you're an agent just like I am. It could happen to us at any moment.”

“Come on, Kate. It's late. Lay down.” You lifted the blanket and Kate sent you a smile before snuggling underneath and curling up close to you. “How about…we have a secret word.” She blinked, her lips twitching upwards.

“Like…for sex?” You laughed, before biting your lip. Laughing that hard did not help the pain from your gunshot wound.

“N-no. Not for s-sex.” You waited until you regained your composure before telling her your actual idea. “For if one of us gets called to go undercover.” You saw her eyes moving through scenes in her mind. She ultimately nodded.

“That sounds like a good idea.”

“I have good ideas.”

“On occasion.”

“I have good ideas all the time!”

“Tell that to the last load of laundry you did.”

“I genuinely thought adding bleach and detergent at the same time would wash both white and regular clothes.”

“Where did you hear that?”

“No one! I just thought of it!” You reached your hand out and held a finger to the tip of her nose. “Anyway, you're getting off-topic. We still gotta pick a word.”

��Alright. Fine.”

“How about…Aristotle?”

“The Philosopher?”

“Yeah.”

“No.”

“Okay. Cheetos?”

“Cheetos?”

“They're my favorite junk food.”

“I already knew that.” You moved your finger to her forehead. “Let's pick a word that can be easily moved into a conversation. In case we have to be quick about it.”

“How can you be so smart and so dumb at the same time.”

“It baffles the mind.” You looked her over with a smile. “Come on, that brain of yours can think of something.”

“Then….how about surf?” You nodded. That was a practical word for two agents that worked in Hawaii. Surfing was one of the most popular things to do on the island. It could work.

“That's perfect.”

“Really?”

“Yeah, Kate.” You sighed, feeling the constraints of your bandages. “Your bandage skills aren't perfect though.”

Tag list:

@stanathanxoox , @nikkiwierden , @malindacath , @havlindzk , @countrygal17a , @memyselfandmaddox , @octobersmog , @mizzezm , @diaryofafan17 , @emmitheacefangirl , @a-sad-excuse-of-everything , @marennnx

[iacomary97]

The David Tennant Filmography Checklist

Including his most popular works (list made by @literatemisfit )(check what you've watched!)

Dramarama (1988) Rab. C. Nesbitt (1993) Takin' Over the Asylum (1994) The Bill (1995) L.A. Without a Map (1998) Love in the 21st Century (1999)

The Mrs Bradley Mysteries (2000) Being Considered (2000) Randall & Hopkirk (Deceased) (2000) High Stakes (2001) Bright Young Things (2003) He Knew He Was Right (2004) Blackpool (2004) ☑️ Casanova (2005) ☑️ The Quatermass Experiment (2005) Harry Potter and the Goblet of Fire (2005) ☑️ Secret Smile (2005)☑️ The Chatterley Affair (2006) Recovery (2007)☑️ Learners (2007)☑️ Extras (2007) Einstein and Eddington (2008) Glorious 39 (2009) The Sarah Jane Adventures (2009) Doctor Who (2005-2023) ☑️ St. Trinian's 2 (2009) The Catherine Tate Show (2007-2009) ☑️ Hamlet (2009) ☑️

How to Train Your Dragon (2010) ☑️ Single Father (2010) United (2011) The Decoy Bride (2011) ☑️ Fright Night (2011) ☑️ Just DT This is Jinsy (2011) Much Ado About Nothing (2011) ☑️ True Love (2012) Nativity 2: Danger in the Manger (2012) Spies of Warsaw (2013) ☑️ The Politician's Husband (2013) ☑️ The Escape Artist (2013) ☑️ Richard II (2013) The Five(ish) Doctors Reboot (2013) ☑️ Broadchurch (2013-2017) ☑️ What We Did on Our Holiday (2014) ☑️ Gracepoint (2014) Refuse to watch this. i've seen the first ep though Teenage Mutant Ninja Turtles (2015-2016) Jessica Jones (2015-2019) ☑️ Family Guy (2016) ☑️ Just DT Mad to Be Normal (2017) DuckTales (2017-2021) You, Me, and Him (2017) ☑️ Bad Samaritan (2018) ☑️ Hang Ups (2018) Mary Queen of Scots (2018) There She Goes (2018-2023) Camping (2018) Criminal: UK (2019) Good Omens (2019-2023) ☑️

Deadwater Fell (2020) ☑️ Des (2020) ☑️ Screening (2020) ☑️ Staged (2020-2023) ☑️ Around the World in 80 Days (2021) ☑️ The Legend of Vox Machina (2022) Meet the Richardsons (2022) ☑️ Just DT The Sandman (2022) ☑️ Inside Man (2022) ☑️ Litvinenko (2022) ☑️ Good (2023)

[typingtess]

 NCIS: Los Angeles Season 14 Rewatch:    NCIS episode:  “Too Many Cooks”

The basics:  The teams from Washington, Los Angeles and Hawai’i investigate the death of a respected and beloved FLETC instructor.

Written by:   Christopher J. Waild, who wrote over 50-episodes of NCIS.

Directed by:  Michael Zinberg, who directed 20+ episodes on NCIS, 13-episodes of NCIS: New Orleans.

Guest stars of note:  Some of the Hawai’i (Jane Tennant and Jesse Boone) and Los Angeles (G. Callen and Sam Hanna) stopped by. 

Our heroes:   Finally get to be part of a big crossover!

What important things did we learn about: Callen:  First at the crime scene. Sam:   Grateful McGee escorted him to interrogation. Kensi:  In Los Angeles. Deeks:  In Los Angeles. Fatima:  In Los Angeles. Rountree:  In Los Angeles. Kilbride:  In Los Angeles.

What not so important things did we learn about: Callen:  Knew Gibbs from way back and knows the rules. Sam:    “300-pounds of muscle” according to Parker. Kensi:  In Los Angeles. Deeks:  In Los Angeles. Fatima:  In Los Angeles. Rountree:  In Los Angeles. Kilbride:  In Los Angeles.

Where in the world is Henrietta Lange?  I’m guessing she knew Dale Harding/The Professor/The Cockroach and his secrets.

Who's down with OTP:  Jess and Jimmy seem to be doing well and encouraging and Jane-Nick love connection.

Who's down with BrOTP:  Thought the Nick and Parker scene near the end of the episode was interesting.  Don’t see Nick as much of a big sharer of his feelings and Parker being the guy he shares with to be honest.

Fashion review:   Callen wore blue, Sam wore black.  Everyone else was better dressed, maybe except Jesse Boone.

Music:  Barry Manilow got a mention.

Any notable cut scene:  Nope, unless it is on the NCIS DVD (which I don’t have).

Quote:  McGee:  “I can't believe this. You guys are accusing me of treason?  In my own house?” Callen:  “It is nothing personal.” McGee:  “Really? Then why aren't we doing this in the conference room?” Sam:  “We didn't know where that was.” McGee:  “You didn't know where this room was.  I had to show you.” Sam:  “And we appreciate your cooperation.”

Anything else:  In Washington DC, an older gentleman, Mr. Harding, is explaining his houseplants to his young house-sitter Libby.  Libby is working cheap monetarily but is also going to pick ten albums from his record collection.  Harding wants to preserve the Barry Manilow albums.  Libby notices a Hawaiian shirt and some other warm weather gear.  She now wants 12-albums as part of an envy tax.

Harding’s phone rings so Libby departs.  The person on the phone is a surprise to Harding who is unhappy the caller has his number.  He doesn’t want this person calling again.  As he is trying to wrap up the call, there is a hard knock on the door.  He asks if it is Libby at the door but two very hard knocks change that thought.

Harding runs to his computer and types something on his keyboard.  The person at the door is picking the lock.  Before the person at the door can enter, Harding takes a gun out of his desk drawer and kills himself.

In the NCIS elevator, Nick and Jessica picked up some party essentials – cups, streamers, champagne – for Kasie.  Kasie runs a very tight ship when throwing a party.  This party is for “The Professor”, a legendary instructor at FLETC, who is retiring.  Nick doesn’t like The Professor, Jessica loves him.  She see him as a mix between Robin Williams in “Dead Poets Society” and the Professor on Gilligan’s Island.  Nick is thinking more of the instructor in “Whiplash”. 

Walking into the bullpen, Nick and Jessica see people lurking about at their desks.  It is Jane Tennant and Jesse Boone from the Hawai’i office.  Everyone is happy to see everyone else.  Hugs are shared.  Both are in a day early because they didn’t want to miss the party.  Jane talks about how much she learned from The Professor about threat assessments, Jesse was a D.C. Metro Police Officer who was recruited by The Professor.  Parker and McGee arrive with stats of all the feds The Professor trained – both are big fans.  Parker was a fan from the FBI where The Professor was known as The Cockroach. 

McGee says he had lunch with The Professor a few days earlier.  The Professor was looking forward retirement.  With the mention of retirement, Gibbs’s name comes up.  Would he show up for the big party?  McGee doesn’t think Gibbs is coming though Gibbs and The Professor went fishing a few times.  There is a “so you say there is a chance” joke but an arriving Leon Vance ends all the joking.  Professor Dale Harding was found dead in his apartment that morning.  The teams are shocked.  When Vance says it is likely a suicide, Parker and the DC team start to work.  As they leave, Jane and Jesse join them.

There is some ‘who is in charge’ scuffling between the DC and Hawai’i teams arrive at Harding’s apartment when Jimmy rolls Harding’s body out on a gurney.  Both teams want to know who cleared Jimmy to take the body from the crime scene.  Callen and Sam did.  Jane recognizes “Agents Callen and Hanna”.  McGee gets a shout out from Callen – how it has been a long time - but wants to know what they are doing there.  Sam realizes maybe it hasn’t been a long enough time.

McGee is taking photos at the crime scene.  Callen comments on using an old fashion DSLR.  McGee comments on the type of gloves Callen is using – black gloves where the dye could contaminate the evidence.  Callen says he and Sam were in DC for Harding’s retirement party.  They heard about his death getting of the plane and went straight to the crime scene.  Nick implies that it may not be Harding but Sam assures him it was and things were “not pretty”.  Single gunshot under the chin, gunshot residue – it was a suicide.

McGee brings up the lunch with Harding again, how he had big retirement plans.  Jessica finds a plane ticket to Cabo.  Sam comments about Harding, calling him The Cockroach as well, but offering it as a sign of respect.  Jessica thinks Parker and Sam have too much respect for “primitive insects”.  Parker disagrees – cockroaches are survivors.  Dale Harding was a survivor – he taught all his students to adapt and survive.  Nick disagrees but Callen and the rest of the teams think they are missing something.  Harding may have committed suicide but he had to be pushed. 

Jane and Jesse join the others in living room.  She jokes about the most number of senior NCIS agents in a single place but has more serious news.  Harding’s cellphone is missing.  She also spoke with Libby, who heard the gunshot at 7:40AM and had the building manager open the door at 7:50AM.  Libby told Jane and Jesse that she was with The Professor when he got a call on his cell – the now missing cell.  McGee does McGee things on Harding’s computer.  It was last accessed at 7:45AM, after the gunshot and before the body was found.  Someone was in the apartment.

As Nick and Callen break down the party room, Nick brings up Rule Number Three – always double check.  Callen knows what Rule Number Three is.  He and Gibbs “go way back.”  Nick isn’t sure it is a suicide, Callen is.  There is talk of a friendly wager over the difference since “there are no rules against that” according to Nick.  Jane arrives explaining that there are actually rules against it.  “Number 15.”  Nick is sure that he and Callen aren’t dating but Callen says Rule Number 15 is about lawyers.  Jane isn’t going to run through the rules but if Harding killed himself, maybe he was coerced. 

An arriving Jessica has news of a blocked call at 7:38AM.  The call went through all sorts of VPNs and without Harding’s cellphone, no back-trace.  They are going to adapt and solve the case for The Professor.  Well, most of them are – Nick brings up that The Professor tried to have him thrown out of FLETC but he deserves justice.

In Autopsy, Jimmy is a bit sad that McGee dropped by.  He’s happy to see McGee but was hoping one of the visiting NCIS agents would drop by.  Jimmy wouldn’t mind an invitation to the Los Angeles or Hawai’i offices.  McGee hasn’t been to the Hawai’i office and hasn’t seen the Los Angeles office since “OSP moved into that Mexican restaurant.”  Jimmy thought it was a Spanish Mission. 

Back to The Professor, Jimmy has a towel over the dead man’s face.  The way he shot himself, the bullet bounced around Harding’s head, shattering bones in his face.  “It’s not a good look.”  Jimmy has question about Harding’s body.  There are signs of bullet wounds, burns, deep scars from cuts.  With the tissue buildup, some of the scars are decades old.   McGee brings up Harding’s time with the Marines as a gunnery sergeant.  Maybe he was wounded in battle.  Jimmy thought of that but Harding was never wounded in action.  Whatever happened to him was kept a secret.

Kasie is working in her lab, debating with Jessica about eating the cupcakes ordered for the party.  They all have a little topper with a smiling photo of The Professor.  Jessica could eat them without the topper – makes it less creepy.  Kasie thinks eating it without the topper is creepy.  Kasie believes that The Professor was a noble man who was forced to do what he did.  She also says whoever worked on Harding’s computer knew how to cover their tracks.  Going through some of the data, Kasie sees that the computer was used less than a minute before Harding ended his life.  He typed “extra homework” into a text program. 

Digging a little deeper, Kasie finds some old DOD files – TSSCI – Top Secret Sensitive Compartmented Information.  That is not something a civilian employee would have either on his computer or really at all.  Harding deleted the files.  Not the actions of a noble man according to Jessica.

Vance is on the phone with the head of cybersecurity of DOD.  Harding did not have clearance to have the TSSCI files on his computer.  In fact, the DOD didn’t even know the files were missing until NCIS contacted them.  Parker asks what was in the files.  The DOD calls it need to know and Parker says he needs to know.  DOD needs to know how a FLETC instructor got the files.  Vance thinks Harding knew he was caught and killed himself.  Parker thinks there is more and Leon agrees – more resources on this case than any other NCIS is investigating.  Parker has all the different teams are looking into Harding’s life.  Maybe he was going to sell what was on the computer files.  The investigation is starting at FLETC’s Maryland campus.

On a crowded subway car, toxic gas has been released.  The passengers are trying to get out.  There is a loud bell and an instructor pops up.  He asks a group of probationary officers/agents how would they stop public panic like what is happening on the train.  “You can’t,” Nick says as he walks into the class with Callen and Sam.  The instructor tells Nick he’s right before asking the class what is the next course of action.  Callen says to identify the threat and Sam adds to neutralize the threat.  Again, the instructor agrees.  Sam dismisses class, which is news to the instructor.  Badges are flashed and class is dismissed.

As Nick, Callen and Sam look through Harding’s office, the instructor and his class are learning how to search an office through the office’s window.  Nick, Callen and Sam are doing an excellent job with resource management and evidence preservation.  Callen and Sam shut the blinds to the office, ending the lesson.

Nick finds a scrapbook of former students – promotions, commendations, etc.  Callen asks if he is in the book – he’s not.  Nick is, however.  And Nick is surprised since Harding hated him, calling saying Nick had a “lone wolf mentality and not a team player.”  Sam disagrees – Harding never hated any of his students.  Nick says just before he was going to graduate from FLETC, Harding asked him to quit.  Sam says his father always told him if the coach is yelling, it’s a good thing.  It means he cares.  If the coach isn’t “riding” you, then you have a problem.

Sam finds a case of old floppy discs – how could a man still using floppy discs hack the Pentagon?  Callen has a more disturbing discovery.  Harding never missed a class but he had a substitute teacher planned for his final class. 

The final class was a driving class, watching a controlled car chase.  Jessica was chasing Jane.  Jane was complimented on her evasive driving, Jessica complete a perfect pit move.  Instructor Greta Ford was impressed.  Jessica and Jane were favorites of Ford.  Ford was surprised when Harding asked her to fill in for his last class.  Ford almost said no – their teaching styles couldn’t be more different – but Harding said he was moving up his retirement a few days.  He couldn’t wait to go on vacation.  Cabo is mentioned but Ford says Harding was going to Hawai’i.  That caught Jane’s attention.  Harding was going to meet an old friend.

Sam arrives in Kasie’s lab with everything from Harding’s office.  She is on the phone but once off, she wants to know “who are you?”  Sam introduces himself, “Sam Hanna.  Los Angeles.  OSP.”  Kasie is not happy – Los Angeles didn’t RSVP – but gets back into the case.  She was on the phone with the airline.  Harding have a ticket to Cabo but changed it to Hawai’i a few days ago.  The ticket to Hawai’i was for early that day.  He would have missed his retirement party.

Kasie is confused.  There is nothing from Harding’s apartment that would indicate a friend or family member in Hawai’i.  Sam thinks it was an excuse to skip town with the stolen files, sell them and pad his retirement account.  Kasie tells him they don’t have proof Harding stole the files.  Sam admires Kasie is a positive thinker.  Kasie’s computer beeps – there is a security alert from DOD.  Harding wasn’t the hacker.  They have a new suspect, however. 

McGee can’t get into a locked MTAC.  Callen and Sam approach him – he’s under arrest for treason.

A very unhappy McGee is on the wrong side of the interrogation table “in my own house.”  He’d rather the questioning go on in a conference room.  Sam says they didn’t know where the conference was.  McGee says they didn’t know where interrogation was either – he had to show Callen and Sam the location.  Sam is grateful for McGee’s cooperation.  Callen wants some answers and hands a file to McGee.

Vance is in the interrogation observation room when Parker walks in.  Parker isn’t pleased that an outside team is interrogating McGee.  Leon tells Parker it was either an outside team interrogating McGee or it is DOD interrogating McGee.  The server hack at the DOD goes back to McGee’s credentials.  So Leon was given a choice of turning McGee over to the DOD or having an outside, neutral party talk to him. 

McGee is able to figure out what happened – his credentials were used to create a backdoor into the DOD server.  That would be the way he’d break in.  Callen thinks maybe McGee did break in.  McGee asks if Callen and Sam really think he broke into the DOD server.  Sam doesn’t, neither does Callen but DOD does.   McGee thinks someone took his credentials and did this.  Sam can’t believe that “the computer guy” lost his password.  McGee brings up that Sam, a car guy, lost Charlene once.  And Callen had his identity stolen.  So let’s not get “judgey” about someone taking McGee’s log-in info. 

Going through how someone would get his log-in info, McGee uses two-factor security for his laptop and a six-digit alpha-numeric code on his phone.  McGee stops for a second.  For the third time, McGee brings up the lunch with Harding.  He unlocked his phone when Harding asked about McGee’s kids – wanted to see photos.  McGee used the restroom shortly after that and Harding likely accessed McGee’s phone.

Kasie is on her iPad with Jesse.  She cannot believe that Harding not only broke into the DOD’s server but that he used a former student’s credentials to get in.  Jesse has more bad news and to Kasie’s great relief, it is not that Harding was a Cylon the whole time.  He can’t find the cellphone and he’s been all over Harding’s apartment.  The two share their love of Battlestar Galactica when Kasie complains about Sam arresting McGee.  Sam is barred from Kasie’s lab, which is going to be a problem since Sam just walked in.

Kasie wants an apology for arresting McGee.  Sam isn’t apologizing and he didn’t arrest McGee.  He never believed that McGee was a criminal.  Kasie is in a better place.  She has some news.  After going through all the old floppy discs – and the files on them were decades old – she did find one file created last week.  It also said “extra homework” just like the file on his home computer.  That means the disc is important, except there is nothing else on the disc. 

Sam thinks there was something in the disc.  A girl named Heather Richardson use to send Sam notes inside floppy discs.  Kasie takes apart the disc and finds a note that reads “The answer is in the files.”  Kasie is disappointed – Harding deleted the files.  But there is a photo with the note of the fireplace in Gibbs’s old cabin.  It looks familiar to Kasie.  Sam, not so much.

Nick and Jessica arrive at Gibbs’s cabin.  Nobody has been around for a while and almost nobody knows about the place.  Someone knows about it, however, when they open fire on Nick and Jessica.  She wonders if it is Gibbs shooting at them but Nick tells her if Gibbs was shooting, they’d both be dead.  Nick and Jessica return fire.  The find a grey jacket near the cabin covered in blood.  Inside the jacket is a cellphone that took a bullet for the shooter.  They hear a motorcycle take off.  He may be wounded but the shooter is in the wind.

McGee is getting roadblocks set up all over near the cabin.  Jane is running the search, Jesse is working with the county police.  The mystery shooter found the files.  Callen is on his way back to Los Angeles.  Kasie found wire transfers coming from Malibu to Harding.  He and Sam are going to check things out.  Callen and McGee exchange a manly handshake as Callen exits.

Kasie runs into the bullpen.  The phone the shooter had wasn’t a personal phone, it was Harding’s.  The mystery shooter was the person at Harding’s apartment.  Going through the phone, Kasie found a program that recorded all of Harding’s calls.  The damage to the phone, however, left the audio file a mess.  The caller says he’s “Simon Williams”.  Kasie hasn’t run the name yet but she doesn’t have to, McGee points to Williams on the NCIS Ten-Most Wanted wall.

In Vance’s office, Vance, Parker and Nick listen to the whole call.  Harding stole the files from the DOD because he knew Williams was trying to get them.  Parker again asks what was on the files and again, the DOD won’t share.  Harding’s plan failed since Williams now has the files.  Parker brings up that Simon Williams is a Ten-Most Wanted suspect on most law enforcement walls.  A rogue operative who has committed about every crime in about ever country over the last 30-years.  No law enforcement agency has come close to catching Williams.  Nick and Jessica wounding Williams is the closest anyone has come to catching him.

Vance wants to know how Harding got involved in this in the first place.  Why would a wanted career criminal be involved with a FLETC instructor and vice versa?  Parker found out the two men knew each other.  Williams was a FLETC trainee who Harding failed for a “lone wolf mentality and not a team player” – the same thing he said about Nick.  Nick looks stricken but wants to look through some files.

Jessica is negotiating with some local county police when McGee calls.  The locals do things a certain way and that includes not help Jessica.  Kasie is monitoring the local officers radios – just chatter.  Kasie hears one squad car is missing – 117.  Kasie is tracking the GPS for the squad car.  It is nearly 40-miles away near a farm.

McGee, Nick and Parker move in on a barn on the farm.  They find blood in the car and blood all over a first aid kit in the car’s trunk.  In the barn, Simon Williams is burning all his ID’s.  The man is much younger than the photo of Simon Williams on the NCIS Most Wanted wall.  He claims “we’re all Simon Williams” before he passes away.

In autopsy, Jimmy tells Jessica and Jane that their Simon Williams is 30-years younger than the Simon Williams on the wall.  Jane thinks “We’re all Simon Williams” is a bad omen.  As Jessica and Jane are about to leave, Jimmy wonders if they all shouldn’t get something to eat.  It has been a long day.  Jane wouldn’t mind some blueberry pancakes.   Jimmy is going to text Torres to join them, make it a double date.  Jane shoots Jimmy a look, Jessica gives him the cut sign and it becomes a share professional meal among colleagues. 

In his nice home, Parker wants some info from his friends at the FBI, all the files they have on Simon Williams.  Nick is at his front door.  Parker lets him in as Nick hears from Jimmy – dinner at 10PM.  When Parker ends his call, Nick updates Parker on the files.  They were in the things Simon Williams burned in the barn.  Parker doesn’t think this is the only reason Nick is by. Nick brings up the “lone wolf mentality and not a team player” comparison with Simon Williams.  Parker offers a good pep talk – he’s nothing like Williams.  When his phone chimes, Parker has the Williams FBI file.  An associate of Williams was going to meet with Harding in Hawai’i. 

Nick shows up at the diner (Gibbs’s diner maybe) where Jimmy and Jane aren’t there.  They left together before Jessica left the NCIS office.  Nick sees Jimmy’s “Dadmoblie” parked near the diner.  When Jessica calls Jimmy, his phone rings in a nearby trash pail.  She tries calling Jane.  Jane's phone is in a dumpster.  Jimmy and Jane are tied up in a van with a gunman watching  over them.

What head canon can be formed from here:  I have a lot of thoughts about this three-show crossover but I’ll save them for the problematic episodes.  This was a good set-up episode with one huge flaw.  “The Professor” was such an important part of the NCIS world (and FBI for Parker) that Jane and Jesse flew 5,000 miles, Callen and Sam flew 3,000 miles for this huge retirement party and 20-seasons in NCIS, 14-seasons into NCIS: Los Angeles and two seasons into NCIS: Hawai’i, this dude was never mentioned once.  NCIS foreshadowed Gibbs’s family tragedy for three seasons, the first half of season three of NCIS: Los Angeles was setting up Sam’s trips to Africa and Kensi’s investigation into her father’s death.  These programs have done that work in the past.  Didn’t do any of it here. 

Also, Robert Picardo is a big TV character actor.  He worked on two television series on ABC at the same time (The Wonder Years and China Beach).  He didn’t make it past the teaser.  What a waste.  There was also Stephanie Hodge as FLETC Instructor Greta Ford who had a delightful season one NCIS appearance as Sheriff Dupray and was Tangerine in “The Sounds of Silence” season 10 episode of NCIS: Los Angeles.  Another quality character performer woefully underused.

Episode number:   This is episode 10 of season 20 of NCIS, the series 445th episode (wow!).  This is the first part of a three-series, three-episode NCISverse crossover.

[variousqueerthings]

I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)

and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)

and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop

meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)

contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)

and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)

my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)

and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts

[literatemisfit]

The David Tennant Filmography Checklist

Including his most popular works

(check what you've watched!)

Dramarama (1988) ☑️

Rab. C. Nesbitt (1993)

Takin' Over the Asylum (1994) ☑️

The Bill (1995) ☑️

L.A. Without a Map (1998) ☑️

Love in the 21st Century (1999)

The Mrs Bradley Mysteries (2000)

Being Considered (2000)

Randall & Hopkirk (Deceased) (2000)

High Stakes (2001)

Bright Young Things (2003)

He Knew He Was Right (2004)

Blackpool (2004) ☑️

Casanova (2005) ☑️

The Quatermass Experiment (2005)

Harry Potter and the Goblet of Fire (2005) ☑️

Secret Smile (2005)

The Chatterley Affair (2006)

Recovery (2007)

Learners (2007)

Extras (2007) ☑️

Einstein and Eddington (2008)

Glorious 39 (2009) ☑️

The Sarah Jane Adventures (2009) ☑️

Doctor Who (2005-2023) ☑️

St. Trinian's 2 (2009)

The Catherine Tate Show (2007-2009) ☑️

Hamlet (2009) ☑️

How to Train Your Dragon (2010) ☑️

Single Father (2010) halfway...

United (2011)

The Decoy Bride (2011) ☑️

Fright Night (2011) ☑️

This is Jinsy (2011)

Much Ado About Nothing (2011) ☑️

True Love (2012)

Nativity 2: Danger in the Manger (2012)

Spies of Warsaw (2013) ☑️

The Politician's Husband (2013)

The Escape Artist (2013) ☑️

Richard II (2013) ☑️

The Five(ish) Doctors Reboot (2013)

Broadchurch (2013-2017) ☑️

What We Did on Our Holiday (2014)

Gracepoint (2014)

Teenage Mutant Ninja Turtles (2015-2016)

Jessica Jones (2015-2019) ☑️

Family Guy (2016) ☑️

Mad to Be Normal (2017) ☑️

DuckTales (2017-2021)

You, Me, and Him (2017) ☑️

Bad Samaritan (2018) ☑️

Hang Ups (2018)

Mary Queen of Scots (2018)

There She Goes (2018-2023) ☑️

Camping (2018) ☑️

Criminal: UK (2019) ☑️

Good Omens (2019-2023) ☑️

Deadwater Fell (2020) ☑️

Des (2020) ☑️

Screening (2020)☑️

Staged (2020-2023) ☑️

Around the World in 80 Days (2021) ☑️

The Legend of Vox Machina (2022)

Meet the Richardsons (2022)

The Sandman (2022)

Inside Man (2022)

Litvinenko (2022)

Good (2023)

[littlesolo]

Young Jane Tennant!!!

[gryfflepuffinthetardis]

True Colors (Sweet Jane Part Six) — Campbell Bain x Reader

Sweet Jane Episode One: Hey Jude

Sweet Jane Episode Two: Fly Like an Eagle

Sweet Jane Episode Three: You Always Hurt the One You Love

Sweet Jane Episode Four: Fool on the Hill

Sweet Jane Episode Five: Rainy Day in Georgia (But not Georgia Tennant.)

Sweet Jane Episode Six: Let It Be

“The amount of love I have for you will never be understood by others. From the way you touch me, to the look in your eyes. Through all these years you managed to captivate my heart. For this my soul will forever be your home. Mistakes happen, this I know. But the passion we both share erases the worst. Take my hand and come with me. Follow me to this path we both created. It may be unknown to most, but it sure is eternal for us.”

Campbell was trying to cheer up Francine with jokes by Y/N’s next to last day, “Okay, how about this one. A group of loonies go out on a day trip, and on the way back, they stop at a pub for a drink.”

“I think that's enough, Campbell, huh?” Eddie tried but Campbell ignored him.

“One of the loonies comes running up to the nurse saying, 'Nurse, nurse, that barmaid smiled at me!' So the nurse says, 'Well, smile back.' So the loony goes away, but he's back five minutes later, saying 'Nurse, nurse, that barmaid winked at me!' So the nurse says, 'Well, wink back.' So he's away again, but he's back ten minutes later saying ‘Nurse, nurse, that barmaid. she showed me her bosoms.’ So the nurse says, 'Well, show her your nuts!' So he's away again, straight up to the barmaid, and goes—” He made moose antlers on his head with his hands and screaming goofily in Francine’s face and wheezed with laughter but no one else did. “Do you not get it? The nurse says, 'Show her you're nuts', and he does!”

Still Francine had no reaction.

“All right, Campbell.” Eddie said, quietly and Campbell deflated. Then Eddie suggested, “Why don’t you help Y/N pack for tomorrow?”

Campbell nodded and walked to his girlfriend’s room.

“Have they found my kittens yet?” Francine asked.

“Francine, I told you. They were sick.” Eddie told her.

--

Y/N had been called to more lunch meetings with both River and Paula but she refused to tell Campbell what they discussed and since she as his girlfriend could easily distract him with kisses, though he had been a bit more clingy than usual, what with Y/N being discharged and his optimism that he would get a big DJ job, he feared whether or not they’d last but he never questioned the unconfessed love he had for her.

That evening, Eddie still wasn’t there so Campbell and Y/N took over the show. Eddie’s show.

“Well, that's about all we have time for tonight; don't forget to tune in tomorrow night for Campbell Bain's Looney Tunes Show!” He said and played the Looney Tunes jingle. Then Eddie entered, Campbell turned to him, taking his headphones off, “Eddie! Where the hell have you been?”

“Sorry I'm late.” Eddie mumbled.

"Late?" Campbell scoffed, “You've missed the whole bloody show!”

“I've been working. I don't have to catch every one of your shows fae start to finish, do I?”

Campbell and Y/N glared pointedly at Eddie and the soon to be discharged answered, “It was your show.” As Campbell bitterly tossed his headphones on the desk.

“...It was?” Eddie asked.

Campbell, Rosalie, and Y/N gave him pointed looks.

“Look, I'm sorry. I had a few bevvies; didnae want to drive.” Eddie apologized.

“‘A couple of bevvies’?” Campbell scoffed with a disbelieving chuckle and a glance at his girlfriend, “You look like you've been on a three-day binge!”

“Look, Campbell! I'm a salesman. That's what I get paid for. I don't get paid for coming here.” Eddie argued.

“Yeah, now that Francine’s been in a psychogenic coma of grief.” Y/N said, sharply.

Eddie glared at her, pointedly.

“Well, I don't think that's a very professional attitude.” Campbell said, casually, checking his fingernails.

“What do I need a professional attitude for?” Eddie asked, confused.

“For when you go to lunch with Paula Kinghorn.” Campbell said and grinned cheekily at Eddie, “She's been trying to get in touch with you for days!”

“Jesus.”

“I would’ve informed you if you’d been here the past week.” Y/N said.

Campbell got up and went to Eddie, excitedly, “Lunch, Eddie, lunch! And then she said,” He put his imitation of Paulaagain, “‘I probably shouldn't be saying this yet, but I think I'm gonna have good news for ya’.”

“I cannae. You go, Campbell.”

“He can’t.” Y/N said.

“Then you go.” Eddie told her.

“She’s had lunch with me three times. She specifically said she wanted to have lunch with you.” Y/N said.

“I cannae do it.”

“How no?!” Campbell exclaimed, his octaves going up.

“I've been waiting for this all my life. If I went intae lunch and came out with nothing, I don't know what I'd do.” Eddie said, clearly in shock.

“You'll not come out with nothing.” Campbell reassured him.

Aye. Just make sure she pays for lunch.” Rosalie said.

“And trust me, I’ve had lunch her thrice and her assistant six times.”

“Lunch.” Eddie  mumbled.

Campbell turned to his girlfriend, "You've gone out with the assistant six times?"

--

“Campbell…” Y/N groaned that night, “Please, let me get dressed into my pajamas.”

“This is the last night for quite a while I’ll get to spend the night with you.” Campbell whined with his arms around her, pulling her flush against him with her back against his chest.

“Campbell, we’ll be fine. C/N moved in four days ago, she has the essentials unpacked, I’m a fifteen minute drive away. Five if you’re the one driving. It’ll be fine. I’ll visit you every day and by the time you get discharged you’ll have made a name for yourself and you won’t be forced to move to Perth.”

“Don’t go snogging any other boys?” He asked.

She chuckled, “I promise. And I’ve taken self-defense classes now so if another EX/N comes to me, I’ll destroy them.”

“Y/N… I… I…” He felt himself freeze from the inside so he just kissed her.

--

The next day, Campbell was helping Y/N pack as she was leaving after his show when they heard Eddie’s voice shout, “THIS IS MY RADIO STATION!”

They looked at each other and ran out towards the station as they saw Eddie get shoved out of the radio station.

“Eddie?” Campbell asked as they pushed through the doors.

“Bastards.” Eddie murmured.

“Eddie?!”

“Bastards!” Eddie screamed and the couple saw a man in the station.

“Who's he?” Campbell asked.

Eddie passed them as he stormed out, “I’m not having this. I'M NOT HAVING IT!

Y/N went to the door and banged on it but the man gave her a gesture that was rather rude.

“Okay.” She said, irritated and pulled a bobby pin she stole from her cousin out and started to pick the lock before slamming it open.

“Y/N, no…”

--

“I’m just saying you didn’t have to hit him.” Campbell told his girlfriend, some time later as they looked through the records.

“I didn’t hit him. I was… gesturing for emphasis.” She said.

“Well, you gestured him right in the face.” Campbell said but he was smiling at her. He leaned towards her and gave her a kiss, still grinning. She pulled back and he cupped her cheek, deepening the kiss.

“Oh, you beautiful doll, you great big beautiful doll...” Rosalie sang when she came in.

The couple broke apart and looked at her in surprise to see her with her hair curled and make up on her face.

“So. What do you think?" She asked.

"I'm speechless!" Campbell excliamed.

"I have had a complete makeover. Sylvia, in the flat next to mine, used to be a beautician. I'm living in a posh neighborhood now, so I thought I should make the effort."

“Well, are you not worried about chemicals and that?” Y/N asked.

“Sylvia is an obsessive-compulsive as well!” Rosalie said and the couple laughed, breathlessly at this. “If it's all right with her, then it's all right with me. She is a genius, so she is.”

“What have you got in the trolley?” Campbell asked, referring to the cart Rosalie was wheeling as he sat down, pulling Y/N down to sit in his lap.

“My shopping. Just a few things from the wee shop down the road. Take 'em home with me the night.”

“Have you not got shops in your new neighborhood?” Y/N frowned.

“Oh, aye.”

“But then would it not make sense to do your shopping in the local shops?” Campbell asked.

“Aye...” Rosalie sighed, “but they won't serve me.”

“What?!” Campbell and Y/N asked.

“They won't serve anybody from Hill Crest. Not the paper shop. Not the late night shop. Even the local GP's a bit frosty on account of him being chairman of the residents' committee for getting our planning commission reviewed.”

Campbell sighed and said, “Ye cannae stand for that, Rosalie. Ye've got'ae tell them:” He put on his bad American accent again, “You're not gonna take any more o' dis crapola.”

“What American films are you watching?” Y/N laughed and tried her (best) American accent, “You’re not gonna take any more of this crap.”

“Aye! That's what I told the man in the paper shop. But he told me to bugger off! He swore at me, Campbell, which I think was uncalled for.”

“You going to ask them to move you, then?” Y/N asked.

“Move me?! You're joking! I've got a bath and toilet in the same wee room, and a washing machine on the premises, and—a microwave! Do either of you know what a microwave is?” Campbell was about to speak when she cut him off, “You put your dinner in, and them microwaves make the wee molecules jiggle up and down. It's a bit like ECT.”

Then Eddie entered, rather numbly, “Eddie! What do you think?” Rosalie approached him, “Jim said I looked like a film star. One that had been in the Betty Ford clinic once too often, but a film star!”

“You look very nice.” Eddie said, flatly and continued passed Rosalie and then the couple.

“What's up with him?” Rosalie asked.

Eddie turned around to break the news to the three, “They're closing us down.”

Campbell and Y/N spoke in unison.

“How?!” Campbell gasped.

“What!?” Y/N said, getting to her feet.

“To turn this place into a treatment room. That's how the workman was in here. We've got a week to pack up and be out of here.” Eddie explained.

“You mean I'll not be station manager anymore?” Rosalie asked, softly.

“...No.”

Campbell got up and got in Eddie’s face. “What are you talking about? We're not going to lie down and play dead over this, are we? We've built something here, Eddie! When I go round the wards collecting requests, I'm a celebrity! And you know how? Because we give folks a voice! And now the hospital is telling us to shut up?!”

“Well, what can we do?

“We can declare UDI! We can turn ourselves into an independent charity, like most hospital radio stations in the country. Demand a site, and then run the station the way we want to! The only thing stopping us is lack of dosh.”

“That's also the only thing stopping me paying my milk bill.” Rosalie said.

“So we stage a fundraiser like we did before. Ehh... I've got it! A radiothon!”

“You mean like a telethon without any pictures.” Y/N asked.

“Aye.” Campbell said, “We'll broadcast from ten in the morning till ten at night, every day till we raise the dosh. We'll contact mental health charities, we'll enlist celebrity DJs, we'll ensure we get coverage in every newspaper in Glasgow.”

“Campbell, if my name appears in the papers again, I'm out of my job.” Eddie argued.

“Who cares. You're gonna go to lunch with Paula on Monday. You'll have another job.”

“We don't know that, Campbell!” Eddie shouted.

“She said she was going to have good news! Have some faith, Eddie! This is our moment!” Campbell encouraged.

Eddie: Then how do we need to save the station?” Eddie retorted.

Campbell’s smile fell and disappointment was etched over his face, he looked back at Rosalie and Y/N and then back at Eddie and he spoke a disappointed tone, “The station isn't just you and me, Eddie.”

“I cannae come in with you, Campbell.”

“...Aye…” Campbell stepped away from him Well. You with me, Rosalie?

“Aye, I'm with ya.”

Campbell turned to Y/N, “Y/N?”

“Of course. Just because I’m being discharged doesn’t mean I won’t be here to support you.”

He broke his loving gaze from his girlfriend to Eddie, giving him a look of disappointment and a little betrayal.

“Then we'll do it ourselves, Eddie. And I'll talk to Francine as well.”  Campbell seemed to now be having a hard time looking at Eddie.

Eddie looked at Campbell for a long time before wishing him, “...Good luck.”

He exited, walking between Campbell, Y/N, and Rosalie. Campbell refused to look at him, shoving his hands in his pockets before Y/N got on her tip-toes and hugged him, he wrapped his arms around her.

--

“Do you want to talk about it?” Y/N asked Campbell.

“No. I don’t want spend our last night together talking about Eddie.” He sighed, “Come here.” He kissed her, desperately but she pulled back, feeling wetness on his face and saw him trying not to cry. He rested his against her shoulder, sniffling.

“Oh, Campbell. I’m only going to be fifteen minutes away,”

“It’s not fair. Maybe if we could keep having nights like this. I like being there to help you stave off the nightmares. I like waking up from a memory of my dad’s lectures and knowing that you’re there with me lifts me higher than ever before. I like pretending like we’re not just a couple of teenagers in their first… well, healthy relationship. I like you… a lot. I’ve never had anyone who wanted to be around me as much as you do.”

“I like you too.” She dug her fingers into his light auburn hair, “for so long I thought I was broken. EX/N convinced me that I was broken. That I was unlovable, that I was alone in the darkness and I expected to spend the rest of my life in the darkness as more darkness, but then I met you and you shine brighter than the sun in summer.”

“You’re not broken.” He said and he kissed her passionately.

--

As Y/N finished packing up, Campbell hugged her from behind with his face snuggled into the crock of her neck with the occasional kiss to it. She chuckled and turned in his embrace, he immediately started to kiss her slowly.

“Campbell… I’ll be back in… like an hour.” She said in between his kisses.

“Mmm. Too long.” He shook his head.

“I think we’re moving from affectionate young love to clingy.”

“Mmm. I don’t care.”

“Y/N…” Came her cousin’s voice, knocking on the frame of the open door. “Uh, car’s ready.”

“Thanks, C/N. Campbell, I have to go. I’ll be back in an hour.” She said and kissed him before leaving the Saint Jude’s Hospital.

--

Three days later...

Y/N sat next to Campbell as he spoke into the microphone, “The time is two forty-five on day three, hour number twenty-nine of the Saint Jude's Hospital radiothon. In fifteen minutes, we're going to have another two hours of patients' party pieces, including Hector, who'll be doing a selection of his best juggling tricks.” A beat before he added with dry sarcasm, “Well, that should certainly be worth listening to. I'll be back again at five, so keep sending me your requests and dedications, but most of all, send us your dosh, and rescue our radio!”

He played Rescue Me (I don’t know who sings this. I can’t get a Shazam result off of it.) as Rosalie entered, wearing a bandage wrapped around her head, holding a piece of gauze to her face, over her eye.

“Sorry I'm late.” She told them, Y/n had turned around and her jaw was dropped in shock.

“So you should be! I've had…” Campbell started out angry but he cut himself off when saw the bandage and gauze and his eyes widened, “What happened to yeh?

“Ach, Jim came round and we had a... disagreement, but it's all sorted out now.”

“What!?” Y/N asked, outraged.

“Jim hit yeh?” Campbell asked in concern and some outrage.

“No!” Rosalie said quickly and explained, “Some wee boys came over the fence and one of them started making faces at me through the window, so I went out, and we disagreed about whether he was on my property, and then about whether I was a loony who should be locked up, and then he threw the stone, and we disagreed about whether I was gonna let Jim throttle him or not.”

“The kid threw a stone at yeh?” Campbell asked in disbelief.

“Aye, but I'm from Donegal—when a stone hits your head, it's the stone that's in trouble.” Rosalie said.

“Alright, who’s this kid? I’m going to find his parents and beat some sense into them with a bat until they learn to raise their kids right.” Y/N said with complete seriousness.

Then Billy knocked on the open door’s frame

“Hello, Billy.” Y/N said, brightly.

“Hello? I wanted to volunteer to do a party piece?” Billy said.

“Aye! What do you want to do?” Campbell said, positively, picking up the clipboard with all the times on it.

Billy held up a fiddle and proudly said, “I want to play my ukulele.”

“That's a fiddle.” Y/n said.

“...It is?”

Y/N nudged Campbell, ”But you're welcome to play it tomorrow at...” Campbell said, he paused to check for an unscheduled time slot for Billy, “quarter past six. Is that okay?”

“Aye, quarter past six!” Billy agreed.

“Don't forget your fiddle.” Y/N said.

“My what?” Billy asked.

Y/N sighed, giving up and said, “...Your ukulele.”

Billy, grinning, then exited.

“How's it been going, anyway?” Rosalie asked once Billy was gone.

“Desperate.” Campbell sighed, placing the clipboard down, “It's been like that,” He jabbed his thumb after Billy, “all day.” He ran his fingers over his face in exasperation, “Loads of volunteers to sing the Postman Pat theme in eleven different languages. But where's our celebrity DJs? Where's our star interviews? Where's the bloody press?”

“It’s kind of last minute, babe.” Y/N said, running her hand through his hair in the way she knew comforted him and he rested his head on her shoulder.

“But the contributions have been pouring in. They've been slipping them under the door. And a whole load have just arrived in with the post.” Rosalie said, holding up  a stack of letters.

“How much have we got so far?” Campbell asked, lifting his head up with Y/N’s hand still in his hair.

“Ninety-seven pounds and twenty-seven pence.”

Campbell rolled his eyes and sighed before plopping his head back on Y/N’s shoulder, “We may have to do something drastic soon.”

--

Y/N drove Campbell to Eddie’s the next day and knocked on his apartment door.

Eddie, looking like he had woken up in a ditch that morning, opened the door.

“Eddie...?” Campbell asked. Eddie blinked from the light and nodded into his apartment, silently inviting them inside and opened the door. “You look terrible.”

“Aye... I had a few bevvies last night.”

“Uh… you mind if I make some coffee?” Y/N asked, figuring this is what Eddie needed at the moment.

“Aye, 's through there. 's nae milk, though.” He said.

Campbell rolled from the heels to the balls of his feet as Y/N filled a kettle with tap water. “The radiothon's dying on its feet.”

“Surprise, surprise.” Eddie said, dryly.

“The builders are supposed to be coming in at two o'clock tomorrow. And if we're not out of there by then, they're going to throwus out. So we've decided to occupy the station.” Campbell told Eddie.

“Campbell... have you finally really lost your mind?” Eddie asked, “Who's gonna occupy it?”

“Me, Y/N,” Campbell said, glancing behind him and jabbing his thumb at his girlfriend who had placed the kettle down and appeared in the doorframe, “and Rosalie. And you, I hope.”

“Nae chance.” Eddie scoffed as Campbell sat on the radiator.

“Eddie, I've thought it all out! It's the only way to save the station. I've told all the newspapers! They're all going to be there! We are going to turn this into a front page incident.”

“Campbell, I told you, I don't wantae make the front page. What I wantae dae is keep my job.” Eddie said, loudly.

“Eddie, you built that station from nothing! How can you let that slip away without a fight?” Campbell argued.

“Because I've got bills tae pay!” He got up and went through his mail stack of bills, “Electricity bill, gas bill, phone bill—which my dear grandmother managed to run into three figures before going off to Lithuania with every spare penny I had to give. And because, although I have lost more jobs in my life than you have had manic episodes, Campbell, I could make a lot of money now! I could get respect for the first time in my life!” He was now yelling, “You think I'm gonna give that all up for the dubious honor of going down with my ship?!” He walked over to the small balcony.

“Eddie, d'you no see that job's killing you?” Campbell asked.

“No, Campbell, my dreams!”  Eddie argued before repeating softly, “My dreams are killing me.”

Y/N narrowed her eyes at him but bit back her comeback as Campbell walked to Eddie, leaned against the banister and asked, “So... what did Paula say, then?”

“She said there's a slot coming up and they want you to take it.”

Campbell’s eyes widened briefly, “You mean they want us to take it.”

“No, they see it as a solo slot.” Eddie clarified.

“And-and they want Campbell to take it? Only Campbell?” Y/N asked.

“I'm no gonna take it!” Campbell said at once.

“Campbell, take it.”

“We'll keep at it, Eddie, contact some other stations, do another demo—”

“Campbell, do you wantae end up like me?” Eddie asked, looking Campbell in the eyes, and then said, empathetically. “Take. The. Job. For yourself. For Fergus, eh?” He paused, “I promised Paula, I'd make you take it; I don't wantae break my word. Now, if you'll excuse me, I've got tae go tae work.”

Campbell hesitated but left while Y/N stayed, waiting until he was out of earshot.

 “By the way, it’s bullshit, Eddie. Your dreams aren’t killing you. Your boss’ expectations are killing you. Your grandmother’s expectations are killing you. Evelyn MacDonald’s killing you. That asshole from your work is killing you. Everyone who’s ever put you down is killing you because you’re letting them. Like how I let EX/N kill me every day. If you let your dreams go, you’re letting them kill you. You’ll end up like Fergus. Cold and alone in the ground with a rock with a birthday carved into it that I’m pretty sure is wrong and a funeral mostly full of people who before couldn’t even be bothered to remember your name before but come to convince themselves that they weren’t totally absorbed in their own lives to care about someone who’s now gone.”

-- 

For What It's Worth by Buffalo Springfield played as Campbell spoke into the microphone back at the studio. “This is Campbell Bain, and it's D-Day for Saint Jude's Hospital Radiothon. That's 'D' for Desperation Day, because we are still two thousand, eight hundred and fifty-six pounds and fifty-three pence short of our target. So this is it, loonies. If you've got a rich uncle, then today's the day to remind him of that filing clerk he once took to Blackpool, the name of the cheap hotel where they stayed, and the type of barnyard animal that was involved.” Y/N giggled into her sleeved hand as behind them, Rosalie stopped counting the meager donations and gave him a look like, what the hell? “We are here for you, loonies, and we're not going anywhere.”

--

Some time later, Campbell’s attention was brought through the window by the flashing of cameras and he spotted some men wearing hard hats.

“Y/N! Rosalie!” He shouted, bringing the girls’ attention to them.

Rosalie slammed the door shut and Y/N bolted the door shut.

“Ha! Now, not even the sonic screwdriver will get through that.” Y/N laughed with a triumph flourish and she gave the man a rude gesture through the window.

Rosalie and Y/N started to stack boxes and anything else they could find and move against the door as Campbell spoke on the radio.

“The loonies may not have taken over the asylum, but they've seized control of the radio station. “This is Campbell Bain reporting live from the hospital radio occupation, where we have locked ourselves into the station and have refused to stop broadcasting until our future is assured.”

Y/N spotted Stuart, Isabel, and another assistant enter the hallway from through the window.

“So talk to your friends, your relatives, your voices! Hospital radio must survive!”

Outside the station, the patients cheered.

--

Revolution played on the speakers as the patients danced. Y/N spotted Evelyn MacDonald pushed through the crowd towards Stuart, “Stuart! What are all these patients doing in the corridor? Get them out of here!”

Knock! Knock! Knock!

Evelyn looked to see Y/N looking out through the window, knocking and then she waved with a fake smile before giving her an extremely rude gesture.

“Why are they still broadcasting? Can you not you cut their electricity?” She shouted at a workman and then she went to a reporter, “look, this is NHS property, and I’m going to have to ask you and your friends to leave immediately.”

A few minutes later Campbell announced, “That's exactly what this is, a revolution! Because even now the forces of sanity are massing outside the window, armed with the full weight of the Scottish Mental Health and the Criminal Trespass Act. But we can beat them, loonies! Because you know what we've got? Pride! We are loonies, and we are proud!”

Reach Out I'll Be There played as the police arrived and a policewoman announced through a megaphone to the reporters, “You are trespassing on NHS property. I must ask you to leave immediately.” Campbell looked absolutely delighted. “You are trespassing on National Health property. I must ask you to leave immediately.”

Campbell kissed Y/N on the cheek in triumph and defiantly slammed the fader on the mixer up as loud as it could go.

Then the station window started to open, making them turn to see Eddie opening the window from the outside and he climbed inside.

Grins appeared on the faces of Campbell, Rosalie, and Y/N’s faces.

“You are trespassing on National Health property. I must ask you to leave immediately. If you do not leave immediately, you will be arrested and charged.”

“We're gonna be arrested.” Campbell exclaimed, excitedly and he hugged ecstatically, “We're gonna be charged! This is the most glorious day of my life!!”

He turned to Y/N and placed his hands on her hips loosely, he opened his mouth but nothing came out other than, “I… I…” He didn’t want to scare her off and after her last “relationship”.

“I love you.” She said, putting her arms around his neck.

He blinked and then he grinned and said, “I love you too.” He kissed her when the police broke the station window with a fire extinguisher and opened the door, pushing the obstacles away.

They hauled, Campbell, Y/N, Eddie, and Rosalie out as the reporters took pictures as the patients booed them. Campbell beamed at the cameras before they passed a now awake from her psychological coma Francine.

--

A week later

Y/N beamed from the other side of the radio station glass of Radio Scotland as Campbell laughed at some hate mail as music played softly, “That was Hit the Road, Jack, a special dedication to me, wouldja believe, from an anonymous listener in Bishopbriggs, who writes: ‘I know what you are, and you should be locked up and have your balls cut off.’ So, Gold Boppers, write in to next week's mailbag and let me know what you think. Do you want me to be locked up, or just have my balls cut off, or do you want me to be locked up and have my balls cut off? This is Campbell Bain's Gold Show, so don't touch that dial, just let it be.”

He looked at Y/N through the glass and returned her smile, for the first time in a long time, both of them felt full and truly happy.

[ao3feed-ncishawaii]

Cruel Intentions

by wlwendgame Kate Whistler has been acting out lately, treating young women as her own personal playthings. This causes her to be sent away to boarding school, where she sets her sights on a special girl. Her only problem? A malicious roommate that has her reverting to her old ways. Words: 1015, Chapters: 1/10, Language: English Series: Part 3 of Kacy Rom-Coms Fandoms: NCIS: Hawai'i Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings, No Archive Warnings Apply Categories: F/F Characters: Kate Whistler, Lucy Tara, Jane Tennant, Cara (NCIS: Hawai'i), Carla Chase, Kai Holman Relationships: Lucy Tara/Kate Whistler, Lucy Tara & Kate Whistler Additional Tags: Inspired by Cruel Intentions (1999), Boarding School, Angst and Fluff and Smut, Teen Romance, characters are 18, kinda slow burn? via https://ift.tt/CMRmPOJ

[consanguinitatum]

Rare David Tennant audios: another Did He or Didn't He? in The Tragedy of Two....whatsits?

I've talked about David's rarer audio work before (referring to the magical Tuesdays & Sundays, which I've covered earlier) but today I thought I'd switch gears and talk about one of the very few audio works of his I don't have and would love to find. This particular one is special because I've never seen it listed on any forum as an audio David ever did. I popped over to see if it was listed at the venerable David Tennant fan site and nope, they don't have it listed. Neither does VK's usually stellar David Tennant Asylum.

But he did it.

Before continuing, I need to first mention dramatist and author Jane Rogers. Rogers wrote the book The Island and worked on its radio adaptation in 2002. She also adapted The Beach of Falesa and The Ebb Tide from Terror in the South Seas by Robert Louis Stevenson. The Island was broadcast 22 Oct 2002 on BBC Radio 4 as the Radio 4 Friday Play, and the Stevenson duo was broadcast in Dec 2016 on BBC Radio 4. David has played roles in all of these audio plays.

Let’s keep Jane in mind for now, shall we? For here is where my journey began.

I first learned about this mystery audio's existence years ago from David's profile in the programme for his 1999 play Vassa. Listed among his radio credits was a play called The Tragedy Of Two Virtues.

WELL.

Knowing for certain I'd never seen this play listed elsewhere in his credits, I began to hunt. During the few years of frustrating on again and off again searching which followed I saw the words "Two Ambitions" pop up now and again. I kept dismissing this as a 'close-but-no-cigar' kind of thing - until finally I didn't, and started taking an alternate possibility more seriously. Perhaps the programme had just mis-named the thing?

To that end I did some reading on Hardy's A Tragedy of Two Ambitions. The story is about two brothers, Joshua and Cornelius Halborough, who want to escape from their humble surroundings and get away from the alcoholic, irresponsible father who threatens to destroy everything they've worked for. If you're interested, you can read further details about the plot here.

I also needed to narrow down the date when David might've done this audio, so I went back to the programme it had been mentioned in - the Jan 1999 Vassa programme. It was there, but it wasn’t in any published programmes from David's previous play (Real Inspector Hound/Black Comedy, Apr to Oct 1998). That helped me place the audio's possible production date between Oct 1998 and Jan 1999.

But this possible late 1990s time frame worried me. After 2000, the BBC policy was to archive all "performance programmes" on CD, so (theoretically) plays after that date should exist in the BBC archive. But before then? Oh boy. Well over 90% of broadcast radio plays were not kept. Ughhhh!

But onwards, research-wise. I dove into the BBC Genome Project to see if an audio production called The Tragedy of Two Ambitions fell in that time frame, and lo and behold it had! But it wasn't the full court press "AH HA!" moment I'd hoped; while David's name wasn't listed in its entry, it did give me the dramatist's name. So I determined it was best to just go to the source and ask.

(Re)enter Jane Rogers.

When I finally managed to contact her, my first question to her was, “Was a young David Tennant one of the cast members in the piece? I ask because he did an elusive audio in the same time frame that's been (possibly) mislabeled A Tragedy of Two Virtues, and I suspect your piece might be the correct title?”

Initially she told me she wasn't at all sure he was in it, because her first recollection of meeting David was for the audio adaptation of The Island. She told me, "As far as I remember, the first time I met David Tennant was when he played Callum in my radio drama The Island, adapted from my own novel. He was a young and relatively unknown actor at that point, and was absolutely brilliant. As, of course, he has continued to be!"

But later, after she found her script for the play, she was able to confirm for me that David was indeed a cast member in the audio - a fact which surprised and delighted her as much as it did me. Rogers said David played the lead part of Joshua, and the play had been recorded on 21 Nov 1998. And here's a cool story: she said the fact it was David had probably slipped her mind because the play was recorded in West Country accents, and she strongly associated David with his natural Scottish accent. West Country, huh? Now that's an accent I'd like to hear him do!

A Tragedy of Two Ambitions was broadcast on 7 Dec 1998 as the fourth of four episodes of Life's Little Ironies, a BBC Radio 4 Afternoon Play. It was 45 minutes in length. Other cast members were Alex Lowe, Abigail Docherty, Anthony Jackson, Susan Brown, and Charlie Simpson. Its producer was Clive Brill for Watchmaker Productions, and it was recorded at The Soundhouse in Shepherds Bush, London.

It's an audio play that I would dearly love to have in my collection. I've searched high and low. Unless someone recorded it back in 1998 and saved it, it's likely gone. But stranger things have happened. After all, old DW episodes are still being found, right?

Now - if you've stuck with me this long, I've got a goody to tell. But it's not about The Tragedy Of Two Ambitions - it's about The Island (and if you haven't listened to that play go forth and do it! It's a lovely piece). Rogers told me The Island was recorded on the Isle of Skye because with a small cast, it was often cheaper to record on location than rent a studio in London. The cast stayed at the Kinloch Lodge and recorded in the hotel and on a small private beach. But recording on location meant the cast couldn't access fancy sound effects, so sound effects were done on the fly. While on that private beach, Rogers said, the cast noticed a ruined rowing boat half-full of water. David splashed around in it when they needed watery effects. So when you listen to the play and you hear splashing water, that's our dear David!

And thus ends my story of the mystery of The Tragedy Of Two Ambitions (and the tiny treat of a behind-the-scenes story about The Island).

If anyone can find that audio, contact me. I beg of you!

[its-tortle]

tortle's 2023 reads

persuasion by jane austen - ●●●●○

ragtime by e.l. doctorov - ●●●○○

a study in pink & the sign of the four by arthur conan doyle - ●●●○○

convenience store woman by sayaka murata - ●●●○○

jane eyre by charlotte brontë - ●●●●○

just kids by patti smith - ●●●○○

hamnet by maggie o'farrel - ●●●●○

gruppenbild mit dame by heinrich böll - ●●●●○

(rr) six of crows duology by leigh bardugo - ●●●●●

(rr) i'll give you the sun by jandy nelson - ●●●●○

in the skin of a lion by michael ondaatje - ●●●○○

brief an den vater by franz kafka - ●●●●○

when we were orphans by kazuo ishiguro - ●●○○○

one flew over the cuskoo's nest by ken kesey - ●●●○○

piranesi by suzanne collins - ●●●●●

the hundred secret senses by amy tan - ●●●●○

liebesperlen by mariana leky - ●●●●○

franny & zooey by j.d. salinger - ●●●●○

the overstory by richard powers - ●●●●●

the virgin suicides by jeffrey eugenides - ●●●●○

our wives under the sea by julia armfield - ●●●○○

everything i know about love by dolly alderton - ●●●●●

cat's cradle by kurt vonnegut - ●●●○○

untamed by glennon doyle - ●●●●○

der grosse sommer by ewald arenz - ●●●○○

(rr) mosquitoland by david arnold - ●●●●○

the grass is singing by doris lessing - ●●○○○

people person by candice carty-williams - ●●●●○

the tennant of wildfell hall by anne brontë - ●●●●○

the island of missing trees by elif shayak - ●●●●●

briefe an einen jungen dichter by rainer maria rilke - ●●●●○

white teeth by zadie smith - ●●●●○

this is how you lose the time war by amal el-mohtar and max gladstone - ●●●●○

braiding sweetgrass by robin wall kimmerer - ●●●○○

wanderer, kommst du nach spa... by heinrich böll - ●●●●○

a hundred years of solitude by gabriel garcìa marquez - ●●●○○

matrix by lauren groff - ●●●○○

daisy jones and the six by taylor jenkins reid - ●●●●○

the age of innocence by edith wharton - ●●●●○

die frau auf der treppe by bernhard schlink - ●●●●○

midnight in the garden of good and evil by john berendt - ●●●●●

joan by katherine j. chen - ●●●●○

pigs in heaven by barbara kingsolver - ●●●●●

the seven husbands of evelyn hugo by taylor jenkins reid - ●●●●○

percy jackson and the olympians (5 book series) - ●●●○○

i'm glad my mom died by jennette mccurdy - ●●●●○

(rr) the unbearable lightness of being by milan kundera - ●●●●●

the circle by dave eggers - ●●○○○

die blechtrommel by günter grass - ●●●●○

the secret history by donna tartt - ●●●●○

the hunger games (trilogy) by suzanne collins - ●●●●○

the ballad of songbirds and snakes by suzanne collins - ●●●○○

young mungo by douglas stuart - ●●●●●

ninth house by leigh bardugo - ●●●○○

last night at the telegraph club by melinda lo - ●●●○○

my book ranking system, for insight:

●●●●● -- loved loved loved this. it might have made me cry. i will be recommending this to everyone ●●●●○ -- nice!! a good read. would possibly reread and will be keeping it all pretty on my shelf ●●●○○ -- t'was a book! maybe not quite my genre or not what i needed in that moment, but no ragrets. i still got something out of it ●●○○○ -- eh. didn't really need to read this. it was kind of unoriginal and/or not my thing. will give away my copy ●○○○○ -- could not finish. who published this and why.

[ncruuk]

Chivalrous Geometry (9181 words) by ncruuk Chapters: 1/1 Fandom: NCIS: Hawai'i Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Lucy Tara/Kate Whistler Characters: Lucy Tara, Kate Whistler, Jane Tennant, Alex Tennant Additional Tags: Ohana, Warm and Fuzzy Feelings, awkward Whistler, Protective Lucy, Tensler friendship, Jane in Mom mode, cute and fluffy hopefully Summary:

Alex Tennant was raised to be a thoughtful, considerate and kind boy, who's now grown up into a thoughtful, considerate, kind teenager…which means he's also a typical teenage boy - old enough and interested enough in girls to get to first base with them but young enough to be too embarrassed to talk to his Mom about it. So, when he returns from a high school baseball tour trip to the mainland realising he needs some advice, he knows exactly who he needs it from: Kate. Unsurprisingly, this comes as something of a surprise to Kate, Lucy and Jane though it does all, eventually, make perfect sense.

[This was supposed to be a small, slightly silly almost crack-fic idea that would see me try writing 'Kacy' for the first time. Instead, it's a not-so-small and fluff rather than crack (I know, why break the habit of two decades of fanfic-ing?).]